Russian symbolism was an intellectual, literary and artistic movement predominant at the end of the 19th and beginning of the 20th century. It arose separately from West European symbolism , and emphasized defamiliarization and the mysticism of Sophiology .
138-414: Influences The Russian symbolism movement was primarily influenced by Russian thinkers such as Fyodor Tyutchev , Vladimir Solovyov , and Fyodor Dostoyevsky , and, to a lesser degree, Western writers such as Brix Anthony Pace , Paul Verlaine , Maurice Maeterlinck , and Stéphane Mallarmé . Other minor influences included Oscar Wilde , D'Annunzio , Joris-Karl Huysmans , the operas of Richard Wagner ,
276-718: A higher power and meaning in the world. Modernism often yearns for a romantic or metaphysical centre, but later finds its collapse. This distinction between modernism and romanticism extends to their respective treatments of 'symbol'. The romantics at times see an essential relation (the 'ground') between the symbol (or the 'vehicle', in I.A. Richards 's terms) and its 'tenor' (its meaning)—for example in Coleridge's description of nature as 'that eternal language which thy God / Utters'. But while some romantics may have perceived nature and its symbols as God's language, for other romantic theorists it remains inscrutable. As Goethe (not himself
414-560: A mystical approach to suggest a non-rational sense of meaning. For these reasons, modernist metaphors may be unnatural, as for instance in T.S. Eliot's description of an evening 'spread out against the sky / Like a patient etherized upon a table'. Similarly, for many later modernist poets nature is unnaturalized and at times mechanized, as for example in Stephen Oliver's image of the moon busily 'hoisting' itself into consciousness. Modernism developed out of Romanticism's revolt against
552-677: A Circle ), which he later called the first abstract painting. In 1912, Metzinger and Gleizes wrote the first (and only) major Cubist manifesto, Du "Cubisme" , published in time for the Salon de la Section d'Or , the largest Cubist exhibition to date. In 1912 Metzinger painted and exhibited his enchanting La Femme au Cheval (Woman with a Horse) and Danseuse au Café ( Dancer in a Café ) . Albert Gleizes painted and exhibited his Les Baigneuses (The Bathers) and his monumental Le Dépiquage des Moissons ( Harvest Threshing ). This work, along with La Ville de Paris ( City of Paris ) by Robert Delaunay ,
690-572: A child by him while Eleonore was still alive. Neither of his wives understood Russian to begin with (Ernestine made efforts to learn the language only much later). That is hardly surprising since Tyutchev spoke French better than Russian and nearly all his private correspondence was in the former language. In 1836, a young former colleague at the Munich legation, Prince Ivan Gagarin, obtained Tyutchev's permission to publish his selected poems in Sovremennik ,
828-409: A conservative position. Some even argue that Modernism in literature and art functioned to sustain an elite culture that excluded the majority of the population. Surrealism , which originated in the early 1920s, came to be regarded by the public as the most extreme form of modernism, or "the avant-garde of modernism". The word "surrealist" was coined by Guillaume Apollinaire and first appeared in
966-653: A diary. Kitty would later become influential at Konstantin Pobedonostsev 's circle at the Russian court. Not long after his return to Russia, Tyutchev was reinstated in government service as a censor, rising eventually to become Chairman of the Foreign Censorship Committee and a Privy Councillor. Tyutchev loved to travel, often volunteering for diplomatic courier missions as a way of combining business with pleasure. One of his lengthiest and most significant missions
1104-401: A direct means of accessing a higher reality. Modernism often rejects 19th-century realism when the latter is understood as focusing on the embodiment of meaning within a naturalistic representation. Instead, some modernists aim at a more 'real' realism, one that is uncentered. For instance, Picasso's 1907 Proto-Cubist painting Les Demoiselles d'Avignon does not present its subjects from
1242-407: A doomed world full of merchants and bourgeois figures. Various elemental forces (such as sunrises and sunsets, light and darkness, lightning and fire) assume apocalyptic qualities, serving as portents of a cataclysmic event that would change the earth and humanity forever. The Scythians and Mongols were often found in the works of these poets, serving as symbols of future catastrophic wars. Due to
1380-425: A line from W. B. Yeats : "Things fall apart; the centre cannot hold" (in ' The Second Coming '). Modernists often search for a metaphysical 'centre' but experience its collapse. ( Postmodernism , by way of contrast, celebrates that collapse, exposing the failure of metaphysics, such as Jacques Derrida 's deconstruction of metaphysical claims.) Philosophically, the collapse of metaphysics can be traced back to
1518-473: A literary journal edited by Pushkin. Although appreciated by the great Russian poet, the superb lyrics failed to spark off any public interest. The death of Eleonore in 1838 hit Tyutchev hard and appears to have silenced him as a poet for some considerable time, and for ten years afterwards, he wrote hardly any lyric verse. Instead, he turned his attention to publishing political articles in Western periodicals such as
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#17328525720211656-442: A memorable setting of 'Last Love', recorded by Alexi Lubimov and Jana Ivanilova on the album 'Stufen'. Tyutchev had an affinity with themes of the night and Julian Cochran set two of Tyutchev's poems related to the night, The Night Wind , and The Night Sea , for soprano and piano. At the end of Andrey Tarkovsky 's film Stalker , a character recites a Tyutchev poem. [REDACTED] Category Modernist Modernism
1794-462: A moment of burning emotion due to my meeting with... my dear Amalie Krüdener who wished to see me for the last time in this world and came to take her leave of me. In her person my past and the best years of my life came to give me a farewell kiss. In Munich, he came under the influence of the German Romantic movement, and this is reflected in his poetry. Among the figures, he knew personally were
1932-420: A philosophical and spiritual work featuring a highly unorthodox narrative style, fleeting allusions and distinctive rhythmic experimentation. Vladimir Nabokov placed it second in his list of the greatest novels of the twentieth century after James Joyce 's Ulysses . Other works worthy of mention include the highly influential theoretical book of essays Symbolism (1910), which was instrumental in redefining
2070-438: A poet, Tyutchev was little known during his lifetime. His 400 or so short poems were the only pieces he ever wrote in Russian. Tyutchev regarded his poems as bagatelles , not worthy of publication. He generally did not care to write them down and, if he did, he would often lose papers they were scribbled upon. Nikolay Nekrasov , when listing Russian poets in 1850, praised Tyutchev as one of the most talented among "minor poets". It
2208-420: A post as trainee diplomat at the Russian legation. He was to remain abroad for 22 years. In Munich he fell in love with Amalie von Lerchenfeld , the illegitimate half-sister of a young Bavarian diplomat, Count Maximilian Joseph von Lerchenfeld. Tyutchev's poem Tears or Slyozy ( Liubliu, druz'ya, laskat' ochami... ) coincides with one of their meetings, and is most likely dedicated to Amalie (or Amélie, as she
2346-522: A revolutionary culture that included political revolution. In Russia after the 1917 Revolution , there was indeed initially a burgeoning of avant-garde cultural activity, which included Russian Futurism . However, others rejected conventional politics as well as artistic conventions, believing that a revolution of political consciousness had greater importance than a change in political structures. But many modernists saw themselves as apolitical. Others, such as T. S. Eliot , rejected mass popular culture from
2484-442: A romantic) said, ‘the idea [or meaning] remains eternally and infinitely active and inaccessible in the image’. This was extended in modernist theory which, drawing on its symbolist precursors, often emphasizes the inscrutability and failure of symbol and metaphor. For example, Wallace Stevens seeks and fails to find meaning in nature, even if he at times seems to sense such a meaning. As such, symbolists and modernists at times adopt
2622-467: A significant production of Hamlet in 1911–12, which experimented with symbolist monodrama as a basis for its staging. Two years later, Stanislavski won international acclaim when he staged Maurice Maeterlinck 's The Blue Bird in the Moscow Art Theatre . Nikolai Evreinov was one of a number of writers who developed a symbolist theory of theatre. Evreinov insisted that everything around us
2760-479: A single point of view, instead presenting a flat, two-dimensional picture plane . The Poet of 1911 is similarly decentered, presenting the body from multiple points of view. As the Peggy Guggenheim Collection comments, "Picasso presents multiple views of each object, as if he had moved around it, and synthesizes them into a single compound image." Modernism, with its sense that "things fall apart,"
2898-510: A society interact and live together ". The modernist movement emerged during the late 19th century in response to significant changes in Western culture , including secularization and the growing influence of science. It is characterized by a self-conscious rejection of tradition and the search for newer means of cultural expression . Modernism was influenced by widespread technological innovation , industrialization, and urbanization, as well as
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#17328525720213036-406: A struggle with the sense of nature's significance, falling under two headings: poems in which the speaker denies that nature has meaning, only for nature to loom up by the end of the poem; and poems in which the speaker claims nature has meaning, only for that meaning to collapse by the end of the poem. Modernism often rejects nineteenth century realism , if the latter is understood as focusing on
3174-427: A tonal center. A primary influence that led to Cubism was the representation of three-dimensional form in the late works of Paul Cézanne , which were displayed in a retrospective at the 1907 Salon d'Automne . In Cubist artwork, objects are analyzed, broken up, and reassembled in an abstract form; instead of depicting objects from one viewpoint, the artist depicts the subject from a multitude of viewpoints to represent
3312-425: A way for knowledge to explain that which was as yet unknown, came the first wave of modernist works in the opening decade of the 20th century. Although their authors considered them to be extensions of existing trends in art, these works broke the implicit understanding the general public had of art: that artists were the interpreters and representatives of bourgeois culture and ideas. These "modernist" landmarks include
3450-526: Is "theatre" and that nature is full of theatrical conventions, for example, desert flowers mimicking stones, mice feigning death in order to escape cats' claws, and the complicated dances of some birds. Theatre, for Evreinov, was a universal symbol of existence. Fyodor Tyutchev Fyodor Ivanovich Tyutchev ( Russian : Фёдор Ива́нович Тю́тчев , IPA: [ˈfʲɵdər ɨˈvanəvʲɪtɕ ˈtʲʉtːɕɪf] ; December 5 [ O.S. November 23] 1803 – July 27 [ O.S. July 15] 1873)
3588-476: Is among the first skyscrapers in the world. Ludwig Mies van der Rohe 's Seagram Building in New York (1956–1958) is often regarded as the pinnacle of this modernist high-rise architecture. Many aspects of modernist design persist within the mainstream of contemporary architecture , though previous dogmatism has given way to a more playful use of decoration, historical quotation, and spatial drama. In 1913—which
3726-775: Is another modernist movement. In 1909, the Parisian newspaper Le Figaro published F. T. Marinetti 's first manifesto. Soon afterward, a group of painters ( Giacomo Balla , Umberto Boccioni , Carlo Carrà , Luigi Russolo , and Gino Severini ) co-signed the Futurist Manifesto . Modeled on Marx and Engels ' famous " Communist Manifesto " (1848), such manifestos put forward ideas that were meant to provoke and to gather followers. However, arguments in favor of geometric or purely abstract painting were, at this time, largely confined to "little magazines" which had only tiny circulations. Modernist primitivism and pessimism were controversial, and
3864-525: Is highly regarded for his humorous short stories that he published in magazines in the 1930s and 1940s, most often in The New Yorker , which are considered to be the first examples of surrealist humor in America. Modern ideas in art also began to appear more frequently in commercials and logos, an early example of which, from 1916, is the famous London Underground logo designed by Edward Johnston . One of
4002-449: Is imbued with specific meaning. Tyutchev's idea of night, for example, was defined by critics as "the poetic image often covering economically and simply the vast notions of time and space as they affect man in his struggle through life". In the chaotic and fathomless world of "night", "winter", or "north" man feels himself tragically abandoned and lonely. Hence, a modernist sense of frightening anxiety permeates his poetry. Unsurprisingly, it
4140-483: Is often presented as an early example of a writer using the stream-of-consciousness technique , but Robert Humphrey comments that Proust "is concerned only with the reminiscent aspect of consciousness" and that he "was deliberately recapturing the past for the purpose of communicating; hence he did not write a stream-of-consciousness novel." Stream of consciousness was an important modernist literary innovation, and it has been suggested that Arthur Schnitzler (1862–1931)
4278-525: Is often seen as the apotheosis of Romanticism. As August Wilhelm Schlegel, an early German Romantic, described it, while Romanticism searches for metaphysical truths about character, nature, higher power , and meaning in the world, modernism, although yearning for such a metaphysical center, only finds its collapse. In the context of the Industrial Revolution (~1760–1840), influential innovations included steam-powered industrialization , especially
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4416-546: Is one of the most memorized and quoted Russian poets. Occasional pieces , translations and political poems constitute about a half of his overall poetical output. The 200 or so lyric pieces which represent the core of his poetic genius, whether describing a scene of nature or passions of love, put a premium on metaphysics. Tyutchev's world is bipolar -- he commonly operates with such categories as night and day, north and south, dream and reality, cosmos and chaos, still world of winter and spring teeming with life. Each of these images
4554-459: Is similarly decentred, presenting the body from multiple points of view. As the Peggy Guggenheim Collection website puts it, 'Picasso presents multiple views of each object, as if he had moved around it, and synthesizes them into a single compound image'. Modernism, with its sense that 'things fall apart,' can be seen as the apotheosis of romanticism , if romanticism is the (often frustrated) quest for metaphysical truths about character, nature,
4692-699: The Revue des Deux Mondes outlining his strongly held views on Russia's role in the world (see below). In 1837, Tyutchev was transferred from Munich to the Russian legation in Turin . He found his new place of residence uncongenial to his disposition and after marrying Ernestine, he resigned from his position there to settle in Munich. It was later discovered that Tyutchev had actually abandoned his post as chargé d'affaires in Turin without official permission to marry in Switzerland, and he
4830-502: The Crimea . Jurgis Baltrušaitis , a close friend of Alexander Scriabin and whose poetry is characterized by mystical philosophy and mesmerizing sounds, was active in Lithuania. Of the new generation, two young poets, Alexander Blok and Andrei Bely, became the most renowned of the entire Russian symbolist movement. Alexander Blok is widely considered to be one of the leading Russian poets of
4968-546: The Emancipation Reform of 1861 . Both in his work as a censor and in his writings, he promoted the ideal of freedom of expression, frequently incurring the wrath of his superiors as a result, even under the more relaxed regime of Alexander II. His fairly sizeable output of verse on political subjects is largely forgotten. One exception is a short poem which has become something of a popular maxim in Russia: Tyutchev
5106-525: The Hecatomb of the First World War — disclose a common cause and psychological matrix in the fight against (perceived) decadence ." All of them embody bids to access a "supra-personal experience of reality" in which individuals believed they could transcend their mortality and eventually that they would cease to be victims of history to instead become its creators. Literary modernism is often summed up in
5244-505: The Renaissance up to the middle of the 19th century, underpinned by the logic of perspective and an attempt to reproduce an illusion of visible reality. The arts of cultures other than the European had become accessible and showed alternative ways of describing visual experience to the artist. By the end of the 19th century, many artists felt a need to create a new kind of art that encompassed
5382-600: The Tolstoy family on her father's side and the Rimsky-Korsakov noble house on her mother's side. Russian war general Alexander Rimsky-Korsakov was her uncle. Most of his childhood years were spent in Moscow, where he joined the literary circle of Professor Merzlyakov at the age of 13. His first printed work was a translation of Horace 's epistle to Maecenas , published when he was still 15. From that time on, his poetic language
5520-484: The avant-garde of various arts and disciplines. It is also often perceived, especially in the West, as a socially progressive movement that affirms the power of human beings to create, improve, and reshape their environment with the aid of practical experimentation, scientific knowledge, or technology. From this perspective, modernism encourages the re-examination of every aspect of existence. Modernists analyze topics to find
5658-617: The capitalist system and that workers are anything but free led to the formulation of Marxist theory . Art historians have suggested various dates as starting points for modernism. Historian William Everdell argued that modernism began in the 1870s when metaphorical (or ontological ) continuity began to yield to the discrete with mathematician Richard Dedekind 's (1831–1916) Dedekind cut and Ludwig Boltzmann 's (1844–1906) statistical thermodynamics . Everdell also believed modernism in painting began in 1885–1886 with post-Impressionist artist Georges Seurat 's development of Divisionism ,
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5796-470: The eschatological tendency inherent in the Russian symbolist movement, many of them—including Blok, Bely, and Bryusov—accepted the Russian Revolution as the next evolutionary step in their nation's history. Russian symbolism had begun to lose its momentum in literature by the 1910s as many younger poets were drawn to the acmeist movement, which distanced itself from excesses of symbolism, or joined
5934-538: The futurists , an iconoclastic group which sought to recreate art entirely, eschewing all aesthetic conventions. Despite intense disapproval by the Soviet State, however, Symbolism continued to be an influence on Soviet dissident poets like Boris Pasternak . In the Literary Gazette of September 9, 1958, the critic Viktor Pertsov denounced, "the decadent religious poetry of Pasternak, which reeks of mothballs from
6072-650: The neoclassicism of the 1920s (as represented most famously by T. S. Eliot and Igor Stravinsky —which rejected popular solutions to modern problems), the rise of fascism , the Great Depression , and the march to war helped to radicalize a generation. Bertolt Brecht , W. H. Auden , André Breton , Louis Aragon , and the philosophers Antonio Gramsci and Walter Benjamin are perhaps the most famous exemplars of this modernist form of Marxism. There were, however, also modernists explicitly of 'the right', including Salvador Dalí , Wyndham Lewis , T. S. Eliot, Ezra Pound ,
6210-681: The " stream of consciousness " technique, such as Dorothy Richardson , James Joyce , and Virginia Woolf (1882–1941). Also important in Bergson's philosophy was the idea of élan vital , the life force, which "brings about the creative evolution of everything." His philosophy also placed a high value on intuition , though without rejecting the importance of the intellect. Important literary precursors of modernism included esteemed writers such as Fyodor Dostoevsky (1821–1881), whose novels include Crime and Punishment (1866) and The Brothers Karamazov (1880); Walt Whitman (1819–1892), who published
6348-470: The " will to power " ( Wille zur macht ), were of central importance: "Nietzsche often identified life itself with 'will to power', that is, with an instinct for growth and durability." Henri Bergson (1859–1941), on the other hand, emphasized the difference between scientific, clock time and the direct, subjective human experience of time. His work on time and consciousness "had a great influence on 20th-century novelists" especially those modernists who used
6486-606: The "dots" used to paint A Sunday Afternoon on the Island of La Grande Jatte . On the other hand, visual art critic Clement Greenberg called German philosopher Immanuel Kant (1724–1804) "the first real modernist", although he also wrote, "What can be safely called modernism emerged in the middle of the last century—and rather locally, in France, with Charles Baudelaire (1821–1867) in literature and Manet in painting, and perhaps with Gustave Flaubert (1821–1880), too, in prose fiction. (It
6624-568: The "stage fusion of all arts." As to more traditional theatre, Paul Schmidt an influential translator, has written that The Cherry Orchard and some other late plays of Anton Chekhov show the influence of the Symbolist movement. Their first production by Constantin Stanislavski was as realistic as possible. Stanislavski collaborated with the English theatre practitioner Edward Gordon Craig on
6762-439: The (perceived) erosion of an overarching ' nomos ', or 'sacred canopy', under the fragmenting and secularizing impact of modernity". Therefore, phenomena apparently unrelated to each other such as " Expressionism , Futurism , Vitalism , Theosophy , Psychoanalysis , Nudism , Eugenics , Utopian town planning and architecture, modern dance , Bolshevism , Organic Nationalism — and even the cult of self-sacrifice that sustained
6900-478: The 1860s, two approaches in the arts and letters developed separately in France. The first was Impressionism, a school of painting that initially focused on work done not in studios, but outdoors ( en plein air ). Impressionist paintings attempted to convey that human beings do not see objects, but instead see light itself. The school gathered adherents despite internal divisions among its leading practitioners and became increasingly influential. Initially rejected from
7038-463: The 1920s and 1930s were Bertolt Brecht and Federico García Lorca . D. H. Lawrence 's Lady Chatterley's Lover was privately published in 1928, while another important landmark for the history of the modern novel came with the publication of William Faulkner 's The Sound and the Fury in 1929. In the 1930s, in addition to further major works by Faulkner, Samuel Beckett published his first major work,
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#17328525720217176-681: The 1920s until the 1950s. While modernist poetry in English is often viewed as an American phenomenon, with leading exponents including Ezra Pound, T. S. Eliot, Marianne Moore , William Carlos Williams , H.D. , and Louis Zukofsky , there were important British modernist poets, including David Jones , Hugh MacDiarmid , Basil Bunting , and W. H. Auden . European modernist poets include Federico García Lorca , Anna Akhmatova , Constantine Cavafy , and Paul Valéry . The modernist movement continued during this period in Soviet Russia . In 1930 composer Dimitri Shostakovich 's (1906–1975) opera The Nose
7314-659: The 1930s. Between 1930 and 1932 composer Arnold Schoenberg worked on Moses und Aron , one of the first operas to make use of the twelve-tone technique, Pablo Picasso painted in 1937 Guernica , his cubist condemnation of fascism , while in 1939 James Joyce pushed the boundaries of the modern novel further with Finnegans Wake . Also by 1930 modernism began to influence mainstream culture, so that, for example, The New Yorker magazine began publishing work, influenced by modernism, by young writers and humorists like Dorothy Parker , Robert Benchley , E. B. White , S. J. Perelman , and James Thurber , amongst others. Perelman
7452-623: The 19th century. Arguments arose that the values of the artist and those of society were not merely different, but in fact oftentimes opposed, and that society's current values were antithetical to further progress; therefore, civilization could not move forward in its present form. Early in the century, the philosopher Schopenhauer (1788–1860) ( The World as Will and Representation , 1819/20) called into question previous optimism. His ideas had an important influence on later thinkers, including Friedrich Nietzsche (1844–1900). Similarly, Søren Kierkegaard (1813–1855) and Nietzsche both later rejected
7590-481: The Dutch author Menno ter Braak and others. Significant modernist literary works continued to be created in the 1920s and 1930s, including further novels by Marcel Proust , Virginia Woolf , Robert Musil , and Dorothy Richardson . The American modernist dramatist Eugene O'Neill 's career began in 1914, but his major works appeared in the 1920s, 1930s and early 1940s. Two other significant modernist dramatists writing in
7728-700: The German Nazarenes ). The Pre-Raphaelites foreshadowed Manet (1832–1883), with whom modernist painting most definitely begins. They acted on a dissatisfaction with painting as practiced in their time, holding that its realism wasn't truthful enough." Two of the most significant thinkers of the mid-19th century were biologist Charles Darwin (1809–1882), author of On the Origin of Species through Natural Selection (1859), and political scientist Karl Marx (1818–1883), author of Das Kapital (1867). Despite coming from different fields, both of their theories threatened
7866-541: The Hope of Women was the first fully Expressionist work for the theater, which opened on 4 July 1909 in Vienna . The extreme simplification of characters to mythic types , choral effects, declamatory dialogue and heightened intensity would become characteristic of later Expressionist plays. The first full-length Expressionist play was The Son by Walter Hasenclever, which was published in 1914 and first performed in 1916. Futurism
8004-490: The Impressionist Claude Monet had already been innovative in his use of perspective. In 1907, as Picasso was painting Les Demoiselles d'Avignon , Oskar Kokoschka was writing Mörder, Hoffnung der Frauen ( Murderer, Hope of Women ), the first Expressionist play (produced with scandal in 1909), and Arnold Schoenberg was composing his String Quartet No.2 in F sharp minor (1908), his first composition without
8142-609: The Scottish philosopher David Hume (1711–1776), who argued that we never actually perceive one event causing another. We only experience the ' constant conjunction ' of events, and do not perceive a metaphysical 'cause'. Similarly, Hume argued that we never know the self as object, only the self as subject, and we are thus blind to our true natures. Moreover, if we only 'know' through sensory experience—such as sight, touch and feeling—then we cannot 'know' and neither can we make metaphysical claims. Thus, modernism can be driven emotionally by
8280-414: The Symbolist suitcase of 1908-10 manufacture." More recently, Robert Bird has been less critical than the Literary Gazette , "Nomenclature notwithstanding, Russian Symbolism owed far less to French Symbolism (with which, according to Ivanov, it shared 'neither a historical no ideological basis') than it did to German Romanticism and to the great poets and prose writers of nineteenth-century Russia. It
8418-555: The atonal ending of Arnold Schoenberg 's Second String Quartet in 1908, the Expressionist paintings of Wassily Kandinsky starting in 1903, and culminating with his first abstract painting and the founding of the Blue Rider group in Munich in 1911, and the rise of fauvism and the inventions of Cubism from the studios of Henri Matisse , Pablo Picasso , Georges Braque , and others, in
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#17328525720218556-512: The city, including King's Cross station (1852) and Paddington Station (1854). These technological advances spread abroad, leading to later structures such as the Brooklyn Bridge (1883) and the Eiffel Tower (1889), the latter of which broke all previous limitations on how tall man-made objects could be. While such engineering feats radically altered the 19th-century urban environment and
8694-459: The coming of the Great War of 1914–1918 (World War I) and the Russian Revolution of 1917, the world was drastically changed, and doubt was cast on the beliefs and institutions of the past. The failure of the previous status quo seemed self-evident to a generation that had seen millions die fighting over scraps of earth: before 1914, it had been argued that no one would fight such a war, since the cost
8832-433: The concept of absolute originality — the idea of "creation from nothingness" — upheld in the 19th century by both realism and Romanticism , replacing it with techniques of collage , reprise , incorporation, rewriting, recapitulation , revision, and parody. Another feature of modernism was reflexivity about artistic and social convention, which led to experimentation highlighting how works of art are made as well as
8970-480: The cultural and geopolitical shifts that occurred after World War I . Artistic movements and techniques associated with modernism include abstract art , literary stream-of-consciousness , cinematic montage , musical atonality and twelve-tonality , modernist architecture , and urban planning . Modernism took a critical stance towards the Enlightenment concept of rationalism . The movement also rejected
9108-739: The cultural institution as a whole is through its relationship to realism and the dominant conventions of representation." More explicitly: the Expressionists rejected the ideology of realism. There was a concentrated Expressionist movement in early 20th-century German theater, of which Georg Kaiser and Ernst Toller were the most famous playwrights. Other notable Expressionist dramatists included Reinhard Sorge , Walter Hasenclever , Hans Henny Jahnn , and Arnolt Bronnen . They looked back to Swedish playwright August Strindberg and German actor and dramatist Frank Wedekind as precursors of their dramaturgical experiments. Oskar Kokoschka 's Murderer,
9246-497: The daily lives of people, the human experience of time itself was altered with the development of the electric telegraph in 1837, as well as the adoption of " standard time " by British railway companies from 1845, a concept which would be adopted throughout the rest of the world over the next fifty years. Despite continuing technological advances, the ideas that history and civilization were inherently progressive and that such advances were always good came under increasing attack in
9384-527: The dead poets, his ancestors, assert their immortality most vigorously." However, the relationship of modernism with tradition was complex, as literary scholar Peter Child's indicates: "There were paradoxical if not opposed trends towards revolutionary and reactionary positions, fear of the new and delight at the disappearance of the old, nihilism and fanatical enthusiasm, creativity, and despair." An example of how modernist art can apply older traditions while also incorporating new techniques can be found within
9522-720: The deaths of his brother, son and daughter left Tyutchev deeply depressed. (Depression was something from which he suffered at intervals throughout his life.) Following a series of strokes, he died in Tsarskoye Selo in 1873 and was interred at Novodevichy Monastery in St. Petersburg . Ernestine survived him by 21 years. Children by his first wife, Countess Eleonora von Bothmer are (1800-1838): Children by his second wife Baroness Ernestine von Pfeffel are: Children by his mistress of 14 years Elena Alexandrovna Denisyeva (1826-1864) are: Children by his mistress Hortense Lapp are: Tyutchev
9660-540: The desire for metaphysical truths, while understanding their impossibility. Some modernist novels, for instance, feature characters like Marlow in Heart of Darkness or Nick Carraway in The Great Gatsby who believe that they have encountered some great truth about nature or character, truths that the novels themselves treat ironically while offering more mundane explanations. Similarly, many poems of Wallace Stevens convey
9798-649: The development of railways starting in Britain in the 1830s, and the subsequent advancements in physics, engineering, and architecture they led to. A major 19th-century engineering achievement was the Crystal Palace , the huge cast-iron and plate-glass exhibition hall built for the Great Exhibition of 1851 in London. Glass and iron were used in a similar monumental style in the construction of major railway terminals throughout
9936-400: The dramas of Henrik Ibsen and the broader philosophy of Arthur Schopenhauer and Friedrich Nietzsche . By the mid-1890s, Russian symbolism was still mainly a set of theories and had few notable practitioners. It was not until the new talent of Valery Bryusov emerged that symbolist poetry became a major movement in Russian literature. The early Russian symbolism movement included: Though
10074-535: The dynamic and sinister The Demon Downcast (1902). Other symbolist painters associated with the World of Art magazine were Victor Borisov-Musatov and Kuzma Petrov-Vodkin , followers of Puvis de Chavannes ; Mikhail Nesterov , who painted religious subjects from medieval Russian history; Mstislav Dobuzhinsky , with his "urbanistic phantasms", and Nicholas Roerich , whose paintings have been described as hermetic, or esoteric. The tradition of Russian symbolism in
10212-556: The effects of the Industrial Revolution and bourgeois values. Literary scholar Gerald Graff , argues that, "The ground motive of modernism was criticism of the 19th-century bourgeois social order and its world view; the modernists, carrying the torch of Romanticism." While J. M. W. Turner (1775–1851), one of the most notable landscape painters of the 19th century, was a member of the Romantic movement , his pioneering work in
10350-407: The embodiment of meaning within a naturalistic representation. At the same time, some modernists aim at a more 'real' realism, one that is uncentered. Picasso's proto-cubist painting, Les Demoiselles d'Avignon of 1907 (see picture above), does not present its subjects from a single point of view (that of a single viewer), but instead presents a flat, two-dimensional picture plane . 'The Poet' of 1911
10488-402: The established order. Darwin's theory of evolution by natural selection undermined religious certainty and the idea of human uniqueness ; in particular, the notion that human beings are driven by the same impulses as "lower animals" proved to be difficult to reconcile with the idea of an ennobling spirituality . Meanwhile, Marx's arguments that there are fundamental contradictions within
10626-471: The face of the senseless slaughter, described in works such as Erich Maria Remarque 's novel All Quiet on the Western Front (1929). Therefore, modernism's view of reality, which had been a minority taste before the war, became more generally accepted in the 1920s. In literature and visual art, some modernists sought to defy expectations mainly to make their art more vivid or to force the audience to take
10764-456: The founding of the Society of Incoherent Arts. The theories of Sigmund Freud (1856–1939), Krafft-Ebing and other sexologists were influential in the early days of modernism. Freud's first major work was Studies on Hysteria (with Josef Breuer , 1895). Central to Freud's thinking is the idea "of the primacy of the unconscious mind in mental life", so that all subjective reality was based on
10902-444: The fundamental changes taking place in technology, science and philosophy. The sources from which individual artists drew their theoretical arguments were diverse and reflected the social and intellectual preoccupations in all areas of Western culture at that time. Wassily Kandinsky , Piet Mondrian , and Kazimir Malevich all believed in redefining art as the arrangement of pure color. The use of photography, which had rendered much of
11040-400: The goals of the symbolist movement, and the novel Kotik Letaev (1914-1916), which traces the first glimpses of consciousness in a new-born baby. The city of St. Petersburg itself became one of the major symbols utilized by the second generation of Russian symbolists. Blok's verses on the imperial capital bring to life an impressionistic picture of the "city of a thousand illusions" and as
11178-632: The horse, so modernist design should reject the old styles and structures inherited from Ancient Greece or the Middle Ages . Following this machine aesthetic , modernist designers typically rejected decorative motifs in design, preferring to emphasize the materials used and pure geometrical forms. The skyscraper is the archetypal modernist building, and the Wainwright Building , a 10-story office building completed in 1891 in St. Louis, Missouri , United States,
11316-499: The idea that reality could be understood through a purely objective lens, a rejection that had a significant influence on the development of existentialism and nihilism . Around 1850, the Pre-Raphaelite Brotherhood (a group of English poets, painters, and art critics) began to challenge the dominant trends of industrial Victorian England in "opposition to technical skill without inspiration." They were influenced by
11454-426: The interactions between basic drives and instincts, through which the outside world was perceived. Freud's description of subjective states involved an unconscious mind full of primal impulses, and counterbalancing self-imposed restrictions derived from social values. The works of Friedrich Nietzsche (1844–1900) were another major precursor of modernism, with a philosophy in which psychological drives, specifically
11592-403: The language. Permeated with a sublime feeling of subdued despair, the so-called "Denisyeva Cycle" has been variously described by critics as "a novel in verse", "a human document, shattering in the force of its emotion", and "a few songs without comparison in Russian, perhaps even in world poetry". One of the poems, Last Love , is often cited as emblematic of the whole cycle. In the early 1870s,
11730-15474: The late Soviet period was renewed by Konstantin Vasilyev , whose style was greatly influenced by the Russian Neo-romantic painter Viktor Vasnetsov , as well as Mikhail Nesterov and Nicholas Roerich . The foremost symbolist composer
11868-482: The mainstream in the first decade of the 20th century was still inclined towards a faith in progress and liberal optimism. Abstract artists, taking as their examples the Impressionists, as well as Paul Cézanne (1839–1906) and Edvard Munch (1863–1944), began with the assumption that color and shape , not the depiction of the natural world, formed the essential characteristics of art. Western art had been, from
12006-482: The material from which they are created. Debate about the timeline of modernism continues, with some scholars arguing that it evolved into late modernism or high modernism . Postmodernism , meanwhile, rejects many of the principles of modernism. Modernism was a cultural movement that impacted the arts as well as the broader Zeitgeist . It is commonly described as a system of thought and behavior marked by self-consciousness or self-reference , prevalent within
12144-530: The most important commercial show of the time, the government-sponsored Paris Salon , the Impressionists organized yearly group exhibitions in commercial venues during the 1870s and 1880s, timing them to coincide with the official Salon. In 1863, the Salon des Refusés , created by Emperor Napoleon III , displayed all of the paintings rejected by the Paris Salon. While most were in standard styles, but by inferior artists,
12282-495: The most visible changes of this period was the adoption of new technologies into the daily lives of ordinary people in Western Europe and North America. Electricity, the telephone, the radio, the automobile—and the need to work with them, repair them and live with them—created social change. The kind of disruptive moment that only a few knew in the 1880s became a common occurrence. For example, the speed of communication reserved for
12420-428: The music of the composer Arnold Schoenberg . On the one hand, he rejected traditional tonal harmony , the hierarchical system of organizing works of music that had guided musical composition for at least a century and a half. Schoenberg believed he had discovered a wholly new way of organizing sound based on the use of twelve-note rows . Yet, while this was indeed a wholly new technique, its origins can be traced back to
12558-451: The nature of reality. They argued that since each viewer interprets art through their own subjective perspective, it can never convey the ultimate metaphysical truth that the Romantics sought. Nonetheless, the modernists did not completely reject the idea of art as a means of understanding the world. To them, it was a tool for challenging and disrupting the viewer's point of view, rather than as
12696-409: The novel Murphy (1938). Then in 1939 James Joyce's Finnegans Wake appeared. This is written in a largely idiosyncratic language , consisting of a mixture of standard English lexical items and neologistic multilingual puns and portmanteau words, which attempts to recreate the experience of sleep and dreams. In poetry T. S. Eliot, E. E. Cummings , and Wallace Stevens were writing from
12834-548: The novelist Franz Kafka , poet Gottfried Benn , and novelist Alfred Döblin were simultaneously the most vociferous anti-Expressionists. What, however, can be said, is that it was a movement that developed in the early 20th century mainly in Germany in reaction to the dehumanizing effect of industrialization and the growth of cities, and that "one of the central means by which Expressionism identifies itself as an avant-garde movement, and by which it marks its distance to traditions and
12972-423: The ones they believe to be holding back progress , replacing them with new ways of reaching the same end. According to historian Roger Griffin , modernism can be defined as a broad cultural, social, or political initiative sustained by the ethos of "the temporality of the new". Griffin believed that modernism aspired to restore a "sense of sublime order and purpose to the contemporary world, thereby counteracting
13110-527: The philosopher Vladimir Solovyov . The poet and philologist Vyacheslav Ivanov , whose main interests lay in Classical studies , returned from Italy to establish a Dionysian club in St Petersburg. His self-proclaimed principle was to engraft "archaic Miltonic diction" to Russian poetry. Maximilian Voloshin , known best for his poetry about the Russian revolution, opened a poetic salon at his villa in
13248-559: The poet Heinrich Heine and the philosopher Friedrich Schelling . In 1826, he married Eleonore Peterson , née Countess von Bothmer , the Bavarian widow of a Russian diplomat, secretary of the Russian mission in Munich , Alexander Khristoforovich Peterson (1759-1828). She became the mother of his daughter Anna Tyutcheva . Following her death in 1838, Tyutchev married another aristocratic young German widow, Baroness Ernestine von Dörnberg , née von Pfeffel , who had become his mistress and had
13386-434: The poetry collection Leaves of Grass (1855–1891); and August Strindberg (1849–1912), especially his later plays, including the trilogy To Damascus 1898–1901, A Dream Play (1902) and The Ghost Sonata (1907). Henry James has also been suggested as a significant precursor to modernism in works as early as The Portrait of a Lady (1881). Out of the collision of ideals derived from Romanticism and an attempt to find
13524-487: The preface to his play Les Mamelles de Tirésias , which was written in 1903 and first performed in 1917. Major surrealists include Paul Éluard , Robert Desnos , Max Ernst , Hans Arp , Antonin Artaud , Raymond Queneau , Joan Miró , and Marcel Duchamp . By 1930, modernism had won a place in the political and artistic establishment, although by this time modernism itself had changed. Modernism continued to evolve during
13662-514: The priority of suggestion and evocation over direct description and explicit analogy," and were especially interested in "the musical properties of language." Cabaret , which gave birth to so many of the arts of modernism, including the immediate precursors of film, may be said to have begun in France in 1881 with the opening of the Black Cat in Montmartre , the beginning of the ironic monologue, and
13800-434: The products of consumer culture " kitsch ", because their design aimed simply to have maximum appeal, with any difficult features removed. For Greenberg, modernism thus formed a reaction against the development of such examples of modern consumer culture as commercial popular music , Hollywood , and advertising. Greenberg associated this with the revolutionary rejection of capitalism. Some modernists saw themselves as part of
13938-430: The representational function of visual art obsolete, strongly affected this aspect of modernism. Modernist architects and designers, such as Frank Lloyd Wright and Le Corbusier , believed that new technology rendered old styles of building obsolete. Le Corbusier thought that buildings should function as "machines for living in", analogous to cars, which he saw as machines for traveling in. Just as cars had replaced
14076-460: The reputations of many of these writers had faded by the mid-20th century, the influence of the symbolist movement was nonetheless profound. This was especially true in the case of Innokenty Annensky , whose definitive collection of verse, Cypress Box , was published posthumously (1909). Sometimes cited as a Slavic counterpart to the accursed poets , Annensky managed to render into Russian the essential intonations of Baudelaire and Verlaine , while
14214-436: The rise of Adolf Hitler in the 1930s, there were subsequent Expressionist works. Expressionism is notoriously difficult to define, in part because it "overlapped with other major 'isms' of the modernist period: with Futurism , Vorticism , Cubism, Surrealism and Dada ." Richard Murphy also comments: "[The] search for an all-inclusive definition is problematic to the extent that the most challenging Expressionists," such as
14352-463: The stock brokers of 1890 became part of family life, at least in middle class North America. Associated with urbanization and changing social mores also came smaller families and changed relationships between parents and their children. Another strong influence at this time was Marxism . After the generally primitivistic/irrationalism aspect of pre-World War I modernism (which for many modernists precluded any attachment to merely political solutions) and
14490-472: The study of light, color, and atmosphere "anticipated the French Impressionists " and therefore modernism "in breaking down conventional formulas of representation; though unlike them, he believed that his works should always express significant historical, mythological, literary, or other narrative themes." However, the modernists were critical of the Romantics' belief that art serves as a window into
14628-596: The subject in a greater context. Cubism was brought to the attention of the general public for the first time in 1911 at the Salon des Indépendants in Paris (held 21 April – 13 June). Jean Metzinger , Albert Gleizes , Henri Le Fauconnier , Robert Delaunay , Fernand Léger and Roger de La Fresnaye were shown together in Room 41, provoking a 'scandal' out of which Cubism emerged and spread throughout Paris and beyond. Also in 1911, Kandinsky painted Bild mit Kreis ( Picture with
14766-436: The subtle music, ominous allusions, arcane vocabulary, and the spell of minutely changing colors and odors in his poetry were all his own. His influence on the acmeist school of Russian poetry ( Akhmatova , Gumilyov , Mandelshtam ) was paramount. Russian symbolism flourished in the first decade of the 20th century. Many new talents began to publish verse written in the symbolist vein. These writers were especially indebted to
14904-424: The term "Expressionism" did not firmly establish itself until 1913. Though initially mainly a German artistic movement, most predominant in painting, poetry and the theatre between 1910 and 1930, most precursors of the movement were not German. Furthermore, there have been Expressionist writers of prose fiction, as well as non-German speaking Expressionist writers, and, while the movement had declined in Germany with
15042-521: The title of Nikolai Myaskovsky 's 1910 tone poem, "Silence", may have been borrowed from Tyutchev, the inspiration is credited to one of Edgar Allan Poe's tales. The same poem was also set to music by the 20th-century Russian composer, Boris Tchaikovsky (1925-1996), in his 1974 cantata "Signs of the Zodiac". Composer Lyubov Streicher (1888-1958) set Tyutchev’s text to music in her Romances . The Ukrainian composer, Valentyn Sylvestrov (born 1937), has made
15180-578: The trouble to question their own preconceptions. This aspect of modernism has often seemed a reaction to consumer culture , which developed in Europe and North America in the late 19th century. Whereas most manufacturers try to make products that will be marketable by appealing to preferences and prejudices, high modernists reject such consumerist attitudes to undermine conventional thinking. The art critic Clement Greenberg expounded this theory of modernism in his essay Avant-Garde and Kitsch . Greenberg labeled
15318-649: The twentieth century. He was often compared with Alexander Pushkin, and the whole Silver Age of Russian Poetry was sometimes styled the "Age of Blok." His early verse is impeccably musical and rich in sound. Later, he sought to introduce daring rhythmic patterns and uneven beats into his poetry. His mature poems are often based on the conflict between the Platonic vision of ideal beauty and the disappointing reality of foul industrial outskirts. They are often characterized by an idiosyncratic use of color and spelling to express meaning. One of Blok's most famous and controversial poems
15456-461: The unstoppable current of time erodes the outline of the present." ^ Incidentally, this poem inspired an early-20th-century composer, Georgi Catoire (the setting of the poem in the song Silentium ), while another one of Tyutchev's poems, "O chem ty voesh' vetr nochnoy...", was the inspiration for Nikolai Medtner 's Night Wind piano sonata (#7) of 1911. There is a well-known setting by Rakhmaninov of Tyutchev's poem Spring Waters . While
15594-469: The work of Manet attracted attention and opened commercial doors to the movement. The second French school was symbolism , which literary historians see beginning with Charles Baudelaire and including the later poets Arthur Rimbaud (1854–1891) with Une Saison en Enfer ( A Season in Hell , 1873), Paul Verlaine (1844–1896), Stéphane Mallarmé (1842–1898), and Paul Valéry (1871–1945). The symbolists "stressed
15732-401: The work of earlier composers such as Franz Liszt , Richard Wagner , Gustav Mahler , Richard Strauss , and Max Reger . In the world of art, in the first decade of the 20th century, young painters such as Pablo Picasso and Henri Matisse caused much controversy and attracted great criticism with their rejection of traditional perspective as the means of structuring paintings, though
15870-560: The writings of the art critic John Ruskin (1819–1900), who had strong feelings about the role of art in helping to improve the lives of the urban working classes in the rapidly expanding industrial cities of Britain. Art critic Clement Greenberg described the Pre-Raphaelite Brotherhood as proto-modernists: "There the proto-modernists were, of all people, the Pre-Raphaelites (and even before them, as proto-proto-modernists,
16008-443: The years between 1900 and 1910. An important aspect of modernism is how it relates to tradition through its adoption of techniques like reprise, incorporation, rewriting, recapitulation, revision, and parody in new forms. T. S. Eliot made significant comments on the relation of the artist to tradition, including: "[W]e shall often find that not only the best, but the most individual parts of [a poet's] work, may be those in which
16146-657: Was Alexander Scriabin who in his First Symphony praised art as a kind of religion. Le Divin Poème (1902-1904) sought to express "the evolution of the human spirit from pantheism to unity with the universe." Prométhée (1910), given in 1915 in New York City , was accompanied by elaborately selected colour projections on a screen. In Scriabin's synthetic performances music, poetry, dancing, colours, and scents were used so as to bring about "supreme, final ecstasy." Andrey Bely and Wassily Kandinsky articulated similar ideas on
16284-490: Was "The Twelve," which described the march of twelve Bolshevik soldiers through the streets of revolutionary Petrograd in pseudo-religious terms. Andrei Bely strove to forge a unity of prose, poetry, and music in much of his literature, as evidenced by the title of one of his early works, Symphonies in Prose . However, his fame rests primarily on post-symbolist works such as celebrated modernist novel Petersburg (1911-1913),
16422-707: Was a hegumenia famous for founding the Borisoglebsky Anosin Women's Monastery. The Tyutchevs traced their roots to Zakhariy Tutchev mentioned in The Tale of the Rout of Mamai , a 15th-century epic tale about the Battle of Kulikovo that described him as the most trusted man of Dmitry Donskoy ; sent as a messenger to Mamai , he managed to reveal traitors and return alive thanks to his diplomatic skills. Fyodor's mother Countess Ekaterina Lvovna Tolstaya (1776—1866) belonged to
16560-562: Was a Russian poet and diplomat. Tyutchev was born into an old Russian noble family in the Ovstug family estate near Bryansk (modern-day Zhukovsky District, Bryansk Oblast of Russia ). His father Ivan Nikolaevich Tyutchev (1768—1846) was a court councillor who served in the Kremlin Expedition that managed all building and restoration works of Moscow palaces. One of Ivan's sisters, Princess Yevdokia Nikolaevna Meshcherskaya (1774—1837),
16698-521: Was a militant Pan-Slavist , who never needed a particular reason to berate the Western powers, Vatican , Ottoman Empire or Poland , the latter perceived by him as a Judas in the Slavic fold. The failure of the Crimean War made him look critically at the Russian government as well. On domestic matters, he held broadly liberal views. He warmly welcomed most of the reforms of Tsar Alexander II , particularly
16836-413: Was a while later, and not so locally, that modernism appeared in music and architecture)." The poet Baudelaire's Les Fleurs du mal ( The Flowers of Evil ) and the author Flaubert's Madame Bovary were both published in 1857. Baudelaire's essay " The Painter of Modern Life " (1863) inspired young artists to break away from tradition and innovate new ways of portraying their world in art. Beginning in
16974-410: Was an early 20th century movement in literature, visual arts, and music that emphasized experimentation, abstraction , and subjective experience. Philosophy, politics, architecture, and social issues were all aspects of this movement. Modernism centered around beliefs in a "growing alienation " from prevailing " morality , optimism , and convention " and a desire to change how " human beings in
17112-592: Was coerced by her relatives into marrying the much older Krüdener, but she and Tyutchev continued to be friends and frequented the same diplomatic society in Munich. A late poem of 1870 with the title K.B. ( Ia vstretil vas — i vsio biloe ), long accepted on dubious evidence as addressed to Amélie, is now thought much more likely to refer to Tyutchev's sister-in-law Clotilde (or Klothilde) von Bothmer. Tyutchev's last meeting with Amélie took place on March 31, 1873 (OS) when she visited him on his deathbed. The next day, Tyutchev wrote to his daughter Daria : Yesterday I felt
17250-510: Was dismissed from the Foreign Service as a result. He continued to live in Germany for five more years without position before returning to Russia. Upon his eventual return to St Petersburg in 1844, the poet was much lionised in the highest society. His daughter Kitty caused a sensation, and the novelist Leo Tolstoy wooed her, "almost prepared to marry her impassively, without love, but she received me with studied coldness", as he remarked in
17388-594: Was distinguished from that of Pushkin and other contemporaries by its liberal use of majestic, solemn Slavonic archaisms. His family tutor was Semyon Raich , a minor poet and translator under whose guidance Tyutchev undertook his first poetic steps. From 1819 to 1821 Tyutchev studied at the Philological Faculty of Moscow University . After graduating he joined the Foreign Office and in 1822 accompanied his relative, Count Ostermann-Tolstoy , to Munich to take up
17526-438: Was intimately linked not only to painting, music, and drama, but also to philosophy, psychology, religion, and myth. The intellectual cross fertilization that took place at Ivanov's 'Tower', in short, was a social manifestation of Symbolist tenets." Probably the most important Russian symbolist painter was Mikhail Vrubel , who achieved fame with a large mosaic -like canvas The Demon Seated (1890) and went mad while working on
17664-529: Was not so much an artistic movement as a comprehensive worldview, an attempt to give aesthetics a spiritual foundation. The Russian Symbolists sought to preserve the insights and achievements of past civilisations and to build upon them. They viewed human creativity as a continuum, celebrating 'Symbolist' tendencies in the art and culture of civilisations distant both temporally and spatially... According to Symbolist conviction, divisions between various fields of knowledge and artistic disciplines were artificial: poetry
17802-661: Was not until the late 19th and early 20th century that Tyutchev was rediscovered and hailed as a great poet by the Russian Symbolists such as Vladimir Solovyov , Andrey Bely and Alexander Blok . Silentium! is an archetypal poem by Tyutchev. Written in 1830, it is remarkable for its rhythm crafted so as to make reading in silence easier than aloud toward others . Like so many of his poems, its images are anthropomorphic and pulsing with pantheism . As one Russian critic put it, "the temporal epochs of human life, its past and its present fluctuate and vacillate in equal measure:
17940-418: Was only in 1854 that his first volume of verse was printed, which was prepared by Ivan Turgenev and others without any help from the author. In 1850, he began an illicit affair with Elena Denisyeva , over twenty years his junior. She remained his mistress until her death from tuberculosis in 1864; they had three children. The affair produced a body of lyrics rightly considered among the finest love poems in
18078-743: Was premiered, in which he uses a montage of different styles, including folk music , popular song and atonality. Among his influences was Alban Berg 's (1885–1935) opera Wozzeck (1925), which "had made a tremendous impression on Shostakovich when it was staged in Leningrad." However, from 1932 socialist realism began to oust modernism in the Soviet Union, and in 1936 Shostakovich was attacked and forced to withdraw his 4th Symphony. Alban Berg wrote another significant, though incomplete, modernist opera, Lulu , which premiered in 1937. Berg's Violin Concerto
18216-428: Was still "progressive", it increasingly saw traditional forms and social arrangements as hindering progress and recast the artist as a revolutionary, engaged in overthrowing rather than enlightening society. Also in 1913, a less violent event occurred in France with the publication of the first volume of Marcel Proust 's important novel sequence À la recherche du temps perdu (1913–1927) ( In Search of Lost Time ). This
18354-532: Was the first to make full use of it in his short story "Leutnant Gustl" ("None but the brave") (1900). Dorothy Richardson was the first English writer to use it, in the early volumes of her novel sequence Pilgrimage (1915–1967). Other modernist novelists that are associated with the use of this narrative technique include James Joyce in Ulysses (1922) and Italo Svevo in La coscienza di Zeno (1923). However, with
18492-709: Was the largest and most ambitious Cubist painting undertaken during the pre-war Cubist period. In 1905, a group of four German artists, led by Ernst Ludwig Kirchner , formed Die Brücke (The Bridge) in the city of Dresden . This was arguably the founding organization for the German Expressionist movement, though they did not use the word itself. A few years later, in 1911, a like-minded group of young artists formed Der Blaue Reiter (The Blue Rider) in Munich. The name came from Wassily Kandinsky 's Der Blaue Reiter painting of 1903. Among their members were Kandinsky , Franz Marc , Paul Klee , and August Macke . However,
18630-694: Was the year of philosopher Edmund Husserl 's Ideas , physicist Niels Bohr 's quantized atom, Ezra Pound 's founding of imagism , the Armory Show in New York, and in Saint Petersburg the "first futurist opera", Mikhail Matyushin 's Victory over the Sun —another Russian composer, Igor Stravinsky , composed The Rite of Spring , a ballet that depicts human sacrifice and has a musical score full of dissonance and primitive rhythm. This caused an uproar on its first performance in Paris. At this time, though modernism
18768-581: Was to newly independent Greece in the autumn of 1833. During his years abroad there were visits home on leave, and after settling in Russia in 1844, he would sometimes spend short periods on the family estate at Ovstug. Tours undertaken in a private capacity took him to many parts of continental Europe, including Italy, France, Germany, Austria and Switzerland. He was particularly drawn to the Swiss lakes and mountains. Many of his best poems were inspired by such journeys. As
18906-454: Was too high. The birth of a machine age, which had made major changes in the conditions of daily life in the 19th century had now radically changed the nature of warfare. The traumatic nature of recent experience altered basic assumptions, and a realistic depiction of life in the arts seemed inadequate when faced with the fantastically surreal nature of trench warfare . The view that mankind was making steady moral progress now seemed ridiculous in
19044-472: Was usually known). Among other poems inspired by her are K. N. , and Ia pomniu vremia zolotoe… Published extracts from the letters and diaries of Maximilian von Lerchenfeld illuminate the first years of Tyutchev as a diplomat in Munich (1822–1826), giving details of his frustrated love affair for Amélie, nearly involving a duel (probably with his colleague, Baron Alexander von Krüdener ), in January 1825. Amélie
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