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46-444: The Sleeping Hermaphrodite has been described as a good early Imperial Roman copy of a bronze original by the later of the two Hellenistic sculptors named Polycles (working c. 155 BC); the original bronze was mentioned in Pliny's Natural History . The ancient sculpture was discovered in the first decades of the 17th century—unearthed in the grounds of Santa Maria della Vittoria , near

92-460: A summarium, or list of contents, at the beginning of the work that was later interpreted by modern printers as a table of contents. The table below is a summary based on modern names for topics. Pliny's purpose in writing the Natural History was to cover all learning and art so far as they are connected with nature or draw their materials from nature. He says: My subject is a barren one –

138-479: A meal, which with him, as in the old days, was always a simple and light one, he would lie in the sun if he had any time to spare, and a book would be read aloud, from which he would take notes and extracts. Pliny the Younger told the following anecdote illustrating his uncle's enthusiasm for study: After dinner a book would be read aloud, and he would take notes in a cursory way. I remember that one of his friends, when

184-407: A model for later encyclopedias and scholarly works as a result of its breadth of subject matter, its referencing of original authors, and its index . Pliny's Natural History was written alongside other substantial works (which have since been lost ). Pliny (AD 23–79) combined his scholarly activities with a busy career as an imperial administrator for the emperor Vespasian . Much of his writing

230-454: A painting, a salutary warning that too much effort can be counterproductive. Everything from "a salutary warning" onwards represents the ablative absolute phrase starting with "memorabili praecepto". Pliny wrote the first ten books in AD 77, and was engaged on revising the rest during the two remaining years of his life. The work was probably published with little revision by the author's nephew Pliny

276-450: A view to their role in human life. Pliny devotes a number of the books to plants, with a focus on their medicinal value; the books on minerals include descriptions of their uses in architecture , sculpture , art , and jewellery . Pliny's premise is distinct from modern ecological theories, reflecting the prevailing sentiment of his time. Pliny's work frequently reflects Rome's imperial expansion, which brought new and exciting things to

322-521: Is Marcus Terentius Varro . In the geographical books, Varro is supplemented by the topographical commentaries of Agrippa , which were completed by the emperor Augustus ; for his zoology , he relies largely on Aristotle and on Juba , the scholarly Mauretanian king, studiorum claritate memorabilior quam regno (v. 16). Juba is one of his principal guides in botany; Theophrastus is also named in his Indices, and Pliny had translated Theophrastus's Greek into Latin. Another work by Theophrastus, On Stones

368-511: Is a Hermaphroditus , of which there are no clues in Pliny as to whether it was standing or reclining, but which the surviving Roman copies are taken to be replicas of Polycles' bronze original. The Borghese Hermaphroditus is said to be one of these copies. This Ancient Greek biographical article is a stub . You can help Misplaced Pages by expanding it . Natural History (Pliny) The Natural History ( Latin : Naturalis Historia )

414-525: Is a Latin work by Pliny the Elder . The largest single work to have survived from the Roman Empire to the modern day, the Natural History compiles information gleaned from other ancient authors. Despite the work's title, its subject area is not limited to what is today understood by natural history ; Pliny himself defines his scope as "the natural world, or life". It is encyclopedic in scope, but its structure

460-454: Is encyclopaedic in scope, but its format is unlike a modern encyclopaedia . However, it does have structure: Pliny uses Aristotle's division of nature (animal, vegetable, mineral) to recreate the natural world in literary form. Rather than presenting compartmentalised, stand-alone entries arranged alphabetically, Pliny's ordered natural landscape is a coherent whole, offering the reader a guided tour: "a brief excursion under our direction among

506-529: Is handled in Books XII to XVIII, with Theophrastus as one of Pliny's sources. The manufacture of papyrus and the various grades of papyrus available to Romans are described. Different types of trees and the properties of their wood are explained in Books XII to XIII. The vine, viticulture and varieties of grape are discussed in Book XIV, while Book XV covers the olive tree in detail, followed by other trees including

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552-432: Is human life in a natural landscape. After an initial survey of cosmology and geography , Pliny starts his treatment of animals with the human race, "for whose sake great Nature appears to have created all other things". This teleological view of nature was common in antiquity and is crucial to the understanding of the Natural History . The components of nature are not just described in and for themselves, but also with

598-769: Is not like that of a modern encyclopedia . It is the only work by Pliny to have survived, and the last that he published. He published the first 10 books in AD 77, but had not made a final revision of the remainder at the time of his death during the AD ;79 eruption of Vesuvius . The rest was published posthumously by Pliny's nephew, Pliny the Younger . The work is divided into 37 books, organised into 10 volumes. These cover topics including astronomy , mathematics , geography , ethnography , anthropology , human physiology , zoology , botany , agriculture , horticulture , pharmacology , mining , mineralogy , sculpture , art , and precious stones . Pliny's Natural History became

644-431: Is to be watchful", in a military metaphor of a sentry keeping watch in the night. Pliny claims to be the only Roman ever to have undertaken such a work, in his prayer for the blessing of the universal mother: Hail to thee, Nature, thou parent of all things! and do thou deign to show thy favour unto me, who, alone of all the citizens of Rome, have, in thy every department, thus made known thy praise. The Natural History

690-448: The Baths of Diocletian and within the bounds of the ancient Gardens of Sallust . The discovery was made either when the church foundations were being dug (in 1608) or when espaliers were being planted. The sculpture was presented to the connoisseur Cardinal Scipione Borghese , who in return granted the order the services of his architect Giovanni Battista Soria and paid for the façade of

736-591: The Borghese Collection , who had married Pauline Bonaparte . It was transferred to The Louvre , where it inspired Algernon Charles Swinburne 's poem "Hermaphroditus" in 1863. A second-century copy of the Sleeping Hermaphroditus was found in 1781, and has taken the original's place at the Galleria Borghese . A third Roman marble variant was discovered in 1880, during building works to make Rome

782-587: The Defloratio Historiae Naturalis Plinii Secundi consisting of nine books of selections taken from an ancient manuscript. There are three independent classes of the stemma of the surviving Historia Naturalis manuscripts. These are divided into: The textual tradition /stemma was established by the German scholars J. Sillig , D. Detlefsen, L. von Jan, and K. Rück in the 19th century. Two Teubner Editions were published of 5 volumes;

828-506: The Festival of Vulcan , not for luck but from his love of study, long before dawn; in winter he would commence at the seventh hour... He could sleep at call, and it would come upon him and leave him in the middle of his work. Before daybreak he would go to Vespasian – for he too was a night-worker – and then set about his official duties. On his return home he would again give to study any time that he had free. Often in summer after taking

874-671: The Prado Museum , and for Versailles (by the sculptor Martin Carlier  [ fr ] , in marble). The composition has clearly influenced Velázquez's painting of the Rokeby Venus , now in London. A reduced-scale bronze copy, made and signed by Giovanni Francesco Susini , is now at the Metropolitan Museum . Another reduced-scale copy, this time produced in ivory by François Duquesnoy ,

920-572: The Silver Age . His sentence structure is often loose and straggling. There is heavy use of the ablative absolute , and ablative phrases are often appended in a kind of vague "apposition" to express the author's own opinion of an immediately previous statement, e.g., dixit (Apelles) ... uno se praestare, quod manum de tabula sciret tollere, memorabili praecepto nocere saepe nimiam diligentiam. This might be translated In one thing Apelles stood out, namely, knowing when he had put enough work into

966-551: The Moon is 230,000 miles away. He describes comets , noting that only Aristotle has recorded seeing more than one at once. Book II continues with natural meteorological events lower in the sky, including the winds, weather, whirlwinds, lightning, and rainbows. He returns to astronomical facts such as the effect of longitude on time of sunrise and sunset, the variation of the Sun's elevation with latitude (affecting time-telling by sundials), and

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1012-632: The Younger , and this verdict largely explains the appeal of the Natural History since Pliny's death in the Eruption of Mount Vesuvius in 79 . Pliny had gone to investigate the strange cloud – "shaped like an umbrella pine", according to his nephew – rising from the mountain. The Natural History was one of the first ancient European texts to be printed, in Venice in 1469. Philemon Holland 's English translation of 1601 has influenced literature ever since. The Natural History consists of 37 books. Pliny devised

1058-516: The Younger, who, when telling the story of a tame dolphin and describing the floating islands of the Vadimonian Lake thirty years later, has apparently forgotten that both are to be found in his uncle's work. He describes the Naturalis Historia as a Naturae historia and characterises it as a "work that is learned and full of matter, and as varied as nature herself." The absence of

1104-410: The author's final revision may explain many errors, including why the text is as John Healy writes "disjointed, discontinuous and not in a logical order"; and as early as 1350, Petrarch complained about the corrupt state of the text, referring to copying errors made between the ninth and eleventh centuries. About the middle of the 3rd century, an abstract of the geographical portions of Pliny's work

1150-935: The capital of a newly united Italy . It is now on display at the Museo Palazzo Massimo Alle Terme , part of the National Museum of Rome . Additional ancient copies can be found at the Uffizi in Florence, Vatican Museums in Vatican City, and the Hermitage Museum in St Petersburg. Many copies have been produced since the Renaissance, in a variety of media and scales. Full size copies were produced for Philip IV of Spain in bronze, ordered by Velázquez and now in

1196-541: The capital: exotic eastern spices, strange animals to be put on display or herded into the arena, even the alleged phoenix sent to the emperor Claudius in AD 47 – although, as Pliny admits, this was generally acknowledged to be a fake. Pliny repeated Aristotle's maxim that Africa was always producing something new. Nature's variety and versatility were claimed to be infinite: "When I have observed nature she has always induced me to deem no statement about her incredible." This led Pliny to recount rumours of strange peoples on

1242-641: The church, albeit sixteen years later. In his new Villa Borghese , a room called the Room of the Hermaphrodite was devoted to it. In 1620, Gian Lorenzo Bernini , Scipione's protégé, was paid sixty scudi for making the buttoned mattress upon which the Hermaphroditus reclines, so strikingly realistic that visitors are inclined to give it a testing prod. The Sleeping Hermaphrodite and many other sculptures were purchased in 1807 from prince Camillo Borghese , owner of

1288-569: The edges of the world. These monstrous races – the Cynocephali or Dog-Heads, the Sciapodae , whose single foot could act as a sunshade, the mouthless Astomi , who lived on scents – were not strictly new. They had been mentioned in the fifth century BC by Greek historian Herodotus (whose history was a broad mixture of myths , legends , and facts), but Pliny made them better known. "As full of variety as nature itself", stated Pliny's nephew, Pliny

1334-492: The first by L. von Jan (1856-78; see external links ) and the second by C. Mayhoff (1892-1906). The most recent critical editions were published by Les Belle Letters (1950-). All 5th century: Definite descendants of E (Paris lat. 6795): Possible descendants of E: Copies of E: Cousin of E: Independent earlier tradition: The work was one of the first classical manuscripts to be printed , at Venice in 1469 by Johann and Wendelin of Speyer , but J.F. Healy described

1380-458: The greatness of Julius Caesar , outstanding people such as Hippocrates and Asclepiades , happiness and fortune. Zoology is discussed in Books VIII to XI. The encyclopedia mentions different sources of purple dye, particularly the murex snail, the highly prized source of Tyrian purple . It describes the elephant and hippopotamus in detail, as well as the value and origin of the pearl and

1426-419: The invention of fish farming and oyster farming . The keeping of aquariums was a popular pastime of the rich, and Pliny provides anecdotes of the problems of owners becoming too closely attached to their fish. Pliny correctly identifies the origin of amber as the fossilised resin of pine trees. Evidence cited includes the fact that some samples exhibit encapsulated insects, a feature readily explained by

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1472-519: The means of one's own achievements." In the preface, the author claims to have stated 20,000 facts gathered from some 2,000 books and from 100 select authors. The extant lists of his authorities cover more than 400, including 146 Roman and 327 Greek and other sources of information. The lists generally follow the order of the subject matter of each book. This has been shown in Heinrich Brunn 's Disputatio ( Bonn , 1856). One of Pliny's authorities

1518-413: The presence of a viscous resin. Pliny refers to the way in which it exerts a charge when rubbed, a property well known to Theophrastus. He devotes considerable space to bees , which he admires for their industry, organisation, and honey , discussing the significance of the queen bee and the use of smoke by beekeepers at the hive to collect honeycomb . He praises the song of the nightingale . Botany

1564-541: The reader pronounced a word wrongly, checked him and made him read it again, and my uncle said to him, "Did you not catch the meaning?" When his friend said "yes," he remarked, "Why then did you make him turn back? We have lost more than ten lines through your interruption." So jealous was he of every moment lost. Pliny's writing style emulates that of Seneca . It aims less at clarity and vividness than at epigrammatic point. It contains many antitheses , questions, exclamations, tropes , metaphors , and other mannerisms of

1610-436: The subject. Pliny studied the original authorities on each subject and took care to make excerpts from their pages. His indices auctorum sometimes list the authorities he actually consulted, though not exhaustively; in other cases, they cover the principal writers on the subject, whose names are borrowed second-hand from his immediate authorities. He acknowledges his obligations to his predecessors: "To own up to those who were

1656-503: The translation as "distinctly imperfect". A copy printed in 1472 by Nicolas Jenson of Venice is held in the library at Wells Cathedral . Philemon Holland made an influential translation of much of the work into English in 1601. John Bostock and H. T. Riley made a complete translation in 1855. The Natural History is generally divided into the organic plants and animals and the inorganic matter, although there are frequent digressions in each section. The encyclopedia also notes

1702-562: The uses made of all of these by the Romans. Its description of metals and minerals is valued for its detail in the history of science , being the most extensive compilation still available from the ancient world. Book I serves as Pliny's preface, explaining his approach and providing a table of contents. The first topic covered is Astronomy, in Book II. Pliny starts with the known universe, roundly criticising attempts at cosmology as madness, including

1748-638: The variation of day length with latitude. In Books III to VI, Pliny moves to the Earth itself. In Book III he covers the geography of the Iberian peninsula and Italy; Book IV covers Europe; Book V looks at Africa and Asia, while Book VI looks eastwards to the Black Sea, India and the Far East. Book VII discusses the human race, covering anthropology and ethnography , aspects of human physiology and assorted matters such as

1794-541: The view that there are countless other worlds than the Earth. He concurs with the four (Aristotelian) elements, fire, earth, air and water, and records the seven "planets" including the Sun and Moon. The Earth is a sphere, suspended in the middle of space. He considers it a weakness to try to find the shape and form of God, or to suppose that such a being would care about human affairs. He mentions eclipses, but considers Hipparchus 's almanac grandiose for seeming to know how Nature works. He cites Posidonius 's estimate that

1840-450: The whole of the works of nature ..." The work is unified but varied: "My subject is the world of nature ... or in other words, life," he tells Titus. Nature for Pliny was divine, a pantheistic concept inspired by the Stoic philosophy , which underlies much of his thought, but the deity in question was a goddess whose main purpose was to serve the human race: "nature, that is life"

1886-498: The world of nature, or in other words life; and that subject in its least elevated department, and employing either rustic terms or foreign, nay barbarian words that actually have to be introduced with an apology. Moreover, the path is not a beaten highway of authorship, nor one in which the mind is eager to range: there is not one of us who has made the same venture, nor yet one among the Greeks who has tackled single-handed all departments of

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1932-449: Was an ancient Greek sculptor who flourished about the 156th Olympiad (155 BC) and was mentioned in Pliny 's Natural History . In Pliny's list, the name of this Polycles is followed by "Athenaeus", either to be taken as the name of another sculptor or as Polycles's birthplace. A Juno by him stood in the Portico of Octavia at Rome. The sculpture principally associated with this sculptor

1978-587: Was cited as a source on ores and minerals . Pliny strove to use all the Greek histories available to him, such as Herodotus and Thucydides , as well as the Bibliotheca Historica of Diodorus Siculus . His nephew, Pliny the Younger, described the method that Pliny used to write the Natural History : Does it surprise you that a busy man found time to finish so many volumes, many of which deal with such minute details?... He used to begin to study at night on

2024-421: Was done at night; daytime hours were spent working for the emperor, as he explains in the dedicatory preface addressed to Vespasian's elder son, the future emperor Titus , with whom he had served in the army (and to whom the work is dedicated). As for the nocturnal hours spent writing, these were seen not as a loss of sleep but as an addition to life, for as he states in the preface, Vita vigilia est , "to be alive

2070-467: Was produced by Solinus . Early in the 8th century, Bede , who admired Pliny's work, had access to a partial manuscript which he used in his " De natura rerum ", especially the sections on meteorology and gems . However, Bede updated and corrected Pliny on the tides . There are about 200 extant manuscripts, but the best of the more ancient manuscripts, that at Bamberg State Library , contains only books XXXII–XXXVII. In 1141 Robert of Cricklade wrote

2116-541: Was purchased in Rome by John Evelyn in the 1640s. American artist Barry X Ball produced a life-size copy after the Louvre's version, made from Belgian black marble on a Carrara marble base, which was completed in 2010. This sculpture was sold at Christie's, New York, on 10 May 2016 for $ 545,000. [REDACTED] Media related to Borghese Hermaphroditus (Louvre, Ma 231) at Wikimedia Commons Polycles (155 BC) Polycles

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