38-534: Special Jury Prize may refer to: Special Jury Prize (Karlovy Vary IFF) Special Jury Prize (Locarno International Film Festival) Special Jury Prize (Sarajevo Film Festival) Special Jury Prize (Venice Film Festival) Jury Prize (Cannes Film Festival) , previously the Special Jury Prize Topics referred to by the same term [REDACTED] This disambiguation page lists articles associated with
76-504: A Time, Cinema Nassereddin shah, actor-e cinema Mohsen Makhmalbaf Iran 1990 Was It Us? Byli jsme to my? Antonín Máša Czechoslovakia 1988 Pathfinder Veiviseren Nils Gaup Norway 1978 The Marginal Ones Oka Oori Katha Mrinal Sen India 1982-1986 - 2nd award conferred as "Grand Special Prize" 1986 Tanner Der schwarze Tanner Xavier Koller Switzerland 1984 End of
114-1389: A Wonderful Place Eize makom nifla Eyal Halfon Israel 2004 Here Tu Zrinko Ogresta Croatia, Bosnia and Herzegovina 2003 Babusya Babusja Lidija Bobrovová Russia, France 2002 Nowhere in Africa Nirgendwo in Afrika Caroline Link Germany 2001 Hi, Tereska Cześć Tereska Robert Gliński Poland 2000 The Big Animal (ex aequo) Duze zwirze Jerzy Stuhr Poland Peppermint Candy (ex aequo) Bakha satang Lee Chang-dong South Korea 1999 Show Me Love Fucking Åmål Lukas Moodysson Sweden 1998 Full Moon Den polnoluniya Karen Šachnazarov Russia 1997 The Good Life La buena vida David Trueba Spain 1996 Svatá Klára Clara Hakadusha Ari Folman , Ori Sivan Israel 1995 The Garden Záhrada Martin Šulík Slovakia, Czech Republic 1994 Faust (ex aequo) Lekce Faust Jan Švankmajer Czech Republic The Case of Bronek Pekosinski (ex aequo) Przypadek Pekosińskiego Grzegorz Królikiewicz Poland 1992 Once Upon
152-451: A general lack of character development, "Although Wheatley and Jump have gotten away with eliminating exposition and traditional character detail in the past, it's frustratingly difficult to follow what this motley group is searching for, much less to distinguish between the various personalities." Ben Wheatley and Amy Jump edited the film together. Variety said the editors "hypnotize the audience by cutting back and forth between shots of
190-595: A singularly brilliant voice in British cinema". It has a score of 73/100 on Metacritic , based on reviews from 19 critics. Peter Bradshaw of The Guardian wrote that A Field in England was a "grisly and visceral" film that was "exposed to the elements, shivering with fever and discomfort". Bradshaw said that Wheatley has "cleverly alighted on the one period that suits his stripped-down visuals and subversive instincts perfectly". Jonathan Romney of The Independent wrote that
228-1567: A verla Jonás Trueba Spain 2018 Florianópolis Dream Sueño Florianópolis Ana Katz Argentina, Brasil, France 2017 Men Don’t Cry Muškarci ne plaču Alen Drljević Bosnia and Herzegovina, Slovenia, Croatia, Germany 2016 Zoology Zoologiya Ivan I. Tverdovskiy Russia, France, Germany 2015 Those Who Fall Have Wings Jeder der fällt hat Flügel Peter Brunner Austria 2014 Free Fall Szabadesés György Pálfi Hungary, France, South Korea 2013 A Field in England Ben Wheatley United Kingdom 2012 Piazza Fontana: The Italian Conspiracy Romanzo di una strage Marco Tullio Giordana Italy 2011 Gypsy Cigán Martin Šulík Slovak Republic, Czech Republic 2010 Kooky Jan Svěrák Czech Republic, Denmark 2009 Twenty Bist Abdolreza Kahani Iran 2008 The Photograph Nan Achnas Indonesia, France, Netherlands, Switzerland, Sweden 2007 Lucky Miles Michael James Rowland Australia 2006 Christmas Tree Upside Down (ex aequo) Obarnata elha Ivan Cherkelov , Vassil Zhivkov Bulgaria, Germany Beauty in Trouble (ex aequo) Kráska v nesnázích Jan Hřebejk Czech Republic 2005 What
266-526: Is a 2013 British historical psychological horror film directed by Ben Wheatley . The film, shot in black-and-white, is set during the mid-17th-century English Civil War . The film was released on 5 July 2013 on multiple platforms simultaneously, including cinemas, home media and video on demand. It was also broadcast on Film4 on the day of its release. During a battle of the English Civil War , an alchemist 's assistant named Whitehead flees from
304-548: Is directed by Ben Wheatley and based on a screenplay by Amy Jump . Wheatley became interested in the film's historical setting of the English Civil War when he filmed a documentary about the Sealed Knot , a historical reenactment society. In his research, Wheatley also learned about the use of hallucinogens during the 17th century. He said, "People were grinding mushrooms into dust and blowing it into people's faces and then doing magic tricks." Wheatley sought funding to produce
342-731: The Special Jury Prize . It was released in the United Kingdom on 5 July 2013 through several platforms simultaneously. The Hollywood Reporter said, " A Field in England will mark the first time a homegrown title has been released simultaneously in theaters, on DVD, free TV and video-on-demand." The film had received funding from the BFI Distribution Fund New Models strand, "which supports experimental release models". Film4 and its arms 4DVD and Film4 Channel collaborated with distributor Picturehouse Entertainment and with
380-515: The 1960s and 1970s, to explore the style. The pair experimented with camera tests before filming A Field in England and committed to the "unfussy" style. With a production budget of £300,000, filming began in late September 2012. It took place in the countryside outside Guildford in Surrey . Filming lasted for 12 days . A Field in England screened in competition at the 48th Karlovy Vary International Film Festival on 4 July 2013, where it won
418-567: The 1975 film Winstanley . The Independent said the photography had "furious visual panache and ... ominous, often abstract beauty". The Hollywood Reporter commended the "terrific" cinematography of "ravishing monochrome vistas punctuated by extreme close-ups of plants, animals, insects and tormented human faces". Variety wrote, "The commitment to monochrome brings out a beauty largely absent in previous collaborations with d.p. Laurie Rose, though his handheld style and axis-breaking setups often disorient—and not necessarily in ways that help
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#1732851612483456-596: The BFI Distribution Fund for the rollout. Wheatley compared the multi-platform release to how the band Radiohead released its album In Rainbows for free. Drafthouse Films acquired the rights to distribute the film in North America. It partnered with Cinedigm in September 2013, and they released the film on 6 February 2014 on various platforms and formats. For the cinema release of A Field in England in
494-487: The English Civil War. The film was shot in black-and-white. The Observer said the style was part of a resurgence with films like The Artist , Much Ado About Nothing , Frances Ha and Nebraska . Wheatley said he and cinematographer Laurie Rose made a spontaneous decision to film in black-and-white. Wheatley and Rose watched Culloden and other films by Peter Watkins , as well as arthouse films from
532-690: The Lonely Farm Berhof Zánik samoty Berhof Jiří Svoboda Czechoslovakia, Poland El mil usos Roberto G. Rivera Mexico 1982 The Assistant Pomocník Zoroslav Záhon Czechoslovakia References [ edit ] ^ "Awards for films in the Official Selection" . Karlovy Vary International Film Festival . Retrieved 9 March 2018 . ^ Dalton, Ben (9 July 2022). "Iranian drama 'Summer With Hope' wins top Karlovy Vary prize" . ScreenDaily . ^ 2018 awards at
570-716: The UK, Weltons Brewery brewed a limited-edition ale to give to cinema-goers. The beer had the tagline "Open Up and Let the Devil In" to tie into the use of hallucinogens in the film. The ale was bottled with yeast, which required a slow pour to ensure "continuous secondary fermentation" for the beer to be fresh. The film received positive reviews. On film aggregation website Rotten Tomatoes , it has an 86% rating, with an average score of 7.2/10, based on reviews from 67 critics. The site's consensus reads, "Recklessly assembled and occasionally compelling in spite of itself, A Field In England showcases
608-497: The camp's tent. Cutler discovers that the "treasure" is just a skull, which he shoots in anger. Jacob comes back to join Whitehead in escaping from O'Neill. Cutler angrily berates O'Neill, blaming him for trusting Whitehead and lying to him about the alehouse — which was simply a ploy to entice Jacob and Friend — and abuses him. O'Neill promptly kills Cutler and then pursues Whitehead and Jacob, who scavenge Cutler's weapons and return to
646-478: The director's approach, "Clearly, Wheatley is bored with the paint-by-numbers approach of his horror contemporaries, but has swung so far in the opposite direction here, the result feels almost amateurishly avant garde at times, guilty of the sort of indulgences one barely tolerates in student films." The Guardian ' s Peter Bradshaw said A Field in England had "a more literary screenplay" than "the improv feel" of Wheatley's previous films. Bradshaw compared
684-626: The film was Wheatley's "most unclassifiable yet, blending historical drama, 1960s psychedelia and formal experimentation". He said, "Flawed as it is, A Field in England is some achievement, drumming up an earthly inferno out of next to nothing—dirt and wind, a patch of land, some blokes with scraggy beards. The result, in a minor-key fashion, is a blast— Apocalypse Now among the hedgerows." Stephen Dalton, reviewing for The Hollywood Reporter , said, "A strikingly original historical thriller spiced with occult mysticism and mind-warping hallucinations, British director Ben Wheatley's fourth feature has all
722-439: The film, which he had planned for years. The film was ultimately developed and financed by Film4.0 , a division of Film4 that serves as an innovation hub. Variety reported that the film was described as "a psychedelic trip into magic and madness". Wheatley said A Field in England combines "the more psychedelic elements" from his previous films Kill List and Sightseers and "weaves in our take on historical drama" with
760-657: The 💕 The Special Jury Prize is one of the main awards of the Feature Film Competition at the Karlovy Vary International Film Festival . It is the second highest award of the festival started since 1952; after the Crystal Globe . Special Jury Prize winners [ edit ] 1952–present Year Film Original Title Director Country 2022 You Have to Come and See It Tenéis que venir
798-413: The group and tells them of a treasure hidden somewhere in the field. The group goes to O'Neill's camp, where O'Neill tortures Whitehead into subservience to use him as a human divining rod . After using Whitehead to locate the treasure, which it turns out is near the camp, O'Neill orders Jacob and Friend to dig for it while he leaves Cutler to supervise, and goes to sleep in a tent. Jacob soon succumbs to
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#1732851612483836-413: The influence of the hallucinogenic mushrooms , and after several hours of digging he attacks Friend. Cutler laughs and urinates on them, and when Jacob attempts to attack him, Cutler accidentally shoots Friend. Whitehead is unable to save him, and Friend dies, telling Jacob to deliver a message to his wife, telling her that he hates her. Cutler is forced to finish digging by himself, while Jacob lies down in
874-444: The midnight-movie intensity of a future cult classic." Dalton noted flaws in the film but said that beside them, A Field in England is a rich, strange, hauntingly intense work from a highly original writer-director team." Peter Debruge of Variety called A Field in England "a defiantly unclassifiable cross-genre experiment ... that simultaneously reinvents and regurgitates low-budget British cinema as it goes". Debruge said of
912-447: The narrative came in the dialogue. The Hollywood Reporter ' s Dalton wrote, "One of the film's pleasures is its rich dialogue—a ripe blend of Shakespearean finery, salty swearing and lowbrow toilet humor." The trade paper noted, "Jump sets up some interesting tensions between Christian faith and Pagan witchcraft, science and sorcery, soldiers and scholars." The Guardian wrote that "the monochrome images" were similar to those of
950-1503: The official site External links [ edit ] The official festival site / History v t e Karlovy Vary International Film Festival Official Selection awards Crystal Globe Special Jury Prize Best Director Best Actress Best Actor Other statutory awards East of the West Award Best Documentary Film Crystal Globe for Outstanding Artistic Contribution to World Cinema Festival President's Award Právo Audience Award Non-statutory awards FIPRESCI Ecumenical Jury FICC FEDEORA Europa Cinemas Label Czech TV Award (Independent Camera) NETPAC Award By year ... 1998 1999 2000 2001 2002 2003 2004 2005 2006 2007 2008 2009 2010 2011 2012 2013 2014 2015 2016 2017 2018 2019 2020 2021 2022 2023 2024 Retrieved from " https://en.wikipedia.org/w/index.php?title=Special_Jury_Prize_(Karlovy_Vary_IFF)&oldid=1214074259 " Categories : Karlovy Vary International Film Festival Czech film awards Lists of films by award International film awards Hidden category: Articles containing Spanish-language text A Field in England A Field in England
988-415: The official site ^ 1995 awards at the official site ^ 1994 awards at the official site ^ 1992 awards at the official site ^ 1990 awards at the official site ^ 1988 awards at the official site ^ 1978 awards imdb ^ 1986 awards at the official site ^ 1984 awards at the official site ^ 1982 awards at
1026-415: The official site ^ 2009 awards at the official site ^ Twenty on IMDb ^ 2008 awards at the official site ^ 2007 awards at the official site ^ 2006 awards at the official site ^ Christmas Tree Upside Down on IMDb ^ 2005 awards at the official site ^ 2004 awards at the official site ^ 2003 awards at
1064-432: The official site ^ 2017 awards at the official site ^ 2016 awards at the official site ^ 2015 awards at the official site ^ Those Who Fall Have Wings on IMDb ^ 2014 awards at the official site ^ 2013 awards at the official site ^ 2012 awards at the official site ^ 2011 awards at the official site ^ 2010 awards at
1102-401: The official site ^ Babusya on IMDb ^ 2002 awards at the official site ^ 2001 awards at the official site ^ Hi, Tereska on IMDb ^ 2000 awards at the official site ^ 1999 awards at the official site ^ 1998 awards at the official site ^ 1997 awards at the official site ^ 1996 awards at
1140-492: The others to eat, which they share—save for Whitehead who is fasting. Following their meal they haul an Irishman, the Wizard O'Neill, seemingly out of the ground using a rope wrapped around a strangely carved wooden post buried in the ground. O'Neill is a rival alchemist of the alchemist for whom Cutler works; and who has stolen documents from Whitehead's master, which Whitehead is trying to recover. O'Neill quickly asserts authority over
1178-484: The overturned camp. As they are preparing for an attack, Friend appears alive and reveals their location to O'Neill. As Jacob throws Friend to the ground to stop him, O'Neill shoots Jacob in the gut, but Jacob returns fire breaking O'Neill's leg. Jacob dies from his injuries, after he and Whitehead surmise that the treasure was the friendship they shared. Friend brandishes Cutler's pike and charges O'Neill, but O'Neill kills him with his last shot. Whitehead takes advantage of
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1216-452: The psychic imbalance the pic means to achieve." The Guardian wrote, "Smiley is a great O'Neil, scary and commanding, while Shearsmith's Whitehead is hilariously submissive." It added about Shearsmith's role, "His performance here is equal to and better than the 'gothic' characters he has created on television." Variety also commended Shearsmith's performance as leaving "the strongest impression". The trade paper expressed disappointment at
1254-439: The situation to finally kill O'Neill by shooting him in the back of the head. Whitehead buries his friends' corpses in the hole and leaves the field. Wearing O'Neill's clothes, he gathers his master's stolen documents and returns to the hedgerow where he first met Cutler, Jacob and Friend, from which battle sounds are rising. After he wades through the hedge, he sees Friend, Jacob and himself standing together. A Field in England
1292-440: The strict Commander Trower. Whitehead is saved by a rough soldier named Cutler, who kills Trower before he can apprehend Whitehead. Whitehead then meets two army deserters, the gruff veteran Jacob and the witless Friend. The four leave the battleground in search of an ale house that Cutler claims is nearby. Cutler instead leads them to a field with many mushrooms growing in it, where he cooks a meal with some mushrooms and encourages
1330-506: The title Special Jury Prize . If an internal link led you here, you may wish to change the link to point directly to the intended article. Retrieved from " https://en.wikipedia.org/w/index.php?title=Special_Jury_Prize&oldid=987951006 " Category : Disambiguation pages Hidden categories: Short description is different from Wikidata All article disambiguation pages All disambiguation pages Special Jury Prize (Karlovy Vary IFF) From Misplaced Pages,
1368-423: The undergrowth, and Whitehead deposits Friend's corpse in a thicket. Cutler eventually nears reaching the treasure, attracting the attention of O'Neill, who discovers Jacob and Whitehead gone. Reaching where Friend's corpse is, O'Neill pursues Whitehead, who ingests a considerable quantity of mushrooms, heightening his awareness but suffering a hallucinatory experience, wherein he conjures a violent wind to blow away
1406-510: The various characters, folding and mirroring the images into disconcerting hallucinations". The Independent wrote that the editors' "big firework display" was that of a psychedelic experience , which was "a stroboscopic pandemonium of mirror images, flash cuts, bursts of light". The Hollywood Reporter said, "Sound designer Martin Pavey and composer Jim Williams also deserve special mention for underpinning these ostensibly calm pastoral scenes with
1444-422: The writing to that of Dennis Potter and Edward Bond . He also found the British tone similar to the films Straw Dogs and Withnail and I . The Independent ' s Romney said, "The screenplay contains much juicy period dialogue, although the gist is often lost amid hectic cuts, drunken camera moves and the men's habit of grabbing each other by the throat." For Romney, "the sharpest moments of clarity" in
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