The Sforza Hours ( British Library , London, Add. MS 34294), is a richly illuminated book of hours initiated by Bona Sforza , widow of Galeazzo Sforza , Duke of Milan, around 1490, who commissioned the illuminator Giovanni Pietro Birago [ nl ] . The book remained in an unfinished state for 30 years until Margaret of Austria , Regent of the Netherlands, commissioned its completion in 1517–20 from the artist Gerard Horenbout . The book therefore contains decoration of the highest quality by two artists. It provides a unique example of an early sixteenth-century Northern Renaissance illuminator's response to Milanese art of the late Quattrocento . The history of the Sforza Hours also includes one of the earliest recorded examples of art theft .
105-507: It has been in the British Library since 1893. Bona commissioned the Book of Hours around 1490, fourteen years after the assassination of her husband Galeazzo Sforza. Completion of the book was probably abandoned in 1494 when Bona found herself excluded from power by her brother-in-law, Ludovico Sforza , following the death of her son Gian Galeazzo . She returned to her native Savoy in 1495 as
210-458: A Reader Pass. The Library has been criticised for admitting numbers of undergraduate students, who have access to their own university libraries, to the reading rooms. The Library replied that it has always admitted undergraduates as long as they have a legitimate personal, work-related or academic research purpose. The majority of catalogue entries can be found on Explore the British Library,
315-727: A daily shuttle service. Construction work on the Additional Storage Building was completed in 2013 and the newspaper library at Colindale closed on 8 November 2013. The collection has now been split between the St Pancras and Boston Spa sites. The British Library Document Supply Service (BLDSS) and the Library's Document Supply Collection is based on the same site in Boston Spa. Collections housed in Yorkshire, comprising low-use material and
420-715: A faculty for acting. Like his famous compatriot Petrarca , Squarcione was an ancient Rome enthusiast: he traveled in Italy, and perhaps also in Greece, collecting antique statues, reliefs, vases, etc., making drawings from them himself, then making available his collection for others to study. All the while, he continued undertaking works on commission, to which his pupils, no less than himself, contributed. As many as 137 painters and pictorial students passed through Squarcione's school, which had been established around 1440 and which became famous all over Italy. Padua attracted artists not only from
525-616: A full-page miniature by Horenbout of Christ nailed to the Cross (fol.12.v). This miniature has been likened to Gerard David 's panel of the same subject (in the National Gallery , London), but it is possible that Horenbout may have seen the subject in the Hours of Mary of Burgundy which displays similar details to Horenbout's painting. The section also contains 18 decorated borders by Birago. This section has survived completely intact. It contains
630-443: A guest of her nephew Philibert of Savoy . Bona died in 1503 and Philibert also died the following year, whereupon the book became the property of his widow, Margaret of Austria . Bona of Savoy and Margaret of Austria were identified as the original owners of the book in 1894 from mottos and inscriptions on various folios. Also uncovered at this time was a letter from Birago that had been published in 1885. The letter, from about 1490,
735-656: A handful of exhibition-style items in a proprietary format, such as the Lindisfarne Gospels . This includes the facility to "turn the virtual pages" of a few documents, such as Leonardo da Vinci 's notebooks. Catalogue entries for many of the illuminated manuscript collections are available online, with selected images of pages or miniatures from a growing number of them, and there is a database of significant bookbindings . British Library Sounds provides free online access to over 60,000 sound recordings. The British Library's commercial secure electronic delivery service
840-468: A million discs and 185,000 tapes. The collections come from all over the world and cover the entire range of recorded sound, from music, drama and literature to oral history and wildlife sounds, stretching back over more than 100 years. The Sound Archive's online catalogue is updated daily. It is possible to listen to recordings from the collection in selected Reading Rooms in the Library through their SoundServer and Listening and Viewing Service , which
945-556: A month, a sum so large for that period as to mark conspicuously the high regard in which his art was held. He was in fact the first painter of any eminence to be based in Mantua. His Mantuan masterpiece was painted for the court of Mantua, in the apartment of the Castle of the city, today known as Camera degli Sposi (literally, "Wedding Chamber") of Palazzo Ducale , Mantua: a series of full compositions in fresco including various portraits of
1050-603: A programme for content acquisition and adds some three million items each year occupying 9.6 kilometres (6 mi) of new shelf space. Prior to 1973, the Library was part of the British Museum , also in the Borough of Camden . The Library's modern purpose-built building stands next to St Pancras station on Euston Road in Somers Town , on the site of a former goods yard. There is an additional storage building and reading room in
1155-586: A room devoted solely to Magna Carta , as well as several Qur'ans and Asian items. In addition to the permanent exhibition, there are frequent thematic exhibitions which have covered maps, sacred texts, history of the English language, and law, including a celebration of the 800th anniversary of Magna Carta . In May 2005, the British Library received a grant of £1 million from the London Development Agency to change two of its reading rooms into
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#17331054069961260-591: A secure network in constant communication automatically replicate, self-check, and repair data. A complete crawl of every .uk domain (and other TLDs with UK based server GeoIP ) has been added annually to the DLS since 2013, which also contains all of the Internet Archive 's 1996–2013 .uk collection. The policy and system is based on that of the Bibliothèque nationale de France , which has crawled (via IA until 2010)
1365-667: A shared technical infrastructure implementing the Digital Library System developed by the British Library. The DLS was in anticipation of the Legal Deposit Libraries (Non-Print Works) Regulations 2013, an extension of the Legal Deposit Libraries Act 2003 to include non-print electronic publications from 6 April 2013. Four storage nodes, located in London, Boston Spa , Aberystwyth , and Edinburgh , linked via
1470-457: A similar painting by the Veronese artist Girolamo dai Libri . The Marquis Ludovico III Gonzaga of Mantua had for some time been pressing Mantegna to enter his service; and the following year, 1460 Mantegna was appointed court artist . He resided at first from time to time at Goito , but, from December 1466 onwards, he moved with his family to Mantua. His engagement was for a salary of 75 lire
1575-499: A workshop that was the leading producer of prints in Venice before 1500. Mantegna was born in Isola di Carturo , Venetian Republic close to Padua . He was the second son of a carpenter, Biagio. At the age of 11, he became apprenticed to Paduan painter Francesco Squarcione . Squarcione, whose original profession was tailoring, appears to have had a remarkable enthusiasm for ancient art, and
1680-587: Is a research library in London that is the national library of the United Kingdom . It is one of the largest libraries in the world . It is estimated to contain between 170 and 200 million items from many countries. As a legal deposit library, the British Library receives copies of all books produced in the United Kingdom and Ireland, including a significant proportion of overseas titles distributed in
1785-646: Is a full-page miniature by Horenbout of King David in Penitence and six miniatures of the same subject by Birago. There is also one decorated border by Birago (fol.213.r) to which Horenbout added the portrait of Charles V. More than half the folios of the Litany are replacements. It includes one miniature, the Procession of St Gregory (fol.236.r), and 8 decorated borders by Birago depicting Old Testament heroines and female saints. This part contains one miniature by Horenbout,
1890-472: Is a large piazza that includes pieces of public art , such as large sculptures by Eduardo Paolozzi (a bronze statue based on William Blake 's study of Isaac Newton ) and Antony Gormley . It is the largest public building constructed in the United Kingdom in the 20th century. In the middle of the building is a six-storey glass tower inspired by a similar structure in the Beinecke Library , containing
1995-636: Is a portrait of Charles, wearing the chain of the Order of the Golden Fleece , in one of Horenbout's text illustrations dated 1520. It is therefore widely believed that Margaret gave the Sforza Hours to her nephew as a gift on the occasion of his coronation as Charles V, Holy Roman Emperor . The book did not resurface until 1871, when it was acquired by C. J. Robinson from a priest in Madrid for eight hundred pounds. It
2100-492: Is available in hard copy and via online databases. Staff are trained to guide small and medium enterprises (SME) and entrepreneurs to use the full range of resources. In 2018, a Human Lending Library service was established in the Business & IP Centre, allowing social entrepreneurs to receive an hour's mentoring from a high-profile business professional. This service is run in partnership with Expert Impact. Stephen Fear
2205-675: Is based in the Rare Books & Music Reading Room. In 2006, the Library launched a new online resource, British Library Sounds , which makes 50,000 of the Sound Archive's recordings available online. Launched in October 2012, the British Library's moving image services provide access to nearly a million sound and moving image items onsite, supported by data for over 20 million sound and moving image recordings. The three services, which for copyright reasons can only be accessed from terminals within
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#17331054069962310-406: Is characterized by the strongly marked forms of the design, and by the parallel hatching used to produce shadows. The closer the parallel marks, the darker the shadows were. The prints are frequently to be found in two states , or editions. In the first, the prints have been produced using a roller, or even by hand pressing, and they are weak in tint; in the second, a printing press has been used, and
2415-444: Is considered the finest cycle of decoration in the Sforza Hours. It contains 25 vibrant and dynamic miniatures by Birago of individual saints, arranged in order of importance, beginning with St Michael (fol.186.v) and ending with St Mary Magdalene (fol.211.v) (this has been misplaced in the series – it should end with St Clare (fol.210.v). The series contains one Horenbout miniature: St Andrew (fol.189.v). In this section there
2520-439: Is free of charge in hard copy and online via approximately 30 subscription databases. Registered readers can access the collection and the databases. There are over 50 million patent specifications from 40 countries in a collection dating back to 1855. The collection also includes official gazettes on patents, trade marks and Registered Design ; law reports and other material on litigation ; and information on copyright . This
2625-414: Is more balancing of color than fineness of tone. One of his great aims was optical illusion, carried out by a mastery of perspective which, though not always mathematically correct, attained an astonishing effect for the times. Successful and admired though he was there, Mantegna left his native Padua at an early age, and never returned there; the hostility of Squarcione has been cited as the cause. He spent
2730-610: Is not a copy of any known Roman structure. Mantegna also adopted the wet drapery patterns of the Romans, who took the form from the Greek invention, for the clothing of his figures, although the tense figures and interactions are derived from Donatello . Among the other early Mantegna frescoes are the two saints over the entrance porch of the church of Sant'Antonio in Padua, 1452, and the 1453 San Luca Altarpiece , with St. Luke and other saints, for
2835-520: Is possible that Mantegna may have begun engraving while still in Padua , under the tuition of a distinguished goldsmith, Niccolò. He and his workshop engraved about thirty plates, according to the usual reckoning; large, full of figures, and highly studied. It is now considered either that he only engraved seven himself, or none. Another artist from the workshop who made several plates is usually identified as Giovanni Antonio da Brescia (aka Zoan Andrea). Among
2940-427: Is said) from models draped in paper and woven fabrics gummed in place. His figures are slim, muscular and bony; the action impetuous but of arrested energy. Finally, tawny landscape, gritty with littering pebbles, marks the athletic hauteur of his style. Mantegna never changed the manner which he had adopted in Padua, though his coloring—at first neutral and undecided—strengthened and matured. Throughout his works there
3045-543: Is that Mantegna began engraving in Rome, prompted by the engravings produced by the Florentine Baccio Baldini after Sandro Botticelli . This is now considered most unlikely as it would consign all the numerous and elaborate engravings made by Mantegna to the last sixteen or seventeen years of his life, which seems a brief period for them. Besides, the earlier engravings reflect an earlier period of his artistic style. It
3150-582: Is the only one that must automatically receive a copy of every item published in Britain; the others are entitled to these items, but must specifically request them from the publisher after learning that they have been or are about to be published, a task done centrally by the Agency for the Legal Deposit Libraries . Further, under the terms of Irish copyright law (most recently the Copyright and Related Rights Act 2000),
3255-547: The .fr domain annually (62 TBs in 2015) since 2006. On 28 October 2023 the British Library's entire website went down due to a cyber attack, later confirmed as a ransomware attack attributed to ransomware group Rhysida . Catalogues and ordering systems were affected, rendering the great majority of the library's collections inaccessible to readers. The library released statements saying that their services would be disrupted for several weeks, with some disruption expected to persist for several months. As at January 2024,
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3360-674: The Descent of the Holy Spirit (fol.28.r) and twenty-one decorated borders by Birago. This part includes 8 full-page miniatures by Horenbout, including the Visitation (fol.61.r) and the Adoration of the Magi (fol.97.r) (Birago's miniature of the Adoration of the Magi also exists (British Library, Add 45722)), and 44 decorated borders by Birago. The Visitation includes a portrait of Margaret of Austria as
3465-622: The Florentine leader visited Mantua in 1483), painted some architectonic and decorative fragments, and finished the intense St. Sebastian now in the Louvre ( box at top ). In 1488 Mantegna was called by Pope Innocent VIII to paint frescoes in a chapel Belvedere in the Vatican . This series of frescoes, including a noted Baptism of Christ , was later destroyed by Pius VI in 1780. The pope treated Mantegna with less liberality than he had been used to at
3570-631: The Gonzaga family and some figures of genii and others. The innovative spatial construction of the frescoes, particularly the oculus in the ceiling, had a profound effect on Antonio da Correggio . The Chamber's decoration was finished presumably in 1474. The ten years that followed were not happy ones for Mantegna and Mantua: Mantegna grew irritable, his son Bernardino died, as well as the Marchese Ludovico, his wife Barbara and his successor Federico (who had dubbed Mantegna cavaliere , "knight" ). Only with
3675-535: The HMSO Binderies became British Library responsibilities. In 1983, the Library absorbed the National Sound Archive , which holds many sound and video recordings, with over a million discs and thousands of tapes. The core of the Library's historical collections is based on a series of donations and acquisitions from the 18th century. These are known as the "foundation collections", and they include
3780-458: The King's Library with 65,000 printed volumes along with other pamphlets, manuscripts and maps collected by King George III between 1763 and 1820. In December 2009 a new storage building at Boston Spa was opened by Rosie Winterton . The new facility, costing £26 million, has a capacity for seven million items, stored in more than 140,000 bar-coded containers and which are retrieved by robots from
3885-809: The Raising of Lazarus (fol.257.v). There is one miniature, the Death of the Virgin and 41 decorated borders by Birago. Nearly a third of this section is replacements. The Office of the Dead is followed by the Prayer of the name of Jesus from the epistles of St Paul (fols 343.r-348.v) which is an unillustrated addition of around 1600. British Library 13,950,000 books 824,101 serial titles 351,116 manuscripts (single and volumes) 8,266,276 philatelic items 4,347,505 cartographic items 1,607,885 music scores The British Library
3990-508: The Sant'Agostino degli Eremitani . It is probable, however, that before this time some of the pupils of Squarcione, including Mantegna, had already begun the series of frescoes in the chapel of S. Cristoforo, in the church of the Eremitani, which are today considered a masterpiece. After a series of coincidences, Mantegna finished most of the work alone, though Ansuino , who collaborated with Mantegna in
4095-502: The Veneto but also from Tuscany , such as Paolo Uccello , Filippo Lippi and Donatello ; Mantegna's early career was shaped by impressions of Florentine works. At the time, Mantegna was said to be a favorite pupil of Squarcione, who taught him Latin and instructed him to study fragments of Roman sculpture . The master also preferred forced perspective , recollection of which may account for some of Mantegna's later innovations. However, at
4200-539: The worm's-eye view perspective, St. James Led to His Execution . Though much less dramatic in its perspective than the St. James picture, the San Zeno altarpiece was around 1455 not long after the St. James cycle was finished, and uses many of the same techniques, including an architectural structure based on Classical antiquity. The sketch for the St. Stephen fresco survived and is
4305-399: The 162.7 miles of temperature and humidity-controlled storage space. On Friday, 5 April 2013, the Library announced that it would begin saving all sites with the suffix .uk in a bid to preserve the nation's " digital memory " (which as of then amounted to about 4.8 million sites containing 1 billion web pages). The Library would make all the material publicly available to users by
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4410-507: The 18th and 19th centuries were made available online as the British Newspaper Archive . The project planned to scan up to 40 million pages over the next 10 years. The archive is free to search, but there is a charge for accessing the pages themselves. As of 2022, Explore the British Library is the latest iteration of the online catalogue. It contains nearly 57 million records and may be used to search, view and order items from
4515-866: The British Library continued to experience technology outages as a result of the cyber-attack. A number of books and manuscripts are on display to the public in the Sir John Ritblat Gallery which is open seven days a week at no charge. Some manuscripts in the exhibition include Beowulf , the Lindisfarne Gospels and St Cuthbert Gospel , a Gutenberg Bible , Geoffrey Chaucer 's Canterbury Tales , Thomas Malory 's Le Morte d'Arthur ( King Arthur ), Captain Cook 's journal, Jane Austen 's History of England , Charlotte Brontë 's Jane Eyre , Lewis Carroll 's Alice's Adventures Under Ground , Rudyard Kipling 's Just So Stories , Charles Dickens 's Nicholas Nickleby , Virginia Woolf 's Mrs Dalloway and
4620-749: The British Library is entitled to automatically receive a free copy of every book published in Ireland, alongside the National Library of Ireland , Trinity College Library in Dublin, the library of the University of Limerick , the library of Dublin City University and the libraries of the four constituent universities of the National University of Ireland . The Bodleian Library, Cambridge University Library, and
4725-409: The British Library must cover a percentage of its operating costs, a fee is charged to the user. However, this service is no longer profitable and has led to a series of restructures to try to prevent further losses. When Google Books started, the British Library signed an agreement with Microsoft to digitise a number of books from the British Library for its Live Search Books project. This material
4830-479: The British Library required demolition of an integral part of Bloomsbury – a seven-acre swathe of streets immediately in front of the Museum, so that the Library could be situated directly opposite. After a long and hard-fought campaign led by Dr George Wagner, this decision was overturned and the library was instead constructed by John Laing plc on a site at Euston Road next to St Pancras railway station . Following
4935-528: The Business & IP Centre. The centre was opened in March 2006. It holds arguably the most comprehensive collection of business and intellectual property (IP) material in the United Kingdom and is the official library of the UK Intellectual Property Office . The collection is divided up into four main information areas: market research , company information, trade directories, and journals . It
5040-519: The Document Supply Collection are held electronically and can be downloaded immediately. The collection supports research and development in UK, overseas and international industry, particularly in the pharmaceutical industry . BLDSS also provides material to Higher Education institutions, students and staff and members of the public, who can order items through their Public Library or through
5145-478: The Library announced that it would be moving low-use items to a new storage facility in Boston Spa in Yorkshire and that it planned to close the newspaper library at Colindale, ahead of a later move to a similar facility on the same site. From January 2009 to April 2012 over 200 km of material was moved to the Additional Storage Building and is now delivered to British Library Reading Rooms in London on request by
5250-423: The Library paid £191,000 for October in 2004. The book comprises 348 leaves of vellum. Nearly a third of these are replacements. The book was designed to be easily carried: hence its pages are small, measuring 13.1 x 9.3 cm. It contains 64 full-page miniatures and 140 text pages with decorated borders and small miniatures. Its binding, in dark red Morocco , dates from around 1896. Birago's miniatures are in
5355-505: The Library's BL Document Supply Service (BLDSS). The Document Supply Service also offers Find it For Me and Get it For Me services which assist researchers in accessing hard-to-find material. In April 2013, BLDSS launched its new online ordering and tracking system, which enables customers to search available items, view detailed availability, pricing and delivery time information, place and track orders, and manage account preferences online. The British Library Sound Archive holds more than
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#17331054069965460-546: The Library's main catalogue, which is based on Primo. Other collections have their own catalogues, such as western manuscripts. The large reading rooms offer hundreds of seats which are often filled with researchers, especially during the Easter and summer holidays. British Library Reader Pass holders are also able to view the Document Supply Collection in the Reading Room at the Library's site in Boston Spa in Yorkshire as well as
5565-470: The Mantuan court; but all things considered their connection, which ceased in 1500, was not unsatisfactory to either party. Mantegna also met the famous Turkish hostage Jem and carefully studied Rome's ancient monuments, but his impression of the city was a disappointing one overall. Returned to Mantua in 1490, he embraced again his more literary and bitter vision of antiquity, and entered in strong connection with
5670-604: The Most Excellent Painters, Sculptors, and Architects. Pertaining to the Ovetari Chapel frescoes in the Church of Eremitani, Vasari writes that Squarcione stingingly remarked that "Andrea would have done much better with those figures if he had given them the tint of marble and not all those colours; they would have been nearer to perfection since they had no resemblance to life." This is ironic since, according to Vasari, it
5775-549: The NLL became part of the British Library in 1973 it changed its name to the British Library Lending Division, in 1985 it was renamed as the British Library Document Supply Centre and is now known as the British Library Document Supply Service, often abbreviated as BLDSS. BLDSS now holds 87.5 million items, including 296,000 international journal titles, 400,000 conference proceedings, 3 million monographs , 5 million official publications, and 500,000 UK and North American theses and dissertations. 12.5 million articles in
5880-438: The National Libraries of Scotland and Wales are also entitled to copies of material published in Ireland, but again must formally make requests. The Legal Deposit Libraries Act 2003 extended United Kingdom legal deposit requirements to electronic documents, such as CD-ROMs and selected websites. The Library also holds the Asia, Pacific and Africa Collections (APAC) which include the India Office Records and materials in
5985-401: The North Italian antiquarian style of Andrea Mantegna . Horenbout's additions to the Sforza Hours demonstrate a deliberate attempt to adapt his own style to a more Italianate one that would complement Birago's existing illuminations. Horenbout's Saint Mark (fol.10.v), for example, has similar features to Birago's St Matthew (fol.7.r), such as the Italian Renaissance architectural setting and
6090-414: The Ovetari Chapel, brought his style from the Forlì school of painting. The now critical Squarcione carped about the earlier works of this series, illustrating the life of St James; he said the figures were like men made of stone, and should have been painted stone color. This series was almost entirely lost in the 1944 Allied bombings of Padua. The most dramatic work of the fresco cycle was the work set in
6195-595: The Reading Rooms at St Pancras or Boston Spa, are: The Library holds an almost complete collection of British and Irish newspapers since 1840. This is partly because of the legal deposit legislation of 1869, which required newspapers to supply a copy of each edition of a newspaper to the library. London editions of national daily and Sunday newspapers are complete back to 1801. In total, the collection consists of 660,000 bound volumes and 370,000 reels of microfilm containing tens of millions of newspapers with 52,000 titles on 45 km (28 mi) of shelves. From earlier dates,
6300-580: The United Kingdom. The Library is a non-departmental public body sponsored by the Department for Culture, Media and Sport . The British Library is a major research library , with items in many languages and in many formats, both print and digital: books, manuscripts, journals, newspapers, magazines, sound and music recordings, videos, play-scripts, patents, databases, maps, stamps, prints, drawings. The Library's collections include around 14 million books, along with substantial holdings of manuscripts and items dating as far back as 2000 BC. The library maintains
6405-409: The Virgin's cousin Elizabeth . It is possible that Margaret possessed a desire to identify herself and her situation with the aged and childless Elizabeth. Includes a full-page miniature by Horenbout of the Virgin and Child in Glory (fol.133.v). This section contains the Entry into Jerusalem (fol.136.v) by Horenbout and 8 miniatures that represent a complete Passion cycle by Birago. These include
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#17331054069966510-403: The age of 17, Mantegna left Squarcione's workshop. He later claimed that Squarcione had profited from his work without sufficient payment. Mantegna's first work, now lost, was an altarpiece for the church of Santa Sofia in 1448. The same year he was called, together with Nicolò Pizolo, to work with a large group of painters entrusted with the decoration of the Ovetari Chapel in the transept of
6615-409: The altarpiece of the mortuary chapel. The dome is decorated by Correggio . Mantegna was no less eminent as an engraver , though his history in that respect is somewhat obscure, partly because he never signed or dated any of his plates, but for a single disputed instance of 1472. The account which has come down to us from Vasari (who was, as usual, keen to assert that everything flows from Florence)
6720-510: The attention of the Marchese. In terms of Classical taste, Mantegna distanced all contemporary competition. Though substantially related to the 15th century, his influence on the style and trends of his age was very marked over Italian art generally. Giovanni Bellini , in his earlier works, obviously followed the lead of his brother-in-law Andrea. Albrecht Dürer was influenced by his style during his two trips in Italy, reproducing several of his engravings. Leonardo da Vinci took from Mantegna
6825-427: The banishment from Mantua of his son Francesco, who had incurred the displeasure of the Marchese. The difficult situation of the aged master and connoisseur required the hard necessity of parting with a beloved antique bust of Faustina. Very soon after this transaction he died in Mantua, on September 13, 1506. In 1516, a handsome monument was set up to him by his sons in the church of Sant'Andrea , where he had painted
6930-462: The books and manuscripts: For many years its collections were dispersed in various buildings around central London , in places such as Bloomsbury (within the British Museum), Chancery Lane , Bayswater , and Holborn , with an interlibrary lending centre at Boston Spa , 2.5 miles (4 km) east of Wetherby in West Yorkshire (situated on Thorp Arch Trading Estate), and the newspaper library at Colindale , north-west London. Initial plans for
7035-427: The branch library near Boston Spa in Yorkshire. The St Pancras building was officially opened by Queen Elizabeth II on 25 June 1998, and is classified as a Grade I listed building "of exceptional interest" for its architecture and history. The British Library was created on 1 July 1973 as a result of the British Library Act 1972. Prior to this, the national library was part of the British Museum , which provided
7140-400: The bulk of the holdings of the new library, alongside smaller organisations which were folded in (such as the National Central Library , the National Lending Library for Science and Technology and the British National Bibliography ). In 1974 functions previously exercised by the Office for Scientific and Technical Information were taken over; in 1982 the India Office Library and Records and
7245-679: The church of S. Giustina and now in the Brera Gallery in Milan . As the young artist progressed in his work, he came under the influence of Jacopo Bellini , father of the celebrated painters Giovanni Bellini and Gentile Bellini , and met his daughter Nicolosia. In 1453 Jacopo consented to a marriage between Nicolosia and Mantegna. Mantegna was criticized for his body forms being too statuesque. His art, however, differentiates between ancient classical aesthetics in nude forms and purposeful depictions of sculptural illusion. The age-old criticism stems from Mantegna's master teacher Francesco Squarcione of Padua, described in Giorgio Vasari's The Lives of
7350-411: The closure of the Round Reading Room on 25 October 1997 the library stock began to be moved into the St Pancras building. Before the end of that year the first of eleven new reading rooms had opened and the moving of stock was continuing. From 1997 to 2009 the main collection was housed in this single new building and the collection of British and overseas newspapers was housed at Colindale . In July 2008
7455-593: The collections include the Thomason Tracts , comprising 7,200 seventeenth-century newspapers, and the Burney Collection , featuring nearly 1 million pages of newspapers from the late 18th and early 19th centuries. The section also holds extensive collections of non-British newspapers, in numerous languages. The Newspapers section was based in Colindale in North London until 2013, when the buildings, which were considered to provide inadequate storage conditions and to be beyond improvement, were closed and sold for redevelopment. The physical holdings are now divided between
7560-503: The collections or search the contents of the Library's website. The Library's electronic collections include over 40,000 ejournals, 800 databases and other electronic resources. A number of these are available for remote access to registered St Pancras Reader Pass holders. PhD theses are available via the E-Theses Online Service (EThOS). In 2012, the UK legal deposit libraries signed a memorandum of understanding to create
7665-456: The discovery of his signature on the frontispiece of Giovanni Simonetta's Sforziada from 1490. In 1960, an article was published that identified two calendar miniatures from the Sforza Hours in the possession of a book dealer. These are likely to have been May and October which were later sold to the British Library by a private collector based in New York: May was acquired in 1984, and
7770-472: The earliest known preliminary sketch which still survives to compare with the corresponding fresco. The drawing shows proof that nude figures—which were later painted as clothed—were used in the conception of works during the Early Renaissance . In the preliminary sketch, the perspective is less developed and closer to a more average viewpoint however. Despite the authentic Classical look of the monument, it
7875-448: The election of Francesco II of the House of Gonzaga did artistic commissions in Mantua recommence. He built a stately house in the area of the church of San Sebastiano, and adorned it with a multitude of paintings. The house can still be seen today, although the pictures no longer survive. In this period he began to collect some ancient Roman busts (which were given to Lorenzo de' Medici when
7980-594: The end of 2013, and would ensure that, through technological advancements, all the material is preserved for future generations, despite the fluidity of the Internet. The Euston Road building was Grade I listed on 1 August 2015. It has plans to open a third location in Leeds , potentially located in the Grade 1 listed Temple Works . In England, legal deposit can be traced back to at least 1610. The Copyright Act 1911 established
8085-623: The famous Lamentation over the Dead Christ , probably painted for his personal funerary chapel. Another work of Mantegna's later years was what is known as the Madonna della Vittoria , now in the Louvre. It was painted in tempera about 1495, in commemoration of the Battle of Fornovo , whose questionable outcome Francesco Gonzaga was eager to show as an Italian League victory; the church which originally housed
8190-552: The following years: one of them, the legend of the God Comus, was left unfinished by Mantegna and completed by his successor as court painter in Mantua, Lorenzo Costa . The other painters commissioned by Isabella for her studiolo were Perugino and Correggio . After the death of his wife, Mantegna became at an advanced age the father of an illegitimate son, Giovanni Andrea; and, finally, although he continued embarking on various expenses and schemes, he had serious tribulations, such as
8295-581: The great patrons of the Northern Renaissance (the Arnolfini Portrait was a notable item in her collection). In 1517 she instigated the completion of the Sforza Hours. A French scribe, Etienne de Lale, was first engaged to replace missing text pages. These pages were executed in a rounded Italian Gothic hand in an attempt to imitate the book's original script. Gerard Horenbout was then commissioned to paint sixteen miniatures and two borders. There
8400-472: The hard-copy newspaper collection from 29 September 2014. Now that access is available to legal deposit collection material, it is necessary for visitors to register as a Reader to use the Boston Spa Reading Room. The British Library makes a number of images of items within its collections available online. Its Online Gallery gives access to 30,000 images from various medieval books, together with
8505-527: The impressively composed Last Supper (fol.138.v). These prayers contain a full-page miniature of the Mass of St Gregory (fol.167.r) and 5 decorated borders by Birago depicting Passion scenes. A substantial portion of this section consists of replacements. Birago's Assumption of the Virgin (fol.170.r), however, has survived. There is also a full-page miniature by Horenbout of the Virgin and Child (fol.177.v). This
8610-547: The ink is stronger. Neither Mantegna or his workshop are now believed to have produced the so-called Mantegna Tarocchi cards. Giorgio Vasari eulogizes Mantegna, although pointing out his litigious character. He had been fond of his fellow pupils in Padua: and with two of them, Dario da Trevigi and Marco Zoppo , he retained steady friendships. Mantegna became very expensive in his habits, fell at times into financial difficulties, and had to press his valid claims for payment upon
8715-423: The languages of Asia and of north and north-east Africa. The Library is open to everyone who has a genuine need to use its collections. Anyone with a permanent address who wishes to carry out research can apply for a Reader Pass; they are required to provide proof of signature and address. Historically, only those wishing to use specialised material unavailable in other public or academic libraries would be given
8820-576: The legend of St. Christopher , combine his sculptural style with a greater sense of naturalism and vivacity. Trained as he had been in the study of marbles and the severity of the antique, Mantegna openly avowed that he considered ancient art superior to nature as being more eclectic in form. As a result, the painter exercised precision in outline, privileging the figure. Overall, Mantegna's work thus tended towards rigidity, demonstrating an austere wholeness rather than graceful sensitivity of expression. His draperies are tight and closely folded, being studied (it
8925-538: The new Marchesa, the cultured and intelligent Isabella d'Este . However, Isabella was not pleased with his attempt of a portrait of her in 1493. She said that "the painter did it so badly that it has no features like our own". In what was now his city he went on with the nine tempera pictures of the Triumphs of Caesar , which he had probably begun before his leaving for Rome, and which he finished around 1492. These superbly invented and designed compositions are gorgeous with
9030-553: The newspaper and Document Supply collections, make up around 70% of the total material the library holds. The Library previously had a book storage depot in Woolwich , south-east London, which is no longer in use. The new library was designed specially for the purpose by the architect Colin St John Wilson in collaboration with his wife MJ Long , who came up with the plan that was subsequently developed and built. Facing Euston Road
9135-814: The pages stolen from Birago included the entire calendar, folios from the Gospel lessons, the Hours of the Cross, the Hours of the Holy Spirit, the Hours of the Virgin, the Passion according to Saint Luke, three prayers to the Virgin, and the Suffrages of the Saints. Margaret, who was the daughter of the Habsburg Maximilian I, Holy Roman Emperor , moved to the Netherlands in 1506 as Regent for her nephew Charles and there she became one of
9240-409: The picture was built from Mantegna's own design. The Madonna is here depicted with various saints, the archangel Michael and St. Maurice holding her mantle, which is extended over the kneeling Francesco Gonzaga, amid a profusion of rich festooning and other accessories. Though not in all respects of his highest order of execution, this counts among the most obviously beautiful of Mantegna's works in which
9345-864: The principal examples are: Battle of the Sea Monsters , Virgin and Child , a Bacchanal Festival , Hercules and Antaeus , Marine Gods , Judith with the Head of Holofernes , the Deposition from the Cross , the Entombment , the Resurrection , the Man of Sorrows , the Virgin in a Grotto , and several scenes from the Triumph of Julius Caesar after his paintings. Several of his engravings are supposed to be executed on some metal less hard than copper. The technique of himself and his followers
9450-712: The principle of the legal deposit, ensuring that the British Library and five other libraries in Great Britain and Ireland are entitled to receive a free copy of every item published or distributed in Britain. The other five libraries are: the Bodleian Library at Oxford ; the University Library at Cambridge ; Trinity College Library in Dublin ; and the National Libraries of Scotland and Wales . The British Library
9555-477: The qualities of beauty and attractiveness are less marked than those other excellences more germane to his severe genius, tense energy passing into haggard passion. After 1497, Mantegna was commissioned by Isabella d'Este to translate the mythological themes written by the court poet Paride Ceresara into paintings for her private apartment ( studiolo ) in the Palazzo Ducale . These paintings were dispersed in
9660-646: The rest of his life in Verona , Mantua and Rome; it has not been confirmed that he also stayed in Venice and Florence. In Verona between 1457 and 1459, he painted a grand altarpiece for the church of San Zeno Maggiore , depicting a Madonna and angels, with four saints on each side on the San Zeno Altarpiece , central panel, San Zeno, Verona . It was probably the first good example of Renaissance art in Verona, and inspired
9765-484: The scroll in the foreground. The framing of the miniatures with gold frames with simple mouldings, imitating the wooden frames of contemporary panel paintings , can also be seen in the French Grandes Heures of Anne of Brittany of 1503–1508. Only May (British Library, Add. MS 62997) and October (British Library, Add. MS 80800) by Birago are known to exist from the calendar. The calendar probably belonged to
9870-509: The sites at St Pancras (some high-use periodicals, and rare items such as the Thomason Tracts and Burney collections) and Boston Spa (the bulk of the collections, stored in a new purpose-built facility). Andrea Mantegna Andrea Mantegna ( UK : / m æ n ˈ t ɛ n j ə / , US : / m ɑː n ˈ t eɪ n j ə / ; Italian: [anˈdrɛːa manˈteɲɲa] ; c. 1431 – September 13, 1506)
9975-548: The splendor of their subject matter, and with the classical learning and enthusiasm of one of the masters of the age. Considered Mantegna's finest work, they were sold in 1628 along with the bulk of the Mantuan art treasures to King Charles I of England . Despite his declining health, Mantegna continued to paint. Other works of this period include the Madonna of the Caves , the St. Sebastian and
10080-403: The stolen items. According to Birago, the material stolen by Jacopo was worth more than 500 ducats. This was an enormous sum at the time and an indication of the contemporary value of the Sforza Hours. It is not known whether Birago received compensation for the theft of part of the book or what happened to most of the stolen pages. It can be ascertained from the current condition of the book that
10185-423: The stolen part of the manuscript about which Birago complained in his letter. The Gospel lessons contain the following miniatures: St John (fol.1.r), St Luke (fol.4.r), and St Matthew by Birago and St Mark by Horenbout (fol.10.v). Half the contents of the Gospel lessons are replacements. The varying quality of Birago's miniatures in this section is evidence of extensive studio collaboration. This includes
10290-491: The use of decorations with festoons and fruit. Mantegna's main legacy is considered the introduction of spatial illusionism, both in frescoes and in sacra conversazione paintings: his tradition of ceiling decoration was followed for almost three centuries. Starting from the faint cupola of the Camera degli Sposi , Correggio built on the research of his master and collaborator into perspective constructions, eventually producing
10395-491: Was Squarcione's love of ancient Roman art that influenced Mantegna. Mantegna is believed to have studied reproduced castings of these sculptures at Squarcione's Studio. He was also influenced by the work of Donatello and models he himself sculpted to capture anatomy. Later in life, he was in Rome from 1488 to 1490 where he also studied sculptural masterpieces. Andrea seems to have been influenced by his old preceptor's strictures, although his later subjects, for example, those from
10500-402: Was addressed to an unnamed correspondent, 'your Excellency', who was in possession of a stolen portion of the manuscript. Birago's letter therefore makes the Sforza Hours one of the earliest recorded examples of art theft. In the letter, Birago claims that a friar, Fra Johanne Jacopo, had stolen the incomplete Book of Hours. Birago requests that Jacopo remains in prison until the thief has paid for
10605-402: Was an Italian Renaissance painter , a student of Roman archeology, and son-in-law of Jacopo Bellini . Like other artists of the time, Mantegna experimented with perspective , e.g. by lowering the horizon in order to create a sense of greater monumentality. His flinty, metallic landscapes, and somewhat stony figures give evidence of a fundamentally sculptural approach to painting. He also led
10710-524: Was only available to readers in the US, and closed in May 2008. The scanned books are currently available via the British Library catalogue or Amazon . In October 2010 the British Library launched its Management and business studies portal . This website is designed to allow digital access to management research reports, consulting reports, working papers and articles. In November 2011, four million newspaper pages from
10815-412: Was started in 2003 at a cost of £6 million. This offers more than 100 million items (including 280,000 journal titles, 50 million patents, 5 million reports, 476,000 US dissertations and 433,000 conference proceedings) for researchers and library patrons worldwide which were previously unavailable outside the Library because of copyright restrictions. In line with a government directive that
10920-532: Was the British Library's Entrepreneur in Residence and Ambassador from 2012 to 2016. As part of its establishment in 1973, the British Library absorbed the National Lending Library for Science and Technology (NLL), based near Boston Spa in Yorkshire, which had been established in 1961. Before this, the site had housed a World War II Royal Ordnance Factory , ROF Thorp Arch , which closed in 1957. When
11025-532: Was then sold to John Malcolm of Poltalloch, who presented it to the British Museum (the library of which is now the British Library) in 1893, shortly before his death. A miniature from the body of the work stolen from Birago, Adoration of the Magi (British Library, Add 45722), was given to the British Museum anonymously in 1941. In 1956, Birago was confirmed as an original artist of Sforza Hours following
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