" Turning Away " is a song written by Tim Krekel , and recorded by American country music artist Crystal Gayle . It was released in June 1984 as the third single from the album Cage the Songbird . The song was Gayle's fourteenth number one single on the country chart. The single went to number one for one week and spent a total of thirteen weeks on the country chart.
108-503: Two years later, Welsh rockabilly singer Shakin' Stevens covered the song for his album Lipstick, Powder and Paint and peaked at number 15 on the UK Singles Chart . 7": Epic / A6819 (UK) 12": Epic / TA 6819 (UK) This 1983 country song -related article is a stub . You can help Misplaced Pages by expanding it . Rockabilly Rockabilly is one of the earliest styles of rock and roll music. It dates back to
216-552: A Teenage Werewolf". Lead singer Lux Interior 's energetic and unpredictable live shows attracted a fervent cult audience. Their " psychobilly " music influenced The Meteors and Reverend Horton Heat . In the early '80s, the Latin genre was born in Colombia by Marco T (Marco Tulio Sanchez), with The Gatos Montañeros. The Polecats , from North London, were originally called The Cult Heroes; they could not get any gigs at rockabilly clubs with
324-456: A blues song on one side and a country song on the other, both sung in the same genre-blending style. Presley's Sun recordings feature his vocals and rhythm guitar, Bill Black's percussive slapped bass, and Scotty Moore on an amplified guitar. Slap bass had been a staple of both western swing and hillbilly boogie since the 1940s. Scotty Moore described his playing style as an amalgamation of techniques he had picked up from other guitarists over
432-649: A boogie bass line. After World War II , The Maddox Brothers and Rose were at "the leading edge of rockabilly with the slapped bass that Fred Maddox had developed". They had shifted into higher gear leaning toward a whimsical honky-tonk feel, with a heavy, manic bottom end and high volume. The Maddoxes were known for their lively, antic-filled shows, which were an influential novelty for white listeners and musicians alike. Along with country, swing and boogie influences, jump blues artists such as Wynonie Harris and Roy Brown , and electric blues acts such as Howlin' Wolf , Junior Parker , and Arthur Crudup , influenced
540-464: A break on July 5, 1954, Elvis started playing " That's All Right Mama ", a 1946 blues song by Arthur Crudup, and Moore and Black joined in. After several takes, Phillips had a satisfactory recording. "That's All Right" was released on July 19, 1954. Presley's version of "That's All Right Mama" melded country, a genre associated with European-American culture, and rhythm & blues, a genre associated with African-American culture . The resulting track
648-633: A breakthrough hit for Shakin' Stevens . Also in 1980, Queen scored a number-one hit on the Billboard Hot 100 with the rockabilly-inspired single " Crazy Little Thing Called Love ". The Stray Cats were the most commercially successful of the new rockabilly artists. The band formed on Long Island in 1979 when Brian Setzer teamed up with two school chums calling themselves Lee Rocker and Slim Jim Phantom . Attracting little attention in New York, they flew to London in 1980, where they had heard that there
756-548: A command of piano blues and boogie-woogie, which he had absorbed at first hand in the 1940s from Albert Ammons and Pete Johnson. The trickle of what was initially called hillbilly boogie, or Okie boogie (later to be renamed country boogie), became a flood beginning around late 1945. One notable country boogie song from this period was the Delmore Brothers' "Freight Train Boogie". More representative examples can be found in some of
864-996: A duet with Carl Perkins, and George Harrison collaborated with Roy Orbison in the Traveling Wilburys . In 1999, McCartney released Run Devil Run , his own record of rockabilly covers. The Beatles were not the only British Invasion artists influenced by rockabilly. The Rolling Stones recorded Buddy Holly's " Not Fade Away " on an early single and later a rockabilly-style song, " Rip This Joint ", on Exile on Main St. The Who , despite being mod favorites, covered Eddie Cochran's " Summertime Blues " and Johnny Kidd and The Pirates ' Shakin' All Over on their Live at Leeds album. Even heavy guitar heroes such as Jeff Beck and Jimmy Page were influenced by rockabilly musicians. Beck recorded his own tribute album to Gene Vincent's guitarist Cliff Gallup — Crazy Legs —and Page's band, Led Zeppelin , offered to work as Elvis Presley's backing band in
972-539: A few stories, jumping off the train, getting into another logging camp, and playing again for eight hours, barrel house. In this way the music got around—all through Texas—and eventually, of course, out of Texas. Now when this new form of piano music came from Texas, it moved out towards Louisiana. It was brought by people like George W. Thomas , an early pianist who was already living in New Orleans by about 1910 and writing New Orleans Hop Scop Blues", which really has some of
1080-504: A lot of instruments. The rhythm's what's important." After blues artists like Meade Lux Lewis and Pete Johnson launched a nationwide boogie craze starting in 1938, country artists like Moon Mullican , the Delmore Brothers , Tennessee Ernie Ford , Speedy West , Jimmy Bryant , and the Maddox Brothers and Rose began recording what was then known as "hillbilly boogie", which consisted of "hillbilly" vocals and instrumentation with
1188-663: A million copies. These same musicians would have two more releases in 1956, followed by another in January 1957. "Queen of Rockabilly" Wanda Jackson's first record came out in July, "I Gotta Know" on the Capitol label; followed by "Hot Dog That Made Him Mad" in November. Capitol would release nine more records by Jackson, some with songs she had written herself, before the 1950s were over. The first record by Jerry Lee Lewis , who would later be known as
SECTION 10
#17328521972531296-498: A mix of blues, country and early rockabilly. The Saturday Night Jamboree was a Memphis stage show held every Saturday night at the Goodwyn Institute Auditorium in downtown Memphis, Tennessee from 1953–1954. The Jamboree shows were sometimes broadcast live on KWEM. A number of future notables performed there, including Elvis Presley. The performers often experimented with new sounds in their dressing rooms, incorporating
1404-640: A name that sounded "punk", so the original drummer Chris Hawkes came up with the name "Polecats". Tim Polecat and Boz Boorer started playing together in 1976, then hooked up with Phil Bloomberg and Chris Hawkes at the end of 1977. The Polecats played rockabilly with a punk sense of anarchy and helped revive the genre for a new generation in the early 1980s. The Blasters , who emerged from the Los Angeles punk scene, included rockabilly among their roots rock influences. The song " Marie Marie ", first appearing on their 1980 debut album American Music , would later become
1512-602: A number of these left hand bass lines for Tennison in 1986. From the primitive to the complex, those identifications indicate that the most primitive form of the music was associated with Marshall, Texas—and that the left-hand bass lines grew more complex as the distance from Marshall increased. The most primitive of these left hand bass lines is the one that was called "the Marshall". It is a simple, four-beats-to-the-bar figure. The second-most primitive bass-line, called "the Jefferson",
1620-815: A pioneer of rockabilly and rock and roll, came out on December 22, 1956, and featured his version of " Crazy Arms " and "End of the Road". Lewis would have big hits in 1957 with his version of " Whole Lotta Shakin' Goin' On ", issued in May, and " Great Balls Of Fire " on Sun. There were thousands of musicians who recorded songs in the rockabilly style, and many record companies released rockabilly records. Some enjoyed major chart success and were important influences on future rock musicians. Sun also hosted performers, such as Billy Lee Riley , Sonny Burgess , Charlie Feathers , and Warren Smith . There were also several female performers like Wanda Jackson who recorded rockabilly music long after
1728-691: A punk-influenced style of rockabilly, often labeled as alt-country or cowpunk . They achieved critical acclaim and a following in America but never managed a major hit. The revival was related to the " roots rock " movement, which continued through the 1980s, led by artists like James Intveld , who later toured as lead guitar for The Blasters, High Noon , the Beat Farmers , The Paladins , Forbidden Pigs , Del-Lords, Long Ryders, The Last Wild Sons, The Fabulous Thunderbirds , Los Lobos , The Fleshtones , Del Fuegos , Reverend Horton Heat and Barrence Whitfield and
1836-476: A rock and roll star in his own right), although they did not record the song until 1957. The Burnettes disliked the popular music McQueen played, so they began playing smaller shows on their own, focusing on their budding rockabilly sound. The trio released " Train Kept A-Rollin' " in 1956, listed by Rolling Stone magazine as one of the top 500 rock songs of all time . Many consider this 1956 recording to be
1944-518: A rockabilly album titled Everybody's Rockin' . The album was not a commercial success and Young was involved in a widely publicized legal fight with Geffen Records who sued him for making a record that did not sound "like a Neil Young record". Young made no further albums in the rockabilly style. During the 1980s, a number of country music stars scored hits recording in a rockabilly style. Marty Stuart 's " Hillbilly Rock " and Hank Williams, Jr. 's " All My Rowdy Friends Are Coming Over Tonight " were
2052-472: A song whose lyrics contain dance instructions to "boogie-woogie". The earliest documented inquiries into the geographical origin of boogie-woogie occurred in the late 1930s when oral histories from the oldest living Americans of both African and European descent revealed a broad consensus that boogie-woogie piano was first played in Texas in the early 1870s. Additional citations place the origins of boogie-woogie in
2160-409: A variety of emotions, boogie-woogie is mainly dance music (although not usually played for the competitive dance known as boogie-woogie (dance) , a term of convenience in that sport). The genre had a significant influence on rhythm and blues and rock and roll . Boogie-woogie waned in popularity in the 1930s, but enjoyed a resurgence and its greatest acclaim in the 1940s, reaching audiences around
2268-448: A variety of sub-styles and has influenced the development of other genres such as punk rock . There was a close relationship between blues and country music from the very earliest country recordings in the 1920s. The first nationwide country hit was " Wreck of the Old 97 ", backed with "The Prisoner's Song", which also became quite popular. Jimmie Rodgers , the "first true country star",
SECTION 20
#17328521972532376-631: Is also four-beats-to-the-bar, but goes down in pitch on the last note in each four-note cycle. It has been suggested that this downturn in pitch reveals a possible New Orleans influence. Jefferson, Texas , about 17 miles north of Marshall, was the westernmost port of a steamboat route that connected to New Orleans via Caddo Lake, the Red River, and the Mississippi River. The remaining bass lines rise in complexity with distance from Marshall, Texas as one would expect variations and innovations would occur as
2484-742: Is another example of the mixing of musical genres in the first half of the 1950s. Bill Monroe is known as the Father of Bluegrass , a specific style of country music. Many of his songs were in blues form, while others took the form of folk ballads, parlor songs, or waltzes. Bluegrass was a staple of country music in the early 1950s and is often mentioned as an influence in the development of rockabilly, in part owing to its favoring of fast tempos. The Honky Tonk sound, which "tended to focus on working-class life, with frequently tragic themes of lost love, adultery, loneliness, alcoholism, and self-pity", also included songs of energetic, uptempo Hillbilly Boogie. Some of
2592-581: Is characterized by a regular left-hand bass figure , which is transposed following the chord changes. Boogie-woogie is not strictly a solo piano style; it can accompany singers and be featured in orchestras and small combos. It is sometimes called "eight to the bar ", as much of it is written in common time ( 4 ) time using eighth notes ( quavers ) (see time signature ). The chord progressions are typically based on I – IV – V – I (with many formal variations of it, such as I / i – IV / iv – v / I , as well as chords that lead into these ones). For
2700-520: Is most probable that boogie-woogie spread from Northeast to Southeast Texas, rather than from Southeast to Northeast Texas, or by having developed diffusely with an even density over all of the Piney Woods of East Texas. It would not be surprising if there was as yet undiscovered evidence of the earliest boogie-woogie performances buried (metaphorically or literally) in Northeast Texas. On May 13, 2010,
2808-574: Is now considered to be an early rock and roll song. These three pianists, with Turner, took up residence in the Café Society night club in New York City where they were popular with the sophisticated set. They often played in combinations of two and even three pianos, creating a richly textured piano performance. After the Carnegie Hall concert, it was only natural for swing bands to incorporate
2916-750: The Jordanaires . In 1951 a western swing bandleader named Bill Haley recorded a version of " Rocket 88 " with his group, the Saddlemen . It is considered one of the earliest recognized rockabilly recordings. It was followed by versions of " Rock the Joint " in 1952, and original works such as "Real Rock Drive" and " Crazy Man, Crazy ", the latter of which reached number 12 on the American Billboard chart in 1953. On April 12, 1954, Haley, performing with his band as Bill Haley and His Comets , recorded " Rock Around
3024-477: The Long Tall Sally EP (1964)). Long after the band broke up, the members continued to show their interest in rockabilly. In 1975, Lennon recorded an album called Rock 'n' Roll , featuring versions of rockabilly hits and a cover photo showing him in full Gene Vincent leather. About the same time, Ringo Starr had a hit with a version of Johnny Burnette's " You're Sixteen ". In the 1980s, McCartney recorded
3132-513: The Piney Woods of northeast Texas. The first Negroes who played what is called boogie-woogie, or house-rent music, and attracted attention in city slums where other Negroes held jam sessions, were from Texas. And all the Old-time Texans, black or white, are agreed that boogie piano players were first heard in the lumber and turpentine camps, where nobody was at home at all. The style dates from
3240-465: The tape echo ; and eventually came to incorporate different instruments and vocal harmonies. Initially popularized by artists such as Carl Perkins , Elvis Presley , Johnny Burnette , Jerry Lee Lewis and others, the rockabilly style waned in the late 1950s; nonetheless, during the late 1970s and early 1980s, rockabilly enjoyed a revival. An interest in the genre endures even in the 21st century, often within musical subcultures . Rockabilly has spawned
3348-515: The 'slow blues' of New Orleans and St. Louis . At these gatherings the ragtime and blues boys could easily tell from what section of the country a man came, even going so far as to name the town, by his interpretation of a piece." According to Tennison, when he interviewed Lee Ree Sullivan in Texarkana in 1986, Sullivan told him that he was familiar with "Fast Western" and "Fast Texas" as terms to refer to boogie-woogie in general, but not to denote
Turning Away - Misplaced Pages Continue
3456-478: The 1970s. However, Presley never took them up on that offer. Years later, Led Zeppelin's Page and Robert Plant recorded a tribute to the music of the 1950s called The Honeydrippers: Volume One . The 1968 Elvis "comeback" and acts such as Sha Na Na , Creedence Clearwater Revival , Don McLean , Linda Ronstadt and the Everly Brothers , the film American Graffiti , the television show Happy Days and
3564-550: The 1980s in the UK (with four number ones in the singles chart) and number two across Europe, outstripping Michael Jackson , Prince , and Bruce Springsteen . Unlike The Stray Cats, who became successful due in part to MTV, Shakin' Stevens' success was initially due to him appearing on various children's television shows in Britain. Despite his popularity in Europe, he never became a big success in
3672-531: The African-American origin of the music. In sheet music literature prior to 1900, there are at least three examples of the word "boogie" in music titles in the archives of the Library of Congress . In 1901, "Hoogie Boogie" appeared in the title of published sheet music, the first known instance where a redoubling of the word "Boogie" occurs in the title of published music. (In 1880, "The Boogie Man" had occurred as
3780-581: The Big Bopper ), the induction of Elvis Presley into the army in 1958, and a general change in American musical tastes. The style remained popular longer in England, where it attracted a fanatical following right up through the mid-1960s. Rockabilly music cultivated an attitude that assured its enduring appeal to teenagers. This was a combination of rebellion, sexuality, and freedom—a sneering expression of disdain for
3888-890: The Bride (When She Used to Rock 'n' Roll) ". The group became a popular touring act in the UK and the US, leading to respectable album sales. Edmunds also nurtured and produced many younger artists who shared his love of rockabilly, most notably the Stray Cats . Robert Gordon emerged from late 1970s CBGB punk act Tuff Darts to reinvent himself as a rockabilly revival solo artist. He recorded first with 1950s guitar legend Link Wray and later with UK studio guitar veteran Chris Spedding and found borderline mainstream success. Also festering at CBGB's punk environs were The Cramps , who combined primitive and wild rockabilly sounds with lyrics inspired by old drive-in horror movies in songs like "Human Fly" and "I Was
3996-438: The Carnegie Hall concert meant work for many of the fellow boogie players and also led to the adaptation of boogie-woogie sounds to many other forms of music. Tommy Dorsey 's band had a hit with "T.D.'s Boogie Woogie" as arranged by Sy Oliver , and soon there were boogie-woogie songs, recorded and printed, of many different stripes. These included most famously, in the big-band genre, the ubiquitous "Boogie Woogie Bugle Boy", which
4104-526: The Clock " for Decca Records of New York City. When first released in May 1954, "Rock Around the Clock" made the charts for one week at number 23, and sold 75,000 copies. In 1955, it was featured in the film Blackboard Jungle , resulting in a resurgence of sales. The song hit No. 1, held that position for eight weeks, and was the number two song on the Billboard Hot 100 chart for 1955. The recording was, until
4212-866: The Decca label, and, as a member of the Teen Kings, Roy Orbison with "Ooby Dooby" on the New Mexico/Texas based Je-wel label. Holly's big hits would not be released until 1957. Janis Martin was only fifteen years old when RCA issued a record with "Will You, Willyum" and the Martin-composed "Drugstore Rock 'n' Roll", which sold over 750,000 copies. King records issued a new disk by forty-seven-year-old Moon Mullican: " Seven Nights to Rock " and "Rock 'N' Roll Mr. Bullfrog". Twenty more sides were issued by various labels including 4 Star, Blue Hen, Dot, Cold Bond, Mercury, Reject, Republic, Rodeo, and Starday. In April and May 1956,
4320-462: The Fannin Street district of Shreveport, Louisiana . Some of the players he heard were Dave Alexander, who recorded for Decca in 1937 as " Black Ivory King ", and a piano player called Pine Top (not Pine Top Smith, who was not born until 1904, but possibly Pine Top Williams or Pine Top Hill). Lead Belly was among the first guitar-players to adapt the rolling bass of boogie-woogie piano. Texas, as
4428-496: The Jime ended with the death of Vince Gordon in 2016. Shakin' Stevens was a Welsh singer who gained fame in the UK portraying Elvis in a stage play. In 1980, he took a cover of The Blasters ' "Marie Marie" into the UK Top 20. His hopped-up versions of songs like " This Ole House " and " Green Door " were giant sellers across Europe. Shakin' Stevens was the biggest selling singles artist of
Turning Away - Misplaced Pages Continue
4536-521: The Jukebox Keep on Playing". Perkins and Presley in particular competed as the premier rockabilly artists. In March 1956, Columbia released " Honky Tonk Man " by Johnny Horton , King put out "Seven Nights to Rock" by Moon Mullican, Mercury issued "Rockin' Daddy" by Eddie Bond , and Starday released Bill Mack 's "Fat Woman". Two young men from Texas made their record debuts in April 1956: Buddy Holly on
4644-468: The Marshall City Commission enacted an official declaration naming Marshall as the "birthplace" of boogie-woogie music, and embarked on a program to encourage additional historical research and to stimulate interest in and appreciation for the early African-American culture in northeast Texas that played a vital role in creating boogie-woogie music. "Birthplace of Boogie Woogie" was registered by
4752-682: The Marshall Convention and Visitors on June 21, 2011. A song titled " Tin Roof Blues " was published in 1923 by the Clarence Williams Publishing Company. Compositional credit is given to Richard M. Jones . The Jones composition uses a boogie bass in the introduction with some variation throughout. In February 1923, Joseph Samuels ' Tampa Blue Jazz Band recorded the George W. Thomas number "The Fives" for Okeh Records , considered
4860-610: The National Billboard charts in 1956, and his "Guitar Rock" is cited as classic rockabilly. In 1953, 13-year-old Janis Martin was performing at the Old Dominion Barn Dance on WRVA out of Richmond, Virginia. Martin performed a mix of country songs for the show peppered with rhythm and blues hits in a style that has been described as "proto-rockabilly". She later stated, "the audience didn't know what to make of it. They didn't hardly allow electric instruments, and I
4968-603: The Rock and Roll Trio played on Ted Mack 's TV talent show in New York City. They won all three times and guaranteed them a finalist position in the September supershow. Gene Vincent and His Blue Caps' recording of " Be-Bop-A-Lula " was released on June 2, 1956, backed by "Woman Love". Within twenty-one days it sold over two hundred thousand records, stayed at the top of national pop and country charts for twenty weeks, and sold more than
5076-524: The Savages . These bands, like the Blasters, were inspired by a full range of historic American styles: blues, country, rockabilly, R&B and New Orleans jazz. They held a strong appeal for listeners who were tired of the commercially oriented MTV-style synthpop and glam metal bands that dominated radio play during this time period, but none of these musicians became major stars. In 1983, Neil Young recorded
5184-465: The Teddy Boy revival created curiosity about the real music of the 1950s, particularly in England, where a rockabilly revival scene began to develop from the 1970s in record collecting and clubs. The most successful early product of the scene was Dave Edmunds , who joined up with songwriter Nick Lowe to form a band called Rockpile in 1975. They had a string of minor rockabilly-style hits like " I Knew
5292-456: The Tennessee Two, consisting of Marshall Grant on bass, and Luther Perkins (no relation to Carl Perkins) on lead guitar. This song and another Cash original, " Cry! Cry! Cry! " were released in July. "Cry! Cry! Cry!" managed to crack Billboard's Top 20, peaking at No. 14. Presley's second and third singles were not as successful as his first. His fourth release, "Baby, Let's Play House",
5400-467: The Texas and Pacific Railway Company. Although the neighboring states of Arkansas, Louisiana, and Missouri would also produce boogie-woogie players and their boogie-woogie tunes, and despite the fact that Chicago would become known as the center for this music through such pianists as Jimmy Yancey , Albert Ammons , and Meade "Lux" Lewis , Texas was home to an environment that fostered creation of boogie-style:
5508-626: The US. In 2005, his greatest hits album The Collection reached number four in the British albums chart, and was released as a tie-in to his appearance on ITV entertainment show Hit Me, Baby, One More Time , going on to become the winner of the series. Other notable British rockabilly bands of the 1980s included The Jets , Crazy Cavan , Matchbox , and the Rockats . Jason & the Scorchers combined heavy metal , Chuck Berry and Hank Williams to create
SECTION 50
#17328521972535616-745: The United Kingdom were called Teddy Boys because they wore long, Edwardian -style frock coats , along with tight black drainpipe trousers and brothel creeper shoes. Another group in the 1950s that were followers of rockabilly were the Ton-Up boys, who rode British motorcycles and would later be known as rockers in the early 1960s. The rockers had adopted the classic greaser look of T-shirts , jeans, and leather jackets to go with their heavily slicked pompadour haircuts. The rockers loved 1950s rock and roll artists such as Gene Vincent, and some British rockabilly fans formed bands and played their own version of
5724-677: The account of Elliot Paul, and given that Lead Belly witnessed boogie-woogie in 1899 in the Arklatex; and given the North to South migration of the Thomas family; and given the Texas & Pacific headquarters in Marshall in the early 1870s; and given that Harrison County had the largest slave population in the state of Texas; and given the fact that the best-documented and largest-scale turpentine camps in Texas did not occur until after 1900 in Southeast Texas, it
5832-544: The basis for George Thomas's "Hop Scop Blues". Brothers George Thomas and Hersal Thomas migrated from Texas to Chicago and brought boogie-woogie with them, influencing a number of pianists, including Jimmy Yancey, Meade Lux Lewis, and Albert Ammons. Many elements now recognized as foundational elements of boogie-woogie are present in their 1922 song "The Fives". Early generation boogie-woogie players recognized basic boogie-woogie bass lines by geographical locations with which they associated them. Lee Ree Sullivan identified
5940-607: The best ones into their shows. In 1951 and 1952, brothers Johnny and Dorsey Burnette , as well as Paul Burlison , played a blend of blues, country, and rockabilly at live shows in and around the Memphis area. in 1953, they played with Doc McQueen's swing band at the Hideaway Club for a time. While there, they wrote a song called "Rock Billy Boogie", named after the Burnette brothers' sons Rocky and Billy ( Rocky Burnette later became
6048-434: The better known musicians who recorded and performed these songs are: the Delmore Brothers , the Maddox Brothers and Rose , Merle Travis , Hank Williams , Hank Snow , and Tennessee Ernie Ford. White sharecroppers' sons Carl Perkins and his brothers Jay and Clayton, along with drummer W. S. Holland , had established themselves as one of the hottest bands on the honky-tonk circuit around Jackson, Tennessee . Most of
6156-447: The boogie-woogie beat into some of their music. Tommy Dorsey 's band recorded an updated version of " Pine Top's Boogie Woogie " in 1938, which (as "Boogie Woogie") became a hit in 1943 and 1945, and was to become the swing era 's second best seller, only second to Glenn Miller 's " In the Mood ". In 1939, at the suggestion of Columbia Records producer John Hammond , Harry James recorded
6264-484: The characteristics of the music that we came to know as Boogie. Paul Oliver also wrote that George W. Thomas "composed the theme of the New Orleans Hop Scop Blues—in spite of its title—based on the blues he had heard played by the pianists of East Texas." On February 12, 2007, Oliver confirmed to John Tennison that it was Sippie Wallace who told Oliver that performances by East Texas pianists had formed
6372-674: The charts stateside. Their third LP, Rant 'N' Rave with the Stray Cats , topped charts across the US and Europe as they sold-out shows everywhere during 1983. However, personal conflicts led the band to break up at the height of their popularity. Brian Setzer went on to solo success working in both rockabilly and swing styles, while Rocker and Phantom continued to record in bands both together and singly. The group has reconvened several times to make new records or tours and continue to attract large audiences live, although record sales have never again approached their early '80s success. The Jime entered
6480-435: The development of rockabilly. The Memphis blues musician Junior Parker and his electric blues band, Little Junior's Blue Flames, featuring Pat Hare on the guitar, were a major influence on the rockabilly style, particularly with their songs " Love My Baby " and " Mystery Train " in 1953. Zeb Turner 's February 1953 recording of "Jersey Rock" with its mix of musical styles, lyrics about music and dancing, and guitar solo,
6588-496: The drummer for the Louisiana Hayride , to join him for future dates. By that time, many rockabilly bands were incorporating drums, which distinguished the sound from country music, where they were then uncommon. In the 1956 sessions shortly after Presley's move from Sun Records to RCA Victor, Presley was backed by a band that included Moore, Black, Fontana, and pianist Floyd Cramer . In 1956, Elvis also acquired vocal backup via
SECTION 60
#17328521972536696-499: The early 1870s. Max Harrison (in the book Jazz edited by Hentoff and McCarthy in 1959) and Mack McCormick (in the liner notes to his Treasury of Field Recordings, Vol. 2) concluded that "Fast Western" was the first term by which boogie-woogie was known. He stated that "in Houston , Dallas , and Galveston —all Negro piano players played that way. This style was often referred to as a 'fast western' or 'fast blues' as differentiated from
6804-508: The early 1950s in the United States, especially the South . As a genre, it blends the sound of Western musical styles such as country with that of rhythm and blues , leading to what is considered "classic" rock and roll. Some have also described it as a blend of bluegrass with rock and roll. The term "rockabilly" itself is a portmanteau of "rock" (from "rock 'n' roll") and " hillbilly ",
6912-513: The end of the 20th century. The Charlie Daniels Band (whose earlier tune "The South's Gonna Do It Again" uses boogie-woogie influences) released "Boogie Woogie Fiddle Country Blues" in 1988, and three years later in 1991 Brooks & Dunn had a huge hit with " Boot Scootin' Boogie ". In addition, some tradition-minded country artists, such as Asleep at the Wheel , Merle Haggard , and George Strait , incorporated boogie-woogie in their recordings. In
7020-424: The first example of jazz band boogie-woogie. Jimmy Blythe 's recording of "Chicago Stomps" from April 1924 is sometimes called the first complete boogie-woogie piano solo record. The first boogie-woogie hit was "Pinetop's Boogie Woogie" by Pinetop Smith , recorded in 1928 and first released in 1929. Smith's record was the first boogie-woogie recording to be a commercial hit, and helped establish "boogie-woogie" as
7128-438: The first intentional use of a distortion effect on a rock song, which was played by lead guitarist Paul Burlison. Elvis Presley 's first recordings took place at Sun Records, a small independent label run by record producer Sam Phillips in Memphis, Tennessee. For several years, Phillips had been recording and releasing performances by blues and country musicians in the area. He also ran a service allowing anyone to come in off
7236-441: The geographical area in which boogie-woogie originated is understanding the relationship of boogie-woogie music with the steam railroad, both in the sense of how the music might have been influenced by sounds associated with the arrival of steam locomotives as well as the cultural impact the sudden emergence of the railroad might have had. The railroad did not arrive in northeast Texas as an extension of track from existing lines from
7344-412: The late 1990s, recognized by Guinness World Records as having the highest sales claim for a pop vinyl recording, with an "unaudited" claim of 25 million copies sold. Maine native and Connecticut resident Bill Flagg began using the term rockabilly for his combination of rock 'n' roll and hillbilly music as early as 1953. He cut several songs for Tetra Records in 1956 and 1957. "Go Cat Go" went into
7452-421: The latter a reference to the country music (often called " hillbilly music " in the 1940s and 1950s) that contributed strongly to the style. Other important influences on rockabilly include western swing , boogie-woogie , jump blues , and electric blues . Defining features of the rockabilly sound included strong rhythms, boogie woogie piano riffs, vocal twangs , doo-wop acapella singing, and common use of
7560-467: The latter taking both his name and signature tune from Pinetop Smith. In Western classical music , the composer Conlon Nancarrow was also deeply influenced by boogie-woogie, as many of his early works for player piano demonstrate. "A Wonderful Time Up There" is a boogie-woogie gospel song. In 1943, Morton Gould composed "Boogie-Woogie Etude" for classical pianist José Iturbi , who premiered and recorded it that year. Povel Ramel 's first hit in 1944
7668-403: The lumber, cattle, turpentine, and oil industries, all served by an expanding railway system from the northern corner of East Texas to the Gulf Coast and from the Louisiana border to Dallas and West Texas. Alan Lomax wrote: Anonymous black musicians, longing to grab a train and ride away from their troubles, incorporated the rhythms of the steam locomotive and the moan of their whistles into
7776-404: The many styles of blues, especially Chicago blues and (more recently) West Coast blues , some pianists and guitarists were influenced by, and employed, the traditional boogie-woogie styles. Some of the earliest and most influential were Big Maceo Merriweather and Sunnyland Slim . Otis Spann and Pinetop Perkins , two of the best-known blues pianists, are heavily boogie-woogie influenced, with
7884-473: The mid 1940s to the early 1950s include "two beat jazz" rhythms, "jazz choruses", and guitar work that preceded early rockabilly recordings. Wills is quoted as saying "Rock and Roll? Why, man, that's the same kind of music we've been playin' since 1928!... But it's just basic rhythm and has gone by a lot of different names in my time. It's the same, whether you just follow a drum beat like in Africa or surround it with
7992-575: The most noteworthy examples of this trend, but they and other artists like Steve Earle and the Kentucky Headhunters charted many records with this approach. Boogie-woogie (music) Boogie-woogie is a genre of blues music that became popular during the late 1920s, developed in African-American communities since the 1870s. It was eventually extended from piano to piano duo and trio, guitar, big band , country and western music , and gospel . While standard blues traditionally expresses
8100-403: The most part, boogie-woogie tunes are twelve-bar blues , although the style has been applied to popular songs such as " Swanee River " and hymns such as " Just a Closer Walk with Thee ". Typical boogie-woogie bassline: Several African terms have been suggested as having some interesting linguistic precursors to "boogie": Among them are the: The African origin of these terms is consistent with
8208-543: The music. The most notable of these bands was The Beatles . When John Lennon first met Paul McCartney , he was impressed that McCartney knew all the chords and the words to Eddie Cochran's " Twenty Flight Rock ". As the band became more professional and began playing in Hamburg, they took on the "Beatle" name (inspired by Buddy Holly's band The Crickets ) and they adopted the black leather look of Gene Vincent. Musically, they combined Holly's melodic songwriting sensibility with
8316-462: The musical elements that would identify them as boogie-woogie. The 1919 recordings (two takes) of " Weary Blues " by the Louisiana Five contained the same boogie-woogie bass figure as appears in the 1915 "Weary Blues" sheet music by Artie Matthews . Tennison has recognized these 1919 recordings as the earliest sound recordings which contain a boogie-woogie bass figure. Blind Lemon Jefferson used
8424-919: The name of the style. It was closely followed by another example of pure boogie-woogie, " Honky Tonk Train Blues " by Meade Lux Lewis, recorded by Paramount Records (1927), first released in March 1930. The performance emulated a railroad trip, perhaps lending credence to the "train theory". Boogie-woogie gained further public attention in 1938, thanks to the From Spirituals to Swing concert in Carnegie Hall promoted by record producer John Hammond . The concert featured Big Joe Turner and Pete Johnson performing Turner's tribute to Johnson, " Roll 'Em Pete ", as well as Meade Lux Lewis performing "Honky Tonk Train Blues" and Albert Ammons playing "Swanee River Boogie". "Roll 'Em Pete"
8532-428: The new dance music they were playing in jukes and dance halls. Boogie-woogie forever changed piano playing, as ham-handed black piano players transformed the instrument into a polyrhythmic railroad train. In the 1986 television broadcast of Britain's The South Bank Show about boogie-woogie, music historian Paul Oliver noted: Now the conductors were used to the logging camp pianists clamoring aboard, telling them
8640-671: The north or the east. Rather, the first railroad locomotives and iron rails were brought to northeast Texas via steamboats from New Orleans via the Mississippi and Red Rivers and Caddo Lake to Swanson's Landing, located on the Louisiana–Texas state line. Beginning with the formation of the Texas Western Railroad Company in Marshall, Texas, through the subsequent establishment in 1871 of the Texas and Pacific Railway company, which located its headquarters and shops there, Marshall
8748-560: The other ladies, Janis Martin, the female Elvis Jo Ann Campbell , and Alis Lesley , who also sang in the rockabilly style. Mel Kimbrough -"Slim", recorded "I Get Lonesome Too" and "Ha Ha, Hey Hey" for Glenn Records along with "Love in West Virginia" and "Country Rock Sound" for Checkmate a division of Caprice Records. Gene Summers , a Dallas native and Rockabilly Hall of Fame inductee, released his classic Jan/Jane 45s in 1958–59. He continued to record rockabilly music well into 1964 with
8856-577: The release of "Alabama Shake". In 2005, Summers's most popular recording, School of Rock 'n Roll , was selected by Bob Solly and Record Collector Magazine as one of the "100 Greatest Rock 'n' Roll Records". Tommy " Sleepy LaBeef " LaBeff recorded rockabilly tunes on a number of labels from 1957 through 1963. Rockabilly pioneers the Maddox Brothers and Rose continued to record for decades. However, none of these artists had any major hits and their influence would not be felt until decades later. In
8964-626: The rockabilly scene in 1983, when Vince Gordon formed his band. The Jime was a Danish Band. The Jime was the band of Vince Gordon, rockabilly guitarist. Not only was he the nerve of the band, Vince Gordon was the band. He composed nearly all its songs and hits. Vince Gordon also left his mark on the rockabilly scene in many ways. Expert Fred Sokolow talks about the Vince Gordon style in Rockabilly due to his composing. Vince Gordon had many different musicians in his band. The lifetime of
9072-569: The rough rock and roll sound of Vincent and Carl Perkins. When The Beatles became worldwide stars, they released versions of three different Carl Perkins songs, more than any other songwriter outside the band, except Larry Williams , who also added three songs to their discography. (Curiously, none of these three were sung by the Beatles' regular lead vocalists—"Honey Don't" (sung by Ringo) and "Everybody's Trying to be my Baby" (sung by George) from Beatles for Sale (1964) and "Matchbox" (sung by Ringo) on
9180-499: The singles Boo-Woo and Woo-Woo with Pete Johnson and Albert Ammons . Also from 1939, the Will Bradley orchestra had a string of boogie hits such as the original versions of " Beat Me Daddy (Eight To The Bar) " and " Down the Road a Piece ", both 1940, and "Scrub Me Mamma with a Boogie Beat", in 1941. That same year, The Andrews Sisters had a top 10 hit single with their recording of "Boogie Woogie Bugle Boy". The popularity of
9288-500: The songs of Western swing pioneer Bob Wills . The hillbilly boogie period lasted into the 1950s, the last recordings of this era were made by Tennessee Ernie Ford with Cliffie Stone and his orchestra with the guitar duo Jimmy Bryant and Speedy West . Bill Haley and the Saddlemen recorded "Sundown Boogie" in 1952, which once again featured the guitar playing the boogie-woogie rhythm. Boogie-woogie continued in country music through
9396-496: The songs they played were country standards with a faster rhythm. It was here that Carl started composing his first songs. While playing, he would watch the dance floor to see what the audience preferred and adjust his compositions to suit, writing them down only when he was sure they were finished. Carl sent numerous demos to New York record companies with no success; the producers believed the Perkins' style of rhythmically-driven country
9504-414: The state of origin, became reinforced by Jelly Roll Morton , who said he heard the boogie piano style there early in the 20th century, as did Leadbelly and Bunk Johnson , according to Rosetta Reitz . The first time the modern-day spelling of "boogie-woogie" was used in a title of a published audio recording of music appears to be Pine Top Smith's December 1928 recording titled "Pine Top's Boogie Woogie",
9612-545: The street and for a modest fee, record themselves on a two-song vanity record. One young man who came to record himself as a surprise for his mother, he claimed, was Elvis Presley. Presley made enough of an impression that Phillips deputized guitarist Scotty Moore , who then enlisted bassist Bill Black , both from the Starlight Wranglers, a local western swing band, to work with the young man. The trio rehearsed dozens of songs, from traditional country to gospel. During
9720-514: The summer of 1958 Eddie Cochran had a chart-topping hit with " Summertime Blues ". Cochran's brief career included only a few more hits, such as "Sitting in the Balcony" released in early 1957, " C'mon Everybody " released in October 1958, and " Somethin' Else " released in July 1959. Then in April 1960, while touring with Gene Vincent in the UK, their taxi crashed into a concrete lamp post, killing Eddie at
9828-670: The term "Booga Rooga" to refer to a guitar bass figure that he used in "Match Box Blues". Jefferson may have heard the term from Huddie "Lead Belly" Ledbetter , who played frequently with Jefferson. Lead Belly, who was born in Mooringsport , La., and grew up in Harrison County, Texas , in the community of Leigh, said he first heard boogie-woogie piano in the Caddo Lake area of northeast Texas in 1899. He said it influenced his guitar-playing. Lead Belly also said he heard boogie-woogie piano in
9936-438: The territory in which the music has been introduced expands. In January 2010, John Tennison summarized his research into the origins of boogie-woogie with the conclusion that Marshall, Texas is "the municipality whose boundaries are most likely to encompass or be closest to the point on the map which is the geographic center of gravity for all instances of Boogie Woogie performance between 1870 and 1880". Tennison states: Given
10044-512: The title of published music.) The first use of "Boogie" in a recording title appears to be a "blue cylinder" recording made by Edison of the "American Quartet" performing "That Syncopated Boogie Boo" in 1913. The Oxford English Dictionary states that the word is a reduplication of boogie , which was used for " rent parties " as early as 1913. "Boogie" next occurs in the title of Wilbur Sweatman 's April 1917 recording of "Boogie Rag". None of these sheet music or audio recording examples contain
10152-440: The true realization of the Rockabilly genre. In addition to the fusion of distinct genres, Presley's recordings contain some traditional as well as new traits: "nervously up tempo" (as Peter Guralnick describes it), with slap bass, fancy guitar picking, much echo, shouts of encouragement, and vocals full of histrionics such as hiccups, stutters, and swoops from falsetto to bass and back again. In 1955, Elvis asked D.J. Fontana ,
10260-421: The use of any specific bass figure used in boogie-woogie. Sullivan said that "Fast Western" and "Fast Texas" were terms that derived from the Texas Western Railroad Company of Harrison County. The company was chartered on February 16, 1852, and changed its name to "Southern Pacific" in 1856. It built its first track from Marshall, Texas Swanson's Landing at Caddo Lake in 1857. (This Texas-based "Southern Pacific"
10368-412: The workaday world of parents and authority figures. It was the first rock 'n' roll style to be performed primarily by white musicians, thus setting off a cultural revolution that is still reverberating today. "Rockabilly" deviance from social norms, however, was more symbolic than real; and eventual public professions of faith by aging rockabillies were not uncommon. The first wave of rockabilly fans in
10476-451: The world. Among its most famous acts was the "Boogie Woogie Trio" of Pete Johnson , Albert Ammons , and Meade "Lux" Lewis . Other famous boogie woogie pianists of this peak era were Maurice Rocco and Freddie Slack . There were also many very notable women boogie woogie pianists during this time, including Hadda Brooks , Winifred Atwell , Martha Davis , and Hazel Scott , as well as in later years, such as Katie Webster . Boogie-woogie
10584-560: The years. Presley's unique musical style rocketed him into the spotlight, and drew masses of followers. Nobody was sure what to call Presley's music, so Elvis was described as "The Hillbilly Cat" and "King of Western Bop". Over the next year, Elvis would record four more singles for Sun. Rockabilly recorded by artists prior to Presley can be described as being in the long-standing country style of Rockabilly. Presley's recordings are described by some as quintessential rockabilly for their true union of country and R&B, which can be described as
10692-400: The young age of 21. The grim coincidence in this all was that his posthumous UK number-one hit was called " Three Steps to Heaven ". Rockabilly music enjoyed great popularity in the United States during 1956 and 1957, but radio play declined after 1960. Factors contributing to this decline are usually cited as the 1959 death of Buddy Holly in an airplane crash (along with Ritchie Valens and
10800-626: Was an active rockabilly scene. Early shows were attended by the Rolling Stones and Dave Edmunds, who quickly ushered the boys into a recording studio. The Stray Cats had three UK Top Ten singles to their credit and two bestselling albums. They returned to the US, performing on the TV show Fridays with a message flashing across the screen that they had no record deal in the States. Soon EMI picked them up, their first videos appeared on MTV, and they stormed up
10908-430: Was denied airplay on both country radio stations and R&B stations for being "too black" and "too white", respectively. Country deejays told Phillips they would be "run out of town" for playing it. When the song was finally played by one rogue deejay, Dewey Phillips, Presley's recording created so much excitement it was described as having waged war on segregated radio stations. All of Presley's early singles featured
11016-407: Was doing some songs by black artists." In 1954, both Johnny Cash and Carl Perkins auditioned for Sam Phillips . Cash hoped to record gospel music, but Phillips was not interested. In October 1954, Carl Perkins recorded his original song " Movie Magg ", which was released in March 1955 on Phillips's all-country label Flip. Cash returned to Sun in 1955 with his song " Hey, Porter ", and his group
11124-557: Was known as the "Blue Yodeler", and most of his songs used blues-based chord progressions , although with very different instrumentation and sound from the recordings of his black contemporaries like Blind Lemon Jefferson and Bessie Smith . During the 1930s and 1940s, two new sounds emerged. Bob Wills and his Texas Playboys were the leading proponents of Western Swing , which combined country singing and steel guitar with big band jazz influences and horn sections ; Wills's music found massive popularity. Recordings of Wills's from
11232-687: Was not commercially viable. That would change in 1955 after recording the song " Blue Suede Shoes " (recorded December 19, 1955) on Sam Phillips ' Memphis-based Sun Records . Later made more famous by Elvis Presley , Perkins' original version was an early rock 'n' roll standard. In the early 1950s, there was heavy competition among Memphis area bands playing an audience-savvy mix of covers, original songs, and hillbilly flavored blues. One source mentions both local disc jockey Dewey Phillips and producer Sam Phillips as being influential. An early radio show on KWEM in West Memphis, Arkansas quickly became
11340-467: Was not connected to the more well known Southern Pacific originating in San Francisco, California.) The Southern Pacific of Texas was bought by the newly formed Texas and Pacific Railway on March 21, 1872. Although the Texas Western Railroad Company changed its name to Southern Pacific, Sullivan said the name "Texas Western" stuck among the slaves who constructed the railroad. A key to identifying
11448-688: Was released in May 1955, and peaked at number five on the national Billboard Country Chart. In August, Sun released Elvis's versions of " I Forgot to Remember to Forget " and "Mystery Train". "Remember to Forget" spent a total of 39 weeks on the Billboard Country Chart, five at the number one spot. "Mystery Train", peaked at number 11. Through most of 1955, Cash, Perkins, Presley, and other Louisiana Hayride performers toured through Texas, Arkansas, Oklahoma, Louisiana and Mississippi. Sun released two more Perkins songs in October: "Gone, Gone, Gone" and "Let
11556-519: Was revamped by Christina Aguilera as her 2006 hit, " Candyman ". The boogie-woogie fad lasted from the late 1930s into the early 1950s, and made a major contribution to the development of jump blues and ultimately to rock and roll, epitomized by Fats Domino , Little Richard and Jerry Lee Lewis . Louis Jordan is a famous jump blues musician. Boogie-woogie is still to be heard in clubs and on records throughout Europe and North America. Big Joe Duskin displayed on his 1979 album, Cincinnati Stomp ,
11664-424: Was the only railroad hub in the Piney Woods of northeast Texas at the time the music developed. The sudden appearance of steam locomotives and the building of mainline tracks and tap lines to serve logging operations was pivotal to the creation of the music in terms of its sound and rhythm. It was also crucial to the rapid migration of the musical style from the rural barrel house camps to the cities and towns served by
#252747