70-451: Soulsonic Force (also referred to as Afrika Bambaataa & Soulsonic Force ) is an American electro-funk and hip hop ensemble led by Afrika Bambaataa who helped establish hip-hop in the early 1980s with songs such as " Planet Rock ." They were also influential in the birth of the electro movement in America and helped pave the way for modern dance music styles such as electro-funk as well as
140-593: A DJ battle. He then began performing at Adlai E. Stevenson High School and formed the Bronx River Organization, then later simply "The Organization". Bambaataa had deejayed with his own sound system at The Bronx River Houses ' Community Center, with Mr. Biggs, Queen Kenya, and Cowboy, who accompanied him in performances in the community. Because of his prior status in the Black Spades, he already had an established Army party crowd drawn from former members of
210-753: A common phrase used by MCs as part of a scat -inspired style of rhyming. The term was first used in print to refer to the music by reporter Robert Flipping, Jr. in a February 1979 article in the New Pittsburgh Courier, and to refer to the culture in a January 1982 interview of Afrika Bambaataa by Michael Holman in the East Village Eye. The term gained further currency in September of that year in another Bambaataa interview in The Village Voice, by Steven Hager . In 1982, Bambaataa and his followers –
280-469: A demographic distinct from teenagers in the Bronx, Herc's parties, organized and promoted by his sister Cindy, had a ready-made audience. DJ Kool Herc developed the style that was used as one of the additions to the blueprints for hip hop music . Herc used the record to focus on a short, heavily percussive part in it: the " break ". Since this part of the record was the one the dancers liked best, Herc isolated
350-502: A few other works with Family three years earlier, one titled "Funk You" in 1985, and the other titled "Beware (The Funk Is Everywhere)" in 1986. In 1986 he discovered an artist in Atlanta . (Through MC SHY D) by the name of Kenya Miler a.k.a. MC Harmony (Known producer now as Kenya Fame Flames Miller), that was later signed to Criminal Records and Arthur Baker. The group was Harmony and LG. The first single, 1987's "Dance To The Drums/No Joke",
420-493: A general in the notorious Black Spades gang of the Bronx, obtained his own soundsystem in 1975 and began to DJ in Herc's style, converting his followers to the non-violent Zulu Nation in the process. Kool Herc began using The Incredible Bongo Band 's " Apache " as a break in 1975. It became a firm b-boy favorite—"the Bronx national anthem" —and is still in use in hip hop today. Steven Hager wrote of this period: For over five years
490-463: A group of dancers, artists, and DJs – went outside the United States on the first hip-hop tour. He saw that the hip hop tours would be the key to help expand hip hop and his Universal Zulu Nation. In addition it would help promote the values of hip hop that he believed are based on peace, unity, love, and having fun. He brought peace to the gangs; many artists and gang members say that "hip hop saved
560-554: A live band, and began to use only technology. Bambaataa credited the pioneering Japanese electropop group Yellow Magic Orchestra , whose work he sampled, as an inspiration. He also borrowed a keyboard hook from German electronic pioneers Kraftwerk and was provided the electronic Roland TR-808 "beat-box" by producer Arthur Baker and synthesizer player John Robie . That resulted in " Planet Rock ", which went to gold status and generated an entire school of "electro-boogie" rap and dance music. Bambaataa formed his own label to release
630-635: A lot of lives". His influence inspired many overseas artists like the French rapper MC Solaar . He was a popular DJ in the South Bronx rap scene and became known not only as Afrika Bambaataa but also as the "Master of Records". He established two rap crews: the Jazzy 5 including MCs Master Ice, Mr. Freeze, Master Bee, Master D.E.E, and AJ Les, and the second crew referred to as Soulsonic Force including Mr. Biggs, Pow Wow and Emcee G.L.O.B.E. In 1982, Bambaataa, who
700-551: A movement out of the creativity of a new generation of outcast youths with an authentic, liberating worldview. In 1981, hip hop artist Fab Five Freddy was putting together music packages in the largely white downtown Manhattan new wave clubs, and invited Bambaataa to perform at one of them, the Mudd Club . It was the first time Bambaataa had performed before a predominantly white crowd. Attendance for his parties downtown became so large that he had to move to larger venues, first to
770-408: A party where her older brother, then just 18 years old, would play music for the neighborhood in their apartment building. She promoted the event with flyers and organized the party. She also styled her brother's clothes for the party. According to music journalist Steven Ivory, in 1973, Herc placed on the turntables two copies of Brown's 1970 Sex Machine album and ran "an extended cut 'n' mix of
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#1732855357327840-640: A physical altercation with school bullies, the Five Percenters came to Herc's aid, befriended him and as Herc put it, helped "Americanize" him with an education in New York City street culture. He began running with a graffiti crew called the Ex-Vandals, taking the name Kool Herc. Herc recalls persuading his father to buy him a copy of " Sex Machine " by James Brown , a record that not a lot of his friends had, and which they would come to him to hear. He used
910-463: A song called "Do Me Right", and on Mekon 's album Some Thing Came Up , on the track "D-Funktional". He performed the lyrics on the track "Is There Anybody Out There" by the Bassheads . As an actor, he has played a variety of voice-over character roles on Kung Faux . Bambaataa was a judge for the 6th annual Independent Music Awards to support independent artists' careers. On September 27, 2007, it
980-494: A synth hook from Kraftwerk’s “ Trans-Europe Express ”, as well as electronic drum patterns from their track “Numbers,” Bambaataa’s “Planet Rock” not only became a massive commercial hit in clubs and dance floors everywhere, but also set the stage for the emergence of electro-funk as a distinct genre. Robert Keith Wiggins , a.k.a. "Cowboy" of Grandmaster Flash and the Furious Five , is credited with naming hip-hop. The term became
1050-475: Is an American DJ , rapper, and record producer from South Bronx , New York City . He is notable for releasing a series of genre-defining electro tracks in the 1980s that influenced the development of hip hop culture. Afrika Bambaataa is one of the originators of breakbeat DJing . Through his co-opting of his street gang Black Spades into the music and culture-oriented organization Universal Zulu Nation , he has helped spread hip hop culture throughout
1120-484: Is the joint! Herc beat on the point" "To the beat, y'all!" "You don't stop!" For his contributions, Time nicknamed Herc the "Founding Father of Hip Hop", called him "nascent cultural hero", and an integral part of the beginnings of hip hop. On August 11, 1973, DJ Kool Herc was a disc jockey and emcee at a party hosted by himself and his younger sister Cindy at 1520 Sedgwick Avenue. She wanted to earn extra cash for back-to-school clothes, so she decided to throw
1190-470: The Father of Hip-Hop , Campbell began playing hard funk records of the sort typified by James Brown . Campbell began to isolate the instrumental portion of the record which emphasized the drum beat—the " break "—and switch from one break to another. Using the same two-turntable set-up of disco DJs, he used two copies of the same record to elongate the break. This breakbeat DJing, using funky drum solos, formed
1260-588: The Rock Steady Crew , and the Double Dutch Girls, as well as graffiti artists Fab 5 Freddy , PHASE 2 , Futura 2000 , and Dondi . Bambaataa's second release around 1983 was " Looking for the Perfect Beat ", then later, " Renegades of Funk ", both with the same Soulsonic Force. He began working with producer Bill Laswell at Jean Karakos's Celluloid Records , where he developed and placed two groups on
1330-477: The Universal Zulu Nation . Inspired by hip-hop icons like DJ Kool Herc, Bambaataa began hosting block parties throughout the South Bronx, including at the Bronx River Organization. Bambaataa engaged primarily as a hip-hop artist. Due to his ties to organized crime, much of his early fan base was centered around the hip-hop movement , as Bambaataa established numerous rap groups including the “Jazzy 5” and
1400-585: The "MC popping" rap style), DJ Jazzy Jay , Cosmic Force, Queen Lisa Lee, Prince Ikey C, Ice Ice (#1), Chubby Chub; Jazzy Five -DJ Jazzy Jay, Mr. Freeze, Master D.E.E., Kool DJ Red Alert, Sundance, Ice Ice (#2), Charlie Choo, Master Bee, Busy Bee Starski, Akbar (Lil Starski), and Raheim . The personnel for the Soulsonic Force were groups within groups with whom he would perform and make records. In 1980, Bambaataa's groups made Death Mix , their first recording with Paul Winley Records . According to Bambaata, this
1470-530: The "birthplace of hip-hop", and nominated it to national and state historic registers. The city's Department of Housing Preservation and Development ruled against the proposed sale in February 2008, on the grounds that "the proposed purchase price is inconsistent with the use of property as a Mitchell-Lama affordable housing development". It is the first time they have so ruled in such a case. According to The Source , DJ Kool Herc fell gravely ill in early 2011 and
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#17328553573271540-566: The 20th Century" issue. Gee Street Records, Bambaataa and John Baker organized a concert at Wembley Stadium in London in 1990 for the African National Congress (ANC), in honor of Nelson Mandela 's release from prison. The concert brought together performances by British and American rappers, and also introduced both Nelson and Winnie Mandela and the ANC to hip hop audiences. In relation to
1610-418: The Black Spades. Due to the oft nebulous timeline of hip-hop origins, there are conflicting accounts of when Bambaataa began hosting parties. Some suggest he began as early as 1970, predating noted "father of hip hop" Kool Herc , while others contend he began after Herc in 1976, in fact, attending and drawing inspiration from Kool Herc parties. He vowed to use hip-hop to draw angry kids out of gangs and form
1680-415: The Bronx had lived in constant terror of street gangs. Suddenly, in 1975, they disappeared almost as quickly as they had arrived. This happened because something better came along to replace the gangs. That something was eventually called hip-hop. In 1979, the record company executive Sylvia Robinson assembled a group she called The Sugarhill Gang and recorded " Rapper's Delight ". The hit song ushered in
1750-607: The Perfect Beat " and " Renegades of Funk " (which is one of the earliest political-conscious rap songs, alongside Grandmaster Flash & the Furious Five 's " The Message "). Soulsonic Force features on the title track of the Freestylers' debut album, We Rock Hard . This article on a hip hop music group or collective is a stub . You can help Misplaced Pages by expanding it . Afrika Bambaataa Lance Taylor (born on April 17, 1957), also known as Afrika Bambaataa ( / ˌ æ f r ɪ k ə b æ m ˈ b ɑː t ə / ),
1820-765: The Ritz, in a show organized by hip hop pioneer, Michael Holman, with Malcolm McLaren 's group Bow Wow Wow , then to the Peppermint Lounge , The Jefferson, Negril, Danceteria and the Roxy . " Planet Rock ", a popular single produced by Arthur Baker and the keyboardist John Robie , came out that June under the name Afrika Bambaataa and the Soulsonic Force . The song borrowed musical motifs from German electronic music , funk, and rock. Different elements and musical styles were used together. The song became an immediate hit and stormed
1890-743: The Time Zone Compilation. He created " turntablism " as its own subgenre and the ratification of " electronica " as an industry-certified trend in the late 1990s. In the late 1970s, Bambaataa formed what became known as the Universal Zulu Nation, a group of socially and politically aware rappers, B-boys , graffiti artists and other people involved in hip hop culture . By 1977, inspired by DJ Kool Herc and DJ Dee , and after Disco King Mario loaned him his first equipment, Bambaataa began organizing block parties all around The South Bronx. He even faced his long-time friend, Disco King Mario in
1960-549: The Universal Zulu Nation. A month later, The Universal Zulu Nation issued an open letter apologizing to the people alleging Bambaataa had sexually abused them while expressing responsibility for the organization's "poor response", signed by nearly three dozen members of the Zulu Nation, including leaders from as far as New Zealand. In October 2016, Vice published an investigative article titled "Afrika Bambaataa Allegedly Molested Young Men For Decades" and reported stories from
2030-649: The Zulu Kings, and later formed the Zulu Queens, and the Shaka Zulu Kings and Queens. As he continued deejaying, more DJs, rappers, b-boys , b-girls , graffiti writers, and artists followed him, and he took them under his wing and made them all members of his Zulu Nation. He was also the founder of the Soulsonic Force , which originally consisted of approximately 20 Zulu Nation members: Mr. Biggs, Queen Kenya, DJ Cowboy Soulsonic Force (#2), Pow Wow, G.L.0.B.E. (creator of
2100-539: The accompanying speech of their DJs, known as toasting . He emigrated with his family at the age of 12 to The Bronx , New York City in November 1967, where they lived at 1520 Sedgwick Avenue . Campbell attended the Alfred E. Smith Career and Technical Education High School in the Bronx, where his height, frame, and demeanor on the basketball court prompted the other kids to nickname him " Hercules ". After being involved in
2170-515: The album The Emcee's Properganda . In 2006, he became involved in getting Hip Hop commemorated at the Smithsonian Institution museums. He participated in the 2007 Dance parade . Since 2007, Herc has worked on a campaign to prevent 1520 Sedgwick Avenue from being sold to developers and withdrawn from its status as a Mitchell-Lama affordable housing property. In the summer of 2007, New York state officials declared 1520 Sedgwick Avenue
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2240-590: The alleged victims and witnesses. The article stated the accusers "claim that these accounts of alleged abuse have been common knowledge in the Bronx River community and beyond since the early 1980s, including among many of Bambaataa's closest friends and Zulu soldiers." No charges were brought against Afrika Bambaataa. In a March 2021 interview, Melle Mel said "everyone knew" about the accusations, calling it "hip hop's best kept secret" but would not respond when asked if he knew specifically. In October 2021 Bambaataa
2310-421: The base of the light pole, take their equipment, attach it to that, get the electricity – Boom! We got a concert right here in the schoolyard and it's this guy Kool Herc. And he's just standing with the turntable, and the guys were studying his hands. There are people dancing, but there's as many people standing, just watching what he's doing. That was my first introduction to in-the-street, hip hop DJing. In 1975,
2380-465: The basis of hip hop music. Campbell's announcements and exhortations to dancers helped lead to the syncopated , rhythmically spoken accompaniment now known as rapping . He called the dancers "break-boys" and "break-girls", or simply b-boys and b-girls, terms that continue to be used fifty years later in the sport of breaking . Campbell's DJ style was quickly taken up by figures such as Afrika Bambaataa and Grandmaster Flash . Unlike them, he never made
2450-406: The break and prolonged it by changing between two record players. As one record reached the end of the break, he cued a second record back to the beginning of the break, which allowed him to extend a relatively short section of music into a "five-minute loop of fury". This innovation had its roots in what Herc called "The Merry-Go-Round", a technique by which the deejay switched from break to break at
2520-485: The break from a second record, " Bongo Rock " by The Incredible Bongo Band . From the "Bongo Rock"'s break, Herc used a third record to switch to the break on " The Mexican " by the English rock band Babe Ruth . Kool Herc also contributed to developing the rhyming style of hip hop by punctuating the recorded music with slang phrases, announcing: "Rock on, my mellow!" "B-boys, b-girls, are you ready? keep on rock steady" "This
2590-478: The conflicting ideologies in the movement. He was exposed to his mother's extensive and eclectic record collection. Gangs in the area became the law, clearing their turf of drug dealers, assisting with community health programs and both fighting and partying to keep members and turf. Bambaataa was a member of the Black Spades . He quickly rose to the position of "warlord" in one of the divisions. As warlord, it
2660-425: The early 1980s, the media began to call this style " breakdance ", which in 1991 The New York Times wrote was "an art as demanding and inventive as mainstream dance forms like ballet and jazz." Since this emerging culture was still without a name, participants often identified as "b-boys", a usage that included and went beyond the specific connection to dance, a usage that would persist in hip hop culture. With
2730-478: The entire Miami bass scene. In 1982, Soulsonic Force and Afrika Bambaataa released a single "Planet Rock." The song borrowed musical motifs from German electro-pop, British rock and African-American disco rap. All the different elements and musical styles were blended together; and in doing so, offered hip hop as a new vision for global harmony. The song became an immediate hit and stormed the music charts worldwide. Their other well-known songs include " Looking for
2800-482: The era of commercially released hip hop. By that year's end, Grandmaster Flash was recording for Enjoy Records . In 1980, Afrika Bambaataa began recording for Winley . By this time, DJ Kool Herc's star had faded. Grandmaster Flash suggests that Herc may not have kept pace with developments in techniques of cueing (lining up a record to play at a certain place on it). Developments changed techniques of cutting (switching from one record to another) and scratching (moving
2870-565: The event, the recording Ndodemnyama (Free South Africa) helped raise approximately $ 30,000 for the ANC. From the mid-1990s, Bambaataa returned to his electro roots. In 1998, he produced a remix of " Planet Rock " combining electro and house music elements, called "Planet Rock '98", which is regarded as an early example of the electro house genre. In 2000, Rage Against the Machine covered his song " Renegades of Funk " for their album, Renegades . The same year, he collaborated with Leftfield on
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2940-412: The gang. Hip hop culture was spreading through the streets via house parties, block parties, gym dances and mix tapes. About a year later Bambaataa reformed the group, calling it the Zulu Nation (inspired by his wide studies on African history at the time). Specifically, Bambaataa watched the 1964 film Zulu , which sparked the name for the group. Five b-boys ( break dancers ) joined him, whom he called
3010-504: The height of the party. This technique is specifically called "The Merry-Go-Round" because according to Herc, it takes one "back and forth with no slack." Herc stated that he first introduced the Merry-Go-Round into his sets in 1973. The earliest known Merry-Go-Round involved playing James Brown's " Give It Up or Turnit a Loose " (with its refrain , "Now clap your hands! Stomp your feet!"), then switching from that record's break into
3080-437: The label: Time Zone and Shango. Bambaataa recorded "Wildstyle" with Time Zone , and he recorded a collaboration with punk rocker John Lydon and Time Zone in 1984, titled "World Destruction". Shango's album, Shango Funk Theology , was released by the label in 1984. In 1984, Bambaataa and other hip hop celebrities appeared in the movie Beat Street . He also made a landmark recording with James Brown , titled " Unity ". It
3150-497: The lexicon of what would be eventually called hip hop culture. Early Kool Herc b-boy and later DJ innovator Grandmixer DXT describes the early evolution as follows: ... [E]verybody would form a circle and the B-boys would go into the center. At first the dance was simple: touch your toes, hop, kick out your leg. Then some guy went down, spun around on all fours. Everybody said wow and went home to try to come up with something better. In
3220-468: The mid-1980s, his father died, and he became addicted to crack cocaine . "I couldn't cope, so I started medicating", he says of this period. In 1994, Herc performed on Terminator X & the Godfathers of Threatt's album, Super Bad . In 2005, he wrote the foreword to Jeff Chang 's book on hip hop, Can't Stop Won't Stop . In 2005 he appeared in the music video of "Top 5 (Dead or Alive)" by Jin from
3290-561: The move into commercially recorded hip hop in its earliest years. On November 3, 2023, Campbell was inducted into the Rock and Roll Hall of Fame in the Musical Influence Award category. Clive Campbell was the first of six children born to Keith and Nettie Campbell in Kingston, Jamaica . While growing up, he saw and heard the sound systems of neighborhood parties called dance halls , and
3360-599: The music charts worldwide. The song melded the main melody from Kraftwerk's " Trans-Europe Express " with electronic beats based on their track " Numbers " as well as portions from records by Babe Ruth and Captain Sky , thus creating a new style of music altogether, electro funk . Afrika Bambaataa was booked on the first ever European hip hop tour presented by Europe One and Fnac France. Along with himself were rapper and graffiti artist Rammellzee , Zulu Nation DJ Grand Mixer DXT (formerly Grand Mixer D.St), B-boy and B-girl crews
3430-552: The mystique of his graffiti name, his physical stature, and the reputation of his small parties, Herc became a folk hero in the Bronx. He began to play at nearby clubs including the Hevalo (now Salvation Baptist Church), Twilight Zone, Executive Playhouse, the PAL on 183rd Street, as well as at high schools such as Dodge and Taft . Rapping duties were delegated to Coke La Rock and Theodore Puccio. Herc's collective, known as The Herculoids,
3500-415: The percussion breakdown" from "Give It Up or Turnit a Loose", signaling the birth of hip hop. The "b-boys" and "b-girls" were the dancers to Herc's breaks, who were described as "breaking". Herc has noted that "breaking" was also street slang of the time meaning "getting excited", "acting energetically", or "causing a disturbance". Herc coined the terms "b-boy", "b-girl", and "breaking" which became part of
3570-551: The potential for technological advancement in music making, deciding to stop performing with a live band and instead only relying on technology on stage. That same year, Bambaataa released his breakthrough electro-funk track in the form of “Planet Rock”, which featured Bambaataa, producer Arthur Baker and the Soulsonic Force. This groundbreaking single, featuring the iconic line “party people, can you feel it?,” seamlessly blended electronic sounds, drum machines, and futuristic synthesizers with traditional funk and hip-hop elements. Featuring
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#17328553573273640-565: The record by hand to and fro under the stylus for percussive effect) in the late 1970s. Herc said he retreated from the scene after being stabbed at the Executive Playhouse while trying to intercede in a fight, and the burning down of one of his venues. In 1980, Herc had stopped DJing and was working in a record shop in South Bronx. Kool Herc appeared in Hollywood's motion picture take on hip hop, Beat Street ( Orion , 1984), as himself. In
3710-537: The recreation room of their building, 1520 Sedgwick Avenue. Herc's first sound system consisted of two turntables connected to two amplifiers and a Shure "Vocal Master" PA system with two speaker columns, on which he played records such as James Brown 's " Give It Up or Turnit a Loose ", Jimmy Castor 's "It's Just Begun" and Booker T. & the M.G.'s ' "Melting Pot". With Bronx clubs struggling with street gangs, uptown DJs catering to an older disco crowd with different aspirations, and commercial radio also catering to
3780-580: The solidarity exhibited by the Zulu in that film. During his trip to Africa, the communities he visited inspired him to create one in his own neighborhood. He changed his name to Afrika Bambaataa Aasim, adopting the name of the Zulu chief Bhambatha , who led an armed rebellion against unfair economic practices in early 20th-century South Africa. He told people that his name was Zulu for "affectionate leader". Bambaataa formed The "Bronx River Organization" as an alternative to
3850-508: The song " Afrika Shox ", the first single from Leftfield's Rhythm and Stealth . " Afrika Shox " also appeared on the soundtrack to Vanilla Sky . In 2004, he collaborated with WestBam , a group that was named after him, on the 2004 album Dark Matter Moving at the Speed of Light which also featured Gary Numan . In 2006, he was featured on the British singer Jamelia 's album Walk with Me on
3920-513: The world. In May 2016, Bambaataa left his position as head of the "Universal Zulu Nation" due to multiple allegations of child sexual abuse dating as far back as the 1970s. Born Lance Taylor to Jamaican and Barbadian immigrants, Bambaataa grew up in the Bronx River Projects , with an activist mother and uncle. As a child, he was exposed to the black liberation movement and witnessed debates between his mother and uncle regarding
3990-502: The young Grandmaster Flash , to whom Kool Herc was, in his words, "a hero", began DJing in Herc's style. By 1976, Flash and his MCs The Furious Five played to a packed Audubon Ballroom in Manhattan . Venue owners were often nervous of unruly young crowds, however, and soon sent hip hop back to the clubs, community centres and high school gymnasiums of the Bronx. Afrika Bambaataa first heard Kool Herc in 1973. Bambaataa, at that time
4060-473: The “Soulsonic Force”, which featured many artists that had overlapped with the Universal Zulu Nation. In 1982, Bambaataa began playing "authentically" electronic music in the form of EBN-OZN ’s “AEIOU Sometimes Y”, which was the first ever commercially released American single made on a computer, namely the Fairlight CMI. Inspired by electronic music groups such as Kraftwerk , Bambaataa began to realize
4130-476: Was 15. Following the allegations, three more men accused Bambaataa of sexual abuse. Bambaataa issued a statement to Rolling Stone denying the allegations. In early May 2016, the Universal Zulu Nation disassociated itself from Bambaataa as part of an organizational restructuring that saw the group removing "all accused parties and those accused of covering up the current allegations of child molestation" from their roles. On May 6, Bambaataa resigned as head of
4200-460: Was Kevin Donovan, which was widely accepted by the hip hop community until recently, following sexual abuse allegations, when Bronx River residents spoke out and revealed in oral testimonies that Bambaataa's real name was in fact Lance Taylor. The Zulu Nation was the first hip-hop organization, with an official birth date of November 12, 1977. Bambaataa's plan with the Universal Zulu Nation was to build
4270-407: Was an unauthorized release. Winley recorded two versions of Soulsonic Force's landmark single, "Zulu Nation Throwdown", with authorization from the musicians. Disappointed with the results of the single, Bambaataa left the company. The arranger credit on these recordings is correctly attributed to Harlem Underground Band leader, Kevin Donovan. This led to the false assumption that Bambaataa's real name
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#17328553573274340-599: Was announced that Afrika Bambaataa was one of the nine nominees for the 2008 Rock and Roll Hall of Fame Inductions. On December 22, 2007, he made a surprise appearance performing at the First Annual Tribute Fit For the King of King Records, Mr. Dynamite James Brown in Covington, Kentucky . On August 14, 2012, Bambaataa was given a three-year appointment as a visiting scholar at Cornell University . The appointment
4410-404: Was augmented by Clark Kent and dancers The Nigga Twins. Herc took his soundsystem (the herculords) —still legendary for its sheer volume —to the streets and parks of the Bronx. Nelson George recalls a schoolyard party: The sun hadn't gone down yet, and kids were just hanging out, waiting for something to happen. Van pulls up, a bunch of guys come out with a table, crates of records. They unscrew
4480-557: Was billed in music industry circles as "the Godfather of Soul meets the Godfather of Hip Hop". Around October 1985, Bambaataa and other music stars worked on the anti- apartheid album Sun City with Little Steven Van Zandt , Joey Ramone , Run–D.M.C. , Lou Reed , U2 , and others. During 1988, he recorded "Afrika Bambaataa and Family" for Capitol Records , titled The Light, featuring Nona Hendryx , UB40 , Boy George , George Clinton , Bootsy Collins , and Yellowman . He had recorded
4550-461: Was his job to build ranks and expand the turf of the young Spades. He was not afraid to cross turfs to forge relationships with other gangs, and their members. As a result, the Spades became the biggest gang in the city in terms of both membership and turf. After Bambaataa won an essay contest that earned him a trip to Africa , his worldview shifted. He had seen the movie Zulu and was impressed with
4620-400: Was inspired by Kraftwerk 's futuristic electronic music, debuted at The Roxy a test cassette of EBN-OZN 's ground breaking, 12-inch white rap/spoken word "AEIOU Sometimes Y". It was the first commercially released American single ever made on a computer, a Fairlight CMI , ushering in the era of music computer sampling. In that same year, Bambaataa and Soulsonic Force stopped performing with
4690-698: Was made in collaboration between Cornell University Library 's Hip Hop Collection, the largest collection of historical hip hop music in North America, and the university's department of Music. His archives, including his vinyl collection, original audio and video recordings, manuscripts, books, and papers arrived at the Cornell University Hip Hop Collection in December 2013. In April 2016, Bronx political activist Ronald "Bee-Stinger" Savage accused Bambaataa of molesting him in 1980, when Savage
4760-767: Was produced by Bambaataa and Baker with musicians Keith LeBlanc and Doug Wimbish. Bambaataa was involved in the Stop the Violence Movement, and with other hip hop artists recorded "Self Destruction", a 12" single which hit number one on the Hot Rap Singles Chart in March 1989. The single went gold and raised $ 400,000 for the National Urban League to be used for community anti-violence education programs. In 1990, Bambaataa made Life magazine's "Most Important Americans of
4830-459: Was said to lack health insurance. He had surgery for kidney stones , with a stent placed to relieve the pressure. He needed follow-up surgery but St. Barnabas Hospital in the Bronx , the site that performed the previous surgery, requested that he make a deposit toward the next surgery, because he had missed several follow-up visits. (The hospital noted that it would not turn away uninsured patients in
4900-431: Was sued by an anonymous man who alleged that between 1991 and 1995, Bambaataa repeatedly sexually abused him when he was a minor, and also trafficked him to other adult men. DJ Kool Herc Clive Campbell (born April 16, 1955), better known by his stage name DJ Kool Herc , is a Jamaican American DJ who is credited with being one of the founders of hip hop music in the Bronx , New York City, in 1973. Nicknamed
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