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67-417: The sirventes or serventes ( Old Occitan [siɾvenˈtes] ), sometimes translated as "service song", was a genre of Old Occitan lyric poetry practiced by the troubadours . The name comes from sirvent ('serviceman'), from whose perspective the song is allegedly written. Sirventes usually (possibly, always) took the form of parodies, borrowing the melody, metrical structure and often even

134-481: A ceremonial sword ( l'épée ). The members bear the cost of their uniforms themselves. The robes cost around $ 50,000, and Amin Maalouf said that his induction cost him some $ 230,000 overall. The swords can be particularly expensive as they are individually designed. Some new members have had funds for them raised by committees. The Académie is France's official authority on the usages, vocabulary, and grammar of

201-629: A chairperson and chief representative of the Académie. The two other officers, a Director and a Chancellor, are elected for three-month terms. The most senior member, by date of election, is the Dean of the Académie. New members are elected by the Académie itself; the original members were appointed. When a seat becomes vacant, a person may apply to the Secretary if they wish to become a candidate. Alternatively, existing members may nominate other candidates. A candidate

268-787: A literary work), the grand prix du roman (for a novel), the Grand prix de poésie de l'Académie française (for poetry), the Grand prix de philosophie (for a philosophical work), the Grand prix du cinéma (for film), and the grand prix Gobert (for a work on French history). The Académie Française intervened in June 2008 to oppose the French Government's proposal to constitutionally offer recognition and protection to regional languages ( Flemish , Alsatian , Basque , Breton , Catalan , Corsican , Occitan , Gascon , and Arpitan ). The current members of

335-460: A member is known as l'habit vert , or green clothing. The habit vert , worn at the Académie's formal ceremonies, was first adopted during Napoleon Bonaparte's reorganization of the Institut de France . It consists of a long black coat and black-feathered bicorne , both richly embroidered with green leafy motifs, together with black trousers or skirt. Further, members other than clergy carry

402-632: A number of subgenres, for example by setting or subject, or a distinctive national style, for example in the Indian Bollywood musical. A music genre is a conventional category that identifies pieces of music as belonging to a shared tradition or set of conventions. It is to be distinguished from musical form and musical style , although in practice these terms are sometimes used interchangeably. There are numerous genres in Western classical music and popular music , as well as musical theatre and

469-411: A particular culture or community. The work of Georg Lukács also touches on the nature of literary genres , appearing separately but around the same time (1920s–1930s) as Bakhtin. Norman Fairclough has a similar concept of genre that emphasizes the social context of the text: Genres are "different ways of (inter)acting discoursally" (Fairclough, 2003: 26). A text's genre may be determined by its: In

536-583: A single body called the Institut de France . Napoleon Bonaparte , as First Consul , decided to restore the former academies, but only as "classes" or divisions of the Institut de France . The second class of the Institut was responsible for the French language, and corresponded to the former Académie Française . When King Louis XVIII came to the throne in 1816, each class regained the title of "Académie"; accordingly,

603-421: A speech to the Académie, which includes a eulogy for the member being replaced. This is followed by a speech made by one of the members. Eight days thereafter, a public reception is held, during which the new member makes a speech thanking their colleagues for their election. On one occasion, one newly installed member, Georges de Porto-Riche , was not accorded a reception, as the eulogy he made of his predecessor

670-481: A story, or allegorical personifications. They usually deal with subjects drawn from "everyday life". These are distinguished from staffage : incidental figures in what is primarily a landscape or architectural painting. "Genre" is also be used to refer to specialized types of art such as still-life , landscapes, marine paintings and animal paintings, or groups of artworks with other particular features in terms of subject-matter, style or iconography . The concept of

737-531: A structured classification system of genre, as opposed to a more contemporary rhetorical model of genre. The basic genres of film can be regarded as drama, in the feature film and most cartoons , and documentary . Most dramatic feature films, especially from Hollywood fall fairly comfortably into one of a long list of film genres such as the Western , war film , horror film , romantic comedy film , musical , crime film , and many others. Many of these genres have

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804-510: A viable mode. He then uses two additional criteria to distinguish the system. The first of the criteria is the object to be imitated, whether superior or inferior. The second criterion is the medium of presentation: words, gestures, or verse. Essentially, the three categories of mode , object , and medium can be visualized along an XYZ axis. Excluding the criteria of medium, Aristotle's system distinguished four types of classical genres: tragedy , epic , comedy , and parody . Genette explained

871-565: Is a highly specialized, narrow classification of a cultural practice. The term has come into usage in the 21st century, and most commonly refers to music. It is also associated with the hyper-specific categories used in recommendations for television shows and movies on digital streaming platforms such as Netflix , and is sometimes used more broadly by scholars analyzing niche forms in other periods and other media. Acad%C3%A9mie fran%C3%A7aise The Académie Française ( French pronunciation: [akademi fʁɑ̃sɛːz] ), also known as

938-609: Is a notable example of a sirventes written in Old French . Genre Critical discussion of genre perhaps began with a classification system for ancient Greek literature , as set out in Aristotle's Poetics . For Aristotle, poetry ( odes , epics , etc.), prose , and performance each had specific features that supported appropriate content of each genre. Speech patterns for comedy would not be appropriate for tragedy, for example, and even actors were restricted to their genre under

1005-543: Is assigned a separate number. Candidates make their applications for a specific seat, not to the Académie in general: if several seats are vacant, a candidate may apply separately for each. Since a newly elected member is required to eulogize their predecessor in the installation ceremony, it is not uncommon that potential candidates refuse to apply for particular seats because they dislike the predecessors. Members are known as "les immortels" ("the Immortals") in reference to

1072-434: Is continuing work on the ninth edition, of which the first volume ( A to Enzyme ) appeared in 1992, Éocène to Mappemonde was published in 2000, and Maquereau to Quotité in 2011. In 1778, the Académie attempted to compile a "historical dictionary" of the French language; this idea was later abandoned, the work never progressing past the letter  A . As the use of English terms by media increased over

1139-487: Is elected by a majority of votes from voting members. A quorum is twenty members. If no candidate receives an absolute majority, another election must be performed at a later date. The election is valid only if the protector of the Académie, the President of France, grants their approval. The President's approbation is only a formality. The new member is then installed at a meeting of the Académie. The new member must deliver

1206-426: Is explicitly stated in the text (which it often is) or the original piece it is based on has been preserved (which is also often the case: for a parody to work, it had to target a recognizable, therefore widely known, piece). The first author known to have written a sirventes is Cercamon , the name of the genre was first mentioned by Marcoat , and the most famous practitioner of it was Bertran de Born ; Peire de Vic

1273-446: Is further subdivided into epic , lyric , and drama . The divisions are recognized as being set by Aristotle and Plato ; however, they were not the only ones. Many genre theorists added to these accepted forms of poetry . The earliest recorded systems of genre in Western history can be traced back to Plato and Aristotle . Gérard Genette explains his interpretation of the history of genre in "The Architext". He described Plato as

1340-521: Is met or not. Many genres have built-in audiences and corresponding publications that support them, such as magazines and websites. Inversely, audiences may call out for change in an antecedent genre and create an entirely new genre. The term may be used in categorizing web pages , like "news page" and "fan page", with both very different layout, audience, and intention (Rosso, 2008). Some search engines like Vivísimo try to group found web pages into automated categories in an attempt to show various genres

1407-449: Is not necessary to be a member of the literary profession to become a member. The Académie has included numerous politicians, lawyers, scientists, historians, philosophers, and senior Roman Catholic clergymen. Five French heads of state have been members – Adolphe Thiers , Raymond Poincaré , Paul Deschanel , Philippe Pétain , and Valéry Giscard d'Estaing – and one foreign head of state, the poet Léopold Sédar Senghor of Senegal , who

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1474-407: Is often applied, sometimes rather loosely, to other media with an artistic element, such as video game genres . Genre, and numerous minutely divided subgenres, affect popular culture very significantly, not least as they are used to classify it for publicity purposes. The vastly increased output of popular culture in the age of electronic media encourages dividing cultural products by genre to simplify

1541-670: The Battle of Verdun of World War I , was elected to the Académie in 1931 and, after his governorship of Vichy France in World War II , was forced to resign his seat in 1945. The Académie had its origins in an informal literary group deriving from the salons held at the Hôtel de Rambouillet during the late 1620s and early 1630s. The group began meeting at Valentin Conrart 's house, seeking informality. There were then nine members. Cardinal Richelieu ,

1608-575: The French Academy , is the principal French council for matters pertaining to the French language . The Académie was officially established in 1635 by Cardinal Richelieu , the chief minister to King Louis XIII . Suppressed in 1793 during the French Revolution , it was restored as a division of the Institut de France in 1803 by Napoleon Bonaparte . It is the oldest of the five académies of

1675-511: The Renaissance period. According to Green, "Beethoven's Op. 61 and Mendelssohn's Op. 64 are identical in genre – both are violin concertos – but different in form. However, Mozart's Rondo for Piano, K. 511 , and the Agnus Dei from his Mass, K. 317 are quite different in genre but happen to be similar in form." Some, like Peter van der Merwe , treat the terms genre and style as

1742-527: The " hierarchy of genres " was a powerful one in artistic theory, especially between the 17th and 19th centuries. It was strongest in France, where it was associated with the Académie française which held a central role in academic art . The genres, which were mainly applied to painting, in hierarchical order are: The hierarchy was based on a distinction between art that made an intellectual effort to "render visible

1809-552: The Académie's motto , À l'immortalité ("To Immortality"), which is inscribed on the official seal of the charter granted by Cardinal Richelieu. One of the immortels is chosen by their colleagues to be the Académie's Perpetual Secretary. The Secretary is called "Perpetual", as though the holder serves for life, but holds the ability to resign; they may thereafter be styled as "Honorary Perpetual Secretary", with three post- World War II Perpetual Secretaries having previously resigned due to old age. The Perpetual Secretary acts as

1876-554: The Académie, either because their candidacies were rejected, because they were never candidates, or because they died before appropriate vacancies arose. Notable French authors who never became academicians include Jean-Jacques Rousseau , Jean-Paul Sartre , Joseph de Maistre , Honoré de Balzac , René Descartes , Denis Diderot , Romain Rolland , Charles Baudelaire , Gustave Flaubert , Molière , Marcel Proust , Jules Verne , Théophile Gautier , and Émile Zola . The official uniform of

1943-630: The French head of state has always served as the Académie's protector. From 1672 to 1805, the official meetings of the Académie were in the Louvre ; since 1805, the Académie Française has met in the Collège des Quatre-Nations (known now as the Palais de l'Institut). The remaining academies of the Institut de France also meet in the Palais de l'Institut. The Académie Française has forty seats, each of which

2010-506: The French language since the 1700s, and has criticized the view that anglicisms present an "invasion" on the French language. It distinguishes anglicisms into three categories: some that are useful to the French language and introduced vocabulary which did not have a French equivalent at the time (the Académie cites the word " confortable " as an example, from the English "comfortable"); others that are detrimental and only establish more confusion as

2077-533: The French language. The Académie publishes a dictionary of the French language, known as the Dictionnaire de l'Académie française , which is regarded as official in France. A special commission composed of several (but not all) of the members of the Académie compiles the work. The Académie has published thirteen editions of the dictionary, of which three were preliminary, eight were complete, and two were supplements for specialised words. These are: The Académie

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2144-612: The already dominant position of the Tuscan dialect of Florence as the model for Italian ; the Florentine academy had published its Vocabolario in 1612. During the French Revolution , the National Convention suppressed all royal academies, including the Académie Française . In 1792, the election of new members to replace those who died was prohibited; in 1793, the academies were themselves abolished. They were all replaced in 1795 by

2211-456: The assumption that a type of person could tell one type of story best. Genres proliferate and develop beyond Aristotle's classifications— in response to changes in audiences and creators. Genre has become a dynamic tool to help the public make sense out of unpredictability through artistic expression. Given that art is often a response to a social state, in that people write, paint, sing, dance, and otherwise produce art about what they know about,

2278-519: The care and diligence possible, to give exact rules to our language, to render it capable of treating the arts and sciences". The Académie Française has remained responsible for the regulation of French grammar, spelling, and literature. Richelieu's model, the first academy devoted to eliminating the "impurities" of a language, was the Accademia della Crusca , founded in Florence in 1582, which formalized

2345-470: The chief minister of France, made himself protector of the group, and in anticipation of the formal creation of the academy, new members were appointed in 1634. On 22 February 1635, at Richelieu's urging, King Louis XIII granted letters patent formally establishing the council; according to the letters patent registered at the Parlement de Paris on 10 July 1637, the Académie Française was "to labor with all

2412-484: The closely related concept of "genre ecologies". Reiff and Bawarshi define genre analysis as a critical reading of people's patterns of communication in different situations. This tradition has had implications for the teaching of writing in American colleges and universities. Combining rhetorical genre theory with activity theory , David Russell has proposed that standard English composition courses are ill-suited to teach

2479-418: The creator of three imitational, mimetic genres distinguished by mode of imitation rather than content. These three imitational genres include dramatic dialogue, the drama ; pure narrative, the dithyramb ; and a mixture of the two, the epic . Plato excluded lyric poetry as a non-mimetic, imitational mode. Genette further discussed how Aristotle revised Plato's system by first eliminating the pure narrative as

2546-621: The end of World War II : Philippe Pétain , Abel Bonnard , Abel Hermant , and Charles Maurras were all excluded for their association with the Vichy regime . In total, 20 members have been expelled from the Académie. There have been a total of 742 immortels , of whom eleven have been women; Marguerite Yourcenar was the first woman to be elected, in 1980, but there have been 25 unsuccessful female candidacies, dating from 1874. Individuals who are not citizens of France may be, and have been, elected. Moreover, although most academicians are writers, it

2613-948: The field of rhetoric , genre theorists usually understand genres as types of actions rather than types or forms of texts. On this perspective, texts are channels through which genres are enacted. Carolyn Miller's work has been especially important for this perspective. Drawing on Lloyd Bitzer 's concept of rhetorical situation, Miller reasons that recurring rhetorical problems tend to elicit recurring responses; drawing on Alfred Schütz , she reasons that these recurring responses become "typified" – that is, socially constructed as recognizable types. Miller argues that these "typified rhetorical actions" (p. 151) are properly understood as genres. Building off of Miller, Charles Bazerman and Clay Spinuzzi have argued that genres understood as actions derive their meaning from other genres – that is, other actions. Bazerman therefore proposes that we analyze genres in terms of "genre systems", while Spinuzzi prefers

2680-593: The fourth and final type of Greek literature , was excluded by Plato as a non-mimetic mode. Aristotle later revised Plato's system by eliminating the pure narrative as a viable mode and distinguishing by two additional criteria: the object to be imitated, as objects could be either superior or inferior, and the medium of presentation such as words, gestures or verse. Essentially, the three categories of mode, object, and medium dialogue, epic (superior-mixed narrative), comedy (inferior-dramatic dialogue), and parody (inferior-mixed narrative). Genette continues by explaining

2747-401: The genres prose or poetry , which shows best how loosely genres are defined. Additionally, a genre such as satire might appear in any of the above, not only as a subgenre but as a mixture of genres. Finally, they are defined by the general cultural movement of the historical period in which they were composed. In popular fiction , which is especially divided by genres, genre fiction is

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2814-492: The genres that students will write in other contexts across the university and beyond. Elizabeth Wardle contends that standard composition courses do teach genres, but that these are inauthentic "mutt genres" that are often of little use outside composition courses. Genre is effective as a tool in rhetoric because it allows a speaker to set the context for a rhetorical discussion. Devitt, Reiff, and Bawarshi suggest that rhetorical genres may be assigned based on careful analysis of

2881-457: The institute. The body has the duty of acting as an official authority on the language; it is tasked with publishing an official dictionary of the language. The Académie comprises forty members, known as les immortels ("the immortals"). New members are elected by the members of the Académie itself . Academicians normally hold office for life, but they may resign or be dismissed for misconduct. Philippe Pétain , named Marshal of France after

2948-573: The integration of lyric poetry into the classical system by replacing the removed pure narrative mode. Lyric poetry , once considered non-mimetic, was deemed to imitate feelings, becoming the third "Architext", a term coined by Gennette, of a new long-enduring tripartite system: lyrical; epical, the mixed narrative; and dramatic, the dialogue. This new system that came to "dominate all the literary theory of German romanticism " (Genette 38) has seen numerous attempts at expansion and revision. Such attempts include Friedrich Schlegel 's triad of subjective form,

3015-520: The later integration of lyric poetry into the classical system during the romantic period , replacing the now removed pure narrative mode. Lyric poetry, once considered non-mimetic, was deemed to imitate feelings, becoming the third leg of a new tripartite system: lyrical, epical, and dramatic dialogue. This system, which came to "dominate all the literary theory of German romanticism (and therefore well beyond)…" (38), has seen numerous attempts at expansion or revision. However, more ambitious efforts to expand

3082-496: The lyric; objective form, the dramatic; and subjective-objective form, the epic. However, more ambitious efforts to expand the tripartite system resulted in new taxonomic systems of increasing complexity. Gennette reflected upon these various systems, comparing them to the original tripartite arrangement: "its structure is somewhat superior to most of those that have come after, fundamentally flawed as they are by their inclusive and hierarchical taxonomy, which each time immediately brings

3149-485: The modernization of the French orthography , has sometimes been criticized by many linguists for allegedly behaving in an overly conservative manner. For instance, in 1997, Lionel Jospin 's government began using the feminine noun " la ministre " to refer to a female minister, following the official practice of Canada , Belgium and Switzerland and a frequent, though until then unofficial, practice in France. The Académie insisted, in accordance with French grammar rules on

3216-510: The more usual term. In literature , genre has been known as an intangible taxonomy . This taxonomy implies a concept of containment or that an idea will be stable forever. The earliest recorded systems of genre in Western history can be traced back to Plato and Aristotle. Gérard Genette , a French literary theorist and author of The Architext , describes Plato as creating three Imitational genres: dramatic dialogue, pure narrative, and epic (a mixture of dialogue and narrative). Lyric poetry ,

3283-841: The music of non-Western cultures. The term is now perhaps over-used to describe relatively small differences in musical style in modern rock music , that also may reflect sociological differences in their audiences. Timothy Laurie suggests that in the context of rock and pop music studies, the "appeal of genre criticism is that it makes narratives out of musical worlds that often seem to lack them". Music can be divided into different genres in several ways. The artistic nature of music means that these classifications are often arbitrary and controversial, and some genres may overlap. There are several academic approaches to genres. In his book Form in Tonal Music , Douglass M. Green lists madrigal , motet , canzona , ricercar , and dance as examples of genres from

3350-621: The original meaning of the word is distorted in translation; and others still that are useless or avoidable, a category of anglicisms used by "snobs" who use words from an English provenance to demarcate themselves from society and appear "in vogue". For the last category of anglicisms, the Académie writes that those words are typically short-lived in French parlance. The Académie Française has informed government officials to stop using English gaming terms like "e-sports", it should be "jeu video de competition". Likewise "streamer" should be "joueur-animateur en direct". The Académie, despite working on

3417-416: The prizes were created during the twentieth century, and only two prizes were awarded before 1780. In total, the Académie awards more than sixty prizes, most of them annually. The most important prize is the Grand prix de la francophonie , which was instituted in 1986, and is funded by the governments of France, Canada, Monaco, and Morocco. Other important prizes include the Grand prix de littérature (for

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3484-447: The rhymes of a well-known piece to address a controversial subject, often a current event. The original piece was usually a canso , but there are sirventes written as contrafacta of (at least) sestinas and pastorelas . They were always opinionated, being either highly complimentary or, more often, oozing with vitriol; however, these features are not unique to the sirventes, so a piece can be positively identified as one only if its nature

3551-431: The same, saying that genre should be defined as pieces of music that share a certain style or "basic musical language". Others, such as Allan F. Moore, state that genre and style are two separate terms, and that secondary characteristics such as subject matter can also differentiate between genres. A music genre or subgenre may be defined by the musical techniques , the styles, the context, and content and spirit of

3618-614: The search for products by consumers, a trend the Internet has only intensified. In philosophy of language , genre figures prominently in the works of philosopher and literary scholar Mikhail Bakhtin . Bakhtin's basic observations were of "speech genres" (the idea of heteroglossia ), modes of speaking or writing that people learn to mimic, weave together, and manipulate (such as "formal letter" and "grocery list", or "university lecture" and "personal anecdote"). In this sense, genres are socially specified: recognized and defined (often informally) by

3685-429: The search hits might fit. A subgenre is a subordinate within a genre, Two stories being the same genre can still sometimes differ in subgenre. For example, if a fantasy story has darker and more frightening elements of fantasy, it would belong in the subgenre of dark fantasy ; whereas another fantasy story that features magic swords and wizards would belong to the subgenre of sword and sorcery . A microgenre

3752-483: The second class of the Institut became the Académie Française . Since 1816, the existence of the Académie Française has been uninterrupted. The President of France is the "protector" or patron of the Académie. Cardinal Richelieu originally adopted this role; upon his death in 1642, Pierre Séguier , the Chancellor of France , succeeded him. King Louis XIV adopted the function when Séguier died in 1672; since then,

3819-534: The subject matter and consideration of the audience. Genre is related to Ludwig Wittgenstein's theory of Family resemblance in which he describes how genres act like a family tree, where members of a family are related, but not exact copies of one another. This concept of genre originated from the classification systems created by Plato . Plato divided literature into the three classic genres accepted in Ancient Greece : poetry , drama , and prose . Poetry

3886-623: The themes. Geographical origin is sometimes used to identify a music genre, though a single geographical category will often include a wide variety of subgenres. Several music scholars have criticized the priority accorded to genre-based communities and listening practices. For example, Laurie argues that "music genres do not belong to isolated, self-sufficient communities. People constantly move between environments where diverse forms of music are heard, advertised and accessorised with distinctive iconographies, narratives and celebrity identities that also touch on non-musical worlds." The concept of genre

3953-474: The traditional use of the masculine noun, on the use of " le ministre " for a minister of either gender. In 2017, 77 linguists retaliated with an opinion column to denounce the "incompetence and anachronism of the Académie". Use of either form remains highly controversial. The Académie Française is responsible for awarding several different prizes in various fields (including literature, painting, poetry, theatre, cinema, history, and translation). Almost all of

4020-456: The tripartite system resulted in new taxonomic systems of increasing scope and complexity. Genette reflects upon these various systems, comparing them to the original tripartite arrangement: "its structure is somewhat superior to…those that have come after, fundamentally flawed as they are by their inclusive and hierarchical taxonomy, which each time immediately brings the whole game to a standstill and produces an impasse" (74). Taxonomy allows for

4087-947: The universal essence of things" ( imitare in Italian) and that which merely consisted of "mechanical copying of particular appearances" ( ritrarre ). Idealism was privileged over realism in line with Renaissance Neo-Platonist philosophy. A literary genre is a category of literary composition. Genres may be determined by literary technique , tone , content , or even (as in the case of fiction) length. Genre should not be confused with age category, by which literature may be classified as either adult, young adult , or children's . They also must not be confused with format, such as graphic novel or picture book. The distinctions between genres and categories are flexible and loosely defined, often with subgroups. The most general genres in literature are (in loose chronological order) epic , tragedy , comedy , novel , and short story . They can all be in

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4154-414: The use of genre as a tool must be able to adapt to changing meanings. The term genre is much used in the history and criticism of visual art, but in art history has meanings that overlap rather confusingly. Genre painting is a term for paintings where the main subject features human figures to whom no specific identity attaches – in other words, figures are not portraits, characters from

4221-399: The whole game to a standstill and produces an impasse". Although genres are not always precisely definable, genre considerations are one of the most important factors in determining what a person will see or read. The classification properties of genre can attract or repel potential users depending on the individual's understanding of a genre. Genre creates an expectation in that expectation

4288-536: The years, the Académie has tried to prevent the Anglicization of the French language. For example, the Académie has recommended the avoidance of loanwords from modern English (such as walkman , computer , software and e-mail ), in favour of neologisms, i.e. newly coined French words derived from existing ones ( baladeur , ordinateur , logiciel , and courriel respectively). The Académie has also noted that anglicisms have been present in

4355-489: Was also known for his sirventes, but only one has survived to this day. Most major troubadours have written at least one sirventes; well-known examples include: The sirventes, called sirventesch in early Catalan , was imported into that language in the fourteenth century, and it developed into a unique didactic/moralistic type. It also spread to Northern France, and became known as serventois in langue d'oïl . Dalfin je us voill desrenier by Richard I of England

4422-432: Was also the first African elected, in 1983. Other famous members include Voltaire ; Montesquieu ; Victor Hugo ; Alexandre Dumas, fils ; Émile Littré ; Louis Pasteur ; Louis de Broglie ; and Henri Poincaré . Many notable French writers have not become members of the Académie Française . In 1855, the writer Arsène Houssaye devised the expression "forty-first seat" for deserving individuals who were never elected to

4489-406: Was considered unsatisfactory, and he refused to rewrite it. Georges Clemenceau refused to be received, as he feared being received by his enemy, Raymond Poincaré . Members remain in the Académie for life. The council may dismiss an academician for grave misconduct. The first dismissal occurred in 1638, when Auger de Moléon de Granier was expelled for theft. The most recent dismissals occurred at

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