108-726: The Expression were an Australian synthpop band formed in Sydney in 1981 and disbanded in 1985. Their best known single, "With Closed Eyes", was released in 1983 on Mushroom Records and peaked just inside the top thirty on the Kent Music Report . The Expression formed in Sydney during 1981 with local musicians Jason O'Donnell on bass and Steve Layton, who went on to work with Jon Anderson from Yes, on keyboards, although three of its members hailed previously from Western Australia . Tom Haran (vocals), Neville Dowling (keyboards, ex- Dave Warner Band), and Andrew Wong-Yen (guitar) had all played in
216-481: A teleprompter to assist him with the interview, to which Meldrum replied that there was not one available. The interview, or rather, the numerous botched takes from it, has become a staple of blooper shows in Australia. Meldrum has since said of the interview, "It's not a regret, but I definitely stuffed that up." A large number of master videotapes recorded between 1974 and 1978 were later erased and recycled during
324-615: A 'Countdown' of the most popular videos from the ARIA singles On 17 September 2017, the ABC commenced airing a retrospective of the show, comprising 13 one hour episodes. Each episode focused on one year from 1975 to 1987, showcasing live performances from the show, interviews and Molly's Humdrum. Voice over narration is supplied by recording artists who appeared on the show. The show was programmed to air in Countdown ' s original Sunday 6pm slot. For
432-651: A Doughnut" in particular was an early techno-pop fusion track, which made early use of a music sequencer . Izitso reached No. 7 on the Billboard 200 chart, while the song "(Remember the Days of the) Old Schoolyard" was a top 40 hit. That same month, the Beach Boys released their album Love You , performed almost entirely by bandleader Brian Wilson with Moog and ARP synthesizers, and with arrangements somewhat inspired by Wendy Carlos's Switched-On Bach (1968). Although it
540-662: A Kiss "), Collette ("All I Wanna Do Is Dance" and "That's What I Like About You"), Brother Beyond ("He Ain't No Competition"), Indecent Obsession ("Say Goodbye"), Martika ("I Feel The Earth Move"), James Freud ("One Fine Day") and many more. The hour-long Batdance competition was a high-rating show in November 1989, where Molly Meldrum aided in the judging of the talent from the state finalists. The ABC's late-night continuous music show Rage replayed old episodes of Countdown Revolution in January 2012, and again in January 2015, including
648-538: A background in musical theatre, released his own synth-driven re-imagining of Irving Berlin's " Puttin' On the Ritz "; resulting in a subsequent long-play, After Eight , a concept album that takes music of 1930s sensibilities as informed by the soundscape of 1980s technology. The proliferation of acts led to an anti-synth backlash, with groups including Spandau Ballet, Human League, Soft Cell and ABC incorporating more conventional influences and instruments into their sounds. In
756-638: A duo where their partner played all the instrumentation. Although synth-pop in part arose from punk rock , it abandoned punk's emphasis on authenticity and often pursued a deliberate artificiality , drawing on the critically derided forms such as disco and glam rock . It owed relatively little to the foundations of early popular music in jazz , folk music or the blues , and instead of looking to America, in its early stages, it consciously focused on European and particularly Eastern European influences, which were reflected in band names like Spandau Ballet and songs like Ultravox's " Vienna ". Later synth-pop saw
864-490: A hit with their debut single " The Promise ". Several German synth-pop acts of the late 1980s included Camouflage and Celebrate the Nun . Canadian duo Kon Kan had major success with their debut single, " I Beg Your Pardon " in 1989. An American backlash against European synth-pop has been seen as beginning in the mid-1980s with the rise of heartland rock and roots rock . In the UK
972-430: A large number of acts, a number of them enjoying huge mainstream popularity in the country, like Beograd , Laki Pingvini , Denis & Denis , and Videosex . In the mid-1980s, key artists included solo performer Howard Jones , who S.T. Erlewine has stated to have "merged the technology-intensive sound of new wave with the cheery optimism of hippies and late-'60s pop", (although with notable exceptions including
1080-618: A major influence on subsequent synth rock. In 1971, the British film A Clockwork Orange was released with a synth soundtrack by American Wendy Carlos . It was the first time many in the United Kingdom had heard electronic music . Philip Oakey of the Human League and Richard H. Kirk of Cabaret Voltaire , as well as music journalist Simon Reynolds, have cited the soundtrack as an inspiration. Electronic music made occasional moves into
1188-497: A major influence on the later synth-pop sound. David Bowie 's Berlin Trilogy , comprising the albums Low (1977), "Heroes" (1977), and Lodger (1979), all featuring Brian Eno, would also be highly influential. The Cat Stevens album Izitso , released in April 1977, updated his pop rock style with the extensive use of synthesizers, giving it a more synth-pop style; "Was Dog
SECTION 10
#17328557056371296-476: A management-initiated "economy drive" at the ABC, an action which Meldrum later criticised and said was "unforgivable". Given the costs at the time of recording on videotape, most tapes were wiped and re-used. At least 100 episodes in total were erased from this period of the show's history. In the book Glad All Over , Michael Shrimpton said at that time the ABC were "run by financial types [who] suddenly discovered that
1404-406: A member of the group, found a minimoog left behind in the studio by another band, and started experimenting with it. This led to a change in the album's sound to electronic new wave. Numan later described his work on this album as a guitarist playing keyboards, who turned "punk songs into electronic songs". A single from the second Tubeway Army album Replicas , " Are Friends Electric? ", topped
1512-643: A month in Sydney at the Artransa Studios in Frenchs Forest. The program aired 6:30 weeknights for 30 mins. On Friday nights, the top 10 biggest-selling songs in Australia was counted down (using information from the ARIA Chart). Video clips were generally shown, but memorable appearances live on stage included Poison (" Nothin' but a Good Time "), Faith No More (" Epic "), Kylie Minogue (" Hand on Your Heart " and "Never Too Late"), Jason Donovan (" Sealed with
1620-457: A more conventional drum sound. Lyrics were generally more optimistic, dealing with more traditional subject matter for pop music such as romance, escapism and aspiration. According to music writer Simon Reynolds , the hallmark of 1980s synth-pop was its "emotional, at times operatic singers" such as Marc Almond , Alison Moyet and Annie Lennox . Because synthesizers removed the need for large groups of musicians, these singers were often part of
1728-460: A new audience or even retain the band's previous fan base to any great degree. Haran and Dowling recruited a new stage line-up, Bill Heckenberg (drums), Tim Lumsdaine (bass) but by late 1985 the ever-evolving contemporary music scene had left The Expression behind, and soon thereafter the band called it a day. In 2006, The Expression's two original albums were digitally remastered and released on CD by independent record label, What It Is Records, which
1836-863: A number of important overseas acts of the period. Madonna achieved her first hit single in April 1984 when " Holiday " was screened on Countdown . Subsequently, " Burning Up " reached the top twenty following repeated showings of the video clip on the show; this second song was not a hit in other countries. Other international artists—including Blondie , ABBA , John Mellencamp , Meat Loaf , Boz Scaggs and Cyndi Lauper —achieved their first hits in Australia thanks to their video clips being aired on Countdown , and this in turn led to their records being picked up and becoming hits in America and/or Europe. Many international acts, who would otherwise have gone largely unheard on Australian commercial radio, gained important exposure in Australia on Countdown through their music videos;
1944-619: A second album. Which was recorded in London at the Abbey Road Studios and produced by Ben Rogan ( Sade ) and Wally Brill. In March 1984 a new single "Present Communication" was released but failed to chart. A period of almost fifteen months elapsed before the next single from The Expression saw the light of day. "Small Brave Land" was released in July 1985 and was quickly followed by The Expression's second album Conscience , but neither managed to secure
2052-428: A series of hit singles, beginning with their debut single " Planet Earth " and the UK top five hit " Girls on Film " in 1981. They would soon be followed into the British charts by a large number of bands utilising synthesizers to create catchy three-minute pop songs. In summer 1981 Depeche Mode had their first chart success with " New Life ", followed by the UK top ten hit " Just Can't Get Enough ". A new line-up for
2160-534: A series of landmark releases within the genre, including the 1980 hit singles " Messages " and " Enola Gay ". OMD became one of the most influential acts of the period, introducing the "synth duo" format to British music. Vince Clarke , who co-founded the popular synth-pop groups Depeche Mode , Erasure , Yazoo and the Assembly , has cited OMD as his inspiration to become an electronic musician. Bandleaders Andy McCluskey and Paul Humphreys have been described in
2268-629: A shift to a style more influenced by other genres, such as soul music . Electronic musical synthesizers that could be used practically in a recording studio became available in the mid-1960s, around the same time as rock music began to emerge as a distinct musical genre. The Mellotron , an electro-mechanical , polyphonic sample-playback keyboard was overtaken by the Moog synthesizer , created by Robert Moog in 1964, which produced completely electronically generated sounds. The portable Minimoog , which allowed much easier use, particularly in live performance
SECTION 20
#17328557056372376-488: A style of electronic dance music influenced by synth-pop and funk that led to the emergence of Detroit techno in the mid-1980s. The continued influence of 1980s synth-pop could be seen in various incarnations of 1990s dance music, including trance . Hip hop artists such as Mobb Deep have sampled 1980s synth-pop songs. Popular artists such as Rihanna , UK stars Jay Sean and Taio Cruz , as well as British pop star Lily Allen on her second album, have also embraced
2484-618: A style that was highly successful on the US dance charts, but by the end of the decade, the synth-pop of bands such as A-ha and Alphaville was giving way to house music and techno . Interest in synth-pop began to revive in the indietronica and electroclash movements in the late 1990s, and in the 2000s synth-pop enjoyed a widespread revival and commercial success. The genre has received criticism for alleged lack of emotion and musicianship; prominent artists have spoken out against detractors who believed that synthesizers themselves composed and played
2592-589: A synthesizer, I’m going to have you. Video Killed the Radio Star is putting musicians out of business." 1980 also saw the release of where "Video Killed the Radio Star" came from, the Buggles' debut album The Age of Plastic , which some writers have labeled as the first landmark of another electropop era, as well as what for many is the defining album of Devo's career, the overtly synth-pop Freedom of Choice . The emergence of synth-pop has been described as "perhaps
2700-609: A synthwave song by the Weeknd, peaked at number one in 29 countries, including the United States, in early 2020; and later became the Billboard number-one greatest song of all time in November 2021. This wave of revival not only popularized established acts but also enabled new artists like Dua Lipa , whose retro-influenced album Future Nostalgia won multiple awards and was hailed for its energetic embrace of vintage pop sounds. Meanwhile, indie artists such as M83 continued to explore
2808-518: Is a music genre that first became prominent in the late 1970s and features the synthesizer as the dominant musical instrument. It was prefigured in the 1960s and early 1970s by the use of synthesizers in progressive rock , electronic , art rock , disco , and particularly the Krautrock of bands like Kraftwerk . It arose as a distinct genre in Japan and the United Kingdom in the post-punk era as part of
2916-415: Is not widely recognised, Countdown also had a strong international influence, because it was one of the first TV shows in the world to promote the regular use of the music video as a major part of its programming. Because of its receptivity to music videos (something of a necessity because of the comparative rarity of tours by overseas acts), Countdown proved to be instrumental in the worldwide success of
3024-581: The Billboard Hot 100 for nine weeks in 2010. She also used the genre on her comeback single " Die Young ". Mainstream female recording artists who have dabbled in the genre in the 2010s include Madonna , Taylor Swift , Katy Perry , Jessie J , Christina Aguilera , and Beyoncé . In Japan, girl group Perfume , along with producer Yasutaka Nakata of Capsule , produced technopop music combining 1980s synth-pop with chiptunes and electro house from 2003. Their breakthrough came in 2008 with
3132-462: The Japanese Albums chart. Much like Japan, Korean pop music has also become dominated by synth-pop, particularly with girl groups such as f(x) , Girls' Generation and Wonder Girls . In 2020, the genre experienced a resurgence in popularity as 1980s-style synth-pop and synthwave songs from singers such as the Weeknd who gained success on international music charts. " Blinding Lights ",
3240-525: The New Romantic movement. Despite synth-pop's origins in the late 1970s among new wave bands like Tubeway Army and Devo, British journalists and music critics largely abandoned the term "new wave" in the early 1980s. This was in part due to the rise of new artists unaffiliated with the preceding punk/new wave era, as well as aesthetic changes associated with synth-pop's movement into the pop mainstream. According to authors Stuart Borthwick and Ron Moy, "After
3348-475: The Perth band Visitor during the late 1970s. By 1981 the trio had relocated to Sydney and formed The Expression, along with Stephen Manassah (bass guitar) and Steve Hopes (drums) (ex- Renee Geyer Band). They quickly established themselves on the Sydney live circuit, with a cutting edge brand of ‘ new wave ’ pop, combining sharp guitar riffs and haunting synthesizer melodies, topped off by Haran's unique vocal style. It
The Expression - Misplaced Pages Continue
3456-516: The TR-808 rhythm machine to popular music, and the band would be a major influence on early British synth-pop acts. The development of inexpensive polyphonic synthesizers, the definition of MIDI and the use of dance beats, led to a more commercial and accessible sound for synth-pop. This, its adoption by the style-conscious acts from the New Romantic movement, together with the rise of MTV , led to success for large numbers of British synth-pop acts in
3564-501: The new wave movement of the late 1970s. Electronic musical synthesizers that could be used practically in a recording studio became available in the mid-1960s, and the mid-1970s saw the rise of electronic art musicians. After the breakthrough of Gary Numan in the UK Singles Chart in 1979, large numbers of artists began to enjoy success with a synthesizer-based sound in the early 1980s. In Japan, Yellow Magic Orchestra introduced
3672-417: The "Humdrum" music news segment and conducting interviews. Meldrum soon became the "face" of Countdown . He appeared regularly on-air until 1986. Another attraction to the program was the local and international acts who would host an episode—usually performing as well. During the show, Meldrum would interview them (while co-hosting) or have a chat with them before the show went out with the number-one single of
3780-409: The 1980s, the introduction of dance beats and more conventional rock instrumentation made the music warmer and catchier and contained within the conventions of three-minute pop. Synthesizers were increasingly used to imitate the conventional and clichéd sound of orchestras and horns. Thin, treble-dominant, synthesized melodies and simple drum programmes gave way to thick, and compressed production, and
3888-560: The 1990s were Savage Garden , the Rentals and the Moog Cookbook . Electronic music was also explored from the early 1990s by indietronica bands like Stereolab , EMF , the Utah Saints , and Disco Inferno , who mixed a variety of indie and synthesizer sounds. Indietronica began to take off in the new millennium as the new digital technology developed, with acts such as Broadcast from
3996-405: The 2017 Sydney New Year's Eve live show and broadcast on the ABC , there was a countdown to midnight and the fireworks. The show was themed like the Countdown show, with many live artists including Casey Donovan, Jimmy Barnes, Phil Jamieson, Isiah Firebrace and more. The show had the Countdown theme song and some of the same graphics. Ian "Molly" Meldrum did not return to host. The stage also had
4104-722: The Boys , Marcia Hines , Mark Holden , The Angels , Mondo Rock , Men at Work , Icehouse , Australian Crawl and Mental As Anything . The program dominated Australian popular music well into the 1980s. The popularity of Countdown started to lose momentum by the mid-1980s. Music videos were often shown rather than the artists performing live in the studio. It was cheaper to produce with videos, and this led to Countdown having no significant difference from any other music video program shown on TV during this time. The final episode of Countdown aired on 19 July 1987. Meldrum co-hosted with, and interviewed, Carol Hitchcock and Jim Keays . It
4212-585: The Bravery and the Stills all left their synth-pop sound behind after their debut albums and began to explore classic 1970s rock, but the style was picked up by a large number of performers, particularly female solo artists. Following the breakthrough success of Lady Gaga with her single " Just Dance " (2008), the British and other media proclaimed a new era of female synth-pop stars, citing artists such as Little Boots , La Roux , and Ladyhawke . Male acts that emerged in
4320-517: The British music press of the late 1970s and early 1980s for their German influences and characterised by journalist Mick Farren as the " Adolf Hitler Memorial Space Patrol". In 1983, Morrissey of the Smiths stated that "there was nothing more repellent than the synthesizer". During the decade, objections were raised to the quality of compositions and what was called the limited musicianship of artists. Gary Numan observed "hostility" and what he felt
4428-549: The Communards . The Communards' major hits were covers of disco classics " Don't Leave Me This Way " (1986) and " Never Can Say Goodbye " (1987). After adding other elements to their sound, and with the help of a gay audience, several synth-pop acts had success on the US dance charts. Among these were American acts Information Society (who had two top 10 singles in 1988), Anything Box , and Red Flag . British band When in Rome scored
The Expression - Misplaced Pages Continue
4536-766: The Countdown Dancers performing the Flashdance medley highlight the great popular music of the period. The sign used in the logo is now housed and displayed at the Australian Centre for the Moving Image . During 1982-83 two side shows called Countdown Friday and Countdown Flipside were aired on Friday and Saturday nights. 23 episodes of Countdown Flipside were produced and by mid 1983 19 episodes of Countdown Friday had been produced. Both were clip shows with voice overs by John Peters. A well-known segment of
4644-710: The Dark (OMD) – to 'throw away their guitars' and become a synth act. Kraftwerk had its first hit UK record later in the year with " Autobahn ", which reached number 11 in the British Singles Chart and number 12 in Canada. The group was described by the BBC Four program Synth Britannia as the key to synth-pop's future rise there. In 1977, Giorgio Moroder released the electronic Eurodisco song " I Feel Love " that he had produced for Donna Summer , and its programmed beats would be
4752-546: The Human League along with a new producer and a more commercial sound led to the album Dare (1981), which produced a series of hit singles. These included " Don't You Want Me ", which reached number one in the UK at the end of 1981. Synth-pop reached its commercial peak in the UK in the winter of 1981–2, with bands such as OMD , Japan , Ultravox , Soft Cell , Depeche Mode, Yazoo and even Kraftwerk , enjoying top ten hits. The Human League's and Soft Cell's UK number one singles "Don't You Want Me" and " Tainted Love " became
4860-586: The UK and top 40 in the US. and Thompson Twins , whose popularity peaked in 1984 with the album Into the Gap , which reached No.1 in the UK and the US top ten and spawned several top ten singles. In 1984, Frankie Goes to Hollywood released their debut album Welcome to the Pleasuredome (produced by Trevor Horn of the Buggles), with their first three singles, " Relax ", " Two Tribes " and " The Power of Love ", topping
4968-404: The UK chart. The music journalist Paul Lester reflected, "no band has dominated a 12-month period like Frankie ruled 1984". In January 1985, Tears for Fears' single " Shout ", written by Roland Orzabal in his "front room on just a small synthesizer and a drum machine", became their fourth top 5 UK hit; it would later top the charts in multiple countries including the US. Initially dismissed in
5076-415: The UK charts in the summer of 1979. The discovery that synthesizers could be employed in a different manner from that used in progressive rock or disco, prompted Numan to go solo. On his futuristic album The Pleasure Principle (1979), he played only synths, but retained a bass guitarist and a drummer for the rhythm section. A single from the album, " Cars " topped the charts. Numan's main influence at
5184-690: The UK, Justice from France, Lali Puna from Germany, and Ratatat and the Postal Service from the US, mixing a variety of indie sounds with electronic music, largely produced on small independent labels. Similarly, the electroclash subgenre began in New York at the end of the 1990s, combining synth-pop, techno, punk and performance art. It was pioneered by I-F with their track "Space Invaders Are Smoking Grass" (1998), and pursued by artists including Felix da Housecat , Peaches , Chicks on Speed , and Fischerspooner . It gained international attention at
5292-501: The US (unlike the UK), where synth-pop is sometimes considered a "subgenre" of "new wave" and was described as "technopop" or "electropop" by the press at the time, the genre became popular due to the cable music channel MTV , which reached the media capitals of New York City and Los Angeles in 1982. It made heavy use of style-conscious New Romantic synth-pop acts, with " I Ran (So Far Away) " (1982) by A Flock of Seagulls generally considered
5400-555: The US during the Second British Invasion . The term "techno-pop" was coined by Yuzuru Agi in his critique of Kraftwerk's The Man-Machine in 1978 and is considered a case of multiple discovery of naming. Hence, the term can be used interchangeably with "synth-pop", but is more frequently used to describe the scene of Japan. The term "techno-pop" became also popular in Europe, where it started: German band Kraftwerk's 1986 album
5508-408: The US the following year. The success of synth-pop and other British acts would be seen as a Second British Invasion . In his early 1980s columns for The Village Voice , music critic Robert Christgau frequently referred to British synth-pop as "Anglodisco", suggesting a parallel to the contemporary genres of Eurodisco and Italo disco , both highly popular outside the US. Indeed, synth-pop
SECTION 50
#17328557056375616-430: The United States and Europe by Almacantar Records. Countdown was an Australian pop music TV series on national broadcaster ABC-TV from 1974–1987, it presented music awards from 1979–1987, initially in conjunction with magazine TV Week . The TV Week / Countdown Awards were a combination of popular-voted and peer-voted awards. Synthpop Synth-pop (short for synthesizer pop ; also called techno-pop )
5724-459: The album Game , which led to a renewed interest in technopop within mainstream Japanese pop music. Other Japanese female technopop artists soon followed, including Aira Mitsuki , immi , Mizca , SAWA , Saori Rinne and Sweet Vacation . Model-singer Kyary Pamyu Pamyu also shared the same success as Perfume's under Nakata 's production with the album Pamyu Pamyu Revolution in 2012, which topped electronic charts on iTunes as well as
5832-474: The amount of Australian content it featured. The first half-hour episode went to air at 6.30pm on Friday, 8 November 1974, but for most of the time it was on air, it also gained double exposure throughout the country by screening a new episode each Sunday evening, and then repeating it the following Saturday evening. The majority of performances on the show were lip synced . Molly Meldrum, the program's talent co-ordinator, began appearing on-air in 1975, presenting
5940-421: The arrival of indie rock bands, particularly the Smiths , has been seen as marking the end of synth-driven pop and the beginning of the guitar-based music that would dominate rock into the 1990s. By 1991, in the United States synth-pop was losing its commercial viability as alternative radio stations were responding to the popularity of grunge . Exceptions that continued to pursue forms of synth-pop or rock in
6048-414: The beginning of the new millennium and spread to scenes in London and Berlin, but rapidly faded as a recognizable genre as acts began to experiment with a variety of forms of music. In the new millennium, renewed interest in electronic music and nostalgia for the 1980s led to the beginnings of a synth-pop revival, with acts including Adult and Fischerspooner . Between 2003 and 2004, it began to move into
6156-610: The best selling singles in the UK in 1981. In early 1982 synthesizers were so dominant that the Musicians' Union attempted to limit their use. By the end of 1982, these acts had been joined in the charts by synth-based singles from Thomas Dolby , Blancmange , and Tears for Fears . Bands such as Simple Minds also adopted synth-pop into their music on their 1982 album New Gold Dream (81–82–83–84) . ABC and Heaven 17 had commercial success mixing synth-pop with influences from funk and soul music . Dutch entertainer Taco , who has
6264-528: The boundaries of the genre, blending it with shoegaze and ambient music to create a complex, layered sound in their album Digital Shades Vol. 2 . The genre's adaptability and nostalgic appeal have contributed to its enduring presence and continued evolution in the music industry. Synth-pop has received considerable criticism and even prompted hostility among musicians and in the press. It has been described as "anaemic" and "soulless". Synth-pop's early steps, and Gary Numan in particular, were also disparaged in
6372-471: The commercial charts. "This is a finger, this is another... now write a song" —This quote is a take on the punk manifesto This is a chord, this is another, this is a third...now start a band celebrating the virtues of amateur musicianship first appeared in a fanzine in December 1976. British punk-influenced band Tubeway Army , intended their debut album to be guitar driven. In late 1978, Gary Numan ,
6480-560: The early " dominatrix " image of the Eurythmics' Annie Lennox . In the U.S. this led to British synth-pop artists being characterised as "English haircut bands" or "art fag " music, though many British synth-pop artists were highly popular on both American radio and MTV . Although some audiences were overtly hostile to synth-pop, it achieved an appeal among those alienated from the dominant heterosexuality of mainstream rock culture, particularly among gay, female and introverted audiences. By
6588-494: The first band of the movement to have a hit single as the synth-driven " To Cut a Long Story Short " reached number 5 on the UK Singles Chart in December 1980. Visage's " Fade to Grey ", characteristic of synth-pop and a major influence on the genre, reached the top ten a few weeks later. Duran Duran have been credited with incorporating dance beats into synth-pop to produce a catchier and warmer sound, which provided them with
SECTION 60
#17328557056376696-430: The first episode from 1989. The Countdown Magazine continued to be published during the run of Countdown Revolution . Countdown , the show that epitomised the pop music scene in Australia for over a decade, celebrated the 40th anniversary of its debut with the release of an anthology album in 2014. A two-part 40th Anniversary TV special, "Countdown: Do Yourself A Favour", was broadcast on Sunday 16 November 2014. It
6804-689: The first hit by a British act to enter the Billboard top ten as a result of exposure through video. The switch to a " new music " format in US radio stations was also significant in the success of British bands. Reaching No. 2 in the UK in March 1983 and No. 1 on the US Billboard Hot 100 six months later, Rolling Stone called Eurythmics' single " Sweet Dreams (Are Made of This) " "a synth-pop masterpiece". Bananarama 's 1983 synth-pop song " Cruel Summer " became an instant UK hit before having similar success in
6912-431: The genre as diverse but "characterised by a broad set of values that eschewed rock playing styles, rhythms and structures", which were replaced by "synthetic textures" and "robotic rigidity", often defined by the limitations of the new technology, including monophonic synthesizers (only able to play one note at a time). Many synth-pop musicians had limited musical skills, relying on the technology to produce or reproduce
7020-483: The genre. Countdown (Australian TV series) Countdown was a weekly Australian music television program that was broadcast by the Australian Broadcasting Corporation from 8 November 1974 until 19 July 1987. It was created by Executive Producer Michael Shrimpton, producer/director Robbie Weekes and record producer and music journalist Ian "Molly" Meldrum . Countdown was produced at
7128-446: The guise of Countdown Revolution . Without Meldrum, who had since gone on to Hey Hey It's Saturday , it featured a group of young hosts, including Tania Lacy and Mark Little . The duo were fired by the ABC after an unauthorised on-air protest on 22 June 1990 against the policy of not allowing acts to perform live and insisting they mime to backup tracks. The show continued until its cancellation in December 1990. It also played once
7236-465: The increase in the purchase of video tapes had roared up 200 percent in 12 months". He said they didn't stop to consider that the video tape "was the cheapest link in the chain". An order came through from middle-management Bill Pritchard to erase a whole wall of tapes. A total of 500 12-inch reels were pulled out, which affected at least 100 episodes. Ted Emery and Paul Drane heard about the order, surreptitiously removing as many reels as they could during
7344-452: The latter of which are most likely held only for research purposes. According to Ted Emery, it was not just episodes of Countdown that were affected by the purge. A number of Australian Rules Football Grand Final games, along with episodes of Bellbird and Certain Women , were also erased. In recent years, ABC Archives has undertaken an upgrade of the remaining episodes, copying what
7452-486: The list includes many UK " new wave " acts such as Duran Duran , XTC , The Beat , Elvis Costello , The Specials , Lene Lovich , Joe Jackson , and The Cure , and US acts such as The Ramones and The Cars . Above all, Countdown was crucial to the success of many leading Australian acts, including John Farnham , AC/DC , Olivia Newton-John , INXS , Dragon , Hush , Kylie Minogue , I'm Talking , John Paul Young , Sherbet , Skyhooks , Ted Mulry Gang , Jimmy and
7560-406: The lyrics of " What Is Love? " – "Does anybody love anybody anyway?") and Nik Kershaw , whose "well-crafted synth-pop" incorporated guitars and other more traditional pop influences that particularly appealed to a teen audience. Pursuing a more dance-orientated sound were Bronski Beat whose album The Age of Consent (1984), dealing with issues of homophobia and alienation, reached the top 20 in
7668-526: The mainstream with Ladytron , the Postal Service , Cut Copy , the Bravery and the Killers all producing records that incorporated vintage synthesizer sounds and styles that contrasted with the dominant genres of post-grunge and nu metal . In particular, the Killers enjoyed considerable airplay and exposure and their debut album Hot Fuss (2004) reached the top ten of the Billboard 200 . The Killers,
7776-781: The mainstream, with jazz musician Stan Free , under the pseudonym Hot Butter , having a top 10 hit in the United States and United Kingdom in 1972, with a cover of the 1969 Gershon Kingsley song " Popcorn " using a Moog synthesizer, which is recognised as a forerunner to synth-pop and disco . The mid-1970s saw the rise of electronic art musicians such as Jean Michel Jarre , Vangelis , and Tomita . Tomita's album Electric Samurai: Switched on Rock (1972) featured electronic renditions of contemporary rock and pop songs, while utilizing speech synthesis and analog music sequencers . In 1975, Kraftwerk played their first British show and inspired concert attendees Andy McCluskey and Paul Humphreys – who would later found Orchestral Manoeuvres in
7884-484: The masters as well". Had it not been for Emery and Drane, the few episodes from the 1974–78 period that remained would have been erased. That includes the first episode broadcast in colour. With the exception of 30 episodes, all programs aired between 1975 and 1978 were erased; only two episodes which aired in 1976 are known to exist. Most of the episodes erased originally aired from 1975 to 1977, but there are other episodes either missing or too damaged for future airing,
7992-551: The media as "the Lennon–McCartney of synth-pop". Giorgio Moroder collaborated with the band Sparks on their album No. 1 In Heaven (1979). That same year in Japan, the synth-pop band P-Model made its debut with the album In a Model Room . Other Japanese synth-pop groups emerging around the same time included the Plastics and Hikashu . This zeitgeist of revolution in electronic music performance and recording/production
8100-609: The mid-1980s, synth-pop had helped establish the synthesizer as a primary instrument in mainstream pop music. It also influenced the sound of many mainstream rock acts, such as Bruce Springsteen , ZZ Top and Van Halen . It was a major influence on house music , which grew out of the post-disco dance club culture of the early 1980s as some DJs attempted to make the less pop-oriented music that also incorporated influences from Latin soul , dub , rap music , and jazz . American musicians such as Juan Atkins , using names including Model 500, Infinity and as part of Cybotron , developed
8208-457: The middle of the night and hiding them in their cars. According to Ted Emery, when the order came to erase the episodes, he used stalling tactics such as moving the tapes around. He said: "I kept thinking fifteen years down the track this stuff will be important." The producers tried stalling further by handing in trims and pre-assemblies rather than the master copies. "But it wasn't enough," Emery said. "I didn't have enough to give him so they took
8316-529: The monochrome blacks and greys of punk/new wave, synthpop was promoted by a youth media interested in people who wanted to be pop stars, such as Boy George and Adam Ant ". The New Romantic scene had developed in the London nightclubs Billy's and the Blitz and was associated with bands such as Duran Duran, Visage , and Spandau Ballet . They adopted an elaborate visual style that combined elements of glam rock , science fiction and romanticism . Spandau Ballet were
8424-450: The music press as a "teeny bop sensation" were Norwegian band a-ha , whose use of guitars and real drums produced an accessible form of synth-pop, which, along with an MTV friendly video, took their 1985 single " Take On Me " to number two in the UK and number one in the US. Synth-pop continued into the late 1980s, with a format that moved closer to dance music, including the work of acts such as British duos Pet Shop Boys , Erasure and
8532-461: The music. The result was often minimalist, with grooves that were "typically woven together from simple repeated riffs often with no harmonic 'progression' to speak of". Early synth-pop has been described as "eerie, sterile, and vaguely menacing", using droning electronics with little change in inflection. Common lyrical themes of synth-pop songs were isolation, urban anomie , and feelings of being emotionally cold and hollow. In its second phase in
8640-513: The period 1976–77 was initially hostile to the "inauthentic" sound of the synthesizer, but many new wave and post-punk bands that emerged from the movement began to adopt it as a major part of their sound. British punk and new wave clubs were open to what was then considered an "alternative" sound. The do it yourself attitude of punk broke down the progressive rock era's norm of needing years of experience before getting up on stage to play synthesizers. The American duo Suicide , who arose from
8748-468: The post-punk scene in New York, utilised drum machines and synthesizers in a hybrid between electronics and post-punk on their eponymous 1977 album . Around this time, Ultravox member Warren Cann purchased a Roland TR-77 drum machine , which was first featured in their October 1977 single release " Hiroshima Mon Amour ". Be-Bop Deluxe released Drastic Plastic in February 1978, leading off with
8856-522: The release of UK band the Human League 's debut single " Being Boiled " and The Normal 's " Warm Leatherette ", which both are regarded as seminal works in early synth-pop. Sheffield band Cabaret Voltaire are also regarded as pioneers of the late 1970s that influenced the emerging synth-pop in Britain. In America, post-punk band Devo began moving towards a more electronic sound. At this point synth-pop gained some critical attention, but made little impact on
8964-456: The rise and fall of Countdown , its production struggles and various other tales about the music groups that went on it. The show received predominantly positive ratings. The show lived up to its name when it angered devoted viewers by slashing its top 50 in mid-2006 and playing videos freeform. But nearly a decade after that controversial decision, a new segment called "The Chart" hit the silver screen. Rage now regularly plays chart hits with
9072-714: The same period include Calvin Harris , Empire of the Sun , Frankmusik , Hurts , Ou Est Le Swimming Pool , Kaskade , LMFAO , and Owl City , whose single " Fireflies " (2009) topped the Billboard Hot 100 chart. In 2009, an underground subgenre with direct stylistic origins to synth-pop became popular, chillwave . Other 2010s synth-pop acts include the Naked and Famous , Chvrches , M83 , and Shiny Toy Guns . American singer Kesha has also been described as an electropop artist, with her electropop debut single " Tik Tok " topping
9180-424: The show due to regarding Countdown as too industry/hit-driven and appealed only to a young teenage audience. In March 2007, the pay television service Foxtel , and its regional affiliate Austar , began screening hundreds of studio performances from the Countdown era. Themed Countdown specials have become very popular, and thought-lost performances by John Farnham , drag queen Divine, a-ha , Pseudo Echo and
9288-457: The show's influence derived from its timeslot (Sundays at 6pm) and the fact that each week's show was repeated the following Saturday at 5pm; the series also undoubtedly benefitted hugely from the long-delayed introduction of PAL colour television system in Australia, which was introduced four months after Countdown premiered. Because of this, Countdown was also one of the first Australian TV series to be made entirely in colour. Although it
9396-425: The show's run is an atypical studio interview Meldrum conducted with Prince Charles . Meldrum was extremely nervous about interviewing the prince, and he botched a great many takes during the interview by flubbing his lines and even committing several royal protocol blunders. Members of his production crew gave him constant encouragement between takes, and eventually Prince Charles politely asked Meldrum if he could get
9504-464: The single "Electrical Language" with Bill Nelson on guitar synthesizer and Andy Clark on synthesizers. Japanese band Yellow Magic Orchestra (YMO) with their self-titled album (1978) and Solid State Survivor (1979), developed a "fun-loving and breezy" sound, with a strong emphasis on melody . They introduced the TR-808 rhythm machine to popular music , and the band would be a major influence on early British synth-pop acts. 1978 also saw
9612-421: The single most significant event in melodic music since Mersey-beat ". By the 1980s synthesizers had become much cheaper and easier to use. After the definition of MIDI in 1982 and the development of digital audio , the creation of purely electronic sounds and their manipulation became much simpler. Synthesizers came to dominate the pop music of the early 1980s, particularly through their adoption by bands of
9720-466: The songs. Synth-pop music has established a place for the synthesizer as a major element of pop and rock music , directly influencing subsequent genres (including house music and Detroit techno ) and has indirectly influenced many other genres, as well as individual recordings. Synth-pop is defined by its primary use of synthesizers, drum machines and sequencers , sometimes using them to replace all other instruments. Borthwick and Moy have described
9828-507: The studios of the ABC in the Melbourne suburb of Ripponlea . It was screened Sunday night from 6:00pm to 7:00pm. Countdown was the most popular music program in Australian TV history. It was broadcast nationwide on Australia's government-owned broadcaster, the ABC , and commanded a huge and loyal audience. It soon exerted a strong influence on radio programmers because of its audience and
9936-459: The time was the John Foxx -led new wave band Ultravox who released the album Systems of Romance in 1978. Foxx left Ultravox the following year and scored a synth-pop hit with the single " Underpass " from his first solo album Metamatic in early 1980. In 1979, OMD released their debut single " Electricity ", which has been viewed as integral to the rise of synth-pop. This was followed by
10044-423: The top 50. During this period drummer Steve Hopes had been replaced by Guy Slingerland (ex- Eurogliders ), and soon after the live line-up of the band splintered, leaving the future of The Expression up in the air. Haran and Dowling opted to continue to work under The Expression banner, and recruited several English based session players, including drummer Gary Burke and bassist Steve Greetham, to record material for
10152-414: The week. In October 2014, Meldrum published his autobiography, The Never, Um, Ever Ending Story . Teen-oriented pop music still enjoyed strong popularity during the 1970s, although much of it was sourced from overseas, and the proportion of Australian acts in the charts had hit an all-time low by 1973. That trend began to change around 1975, and many credit that largely to the advent of Countdown . Much of
10260-402: Was "ignorance" regarding synth-pop, such as his belief that people "thought machines did it". OMD frontman Andy McCluskey recalled a great many people "who thought that the equipment wrote the song for you", and asserted: "Believe me, if there was a button on a synth or a drum machine that said 'hit single', I would have pressed it as often as anybody else would have – but there isn't . It
10368-623: Was "With Closed Eyes", which entered the Australian charts in March 1983 and peaked at No. 27 nationally (No. 18 in Melbourne). The video, produced by Paul Goldman , first aired on Countdown in March 1983. The video is described as being 'worthy of some of the great Hollywood epics in terms of its cinematic scope and emotional resonance.' The band's debut self-titled album, The Expression , recorded in Sydney and mixed in New York City,
10476-554: Was all written by real human beings". According to Simon Reynolds, in some quarters synthesizers were seen as instruments for "effete poseurs", in contrast to the phallic guitar. The association of synth-pop with an alternative sexuality was reinforced by the images projected by synth-pop stars, who were seen as gender bending , including Phil Oakey 's asymmetric hair and use of eyeliner, Marc Almond 's "pervy" leather jacket, skirt wearing by figures including Martin Gore of Depeche Mode and
10584-617: Was encapsulated by then would-be record producer Trevor Horn of the Buggles in the single " Video Killed the Radio Star "; the song topped the UK charts in October 1979 and it also became an international hit; two years later it was the first song aired on MTV. Geoff Downes , keyboardist for the Buggles, states, "When we did a rerecorded version for Top of the Pops , the Musicians’ Union bloke said, "If I think you’re making strings sounds out of
10692-427: Was established by the band's former bass player, Stephen Manassah. The re-released version of Conscience included three additional tracks from the 1984 London recordings. That was followed in 2007 by an album, Rare & Un-Released , a compilation of previously unreleased live/demo material, with a bonus DVD which featured all five of the band's music videos, including "With Closed Eyes". The albums were distributed in
10800-491: Was followed by the last Countdown Awards ceremony. It was a sad night for many, yet a celebration of musical achievements in '86/'87. Meldrum made his appearance at the end of the show wearing his well-known Stetson hat. Meldrum saluted the music industry and fans and then bared his shaved head to the audience. It was well known that his shaved head was a statement to artists like Midnight Oil, who during their career, and being one of Australia's favourite bands, never appeared on
10908-462: Was highly praised by some critics and musicians (including Patti Smith and Lester Bangs ), the album met with poor commercial reception. The album has been considered revolutionary in its use of synthesizers, while others described Wilson's extensive use of the Moog synthesizer as a "loopy funhouse ambience" and an early example of synth-pop. Early guitar-based punk rock that came to prominence in
11016-703: Was hosted by Julia Zemiro and included a guest appearance by Prince Charles. At the ARIA Music Awards of 2014 in November, both Countdown and Meldrum were inducted into the ARIA Hall of Fame – the first time a non-performing artist was inducted. A two-part documentary-drama about the life of Meldrum and his experiences with Countdown was created by Channel 7 in 2016. Episode one aired on 7 February 2016, while episode two aired on 14 February 2016. Australian actor Samuel Johnson starred as Meldrum, with Tom O'Sullivan as Shrimpton and T.J. Power as Weekes. It tells of
11124-522: Was left to its two on-air playback formats (Betacam SP and Digital Betacam). It is the copying of the programs onto this format that has allowed the ABC to re-broadcast episodes of Countdown during its all-night music show, Rage , in place of video clips which would normally air during that timeslot. Missing-episode enthusiast Troy Walters has a website Turning Back Time: The Hunt For ABC's Countdown , which discusses what has been lost and found. From 3 July 1989 to December 1990, Countdown returned in
11232-408: Was produced by Charles Fisher ( Radio Birdman , Hoodoo Gurus , Moving Pictures ) was released in late 1983 and reached No. 55 on the album charts. The album was also released in the United States by A&M Records , with a different cover and slightly different track listing. A further two singles were released from the album, "Decisions", and, "Total Eclipse", both of which did not chart into
11340-457: Was taken up across the world alongside the continuing presence of disco , with international hits for German synth-pop as well as Eurodisco acts including Peter Schilling , Sandra , Modern Talking , Propaganda , and Alphaville . Other non-British groups scoring synth-pop hits were Men Without Hats and Trans-X from Canada, Telex from Belgium, Yello from Switzerland, and Azul y Negro from Spain. The synth-pop scene of Yugoslavia spawned
11448-405: Was the early 1980s and a slickly produced brand of pop-rock was in order if a band/artist wanted to break into the charts, with a throng of up and coming bands all jostling for record deals and chart action ( Eurogliders , Real Life , Machinations ). Mushroom Records signed The Expression to a recording deal during 1982 and the band set about working on their debut album. The band's first single
11556-413: Was titled Techno Pop ; English band the Buggles has a song named "Technopop" and Spanish band Mecano described their style as tecno-pop. "Synth-pop" is sometimes used interchangeably with " electropop ", but "electropop" may also denote a variant of synth-pop that places more emphasis on a harder, more electronic sound. In the mid to late 1980s, duos such as Erasure and Pet Shop Boys adopted
11664-438: Was widely adopted by progressive rock musicians such as Richard Wright of Pink Floyd and Rick Wakeman of Yes . Instrumental prog rock was particularly significant in continental Europe, allowing bands like Kraftwerk , Tangerine Dream , Can and Faust to circumvent the language barrier. Their synthesizer-heavy " Kraut rock ", along with the work of Brian Eno (for a time the keyboard player with Roxy Music ), would be
#636363