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125-618: John Tiller's first dancers performed as 'Les Jolies Petites'. He originally formed the group for the pantomime 'Robinson Crusoe', subtitled 'The Good Friday That Came on a Saturday', in 1890 at the Prince of Wales Theatre, Liverpool. From this were founded the Tiller School of Dancing and the Tiller Girl troupes. The number of troupes grew to dozens, and their fame spread around the world. The troupes were all slightly different, but within each troupe

250-415: A 'Tap and Kick' routine, which was originally called 'Fancy-Dancing' but today is known as 'Precision Dancing'. The routines may consist of straight lines or geometric figures. Siegfried Kracauer stated in 1923, "These 76 energetic women dance about in geometric shapes: the regularity of their patterns is cheered by the masses, themselves arranged by the stands in tier upon ordered tier." In certain shows

375-524: A Tiller line-up could be as many as 32 girls who were selected for uniform height and weight. In 1923 the stage play Nifties of 1923 featured twelve Tiller Girls. After John Tiller 's death in 1925, the Tiller schools in the U.K. were kept alive first by his wife Jennie Tiller, then by some of the head girls. The U.S. Tiller school in New York City was continued under the leadership of Mary Read until 1935. By

500-444: A collection of songs and sketches, described by Billboard as "a funny , funny comedy masterpiece". His earlier record, Strictly T-T , was also released in the US. Alongside How to Murder Your Wife , there were two further releases for Terry-Thomas in 1965: Strange Bedfellows , in which he played the part of a mortician, and Those Magnificent Men in their Flying Machines . In

625-462: A concert, which included a freshly written sketch about his feet, which had been suffering in his army boots. After basic training he was promoted to the rank of corporal and applied for a commission . He was turned down because training had caused a duodenal ulcer , and his hearing was still problematic; as a result he was downgraded from A1 to B1 fitness at the start of 1943. Terry-Thomas continued to appear in cabaret and variety shows while in

750-789: A dance school, and at hundreds of other theatres throughout Europe and the United States . One Tiller group, the Pony Ballet, earned success in the U.S. in musical comedy and vaudeville, performing from 1899 to 1914. In a 1911 newspaper interview, Beatrice Liddell, the leader of the Pony Ballet, described the Tiller school of the late 1890s as having a boarding school facility in Limehouse, Manchester, where girls aged five to ten were taught academic subjects as well as dance, to gauge their aptitude for dancing. Promising students graduated to Tiller's Covent Garden, London, facility. The Tiller Girls performed

875-595: A daughter in his place. By the time he reached adolescence, his parents' marriage had failed and both had become alcoholics. In an attempt to bring them together, he often entertained them by performing impromptu slapstick routines, reciting jokes and singing and dancing around the family home. The performances seldom worked, and his father became increasingly distant from his family. In 1921 Terry-Thomas began to nurture his distinctive, well-spoken voice, reasoning that "using good speech automatically suggested that you were well-educated and made people look up to you". He used

1000-617: A five-film deal. The first of the five films was Brothers in Law , in which Terry-Thomas played the spiv Alfred Green, a performance which was based on Sid Field's characterisation in Piccadilly Hayride . Roy Boulting later recounted that one short scene with Terry-Thomas, Richard Attenborough and Ian Carmichael took 107 takes because of Terry-Thomas's unfamiliarity with filming techniques; he initially struggled to hit his marks , or give his line and move on while still acting. Filming

1125-747: A former Head Girl, took on responsibility for the choreography. When the troupe of sixteen girls performed on the stage that night the response from the audience was electric and The 60s Tiller Girls were quite literally reborn. This original troupe of ladies, ranging in age from their early 40s to late 50s, carried on for more than twenty years, performing in over 180 shows under Bruce Vincent's stewardship. The re-formed troupe were fortunate enough to appear in many different shows, mainly for charity, ranging from appearances in Sevenoaks School to performing in Buckingham Palace , and from Westcliff-on-Sea to

1250-411: A friend's flat; the friend was a film extra who introduced him to the idea of working in the industry. Terry-Thomas made his uncredited film debut in the 1933 film, The Private Life of Henry VIII , which starred Charles Laughton in the title role . Between 1933 and 1941 Terry-Thomas appeared in 16 films, as an uncredited extra in all but one; he later said that "this work suited me down to

1375-511: A gift to visual entertainment: a large, rather gaunt face, pre-fabricated for close-ups; the notorious space of one-third of an inch between his two most prominent top teeth; a mouth that is full of expression. Add to these pictoral [ sic ] advantages his eight-inch cigarette holder and Eddie Cantor eyes". In between filming How Do You View? , Terry-Thomas continued performing on radio as well as in cabaret, in Britain and increasingly

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1500-566: A good deal of nudity . Shows also played up the "exoticness" of people and objects from other cultures, obliging the Parisian fascination with the négritude of the 1920s. In 1926 the facade of the theatre was given a complete make-over by the artist Maurice Pico  [ fr ] . The facade was redone in Art Deco style, one of the many Parisian theatres of this period using the style. In 1936, Derval brought Baker from New York City to lead

1625-533: A grand discovery". Within three weeks of starting his run, Terry-Thomas was invited to appear at the Royal Command Performance on 4 November 1946 at the London Palladium . Piccadilly Hayride ran for 778 performances and ended on 17 January 1948. The show was seen by over a million people and earned £350,000 at the box office. In conjunction with Piccadilly Hayride , Terry-Thomas undertook

1750-604: A harassed BBC announcer introducing records that are missing. In order to cover up for the absent records he would use his vocal range of four and a half octaves to mimic the singers; he included "impersonations of Britain's clipped crooner Noël Coward , the African-American bass-baritone Paul Robeson , the Peruvian songbird Yma Sumac , the Austrian tenor Richard Tauber and ... the entire Luton Girls Choir ". The show went on

1875-516: A maniac". Filming took place during the daytime; in the evenings he appeared at the London Palladium, something he found trying on his nervous system. In 1960 Terry-Thomas appeared as Raymond Delauney in School for Scoundrels , a film his biographer, Robert Ross, called "the definitive screen presentation of his frightfully well-mannered, well-read and well-educated lounge lizard: T-T the man as T-T

2000-471: A medical report which showed Terry-Thomas had been on a course of prescription painkillers due to a gruelling filming schedule; along with inconsistencies in the arresting policemen's notes, the case proved inconclusive and was dismissed. For much of the rest of 1958, Terry-Thomas appeared on stage at the London Palladium in Large as Life , alongside Harry Secombe , Eric Sykes and Hattie Jacques . He played one of

2125-579: A national tour, with the stand-up comedian Charlie Chester as compere, during which Terry-Thomas refined and polished his act and finished as "one of the most prominent and influential members of Stars in Battledress". Terry-Thomas, along with his Stars in Battledress unit, travelled through Britain and Europe on a tour that lasted several months. After the tour, and with his demobilisation approaching, he took compassionate leave to have free time while still receiving army pay. During his absence he went on

2250-641: A new genre of entertainment for the Folies Bergère: the music-hall revue . Women would be the heart of Marchand's concept for the Folies. In 30 November 1886, the Folies Bergère, staged the first revue-style music hall show Place au jeûne ! , featuring Alice Berthier  [ fr ] and scantily clad chorus girls, was a tremendous success. In the early 1890s, the American dancer Loie Fuller starred at

2375-520: A new series on the BBC Television Service , How Do You View? , noted for being the first comedy series on British television. The programme was based around an on-screen persona of Terry-Thomas as "a glamorous, mischievous and discreetly cash-strapped man-about-town", introducing a series of sketches in which he appeared alongside Peter Butterworth as his chauffeur; Janet Brown (Butterworth's real-life wife); Avril Angers ; H.C. Walton as

2500-409: A number of other additional one-off appearances in cabaret and private functions. He also appeared in editions of Variety Bandbox and Workers' Playtime on BBC Radio . His ever-evolving act consisted of imitations, including that of his friend, the musician Leslie Hutchinson (known as "Hutch"); sketches, including "Technical Hitch"; urbane monologues, and "languid shaggy dog stories ". At

2625-665: A part which brought him £100,000, his largest fee to that point. He said it was his favourite to make, "because I felt that I did a very good job". He enjoyed working with Jack Lemmon , the film's star, partly because Lemmon would play jazz and sing while the scenes were being lit: the two became friends and Terry-Thomas was invited to Lemmon's wedding. Throughout the rest of the year Terry-Thomas continued to appear on US television, again in Burke's Law , but also on What's My Line? and An Hour with Robert Goulet , both on CBS ; he also released another record, Terry-Thomas Discovers America ,

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2750-618: A range of popular and topical star guests", To Town with Terry was broadcast weekly and ran for 24 episodes until 28 March 1949. He was disappointed with the series, saying "I was never totally satisfied with [it] ... The perfectionist in me always made me aware of anything that was less than first class". He also appeared in his first post-war film, A Date with a Dream , in 1949, alongside his wife. How do you view ? Are you frightfully well? You are ? Oh, good show ! Terry-Thomas's opening lines on How Do You View? On 26 October 1949 Terry-Thomas wrote and starred in

2875-548: A run of performances in the Granada theatres of Sutton and Woolwich , and the Finsbury Park Empire, which ran to the end of January 1954. That year, he separated from Patlanski following an increase in domestic tension and the plethora of affairs in which they had both indulged. Patlanski moved out of the shared home, and the couple lived separate lives; the press did not report the separation until 1957. Terry-Thomas spent

3000-509: A second series followed between April and May 1950, with Sid Colin taking over the scripting duties and Terry-Thomas providing additional material. By the third series, which was broadcast between November 1950 and February 1951, the audience reached four million viewers. In total there were five series of How Do You View? ; the final episode was broadcast on 11 June 1952. Writing about Terry-Thomas on television, Wilfred Greatorex observed that "he has ... physical attributes that make him

3125-473: A sensation at the Folies Bergère by dancing in a costume consisting of a skirt made of a string of artificial bananas and little else. The institution is still in business, and is still a strong symbol of French and Parisian life. The métro stations are Cadet and Grands Boulevards . Located at 32 Rue Richer in the 9th Arrondissement , and opened on 2 May 1869, the Folies Bergère, as the Folies Trévise ,

3250-472: A sensation at the Folies Bergère in a new revue, La Folie du Jour , in which she danced a number Fatou wearing a costume consisting of a skirt made of a string of artificial bananas and little else, and Un Vent De Folie (1927). Her erotic dancing and near-nude performances were renowned. The Folies Bergère catered to popular taste. Shows featured elaborate costumes; the women's were frequently revealing, practically leaving them naked, and shows often contained

3375-542: A series of vermouth advertisements filmed in Italy, and an award-winning series for Benson & Hedges cigarettes, with Eric Sykes. During the 1970s he starred in a series of low-budget British films, including two in 1975, Spanish Fly —called a "gruesome smutfest" by the writer Christopher Fowler —and The Bawdy Adventures of Tom Jones , described by the Film Review Digest as a "cheap, crude, sexed-up rehash" of

3500-723: A series of concert parties, before returning to the UK to appear in the Royal Variety Performance in November. He finished the year in South Africa , as Honourable Idle Jack in Dick Whittington , which finished in January 1953; he considered the pantomime to be "so tatty and unrehearsed it was pathetic". In June 1953 Terry-Thomas broadcast the pilot episode of the radio show, Top of

3625-483: A street of that name by the stage door. However, the fr:Duc de Trevise objected. on 13 September 1872, It became the Folies Bergère, named after a nearby street, Rue Bergère ("bergère" means "shepherdess"). In 1882, Édouard Manet painted his well-known painting A Bar at the Folies-Bergère which depicts a bar-girl, one of the demimondaines , standing before a mirror. In 1886, Édouard Marchand conceived

3750-507: A surgeon; Terry-Thomas resumed his bachelor lifestyle. The break-up with Desmond caused him great upset, and he sought solace with Belinda Cunningham, a 21-year-old whom he had met on holiday in Majorca two years previously. The couple began a romance, and married in August 1963 at Halstead Registry Office near Colchester , Essex. The following year she gave birth to their first son—Timothy Hoar—at

3875-481: A tour of the UK organised by George Black, accompanied on the piano by a former colonel, Harry Sutcliffe. Terry-Thomas finished the war as a sergeant , and was finally demobbed on 1 April 1946. The ENSA and Stars in Battledress tours of Britain and Europe had raised Terry-Thomas's profile and, by October 1946, he was appearing alongside Sid Field in Piccadilly Hayride at the Prince of Wales Theatre , London. The show

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4000-433: A very prudish director, not as imaginative or experimental as I would have liked". Terry-Thomas had more time for the actress with whom he shared his short scene, Jayne Mansfield , commenting that "I found her rather intelligent to talk to and felt quite shattered when I read about the gruesome car accident that killed her". An actress he had difficulties in working with was Doris Day : in the 1968 film Where Were You When

4125-563: Is Faceboyz Folliez , a monthly burlesque and variety show at the Bowery Poetry Club in New York City . Folies Bergère is mentioned in the movie, The Last Time I Saw Paris . Venues: Theatre groups: Shows: Terry-Thomas Terry-Thomas (born Thomas Terry Hoar Stevens ; 10 July 1911 – 8 January 1990) was an English character actor and comedian who became internationally known through his films during

4250-404: Is lies. I'm not suggesting the writers were lying, I was". During the year he also appeared in two further Boultings brothers' films in their series of institutional satires, having appeared in the previous three. The first, in which he was joined again by Sellers, was Carlton-Browne of the F.O. , in which he played Cadogan de Vere Carlton-Browne, a character he described as being "rubble from

4375-478: The Comedy Playhouse called "The Old Campaigner", he played James Franklin-Jones, a salesman for a plastics company who was continually searching for love affairs while travelling on business. This character was "yet another variation on his rakish cad persona", according to Mark Lewisohn. The episode was well-received, and a six-part series was commissioned that ran over December 1968 and January 1969. Although

4500-646: The Carry On comedian, was putting on a charity show at the Drury Lane Theatre to aid both Terry and Parkinson's UK , a research and support charity. Bruce Vincent, husband of June Vincent (née Labbett), herself a former Tiller girl from 1958 to 1969, phoned Jack Douglas and asked if he would like a troupe of Tiller Girls in the show. From there on in, a busy four months started to get a full troupe of sixteen girls together (all bona fide former Tiller Girls), together with full costumes, music and rehearsals. Wendy Clarke,

4625-483: The Folies Trévise , with light entertainment including operettas , comic opera, popular songs, and gymnastics. It became the Folies Bergère on 13 September 1872, named after nearby Rue Bergère. The house was at the height of its fame and popularity from the 1890s' Belle Époque through the 1920s. Revues featured extravagant costumes, sets and effects, and often nude women. In 1926, Josephine Baker , an African-American expatriate singer, dancer and entertainer, caused

4750-715: The Golden Globe for Best Comedy Actor for his portrayal of Spender in The Mouse on the Moon . He also tried his hand at production, with three 15-minute travelogues: Terry-Thomas in Tuscany , Terry-Thomas in the South of France and Terry-Thomas in Northern Ireland . He did not enjoy the producer's role, complaining that "for some extraordinary reason that I could never understand, everybody

4875-559: The Hunchback of Notre-Dame and Erich von Stroheim . He invented various characters, including Colonel Featherstonehaugh-Bumleigh and Cora Chessington-Crabbe, and frequently recited comic stories involving them to his colleagues. His characterisations soon came to the notice of the company's management who prompted him to enrol in the company's amateur drama club. He made his début with the drama company as Lord Trench in The Dover Road which

5000-571: The London Palladium . The shows at the Palladium were always the ladies' favourite shows as they considered the Palladium their "spiritual" home. To this day, some of the original 1960s Tiller Girls do backstage tours at the London Palladium in full costume, as arranged by the Palladium's box office. They performed at many prestigious charitable events all over the UK, including 40 Glorious Years , in honour of The Queen , and were semi-adopted by Lily Savage, aka Paul O'Grady , for his shows and videos in

5125-581: The Princess Beatrice Hospital in London. In 1962 Terry-Thomas was offered the role of Lt-Colonel J. Algernon Hawthorne in It's a Mad, Mad, Mad, Mad World , and turned down the opportunity before leaving for the UK. By the time his flight arrived in London he had changed his mind, so he telephoned producer Stanley Kramer from the airport to signal his acceptance, and "popped back on a plane to be fitted for

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5250-596: The Royal Variety Performance , notably in 1953 at the London Coliseum , when there were 40 girls in the line-up. As far as is known, neither before or since has there been a longer line of girls performing a kicking routine (the Rockettes have 36). On Sept 24th 1955 a Tiller Troupe appeared in the first Saturday night variety show transmitted on the new ITV channel, which had been launched 2 days earlier. During

5375-898: The Tropicana Resort & Casino in Las Vegas , which opened in 1959, closed at the end of March 2009 after nearly 50 years in operation. In the 1930s and '40s the impresario Clifford C. Fischer staged several Folies Bergere productions in the United States. These included the Folies Bergère of 1939 at the Broadway Theater in New York and the Folies Bergère of 1944 at the Winterland Ballroom in San Francisco . A recent example

5500-423: The "nine ladies dancing." Sandy made eight phone calls to original Tiller Girls from the 50s and 60s, and all eight immediately agreed, with her making the nine needed. The ladies truly enjoyed the experience, made especially poignant as none expected to be Tiller Girls again after so many years. Then, in later 1988, there was a news bulletin on the actor Terry-Thomas who was suffering with Parkinson's. Jack Douglas,

5625-596: The "tetchily incompetent" personnel manager. Many of the other cast members of Private's Progress also returned, including Attenborough, Carmichael and Dennis Price ; they were joined by Peter Sellers, who took most of the plaudits from the critics, although Stanley Kauffmann , writing in The New Republic also delighted in Terry-Thomas's "finesse" and "extraordinary skill". The Los Angeles Times retrospectively considered I'm All Right Jack and Carlton-Browne of

5750-649: The 1940s the John Tiller Schools of Dancing were managed by its 3 directors, Mr John Smith, Miss Doris Alloway and Miss Barbara Aitken (also choreographer and a former Tiller Girl). During the 1940s the Tiller Girls were popular, appearing in summer seasons, pantomimes, variety tours, London West End shows, and cabaret. During the 1950s, as travel became easier after World War II , Tiller Troupes began to work abroad again. The Tiller Girls' popularity continued to increase. They were invited to make several appearances at

5875-799: The 1950s and 1960s. He often portrayed disreputable members of the upper classes , especially cads , toffs and bounders , using his distinctive voice; his costume and props tended to include a monocle, waistcoat and cigarette holder. His striking dress sense was set off by a 1 ⁄ 3 -inch (8.5 mm) gap between his two upper front teeth . Born in London, Terry-Thomas made his film debut, uncredited, in The Private Life of Henry VIII (1933). He spent several years appearing in smaller roles, before wartime service with Entertainments National Service Association (ENSA) and Stars in Battledress . The experience helped sharpen his cabaret and revue act, increased his public profile and proved instrumental in

6000-635: The 1954 summer season performing at the Winter Gardens Pavilion , Blackpool before starring in a second series of Top of the Town , which ran from October 1954 to February 1955. At the end of the series he appeared as Hubert Crone in the play Room for Two , which had a UK tour prior to a run at the Prince of Wales Theatre , London. The last stop on the UK tour was at the Brighton Hippodrome , where Terry-Thomas broke his arm on stage; he returned to

6125-484: The 1973 Walt Disney film Robin Hood was one notable part, while others were less well-known, such as The Vault of Horror , a film described by Richard Ross as a "cornball terror", in which he starred with Curd Jürgens , Tom Baker and Denholm Elliott. He also continued to appear on television shows in both the US and UK, as well as advertisements, including appearing with June Whitfield for Birds Eye fish fingers ,

6250-496: The 1990s. The 1960s Tiller Girls formally announced their retirement, and their final show, in April 2011, was a cabaret in aid of Vera Lynn 's Children's Charity. The women were then in their late 60s and early 70s, a rare achievement for any dancer, and the joy and pride of bearing the Tiller Girl name was thus passed on into its third century, with the baton being passed to the relaunched Tiller Girls. World Dance Management relaunched

6375-527: The Brothers Grimm , in which Terry-Thomas shared his scenes with the American comedian Buddy Hackett , and Kill or Cure , in which he appeared with Sykes, a friend since they worked together in Large as Life . On 1 February 1962 Terry-Thomas and Pat Patlanski divorced, having spent the previous eight years estranged. He had by then split from his mistress of the previous few years, Lorrae Desmond , who returned to Australia shortly afterwards and married

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6500-522: The European films allowed him to travel and gave him a constant source of income, he received bigger fees from his less-frequent engagements in US films, which he continued to appear in, joking that he "knew the fat cheques in the pipe-line were endless". One of the bigger fees came with Gene Kelly 's 1967 film A Guide for the Married Man ; he was disappointed by Kelly's direction, later saying "I found him

6625-439: The F.O. (1959). From the early 1960s Terry-Thomas began appearing in American films, coarsening his already unsubtle screen character in films such as Bachelor Flat (1962), It's a Mad, Mad, Mad, Mad World (1963) and How to Murder Your Wife (1965). From the mid-1960s on he also frequently starred in European films, in roles such as Sir Reginald in the successful French film La Grande Vadrouille . In 1971 Terry-Thomas

6750-548: The F.O. to have been Terry-Thomas's best works. His final film of 1959 was as William Delany Gordon in Too Many Crooks . Bosley Crowther of The New York Times thought Terry-Thomas provided "some of the fieriest conniptions to be seen on the contemporary screen", going on to say the actor's "skill is exercised in demonstrating how magnificently and completely a mad-cap comedian can completely blow his top. His eyes flash, his lips curl, his sibilants whistle and he glares like

6875-579: The Folies Bergère. In 1902, illness forced Marchand to leave after 16 years. In 1918, Paul Derval  [ fr ] (1880–1966) made his mark on the revue. His revues featured extravagant costumes, sets and effects, and "small nude women". Derval's small nude women would become the hallmark of the Folies. During his 48 years at the Folies, he launched the careers of many French stars including Maurice Chevalier , Mistinguett , Josephine Baker , Fernandel and many others. In 1926, Baker, an African-American expatriate singer, dancer, and entertainer, caused

7000-637: The Foreign Office petitioned the British Film Producers' Association for it to be withdrawn, considering that the Russians might consider the film to accurately portray British diplomatic behaviour. Terry-Thomas's final film with the Boulting brothers was I'm All Right Jack , a post-war follow-up to Private's Progress with Terry-Thomas reprising the role of Major Hitchcock in an industrial setting, as

7125-510: The Lights Went Out? , which was produced by her husband Martin Melcher . Day would instruct Terry-Thomas how he should act in a scene (he would "listen ... politely, then do it my own way, as if the conversation had never taken place"). She would also launch into improvisations while filming; director Hy Averback would mimic a scissor action behind her back to signal to Terry-Thomas that

7250-569: The Precision Dance routines; this found its way back to the Tiller girls in the United Kingdom. Girls who had visited the United States during the late 1930s and 1940s danced for the troops and liked the American style of dancing and the costumes with headdresses that they saw. American films also featured showgirls and had a big impact on the British audience. From the late 1940s through the 1970s

7375-675: The South African dancer and choreographer Ida Florence Patlansky, who went by the stage-name Pat Patlanski, while she was auditioning in London for a partner for her flamenco dancing act. Patlanski was keen to employ Terry-Thomas as a comedian rather than a dancer, and they established a cabaret double-act billed as "Terri and Patlanski", which was immediately popular with audiences. The couple became romantically involved and married on 3 February 1938 at Marylebone Register Office , afterwards moving to 29 Bronwen Court in St John's Wood . Despite

7500-544: The Three Musketeers in one sketch and had another turn called "Filling the Gap"; the show ran for a total of 380 performances between May and December 1958. He also released his first record, Strictly T-T , a collection of comic songs and sketches. In 1959 Terry-Thomas published his first autobiography, Filling the Gap , named after his spot in Large as Life ; he explained that "everything that has been printed about me

7625-529: The Tiller Girls and American girls who trained with Mary Read also danced in the Rockettes. Lily Smart, who trained with the Tiller School of Dance in Manchester and was with the 1922 troupe in the Ziegfeld Follies, settled in America and joined the Rockettes after leaving the Tiller Girls, performing with them for many years. She was then involved with the training of new dancers. Lily was in constant contact with Bernard Tiller until her death in 2010, aged 106. Lily explained how Russell Markert added his own style to

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7750-519: The Tiller Girls on 16 May 2012, having been awarded worldwide rights and an exclusive trademark licence agreement to Bernard Tiller, great grandson of John Tiller, founder of the original troupe. The Tiller Girls performed in a Christmas pantomime show at the London Palladium in December, 2021. The Radio City Music Hall Rockettes , an American dance troupe, follow and keep alive the Tiller Girls' tradition of high-kicking precision dancing. Russell Markert , founder of The Rockettes , reminisced: "I had seen

7875-447: The Tiller girls adopted a lot of American showgirl styles that could trace their roots back to the Folies Bergère in the late 1890s. Folies Berg%C3%A8re The Folies Bergère ( French pronunciation: [fɔli bɛʁʒɛʁ] ) is a cabaret music hall in Paris , France. Located at 32 Rue Richer in the 9th Arrondissement , the Folies Bergère was built as an opera house by the architect Plumeret. It opened on 2 May 1869 as

8000-443: The Tiller girls in the Ziegfeld Follies of 1922. If I ever got a chance to get a group of American girls who would be taller and have longer legs and could do really complicated tap routines and eye-high kicks, they'd knock your socks off!" The Rockettes first came to life in 1925 as the "Missouri Rockets" and made their show business debut in St. Louis , the realisation of a long-time dream of their creator, Russell Markert. Some of

8125-480: The Town ; the show was successful and the BBC commissioned a series of 16 episodes, which ran between November 1953 and February 1954. In between recording sessions, he appeared at the London Palladium in the revue Fun and the Fair , with George Formby and the Billy Cotton band , from October 1953. Fun and the Fair was unsuccessful at the box office and closed on 19 December 1953, after 138 performances. Terry-Thomas then reprised his role of Idle Jack for

8250-488: The UK, US and Australia. The 1970s began well for Terry-Thomas; television appearances in the UK and US were augmented by filming for The Abominable Dr. Phibes , which became what author Bruce Hallenbeck called a "camp classic", despite being described by Time Out critic David Pirie , as "the worst horror film made in England since 1945"; the film was released in 1971. On 1 August 1970 Terry-Thomas made his second appearance on Desert Island Discs ; his luxury item

8375-401: The US. In October and November 1949 he appeared at the Palmer House Night Club, Chicago; in June 1951 he appeared at The Wedgwood Room, Waldorf Astoria Hotel , New York, and between 22 December 1951 and 29 February 1952 he returned to the London Palladium for 109 performances in Humpty Dumpty . In September 1952 he travelled to the Federation of Malaya to entertain British troops in

8500-431: The army, including at the Astoria Cinema in York , where he was seen by George Black. Black established the entertainment troupe, Stars in Battledress , which was composed of entertainers who were serving in the forces, and he invited Terry-Thomas to join. In February 1943 he appeared in his first Stars in Battledress show at London's Olympia , where he introduced the sketch "Technical Hitch". This involved him portraying

8625-518: The band's music. Terry-Thomas enjoyed his time at Ardingly, and relished his association with upper middle class school friends. His academic abilities were modest, and he came to the notice of staff only through his frequent tomfoolery. Although he initially felt intimidated by his school surroundings, his confidence grew as he put on "a bold, undiluted and sustained show of chutzpah ", according to his biographer, Graham McCann. On his return home to Finchley in 1927, his more mature manner impressed

8750-401: The bandleader Don Rico, who incorporated them into his orchestra, with Patlanski playing the piano and Terry-Thomas acting as the compère . I was with an ENSA party in Hereford when I received a cunningly worded, if not cordial, invitation to join the Army. I accepted with dignity, if not enthusiasm. Terry-Thomas on his call-up The Entertainments National Service Association (ENSA)

8875-498: The condition would affect offers of work, Terry-Thomas did not make the news public, but as the symptoms began to manifest themselves in tremors, a shuffling gait, stooped posture and affected speech, he made the news known—partly to stop rumours of on-set drunkenness. Terry-Thomas continued to work as much as possible, although—as the film historian Geoff Mayer pointed out—the situation "reduced his film career to supporting roles and cameos". The lucrative voice-over role of Sir Hiss in

9000-610: The continued existence of the last music hall which remained faithful to the tradition. Since 2006, the Folies Bergère has presented some musical productions with Stage Entertainment like Cabaret (2006–2008) or Zorro (2009–2010). The Folies Bergère inspired the Ziegfeld Follies in the United States and other similar shows, including the Teatro Follies in Mexico and a long-standing revue, The Las Vegas Folies Bergere , at

9125-583: The development of his successful comic stage routine. On his demobilisation , he starred in Piccadilly Hayride on the London stage and was the star of the first comedy series on British television, How Do You View? (1949). He appeared on various BBC Radio shows, and made a successful transition into British films. His most creative period was the 1950s when he appeared in Private's Progress (1956), The Green Man (1956), Blue Murder at St Trinian's (1957), I'm All Right Jack (1959) and Carlton-Browne of

9250-667: The drunken audience, but earned him a commission of 30 shillings. After this, he played a few minor roles in Gilbert and Sullivan productions by the Edgware Operatic Society at the Scala Theatre . In 1933, he left Smithfield Market to work briefly with a friend at an electrical shop before he became travelling salesman of electrical equipment. He enjoyed the job and relished being able to dress up in elaborate clothing in order to make his pitch. In his spare time, he began playing

9375-454: The end of 1961 Terry-Thomas was appearing on radio, such as the December broadcast of The Bing Crosby Show and in guest spots on American television shows; he was frequently the subject of US newspaper interviews. In 1962 Bachelor Flat and Operation Snatch were both released, and were followed by two more films: a large-budget biopic from Metro-Goldwyn-Mayer called The Wonderful World of

9500-520: The end of filming, Terry-Thomas went to a Christmas party at the Trocadero , where he drank champagne and took codeine tablets, and was subsequently arrested on suspicion of being drunk and disorderly . He considered the arresting policemen to have been rude, and "their attitude made me extremely angry and when I get angry ... I just go completely off my nut". The case came to court on 14 March 1958 and his legal team from Metro-Goldwyn-Mayer provided

9625-463: The end of his run with Piccadilly Hayride , Terry-Thomas took a three-week break to recover from nervous exhaustion and a recurrence of his peptic ulcer. He went back to cabaret and acted as a compere at the London Palladium before making his radio breakthrough on 12 October 1948 with his own series on the BBC Home Service . Consisting of a "mixture of sketches, solo routines, musical interludes and

9750-458: The family retainer, Moulting; and Diana Dors . The programme was broadcast live and often included Terry-Thomas walking through control rooms and corridors of the BBC's Lime Grove and Alexandra Palace studios. The author and historian Mark Lewisohn described the series as being "inventive ... truly televisual and not just a radio programme in costume". The series ran until 21 December 1949;

9875-569: The family's housekeeper Kate Dixon, who seduced him at the family home. He stayed at Ardingly for one more term and returned home to London, but made no plans to further his education or start long-term work. Instead, he accepted a temporary position at Smithfield Market, where he earned 15 shillings a week as a junior transport clerk for the Union Cold Storage Company. By his own admission, he never stopped "farting around" and often kept his colleagues entertained with impersonations of

10000-544: The film star". He again appeared opposite Ian Carmichael, and they were joined by Alastair Sim and Janette Scott . Michael Brooke, writing for the British Film Institute , thought Terry-Thomas was "outstanding as a classic British bounder". CNN listed the performance among the top ten British villains, stating, "generally found twirling his cigarette holder while charming the ladies — at least, when not swindling, cheating or behaving like an absolute rotter." Later

10125-530: The first of his two film award nominations, the BAFTA Award for the "Best British Actor in 1959" for the part of Ivan in the Metro-Goldwyn-Mayer film tom thumb . He later described the film as his second favourite; he appeared opposite Sellers for much of his screen time, and later said that "my part was perfect, but Peter's was bloody awful. He wasn't difficult about it, but he knew it". Terry-Thomas

10250-590: The first time since their inception the popularity of Tillers went into decline until the formation of the Sixties Tiller Girls. Towards the end of 1988 a former Tiller Girl, Sandy Jones, received a surprise call from a friend, George May, who was working on a production named Joy to the World , to be staged at the Albert Hall in London. He wanted the Tiller Girls to take part in "The Twelve Days of Christmas" song as

10375-738: The girls were matched very precisely by height and weight. Individuality within the troupes was discouraged in favour of a strong group ethic. The Tillers performed as resident dancers at the Folies Bergère in Paris, the London Palladium , the Palace Theatres in Manchester and in London (as the Palace Girls or Sunshine Girls), the Blackpool Winter Gardens , on New York's Broadway , where Tiller had

10500-441: The ground. It wasn't really like work to me. I got an enormous kick out of it". His first speaking role came in the 1935 Buddy Rogers comedy Once in a Million where he shouted "A thousand!" during an auction. During the 1936 musical comedy This'll Make You Whistle , starring Jack Buchanan , he permanently damaged his hearing as a result of jumping into a water tank. In between his film work, he developed his cabaret act and

10625-675: The house himself. His former wife Pat moved to the nearby island of Majorca , and Terry-Thomas's relationship with her became warm and friendly; Patlanski also had a firm friendship with Terry-Thomas's wife. In between films Terry-Thomas appeared on television on both sides of the Atlantic. In the US in March–April 1967 he was in "The Five Daughters Affair", a two-part story in the TV series The Man from U.N.C.L.E. , and on 22 May he appeared on The Red Skelton Hour . On British television, in an episode of

10750-495: The hyphen until 1947, and later explained that it was "not for snob reasons but to tie the two names together. They didn't mean much apart; together they made a trade name": the hyphen was also "to match the gap in his front teeth". By now, he was developing a unique sense of style both on and off stage. To avoid staining his fingers with smoke, he used a cigarette holder and later purchased "the most irresistible holder in Dunhill's . It

10875-513: The latter half of the 1960s, he worked with European filmmakers, returning occasionally to the US when he was filming there. In one of his French-produced films, La Grande Vadrouille , he played Sir Reginald, a stranded Royal Air Force pilot travelling through occupied France with characters played by Bourvil and Louis de Funès . The film, released in 1966, held the record for highest box-office takings in France until 2004, and it remains "one of

11000-430: The latter, he played Sir Percy Ware-Armitage, a character the film historian Andrew Spicer calls "a cartoon version" of his usual persona in a "bloated mid-Atlantic comed[y]". In the film, Terry-Thomas appeared again with Sykes, an experience Sykes later described as magical. The roles of Ware-Armitage and his sidekick were written especially for Terry-Thomas and Sykes at the behest of the director Ken Annakin . My work

11125-570: The material would be duly cut from the final print. The result was a film that Geoff Mayer called "limp", and Christopher Young described as "such an uneven movie that misses so many opportunities for real comedy". In 1967 Terry-Thomas met his long-time friend Denholm Elliott in Bel Air and the pair talked about Elliott's new villa in Santa Eulària des Riu on the Spanish island of Ibiza . Terry-Thomas

11250-572: The most popular films with television audiences in France". Terry-Thomas undertook a number of roles with the Italian cinema industry . For one of the Italian-produced films, the 1967 farce Arabella , he played four parts and used "the help of wigs, moustaches and lashings of Max Factor" to help achieve the different characterisations, which were all with the Italian actress Virna Lisi . Although

11375-498: The nostrils up", "a certain type of Englishman, the Englishman who reads The Times and no other newspaper. A brolly carrier. A squash player. A bowler hat wearer. White collar, stiff, of course". Film writer Andrew Spicer thought Terry-Thomas's role "was the quintessential upper-class 'silly-ass', a sad relic of a vanished world". The film was initially chosen as Britain's entry for the 1959 Moscow International Film Festival until

11500-550: The part" the same day. He was not comfortable with many of the other actors on set, later commenting that "I was the only non-American, and I found it exhausting and embarrassing because they never relaxed. They were always 'on'." One of the American stars was Spencer Tracy , whom Terry-Thomas considered "an extra-special man"; Tracy and Buster Keaton —who also appeared in the film—were described by Terry-Thomas as "the only two people who ever produced in me this awe of greatness". Later in 1963 he picked up his second film nomination,

11625-407: The remainder of the 1950s and during the 1960s the Tiller Girls established themselves as the premier dance troupe on British commercial television, being associated particularly with the iconic Sunday Night at the London Palladium . During the 1970s, management of the troupes was taken over by the impresario Robert Luff and also around that time dance troupes with different styles were emerging. For

11750-400: The revue En Super Folies . Michel Gyarmathy  [ de ] , a young Hungarian arrived from Balassagyarmat , his hometown, designed the poster for En Super Folies , a show starring Baker in 1936. This began a long love story between Michel Gyarmathy, Paris, the Folies Bergère and the public of the whole world which lasted 56 years. The funeral of Paul Derval was held on 20 May 1966. He

11875-623: The same year he appeared in Make Mine Mink as Major Albert Rayne, a veteran of the Second World War who forms a gang of mink coat thieves with his female co-lodgers. When he made an appearance at a screening of the film in Dalston , north-east London, he was presented with a white mink waistcoat by a local furrier. In 1961 Terry-Thomas played Archibald Bannister in A Matter of WHO , which he described as "my first (fairly) serious role". He

12000-599: The scene took two days and Boulting described it as "an unique experience for him, and had a wonderful after-effect". Following Brothers in Law he was cast as Romney Carlton-Ricketts in Blue Murder at St Trinian's by producers Frank Launder and Sidney Gilliat , before again appearing for the Boulting brothers in the cameo role of a local policeman in Happy Is the Bride . Terry-Thomas starred in two further films in 1957. The first

12125-504: The series performed well in the ratings, a second series was not commissioned. In between the pilot and the series of The Old Campaigner , in April 1968, Terry-Thomas appeared on the British ITV network in a one-off variety special, The Big Show , which combined musical numbers and his urbane monologues. Robert Ross commented that Terry-Thomas "seemed to delight in resurrecting his vintage sophisticated patter after years in movies ...

12250-660: The show five days later when the tour reached London. He later joked that "the audience roared with laughter when I fell and made horrible faces, so much so that I considered breaking the other arm for an encore". The London run was not a success and the show closed after 48 performances. In February 1956 Terry-Thomas appeared on Desert Island Discs , and chose two songs from his "Technical Hitch" routine as part of his selection. Later that year he appeared in his first major film roles: Charles Boughtflower in The Green Man , and Major Hitchcock, "a charlatan military officer on

12375-537: The speech of the actor Owen Nares as a basis for his own delivery. Terry-Thomas became fascinated by the stage, and regularly attended the Golders Green Hippodrome to see the latest shows. It was there that he developed an interest in fashion, and adopted the debonair dress-sense of his hero Douglas Fairbanks . Terry-Thomas attended Fernbank School in Hendon Lane, Finchley, which was a welcome escape from

12500-564: The stresses of his parents' break-up. When he was 13, he transferred to Ardingly College , a public school in Sussex . He excelled in Latin and geography, and briefly took up drama. The latter subject later led to his expulsion from the school, after his frequent and inappropriate use of ad lib during lessons. He also took up a position in the school jazz band, first playing the ukulele and then percussion. He also often performed comedy dance routines to

12625-464: The success of Terri and Patlanski, the act lasted only three months and they took on small engagements on the cabaret circuit. On 6 June 1938 Terry-Thomas made his first radio broadcast on the BBC London Regional dance programme Friends to Tea . He later recounted that "I didn't give a very good performance ... I was a dismal failure". At the end of the summer of 1938 they were hired by

12750-473: The take", in Private's Progress , directed by the Boulting brothers . Terry-Thomas appeared in the latter film only briefly, with a total screen time of about ten minutes, but his biographer Graham McCann thought the actor "came close to stealing the show from the central character", Windrush, played by Ian Carmichael . Terry-Thomas's depiction of the character was not how he wished to play it: his desired choice

12875-739: The top raconteur was back where he belonged". In 1969 he again teamed up with Eric Sykes and director Ken Annakin for a joint Italian, French and British production Monte Carlo or Bust! . The film was "the only copper-bottomed sequel to ... Those Magnificent Men in their Flying Machines ", according to Richard Ross. Terry-Thomas played Sir Cuthbert Ware-Armitage, the "thoroughly bad egg son of flying ace Sir Percy Ware-Armitage", his role in Those Magnificent Men . Terry-Thomas secured four other roles in minor films that year, including Arthur? Arthur! (which he joked had "never been shown anywhere—as far as I know!"), as well as on television in

13000-571: The trip. During the tour, Terry-Thomas ensured Patlanski was sent back to Britain to enable him to continue his affair. On his return to Britain, he continued with his solo variety act, while also acting as the head of the cabaret section of ENSA at the Theatre Royal, Drury Lane , where he clashed regularly with his counterparts running the drama sections, Sir Seymour Hicks and Lilian Braithwaite . Terry-Thomas aimed to produce "good shows, sophisticated, impeccable and highly polished", which included

13125-612: The ukulele with a local jazz band called the Rhythm Maniacs. He took up dancing and formed a partnership with a sister of Jessie Matthews . The act starred in local exhibitions and at minor venues, and they earned well from it. News soon travelled of the couple's talent, and they were engaged as ballroom dancers at a hall in Cricklewood . He found the dance-style too restrictive and he left the act to try other aspects of entertainment. By 1933 Terry-Thomas had moved out of Finchley and into

13250-598: The violinist Eugene Pini playing light classical music, and the Gainsborough Girls chorus line. In April 1942 Terry-Thomas received his call-up papers; he later wrote that "it would have seemed rather rude and ungrateful to refuse"; as a result, he left ENSA and reported to the Royal Corps of Signals training depot in Ossett , West Riding of Yorkshire. Within two weeks of his arrival he hired Ossett Town Hall and staged

13375-470: Was 86 and had reigned supreme over the most celebrated music hall in the world. His wife Antonia, supported by Michel Gyarmathy, succeeded him. In August 1974, the Folies Antonia Derval passed on the direction of the business to Hélène Martini , the empress of the night (25 years earlier she had been a showgirl in the revues). This new mistress of the house reverted to the original concept to maintain

13500-516: Was Lord Henry Mayley in The Naked Truth ; this brought him together with Peter Sellers for the first time; the two of them appeared frequently together over the next few years, in scenes in which Graham McCann considered that each actor's performance "highlight[ed] what was special about the other". During one scene Terry-Thomas was dumped in a near-freezing lake, and his health was affected for some time afterwards. In 1958 Terry-Thomas received

13625-501: Was a case of brandy, chosen because it lasted longer than champagne. While appearing in Don't Just Lie There, Say Something! at the Metro Theatre , Sydney in 1971, Terry-Thomas felt unwell and visited a doctor, who noticed his patient's left hand was shaking slightly. The doctor suggested he visit a specialist on his return to the UK, who diagnosed him with Parkinson's disease . Fearing

13750-515: Was always out to do the producer of any film whoever he was. I had to be on the watch the whole time". He worked consistently during 1963, appearing in television programmes on both sides of the Atlantic; these included Terry-Thomas , a one-off variety show on BBC Television in July that included Donald Sutherland . In 1964 Terry-Thomas started filming the role of Charles Furbank in How to Murder Your Wife ,

13875-502: Was as Bertrand Welch in Lucky Jim , an adaptation of the novel of the same name by Kingsley Amis . Although Amis thought Terry-Thomas had been "totally miscast as Bertrand, the posturing painter and leading shit" of the book, the critic for The Manchester Guardian considered Terry-Thomas as being "the nearest to a complete success" in the film, in a portrayal that "suggests possibilities for more serious roles". His final part of 1957

14000-468: Was born Thomas Terry Hoar Stevens at 53 Lichfield Grove, Finchley , North London . He was the fourth of five children born to Ernest Frederick Stevens, managing director of a butcher's business at Smithfield Market and part-time amateur actor, and his wife Ellen Elizabeth Stevens (née Hoar). As a child, Terry-Thomas was often referred to as Tom, the diminutive used by his family. He led a generally happy childhood, but believed his parents secretly desired

14125-599: Was built as an opera house , and patterned after the Alhambra music hall in London by the architect, Plumeret , who was a building inspector of the crown The term "folies" refers to pleasure houses, vacation homes built from the end of the 18th century near large cities to discreetly shelter the adulterous loves of the bourgeoisie and aristocrats. It opened on 2 May 1869 as the Folies Trévise , with light entertainment including operettas , opéra comique (comic opera), popular songs, and gymnastics. The original name because of

14250-564: Was described by Graham McCann as "the West End's biggest money-spinner for years". Terry-Thomas compered the show as well as appearing in some of the sketches, including his own "Technical Hitch" routine. In 1959 he described the effect of Piccadilly Hayride on his career, saying "This show made me overnight. I'd arrived". Ivor Brown , writing in The Observer , remarked on the "glorious rag of BBC modes, moods and intonations by Mr. Terry Thomas,

14375-475: Was diagnosed with Parkinson's disease , which slowly brought his career to a conclusion; his last film role was in 1980. He spent much of his fortune on medical treatment and, shortly before his death, was living in poverty, existing on charity from the Actors' Benevolent Fund. In 1989 a charity gala was held in his honour, which raised sufficient funds for him to live his remaining time in a nursing home. Terry-Thomas

14500-525: Was done so quickly, I never even knew the title of the films or met the stars. Many's the time I have finished one picture on a Saturday and been flying somewhere on a Sunday to start shooting on the Monday ;... Rome one week, Paris the next, Brazil the week after. It was madness. Terry-Thomas on his "foreign productions" By the mid-1960s Terry-Thomas was tiring of the Hollywood lifestyle, and, during

14625-541: Was employed as a dance teacher at the Aida Foster School of Dancing in Golders Green . During this period, he billed himself as Thomas (or Thos) Stevens, but rearranged the name to its backward spelling of Mot Snevets; the name did not last long and he changed it to Thomas Terry. He soon realised that people were mistaking him as a relative of Dame Ellen Terry , so inverted the name to Terry Thomas. He did not add

14750-544: Was formed in 1938 to provide entertainment to the British Armed Forces . Terry-Thomas and Patlanski signed up in 1939 and during the Phoney War were posted to France, where they appeared in a variety show. From early in their marriage, Patlanski had affairs, which prompted Terry-Thomas to reciprocate; he made sure he was sent on tour to France where a girlfriend was due to perform, although Patlanski accompanied him on

14875-432: Was intrigued by the possibility of a Mediterranean retreat and visited the island on the way to sing in the television special Monte Carlo: C'est La Rose (1968), a musical tour of Monte Carlo hosted by Princess Grace of Monaco . Although he initially struggled to find the right plot of ground for the right price, he eventually settled on an appropriate location; declaring he was "allergic to architects", he designed

15000-597: Was joined in the film by his cousin's son Richard Briers , with Terry-Thomas noting that he provided "no nepotic help" in getting Briers the part. The film was not well received by the critics; an internal BBC memo described that in the UK the film was "murdered by the critics", although it was "something of a success" in America. By this time Terry-Thomas had decided to stop being a stand-up comedian and compere and instead concentrate solely on making films. He stopped appearing on television and radio shows of his own, declaring "it

15125-418: Was slightly outré because it was made of lacquered, black whangee  ... with a gold band twisting neatly round it". Adding to his look were a "monocle, raffish waistcoat and red carnation". He later wrote that "sartorially I was an eccentric. But I knew that underneath the clothes I was very much a conservative Englishman who would have loved to have been a genuine eccentric". In 1937 Terry-Thomas met

15250-596: Was staged at the Fortune Theatre , London. The production was popular with audiences, and he subsequently became a regular performer in amateur productions. Terry-Thomas made his professional stage début on 11 April 1930 at a social evening organised by the Union of Electric Railwaymen's Dining Club in South Kensington . He was billed as Thos Stevens, but only appeared as a minor turn. His performance brought heckles from

15375-487: Was still suffering with poor health following the filming of The Naked Truth when he suffered an attack of lumbago ; filming went on for 85 days during 1957–58, and he took painkillers to enable him to continue. The role was physically demanding, and required him to ride a horse, run long distances and fight a duel . He said he fought and ran "just as [he] had seen Douglas Fairbanks Snr do in The Mark of Zorro ". Towards

15500-517: Was that of a "silly-ass" sergeant major , but the role was written as a strict, alcohol and prescription drug-dependent Army officer. He was initially disappointed with the role, and turned it down but, after being persuaded to accept it by his agent, he embraced its possibilities. One of his lines, delivered in his clipped upper class voice, was "You're an absolute shower", which became a catchphrase for him. The Boulting brothers were so impressed with Terry-Thomas's performance that they signed him up to

15625-474: Was the cinema for me and me for the cinema!" Having accumulated considerable experience by appearing in British films, he decided to try Hollywood, and moved to America. Terry-Thomas spent part of 1961 in America, filming the role of Professor Bruce Patterson in Bachelor Flat —his first Hollywood role —before flying to Gibraltar to film Operation Snatch , in which he teamed up with Lionel Jeffries . By

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