The Metamorphoses of Apuleius , which Augustine of Hippo referred to as The Golden Ass (Latin: Asinus aureus ), is the only ancient Roman novel in Latin to survive in its entirety.
107-538: The Secret Series is a series of 'secret'-themed fantasy adventure novels written by Pseudonymous Bosch (Raphael Simon). The series centers on three middle school children: Cass, Max-Ernest, and Yo-Yoji; and their adventures as members of the Terces Society, a group that seeks to prevent a mysterious "Secret" from being discovered by the villainous organization of alchemists , the Midnight Sun. The Secret Series
214-483: A chapter of his book English Prose Style (1928) to discussing "Fantasy" as an aspect of literature, arguing it was unjustly considered suitable only for children: "The Western World does not seem to have conceived the necessity of Fairy Tales for Grown-Ups". In 1938, with the publication of The Sword in the Stone , T. H. White introduced one of the most notable works of comic fantasy . The first major contribution to
321-468: A citizen criticises him and tells Thelyphron not to make fun of the task and warns him that shape-shifting witches are quite common in the area, using pieces of human flesh to fuel incantations. Thelyphron takes the job for a thousand drachme and is warned to stay very alert all through the night. The widow is at first hesitant, taking inventory of the body's intact parts. Thelyphron requests a meal and some wine, to which she promptly refuses and leaves him with
428-453: A cleft high beyond mortal reach. An eagle gathers the water for Psyche. Next, Psyche is demanded to seek some beauty from Proserpina , Queen of the Underworld. Attempting to kill herself to reach the underworld, Psyche ascends a great tower and prepares to throw herself down. The tower speaks, and teaches Psyche the way of the underworld. Psyche retrieves the beauty in a box, and, hoping to gain
535-541: A contemporary of Apuleius. This surviving Greek text appears to be an abridgement or epitome of Lucius of Patrae's text. The Metamorphoses has survived in about 40 manuscripts, all or almost all of which are descendants of codex Laurentianus 68.2 (also called F in critical apparatuses ), an extant 11th-century manuscript produced in Monte Cassino . Editors of the text have therefore seen it as their goal to apply textual criticism to this particular manuscript, ignoring
642-480: A fellow English professor with a similar array of interests, also helped to publicize the fantasy genre. Tove Jansson , author of The Moomins , was also a strong contributor to the popularity of fantasy literature in the field of children and adults. The tradition established by these predecessors of the late nineteenth and early twentieth centuries has continued to thrive and be adapted by new authors. The influence of J.R.R. Tolkien's fiction has—particularly over
749-453: A friend and miser, and his wife Pamphile. Photis, a serving girl in Milo's household, takes the narrator to the baths, after which the narrator goes to the marketplace. There, he buys some fish and runs into his old friend Pytheas, who is now a market official. Pytheas reveals the narrator's name as Lucius. Pytheas says that Lucius overpaid for the fish and humiliates the fish-monger by trampling on
856-428: A horrid boy who torments him but the boy is later killed by a she-bear. Enraged, the boy's mother plans to kill the ass. A man arrives at the mother's house and announces that Tlepolemus and Charite are dead, caused by the scheming of the evil Thrasillus who wants Charite to marry him. After hearing the news of their master's death, the slaves run away, taking the ass Lucius with them. The large group of travelling slaves
963-411: A journey, leaving his pregnant wife and infant son. He commands his wife that if she bears a daughter, the child is to be killed. The child is indeed a daughter, and in pity, the mother convinces her poor neighbours to raise her. Her daughter grows up ignorant of her origin, and when she reaches a marriageable age, the mother tells her son to deliver her daughter's dowry. The son begins preparation to marry
1070-403: A lamp for the night. A weasel enters the room and Thelyphron, frightened by its appearance, quickly chases it out, then falls into a deep sleep. At dawn, Thelyphron awakes and rushes over to the body in the room; to his relief, he finds the body intact. The widow enters, and calls for Thelyphron to be paid, satisfied with the intact corpse. Thanking the widow, Thelyphron is suddenly attacked by
1177-409: A laziness that can only worsen their poverty, the smith announces that he has sold the tub for six drachmae; to this his wife responds by saying that she has in fact already sold it for seven, and has sent the buyer into the tub to inspect it. Emerging, the lover complains that his supposed purchase is in need of a proper scrubbing if he is to close the deal, so the cuckolded smith gets a candle and flips
SECTION 10
#17328523916871284-454: A long journey, literal and metaphorical, filled with inset tales . He finally finds salvation through the intervention of the goddess Isis , whose cult he joins. The date of composition of the Metamorphoses is uncertain. It has variously been considered by scholars as a youthful work preceding Apuleius' Apology of 158–159, or as the climax of his literary career, and perhaps as late as
1391-516: A lover. She frantically attempts to hide her lover in a drying cage in the ceiling, hidden by hanging clothes soaked in sulphur. The lover begins to sneeze, and at first the Fuller excuses his wife. After a few sneezes, the Fuller gets up and turns over the cage to find the lover waiting. The Fuller is talked out of beating the young man to death by the Baker, who points out that the young man will shortly die from
1498-469: A member of the Roman country aristocracy, is forced to witness and share the miseries of slaves and destitute freemen who are reduced, like Lucius, to being little more than beasts of burden by their exploitation at the hands of wealthy landowners. The Golden Ass is the only surviving work of literature from the ancient Greco-Roman world to examine, from a first-hand perspective, the abhorrent condition of
1605-575: A vision to him and explains to him how he can be returned to human form by eating the crown of roses that will be held by one of her priests during a religious procession the following day. In return for his redemption, Lucius is expected to be initiated through the Navigium Isidis into Isis' priesthood, Isis being the Queen of Heaven's true name. Lucius follows her instructions and is returned to human form and, at length, initiated into her priesthood. Lucius
1712-462: Is an ugly witch who turns her ex-lovers into rather unfortunate animals. Aristomenes doesn't believe Socrates' tale but is nevertheless afraid. Aristomenes barricades the door and they both go to bed. In the middle of the night, Meroë and Panthia break in, cut open Socrates, drain his blood, rip out his heart, and replace it with a sponge. Before leaving, they urinate on Aristomenes. The witches spare Aristomenes because they want him to bury Socrates in
1819-506: Is based on older oral traditions, including "animal fables that are as old as we are able to imagine". It was influential in Europe and the Middle East . It used various animal fables and magical tales to illustrate the central Indian principles of political science . Talking animals endowed with human qualities have now become a staple of modern fantasy. The Baital Pachisi ( Vikram and
1926-430: Is beaten by the gardener and chased by dogs. The thieves reclaim him and he is forced to go along with them; they talk about how their leader Thrasileon has been killed while dressed as a bear. The thieves also kidnap a rich young woman, Charite, who is housed in a cave with Lucius the ass. Charite starts crying, so an elderly woman who is in league with the thieves begins to tell her the story of Cupid and Psyche . Psyche
2033-457: Is directed to never seek to see the face of her husband, who visits and makes love to her in the dark of night. Eventually, Psyche wishes to see her sisters, who jealously demand she seek to discover the identity of her husband. That night, Psyche discovers her husband is Cupid while he is sleeping, but accidentally burned him with her oil lamp. Infuriated, he flies to heaven and leaves her banished from her castle. In attempted atonement, Psyche seeks
2140-511: Is found out and jailed. Lucius comes into the legionary's possession, and after lodging with a decurion , Lucius recounts the Tale of the Murderous Wife . He is then sold to two brothers, a confectioner and a cook, who treat him kindly. When they go out, Lucius secretly eats his fill of their food. At first a source of vexation, when the ass is discovered to be the one behind the disappearing food it
2247-485: Is inspired by Lemony Snicket's A Series of Unfortunate Events and targeted at middle-school-aged readers. As of 2021, a film adaptation is in development. Each book targets one of the five senses . Additionally, the plot of each book contains an item or object that relates to the sense the book surrounds. Fantasy literature Fantasy literature is literature set in an imaginary universe , often but not always without any locations, events, or people from
SECTION 20
#17328523916872354-405: Is interested, and offers the teller a free lunch for his tale. Aristomenes goes on business for cheese and he runs into his friend Socrates, who is disheveled and emaciated. Aristomenes clothes Socrates and takes him to the bathhouse. Aristomenes berates Socrates for leaving his family. While they are eating lunch, Socrates tells about his affair with Meroë. Socrates tells Aristomenes that Meroë
2461-527: Is interrupted by The Tale of the Wife's Tub . Soon after, the Galli are accosted by an armed troop who accuse them of stealing from their village temple, and are subsequently detained (with the treasures returned). Lucius is sold into labor, driving a baker's mill-wheel. Lucius, though bemoaning his labor as an ass, also realizes that this state has allowed him to hear many novel things with his long-ass ears. The Tale of
2568-434: Is mistaken for a band of robbers and attacked by farmhands of a rich estate. Several other misfortunes befall the travelers until they reach a village. Lucius as the narrator often digresses from the plot in order to recount several scandal-filled stories that he learns of during his journey. Lucius is eventually sold to a Gallus priest of Cybele . He is entrusted with carrying the statue of Cybele on his back while he follows
2675-529: Is much blessed and that he is to become once more initiated that he might supplicate in Rome as well. The story concludes with the goddess, Isis, appearing to Lucius and declaring that Lucius shall rise to a prominent position in the legal profession and that he shall be appointed to the College of Pastophori ("shrine-bearer", from Ancient Greek : παστοφόρος ) that he might serve the mysteries of Osiris and Isis. Lucius
2782-456: Is much laughed at and celebrated. Again he is sold, and he is taught many amusing tricks. Rumor spreads, and great fame comes to the ass and his master. As it happens, a woman is so enamored with the sideshow ass that she bribes his keeper and takes Lucius the ass to her bed. Lucius is then scheduled to have sex in the arena with a multiple murderess before she is to be eaten by wild beasts; the Tale of
2889-463: Is next of kin to her husband for inheritance, the wife prepares a poison for both the doctor's widow and her daughter. The doctor's widow recognizes early the symptoms of the poison and rushes to the Governor's Home. She tells the Governor the whole of the connected murders and dies. The wife is sentenced to death by wild beasts and to have public intercourse with Lucius the ass. The text is a precursor to
2996-426: Is so happy that he goes about freely exposing his bald head. Similar to other picaresque novels , The Golden Ass features several shorter stories told by characters encountered by the protagonist. Some act as independent short stories, while others interlock with the original novel's plot developments. At the beginning of Book One, Lucius encounters two men arguing on the road about the truth of one's story. Lucius
3103-411: Is the most beautiful woman on earth, and Venus jealously arranges for Psyche's destruction, ordering her son Cupid to arrange for her to fall in love with a worthless wretch. An oracle tells Psyche's parents to expose her on a mountain peak, where she will become the bride of a powerful, monstrous being. Psyche is left on the mountain, and carried away by a gentle wind. The elderly woman continues telling
3210-426: Is the most recent one (by R. Graves ): "She was malicious, cruel, spiteful, lecherous, drunken, selfish, obstinate." Read again the merry and expressive doggerel of Apuleius and it will be seen how little of his vision of life has been transferred into English. Lindsay's own version is: "She was lewd and crude, a toper and a groper, a nagging hag of a fool of a mule." Sarah Ruden 's recent translation is: "A fiend in
3317-533: Is the tale of Cupid and Psyche , encountered here for the first but not the last time in Western literature . Apuleius' style is innovative, mannered, baroque and exuberant, a far cry from the more sedate Latinity familiar from the schoolroom. In the introduction to his translation of The Golden Ass , Jack Lindsay writes: Let us glance at some of the details of Apuleius' style and it will become clear that English translators have not even tried to preserve and carry over
The Secret Series - Misplaced Pages Continue
3424-435: Is then sent to his ancestral home, Rome, where he continues to worship Isis under the local name, Campensis. After a time, he is visited once more by the goddess, who speaks again of mysteries and holy rites which Lucius comes to understand as a command to be initiated into the mysteries of Isis . He does so. Shortly afterwards, he receives a third vision. Though he is confused, the god appears to him and reassures him that he
3531-426: Is too bland or simplistic creates the impression that the fantasy setting is simply a modern world in disguise, and presents examples of clear, effective fantasy writing in brief excerpts from Tolkien and Evangeline Walton . Michael Moorcock observed that many writers use archaic language for its sonority and to lend color to a lifeless story. Brian Peters writes that in various forms of fairytale fantasy , even
3638-619: The Kalevala , they compiled existing folklore into an epic to match other nation's, and sometimes, as in The Poems of Ossian , they fabricated folklore that should have been there. These works, whether fairy tale, ballads, or folk epics, were a major source for later fantasy works. The Romantic interest in medievalism also resulted in a revival of interest in the literary fairy tale. The tradition begun with Giovanni Francesco Straparola and Giambattista Basile and developed by Charles Perrault and
3745-453: The Age of Enlightenment . Many of Perrault's tales became fairy tale staples and were influential to later fantasy. When d'Aulnoy termed her works contes de fée (fairy tales), she invented the term that is now generally used for the genre, thus distinguishing such tales from those involving no marvels. This approach influenced later writers who took up the folk fairy tales in the same manner during
3852-523: The Elizabethan era in England , fantasy literature became extraordinarily popular and fueled populist and anti-authoritarian sentiment during the 1590s . Topics that were written about included " fairylands in which the sexes traded places [and] men and immortals mingl[ing]". Romanticism , a movement of the late eighteenth and early nineteenth century, was a dramatic reaction to rationalism, challenging
3959-657: The Middle East has been influential in the West since it was translated from the Arabic into French in 1704 by Antoine Galland . Many imitations were written, especially in France. The Fornaldarsagas , Norse and Icelandic sagas , both of which are based on ancient oral tradition influenced the German Romantics, as well as William Morris , and J. R. R. Tolkien . The Anglo-Saxon epic poem Beowulf has also had deep influence on
4066-529: The Romantic era . Several fantasies aimed at an adult readership were also published in 18th century France, including Voltaire 's " contes philosophique " The Princess of Babylon (1768) and The White Bull (1774). This era, however, was notably hostile to fantasy. Writers of the new types of fiction such as Defoe , Richardson , and Fielding were realistic in style, and many early realistic works were critical of fantastical elements in fiction. However, in
4173-552: The "First Terrible Fate that Awaiteth Unwary Beginners in Fantasy", alluding to young writers attempting to write in Lord Dunsany's style. According to S. T. Joshi , "Dunsany's work had the effect of segregating fantasy—a mode whereby the author creates his own realm of pure imagination—from supernatural horror. From the foundations he established came the later work of E. R. Eddison , Mervyn Peake , and J. R. R. Tolkien. In Britain in
4280-465: The 170s or 180s. Apuleius adapted the story from a Greek original of which the author's name is said to be an otherwise unknown "Lucius of Patrae ", also the name of the lead character and narrator. This Greek text by Lucius of Patrae has been lost , but there is Lucius or the Ass ( Λούκιος ἢ ὄνος , Loukios ē onos ), a similar tale of disputed authorship, traditionally attributed to the writer Lucian ,
4387-577: The 1960s, a growing segment of the fantasy genre has taken the form of films , television programs , graphic novels , video games , music and art. Many fantasy novels originally written for children and adolescents also attract an adult audience. Examples include Alice's Adventures in Wonderland , the Harry Potter series, The Chronicles of Narnia , and The Hobbit . Stories involving magic and terrible monsters have existed in spoken forms before
The Secret Series - Misplaced Pages Continue
4494-605: The French précieuses was taken up by the German Romantic movement. The German author Friedrich de la Motte Fouqué created medieval-set stories such as Undine (1811) and Sintram and his Companions (1815), which would later inspire British writers such as George MacDonald and William Morris . E.T.A. Hoffmann 's tales, such as The Golden Pot (1814) and The Nutcracker and the Mouse King (1816) were notable additions to
4601-559: The Jealous Husband and The Tale of the Fuller's Wife mark a break in the narrative. The theme of the two intervening stories is adultery, and the text appropriately follows with the adultery of the baker's wife and the subsequent murder of the baker. Lucius the ass is then auctioned off to a farmer. The Tale of the Oppressive Landlord is here told. The farmer duly assaults a legionary who makes advances on his ass, Lucius, but he
4708-484: The Jealous Wife tells her backstory. After an enactment of the judgment of Paris , and a brief digression on philosophy and corruption, the time comes for Lucius to make his much-anticipated appearance. At the last moment he decides that copulating with such a wicked woman would be repugnant to him, and, moreover, the wild beasts would likely eat him along with her; and so he runs away to Cenchreae , eventually to nap on
4815-521: The Southwest Wind an irascible but kindly character similar to J.R.R. Tolkien 's later Gandalf . The history of modern fantasy literature began with George MacDonald, author of such novels as The Princess and the Goblin (1868) and Phantastes (1868), the latter of which is widely considered to be the first fantasy novel written for adults. MacDonald also wrote one of the first critical essays about
4922-677: The Vampire ), a collection of various fantasy tales set within a frame story is, according to Richard Francis Burton and Isabel Burton , "the germ which culminated in the Arabian Nights , and which also inspired the Golden Ass of Apuleius , (2nd century A.D). Boccaccio 's Decamerone (c.1353) the Pentamerone (1634, 1636) and all that class of facetious fictitious literature." The Book of One Thousand and One Nights (Arabian Nights) from
5029-526: The advent of printed literature. Classical mythology is replete with fantastical stories and characters, the best known (and perhaps the most relevant to modern fantasy) being the works of Homer (Greek) and Virgil (Roman). The philosophy of Plato has had great influence on the fantasy genre. In the Christian Platonic tradition, the reality of other worlds, and an overarching structure of great metaphysical and moral importance, has lent substance to
5136-529: The aftermath of World War I, a notably large number of fantasy books aimed at an adult readership were published, including Living Alone (1919) by Stella Benson , A Voyage to Arcturus (1920) by David Lindsay , Lady into Fox (1922) by David Garnett , Lud-in-the-Mist (1926) by Hope Mirrlees , and Lolly Willowes (1926) by Sylvia Townsend Warner . E. R. Eddison was another influential writer who wrote during this era. He drew inspiration from Northern sagas, as Morris did, but his prose style
5243-569: The approval of her husband, opens the box to use a little. She is put into a coma. Cupid rescues her, and begs Jupiter that she may become immortal. Psyche is granted Ambrosia, and the two are forever united. The story is the best-known of those in The Golden Ass and frequently appears in or is referred to directly in later literature. In the course of a visit to an inn in Book Nine, a smith recounts an anecdote concerning his wife's deceit: During
5350-485: The beach. Lucius wakes up in a panic during the first watch of the night. Considering Fate to be done tormenting him, he takes the opportunity to purify himself by seven consecutive immersions in the sea. He then offers a prayer to the Queen of Heaven , for his return to human form, citing all the various names the goddess is known by to people everywhere (Venus, Ceres, Diana, Proserpine, etc.). The Queen of Heaven appears in
5457-432: The canon of German fantasy. Ludwig Tieck 's collection Phantasus (1812–1817) contained several short fairy tales, including "The Elves". In France, the main writers of Romantic-era fantasy were Charles Nodier with Smarra (1821) and Trilby (1822) and Théophile Gautier who penned such stories as "Omphale" (1834) and " One of Cleopatra's Nights " (1838) as well as the novel Spirite (1866). Fantasy literature
SECTION 50
#17328523916875564-411: The continent. Other writers, including Edgar Rice Burroughs and Abraham Merritt , further developed the style. Several classic children's fantasies such as Lewis Carroll 's Alice's Adventures in Wonderland (1865), L. Frank Baum 's The Wonderful Wizard of Oz (1900), as well as the work of E. Nesbit and Frank R. Stockton were also published around this time. C. S. Lewis noted that in
5671-455: The crowd and narrowly escapes. He witnesses an elder of the town approach the townspeople desperately and claim that the widow had poisoned her husband to cover up a love affair. The widow protests and supposedly fakes her sadness and a necromancer is called to bring back the deceased for the only truly reliable testimony. The corpse awakes, and affirms the widow's guilt. The corpse then continues to talk and thanks Thelyphron for his trouble; during
5778-464: The crowd. The crowd laughs at Thelyphron's humiliation. In Book Four, an elderly woman tells the story to comfort the bandits' captives. The story is continued through Books Five and Six. Psyche, the most beautiful woman in the world, is envied by her family as well as by Venus. An oracle of Venus demands she be sent to a mountaintop and wed to a murderous beast. Sent by Venus to destroy her, Cupid falls in love and flies her away to his castle. There she
5885-417: The day, her husband absent at his labors, the smith's wife is engaged in an adulterous affair. One day, the smith, work finished well ahead of schedule, returns home prematurely—obviously to his wife's great consternation. Panicked, the faithless woman hides her lover in an old tub. After absorbing his spouse's efforts at distraction, which take the form of bitter reproaches that his coming back so early betokens
5992-485: The dead bodies; but when the three bodies of the murdered men are revealed, they turn out to be puffed-up wineskins. It turns out that it was a prank played by the town upon Lucius, to celebrate their annual Festival of Laughter. Later that day, Lucius and Photis watch Milo's wife perform her witchcraft and transform herself into a bird. Wishing to do the same, Lucius begs Photis to transform him, but she accidentally turns him into an ass , at which point Photis tells him that
6099-481: The development of fantasy with their writing of horror stories. Wilde also wrote a large number of children's fantasies, collected in The Happy Prince and Other Stories (1888) and A House of Pomegranates (1891). H. Rider Haggard developed the conventions of the lost world subgenre with his novel King Solomon's Mines (1885), which presented a fantastical Africa to a European audience still unfamiliar with
6206-402: The doctor into drinking from the cup to prove to her husband the drink is benign, and giving him the remainder. Unable to return home in time to seek an antidote, the doctor dies telling his wife what happened and to at least collect a payment for the poison. The doctor's widow asks for payment but first offers the wife the remainder of her husband's collection of poisons. Finding that her daughter
6313-446: The earlier part of the 20th century, fantasy was more accepted in juvenile literature, and therefore a writer interested in fantasy often wrote for that audience, despite using concepts and themes that could form a work aimed at adults. At this time, the terminology for the genre was not settled. Many fantasies in this era were termed fairy tales, including Max Beerbohm 's " The Happy Hypocrite " (1896) and MacDonald's Phantastes . It
6420-499: The epic Mabinogion . One influential retelling of this was the fantasy work of Evangeline Walton . The Irish Ulster Cycle and Fenian Cycle have also been plentifully mined for fantasy. Its greatest influence was, however, indirect. Celtic folklore and mythology provided a major source for the Arthurian cycle of chivalric romance : the Matter of Britain . Although the subject matter
6527-509: The fantasy genre, "The Fantastic Imagination", in his book A Dish of Orts (1893). MacDonald was a major influence on both Tolkien and C. S. Lewis . The other major fantasy author of this era was William Morris, an admirer of the Middle Ages and a poet who wrote several fantastic romances and novels in the latter part of the 19th century, including The Well at the World's End (1896). Morris
SECTION 60
#17328523916876634-407: The fantasy genre; although it was unknown for centuries and so not developed in medieval legend and romance, several fantasy works have retold the tale, such as John Gardner 's Grendel . Celtic folklore and legend has been an inspiration for many fantasy works. The Welsh tradition has been particularly influential, owing to its connection to King Arthur and its collection in a single work,
6741-411: The fantasy worlds of modern works. With Empedocles ( c. 490 – c. 430 BC ), elements are often used in fantasy works as personifications of the forces of nature. India has a long tradition of fantastical stories and characters, dating back to Vedic mythology . The Panchatantra ( Fables of Bidpai ), which some scholars believe was composed around the 3rd century BC. It
6848-511: The first literary results of this trend was the Gothic novel , a genre that began in Britain with The Castle of Otranto (1764) by Horace Walpole . That work is considered the predecessor to both modern fantasy and modern horror fiction . Another noted Gothic novel which also contains a large amount of Arabian Nights -influenced fantasy elements is Vathek (1786) by William Thomas Beckford . In
6955-634: The fish. Lucius returns to Milo's house, hungry and empty-handed. Milo asks Lucius about his life, his friends, and his wanderings, which Lucius grows bored with. Lucius goes to sleep hungry. The next morning, Lucius meets up with his aunt Byrrhena in the town, and she brings him home and warns him that Milo's wife is an evil witch who wants to kill Lucius, who is interested in becoming a witch himself. He then returns to Milo's house, where he makes love to Photis. The next day, Lucius goes to his aunt's home for dinner, and there meets Thelyphron, who relates his tale about how witches cut off his nose and ears. After
7062-713: The genre after World War II was Mervyn Peake 's Titus Groan (1946), the book that launched the Gormenghast series . J. R. R. Tolkien played a large role in the popularization and accessibility of the fantasy genre with his highly successful publications The Hobbit (1937) and The Lord of the Rings (1954–55). Tolkien was largely influenced by an ancient body of Anglo-Saxon myths , particularly Beowulf , as well as William Morris's romances and E. R. Eddison 's 1922 novel, The Worm Ouroboros . Tolkien's close friend C. S. Lewis , author of The Chronicles of Narnia (1950–56) and
7169-435: The genre of high fantasy —prompted a reaction. In China, the idea of fantasy literature as a distinct genre first became prevalent in the early 21st century. China has long had pre-genre stories with fantastical elements, including zhiguai , ghost stories, and miracle tales, among others. It is not uncommon for fantasy novels to be ranked on The New York Times Best Seller list , and some have been at number one on
7276-418: The girl off to a friend, and lets her into his home under the guise of her being an orphan to all but the two of them. His wife is unaware the girl is his sister, and believes he keeps her as a mistress. His wife steals her husband's signet ring and visits their country home accompanied by a group of slaves. She sends a slave with the signet to fetch the girl and bring her to the country home. The girl, aware that
7383-492: The ground, and then proceeds on his way. In Book Two, Thelyphron hesitantly relates a story requested at a dinner party that was previously popular with his friends: While a student, Thelyphron partakes in many wanderings and eventually runs out of funds. At Larissa, he encounters a large sum being offered to watch over a corpse for the night. Thelyphron is bemused and asks if the dead are accustomed to flee in Larissa. When he asks,
7490-428: The group of priests on their rounds, who perform ecstatic rites in local farmsteads and estates for alms. While engaging in lewd activity with a local boy, the group of priests is discovered by a man in search of a stolen ass who mistakes Lucius' braying for that of his own animal. The priests flee to a new city where they are well received by one of its chief citizens. They are preparing to dine when his cook realizes that
7597-438: The husband is her brother, responds immediately, and on arrival at the country home is flogged by the wife's slaves, and put to death by a torch placed 'between her thighs'. The girl's brother takes the news and falls gravely ill. Aware of suspicions around her, his wife asks a corrupt doctor for instant poison. Accompanied by the doctor, she brings the poison to her husband in bed. Finding him surrounded by friends, she first tricks
7704-435: The land. Aristomenes fears that he will be blamed for the death of his friend and attempts to hang himself, but is comically stopped when the rope is revealed to be too rotten to support his weight. In the morning, Socrates wakes up and everything seems to be normal. They continue travelling and reach a stream, where Socrates bends to take a drink, which causes the sponge to fall out and him to die. Aristomenes buries Socrates in
7811-532: The later part of the Romantic period, folklorists collected folktales, epic poems, and ballads, and released them in printed form. The Brothers Grimm were inspired by the movement of German Romanticism in their 1812 collection Grimm's Fairy Tales , and they in turn inspired other collectors. Frequently their motivation stemmed not merely from Romanticism, but from Romantic nationalism , in that many were inspired to save their own country's folklore. Sometimes, as in
7918-412: The least tincture of his manner ... Take the description of the baker's wife: saeva scaeva virosa ebriosa pervicax pertinax ... The nagging clashing effect of the rhymes gives us half the meaning. I quote two well-known versions: "She was crabbed, cruel, cursed, drunken, obstinate, niggish, phantasmagoric." "She was mischievous, malignant, addicted to men and wine, forward and stubborn." And here
8025-431: The list, including most recently, Brandon Sanderson in 2014, Neil Gaiman in 2013, Patrick Rothfuss and George R. R. Martin in 2011, and Terry Goodkind in 2006. Symbolism often plays a significant role in fantasy literature, often through the use of archetypal figures inspired by earlier texts or folklore . Some argue that fantasy literature and its archetypes fulfill a function for individuals and society and
8132-629: The literary genre of the episodic picaresque novel , in which Francisco de Quevedo , François Rabelais , Giovanni Boccaccio , Miguel de Cervantes , Voltaire , Daniel Defoe and many others have followed. It is an imaginative, irreverent, and amusing work that relates the ludicrous adventures of one Lucius, a virile young man who is obsessed with magic . Finding himself in Thessaly , the "birthplace of magic," Lucius eagerly seeks an opportunity to see magic being used. His overenthusiasm leads to his accidental transformation into an ass . In this guise, Lucius,
8239-446: The lower classes. Yet despite its serious subject matter, the novel remains imaginative, witty, and often sexually explicit. Numerous amusing stories, many of which seem to be based on actual folk tales , with their ordinary themes of simple-minded husbands, adulterous wives, and clever lovers, as well as the magical transformations that characterize the entire novel, are included within the main narrative. The longest of these inclusions
8346-405: The meal, Lucius drunkenly returns to Milo's house in the dark, where he encounters three robbers, whom he soon slays before retiring to bed. The next morning, Lucius is abruptly awoken and arrested for the murder of the three men. He is taken to court where he is laughed at constantly and witnesses are brought against him. They are just about to announce his guilt when the widow demands to bring out
8453-437: The meat that was to be served was stolen by a dog. The cook, at the suggestion of his wife, prepares to kill Lucius in order to serve his meat instead. Lucius' untimely escape from the cook coincides with an attack by rabid dogs, and his wild behavior is attributed to their viral bites. The men barricade him in a room until it is decided that he is no longer infected. The band of Galli eventually pack up and leave. The narrative
8560-550: The messages are continually updated for current societies. Ursula K. Le Guin , in her essay "From Elfland to Poughkeepsie", presented the idea that language is the most crucial element of high fantasy , because it creates a sense of place. She analyzed the misuse of a formal, "olden-day" style, saying that it was a dangerous trap for fantasy writers because it was ridiculous when done wrong. She warns writers away from trying to base their style on that of masters such as Lord Dunsany and E. R. Eddison , emphasizing that language that
8667-459: The modern image of "medieval" is more influenced by the romance than by any other medieval genre, and the word medieval evokes knights, distressed damsels, dragons, and other romantic tropes. At the time of the Renaissance romance continued to be popular, and the trend was to more fantastic fiction. The English Le Morte d'Arthur by Sir Thomas Malory (c.1408–1471) was written in prose, and
8774-641: The most influential writers of fantasy and horror in the 20th century. Despite MacDonald's future influence, and Morris' popularity at the time, it was not until around the start of the 20th century that fantasy fiction began to reach a large audience, with authors such as Lord Dunsany (1878–1957) who, following Morris's example, wrote fantasy novels, but also in the short story form. He was particularly noted for his vivid and evocative style. His style greatly influenced many writers, not always happily; Ursula K. Le Guin , in her essay on style in fantasy "From Elfland to Poughkeepsie", wryly referred to Lord Dunsany as
8881-410: The night the witches entered as small animals and began to call the corpse and wake him up. By chance, Thelyphron was both the name of the corpse and the guard. Consequently, the witches steal pieces of his ears and nose instead of from the corpse. The witches cleverly replace the missing flesh with wax to delay discovery. Thelyphron touches his nose and ears to find wax fall out of where they once were in
8988-781: The oldest recorded form of many well-known (and some more obscure) European fairy tales. This was the beginning of a tradition that would both influence the fantasy genre and be incorporated in it, as many works of fairytale fantasy appear to this day. In a work on alchemy in the 16th century, Paracelsus (1493–1541) identified four types of beings with the four elements of alchemy: gnomes (earth elementals); undines (water); sylphs (air); and salamanders (fire). Most of these beings are found in folklore as well as alchemy, and their names are often used interchangeably with similar beings from folklore. Literary fairy tales, such as those written by Charles Perrault (1628–1703) and Madame d'Aulnoy (c.1650 – 1705), became very popular early in
9095-476: The only way for him to return to his human state is to eat a fresh rose. She puts him in the stable for the night and promises to bring him roses in the morning, but during the night Milo's house is raided by a band of thieves, who steal Lucius the ass, load him up with their plunder, and leave with him. On a break in his journey with the bandits, Lucius the ass trots over to a garden to munch on what seem to be roses (but are actually poisonous rose-laurels ) when he
9202-474: The priority of reason and promoting the importance of imagination and spirituality. Its success in rehabilitating imagination was of fundamental importance to the evolution of fantasy, and its interest in medieval romances provided many motifs to modern fantasy. The Romantics invoked the medieval romance as a model for the works they wanted to produce, in contrast to the realism of the Enlightenment. One of
9309-501: The promise of his protection for allowing him a night with Aretë. Becoming obsessed with gold, Myrmex delivers the message to Aretë and Philesietaerus pays Myrmex a further ten pieces. While Aretë and Philesietaerus are making love, Barbarus returns but is locked out of the house. Philesietaerus leaves in a hurry, leaving behind his shoes. Barbarus does not notice the strange shoes until the morning, at which point he chains Myrmex's hands and drags him through town, screaming, while looking for
9416-465: The real world. Magic , the supernatural and magical creatures are common in many of these imaginary worlds. Fantasy literature may be directed at both children and adults. Fantasy is considered a genre of speculative fiction and is distinguished from the genres of science fiction and horror by the absence of scientific or macabre themes, respectively, though these may overlap. Historically, most works of fantasy were in written form , but since
9523-409: The rest except for occasional consultation. The text is characterized by a number of non-standard spellings, notably the frequent interchange of the letters b and v . The prologue establishes an audience and a speaker, who defines himself by location, education, occupation, and his kinship with the philosophers Plutarch and Sextus of Chaeronea . The narrator journeys to Thessaly on business. On
9630-476: The shoes' owner. Philesietaerus spots the two, runs up, and with great confidence shouts at Myrmex, accusing him of stealing his shoes. Barbarus allows Myrmex to live, but beats him for the 'theft'. In Book Nine the baker's wife attempts to hide her lover from her husband, and entertains to her husband's story of the Fuller : While coming home with the Baker for supper, the Fuller interrupts his wife's love-making with
9737-434: The story of Cupid and Psyche, as Psyche is forced to perform various tasks for Venus (including an errand to the underworld) with the help of Cupid and an assortment of friendly creatures, and is finally reunited with her husband. Then Jupiter transforms Psyche into a goddess. That is the end of the tale. Lucius the ass and Charite escape from the cave but they are caught by the thieves, and sentenced to death. A man appears to
9844-475: The story of Cupid and Psyche. Cupid, Venus's son, secretly protects Psyche; Cupid becomes Psyche's mysterious husband, who is invisible to her by day and visits her only at night. Psyche's jealous sisters arouse her curiosity and fear about her husband's identity; Psyche, against Cupid's commands, looks at him by lamplight which wakes Cupid; Cupid abandons Psyche, who wanders in search of him, and takes revenge on her wicked sisters. The elderly woman finishes telling
9951-525: The story of one of the wife's previous school friends: Barbarus, an overbearing husband, is forced to leave on a business trip, and commands his slave, Myrmex, to watch his wife, Aretë, closely to assure she is being faithful during his time away. Barbarus tells Myrmex that any failure will result in his death. Myrmex is so intimidated that he does not let Aretë out of his sight. Aretë's looks charm Philesietaerus who vows to go to any lengths to gain her love. Philesietaerus bribes Myrmex with thirty gold pieces and
10058-406: The sulphur fumes if left in the cage. The Fuller agrees and returns the lover to the cage. The tale is used to contrast the earlier tale told to the Baker's wife of high suspicion and quick judgments of character by her 'auntie' with the overly naive descriptions of nefarious people by her husband. In Book Ten a woman condemned to public humiliation with Lucius tells him her crimes: A man goes on
10165-411: The temple of Venus and offers herself as a slave. Venus assigns Psyche four impossible tasks. First, she is commanded to sort through a great hill of mixed grains. In pity, many ants aid her in completing the task. Next, she is commanded to retrieve wool of the dangerous golden sheep. A river god aids Psyche and tells her to gather clumps of wool from thorn bushes nearby. Venus next requests water from
10272-452: The thieves and announces that he is the renowned thief Haemus the Thracian , who suggests that they should not kill the captives but sell them. Haemus later reveals himself secretly to Charite as her fiancé Tlepolemus, and gets all of the thieves drunk. When they are asleep he slays them all. Tlepolemus, Charite and Lucius the ass safely escape back to the town. Once there, the ass is entrusted to
10379-481: The tub to clean it from underneath. The canny adulteress then lies atop of the tub and while her lover pleasures her, instructs her hapless husband as to where he should apply his energies. To add insult to injury, the ill-used man eventually has to deliver the tub to the lover's house himself. In Book Nine, a baker's wife of poor reputation is advised by a female 'confidant' to be wary of choosing her lover, suggesting she find one very strong of body and will. She relates
10486-453: The villain's language might be inappropriate if vulgar. Golden Ass The protagonist of the novel is Lucius. At the end of the novel, he is revealed to be from Madaurus , the hometown of Apuleius himself. The plot revolves around the protagonist's curiosity ( curiositas ) and insatiable desire to see and practice magic. While trying to perform a spell to transform into a bird, he is accidentally transformed into an ass . This leads to
10593-422: The way, he runs into Aristomenes and an unnamed traveler. The unnamed traveler refuses to believe Aristomenes' story. The narrator insults the unnamed traveler and tells a short story about a sword swallower. He promises Aristomenes a free lunch if he will retell his tale . The narrator believes Aristomenes' tale and becomes more eager to learn about magic. The narrator arrives at Hypata, where he stays with Milo,
10700-582: The work dominates the Arthurian literature. Arthurian motifs have appeared steadily in literature from its publication, though the works have been a mix of fantasy and non-fantasy works. At the time, it and the Spanish Amadis de Gaula (1508), which was also written in prose, spawned many imitators, and the genre was popularly well-received. It later produced such masterpieces of Renaissance poetry as Ludovico Ariosto 's Orlando furioso and Torquato Tasso 's Gerusalemme Liberata . Ariosto's tale in particular
10807-436: Was a source text for many fantasies of adventure. During the Renaissance , Giovanni Francesco Straparola wrote and published The Facetious Nights of Straparola (1550–1555), a collection of stories of which many are literary fairy tales . Giambattista Basile wrote and published the Pentamerone , which was the first collection of stories to contain solely what would later be known as fairy tales. The two works include
10914-505: Was heavily reworked by the authors, these romances developed marvels until they became independent of the original folklore and fictional, an important stage in the development of fantasy. Romance or chivalric romance is a type of prose and verse narrative that reworked legends , fairy tales , and history to suit the readers' and hearers' tastes, but by c. 1600 they were out of fashion, and Miguel de Cervantes famously burlesqued them in his novel Don Quixote . Still,
11021-412: Was inspired by the medieval sagas, and his writing was deliberately archaic in the style of the chivalric romances . Morris's work represented an important milestone in the history of fantasy, as while other writers wrote of foreign lands or of dream worlds , Morris was the first to set his stories in an entirely invented world . Authors such as Edgar Allan Poe and Oscar Wilde also contributed to
11128-449: Was modeled more on Tudor and Elizabethan English, and his stories were filled with vigorous characters in glorious adventures. Eddison's most famous work is The Worm Ouroboros (1922), a long heroic fantasy set on an imaginary version of the planet Mercury. Literary critics of the era began to take an interest in "fantasy" as a genre of writing, and also to argue that it was a genre worthy of serious consideration. Herbert Read devoted
11235-421: Was not until 1923 that the term "fantasist" was used to describe a writer (in this case, Oscar Wilde) who wrote fantasy fiction. The name "fantasy" was not developed until later; as late as J.R.R. Tolkien's The Hobbit (1937), the term "fairy tale" was still being used. An important factor in the development of the fantasy genre was the arrival of magazines devoted to fantasy fiction. The first such publication
11342-548: Was popular in Victorian times , with the works of writers such as Mary Shelley , William Morris, George MacDonald, and Charles Dodgson reaching wider audiences. Hans Christian Andersen took a new approach to fairy tales by creating original stories told in a serious fashion. From this origin, John Ruskin wrote The King of the Golden River (1851), a fairy tale that included complex levels of characterization and created in
11449-489: Was the German magazine Der Orchideengarten which ran from 1919 to 1921. In 1923, the first English-language fantasy fiction magazine, Weird Tales , was created. Many other similar magazines eventually followed. and The Magazine of Fantasy & Science Fiction H. P. Lovecraft was deeply influenced by Edgar Allan Poe and to a somewhat lesser extent, by Lord Dunsany; with his Cthulhu Mythos stories, he became one of
#686313