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Vedic priesthood

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Priests of the Vedic religion are officiants of the yajna service. Yajna is an important part of Hinduism, especially the Vedas. Persons trained for the ritual and proficient in its practice were called ṛtvij ( ऋत्विज् ' regularly - sacrificing '). As members of a social class, they were generically known as vipra 'sage' or kavi 'seer'. Specialization of roles attended the elaboration and development of the ritual corpus over time. Eventually a full complement of sixteen ṛtvija s became the custom for major ceremonies. The sixteen consisted of four chief priests and their assistants.

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97-457: The older references uniformly indicate hotṛ as the presiding priest, with perhaps only the adhvaryu as his assistant in the earliest times. The phrase "seven hotars" is found more than once in the Rigveda . Hymn 2.1.2 of Rigveda states it as follows, तवाग्ने होत्रं तव पोत्र मृत्वियं तव नेष्ट्रं त्व मग्नि दृतायतः । तव प्रशास्त्रं त्व मध्वरीय सि ब्रह्म चासि गृहपतिश्च नो दमे ॥२॥ Thine

194-487: A rishi (sage) and his family of students. Within each collection, the hymns are arranged in descending order of the number of stanzas per hymn. If two hymns in the same collection have equal numbers of stanzas then they are arranged so that the number of syllables in the metre are in descending order. The second to seventh mandalas have a uniform format. The eighth and ninth mandalas, comprising hymns of mixed age, account for 15% and 9%, respectively. The ninth mandala

291-477: A cognate to Latin ater (black) and to Albanian vatër (definite form: vatra ) "hearth", "fireplace", which was loaned to Romanian vatră "hearth", "fireplace", and thereafter spread to Serbo-Croat vatra "fire" and Ukrainian vatra "bonfire". In later Zoroastrianism, ātar ( Middle Persian : 𐭠𐭲𐭥𐭥𐭩 ādar or ādur ) is iconographically conflated with fire itself, which in Middle Persian

388-402: A collection of compositions by many authors. The first mandala is the largest, with 191 hymns and 2006 verses, and it was added to the text after Books 2 through 9. The last, or the 10th Book, also has 191 hymns but 1754 verses, making it the second largest. The language analytics suggest the 10th Book, chronologically, was composed and added last. The content of the 10th Book also suggest that

485-502: A complementary relationship between kings and poet-priests but no discussion of a relative status of social classes. Women in the Rigveda appear disproportionately as speakers in dialogue hymns, both as mythical or divine Indrani , Apsaras Urvasi , or Yami , as well as Apāla Ātreyī (RV 8.91), Godhā (RV 10.134.6), Ghoṣā Kākṣīvatī (RV 10.39.40), Romaśā (RV 1.126.7), Lopāmudrā (RV 1.179.1–2), Viśvavārā Ātreyī (RV 5.28), Śacī Paulomī (RV 10.159), Śaśvatī Āṅgirasī (RV 8.1.34). The women of

582-496: A few verses. The following information is known about the shakhas other than Śākala and Bāṣkala: The Rigveda hymns were composed and preserved by oral tradition . They were memorized and verbally transmitted with "unparalleled fidelity" across generations for many centuries. According to Barbara West, it was probably first written down about the 3rd-century BCE. The manuscripts were made from birch bark or palm leaves , which decompose and therefore were routinely copied over

679-406: A generic term for "priest". In the systematic expositions of the shrauta sutras , which date to the fifth or sixth century BCE, the assistants are classified into four groups associated with each of the four chief priests, although the classifications are artificial and in some cases incorrect: Comparison with the sacred texts of Zoroastrianism , a distinct religion with the same origins, shows

776-459: A legend to explain the origin of the offices of the subrahmanya and the grāvastut . The requirements of the fully developed ritual were rigorous enough that only professional priests could perform them adequately. Thus, whereas in the earliest times, the true sacrificer, or intended beneficiary of the rite, might have been a direct participant, in Vedic times he was only a sponsor, the yajamāna , with

873-625: A millennium by oral tradition alone. In order to achieve this the oral tradition prescribed very structured enunciation, involving breaking down the Sanskrit compounds into stems and inflections, as well as certain permutations. This interplay with sounds gave rise to a scholarly tradition of morphology and phonetics . It is unclear as to when the Rigveda was first written down. The oldest surviving manuscripts have been discovered in Nepal and date to c.  1040 CE . According to Witzel,

970-400: A possibly lost Central Asian language. The linguistic sharing provides clear indications, states Michael Witzel, that the people who spoke Rigvedic Sanskrit already knew and interacted with Munda and Dravidian speakers. The "family books" (2–7) are associated with various clans and chieftains, containing hymns by members of the same clan in each book; but other clans are also represented in

1067-460: A reference to atar if a cult of fire and its associated priesthood did not yet exist in Zoroaster's time. Thus, in all probability, "the word athravan has a different derivation." (Boyce, 2002:17) In Vendidad 1, Adar battles Aži Dahāka , the great dragon of the sky. In Ferdowsi 's Shahnameh , Hoshang , the grandson of the first man Gayomard , discovers fire in a rock. He recognizes it as

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1164-491: A representation of a fire altar, accompanied by the legend atash i artakhshir , "Fire of Ardeshir", on the reverse. Ardashir's son, Shapur I ( r. 241–272), has much the same image but adds two attendants at the fire altar. On the coins of Hormizd I (also known as Ardashir II, r. 272–273), the emperor himself tends the fire with the help of an attendant. Bahram II (276–293) also appears himself, accompanied by what may be his queen and son. Narseh ( r. 293–303) also attends

1261-506: A temple cult of fire in the Avesta proper, nor is there any old Persian language word for one. Moreover, Boyce suggests that the temple cult of fire was instituted in opposition to the image/shrine cult and "no actual ruins of a fire temple have been identified from before the Parthian period" (Boyce, 1975:454). That the cult of fire was a doctrinal modification and absent from early Zoroastrianism

1358-567: A total of 1025 regular hymns for this śākhā. In addition, the Bāṣkala recension has its own appendix of 98 hymns, the Khilani . In the 1877 edition of Aufrecht, the 1028 hymns of the Rigveda contain a total of 10,552 ṛc s, or 39,831 padas. The Shatapatha Brahmana gives the number of syllables to be 432,000, while the metrical text of van Nooten and Holland (1994) has a total of 395,563 syllables (or an average of 9.93 syllables per pada); counting

1455-507: A wider approximation of c. 1900–1200 BCE has also been given. The text is layered, consisting of the Samhita , Brahmanas , Aranyakas and Upanishads . The Rigveda Samhita is the core text and is a collection of 10 books ( maṇḍala s) with 1,028 hymns ( sūkta s) in about 10,600 verses (called ṛc , eponymous of the name Rigveda ). In the eight books – Books 2 through 9 – that were composed

1552-400: Is administered through atar ( Yasna 31.3, 34.4, 36.2, 47.2), the blazing atar (31.19, 51.9), through the heat of atar (43.4), through the blazing, shining, molten metal ( ayangha Khshushta , 30.7, 32.7, 51.9). An individual who has passed the fiery test, has attained physical and spiritual strength, wisdom, truth and love with serenity (30.7). However, among all the references to atar in

1649-484: Is an ancient Indian collection of Vedic Sanskrit hymns ( sūktas ). It is one of the four sacred canonical Hindu texts ( śruti ) known as the Vedas . Only one Shakha of the many survive today, namely the Śakalya Shakha. Much of the contents contained in the remaining Shakhas are now lost or are not available in the public forum. The Rigveda is the oldest known Vedic Sanskrit text. Its early layers are among

1746-465: Is an agent of ritual purity. Clean, white "ash for the purification ceremonies [is] regarded as the basis of ritual life", which "are essentially the rites proper to the tending of a domestic fire, for the temple cult is that of the hearth fire raised to a new solemnity" (Boyce, 1975:455). For, "the man who sacrifices unto fire with fuel in his hand, with the Baresman in his hand, with milk in his hand, with

1843-507: Is comparatively slight. There is also a certain amount of material peculiar to each of them. The Kaushitaka is, upon the whole, far more concise in its style and more systematic in its arrangement features which would lead one to infer that it is probably the more modern work of the two. It consists of 30 chapters ( adhyaya ); while the Aitareya has 40, divided into eight books (or pentads, pancaka ), of five chapters each. The last 10 adhyayas of

1940-466: Is entirely dedicated to Soma and the Soma ritual . The hymns in the ninth mandala are arranged by both their prosody structure ( chanda ) and by their length. The first and the tenth mandalas are the youngest; they are also the longest books, of 191 suktas each, accounting for 37% of the text. Nevertheless, some of the hymns in mandalas 8, 1 and 10 may still belong to an earlier period and may be as old as

2037-558: Is isolated in pausa form and is used for just one way of memorization; and the Samhitapatha , which combines words according to the rules of sandhi (the process being described in the Pratisakhya ) and is the memorized text used for recitation. The Padapatha and the Pratisakhya anchor the text's true meaning, and the fixed text was preserved with unparalleled fidelity for more than

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2134-449: Is organized in ten "books", or maṇḍalas ("circles"), of varying age and length. The "family books", mandalas 2–7, are the oldest part of the Rigveda and the shortest books; they are arranged by length (decreasing length of hymns per book) and account for 38% of the text. The hymns are arranged in collections each dealing with a particular deity: Agni comes first, Indra comes second, and so on. They are attributed and dedicated to

2231-480: Is selected by Ahura Mazda, the Zarathushtra Mainyu Athra ( Yasna 31.3), radiated by Ahura Mazda (43.9), bearing the conviction of "Good Purpose" ( Vohu Manah , 43.4; see also Amesha Spenta ), and enlightening one's inner-self (46.7). Within this framework of the concept of divine illumination, atar radiates the "other lights" (31.7), the essence (of Ahura Mazda) from which insight and wisdom permeate

2328-554: Is still evident in the later Atash Nyash : in the oldest passages of that liturgy, it is the hearth fire that speaks to "all those for whom it cooks the evening and morning meal", which Boyce observes is not consistent with sanctified fire. The temple cult is an even later development: From Herodotus it is known that in the mid-5th century BCE the Zoroastrians worshipped to the open sky, ascending mounds to light their fires ( The Histories , i.131). Strabo confirms this, noting that in

2425-484: Is still—with only one exception—an abstract concept simply an instrument, a medium, of the Creator and is not yet the divinity ( yazata ) of heat and light that atar was to become in the later texts. In the most ancient texts, atar is a medium, a faculty, through which judgement is passed and reflects the pre-Zoroastrian institution of ordeal by heat (Avestan: garmo-varah , heat ordeal; cf. Boyce 1996:ch. 6). Justice

2522-534: Is the Zoroastrian concept of holy fire , sometimes described in abstract terms as "burning and unburning fire" or "visible and invisible fire" (Mirza, 1987:389). It is considered to be the visible presence of Ahura Mazda and his Asha through the eponymous Yazata . The rituals for purifying a fire are performed 1,128 times a year. In the Avestan language , ātar is an attribute of sources of heat and light, of which

2619-521: Is the Herald's task and Cleanser's duly timed; Leader art thou, and Kindler for the pious man. Thou art Director, thou the ministering Priest: thou art the Brahman, Lord and Master in our home. The above hymn enumerate the priests as the hotṛ , potṛ , neṣṭṛ , agnīdh , prashāstṛ (meaning the maitrāvaruna ) and adhvaryu . Vedic ( Shrauta ) yajnas are typically performed by four priests of

2716-402: Is uncertain. The surviving padapāṭha version of the Rigveda text is ascribed to Śākalya. The Śākala recension has 1,017 regular hymns, and an appendix of 11 vālakhilya hymns which are now customarily included in the 8th mandala (as 8.49–8.59), for a total of 1028 hymns. The Bāṣkala recension includes eight of these vālakhilya hymns among its regular hymns, making

2813-613: Is 𐭠𐭲𐭧𐭱 ātaxsh , one of the primary objects of Zoroastrian symbolism. Atar is already evident in the Gathas , the oldest texts of the compendium of the Avesta and believed to have been composed by Zoroaster himself. At this juncture, as in the Yasna Haptanghaiti (the seven-chapter Yasna that structurally interrupts the Gathas and is linguistically as old as the Gathas themselves), atar

2910-450: The hotṛ or brahman taking his stead in the ritual. In this seconding lay the origins of the growing importance of the purohita (literally, "one who is placed in front"). It was not unusual for a purohita to be the hotṛ or brahman at a sacrifice for his master, besides conducting other more domestic ( gṛhya ) rituals for him also. In latter days, with the disappearance of Vedic ritual practice, purohita has become

3007-518: The ṛc s. The codification of the Rigveda took place late in the Rigvedic or rather in the early post-Rigvedic period at c.  1200 BCE , by members of the early Kuru tribe, when the center of Vedic culture moved east from the Punjab into what is now Uttar Pradesh . The Rigveda was codified by compiling the hymns, including the arrangement of the individual hymns in ten books, coeval with

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3104-529: The Rigveda are in different poetic metres in Vedic Sanskrit. The meters most used in the ṛcas are the gayatri (3 verses of 8 syllables), anushtubh (4×8), trishtubh (4×11) and jagati (4×12). The trishtubh meter (40%) and gayatri meter (25%) dominate in the Rigveda . As with the other Vedas, the redacted text has been handed down in several versions, including the Padapatha , in which each word

3201-407: The Rigveda are quite outspoken and appear more sexually confident than men, in the text. Elaborate and aesthetic hymns on wedding suggest rites of passage had developed during the Rigvedic period. There is little evidence of dowry and no evidence of sati in it or related Vedic texts. The Rigvedic hymns mention rice and porridge, in hymns such as 8.83, 8.70, 8.77 and 1.61 in some versions of

3298-470: The Rigveda . The family books are associated with specific regions, and mention prominent Bharata and Pūru kings. Tradition associates a rishi (the composer) with each ṛc (verse) of the Rigveda . Most sūktas are attributed to single composers; for each of them the Rigveda includes a lineage-specific āprī hymn (a special sūkta of rigidly formulaic structure, used for rituals). In all, 10 families of rishis account for more than 95 per cent of

3395-689: The Sapta Sindhu , and the Sarasvati River ). The Adityas , Vasus, Rudras, Sadhyas, Ashvins , Maruts , Rbhus , and the Vishvadevas ("all-gods") as well as the "thirty-three gods" are the groups of deities mentioned. Of the Brahmanas that were handed down in the schools of the Bahvṛcas (i.e. "possessed of many verses"), as the followers of the Rigveda are called, two have come down to us, namely those of

3492-811: The Sharada and Devanagari scripts, written on birch bark and paper. The oldest of the Pune collection is dated to 1464 CE. The 30 manuscripts of Rigveda preserved at the Bhandarkar Oriental Research Institute , Pune were added to UNESCO 's Memory of the World Register in 2007. Of these thirty manuscripts, nine contain the samhita text, five have the padapatha in addition. Thirteen contain Sayana's commentary. At least five manuscripts (MS. no. 1/A1879-80, 1/A1881-82, 331/1883-84 and 5/Viś I) have preserved

3589-621: The Yazata Adar —was incorporated in the Zoroastrian hierarchy of divinities. In that position, Adar aids Asha Vahishta (Avestan, Middle Persian : Ardvahisht ), the Amesha Spenta responsible for the luminaries. From among the flowers associated with the Yazatas , Adar 's is the marigold ( calendula ) ( Bundahishn 27.24). The importance of the divinity Adar is evident from a dedication to

3686-460: The early Iranian Avesta , deriving from the Proto-Indo-Iranian times, often associated with the early Andronovo culture of c.  2000 BCE . The Rigveda offers no direct evidence of social or political systems in the Vedic era, whether ordinary or elite. Only hints such as cattle raising and horse racing are discernible, and the text offers very general ideas about

3783-536: The 6th century, the sanctuary at Zela in Cappadocia was an artificial mound, walled in, but open to the sky ( Geographica XI.8.4.512). By the Parthian era (250 BCE–226 CE), Zoroastrianism had in fact two kinds of places of worship: One, apparently called bagin or ayazan , sanctuaries dedicated to a specific divinity, constructed in honor of the patron Yazata of an individual or family and included an icon or effigy of

3880-561: The Aitareyins and the Kaushitakins. The Aitareya-brahmana and the Kaushitaki- (or Sankhayana- ) brahmana evidently have for their groundwork the same stock of traditional exegetic matter. They differ, however, considerably as regards both the arrangement of this matter and their stylistic handling of it, with the exception of the numerous legends common to both, in which the discrepancy

3977-461: The Avesta, but reappears in modified form as an allegory of burning and annihilating the Angra Mainyu through righteousness, "where Asha Vahishta is identified at times with the household fire on the hearth." There, "identification in the realms of matter and of spirit serves only to bring more into prominence the main tenets of Zoroaster's teachings in regard to Asha" (Dhalla, 1938:170). A vestige of

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4074-659: The Brahmanas are referred to as the "Rigveda Brahmanas" (etc.). Technically speaking, however, "the Rigveda" refers to the entire body of texts transmitted along with the Samhita portion. Different bodies of commentary were transmitted in the different shakhas or "schools". Only a small portion of these texts has been preserved: The texts of only two out of five shakhas mentioned by the Rigveda Pratishakhya have survived. The late (15th or 16th century) Shri Guru Charitra even claims

4171-469: The English language is based on the mistaken assumption that the athra* prefix derives from atar (Boyce, 2002:16–17). The term athravan does not appear in the Gathas, where a priest is a zaotar , and in its oldest attested use ( Yasna 42.6) the term appears to be synonymous with "missionary". In the later Yasht 13.94, Zoroaster himself is said to have been an athravan , which in this context could not be

4268-458: The Evil Spirit assailed the creation of Good Truth, Good Thought and Fire intervened" ( Yasht 13.77) It is in the later texts that Atar is personified as "the son" of Ahura Mazda (standard appellation, Yasna 25.7 et al.) and is addressed as "full of glory and full of healing remedies" ( Nyash 5.6). In Yasna 17.11, Atar is "master of the house", recalling the role of the hearth fire in

4365-601: The Fire of Bahram , see Gnoli, 2002:512] and the lesser Atash-i Adaran , or 'Fire of Fires', a parish fire, as it were, serving a village or town quarter" (Boyce, 1975:462; Boyce 1966:63). Apparently, it was only in the Atash-i Vahram that fire was kept continuously burning, with the Adaran fires being annually relit. While the fires themselves had special names, the structures did not, and it has been suggested that "the prosaic nature of

4462-563: The Gathas. The same passage enumerates the "five kinds of fire": The description of the fires in the Sassanid era commentaries (the Zend texts) differs slightly from those described in the Bundahishn ("Original Creation", completed in the 11th or 12th century). In the latter, the description of the first and last kind of fire is reversed. During the late Achaemenid era , adar —as the quintessence of

4559-853: The Hotar, the Udgatar and the Adhvaryu has been compared to the Celtic priesthood as reported by Strabo , with the Druids as high priests, the Bards doing the chanting and the Vates performing the actual sacrifice. Rigveda Divisions Sama vedic Yajur vedic Atharva vedic Vaishnava puranas Shaiva puranas Shakta puranas The Rigveda or Rig Veda ( Sanskrit : ऋग्वेद , IAST : ṛgveda , from ऋच् , "praise" and वेद , "knowledge")

4656-595: The Kaushitaki-brahmana) of Shunahshepa , whom his father Ajigarta sells and offers to slay, the recital of which formed part of the inauguration of kings. While the Aitareya deals almost exclusively with the Soma sacrifice, the Kaushitaka, in its first six chapters, treats of the several kinds of haviryajna , or offerings of rice, milk, ghee, etc., whereupon follows the Soma sacrifice in this way, that chapters 7–10 contain

4753-557: The Paippalada Samhita tradition points to written manuscripts c.  800 –1000 CE. The Upanishads were likely in the written form earlier, about mid-1st millennium CE ( Gupta Empire period). Attempts to write the Vedas may have been made "towards the end of the 1st millennium BCE". The early attempts may have been unsuccessful given the Smriti rules that forbade the writing down

4850-630: The Rig Veda was composed on the banks of a river in Haraxvaiti province in southern Afghanistan ( Persian : Harahvati; Sanskrit : Sarasvati; possibly the Helmand or Arghandab ). Other evidence also points to a composition date close to 1400 BCE. The earliest texts were composed in the northwestern regions of the Indian subcontinent, and the more philosophical later texts were most likely composed in or around

4947-457: The Vedas, states Witzel. The oral tradition continued as a means of transmission until modern times. Several shakhas (from skt. śākhā f. "branch", i. e. "recension") of the Rig Veda are known to have existed in the past. Of these, Śākala Śākhā (named after the scholar Śākalya ) is the only one to have survived in its entirety. Another śākhā that may have survived is the Bāṣkala, although this

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5044-483: The Vedic priesthood: the hota, the adhvaryu, the udgata and the Brahma. The functions associated with the priests were: The term Brahman in the above hymn 2.1.2 refers to deity Agni of hymn 2.1.1. The rgvedic Brahmanas , Aitareya and Kausitaki , specify seven hotraka s to recite shastra s (litanies): hotṛ , brāhmanācchamsin , maitrāvaruna , potṛ , neṣṭṛ , agnīdh and acchāvāka . They also carry

5141-655: The Younger Avesta, āθrauuan/aθaurun appears in a context that suggests "missionary," perhaps by metathesis from Indo-Iranian *arthavan "possessing purpose." However, a recent theory indicates that Proto Indo-Iranian *atharwan likely represents a substrate word from the unknown language of the BMAC civilization of Central Asia. It can be analyzed as BMAC *athar- plus the Indo-Iranian possessive suffix *-wan , in which case *atharwan would be "one who possesses *athar ". Though

5238-404: The ancient Indian society. There is no evidence, state Jamison and Brereton, of any elaborate, pervasive or structured caste system . Social stratification seems embryonic, then and later a social ideal rather than a social reality. The society was semi-nomadic and pastoral with evidence of agriculture since hymns mention plow and celebrate agricultural divinities. There was division of labor and

5335-484: The ancient institution of ordeal by heat is nonetheless present in Vendidad 4.54–55, where speaking against the truth and violating the sanctity of promise is punishable by flogging and is detected by the consumption of "water, blazing, of golden color, having the power to detect guilt." The Zend translation/commentary on this passage translates "blazing" as "having brimstone and sulphur", and notes that innocence or guilt

5432-471: The antiquity of terms for priests such as *atharwan ( Vedic atharvan ; cognate to Avestan āθrauuan/aθaurun ) and *zhautar (Ved. hotar ; Av. zaotar ) 'invoker, sacrificer'. While *zhautar is well understood, the original meaning of *atharwan is unknown. The word atharvan appears in the Rig Veda (e.g., in RV 6.16.13 where Agni is said to have been churned by Atharvan from the mind of every poet). In

5529-491: The authors knew and relied on the contents of the first nine books. The Rigveda is the largest of the four Vedas, and many of its verses appear in the other Vedas. Almost all of the 1875 verses found in Samaveda are taken from different parts of the Rigveda , either once or as repetition, and rewritten in a chant song form. Books 8 and 9 of the Rigveda are by far the largest source of verses for Sama Veda. Book 10 contributes

5626-620: The complete text of the Rigveda . MS no. 5/1875-76, written on birch bark in bold Sharada, was only in part used by Max Müller for his edition of the Rigveda with Sayana's commentary. Müller used 24 manuscripts then available to him in Europe, while the Pune Edition used over five dozen manuscripts, but the editors of Pune Edition could not procure many manuscripts used by Müller and by the Bombay Edition, as well as from some other sources; hence

5723-669: The composition of the younger Veda Samhitas. According to Witzel, the initial collection took place after the Bharata victory in the Battle of the Ten Kings , under king Sudās , over other Puru kings. This collection was an effort to reconcile various factions in the clans which were united in the Kuru kingdom under a Bharata king. This collection was re-arranged and expanded in the Kuru Kingdom , reflecting

5820-504: The core 'family books' (mandalas 2 – 7 , ordered by author, deity and meter ) and a later redaction, coeval with the redaction of the other Vedas , dating several centuries after the hymns were composed. This redaction also included some additions (contradicting the strict ordering scheme) and orthoepic changes to the Vedic Sanskrit such as the regularization of sandhi (termed orthoepische Diaskeuase by Oldenberg, 1888). The text

5917-510: The divine glory of Ahura Mazda, offers homage to it, and instructs his people to so as well. Also in the Shahnameh is the legend of Sevavash , who passes through "the unburning fire" as proof of his innocence. During the Sassanid era (226–650 CE), the symbol of Fire plays much the same role that the winged sun Faravahar did during the Achaemenid period (648–330 BCE). Beginning with Ardashir I ,

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6014-518: The divinity presiding over blazing fire is abrupt. While the older Gathic Avestan texts have heat (and thus fire) associated with harsh judgement, the Younger Avestan texts have the divinity Atar completely representing and being represented by fire itself; and associated with warmth and light and essential for growth. Asha Vahishta 's association with atar is however carried forward, and they are often mentioned together ( Yasna 62.3, Nyashes 5.9, etc.). So also in their roles as protectors, for "when

6111-550: The earliest, the hymns predominantly discuss cosmology , rites required to earn the favour of the gods , as well as praise them. The more recent books (Books 1 and 10) in part also deal with philosophical or speculative questions, virtues such as dāna (charity) in society, questions about the origin of the universe and the nature of the divine, and other metaphysical issues in their hymns. Some of its verses continue to be recited during Hindu prayer and celebration of rites of passage (such as weddings ), making it probably

6208-459: The early Kuru kingdom. Asko Parpola argues that the Rigveda was systematized around 1000 BCE, at the time of the Kuru kingdom. The Rigveda is far more archaic than any other Indo-Aryan text. For this reason, it was in the center of attention of Western scholarship from the times of Max Müller and Rudolf Roth onwards. The Rigveda records an early stage of Vedic religion . There are strong linguistic and cultural similarities with

6305-411: The eastern and northeastern (Assamese) region of India, with roots in Austroasiatic languages . The others in the list of 300 – such as mleccha and nir  – have Dravidian roots found in the southern region of India, or are of Tibeto-Burman origins. A few non-Indo-European words in the Rigveda  – such as for camel, mustard and donkey – belong to

6402-623: The eighth mandala, for a total of 1028 metrical hymns. The Bāṣakala version of Rigveda includes eight of these vālakhilya hymns among its regular hymns, making a total of 1025 hymns in the main text for this śākhā. The Bāṣakala text also has an appendix of 98 hymns, called the Khilani , bringing the total to 1,123 hymns. The manuscripts of Śākala recension of the Rigveda have about 10,600 verses, organized into ten Books ( Mandalas ). Books 2 through 7 are internally homogeneous in style, while Books 1, 8 and 10 are compilation of verses of internally different styles suggesting that these books are likely

6499-427: The entity in the Zoroastrian calendar : Adar is one of the only five Yazatas that have a month-name dedication. Additionally, Adar is the name of the ninth day of the month in the Zoroastrian religious calendar, and the ninth month of the year of the civil Iranian calendar of 1925 ( modern Persian : Azar ) which has month-names derived from those used by the Zoroastrian calendar. In Zoroastrian cosmogony, Adar

6596-406: The establishment of a new Bharata-Puru lineage and new srauta rituals. The fixing of the Vedic chant (by enforcing regular application of sandhi ) and of the padapatha (by dissolving Sandhi out of the earlier metrical text), occurred during the later Brahmana period, in roughly the 6th century BCE. The surviving form of the Rigveda is based on an early Iron Age collection that established

6693-822: The existence of twelve Rigvedic shakhas. The two surviving Rigvedic corpora are those of the Śākala and the Bāṣkala shakhas. The Rigvedic hymns are dedicated to various deities, chief of whom are Indra , a heroic god praised for having slain his enemy Vrtra ; Agni , the sacrificial fire; and Soma , the sacred potion or the plant it is made from. Equally prominent gods are the Adityas or Asura gods Mitra – Varuna and Ushas (the dawn). Also invoked are Savitr , Vishnu , Rudra , Pushan , Brihaspati or Brahmanaspati , as well as deified natural phenomena such as Dyaus Pita (the shining sky, Father Heaven), Prithivi (the earth, Mother Earth), Surya (the sun god), Vayu or Vata (the wind), Apas (the waters), Parjanya (the thunder and rain), Vac (the word), many rivers (notably

6790-428: The fire himself, this time alone. On the coins of Shapur III ( r. 283–388), a divinity appears to be emerging from the fire. The shape of the fire altar in the coins of Yazdegerd II ( r. 438–457) are similar to those in present-day fire temples. The legend introduced under Ardeshir yields to a mint mark and year of issue under Peroz ( r. 457–484), a feature evident in all the coins of the remaining dynasty. Atar

6887-405: The founder of the Sassanid Empire , many of the kings of the dynasty issued one or more coins with a symbol of Fire on the verso, and seals and bullae with the fire symbol were common. The first silver coins of the empire have helmeted busts of Ardashir I ( r. 226–241) or his father Papak on the obverse (a figure of the ruling monarch on the obverse is consistent throughout the dynasty), with

6984-433: The generations to help preserve the text. There are, for example, 30 manuscripts of Rigveda at the Bhandarkar Oriental Research Institute , collected in the 19th century by Georg Bühler , Franz Kielhorn and others, originating from different parts of India, including Kashmir , Gujarat , the then Rajaputana , Central Provinces etc. They were transferred to Deccan College , Pune , in the late 19th century. They are in

7081-443: The honored. The second were the atroshan , the "places of burning fire", which as Boyce (1997:ch. 3) notes, became more and more prevalent as the iconoclastic movement gained support. Following the rise of the Sassanid dynasty, the shrines to the Yazatas continued to exist, with the statues—by law—either being abandoned as empty sanctuaries, or being replaced by fire altars (so also the popular shrines to Meher/ Mithra which retained

7178-565: The largest number of the 1350 verses of Rigveda found in Atharvaveda , or about one fifth of the 5987 verses in the Atharvaveda text. A bulk of 1875 ritual-focussed verses of Yajurveda , in its numerous versions, also borrow and build upon the foundation of verses in Rigveda . Altogether the Rigveda consists of: In western usage, "Rigveda" usually refers to the Rigveda Samhita, while

7275-474: The latter work are, however, clearly a later addition though they must have already formed part of it at the time of Pāṇini (c. 5th century BCE), if, as seems probable, one of his grammatical sutras, regulating the formation of the names of Brahmanas, consisting of 30 and 40 adhyayas, refers to these two works. In this last portion occurs the well-known legend (also found in the Shankhayana-sutra, but not in

7372-563: The material in the family books. The first mandala has a unique arrangement not found in the other nine mandalas. The first 84 hymns of the tenth mandala have a structure different from the remaining hymns in it. Each mandala consists of hymns or sūkta s ( su- + ukta , literally, "well recited, eulogy ") intended for various rituals . The sūkta s in turn consist of individual stanzas called ṛc ("praise", pl. ṛcas ), which are further analysed into units of verse called pada (" foot " or step). The hymns of

7469-516: The meaning of *athar is unknown, Pinault speculates that it meant "superior force" and connects it to the Tocharian word for "hero". In the Upanishads , atharvan appears for example in atharvāngiras , a compound of atharvan and angiras , either two eponymous rishis or their family names. In present-day Indian Zoroastrian ( Parsi ) tradition the word athornan is used to distinguish

7566-496: The middle Persian names ( kadag , man , and xanag are all words for an ordinary house) perhaps reflect a desire on the part of those who fostered the temple-cult [...] to keep it as close as possible in character to the age-old cult of the hearth-fire, and to discourage elaboration" (Boyce, 2002:9). The Indian Parsi -Zoroastrian practice of rendering the term athornan (derived from the Avestan language "athravan") as "fire-priest" in

7663-404: The mortar for crushing the branches of the sacred Haoma in his hand, is given happiness" ( Yasna 62.1; Nyashes 5.7) The Zoroastrian cult of fire is apparently much younger than Zoroastrianism itself and appears at approximately the same time as the shrine cult, first evident in the 4th century BCE (roughly contemporaneous with the introduction of Adar as a divinity). There is no allusion to

7760-486: The name Darb-e Mehr —Mithra's Gate—that is today one of the Zoroastrian technical terms for a fire temple). Also, as Schippman observed ( loc. Cit. Boyce, 1975:462), even during the Sassanid era (226–650 CE) there is no evidence that the fires were categorized according to their sanctity. "It seems probable that there were virtually only two, namely the Atash-i Vahram [literally: "victorious fire", later misunderstood to be

7857-539: The names of gods and goddesses found in the Rigveda are found amongst other belief systems based on Proto-Indo-European religion , while most of the words used share common roots with words from other Indo-European languages . However, about 300 words in the Rigveda are neither Indo-Aryan nor Indo-European, states the Sanskrit and Vedic literature scholar Frits Staal . Of these 300, many – such as kapardin , kumara , kumari , kikata  – come from Munda or proto-Munda languages found in

7954-477: The nominative singular form is ātarš , source of Persian ātaš (fire). It was once thought to be etymologically related to the Avestan āθrauuan / aθaurun ( Vedic atharvan ), a type of priest, but that is now considered unlikely (Boyce, 2002:16). The ultimate etymology of ātar , previously unknown (Boyce, 2002:1), is now believed to be from the Indo-European *h x eh x tr- 'fire'. This would make it

8051-505: The number of syllables is not straightforward because of issues with sandhi and the post-Rigvedic pronunciation of syllables like súvar as svàr. Three other shakhas are mentioned in Caraṇavyuha , a pariśiṣṭa (supplement) of Yajurveda: Māṇḍukāyana, Aśvalāyana and Śaṅkhāyana . The Atharvaveda lists two more shakhas. The differences between all these shakhas are very minor, limited to varying order of content and inclusion (or non-inclusion) of

8148-491: The older āθrauuan/aθaurun (in preference to the traditional, and very well attested derivative āsron ) for its similarity to Hinduism's atharvan , which the Parsi priests then additionally assumed was derived from Avestan ātar 'fire'. This folk etymology may "have been prompted by what is probably a mistaken assumption of the importance of fire in the ancient Indo-Iranian religion". The division of priestly functions among

8245-453: The oldest extant texts in any Indo-European language . The sounds and texts of the Rigveda have been orally transmitted since the 2nd millennium BCE. Philological and linguistic evidence indicates that the bulk of the Rigveda Samhita was composed in the northwestern region of the Indian subcontinent (see Rigvedic rivers ), most likely between c. 1500 and 1000 BCE, although

8342-434: The oldest texts, it is only once addressed independently of Ahura Mazda . In this exception, atar is spoken of in the third person masculine singular: "He detects sinners by hand-grasping" ( Yasna 34.4). Altogether, "there are said to have been some 30 kinds of fiery tests in all." (Boyce, 2002:1) Also in the early texts, tangential to its role in establishing guilt, atar is the light of revelation through which Zoroaster

8439-618: The opinion of the sage Kaushitaki is frequently referred to in it as authoritative, and generally in opposition to the Paingya—the Brahmana, it would seem, of a rival school, the Paingins. Probably, therefore, it is just what one of the manuscripts calls it—the Brahmana of Sankhayana (composed) in accordance with the views of Kaushitaki. Atar Atar , Atash , Azar ( Avestan : 𐬁𐬙𐬀𐬭 , romanized:  ātar ) or Dāštāɣni ,

8536-439: The practical ceremonial and 11–30 the recitations ( shastra ) of the hotar. Sayana, in the introduction to his commentary on the work, ascribes the Aitareya to the sage Mahidasa Aitareya (i.e. son of Itara), also mentioned elsewhere as a philosopher; and it seems likely enough that this person arranged the Brahmana and founded the school of the Aitareyins. Regarding the authorship of the sister work we have no information, except that

8633-548: The priesthood from the laity (the behdin ). These subdivisions (in the historical Indian context, castes ), and the terms used to describe them, are relatively recent developments specific to Indian Zoroastrians and although the words themselves are old, the meaning that they came to have for the Parsis are influenced by their centuries-long coexistence with Hinduism. It appears then that the Indian Zoroastrian priests re-adopted

8730-443: The region that is the modern era state of Haryana . The Rigveda ' s core is accepted to date to the late Bronze Age , making it one of the few examples with an unbroken tradition. Its composition is usually dated to roughly between c.  1500 and 1000 BCE. According to Michael Witzel , the codification of the Rigveda took place at the end of the Rigvedic period between c.  1200 and 1000 BCE, in

8827-570: The second half of the second millennium BCE. Being composed in an early Indo-Aryan language, the hymns must post-date the Indo-Iranian separation, dated to roughly 2000 BCE. A reasonable date close to that of the composition of the core of the Rigveda is that of the Mitanni documents of northern Syria and Iraq ( c.  1450 –1350 BCE), which also mention the Vedic gods such as Varuna, Mitra and Indra. Some scholars have suggested that

8924-406: The text; however, there is no discussion of rice cultivation. The term áyas (metal) occurs in the Rigveda , but it is unclear which metal it was. Iron is not mentioned in Rigveda , something scholars have used to help date Rigveda to have been composed before 1000 BCE. Hymn 5.63 mentions "metal cloaked in gold", suggesting that metalworking had progressed in the Vedic culture. Some of

9021-455: The total number of extant manuscripts known then must surpass perhaps eighty at least. Rigveda manuscripts in paper, palm leaves and birch bark form, either in full or in portions, have been discovered in the following Indic scripts: The various Rigveda manuscripts discovered so far show some differences. Broadly, the most studied Śākala recension has 1017 hymns, includes an appendix of eleven valakhīlya hymns which are often counted with

9118-402: The universe. So also Zoroaster's injunction to always pray in the presence of atar —either towards the sun, or towards their own hearths—so as to better concentrate their devotions on asha , righteousness, and the virtue that should be striven for ( Yasna 43.9, see also Boyce, 1975:455). The Gathic role of atar as the medium for detecting guilt is not directly evident in the later texts of

9215-405: The world's oldest religious text in continued use. According to Jamison and Brereton, in their 2014 translation of the Rigveda , the dating of this text "has been and is likely to remain a matter of contention and reconsideration". The dating proposals so far are all inferred from the style and the content within the hymns themselves. Philological estimates tend to date the bulk of the text to

9312-474: Was established by the consumption of this "guilt-detecting liquid". Similarly, in the Denkard , Adharbad Maraspand—the Sassanid era high-priest to whom the collation of the Avesta texts is attributed—is purported to have nine measures of "unburning molten zinc" applied to his chest as proof of accuracy of the sacred texts. Seen chronologically, the transition from atar as a vehicle of judgement to Atar Yazata

9409-450: Was the seventh of the seven creations of the material universe. It is only with Adar 's assistance, who serves as the life-force, that the other six creations begin their work ( Bundahishn 3.7–8; more logically explained in Zatspram 3.77–83). Although Zoroastrians revere fire in any form, the temple fire is not literally for the reverence of fire, but together with clean water (see Aban ),

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