The Conscience is a live album by trombonist Paul Rutherford and drummer Sabu Toyozumi . It was recorded on October 11, 1999, at Café Jumbo in Tokoname, Aichi, Japan, and was released in 2017 by NoBusiness Records as part of their Chap Chap series, created in collaboration with the Japanese label of the same name.
5-443: In a review for The Free Jazz Collective , Nicola Negri called the album "a prime example of free music at its most daring, an ever-changing musical landscape where the only constant is surprise," and wrote: "building on a common language based on free jazz, while pointing to even more abstract territories, the musicians demonstrate an immediate understanding of each other's playing, building on an urgent, unrelenting exchange of ideas...
10-453: The category was retired. In 2015, Ricci said the site received a peak of 1.3 million readers per month in 2007. Another source said that the site has over 500,000 readers around the world. Ricci was born in Philadelphia , Pennsylvania, United States. He heard classical and jazz from his father's music collection. He played trumpet and went to his first jazz concert when he was eight. With
15-500: The metal as much as air and movement." All About Jazz All About Jazz is a website established by Michael Ricci in 1995. A volunteer staff publishes news, album reviews, articles, videos, and listings of concerts and other events having to do with jazz . Ricci maintains a related site, Jazz Near You , about local concerts and events. The Jazz Journalists Association voted All About Jazz Best Website Covering Jazz for thirteen consecutive years between 2003 and 2015, when
20-674: The richness of timbres and dynamics explored by the musicians guarantees the strong involvement of the listener, called to decipher the intricacies of their improvisational dialogue, its contradictions and mysterious flow." Dusted Magazine' s Michael Rosenstein stated: "Toyozumi and Rutherford prove to be superb partners for each other... there is a constant volley of ideas between the two... The two dive in, know how to leave space for each other, and know how to wrap things to effective closure." John Sharpe of All About Jazz praised Rutherford's "abstract melodicism and burnished sound," incorporating "long buzzing lines, astonishingly nimble leaps into
25-524: The upper registers and growling multiphonics," as well as Toyozumi's tendency to "creat[e] light amid the thunderous shade through the tone color play of clanging gongs and sizzling cymbals." Writing for JazzWord , Ken Waxman commented: "Simpatico from the beginning, Rutherford and Toyozumi establish a mutually acceptable groove and exploit it throughout... the drummer sets up a continuum from which Rutherford's can dig deeper into his horn's innards to produce multiphonic vibrations with tones seemingly reflecting
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