The Vana Parva , also known as the "Book of the Forest", is the third of eighteen parvas in the Indian epic Mahabharata . Vana Parva traditionally has 21 parts and 324 chapters. The critical edition of Vana Parva is the longest of the 18 books in the epic, containing 16 parts and 299 chapters.
67-654: The parva is a chronicle of the twelve-year journey of the Pandavas in a forest, where they learn life lessons and build character. Vana Parva contains discourses on virtues and ethics ; myths of Arjuna , Yudhishthara , and Bhima ; and the tales of " Nahusha the Snake and Yudhishthira" and "Ushinara and the Hawk". It also includes the love stories of " Nala and Damayanti " and " Savitri and Satyavan ". This book traditionally has 21 sub-parvas (parts) and 324 chapters. The following are
134-613: A moral , fable , allegory or a parable , or collection of traditional stories, understood to be false. It came eventually to be applied to similar bodies of traditional stories among other polytheistic cultures around the world. Thus "mythology" entered the English language before "myth". Johnson 's Dictionary , for example, has an entry for mythology, but not for myth. Indeed, the Greek loanword mythos ( pl. mythoi ) and Latinate mythus (pl. mythi ) both appeared in English before
201-449: A "disease of language". He speculated that myths arose due to the lack of abstract nouns and neuter gender in ancient languages. Anthropomorphic figures of speech , necessary in such languages, were eventually taken literally, leading to the idea that natural phenomena were in actuality conscious or divine. Not all scholars, not even all 19th-century scholars, accepted this view. Lucien Lévy-Bruhl claimed that "the primitive mentality
268-541: A 15 volume set of the Mahabharata which includes a translation of Vana Parva by William Johnson. This translation is modern and uses an old manuscript of the epic. The translation does not remove verses and chapters now widely believed to be spurious. The entire parva has been "transcreated" and translated in verse by the poet Dr. Purushottama Lal published by Writers Workshop . The Kirata sub-parva of Aranya Parva has inspired several major poems and expanded works, such as
335-449: A book on the comparative study of mythology and religion—argued that humans started out with a belief in magical rituals; later, they began to lose faith in magic and invented myths about gods, reinterpreting their rituals as religious rituals intended to appease the gods. Historically, important approaches to the study of mythology have included those of Vico , Schelling , Schiller , Jung , Freud , Lévy-Bruhl , Lévi-Strauss , Frye ,
402-639: A book written by a chronicler in the Middle Ages describing historical events in a country, or the lives of a nobleman or a clergyman, although it is also applied to a record of public events. The earliest medieval chronicle to combine both retrospective ( dead ) and contemporary ( live ) entries, is the Chronicle of Ireland , which spans the years 431 to 911. Chronicles are the predecessors of modern " time lines " rather than analytical histories. They represent accounts, in prose or verse, of local or distant events over
469-437: A chronicle with information not available to the original chronicler. Determining the reliability of particular chronicles is important to historians . Many newspapers and other periodical literature have adopted "chronicle" as part of their name. "It is well known that history, in the form of Chronicles, was a favourite portion of the literature of the middle ages. The annals of a country were usually kept according to
536-401: A considerable period of time, both the lifetime of the individual chronicler and often those of several subsequent continuators . If the chronicles deal with events year by year, they are often called annals . Unlike the modern historian, most chroniclers tended to take their information as they found it, and made little attempt to separate fact from legend. The point of view of most chroniclers
603-477: A failed or obsolete mode of thought, often by interpreting myth as the primitive counterpart of modern science within a unilineal framework that imagined that human cultures are travelling, at different speeds, along a linear path of cultural development. One of the dominant mythological theories of the latter 19th century was nature mythology , the foremost exponents of which included Max Müller and Edward Burnett Tylor . This theory posited that "primitive man"
670-406: A form of journalism or non-professional historical documentation. Before the development of modern journalism and the systematization of chronicles as a journalistic genre, cronista were tasked with narrating chronological events considered worthy of remembrance that were recorded year by year. Unlike writers who created epic poems regarding living figures, cronista recorded historical events in
737-446: A methodology that allows us to understand the complexity of the myth and its manifestations in contemporary times, is justified. Because "myth" is sometimes used in a pejorative sense, some scholars have opted for "mythos" instead. "Mythos" now more commonly refers to its Aristotelian sense as a "plot point" or to a body of interconnected myths or stories, especially those belonging to a particular religious or cultural tradition. It
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#1732844508372804-535: A myth can be highly controversial. Many religious adherents believe that the narratives told in their respective religious traditions are historical without question, and so object to their identification as myths while labelling traditional narratives from other religions as such. Hence, some scholars may label all religious narratives as "myths" for practical reasons, such as to avoid depreciating any one tradition because cultures interpret each other differently relative to one another. Other scholars may abstain from using
871-486: A pattern of behavior to be imitated, testifies to the efficacy of ritual with its practical ends and establishes the sanctity of cult . Another definition of myth comes from myth criticism theorist and professor José Manuel Losada . According to Cultural Myth Criticism, the studies of myth must explain and understand "myth from inside", that is, only "as a myth". Losada defines myth as "a functional, symbolic and thematic narrative of one or several extraordinary events with
938-536: A poetic description of the sea as "raging" was eventually taken literally and the sea was then thought of as a raging god. Some thinkers claimed that myths result from the personification of objects and forces. According to these thinkers, the ancients worshiped natural phenomena, such as fire and air, gradually deifying them. For example, according to this theory, ancients tended to view things as gods, not as mere objects. Thus, they described natural events as acts of personal gods, giving rise to myths. According to
1005-600: A primordial age when the world had not achieved its later form. Origin myths explain how a society's customs , institutions , and taboos were established and sanctified. National myths are narratives about a nation's past that symbolize the nation's values. There is a complex relationship between recital of myths and the enactment of rituals . The word "myth" comes from Ancient Greek μῦθος ( mȳthos ), meaning 'speech, narrative, fiction, myth, plot'. In turn, Ancient Greek μυθολογία ( mythología , 'story', 'lore', 'legends', or 'the telling of stories') combines
1072-621: A scholarly term for "[a] traditional story, especially one concerning the early history of a people or explaining a natural or social phenomenon, and typically involving supernatural beings or events." The Greek term mythología was then borrowed into Late Latin , occurring in the title of Latin author Fulgentius ' 5th-century Mythologiæ to denote what is now referred to as classical mythology —i.e., Greco-Roman etiological stories involving their gods. Fulgentius' Mythologiæ explicitly treated its subject matter as allegories requiring interpretation and not as true events. The Latin term
1139-565: A step further, incorporating the study of the transcendent dimension (its function, its disappearance) to evaluate the role of myth as a mirror of contemporary culture. Cultural myth criticism Cultural myth criticism, without abandoning the analysis of the symbolic , invades all cultural manifestations and delves into the difficulties in understanding myth today. This cultural myth criticism studies mythical manifestations in fields as wide as literature , film and television , theater , sculpture , painting , video games , music , dancing ,
1206-436: A transcendent, sacred and supernatural referent; that lacks, in principle, historical testimony; and that refers to an individual or collective, but always absolute, cosmogony or eschatology". According to the hylistic myth research by assyriologist Annette Zgoll and classic philologist Christian Zgoll , "A myth can be defined as an Erzählstoff [narrative material] which is polymorphic through its variants and – depending on
1273-576: A world of the remote past, very different from that of the present. Definitions of "myth" vary to some extent among scholars, though Finnish folklorist Lauri Honko offers a widely-cited definition: Myth, a story of the gods, a religious account of the beginning of the world , the creation , fundamental events, the exemplary deeds of the gods as a result of which the world, nature and culture were created together with all parts thereof and given their order, which still obtains. A myth expresses and confirms society's religious values and norms, it provides
1340-601: Is a genre of folklore consisting primarily of narratives that play a fundamental role in a society. For scholars, this is very different from the vernacular usage of the term "myth" that refers to a belief that is not true. Instead, the veracity of a myth is not a defining criterion. Myths are often endorsed by secular and religious authorities and are closely linked to religion or spirituality . Many societies group their myths, legends, and history together, considering myths and legends to be factual accounts of their remote past. In particular, creation myths take place in
1407-421: Is a condition of the human mind and not a stage in its historical development." Recent scholarship, noting the fundamental lack of evidence for "nature mythology" interpretations among people who actually circulated myths, has likewise abandoned the key ideas of "nature mythology". Frazer saw myths as a misinterpretation of magical rituals, which were themselves based on a mistaken idea of natural law. This idea
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#17328445083721474-465: Is a form of understanding and telling stories that are connected to power, political structures, and political and economic interests. These approaches contrast with approaches, such as those of Joseph Campbell and Eliade , which hold that myth has some type of essential connection to ultimate sacred meanings that transcend cultural specifics. In particular, myth was studied in relation to history from diverse social sciences. Most of these studies share
1541-529: Is a term for a historical chronicler, a role that held historical significance in the European Middle Ages . Until the European Enlightenment , the occupation was largely equivalent to that of a historian, describing events chronologically that were of note in a given country or region. As such, it was often an official governmental position rather than an independent practice. The appointment of
1608-573: Is highly localised, to the extent that many anonymous chroniclers can be sited in individual abbeys . It is impossible to say how many chronicles exist, as the many ambiguities in the definition of the genre make it impossible to draw clear distinctions of what should or should not be included. However, the Encyclopedia of the Medieval Chronicle lists some 2,500 items written between 300 and 1500 AD. Entries in chronicles are often cited using
1675-423: Is nobody's truth. Myths are somebody's truth." One theory claims that myths are distorted accounts of historical events. According to this theory, storytellers repeatedly elaborate upon historical accounts until the figures in those accounts gain the status of gods. For example, the myth of the wind-god Aeolus may have evolved from a historical account of a king who taught his people to use sails and interpret
1742-472: Is often thought to differ from genres such as legend and folktale in that neither are considered to be sacred narratives. Some kinds of folktales, such as fairy stories , are not considered true by anyone, and may be seen as distinct from myths for this reason. Main characters in myths are usually gods , demigods or supernatural humans, while legends generally feature humans as their main characters. Many exceptions and combinations exist, as in
1809-427: Is one where the author assembles a list of events up to the time of their writing, but does not record further events as they occur. A live chronicle is where one or more authors add to a chronicle in a regular fashion, recording contemporary events shortly after they occur. Because of the immediacy of the information, historians tend to value live chronicles, such as annals , over dead ones. The term often refers to
1876-560: Is sometimes known as "mythography", a term also used for a scholarly anthology of myths or of the study of myths generally. Key mythographers in the Classical tradition include: Other prominent mythographies include the thirteenth-century Prose Edda attributed to the Icelander Snorri Sturluson , which is the main surviving survey of Norse Mythology from the Middle Ages. Jeffrey G. Snodgrass (professor of anthropology at
1943-510: Is sometimes used specifically for modern, fictional mythologies, such as the world building of H. P. Lovecraft . Mythopoeia ( mytho- + -poeia , 'I make myth') was termed by J. R. R. Tolkien , amongst others, to refer to the "conscious generation" of mythology. It was notoriously also suggested, separately, by Nazi ideologist Alfred Rosenberg . Comparative mythology is a systematic comparison of myths from different cultures. It seeks to discover underlying themes that are common to
2010-483: Is virtue, forgiveness is sacrifice, forgiveness is the Vedas , forgiveness is Sruti , he who knows all this is capable of forgiving all. Forgiveness is Brahma , forgiveness is truth, forgiveness is accumulated and future (ascetic) merit, forgiveness is the devout penance, forgiveness is purity, and by forgiveness is the universe sustained. J. A. B. van Buitenen completed an annotated edition of Vana Parva, based on
2077-550: Is virtue; forgiveness is sacrifice, forgiveness is the Vedas, forgiveness is the Shruti. He that knoweth this is capable of forgiving everything. Forgiveness is Brahma; forgiveness is truth; forgiveness is stored ascetic merit; forgiveness protecteth the ascetic merit of the future; forgiveness is asceticism; forgiveness is holiness ; and by forgiveness is it that the universe is held together. and Manmatha Nath Dutt's translation: Forgiveness
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2144-633: The Anglo-Saxon Chronicle , started under the patronage of King Alfred in the 9th century and continued until the 12th century, and the Chronicles of England, Scotland and Ireland (1577–87) by Raphael Holinshed and other writers; the latter documents were important sources of materials for Elizabethan drama. Later 16th century Scottish chronicles, written after the Reformation , shape history according to Catholic or Protestant viewpoints. A cronista
2211-571: The Iliad , Odyssey and Aeneid . Moreover, as stories spread between cultures or as faiths change, myths can come to be considered folktales, their divine characters recast as either as humans or demihumans such as giants , elves and faeries . Conversely, historical and literary material may acquire mythological qualities over time. For example, the Matter of Britain (the legendary history of Great Britain, especially those focused on King Arthur and
2278-452: The Republic . His critique was primarily on the grounds that the uneducated might take the stories of gods and heroes literally. Nevertheless, he constantly referred to myths throughout his writings. As Platonism developed in the phases commonly called Middle Platonism and neoplatonism , writers such as Plutarch , Porphyry , Proclus , Olympiodorus , and Damascius wrote explicitly about
2345-842: The Theologia Mythologica (1532). The first modern, Western scholarly theories of myth appeared during the second half of the 19th century —at the same time as "myth" was adopted as a scholarly term in European languages. They were driven partly by a new interest in Europe's ancient past and vernacular culture, associated with Romantic Nationalism and epitomised by the research of Jacob Grimm (1785–1863). This movement drew European scholars' attention not only to Classical myths, but also material now associated with Norse mythology , Finnish mythology , and so forth. Western theories were also partly driven by Europeans' efforts to comprehend and control
2412-611: The Colorado State University ) has termed India's Bhats as mythographers. Myth criticism is a system of anthropological interpretation of culture created by French philosopher Gilbert Durand . Scholars have used myth criticism to explain the mythical roots of contemporary fiction, which means that modern myth criticism needs to be interdisciplinary . Professor Losada offers his own methodologic, hermeneutic and epistemological approach to myth. While assuming mythopoetical perspectives, Losada's Cultural Myth Criticism takes
2479-459: The Kirātārjunīya by Bhāravi. Chronicle A chronicle ( Latin : chronica , from Greek χρονικά chroniká , from χρόνος , chrónos – "time") is a historical account of events arranged in chronological order, as in a timeline . Typically, equal weight is given for historically important events and local events, the purpose being the recording of events that occurred, seen from
2546-579: The Internet and other artistic fields . Myth criticism, a discipline that studies myths (mythology contains them, like a pantheon its statues), is by nature interdisciplinary: it combines the contributions of literary theory, the history of literature, the fine arts and the new ways of dissemination in the age of communication. Likewise, it undertakes its object of study from its interrelation with other human and social sciences, in particular sociology , anthropology and economics . The need for an approach, for
2613-553: The Soviet school, and the Myth and Ritual School . The critical interpretation of myth began with the Presocratics . Euhemerus was one of the most important pre-modern mythologists. He interpreted myths as accounts of actual historical events, though distorted over many retellings. Sallustius divided myths into five categories: Plato condemned poetic myth when discussing education in
2680-489: The abbreviation s.a. , meaning sub anno (under the year), according to the year under which they are listed. For example, " ASC MS A, s.a. 855" means the entry for the year 855 in manuscript A of the Anglo-Saxon Chronicle . The same event may be recorded under a different year in another manuscript of the chronicle, and may be cited for example as " ASC MS D, s.a. 857". The most important English chronicles are
2747-465: The concept of the Oedipus complex in his 1899 The Interpretation of Dreams . Jung likewise tried to understand the psychology behind world myths. Jung asserted that all humans share certain innate unconscious psychological forces, which he called archetypes . He believed similarities between the myths of different cultures reveals the existence of these universal archetypes. The mid-20th century saw
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2814-453: The critically edited and least corrupted version of Mahabharata known in 1975. In 2011, Debroy notes that the updated critical edition of Vana Parva, with spurious and corrupted text removed, has 16 parts, 299 adhyayas (chapters) and 10,239 shlokas (verses). Debroy published a translated version of a critical edition of Vana Parva in Volume 2 and 3 of his series. Clay Sanskrit Library has published
2881-577: The cultures, stories and religions they were encountering through colonialism . These encounters included both extremely old texts such as the Sanskrit Rigveda and the Sumerian Epic of Gilgamesh , and current oral narratives such as mythologies of the indigenous peoples of the Americas or stories told in traditional African religions . The intellectual context for nineteenth-century scholars
2948-493: The first example of "myth" in 1830. The main characters in myths are usually non-humans, such as gods , demigods , and other supernatural figures. Others include humans, animals, or combinations in their classification of myth. Stories of everyday humans, although often of leaders of some type, are usually contained in legends , as opposed to myths. Myths are sometimes distinguished from legends in that myths deal with gods, usually have no historical basis, and are set in
3015-402: The foremost functions of myth is to establish models for behavior and that myths may provide a religious experience. By telling or reenacting myths, members of traditional societies detach themselves from the present, returning to the mythical age, thereby coming closer to the divine. Honko asserted that, in some cases, a society reenacts a myth in an attempt to reproduce the conditions of
3082-423: The influential development of a structuralist theory of mythology , led by Lévi-Strauss . Strauss argued that myths reflect patterns in the mind and interpreted those patterns more as fixed mental structures, specifically pairs of opposites (good/evil, compassionate/callous), rather than unconscious feelings or urges. Meanwhile, Bronislaw Malinowski developed analyses of myths focusing on their social functions in
3149-705: The knights of the Round Table ) and the Matter of France , seem distantly to originate in historical events of the 5th and 8th centuries, respectively, and became mythologised over the following centuries. In colloquial use, "myth" can also be used of a collectively held belief that has no basis in fact, or any false story. This usage, which is often pejorative , arose from labelling the religious myths and beliefs of other cultures as incorrect, but it has spread to cover non-religious beliefs as well. As commonly used by folklorists and academics in other relevant fields, such as anthropology , "myth" has no implication whether
3216-436: The lives of individuals in an ostensibly truthful and reality-oriented way. Even from the time of early Christian historiography, cronistas were clearly expected to place human history in the context of a linear progression, starting with the creation of man until the second coming of Christ , as prophesied in biblical texts . Rhymed or poetic chronicles, as opposed to prosaic chronicles, include: Myth Myth
3283-465: The myth-ritual theory, myth is tied to ritual. In its most extreme form, this theory claims myths arose to explain rituals. This claim was first put forward by Smith , who argued that people begin performing rituals for reasons not related to myth. Forgetting the original reason for a ritual, they account for it by inventing a myth and claiming the ritual commemorates the events described in that myth. James George Frazer —author of The Golden Bough ,
3350-583: The mythical age. For example, it might reenact the healing performed by a god at the beginning of time in order to heal someone in the present. Similarly, Barthes argued that modern culture explores religious experience. Since it is not the job of science to define human morality, a religious experience is an attempt to connect with a perceived moral past, which is in contrast with the technological present. Pattanaik defines mythology as "the subjective truth of people communicated through stories, symbols and rituals." He says, "Facts are everybody's truth. Fiction
3417-430: The myths of multiple cultures. In some cases, comparative mythologists use the similarities between separate mythologies to argue that those mythologies have a common source. This source may inspire myths or provide a common "protomythology" that diverged into the mythologies of each culture. A number of commentators have argued that myths function to form and shape society and social behaviour. Eliade argued that one of
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#17328445083723484-553: The narrative may be understood as true or otherwise. Among biblical scholars of both the Old and New Testament, the word "myth" has a technical meaning, in that it usually refers to "describe the actions of the other‐worldly in terms of this world" such as the Creation and the Fall. Since "myth" is popularly used to describe stories that are not objectively true , the identification of a narrative as
3551-438: The official chronicler often favored individuals who had distinguished themselves by their efforts to study, investigate and disseminate population -related issues. The position was granted on a local level based on the mutual agreements of a city council in plenary meetings. Often, the occupation was honorary, unpaid, and stationed for life. In modern usage, the term usually refers to a type of journalist who writes chronicles as
3618-788: The perspective of the chronicler . A chronicle which traces world history is a universal chronicle . This is in contrast to a narrative or history , in which an author chooses events to interpret and analyze and excludes those the author does not consider important or relevant. The information sources for chronicles vary. Some are written from the chronicler's direct knowledge, others from witnesses or participants in events, still others are accounts passed down from generation to generation by oral tradition . Some used written material, such as charters , letters , and earlier chronicles. Still others are tales of unknown origin that have mythical status. Copyists also changed chronicles in creative copying, making corrections or in updating or continuing
3685-478: The rationalization of myths, putting themes formerly imbued with mythological qualities into pragmatic contexts. An example of this would be following a cultural or religious paradigm shift (notably the re-interpretation of pagan mythology following Christianization ). Interest in polytheistic mythology revived during the Renaissance , with early works of mythography appearing in the sixteenth century, among them
3752-535: The real world. He is associated with the idea that myths such as origin stories might provide a "mythic charter"—a legitimisation—for cultural norms and social institutions . Thus, following the Structuralist Era ( c. 1960s –1980s), the predominant anthropological and sociological approaches to myth increasingly treated myth as a form of narrative that can be studied, interpreted, and analyzed like ideology, history, and culture. In other words, myth
3819-602: The sub-parvas: Several translations of the Sanskrit book Vana Parva in English are available. Two translations from 19th century, now in public domain, are by Kisari Mohan Ganguli and Manmatha Nath Dutt. The translations vary with each translator's interpretations. Compare: The original Sanskrit: क्षमा धर्मः क्षमा यज्ञः क्षमा वेदाः क्षमा श्रुतम | यस ताम एवं विजानाति स सर्वं क्षन्तुम अर्हति || क्षमा ब्रह्म क्षमा सत्यं क्षमा भूतं च भावि च | क्षमा तपः क्षमा शौचं क्षमया चॊद्धृतं जगत || Kisari Mohan Ganguli's translation: Forgiveness
3886-421: The symbolic interpretation of traditional and Orphic myths. Mythological themes were consciously employed in literature, beginning with Homer . The resulting work may expressly refer to a mythological background without itself becoming part of a body of myths ( Cupid and Psyche ). Medieval romance in particular plays with this process of turning myth into literature. Euhemerism , as stated earlier, refers to
3953-464: The term "myth" altogether for purposes of avoiding placing pejorative overtones on sacred narratives. In present use, "mythology" usually refers to the collection of myths of a group of people. For example, Greek mythology , Roman mythology , Celtic mythology and Hittite mythology all describe the body of myths retold among those cultures. "Mythology" can also refer to the study of myths and mythologies. The compilation or description of myths
4020-483: The variant – polystratic; an Erzählstoff in which transcending interpretations of what can be experienced are combined into a hyleme sequence with an implicit claim to relevance for the interpretation and mastering of the human condition." Scholars in other fields use the term "myth" in varied ways. In a broad sense, the word can refer to any traditional story , popular misconception or imaginary entity. Though myth and other folklore genres may overlap, myth
4087-739: The winds. Herodotus (fifth-century BCE) and Prodicus made claims of this kind. This theory is named euhemerism after mythologist Euhemerus ( c. 320 BCE ), who suggested that Greek gods developed from legends about humans. Some theories propose that myths began as allegories for natural phenomena: Apollo represents the sun, Poseidon represents water, and so on. According to another theory, myths began as allegories for philosophical or spiritual concepts: Athena represents wise judgment, Aphrodite romantic desire, and so on. Müller supported an allegorical theory of myth. He believed myths began as allegorical descriptions of nature and gradually came to be interpreted literally. For example,
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#17328445083724154-405: The word mȳthos with the suffix - λογία ( -logia , 'study') in order to mean 'romance, fiction, story-telling.' Accordingly, Plato used mythología as a general term for 'fiction' or 'story-telling' of any kind. In Anglicised form, this Greek word began to be used in English (and was likewise adapted into other European languages) in the early 19th century, in a much narrower sense, as
4221-563: The years of the sovereign's power, and not those of the Christian æra. The Chronicles compiled in large cities were arranged in like manner, with the years reckoned according to the annual succession of chief magistrates." – John Gough Nichols , critical edition foreword to Chronicle of the Grey Friars of London (1852) Scholars categorize the genre of chronicle into two subgroups: live chronicles, and dead chronicles. A dead chronicle
4288-1029: Was central to the " myth and ritual " school of thought. According to Frazer, humans begin with an unfounded belief in impersonal magical laws. When they realize applications of these laws do not work, they give up their belief in natural law in favor of a belief in personal gods controlling nature, thus giving rise to religious myths. Meanwhile, humans continue practicing formerly magical rituals through force of habit, reinterpreting them as reenactments of mythical events. Finally, humans come to realize nature follows natural laws, and they discover their true nature through science. Here again, science makes myth obsolete as humans progress "from magic through religion to science." Segal asserted that by pitting mythical thought against modern scientific thought, such theories imply modern humans must abandon myth. The earlier 20th century saw major work developing psychoanalytical approaches to interpreting myth, led by Sigmund Freud , who, drawing inspiration from Classical myth, began developing
4355-618: Was primarily concerned with the natural world. It tended to interpret myths that seemed distasteful to European Victorians —such as tales about sex, incest, or cannibalism—as metaphors for natural phenomena like agricultural fertility . Unable to conceive impersonal natural laws, early humans tried to explain natural phenomena by attributing souls to inanimate objects, thus giving rise to animism . According to Tylor, human thought evolved through stages, starting with mythological ideas and gradually progressing to scientific ideas. Müller also saw myth as originating from language, even calling myth
4422-523: Was profoundly shaped by emerging ideas about evolution . These ideas included the recognition that many Eurasian languages—and therefore, conceivably, stories—were all descended from a lost common ancestor (the Indo-European language ) which could rationally be reconstructed through the comparison of its descendant languages. They also included the idea that cultures might evolve in ways comparable to species. In general, 19th-century theories framed myth as
4489-532: Was then adopted in Middle French as mythologie . Whether from French or Latin usage, English adopted the word "mythology" in the 15th century, initially meaning 'the exposition of a myth or myths', 'the interpretation of fables', or 'a book of such expositions'. The word is first attested in John Lydgate 's Troy Book ( c. 1425 ). From Lydgate until the 17th or 18th century, "mythology" meant
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