A take is a single continuous recorded performance. The term is used in film and music to denote and track the stages of production.
101-411: In cinematography , a take refers to each filmed "version" of a particular shot or "setup". Takes of each shot are generally numbered starting with "take one" and the number of each successive take is increased (with the director calling for "take two" or "take eighteen") until the filming of the shot is completed. Film takes are often designated with the aid of a clapperboard . It is also referred to as
202-442: A lens to focus reflected light from objects into a real image that is transferred to some image sensor or light-sensitive material inside the movie camera . These exposures are created sequentially and preserved for later processing and viewing as a motion picture. Capturing images with an electronic image sensor produces an electrical charge for each pixel in the image, which is electronically processed and stored in
303-469: A take similarly refers to successive attempts to record a song or part. Musical takes are also sequentially numbered. The need to obtain a complete, acceptable take was especially important in the years predating multi-track recording and overdubbing techniques. Failed attempts are called "false starts" if, for example, not even a complete chorus or verse is recorded; longer almost-complete attempts are called "long false starts". Different versions of
404-445: A video file for subsequent processing or display. Images captured with photographic emulsion result in a series of invisible latent images on the film stock, which are chemically " developed " into a visible image . The images on the film stock are projected for viewing in the same motion picture. Cinematography finds uses in many fields of science and business, as well as for entertainment purposes and mass communication . In
505-407: A "final Beatles song", both as a single and as a bonus track on the expanded edition of the 1967-1970 compilation album. Each of the three Anthology albums was accompanied by a promotional CD sampler sent to radio stations shortly before the official release dates. These CDs have since become highly sought collector's items. Even rarer is a vinyl version of the sampler for Anthology 2 , which
606-479: A Bird " was included at the very start. Some 450,000 copies of Anthology 1 were sold in its first day of release, the most sales for an album in a single day ever. The band's first drummer Pete Best , replaced by Ringo Starr in 1962 before the Beatles recorded professionally for EMI, received his first substantial Beatles royalties from this album, for the inclusion of early demo tracks on which he played. Anthology 2
707-418: A Bird", was based on an unfinished Lennon recording – was also included in the two-CD collection. Anthology 3 was released on 28 October 1996. The third collection featured out-takes and demos from The Beatles ("White Album"), Abbey Road and Let It Be , as well as several songs from Harrison and McCartney which later became post-Beatle tracks. Mark Lewisohn wrote the liner notes that appear in
808-406: A chronophotographic gun, which was capable of taking 12 consecutive frames a second and recording all the frames of the same picture. The late nineteenth to the early twentieth centuries brought rise to the use of film not only for entertainment purposes but for scientific exploration as well. French biologist and filmmaker Jean Painleve lobbied heavily for the use of film in the scientific field, as
909-417: A film stock is one of the first decisions made in preparing a typical film production. Aside from the film gauge selection – 8 mm (amateur), 16 mm (semi-professional), 35 mm (professional) and 65 mm (epic photography, rarely used except in special event venues) – the cinematographer has a selection of stocks in reversal (which, when developed, create a positive image) and negative formats along with
1010-426: A films intensity, vibe, show passage of time, and have many other effects. Camera movement within a film can play a role in enhancing the visual quality and impact of a film. Some aspects of camera movement that contribute to this are: Cinematography can begin with digital image sensor or rolls of film. Advancements in film emulsion and grain structure provided a wide range of available film stocks . The selection of
1111-687: A great inconvenience to the scientific and medical worlds. The development of film and increased usage of cameras allowed doctors and scientists to grasp a better understanding and knowledge of their projects. The origins of today's cinema go back to the Lumière brothers , Auguste and Louis, who in 1895 developed a machine called the Cinematographe, which had the ability to capture and show moving images. The early era of cinema saw rapid innovation. Filmmakers discover and apply new methods such as editing, special effects, close-ups, etc. Hollywood began to emerge as
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#17328446641131212-465: A police lineup, but the actors could not remain serious and kept spoiling the takes by laughing and making faces. In the end, Singer changed his plan and used the funniest of the takes in the final movie to illustrate the contempt the criminals had for the police. During the filming of Some Like It Hot , director Billy Wilder was notoriously frustrated by the retakes required by Marilyn Monroe 's inability to remember her lines. In music recording,
1313-441: A railway engine were usually specifically referred to as " phantom rides ". In 1897, Robert W. Paul had the first real rotating camera head made to put on a tripod, so that he could follow the passing processions of Queen Victoria's Diamond Jubilee in one uninterrupted shot. This device had the camera mounted on a vertical axis that could be rotated by a worm gear driven by turning a crank handle, and Paul put it on general sale
1414-416: A relevant and widely used technique in modern filmmaking. It continues to be employed by filmmakers to evoke specific moods, convey a sense of timelessness, and enhance the artistic expression of their stories. There are many types of Cinematography that each differ based on production purpose and process. These different types of Cinematography are similar in the sense that they all have the goal of conveying
1515-436: A single 90-minute take, shot on a digital format. Mike Figgis' Timecode (2000) consists of a single 90-minute take as well, albeit with four camera units shooting simultaneously. In the finished film, all four camera angles are shown simultaneously on a split screen, with the sound fading from one to another to direct audience attention. Other directors such as Stanley Kubrick are notorious for demanding numerous retakes of
1616-421: A single scene, once asking Shelley Duvall to repeat a scene 127 times for The Shining . During the shooting of Eyes Wide Shut , Kubrick asked for 97 takes of Tom Cruise walking through a door before he was satisfied. Charlie Chaplin , both director and star of The Gold Rush , did 63 separate takes of a scene where his character eats a boot—in reality, a prop made of licorice —and ended up being taken to
1717-563: A specific emotion, mood or feeling. For each different style however they can often convey different emotions and purposes. Some examples of different types of Cinematography can be known as Realism. This style of cinematography aims to create a realistic portrayal of the world, often using natural lighting, handheld cameras, and a documentary-like approach to filming. Classic Hollywood is a style of cinematography characterized by its use of highly polished, studio-produced films with glamorous sets, bright lighting, and romanticized narratives. Film Noir
1818-409: A sped-up effect is shown. Time lapses are used most effectively to show things like sunrises, natural movement, or growth. They are commonly used to show passage of time in a shorter sequence. Reverse motion is filming a scene normally, then playing the film in reverse. This is usually used to create uncommon/surreal effects, and create unusual scenes. The various techniques involving speed all can add to
1919-488: A timeless and classic feel. By stripping away color, filmmakers can emphasize the composition, shapes, and textures within the frame, enhancing the visual impact. Notable films that have employed black-and-white cinematography include classics such as Casablanca (1942), Raging Bull (1980), and Schindler's List (1993). These films showcase the power and versatility of black-and-white cinematography in creating emotionally resonant visuals. Black-and-white cinematography remains
2020-417: A track on Anthology 3 , but the effort was abandoned. No version of the song has reached the public. McCartney, Harrison, Starr, and Jeff Lynne attempted a full band recording of Lennon's song " Now and Then " using his demo vocals, intending it to anchor Anthology 3 . The poor fidelity and excessive ambient noise of the original tape proved too difficult to alleviate with contemporary digital equipment, and
2121-520: A track parallel to the horse's, and each camera shutter was controlled by a trip wire triggered by the horse's hooves. They were 21 inches apart to cover the 20 feet taken by the horse stride, taking pictures at one-thousandth of a second. At the end of the decade, Muybridge had adapted sequences of his photographs to a zoopraxiscope for short, primitive projected "movies", which were sensations on his lecture tours by 1879 or 1880. Four years later, in 1882, French scientist Étienne-Jules Marey invented
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#17328446641132222-570: A transparent celluloid strip 35 mm wide. The results of this work were first shown in public in 1893, using the viewing apparatus also designed by Dickson, the Kinetoscope . Contained within a large box, only one person at a time looking into it through a peephole could view the movie. In the following year, Charles Francis Jenkins and his projector, the Phantoscope , made a successful audience viewing while Louis and Auguste Lumière perfected
2323-490: A variety of text styles and layouts. The book went straight to the top of The New York Times bestsellers list. In 2002, the book was released as a large-format paperback. During early 1995, as work on The Beatles Anthology continued, Yoko Ono and McCartney recorded an avant-garde piece called "Hiroshima Sky Is Always Blue". Ono provided vocals and McCartney played bass, while Sean Lennon , Linda McCartney , and McCartney's children played various instruments. The piece
2424-419: A wide range of film speeds (varying sensitivity to light) from ISO 50 (slow, least sensitive to light) to 800 (very fast, extremely sensitive to light) and differing response to color (low saturation , high saturation) and contrast (varying levels between pure black (no exposure) and pure white (complete overexposure). Advancements and adjustments to nearly all gauges of film create the "super" formats wherein
2525-417: A wider lens can give key information that takes place in the background of a shot. Camera distance can highlight specific details that can be important to a film shot. From very far away, a group of people can all look the same, but once you zoom in very close, the viewer is able to see differences within the population through details like facial expression and body language. Coloring is similar to lighting, in
2626-452: A yellow filter, which cuts down on blue wavelengths of light, can be used to darken a daylight sky (by eliminating blue light from hitting the film, thus greatly underexposing the mostly blue sky) while not biasing most human flesh tone. Filters can be used in front of the lens or, in some cases, behind the lens for different effects. Certain cinematographers, such as Christopher Doyle , are well known for their innovative use of filters; Doyle
2727-482: Is a multimedia retrospective project consisting of a television documentary , a three-volume set of double albums, and a book describing the history of the Beatles . Beatles members Paul McCartney , George Harrison and Ringo Starr participated in the making of the works, which are sometimes referred to collectively as the Anthology project, while John Lennon appears in archival interviews. The documentary series
2828-402: Is a style of cinematography that is characterized by its use of stark contrast and chiaroscuro lighting, low-key lighting, and a dark, brooding atmosphere. It often features crime, mystery, and morally ambiguous characters. To convey mood, emotion, narrative and other factors within the shot, cinematography is implemented by using different aspects within a film. Lighting on the scene can affect
2929-416: Is a technique used in filmmaking where the images are captured and presented in shades of gray, without color. This artistic approach has a rich history and has been employed in various films throughout cinema's evolution. It is a powerful tool that allows filmmakers to emphasize contrast, texture, and lighting, enhancing the visual storytelling experience. The use of black-and-white cinematography dates back to
3030-419: Is a vital element in cinematography that can be used in a variety of ways, such as the creation of action, or a sense of movement. Speed can be further used to slow down time, highlight important moments, and often times build a sense of suspense in a film. Slow motion is a technique which involves filming at a higher frame rate, then playing the footage again at a normal speed. This creates a slowed-down effect in
3131-492: Is composed of numerous film clips and interviews that present a complete history of the band from the Beatles' own personal perspectives. When it aired on ABC, the series comprised six hour-long programs, aired on three nights in November 1995. The series was later released as eight expanded episodes on VHS, laserdisc and as a boxed set of five DVDs (4 discs with 2 episodes apiece and a disc of extras). Air dates on ABC : Part 1 of
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3232-410: Is determined by the aperture size and the focal distance. A large or deep depth of field is generated with a very small iris aperture and focusing on a point in the distance, whereas a shallow depth of field will be achieved with a large (open) iris aperture and focusing closer to the lens. Depth of field is also governed by the format size. If one considers the field of view and angle of view, the smaller
3333-422: Is famous for being composed of nine uninterrupted takes, each from four to ten minutes long. This required actors to step over cables and dolly tracks while filming, and stagehands to move furniture and props out of the camera's way as it moved around the room. The eight-minute opening shot of The Player includes people discussing long takes in other movies. Aleksandr Sokurov's Russian Ark (2002) consists of
3434-440: Is often a translucent color medium pressed between two planes of optical glass. Color filters work by blocking out certain color wavelengths of light from reaching the film. With color film, this works very intuitively wherein a blue filter will cut down on the passage of red, orange, and yellow light and create a blue tint on the film. In black-and-white photography, color filters are used somewhat counter-intuitively; for instance,
3535-420: Is one of the chief benefits. The focal length of the lens determines the angle of view and, therefore, the field of view . Cinematographers can choose from a range of wide-angle lenses , "normal" lenses and long focus lenses , as well as macro lenses and other special effect lens systems such as borescope lenses. Wide-angle lenses have short focal lengths and make spatial distances more obvious. A person in
3636-428: Is still used by some directors, especially in specific applications or out of fondness for the format. From its birth in the 1880s, movies were predominantly monochrome. Contrary to popular belief, monochrome does not always mean black-and-white; it means a movie shot in a single tone or color. Since the cost of tinted film bases was substantially higher, most movies were produced in black-and-white monochrome. Even with
3737-517: Is the earliest surviving motion picture. This movie was shot on paper film. An experimental film camera was developed by British inventor William Friese Greene and patented in 1889. W. K. L. Dickson , working under the direction of Thomas Alva Edison , was the first to design a successful apparatus, the Kinetograph , patented in 1891. This camera took a series of instantaneous photographs on standard Eastman Kodak photographic emulsion coated onto
3838-431: Is the hand-tinted Annabelle Serpentine Dance in 1895 by Edison Manufacturing Company . Machine-based tinting later became popular. Tinting continued until the advent of natural color cinematography in the 1910s. Many black-and-white movies have been colorized recently using digital tinting. This includes footage shot from both world wars, sporting events and political propaganda. In 1902, Edward Raymond Turner produced
3939-483: The Anthology series features voice-over recordings of all four Beatles to push the narrative of the story, with contributions from their producer, road manager and others. As well as telling their story through archival footage, Paul McCartney , George Harrison and Ringo Starr appear in interview segments recorded exclusively for the series; John Lennon appears only in historic archival footage. The series, which included over 5000 hours of planning and production,
4040-663: The Cinématographe , an apparatus that took, printed, and projected film, in Paris in December 1895. The Lumière brothers were the first to present projected, moving, photographic, pictures to a paying audience of more than one person. In 1896, movie theaters were open in France (Paris, Lyon , Bordeaux , Nice, Marseille ); Italy ( Rome , Milan, Naples , Genoa , Venice, Bologna , Forlì ); Brussels ; and London. The chronological improvements in
4141-580: The film laboratory to process the film stock can also offer a considerable variance in the image produced. By controlling the temperature and varying the duration in which the film is soaked in the development chemicals, and by skipping certain chemical processes (or partially skipping all of them), cinematographers can achieve very different looks from a single film stock in the laboratory. Some techniques that can be used are push processing , bleach bypass , and cross processing . Most of modern cinema uses digital cinematography and has no film stocks , but
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4242-674: The 1830s, three different solutions for moving images were invented based on the concept of revolving drums and disks, the stroboscope by Simon von Stampfer in Austria, the phenakistoscope by Joseph Plateau in Belgium, and the zoetrope by William Horner in Britain. In 1845, Francis Ronalds invented the first successful camera able to make continuous recordings of the varying indications of meteorological and geomagnetic instruments over time. The cameras were supplied to numerous observatories around
4343-469: The 2010s, digital cinematography has become the dominant form of cinematography after largely superseding film cinematography. Numerous aspects contribute to the art of cinematography, including: The first film cameras were fastened directly to the head of a tripod or other support, with only the crudest kind of leveling devices provided, in the manner of the still-camera tripod heads of the period. The earliest film cameras were thus effectively fixed during
4444-445: The advent of early color experiments, the greater expense of color meant films were mostly made in black-and-white until the 1950s, when cheaper color processes were introduced, and in some years percentage of films shot on color film surpassed 51%. By the 1960s, color became by far the dominant film stock. In the coming decades, the usage of color film greatly increased while monochrome films became scarce. Black-and-white cinematography
4545-454: The album cover for Revolver in 1966. The Anthology covers required Voormann to recreate elements of his cover for Revolver within the collage. During the music video for " Free as a Bird ", the Anthology collage appears as posters on a shop window as the camera pans quickly across the street. The design also adorned the VHS, laserdisc and DVD releases, again to be properly encountered by laying
4646-460: The album set ( Anthology 1 ) was released the same week of the documentary's airdate, with the subsequent two volumes ( Anthology 2 and Anthology 3 ) released in 1996. They included unreleased performances and outtakes presented in roughly chronological order, along with two new songs based on demo tapes recorded by Lennon after the group broke up: " Free as a Bird " and " Real Love ", both produced by Jeff Lynne . Approximately coinciding with
4747-416: The area of the film used to capture a single frame of an image is expanded, although the physical gauge of the film remains the same. Super 8 mm , Super 16 mm, and Super 35 mm all utilize more of the overall film area for the image than their "regular" non-super counterparts. The larger the film gauge, the higher the overall image resolution clarity and technical quality. The techniques used by
4848-416: The artistic choices and technical considerations involved in creating compelling black-and-white imagery, offering a comprehensive understanding of the technique. Black-and-white cinematography allows filmmakers to focus on the interplay of light and shadow, emphasizing the contrast between different elements within a scene. This technique can evoke a sense of nostalgia, evoke a specific time period, or create
4949-405: The booklets accompanying all three audio sets. These notes, including the date and location of each session or appearance, were based on his own extensive research. The three album covers, when laid side-by-side, become one long painted collage of various peeling posters and album covers representing the different stages of the Beatles' career. This was the work of Klaus Voormann , who also created
5050-413: The camera's sensor designers perceptions of various film stocks and image adjustment parameters. Filters , such as diffusion filters or color effect filters, are also widely used to enhance mood or dramatic effects. Most photographic filters are made up of two pieces of optical glass glued together with some form of image or light manipulation material between the glass. In the case of color filters, there
5151-473: The camera. By the late 1920s, most of the movies produced were sound films. Wide screen formats were first experimented within the 1950s. By the 1970s, most movies were color films. IMAX and other 70mm formats gained popularity. Wide distribution of films became commonplace, setting the ground for "blockbusters." Film cinematography dominated the motion picture industry from its inception until the 2010s when digital cinematography became dominant. Film cinematography
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#17328446641135252-454: The cameras themselves can be adjusted in ways that go far beyond the abilities of one particular film stock. They can provide varying degrees of color sensitivity, image contrast, light sensitivity and so on. One camera can achieve all the various looks of different emulsions. Digital image adjustments such as ISO and contrast are executed by estimating the same adjustments that would take place if actual film were in use, and are thus vulnerable to
5353-547: The cases side by side. Upon the release of Anthology 3 , HMV stores made available a limited edition cardboard sleeve designed to hold all three CD volumes of which each side of the sleeve make up half of the collage. All three albums were made digitally available on the iTunes Store on 14 June 2011, alongside a new Anthology Highlights album which featured a selection of tracks from all three albums and reached number 184 on Billboard 's United States Top Current Albums chart. In October 2000, The Beatles Anthology book
5454-533: The distance is shown as much smaller while someone in the front will loom large. On the other hand, long focus lenses reduce such exaggerations, depicting far-off objects as seemingly close together and flattening perspective. The differences between the perspective rendering is actually not due to the focal length by itself, but by the distance between the subjects and the camera. Therefore, the use of different focal lengths in combination with different camera to subject distances creates these different rendering. Changing
5555-498: The earliest digitally shot feature movies, Julia and Julia (1987). In 1998, with the introduction of HDCAM recorders and 1920×1080 pixel digital professional video cameras based on CCD technology, the idea, now re-branded as "digital cinematography", began to gain traction. Shot and released in 1998, The Last Broadcast is believed by some to be the first feature-length video shot and edited entirely on consumer-level digital equipment. In May 1999, George Lucas challenged
5656-416: The early days of cinema when color film was not yet available. Filmmakers relied on this technique to create visually striking and atmospheric films. Even with the advent of color film technology, black-and-white cinematography continued to be utilized for artistic and thematic purposes. Ken Dancyger's book The Technique of Film and Video Editing: History, Theory, and Practice provides valuable insights into
5757-466: The film, which can put emphasis on or add fluidity to a scene. On the other hand, fast motion is the opposite of slow motion, filming at a lower frame rate and then playing the film back at a normal speed. This creates a sped-up effect which can help to emphasize passage of time, or create a sense of urgency. Time lapse is when you take a series of still photographs at a regular interval over a long period of time. From here, if you play them back continuously,
5858-547: The film-like qualities of their images. More recently, more and more dedicated video cameras are being equipped with larger sensors capable of 35mm film-like depth of field. The aspect ratio of an image is the ratio of its width to its height. This can be expressed either as a ratio of 2 integers, such as 4:3, or in a decimal format, such as 1.33:1 or simply 1.33. Different ratios provide different aesthetic effects. Standards for aspect ratio have varied significantly over time. The Beatles Anthology The Beatles Anthology
5959-458: The first films with a natural color process rather than using colorization techniques. In 1909, Kinemacolor was first shown to the public. In 1917, the earliest version of Technicolor was introduced. Kodachrome was introduced in 1935. Eastmancolor was introduced in 1950 and became the color standard for the rest of the century. In the 2010s, color films were largely superseded by color digital cinematography. In digital cinematography,
6060-501: The first television special in the series had aired, Anthology 1 was released to stores, and included music recorded by the Quarrymen , the famous Decca Records audition tapes , and various out-takes and demos from the band's first four albums. It also included the song "Lend Me Your Comb", omitted from the collection Live at the BBC , released the previous year (1994). The song " Free as
6161-514: The focal length only while keeping the same camera position does not affect perspective but the camera angle of view only. A zoom lens allows a camera operator to change his focal length within a shot or quickly between setups for shots. As prime lenses offer greater optical quality and are "faster" (larger aperture openings, usable in less light) than zoom lenses, they are often employed in professional cinematography over zoom lenses. Certain scenes or even types of filmmaking, however, may require
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#17328446641136262-457: The foreground and background of the sets in sharp focus. This practice is known as deep focus . Deep focus became a popular cinematographic device from the 1940s onward in Hollywood. Today, the trend is for more shallow focus . To change the plane of focus from one object or character to another within a shot is commonly known as a rack focus . Early in the transition to digital cinematography,
6363-468: The historical and theoretical aspects of black-and-white cinematography. Dancyger explores how this technique has been employed throughout film history, examining its impact on storytelling, mood, and visual aesthetics. The book delves into the artistic choices and technical considerations involved in creating compelling black-and-white imagery, offering a comprehensive understanding of the technique. Black-and-white cinematography allows filmmakers to focus on
6464-539: The hospital for insulin shock due to the high sugar intake. Chaplin also did 342 takes of a scene in City Lights (1931). In other cases, it is the actors who cause multiple takes. One fight scene in Jackie Chan 's The Young Master was so intricate that it required 329 takes to complete. Director Bryan Singer tried for a full day to get his desired shots of the cast of The Usual Suspects behaving sullenly in
6565-535: The image is, the shorter the focal length should be, as to keep the same field of view. Then, the smaller the image is, the more depth of field is obtained, for the same field of view. Therefore, 70mm has less depth of field than 35mm for a given field of view, 16mm more than 35mm, and early video cameras, as well as most modern consumer level video cameras, even more depth of field than 16mm. In Citizen Kane (1941), cinematographer Gregg Toland and director Orson Welles used tighter apertures to create every detail of
6666-417: The images are captured and presented in shades of gray, without color. This artistic approach has a rich history and has been employed in various films throughout cinema's evolution. It is a powerful tool that allows filmmakers to emphasize contrast, texture, and lighting, enhancing the visual storytelling experience. The use of black-and-white cinematography dates back to the early days of cinema when color film
6767-450: The inability of digital video cameras to easily achieve shallow depth of field, due to their small image sensors, was initially an issue of frustration for film makers trying to emulate the look of 35mm film. Optical adapters were devised which accomplished this by mounting a larger format lens which projected its image, at the size of the larger format, on a ground glass screen preserving the depth of field. The adapter and lens then mounted on
6868-537: The interplay of light and shadow, emphasizing the contrast between different elements within a scene. This technique can evoke a sense of nostalgia, evoke a specific time period, or create a timeless and classic feel. By stripping away color, filmmakers can emphasize the composition, shapes, and textures within the frame, enhancing the visual impact. Notable films that have employed black-and-white cinematography include classics such as Casablanca (1942), Raging Bull (1980), and Schindler's List (1993). These films showcase
6969-534: The late 1970s to early 1980s, the entertainment industry slowly began transitioning to digital imaging and digital video over the next two decades. The CCD was followed by the CMOS active-pixel sensor ( CMOS sensor ), developed in the 1990s. Beginning in the late 1980s, Sony began marketing the concept of " electronic cinematography", utilizing its analog Sony HDVS professional video cameras . The effort met with very little success. However, this led to one of
7070-605: The mecca of the film industry, and many of the famous studios today such as Warner Bros and Paramount Pictures began to rule the film world. Over time, cinema and cinematography have changed drastically. From the silent films of the early 20th century, to the ability of sound to be added to films in the 1920s, widescreen and color films in the 50s, huge improvements in general creativity and methodology have emerged. The experimental film Roundhay Garden Scene , filmed by Louis Le Prince in Roundhay , Leeds , England, on October 14, 1888,
7171-493: The medium may be listed concisely. In 1896, Edison showed his improved Vitascope projector, the first commercially successful projector in the U.S. Cooper Hewitt invented mercury lamps which made it practical to shoot films indoors without sunlight in 1905. The first animated cartoon was produced in 1906. Credits began to appear at the beginning of motion pictures in 1911. The Bell and Howell 2709 movie camera invented in 1915 allowed directors to make close-ups without physically moving
7272-485: The mood of a scene or film. Darker shots with less natural light can be gloomy, scary, sad, intense. Brighter lighting can equate to a happier, exciting, more positive mood. Camera angle can affect a scene by setting perspective. It conveys how characters or the audience see something, and through what angle. Camera angle can also play an important role by highlighting either a close up detail, or background setting. A close up angle can highlight detail on someone's face, while
7373-404: The movie is shot on digital media such as flash storage , as well as distributed through a digital medium such as a hard drive . The basis for digital cameras are metal–oxide–semiconductor (MOS) image sensors . The first practical semiconductor image sensor was the charge-coupled device (CCD), based on MOS capacitor technology. Following the commercialization of CCD sensors during
7474-459: The musical implications of multiple recorded performances and how they differ can be found on the posthumous 1969 LP compilation "To Know a Man" (Blue Horizon 7-66230) which comprises the complete last two early 1960s sessions by legendary slide guitarist Elmore James with backing musicians. These are unedited studio tapes which include multiple live complete and part takes of several tracks. There are also adlib band reminiscences and talkback chat with
7575-484: The network's prime-time sitcoms replaced their regular opening credit themes with Beatles tracks. To accompany the Anthology series, three albums were issued, each containing two CDs, two cassette tapes or three vinyl LPs of mostly never-before-released Beatles material (the exceptions being the Tony Sheridan-era material), although many of the tracks had appeared on bootlegs for many years prior. Two days after
7676-519: The new medium was more efficient in capturing and documenting the behavior, movement, and environment of microorganisms, cells, and bacteria, than the naked eye. The introduction of film into scientific fields allowed for not only the viewing of "new images and objects, such as cells and natural objects, but also the viewing of them in real time", whereas prior to the invention of moving pictures, scientists and doctors alike had to rely on hand-drawn sketches of human anatomy and its microorganisms. This posed
7777-449: The next year. Shots taken using such a "panning" head were also referred to as "panoramas" in the film catalogues of the first decade of the cinema. This eventually led to the creation of a panoramic photo as well. The standard pattern for early film studios was provided by the studio which Georges Méliès had built in 1897. This had a glass roof and three glass walls constructed after the model of large studios for still photography, and it
7878-421: The power and versatility of black-and-white cinematography in creating emotionally resonant visuals. Black-and-white cinematography remains a relevant and widely used technique in modern filmmaking. It continues to be employed by filmmakers to evoke specific moods, convey a sense of timelessness, and enhance the artistic expression of their stories. After the advent of motion pictures, a tremendous amount of energy
7979-422: The producer which give a superb insight into the creative energy of the performing and recording process. Cinematography Cinematography (from Ancient Greek κίνημα ( kínēma ) 'movement' and γράφειν ( gráphein ) 'to write, draw, paint, etc.') is the art of motion picture (and more recently, electronic video camera ) photography. Cinematographers use
8080-565: The release of the " Free as a Bird " single and Anthology 1 album (the first of three double-CD albums), The Beatles Anthology series of documentaries was broadcast on ITV in the United Kingdom and ABC television in the United States in 1995. The Anthology series takes a form similar to that of the Anthology book, by being a series of first-person accounts by the Beatles themselves, with no external "objective" narration. Footage in
8181-553: The release of the third volume of the Beatles' series ultimately meant that the Rutles' parody arrived in shops on the same day as its inspiration. "Weird Al" Yankovic parodied The Beatles Anthology in an Al TV special. He said he had a copy of a fictional Anthology 17 , which he claimed would not be available to the public for a while. He played for the audience a track of Paul McCartney brushing his teeth and Ringo Starr shaving before The Ed Sullivan Show . The Beatles Anthology
8282-504: The same song from a single recording session are sometimes eventually released as alternate takes (or alternative takes ) or "playback masters" of the recording. Notable examples of releases of alternate takes include The Beatles Anthology box set, Johnny Cash 's Bear Family box sets and Johnny Cash:The Outtakes and a series of alternate takes of recordings by Elvis Presley released by RCA Victor beginning in 1974 with Elvis: A Legendary Performer Volume 1 . A fine example of
8383-454: The series drew 17 million households, meaning an average of 27.3 million viewers, which was much better than usual for ABC at the time, but behind most broadcasts of Friends on NBC , which in its second season was averaging 29.4 million viewers per episode. In promoting the series, ABC identified itself as "A-Beatles-C" – an homage to the mid-1960s "77 W-A-Beatles-C" call sign of the network's flagship NYC AM radio station – and several of
8484-441: The shot, and hence the first camera movements were the result of mounting a camera on a moving vehicle. The first known of these was a film shot by a Lumière cameraman from the back platform of a train leaving Jerusalem in 1896, and by 1898, there were a number of films shot from moving trains. Although listed under the general heading of "panoramas" in the sales catalogues of the time, those films shot straight forward from in front of
8585-593: The slate. The number of each take is written or attached to the clapperboard, which is filmed briefly prior to or at the beginning of the actual take. Only those takes which are vetted by the continuity person and/or script supervisor are printed and are sent to the film editor . A single-take or one-take occurs when the entire scene is shot satisfactorily the first time, whether by necessity (as with certain expensive special effects) or by some combination of luck and skill. Some film directors are known for using very long, unedited takes. Alfred Hitchcock 's Rope
8686-408: The small format video camera which in turn focused on the ground glass screen. Digital SLR still cameras have sensor sizes similar to that of the 35mm film frame, and thus are able to produce images with similar depth of field. The advent of video functions in these cameras sparked a revolution in digital cinematography, with more and more film makers adopting still cameras for the purpose because of
8787-456: The song was abandoned. George Harrison was dismissive of the quality of the song, calling it "fucking rubbish". The song was replaced as the opening track on Anthology 3 with the White Album outtake " A Beginning ". In 2023, McCartney, Starr and Giles Martin refurbished and completed the track, using artificial intelligence to extricate Lennon's vocal from the demo tape, and released it as
8888-607: The supremacy of the movie-making medium of film for the first time by including footage filmed with high-definition digital cameras in Star Wars: Episode I – The Phantom Menace . In late 2013, Paramount became the first major studio to distribute movies to theaters in digital format, eliminating 35mm film entirely. Since then the demand of movies to be developed onto digital format rather than 35mm has increased significantly. As digital technology improved, movie studios began increasingly shifting toward digital cinematography. Since
8989-420: The use of zooms for speed or ease of use, as well as shots involving a zoom move. As in other photography, the control of the exposed image is done in the lens with the control of the diaphragm aperture . For proper selection, the cinematographer needs that all lenses be engraved with T-stop , not f-stop so that the eventual light loss due to the glass does not affect the exposure control when setting it using
9090-426: The usual meters. The choice of the aperture also affects image quality (aberrations) and depth of field. Focal length and diaphragm aperture affect the depth of field of a scene – that is, how much the background, mid-ground and foreground will be rendered in "acceptable focus" (only one exact plane of the image is in precise focus) on the film or video target. Depth of field (not to be confused with depth of focus )
9191-404: The way that it plays an important role in setting mood and emotion throughout a shot. A color like green can convey balance and peace through scenes of nature. A shot with a lot of red can express anger, intensity, passion or love. While some of these emotions might not come out intentionally while seeing color, it is a subconscious fact that color within cinematography can have a large effect. Speed
9292-450: The world and some remained in use until well into the 20th century. William Lincoln patented a device, in 1867 that showed animated pictures called the "wheel of life" or " zoopraxiscope ". In it moving drawings or photographs were watched through a slit. On 19 June 1878, Eadweard Muybridge successfully photographed a horse named " Sallie Gardner " in fast motion using a series of 24 stereoscopic cameras. The cameras were arranged along
9393-442: Was a pioneer for increased usage of filters in movies and is highly respected throughout the cinema world. Lenses can be attached to the camera to give a certain look, feel, or effect by focus, color, etc. As does the human eye , the camera creates perspective and spatial relations with the rest of the world. However, unlike one's eye, a cinematographer can select different lenses for different purposes. Variation in focal length
9494-589: Was broadcast on Japanese public television in memory of the 50th anniversary of the atomic bombing of Hiroshima . The track " Carnival of Light ", recorded during the Sgt. Pepper's Lonely Hearts Club Band sessions, was intended to be released on the Anthology 2 album, but was vetoed by George Harrison. It was reported that McCartney, Harrison and Starr worked on a new composition called "All for Love" in March 1995, intended as
9595-439: Was first broadcast in November 1995, with expanded versions released on VHS and LaserDisc in 1996 and on DVD in 2003. The documentary used interviews with the Beatles and their associates to narrate the history of the band as seen through archival footage and performances. The Anthology book , released in 2000, paralleled the documentary in presenting the group's history through quotes from interviews. The initial volume of
9696-407: Was fitted with thin cotton cloths that could be stretched below the roof to diffuse the direct ray of the sun on sunny days. The soft overall light without real shadows that this arrangement produced, which also exists naturally on lightly overcast days, was to become the basis for film lighting in film studios for the next decade. Black-and-white cinematography is a technique used in filmmaking where
9797-507: Was invested in the production of photography in natural color. The invention of the talking picture further increased the demand for the use of color photography. However, in comparison to other technological advances of the time, the arrival of color photography was a relatively slow process. Early movies were not actually color movies since they were shot monochrome and hand-colored or machine-colored afterward (such movies are referred to as colored and not color ). The earliest such example
9898-615: Was not yet available. Filmmakers relied on this technique to create visually striking and atmospheric films. Even with the advent of color film technology, black-and-white cinematography continued to be utilized for artistic and thematic purposes. Ken Dancyger's book The Technique of Film and Video Editing: History, Theory, and Practice provides valuable insights into the historical and theoretical aspects of black-and-white cinematography. Dancyger explores how this technique has been employed throughout film history, examining its impact on storytelling, mood, and visual aesthetics. The book delves into
9999-480: Was only sent to college radio stations and featured a different cover (though the contents were the same). In October 1996 there was a strictly limited release from EMI , a slip case cover to house all three CD volumes, which have since become extremely rare, fetching high prices among collectors. The success of the Anthology albums was parodied by the release of the Rutles ' Archaeology some months later. Delays in
10100-416: Was released on 17 March 1996. The second collection presented out-takes and demos from the Beatles' sessions for Help! , Rubber Soul , Revolver , Sgt. Pepper's Lonely Hearts Club Band and Magical Mystery Tour . These included selected early demos and takes for Lennon's " Strawberry Fields Forever ", previously available only to bootleg collectors. The new song " Real Love " – which, like "Free as
10201-404: Was released, which included interviews with all four band members and others involved, plus rare photos. Many of the interviews quoted are from those featured in the documentary films. The book is designed as a large-format hardback, with imaginative artwork throughout, and several visually vibrant and colourful spreads featuring graphics relevant to the proceeding chronology, photographic arrays and
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