A tailpiece is a component on many stringed musical instruments that anchors one end of the strings, usually opposite the end with the tuning mechanism (the scroll , headstock , peghead , etc.).
130-540: The tailpiece anchors the strings , so it must be strong enough to withstand their combined tension. Tailpieces of the violin family or viol families of instruments, including double basses , are attached by a "tailgut" looped around the tailpin or end button, which is let into the bottom bock of the instrument. Originally made of animal gut and adjusted with difficulty by means of a knot , tailguts are now usually made of wire or nylon monofilament, and easily adjusted with threaded collars, usually made of brass , on
260-420: A " barber pole " appearance. This practice improves the acoustic performance of heavier gauge gut strings by adding mass and making the string thinner for its tension. Specimens of such open wound strings are known from the early 18th century, in a collection of artifacts from Antonio Stradivari . "Silk and steel" guitar strings are overwound steel strings with silk filaments under the winding. Phosphor bronze
390-411: A "full size" bass; a 1 ⁄ 2 bass is not half the length of a 4 ⁄ 4 bass, but is only about 15% smaller. Double basses are typically constructed from several types of wood, including maple for the back, spruce for the top, and ebony for the fingerboard. It is uncertain whether the instrument is a descendant of the viola da gamba or of the violin, but it is traditionally aligned with
520-429: A 14 1/2 PM gauge string has is .725 mm in diameter. Pirazzi (now known as Pirastro) continues to sell its Oliv, Eudoxa, and Passione brand premium gut core strings by PM gauge. Each string is available in 5 or more discrete gauges. Manufacturers of traditional plain gut strings, often used in historically informed performance, sell their products by light/medium/heavy, by PM, by mm or some combination. Steel forms
650-432: A bass bow is shorter and heavier than a cello bow. Pernambuco , also known as Brazilwood, is regarded as an excellent quality stick material, but due to its scarcity and expense, other materials are increasingly being used. Inexpensive student bows may be constructed of solid fiberglass , which makes the bow much lighter than a wooden bow (even too light to produce a good tone, in some cases). Student bows may also be made of
780-468: A blues upright bassist, said that "Starting in the 1950s, they began to reset the necks on basses for steel strings." Rockabilly and bluegrass bassists also prefer gut because it is much easier to perform the " slapping " upright bass style (in which the strings are percussively slapped and clicked against the fingerboard) with gut strings than with steel strings, because gut does not hurt the plucking fingers as much. A less expensive alternative to gut strings
910-414: A bow (arco), or by plucking the strings ( pizzicato ), or via a variety of extended techniques . In orchestral repertoire and tango music, both arco and pizzicato are employed. In jazz, blues, and rockabilly, pizzicato is the norm. Classical music and jazz use the natural sound produced acoustically by the instrument, as does traditional bluegrass . In funk, blues, reggae, and related genres, the double bass
1040-449: A bow is having the bow "rehaired" by a luthier with fresh horsehair and having the leather and wire wrapping replaced. The double bass bow is strung with either white or black horsehair, or a combination of the two (known as "salt and pepper"), as opposed to the customary white horsehair used on the bows of other string instruments. Some of the lowest-quality, lowest cost student bows are made with synthetic hair. Synthetic hair does not have
1170-410: A central core, with other material being tightly wound around the string . Prior to World War II , strings of many instruments (including violins and guitars ) were composed of a material known as catgut , a type of cord made from refined natural fibers of animal intestines . During the mid-twentieth century however, steel and nylon strings became more favored in string making. Although catgut
1300-404: A country. Some manufacturers may have slightly different gauge sequences; the sample data below comes from D'Addario string charts for regular, round-wound, nickel-plated strings. String gauge is subject to the personal preferences of the musician, but acoustic guitars are typically strung with a heavier gauge than electric guitars. The need for projection due to lack of amplification is one of
1430-548: A different tension from another brand's medium. Based on available historical records, gut strings were sold before 1900 in a similar way. On the other hand, modern gut core strings with metal winding, typically have been sold either ungauged for less expensive brands, or by specific gauge. The Gustav Pirazzi company in Germany introduced the Pirazzi meter (PM) measurement early in the 20th century. One PM equals .05 mm. For example,
SECTION 10
#17328522237031560-472: A distinctive pitch. The top of the instrument's fingerboard range is typically near D 5 , two octaves and a fifth above the open pitch of the G string (G 2 ), as shown in the range illustration found at the head of this article. Playing beyond the end of the fingerboard can be accomplished by pulling the string slightly to the side. Double bass symphony parts sometimes indicate that the performer should play harmonics (also called flageolet tones ), in which
1690-404: A heavier gauge. Because of the extra manufacturing process involved, they are normally more expensive than roundwounds, but less than flatwounds. Hex wound strings are basically hexagon shaped versions of round wound strings in which they have a hex core with a round winding that is wrapped in the shape of a hexagon. This winding process solves the second problem: it secures the winding around
1820-412: A longer playable life because of smaller grooves for dirt and oil to build up in. On the other hand, flatwound strings sound less bright than roundwounds and tend to be harder to bend, thus produce vibrato . Flatwounds also are more expensive than roundwounds because of less demand, less production, and higher overhead costs. Manufacturing is also more difficult, as precise alignment of the flat sides of
1950-502: A luthier. Professional bassists are more likely to have adjustable bridges, which have a metal screw mechanism. This enables the bassist to raise or lower the height of the strings to accommodate changing humidity or temperature conditions. The metal tuning machines are attached to the sides of the pegbox with metal screws. While tuning mechanisms generally differ from the higher-pitched orchestral stringed instruments, some basses have non-functional, ornamental tuning pegs projecting from
2080-477: A member of the chordophone family that originated in Europe in the 15th century. Before the 20th century many double basses had only three strings, in contrast to the five to six strings typical of instruments in the viol family or the four strings of instruments in the violin family. The double bass's proportions are dissimilar to those of the violin and cello; for example, it is deeper (the distance from front to back
2210-518: A more mellow tone, and the responsiveness of it can be enjoyed typically for folk but other styles of music use it as well (for example, Willie Nelson performs on a nylon strung guitar). Nylon strings are made of a softer, less dense material and are under less tension than steel strings (about 50% less). This means they can be used on older guitars that can't support the tension of modern steel strings. Nylon strings do not work with magnetic pickups , which require ferrous strings that can interact with
2340-437: A perfect fourth). The upper limit of this range is extended a great deal for 20th- and 21st-century orchestral parts (e.g., Prokofiev 's Lieutenant Kijé Suite ( c. 1933) bass solo, which calls for notes as high as D 4 and E ♭ 4 ). The upper range a virtuoso solo player can achieve using natural and artificial harmonics is hard to define, as it depends on the skill of the particular player. The high harmonic in
2470-594: A resistant alloy such as hydronalium . Classical guitar strings are typically nylon, with the basses being wound with either silver or bronze. Electric guitar strings are usually wound with nickel-plated steel; pure nickel and stainless steel are also used. Bass guitar strings are most commonly wound with stainless steel or nickel . Copper , gold , silver , and tungsten are used for some instruments. Silver and gold are more expensive and are used for their resistance to corrosion and hypoallergenicity . Some "historically-informed" strings use an open metal winding with
2600-447: A round or hex core first, then polishing, grinding (thus the name, ground wound ) or pressing the exterior part of the winding until it is practically flat. This results in the flat, comfortable playing feel of flatwounds, along with less squeaking, with a brightness generally between roundwounds and flatwounds. The polishing process removes almost half of the winding wire's mass; thus, to compensate for it, manufacturers use winding wire of
2730-416: A round or hex core, and have winding wire that has a rounded square cross-section that has a shallower profile (in cross-section) when tightly wound. This makes for more comfortable playing, and decreased wear for frets and fretboards (this makes them a popular choice for fretless instruments). Squeaking sounds due to fingers sliding along the strings are also decreased significantly. Flatwound strings also have
SECTION 20
#17328522237032860-440: A solid steel core, which may be overly touchy to tune with the traditional tuning pegs . For convenience in tuning, the added mass of a single fine tuner is a tolerable trade-off. Four fine tuners are advantageous when tuning a set of metal-core strings. Some electric guitar tailpieces feature a vibrato bar , which a player uses to alter the pitch of all strings at once for various musical effects. A well-set-up instrument from
2990-469: A source for this material) is one of the first materials used to make musical strings. In fact, the Ancient Greek word for string, "khordḗ," has "gut" as its original meaning. Animal intestines are composed largely of elastomers , making them very flexible. But they are also extremely hygroscopic, which makes them susceptible to pitch fluctuation as a result of changing humidity. Exposure to moisture from
3120-466: A stress vs. strain curve, there is a linear region where stress and strain are related called Young's modulus . A newer set of strings will often be in a region on the stress vs. strain curve past the Young's modulus called the plastic region. In the plastic region, plastic deformation occurs—deformation the material cannot recover from. Thus, in the plastic region, the relationship is not linear (Young's modulus
3250-558: A tight (usually round) winding. Round core is the traditional "vintage" way of manufacturing and results in a greater contact between the winding and the core of the string. Octagonal Core Strings (made by Mapes) have an Octagonal Core w/ a tight Round winding. The Octagonal Core String design combines the Flexibility of a Round Core string w/ the Tuning Stability of a Hex Core string all in 1. Bowed instrument strings, such as for
3380-475: A tulip or a goblet. The common Hill style has a central longitudinal ridge that gives it a faceted appearance. Some violin tailpieces feature decorative elements, as shell inlays or ornate stylized or figurative carvings. Devices called " fine-tuners " are sometimes used to assist in the tuning of the instrument; they may either be affixed to the tailpiece or built into its design. Most modern violinists, regardless of what other strings they use, play an E with
3510-399: A typical high-E nylon string, the maximum transverse force is roughly 40 times greater than the maximum longitudinal force amplitude. However, the longitudinal force increases with the square of the pulse amplitude, so the differences diminish with increasing amplitude. The elastic (Young's) modulus for steel is about 40 times greater than for nylon, and string tensions are about 50% greater, so
3640-413: Is also adjusted to suit the string gauge or material, as well as the intended playing style. Steel strings for six-string guitar usually come in sets of matched strings. Sets are usually referenced either by the gauge of the first string (e.g., 9), or by pair of first and last (e.g., 9–42); measurements in thousands of an inch are the de facto standard, regardless of whether Imperial units are used in
3770-411: Is commonly called the upright bass, standup bass or acoustic bass to distinguish it from the (usually electric) bass guitar . In folk and bluegrass music, the instrument is also referred to as a "bass fiddle" or "bass violin" (or more rarely as "doghouse bass" or "bull fiddle" ). While not a member of the violin-family of instruments, the construction of the upright bass is quite different from that of
3900-403: Is done because with bowed instruments, the player must be able to play individual strings. If the double bass were to have a flat bridge, it would be impossible to bow the A and D strings individually. The double bass also differs from members of the violin family in that the shoulders are typically sloped and the back is often angled (both to allow easier access to the instrument, particularly in
4030-400: Is no longer a constant). The elastic region is where elastic deformation is occurring, or deformation from where the string can recover. The linear (i.e. elastic) region is where musicians want to play their instrument. Double bass The double bass ( / ˈ d ʌ b əl b eɪ s / ), also known as the upright bass , the acoustic bass , the bull fiddle , or simply the bass ,
Tailpiece - Misplaced Pages Continue
4160-424: Is nylon strings; the higher strings are pure nylon, and the lower strings are nylon wrapped in wire, to add more mass to the string, slowing the vibration, and thus facilitating lower pitches. The change from gut to steel has also affected the instrument's playing technique over the last hundred years. Steel strings can be set up closer to the fingerboard and, additionally, strings can be played in higher positions on
4290-406: Is often amplified . A person who plays this instrument is called a "bassist", "double bassist", "double bass player", "contrabassist", "contrabass player" or "bass player". The names contrabass and double bass refer (respectively) to the instrument's range, and to its use one octave lower than the cello (i.e. the cello part was the main bass line, and the "double bass" originally played a copy of
4420-576: Is often seen as an undesirable phenomenon with an acoustic guitar that is plugged into the PA system , because it causes a loud howling sound. However, with electric guitar , some guitarists in heavy metal music and psychedelic rock purposely create feedback by holding an electric guitar close to a powerful, loud guitar amplifier speaker cabinet , with the distortion turned up loud, creating unique high-pitched, sustained sounds. Jimi Hendrix and Brian May were notable users of electric guitar feedback. For
4550-431: Is proportionally much greater than the violin). In addition, while the violin has bulging shoulders, most double basses have shoulders carved with a more acute slope, like members of the viol family. Many very old double basses have had their shoulders cut or sloped to aid playing with modern techniques. Before these modifications, the design of their shoulders was closer to instruments of the violin family. The double bass
4680-404: Is radiused using a curve, for the same reason that the bridge is curved: if the fingerboard and bridge were to be flat, then a bassist would not be able to bow the inner two strings individually. By using a curved bridge and a curved fingerboard, the bassist can align the bow with any of the four strings and play them individually. Unlike the violin and viola, but like the cello, the bass fingerboard
4810-472: Is similar in shape and implementation to the bow used on the other members of the orchestral string instrument family, while the "German" or "Butler" bow is typically broader and shorter, and is held in a "hand shake" (or "hacksaw") position. These two bows provide different ways of moving the arm and distributing force and weight on the strings. Proponents of the French bow argue that it is more maneuverable, due to
4940-437: Is somewhat flattened out underneath the E string (the C string on cello), this is commonly known as a Romberg bevel. The vast majority of fingerboards cannot be adjusted by the performer; any adjustments must be made by a luthier. A very small number of expensive basses for professionals have adjustable fingerboards, in which a screw mechanism can be used to raise or lower the fingerboard height. An important distinction between
5070-490: Is still prized by many musicians today, due to its unique sound. The invention of wound strings (particularly steel) was a crucial step in string instrument technology, because a metal-wound string can produce a lower pitch than a plain gut string of similar thickness. This enabled stringed instruments to be made with thinner bass strings. On string instruments that the player plucks or bows directly (e.g., double bass ), this enabled instrument makers to use thinner strings for
5200-534: Is the largest and lowest-pitched chordophone in the modern symphony orchestra (excluding rare additions such as the octobass ). It has four or five strings, and its construction is in between that of the gamba and the violin family. The bass is a standard member of the orchestra's string section , along with violins , violas , and cellos , as well as the concert band , and is featured in concertos , solo, and chamber music in Western classical music . The bass
5330-531: Is the lowest, and it is determined by the density , length and tension of the string. This is the frequency we identify as the pitch of the string. Above that frequency, overtones (or harmonics) are heard, each one getting quieter the higher it is. For example, if the fundamental pitch is 440 Hz ( A above middle C ), the overtones for an ideal string tuned to that pitch are 880 Hz, 1320 Hz, 1760 Hz, 2200 Hz, etc. The note names for those pitches would be A, A, E, A, C ♯ , etc. Due to
Tailpiece - Misplaced Pages Continue
5460-470: Is the only modern bowed string instrument that is tuned in fourths (like a viol), rather than fifths (see Tuning below). The instrument's exact lineage is still a matter of some debate, and the supposition that the double bass is a direct descendant of the viol family is one that has not been entirely resolved. In his A New History of the Double Bass , Paul Brun asserts that the double bass has origins as
5590-403: Is the same material used for monofilament fishing lines , and a typical chemical used is PVDF . These strings are usually traded under descriptions like fluorocarbon , carbon fiber , or carbon , which is scientifically incorrect. The so-called Carbon material has a higher density than nylon, so that a nylon string can be replaced by a carbon string of smaller diameter. This improves
5720-400: Is tightened before playing, until it reaches a tautness that is preferred by the player. The frog on a quality bow is decorated with mother of pearl inlay. Bows have a leather wrapping on the wooden part of the bow near the frog. Along with the leather wrapping, there is also a wire wrapping, made of silver in quality bows. The hair is usually horsehair . Part of the regular maintenance of
5850-477: Is to make the string vibrate at the desired pitch , with looser strings producing lower pitches, and tighter strings producing higher pitches. However, a vibrating string produces very little sound in and of itself. Therefore, most string instruments have a soundboard to amplify the sound. There are two main kinds of strings; plain and wound. "Plain" strings are simply one piece of long cylindrical material, commonly consisted of nylon or gut. "Wound" strings have
5980-401: Is typically notated one octave higher than tuned to avoid excessive ledger lines below the staff. The double bass is the only modern bowed string instrument that is tuned in fourths (like a bass guitar, viol , or the lowest-sounding four strings of a standard guitar ), rather than fifths , with strings usually tuned to E 1 , A 1 , D 2 and G 2 . The double bass is played with
6110-406: Is used in a range of other genres, such as jazz , blues , rock and roll , rockabilly , country music , bluegrass , tango , folk music and certain types of film and video game soundtracks . The instrument's exact lineage is still a matter of some debate, with scholars divided on whether the bass is derived from the viol or the violin family . Being a transposing instrument , the bass
6240-451: The acoustic bass guitar , as the latter is a derivative of the electric bass guitar, and usually built like a larger and sturdier variant of a viola de gamba , its ancestor. The double bass is sometimes confusingly called the violone , bass violin or bass viol . A typical double bass stands around 180 cm (6 feet) from scroll to endpin. Whereas the traditional "full-size" ( 4 ⁄ 4 size) bass stands 74.8 inches (190 cm),
6370-418: The violin form (shown in the labelled picture in the construction section); and the viola da gamba form (shown in the header picture of this article). A third less common design, called the busetto shape, can also be found, as can the even more rare guitar or pear shape. The back of the instrument can vary from being a round, carved back similar to that of the violin, to a flat and angled back similar to
6500-586: The 1950s. Only purely silk strings used for the guqin are still produced, while some silver-wound silk strings are still available for classical guitars and ukuleles. The quality in ancient times was high enough that one brand was praised as 'ice strings' for their smoothness and translucent appearance. Aluminum , silver , and chrome steel are common windings for bowed instruments like violin and viola, whereas acoustic guitar strings are usually wound with bronze and piano strings are usually wound with copper . To resist corrosion from sweat, aluminium may be used as
6630-580: The aging process. With additional string coating, they are preserved even more. Although, If some of the coating is applied poorly, the strings can lose their tone in just a matter of hours, and if left in high humidity can turn a hint of green because of the copper and corrode with time. The name "80/20 bronze" is a misnomer since bronze is by definition an alloy of copper and tin . "80/20 bronze" strings would be more correctly referred to as brass . Some acoustic players use strings, wound with nickel-plated-steel, meant for electric guitar. The properties of
SECTION 50
#17328522237036760-429: The air, to help slow the oxidation process. Some common types of metal plating on strings include tin, nickel, gold, and silver. Some metals such as gold and silver give the strings a different sound. Among strings coated with a polymer , (polytetrafluoroethylene) Teflon is the most commonly used. Teflon is resistant to many corrosive agents such as: chlorine, acetic acid, sulfuric acid, and hydrochloric acid . On
6890-523: The angle at which the player holds the bow. Advocates of the German bow claim that it allows the player to apply more arm weight on the strings. The differences between the two, however, are minute for a proficient player, and modern players in major orchestras use both bows. The German bow (sometimes called the Butler bow) is the older of the two designs. The design of the bow and the manner of holding it descend from
7020-489: The appearance of the overwound gut string in the 1650s, the double bass would surely have become extinct", because thicknesses needed for regular gut strings made the lower-pitched strings almost unplayable and hindered the development of fluid, rapid playing in the lower register. Prior to the 20th century, double bass strings were usually made of catgut ; however, steel has largely replaced it, because steel strings hold their pitch better and yield more volume when played with
7150-858: The base of the double bass is a metal rod with a spiked or rubberized end called the endpin, which rests on the floor. This endpin is generally thicker and more robust than that of a cello, because of the greater mass of the instrument. The materials most often used in double bass construction for fully carved basses (the type used by professional orchestra bassists and soloists) are maple (back, neck, ribs), spruce (top), and ebony (fingerboard, tailpiece). The tailpiece may be made from other types of wood or non-wood materials. Less expensive basses are typically constructed with laminated ( plywood ) tops, backs, and ribs, or are hybrid models produced with laminated backs and sides and carved solid wood tops. Some 2010-era lower- to mid-priced basses are made of willow , student models constructed of Fiberglass were produced in
7280-553: The bass. The thumb rests on the shaft of the bow, next to the frog while the other fingers drape on the other side of the bow. Various styles dictate the curve of the fingers and thumb, as do the style of piece; a more pronounced curve and lighter hold on the bow is used for virtuoso or more delicate pieces, while a flatter curve and sturdier grip on the bow sacrifices some power for easier control in strokes such as detaché, spiccato, and staccato. Double bass bows vary in length, ranging from 60 to 75 cm (24–30 in). In general,
7410-429: The bassist lightly touches the string–without pressing it onto the fingerboard in the usual fashion–in the location of a note and then plucks or bows the note. Bowed harmonics are used in contemporary music for their "glassy" sound. Both natural harmonics and artificial harmonics , where the thumb stops the note and the octave or other harmonic is activated by lightly touching the string at the relative node point, extend
7540-417: The boiling water helps free the strings of oil, salt, and grime from the player's hands. When a string is played, very small metal shavings from fret wear may break off and lodge between the windings of the strings. Heating the strings can expand these particles and separate them from the windings. Some players use deionized water to boil strings, believing that mineral deposits in tap water may aid corrosion of
7670-463: The bow. Gut strings are also more vulnerable to changes of humidity and temperature, and break more easily than steel strings. Gut strings are nowadays mostly used by bassists who perform in baroque ensembles, rockabilly bands, traditional blues bands, and bluegrass bands. In some cases, the low E and A are wound in silver, to give them added mass. Gut strings provide the dark, "thumpy" sound heard on 1940s and 1950s recordings. The late Jeff Sarli,
7800-409: The cello part; only later was it given an independent part). The terms for the instrument among classical performers are contrabass (which comes from the instrument's Italian name, contrabbasso ), string bass (to distinguish it from brass bass instruments in a concert band , such as tubas ), or simply bass. In jazz, blues, rockabilly and other genres outside of classical music, this instrument
7930-409: The cellos. This transposition applies even when bass players are reading the tenor and treble clef (which are used in solo playing and some orchestral parts). The tenor clef is also used by composers for cello and low brass parts. The use of tenor or treble clef avoids excessive ledger lines above the staff when notating the instrument's upper range. Other notation traditions exist. Italian solo music
SECTION 60
#17328522237038060-411: The combination of sul ponticello and tremolo can produce eerie, ghostly sounds. Classical bass players do play pizzicato parts in orchestra, but these parts generally require simple notes (quarter notes, half notes, whole notes), rather than rapid passages. Classical players perform both bowed and pizz notes using vibrato , an effect created by rocking or quivering the left hand finger that is contacting
8190-460: The core becomes weak and brittle, and eventually breaks. Furthermore, all gut strings are vulnerable to going out of tune due to changes in atmospheric humidity. However, even after the introduction of metal and synthetic core materials, many musicians still prefer to use gut strings, believing that they provide a superior tone. Players associated with the period performance movement use wound and unwound gut strings as part of an effort to recreate
8320-511: The core of most metal strings. Certain keyboard instruments (e.g., harpsichord) and the Gaelic harp use brass. Other natural materials, such as silk or gut —or synthetics such as nylon and kevlar are also used for string cores. (Steel used for strings, called music wire , is hardened and tempered.) Some violin E ;strings are gold-plated to improve tone quality. Steel or metal strings have become
8450-401: The core so it cannot rotate and slip under the fingers, and it improves tone due to closer bond between the core and the winding. The drawback that hex wound strings strings used to have was that relatively sharp hexagonal corners are less comfortable for fingers and wear down the fingerboard and fret wire even faster than regular round wound strings, but that drawback has been addressed by having
8580-587: The corners slightly rounded to make them more comfortable on the fingers and to protect the fingerboard and frets from scratches. There are 3 types, or shapes, of core wire typically used in wound strings. Hexcore strings are composed of hexagonal core wire and a tight (usually round) winding. Hexcore string design prevents the winding from slipping around the core – which can occur with round core strings. This may improve tuning stability, flexibility, and reduce string breakage, compared to round core strings. Round core strings are composed of regular round core and
8710-429: The diameter, the heavier the string. Heavier strings require more tension for the same pitch and are, as a consequence, harder to press down to the fingerboard . A fretted instrument that is restrung with different string gauges may require adjustment to the string height above the frets (the " action ") to maintain playing ease or keep the strings from buzzing against the frets. The action height of fretless instruments
8840-402: The double bass a much richer tone than the bass guitar, in addition to the ability to use a bow, while the fretless fingerboard accommodates smooth glissandos and legatos . Like other violin and viol-family string instruments, the double bass is played either with a bow (arco) or by plucking the strings ( pizzicato ). When employing a bow, the player can either use it traditionally or strike
8970-405: The double bass and other members of the violin family is the construction of the pegbox and the tuning mechanism. While the violin, viola , and cello all use friction pegs for tuning adjustments (tightening and loosening the string tension to raise or lower the string's pitch), the double bass has metal machine heads and gears. One of the challenges with tuning pegs is that the friction between
9100-424: The double bass is a transposing instrument . Since much of the double bass's range lies below the standard bass clef , it is notated an octave higher than it sounds to avoid having to use excessive ledger lines below the staff. Thus, when double bass players and cellists are playing from a combined bass-cello part, as used in many Mozart and Haydn symphonies, they will play in octaves, with the basses one octave below
9230-450: The electric guitar took the metal string to the next level adapting it for the use of pickups. Because of the higher tension of steel strings, steel-strung guitars are more robustly made than 'classical' guitars, which use synthetic strings. Most jazz and folk string players prefer steel-core strings for their faster response, low cost, and tuning stability. Nylon (typically 610 or 612) string, traditionally used for classical music , has
9360-526: The ends. Tailpieces are made of many materials. Violin tailpieces are typically made of wood: ebony , rosewood , boxwood , or rarely pernambuco . Other materials include cast light metal, and composites including plastic. Choice of material may have more than just cosmetic effect; a well-made instrument is sensitive to tailpiece weight, mass distribution, and tailgut placement on the saddle. Fretted string instrument tailpieces are typically made of metal. Violin tailpieces come in various shapes. Some resemble
9490-409: The features needed for playing. While these smaller-body instruments appear similar to electric upright basses , the difference is that small-body travel basses still have a fairly large hollow acoustic sound chamber, while many EUBs are solid body, or only have a small hollow chamber. A second type of travel bass has a hinged or removable neck and a regular sized body. The hinged or removable neck makes
9620-467: The foundation of strings for the electric guitar and bass. They have a pleasingly bright tone when compared to nylon strung guitars. Their metal composition varies greatly, sometimes using many different alloys as plating. Much of the history of metal strings evolved through innovations with the piano. In fact, the first wound metal strings ever used were used in a piano. However, when it came to getting super small diameter strings with good elastic properties,
9750-408: The frog from underneath, while the ring finger and middle finger rest in the space between the hair and the shaft. The French bow was not widely popular until its adoption by 19th-century virtuoso Giovanni Bottesini . This style is more similar to the traditional bows of the smaller string family instruments. It is held as if the hand is resting by the side of the performer with the palm facing toward
9880-472: The hazards of touring and performing in bars). Another option is the hybrid body bass, which has a laminated back and a carved or solid wood top. It is less costly and somewhat less fragile (at least regarding its back) than a fully carved bass. The soundpost and bass bar are components of the internal construction. All the parts of a double bass are glued together, except the soundpost, bridge, and tailpiece, which are held in place by string tension (although
10010-405: The instrument against their body, turned slightly inward to put the strings comfortably in reach. This stance is a key reason for the bass's sloped shoulders, which mark it apart from the other members of the violin family—the narrower shoulders facilitate playing the strings in their higher registers. The double bass is generally regarded as a modern descendant of the violone (It. “large viol”),
10140-437: The instrument smaller when it is packed for transportation. The history of the double bass is tightly coupled to the development of string technology, as it was the advent of overwound gut strings, which first rendered the instrument more generally practicable, as wound or overwound strings attain low notes within a smaller overall string diameter than non-wound strings. Professor Larry Hurst argues that had "it not been for
10270-441: The instrument's range considerably. Natural and artificial harmonics are used in plenty of virtuoso concertos for the double bass. Orchestral parts from the standard Classical repertoire rarely demand the double bass exceed a two-octave and a minor third range, from E 1 to G 3 , with occasional A 3 s appearing in the standard repertoire (an exception to this rule is Orff's Carmina Burana , which calls for three octaves and
10400-408: The lack of corrosion resistance. To help solve the corrosion problem strings are either metal plated or polymer coated. The polymer coating is claimed to reduce finger squeak and fret wear, and has better tuning capability. Some companies sell lubricating oils that slow down the oxidation process, increasing the string's life-span. These special lubricating oils are applied to the strings as a barrier to
10530-439: The less valuable varieties of brazilwood. Snakewood and carbon fiber are also used in bows of a variety of different qualities. The frog of the double bass bow is usually made out of ebony, although snakewood and buffalo horn are used by some luthiers . The frog is movable, as it can be tightened or loosened with a knob (like all violin family bows). The bow is loosened at the end of a practice session or performance. The bow
10660-496: The longitude and transverse force amplitudes are nearly equal. Tuning a stringed instrument such as a guitar to pitch puts the strings under a large amount of strain, which indicates the amount of stress inside the string. Stress is relative to the stretch or elongation of the strings. As the string is tuned to a higher pitch, it gets longer and thinner. The instrument can go out of tune because if it has been stretched past its elastic limit, it will not recover its original tension. On
10790-556: The lower strings and still produce clear tone. The classic 19th century Franz Simandl method does not use the low E string in higher positions because older gut strings, set up high over the fingerboard, could not produce clear tone in these higher positions. However, with modern steel strings, bassists can play with clear tone in higher positions on the low E and A strings, particularly when they use modern lighter-gauge, lower-tension steel strings. The double bass bow comes in two distinct forms (shown below). The "French" or "overhand" bow
10920-416: The lowest-pitched strings, which made the lower-pitch strings easier to play. On stringed instruments in which the player presses a keyboard , causing a mechanism to strike the strings, such as a piano , this enabled piano builders to use shorter, thicker strings to produce the lowest-pitched bass notes, enabling the building of smaller upright pianos designed for small rooms and practice rooms. The end of
11050-440: The magnetic field of the pickups to produce a signal. Currently, stranded nylon is one of the most popular materials for the cores of violin, viola, cello, and double bass strings. It is often sold under the trade name of Perlon . Nylon guitar strings were first developed by Albert Augustine Strings in 1947. The intestine , or gut, of sheep, cattle, and other animals (sometimes called catgut , though cats were never used as
11180-741: The main reasons for this. Bass guitar strings are sometimes made for a particular scale length and come in short, medium, long and extra long (sometimes called super long) scale. Almost all bass guitar strings are made wound. Typical bass guitar strings come in the following gauges: Since the 20th century, with the advent of steel and synthetic core strings, most bowed instrument string makers market their strings by tension rather than by diameter. They typically make string sets in three tension levels: heavy , medium , and light (German stark , mittel , and weich ). These tension levels are not standardized between manufacturers, and do not correlate to specific diameters. One brand's medium strings may have quite
11310-507: The microscopic level Teflon has very tightly packed polymeric chains, and these tightly packed chains create a slippery surface that not only helps keep the oil from the player's hands off the strings but makes them smooth to play as well. Ethylene tetrafluorothylene (ETFE) is another polymer that is sometimes used to coat strings. It is abrasion and cut resistant and has many characteristics similar to Teflon. Some musicians boil guitar or bass strings to rejuvenate them. The high temperature of
11440-445: The mid-20th century, and some (typically fairly expensive) basses have been constructed of carbon fiber . Laminated (plywood) basses, which are widely used in music schools, youth orchestras , and in popular and folk music settings (including rockabilly, psychobilly, blues, etc.), are very resistant to humidity and heat, as well to the physical abuse they are apt to encounter in a school environment (or, for blues and folk musicians, to
11570-410: The more common 3 ⁄ 4 size bass (which has become the most widely used size in the modern era, even among orchestral players) stands 71.6 inches (182 cm) from scroll to endpin. Other sizes are also available, such as a 1 ⁄ 2 size or 1 ⁄ 4 size, which serve to accommodate a player's height and hand size. These names of the sizes do not reflect the true size relative to
11700-422: The nickel-plated strings make it a good choice for flattop guitars with sound hole-mounted magnetic pickups. All metal strings are susceptible to oxidation and corrosion . Wound strings commonly use metals such as brass or bronze in their winding. These two metals are very vulnerable to corrosion. The sebaceous gland in the player's skin produces oils that can be acidic. The oils, salts, and moisture from
11830-401: The older viol instrument family. With older viols, before frogs had screw threads to tighten the bow, players held the bow with two fingers between the stick and the hair to maintain tension of the hair. Proponents of the use of German bow claim that the German bow is easier to use for heavy strokes that require a lot of power. Compared to the French bow, the German bow has a taller frog, and
11960-403: The pegbox and a sturdy, thick sound post , which transmits the vibrations from the top of the instrument to the hollow body and supports the pressure of the string tension. Unlike the rest of the violin family, the double bass still reflects influences, and can be considered partly derived, from the viol family of instruments, in particular the violone, the lowest-pitched and largest bass member of
12090-426: The physical nature of the strings, however, the higher up the overtones go, the more out of tune (or "false") they are to the fundamental. This is an important consideration for piano tuners , who try to stretch the tuning across the piano to keep overtones more in tune as they go up the keyboard. In a phenomenon called sympathetic vibration , a string seems to vibrate by itself. This happens when sound waves strike
12220-418: The pizzicato basslines that classical bassists encounter in the standard orchestral literature, which are typically whole notes, half notes, quarter notes, and occasional eighth note passages. In jazz and related styles, bassists often add semi-percussive " ghost notes " into basslines, to add to the rhythmic feel and to add fills to a bassline. The double bass player stands, or sits on a high stool, and leans
12350-410: The player holds it with the palm angled upwards, as with the upright members of the viol family. When held in the traditionally correct manner, the thumb applies the necessary power to generate the desired sound. The index finger meets the bow at the point where the frog meets the stick. The index finger also applies an upward torque to the frog when tilting the bow. The little finger (or "pinky") supports
12480-490: The player's fingers are the largest source of corrosion. The composition of the oil and the oxygen in the air also helps to oxidize and corrode the strings. In steel strings the oxygen reacts with the iron in the steel and it creates rust. As a result, the string loses its brilliance over time. Water, another by-product of oxidation, increases the potential for acid corrosion in oils. Wound strings, such as bronze acoustic strings, are very difficult to keep fresh sounding due to
12610-560: The precision of higher fretted notes, and the resulting vibrational behaviour leads to a more brilliant sound with improved harmonics . In particular, classical guitarists who feel that a nylon G string sounds too dull can use strings that include a carbon G string. Other polymers, including polyetheretherketone and polybutylene terephthalate , have also been used. Silk was extensively used in China for traditional Chinese musical instruments until replaced by metal and nylon strings in
12740-463: The range illustration found at the head of this article may be taken as representative rather than normative. Five-string instruments have an additional string, typically tuned to a low B below the E string (B 0 ). On rare occasions, a higher string is added instead, tuned to the C above the G string (C 3 ). Four-string instruments may feature the C extension extending the range of the E string downwards to C 1 (sometimes B 0 ). Traditionally,
12870-452: The same low pitches played with a delicate pianissimo can create a sonorous, mellow accompaniment line. Classical bass students learn all of the different bow articulations used by other string section players (e.g., violin and cello ), such as détaché , legato , staccato , sforzato , martelé ("hammered"-style), sul ponticello , sul tasto , tremolo , spiccato and sautillé . Some of these articulations can be combined; for example,
13000-412: The side of the pegbox, in imitation of the tuning pegs on a cello or violin. Several manufacturers make travel instruments, which are double basses that have features which reduce the size of the instrument so that the instrument will meet airline travel requirements. Travel basses are designed for touring musicians. One type of travel bass has a much smaller body than normal, while still retaining all of
13130-464: The silk often identify attributes of the string, such as manufacturer, size, intended pitch, etc. Roundwound strings are the simplest and most basic wound strings, they have round wire wrapped in a tight spiral around either a round or hexagonal core. Such strings are usually simple to manufacture, are the least expensive, and are convenient. Despite these advantages, they have several drawbacks, however: Flatwound strings are strings that have either
13260-506: The sound of music of the Classical, Baroque, and Renaissance periods, as listeners would have heard it at the time of composition. For players of plucked instruments, Nylgut strings are a recently developed alternative to gut strings. They are made from a specialty nylon and purport to offer the same acoustic properties as gut strings without the tuning problems. Fluoropolymer strings are available for classical guitar, harp, and ukulele. This
13390-417: The soundpost under the bridge is essential for the instrument to sound its best. Basic bridges are carved from a single piece of wood, which is customized to match the shape of the top of each instrument. The least expensive bridges on student instruments may be customized just by sanding the feet to match the shape of the instrument's top. A bridge on a professional bassist's instrument may be ornately carved by
13520-416: The soundpost usually remains in place when the instrument's strings are loosened or removed, as long as the bass is kept on its back. Some luthiers recommend changing only one string at a time to reduce the risk of the soundpost falling). If the soundpost falls, a luthier is needed to put the soundpost back into position, as this must be done with tools inserted into the f-holes; moreover, the exact placement of
13650-445: The string at a frequency close to the string's fundamental pitch or one of its overtones . When an outside source applies forced vibration that matches a string's natural frequency, the string vibrates. Resonance can cause audio feedback . For example, in a setup with an acoustic guitar and a PA system, the speaker vibrates at the same natural frequency of a string on the guitar and can force it into vibrational motion. Audio feedback
13780-414: The string core. After boiling, strings may have less elasticity and be more brittle, depending on the quality of the alloys involved. Putting the strings through a cycle in the dishwasher has also been known to work. A string vibrates in a complex harmonic pattern. Every time the player sets a string in motion, a specific set of frequencies resonate based on the harmonic series . The fundamental frequency
13910-407: The string stays fixed in the bridge of the guitar. When a ball or loop is used with a violin-family instrument, this keeps the string end fixed in the tailpiece . Fender Bullet strings have a larger cylinder for more stable tuning on guitars equipped with synchronized tremolo systems. Strings for some instruments may be wrapped with silk at the ends to protect the string. The color and pattern of
14040-412: The string that mounts to the instrument's tuning mechanism (the part of the instrument that turns to tighten or loosen string tension) is usually plain. Depending on the instrument, the string's other, fixed end may have either a plain, loop, or ball end (a short brass cylinder) that attaches the string at the end opposite the tuning mechanism. When a ball or loop is used with a guitar , this ensures that
14170-406: The string, which then transfers an undulation in pitch to the tone. Vibrato is used to add expression to string playing. In general, very loud, low-register passages are played with little or no vibrato, as the main goal with low pitches is to provide a clear fundamental bass for the string section . Mid- and higher-register melodies are typically played with more vibrato. The speed and intensity of
14300-486: The strings must somehow be transferred to the surrounding air. To do this, the strings vibrate the bridge and this in turn vibrates the top surface. Very small amplitude but relatively large force variations (due to the cyclically varying tension in the vibrating string) at the bridge are transformed to larger amplitude ones by combination of bridge and body of the bass. The bridge transforms the high force, small amplitude vibrations to lower force higher amplitude vibrations on
14430-427: The strings vibrating against the fingerboard near to the fingered position. This buzzing sound gives the note its character. The lowest note of a double bass is an E 1 (on standard four-string basses) at approximately 41 Hz or a C 1 (≈33 Hz), or sometimes B 0 (≈31 Hz), when five strings are used. This is within about an octave above the lowest frequency that the average human ear can perceive as
14560-419: The sweat of a musician's hands can cause plain (unwound) gut strings to fray and eventually break. This is not as much of a problem with wound gut strings, in which the gut core, being protected from contact with perspiration by the metal winding (and underlayer, if there is one), lasts a much longer time. Nonetheless, as such a gut string ages and continually responds to cyclic changes in temperature and humidity,
14690-416: The tailpiece (important for violin, viola and cello players, as their instruments use friction pegs for major pitch adjustments) unnecessary, a very small number of bassists use them nevertheless. One rationale for using fine tuners on bass is that for instruments with the low C extension, the pulley system for the long string may not effectively transfer turns of the key into changes of string tension/pitch. At
14820-431: The tiny "barbs" that real horsehair has, so it does not "grip" the string well or take rosin well. String players apply rosin to the bow hair so it "grips" the string and makes it vibrate. Double bass rosin is generally softer and stickier than violin rosin to allow the hair to grab the thicker strings better, but players use a wide variety of rosins that vary from quite hard (like violin rosin) to quite soft, depending on
14950-404: The top of the bass body. The top is connected to the back by means of a sound post, so the back also vibrates. Both the front and back transmit the vibrations to the air and act to match the impedance of the vibrating string to the acoustic impedance of the air. Because the acoustic bass is a non-fretted instrument, any string vibration due to plucking or bowing will cause an audible sound due to
15080-471: The true bass of the violin family . He states that, while the exterior of the double bass may resemble the viola da gamba, the internal construction of the double bass is nearly identical to instruments in the violin family , and very different from the internal structure of viols. Double bass professor Larry Hurst argues that the "modern double bass is not a true member of either the violin or viol families". He says that "most likely its first general shape
15210-436: The upper range). Machine tuners are always fitted, in contrast to the rest of the violin family, where traditional wooden friction pegs are still the primary means of tuning. Lack of standardization in design means that one double bass can sound and look very different from another. The double bass is closest in construction to violins, but has some notable similarities to the violone , the largest and lowest-pitched member of
15340-545: The vibrato is varied by the performer for an emotional and musical effect. In jazz, rockabilly and other related genres, much or all of the focus is on playing pizzicato. In jazz and jump blues , bassists are required to play rapid pizzicato walking basslines for extended periods. Jazz and rockabilly bassists develop virtuoso pizzicato techniques that enable them to play rapid solos that incorporate fast-moving triplet and sixteenth note figures. Pizzicato basslines performed by leading jazz professionals are much more difficult than
15470-415: The viol family. The double bass features many parts that are similar to members of the violin family, including a wooden, carved bridge to support the strings, two f-holes , a tailpiece into which the ball ends of the strings are inserted (with the tailpiece anchored around the endpin mount), an ornamental scroll near the pegbox, a nut with grooves for each string at the junction of the fingerboard and
15600-450: The viol family. For example, the bass is tuned in fourths, like a viol, rather than in fifths, which is the standard in the violin group. Also, notice that the 'shoulders' meet the neck in a curve, rather than the sharp angle seen among violins. As with the other violin and viol family instruments that are played with a bow (and unlike mainly plucked or picked instruments like guitar), the double bass's bridge has an arc-like, curved shape. This
15730-444: The viol family. Unlike the violone, however, the fingerboard of the double bass is unfretted , and the double bass has fewer strings (the violone, like most viols, generally had six strings, although some specimens had five or four). The fingerboard is made of ebony on high-quality instruments; on less expensive student instruments, other woods may be used and then painted or stained black (a process called "ebonizing"). The fingerboard
15860-600: The violin family will have attention paid to the tuning of the afterlength, or string length on the tailpiece side of the bridge . On many instruments it is set to 1/6 the playing length, or length between nut and bridge, sounding two octaves and a fifth above the open note of the playing length. This tuning may be varied to give certain desired effects. Strings (music) In music, strings are long flexible structures on string instruments that produce sound through vibration . Strings are held under tension so that they can vibrate freely, but with control. This
15990-402: The violin family. While the double bass is nearly identical in construction to other violin family instruments, it also embodies features found in the older viol family. The notes of the open strings are E 1 , A 1 , D 2 , and G 2 , the same as an acoustic or electric bass guitar . However, the resonance of the wood, combined with the violin-like construction and long scale length gives
16120-437: The violin or cello, are usually described by tension rather than gauge. Fretted instruments (guitar, banjo, etc.) strings are usually described by gauge —the diameter of the string. The tone of a string depends partly on weight, and, therefore, on its diameter—its gauge. Usually, string manufacturers that do not describe strings by tension list string diameter in thousandths of an inch (0.001 in = 0.0254 mm). The larger
16250-471: The weather, the humidity, and the preference of the player. The amount used generally depends on the type of music being performed as well as the personal preferences of the player. Some brands of rosin, such as Wiedoeft or Pop's double bass rosin, are softer and more prone to melting in hot weather. Owing to their relatively small diameters, the strings themselves do not move much air and therefore cannot produce much sound on their own. The vibrational energy of
16380-508: The winding must be maintained (some rotation of the winding on roundwound strings is acceptable). Modern bowed strings are plain (typically the higher-pitched, thinner strings) or flatwound, to allow smooth playing and reduce bow hair breakage. There is a niche market for roundwound fiddle strings. Halfround (also referred to as halfwound, ground wound, or pressure wound strings) are string that are cross between roundwound and flatwound. Such strings are usually made by winding round wire around
16510-423: The wood of the bow against the string. In orchestral repertoire and tango music, both arco and pizzicato are employed. In jazz, blues, and rockabilly, pizzicato is the norm, except for some solos and occasional written parts in modern jazz that call for bowing. Bowed notes in the lowest register of the instrument produce a dark, heavy, mighty, or even menacing effect, when played with a fortissimo dynamic; however,
16640-476: The wood peg and the peg hole may become insufficient to hold the peg in place, particularly if the peg hole become worn and enlarged. The key on the tuning machine of a double bass turns a metal worm , which drives a worm gear that winds the string. Turning the key in one direction tightens the string (thus raising its pitch); turning the key the opposite direction reduces the tension on the string (thus lowering its pitch). While this development makes fine tuners on
16770-420: Was introduced by D'Addario in the early 1970s. Phosphor bronze is said to keep its "new" sound longer than other strings. Small amounts of phosphorus and zinc are added to the bronze mixture. This makes the phosphor bronze slightly more corrosion resistant than 80/20 bronze. 80/20 bronze strings are 80 percent copper and 20 percent zinc. The zinc also gives it a brighter tone, additional hardness and slows down
16900-399: Was that of a violone, the largest member of the viol family. Some of the earliest basses extant are violones, (including C-shaped sound holes) that have been fitted with modern trappings." Some existing instruments, such as those by Gasparo da Salò , were converted from 16th-century six-string contrabass violoni. There are two major approaches to the design outline shape of the double bass:
#702297