Misplaced Pages

#206793

101-489: In heraldry and vexillology , a heraldic flag is a flag containing coats of arms , heraldic badges , or other devices used for personal identification. Heraldic flags include banners, standards, pennons and their variants, gonfalons , guidons , and pinsels . Specifications governing heraldic flags vary from country to country, and have varied over time. The pennon is a small elongated flag, either pointed or swallow-tailed (when swallow-tailed it may be described as

202-555: A banderole ). It was charged with the heraldic badge or some other armorial ensign of the owner, and displayed on his own lance, as a personal ensign. The pennoncelle was a modification of the pennon. In contemporary Scots usage, the pennon is 120 cm (four feet) in length. It tapers either to a point or to a rounded end as the owner chooses. It is assigned by the Lord Lyon King of Arms to any armiger who wishes to apply for it. The banner of arms (also simply called banner )

303-495: A crest , supporters , and other heraldic embellishments. The term " coat of arms " technically refers to the shield of arms itself, but the phrase is commonly used to refer to the entire achievement. The one indispensable element of a coat of arms is the shield; many ancient coats of arms consist of nothing else, but no achievement or armorial bearings exists without a coat of arms. From a very early date, illustrations of arms were frequently embellished with helmets placed above

404-483: A sagittary (centaur) as a badge. Badges were widely used and borne by the first five Plantagenets , notably the planta genista (broom plant) from which their name derived; a star and crescent interpreted by some as a sun and moon; the genet of Henry II ; the rose and thistle of Anne ; the white hart of Richard II ; the Tudor rose and portcullis . The Stuarts were the last to bear personal badges, ceasing with Anne ;

505-497: A bright violet-red or pink colour; and carnation , commonly used to represent flesh in French heraldry. A more recent addition is the use of copper as a metal in one or two Canadian coats of arms. There are two basic types of heraldic fur, known as ermine and vair , but over the course of centuries each has developed a number of variations. Ermine represents the fur of the stoat , a type of weasel, in its white winter coat, when it

606-399: A dark red or mulberry colour between gules and purpure, and tenné , an orange or dark yellow to brown colour. These last two are quite rare, and are often referred to as stains , from the belief that they were used to represent some dishonourable act, although in fact there is no evidence that this use existed outside of fanciful heraldic writers. Perhaps owing to the realization that there

707-548: A division of the field, which is partly metal and partly colour; nor, strictly speaking, does it prevent a field from consisting of two metals or two colours, although this is unusual. Furs are considered amphibious, and neither metal nor colour; but in practice ermine and erminois are usually treated as metals, while ermines and pean are treated as colours. This rule is strictly adhered to in British armory, with only rare exceptions; although generally observed in continental heraldry, it

808-407: A grant of arms; it may be assumed without authority by anyone entitled to bear arms, together with mantling and whatever motto the armiger may desire. The crest, however, together with the torse or coronet from which it arises, must be granted or confirmed by the relevant heraldic authority. If the bearer is entitled to the ribbon, collar, or badge of a knightly order, it may encircle or depend from

909-464: A late use of heraldic imagery has been in patriotic commemorations and nationalistic propaganda during the nineteenth and early twentieth centuries. Since the late nineteenth century, heraldry has focused on the use of varied lines of partition and little-used ordinaries to produce new and unique designs. A heraldic achievement consists of a shield of arms , the coat of arms, or simply coat, together with all of its accompanying elements, such as

1010-409: A number is usually displayed only in documentary contexts. The Scottish and Spanish traditions resist allowing more than four quarters, preferring to subdivide one or more "grand quarters" into sub-quarters as needed. The third common mode of marshalling is with an inescutcheon , a small shield placed in front of the main shield. In Britain this is most often an "escutcheon of pretence" indicating, in

1111-520: A number of seals dating from between 1135 and 1155 appear to show the adoption of heraldic devices in England, France, Germany, Spain, and Italy. A notable example of an early armorial seal is attached to a charter granted by Philip I, Count of Flanders , in 1164. Seals from the latter part of the eleventh and early twelfth centuries show no evidence of heraldic symbolism, but by the end of the twelfth century, seals are uniformly heraldic in nature. One of

SECTION 10

#1732848960207

1212-401: A number of ways, of which the simplest is impalement : dividing the field per pale and putting one whole coat in each half. Impalement replaced the earlier dimidiation – combining the dexter half of one coat with the sinister half of another – because dimidiation can create ambiguity between, for example, a bend and a chevron . "Dexter" (from Latin dextra , "right") means to

1313-536: A person to whom a Clan Chief has delegated authority for a particular occasion, such as a clan gathering when the Chief is absent. This flag is allotted only to Chiefs or very special Chieftain-Barons for practical use, and only upon the specific authority of the Lord Lyon King of Arms. Attribution This article incorporates text from A. C. Fox-Davies ' 1914 edition of Charles Boutell's Heraldry Although

1414-690: A proclamation in 1419, forbidding all those who had not borne arms at the Battle of Agincourt from assuming arms, except by inheritance or a grant from the crown. Beginning in the reign of Henry VIII of England, the English Kings of Arms were commanded to make visitations , in which they traveled about the country, recording arms borne under proper authority, and requiring those who bore arms without authority either to obtain authority for them, or cease their use. Arms borne improperly were to be taken down and defaced. The first such visitation began in 1530, and

1515-554: A result of a report by Garter to the Earl Marshal dated 29 January 1906. The report stated that the size of a banner for Esquires and Gentlemen should be considered in the future. Until that date, they were available to all noblemen and knights banneret. In 2011, Garter Woodcock said that the banner for an Esquire or Gentleman should be the same size as a Marquess's and those of a lower rank down to Knight, that is, 90 cm × 90 cm (3 ft × 3 ft). In Scotland ,

1616-466: A shield divided azure and gules would be perfectly acceptable. A line of partition may be straight or it may be varied. The variations of partition lines can be wavy, indented, embattled, engrailed, nebuly , or made into myriad other forms; see Line (heraldry) . In the early days of heraldry, very simple bold rectilinear shapes were painted on shields. These could be easily recognized at a long distance and could be easily remembered. They therefore served

1717-472: A traditional shield under certain circumstances, and in Canadian heraldry the shield is now regularly granted. The whole surface of the escutcheon is termed the field , which may be plain, consisting of a single tincture, or divided into multiple sections of differing tinctures by various lines of partition; and any part of the field may be semé , or powdered with small charges. The edges and adjacent parts of

1818-520: A window commemorating the knights who embarked on the Second Crusade in 1147, and was probably made soon after the event; but Montfaucon's illustration of the window before it was destroyed shows no heraldic design on any of the shields. In England, from the time of the Norman conquest, official documents had to be sealed. Beginning in the twelfth century, seals assumed a distinctly heraldic character;

1919-500: Is also credited with having originated the English crest of a lion statant (now statant-guardant). The origins of heraldry are sometimes associated with the Crusades , a series of military campaigns undertaken by Christian armies from 1096 to 1487, with the goal of reconquering Jerusalem and other former Byzantine territories captured by Muslim forces during the seventh century. While there

2020-701: Is any object or figure placed on a heraldic shield or on any other object of an armorial composition. Any object found in nature or technology may appear as a heraldic charge in armory. Charges can be animals, objects, or geometric shapes. Apart from the ordinaries, the most frequent charges are the cross – with its hundreds of variations – and the lion and eagle . Other common animals are bears , stags , wild boars , martlets , wolves and fish . Dragons , bats , unicorns , griffins , and other monsters appear as charges and as supporters . Animals are found in various stereotyped positions or attitudes . Quadrupeds can often be found rampant (standing on

2121-503: Is called barry , while a pattern of vertical (palewise) stripes is called paly . A pattern of diagonal stripes may be called bendy or bendy sinister , depending on the direction of the stripes. Other variations include chevrony , gyronny and chequy . Wave shaped stripes are termed undy . For further variations, these are sometimes combined to produce patterns of barry-bendy , paly-bendy , lozengy and fusilly . Semés, or patterns of repeated charges, are also considered variations of

SECTION 20

#1732848960207

2222-442: Is called an ermine. It consists of a white, or occasionally silver field, powdered with black figures known as ermine spots , representing the black tip of the animal's tail. Ermine was traditionally used to line the cloaks and caps of the nobility. The shape of the heraldic ermine spot has varied considerably over time, and nowadays is typically drawn as an arrowhead surmounted by three small dots, but older forms may be employed at

2323-438: Is given to the heraldic artist in depicting the heraldic tinctures; there is no fixed shade or hue to any of them. Whenever an object is depicted as it appears in nature, rather than in one or more of the heraldic tinctures, it is termed proper , or the colour of nature. This does not seem to have been done in the earliest heraldry, but examples are known from at least the seventeenth century. While there can be no objection to

2424-502: Is no evidence that heraldic art originated in the course of the Crusades, there is no reason to doubt that the gathering of large armies, drawn from across Europe for a united cause, would have encouraged the adoption of armorial bearings as a means of identifying one's commanders in the field, or that it helped disseminate the principles of armory across Europe. At least two distinctive features of heraldry are generally accepted as products of

2525-423: Is no heraldic authority, and no law preventing anyone from assuming whatever arms they please, provided that they do not infringe upon the arms of another. Although heraldry originated from military necessity, it soon found itself at home in the pageantry of the medieval tournament . The opportunity for knights and lords to display their heraldic bearings in a competitive medium led to further refinements, such as

2626-452: Is normally left to the discretion of the heraldic artist, and many different shapes have prevailed during different periods of heraldic design, and in different parts of Europe. One shape alone is normally reserved for a specific purpose: the lozenge , a diamond-shaped escutcheon, was traditionally used to display the arms of women, on the grounds that shields, as implements of war, were inappropriate for this purpose. This distinction

2727-455: Is not adhered to quite as strictly. Arms which violate this rule are sometimes known as "puzzle arms", of which the most famous example is the arms of the Kingdom of Jerusalem , consisting of gold crosses on a silver field. The field of a shield, or less often a charge or crest, is sometimes made up of a pattern of colours, or variation . A pattern of horizontal (barwise) stripes, for example,

2828-406: Is not rectangular – it tapers, usually from 120 to 60 cm (4 to 2 ft), and the fly edge is rounded (lanceolate). In England, any armiger who has been granted a badge is entitled to fly a standard. The medieval English standard was larger than the other flags, and its size varied with the owner's rank. The Cross of Saint George usually appeared next to the staff, and the rest of the field

2929-522: Is really no such thing as a stain in genuine heraldry, as well as the desire to create new and unique designs, the use of these colours for general purposes has become accepted in the twentieth and twenty-first centuries. Occasionally one meets with other colours, particularly in continental heraldry, although they are not generally regarded among the standard heraldic colours. Among these are cendrée , or ash-colour; brunâtre , or brown; bleu-céleste or bleu de ciel , sky blue; amaranth or columbine ,

3030-472: Is similar in shape to the standard and pennon. At 1.98 metres (6 feet 6 inches) long, it is smaller than the standard and twice the size of the pennon. Guidons are assigned by the Lord Lyon to those individuals who qualify for a grant of supporters to their Arms and to other individuals who have a following such as individuals who occupy a position of leadership or a long-term official position commanding

3131-423: Is similar to vair in pale, but diagonal. When alternating rows are reversed as in counter-vair, and then displaced by half the width of one bell, it is termed vair in point , or wave-vair. A form peculiar to German heraldry is alternate vair , in which each vair bell is divided in half vertically, with half argent and half azure. All of these variations can also be depicted in the form known as potent , in which

Heraldic flag - Misplaced Pages Continue

3232-452: Is sometimes found. Three additional furs are sometimes encountered in continental heraldry; in French and Italian heraldry one meets with plumeté or plumetty , in which the field appears to be covered with feathers, and papelonné , in which it is decorated with scales. In German heraldry one may encounter kursch , or vair bellies, depicted as brown and furry; all of these probably originated as variations of vair. Considerable latitude

3333-443: Is square or oblong and larger than the pennon, bearing the entire coat of arms of the owner, composed precisely as upon a shield but in a square or rectangular shape. In the olden time, when a Knight had distinguished himself by conspicuous gallantry, it was the custom to mark his meritorious conduct by prompt advancement on the very field of battle. In such a case, the point or points of the good Knight's Pennon were rent off, and thus

3434-564: Is the use of a limited palette of colours and patterns, usually referred to as tinctures . These are divided into three categories, known as metals , colours , and furs . The metals are or and argent , representing gold and silver, respectively, although in practice they are usually depicted as yellow and white. Five colours are universally recognized: gules , or red; sable , or black; azure , or blue; vert , or green; and purpure , or purple; and most heraldic authorities also admit two additional colours, known as sanguine or murrey ,

3535-509: The Bayeux Tapestry , illustrating the Norman invasion of England in 1066, and probably commissioned about 1077, when the cathedral of Bayeux was rebuilt, depicts a number of shields of various shapes and designs, many of which are plain, while others are decorated with dragons, crosses, or other typically heraldic figures. Yet no individual is depicted twice bearing the same arms, nor are any of

3636-724: The Lord Lyon . Such a grant is made only if certain conditions are met. The length of the standard depends upon one's noble rank . A Banderole ( Fr. for a "little banner"), has both a literal descriptive meaning for its use by knights and ships, and is also heraldic device for representing bishops. A gonfalone or gonfalon is a vertically hung banner emblazoned with a coat of arms. Gonfalons have wide use in civic, religious, and academic heraldry. The term originated in Florence , Italy , where communities, or neighborhoods, traditionally displayed gonfaloni in public ceremonies. The Scots guidon

3737-595: The Nebra sky disc , is also thought to serve as a heraldic precursor. Until the nineteenth century, it was common for heraldic writers to cite examples such as these, and metaphorical symbols such as the "Lion of Judah" or "Eagle of the Caesars", as evidence of the antiquity of heraldry itself; and to infer therefrom that the great figures of ancient history bore arms representing their noble status and descent. The Book of Saint Albans , compiled in 1486, declares that Christ himself

3838-410: The fess , the pale , the bend , the chevron , the saltire , and the pall . There is a separate class of charges called sub-ordinaries which are of a geometrical shape subordinate to the ordinary. According to Friar, they are distinguished by their order in blazon. The sub-ordinaries include the inescutcheon , the orle , the tressure, the double tressure, the bordure , the chief , the canton ,

3939-592: The griffin can also be found. In the Bible , the Book of Numbers refers to the standards and ensigns of the children of Israel , who were commanded to gather beneath these emblems and declare their pedigrees. The Greek and Latin writers frequently describe the shields and symbols of various heroes, and units of the Roman army were sometimes identified by distinctive markings on their shields. At least one pre-historic European object,

4040-404: The herald , originally a type of messenger employed by noblemen, assumed the responsibility of learning and knowing the rank, pedigree, and heraldic devices of various knights and lords, as well as the rules governing the design and description, or blazoning of arms, and the precedence of their bearers. As early as the late thirteenth century, certain heralds in the employ of monarchs were given

4141-459: The label , and flaunches . Ordinaries may appear in parallel series, in which case blazons in English give them different names such as pallets, bars, bendlets, and chevronels. French blazon makes no such distinction between these diminutives and the ordinaries when borne singly. Unless otherwise specified an ordinary is drawn with straight lines, but each may be indented, embattled, wavy, engrailed, or otherwise have their lines varied. A charge

Heraldic flag - Misplaced Pages Continue

4242-555: The monarchs of England . In high favour during the Tudor period , the Royal English Standard was a flag that was of a separate design and purpose to the Royal Banner . It featured St George's Cross at its head, followed by a number of heraldic devices , a supporter, badges or crests , with a motto —but it did not bear a coat of arms . The Royal Standard changed its composition frequently from reign to reign, but retained

4343-412: The royal badges afterward became more akin to national emblems, evolving into our modern versions. All sorts of devices were used on standards, generally a beast badge, a plant badge or instead of the latter a simple object (such as a knot). Sometimes the crest was used, but invariably the largest and most dominant object on a standard was one of the supporters. The whole banner was usually fringed with

4444-1025: The ... small Flag was reduced to the square form of the Banner, by which thenceforth he was to be distinguished The banners of members of Orders of Chivalry are typically displayed in the Order's chapel. Banners of Knights of the Order of the Thistle are hung in the 1911 chapel of the Order in St Giles High Kirk in Edinburgh . Banners of Knights of the Order of the Garter are displayed in St George's Chapel at Windsor Castle . From Victorian times Garter banners have been approximately 1.5 m × 1.5 m (5 ft × 5 ft). Banners became available to all English armigers as

4545-526: The Tudor period the standing army came into being and the standard ceased to be use as an instrument of war. Only to be borne by those who were entitled to fly them. Advance our standards, set upon our foes Our ancient world of courage fair St. George Inspire us with the spleen of fiery dragons ..... Shakespeare. Richard III. act v, sc.3. The medieval standard was usually about eight feet long, but Tudor heralds determined different lengths, according to

4646-403: The antiquity of heraldry. The development of the modern heraldic language cannot be attributed to a single individual, time, or place. Although certain designs that are now considered heraldic were evidently in use during the eleventh century, most accounts and depictions of shields up to the beginning of the twelfth century contain little or no evidence of their heraldic character. For example,

4747-409: The arms of a married couple, that the wife is an heraldic heiress (i.e., she inherits a coat of arms because she has no brothers). In continental Europe an inescutcheon (sometimes called a "heart shield") usually carries the ancestral arms of a monarch or noble whose domains are represented by the quarters of the main shield. In German heraldry , animate charges in combined coats usually turn to face

4848-404: The artist's discretion. When the field is sable and the ermine spots argent, the same pattern is termed ermines ; when the field is or rather than argent, the fur is termed erminois ; and when the field is sable and the ermine spots or , it is termed pean . Vair represents the winter coat of the red squirrel , which is blue-grey on top and white underneath. To form the linings of cloaks,

4949-536: The authority of the Earl Marshal ; but all of the arms granted by the college are granted by the authority of the crown. In Scotland Court of the Lord Lyon King of Arms oversees the heraldry, and holds court sessions which are an official part of Scotland's court system. Similar bodies regulate the granting of arms in other monarchies and several members of the Commonwealth of Nations , but in most other countries there

5050-435: The base. The other points include dexter chief , center chief , and sinister chief , running along the upper part of the shield from left to right, above the honour point; dexter flank and sinister flank , on the sides approximately level with fess point; and dexter base , middle base , and sinister base along the lower part of the shield, below the nombril point. One of the most distinctive qualities of heraldry

5151-416: The centre of the composition. In English the word "crest" is commonly (but erroneously) used to refer to an entire heraldic achievement of armorial bearings. The technical use of the heraldic term crest refers to just one component of a complete achievement. The crest rests on top of a helmet which itself rests on the most important part of the achievement: the shield. The modern crest has grown out of

SECTION 50

#1732848960207

5252-401: The crusaders: the surcoat , an outer garment worn over the armor to protect the wearer from the heat of the sun, was often decorated with the same devices that appeared on a knight's shield. It is from this garment that the phrase "coat of arms" is derived. Also the lambrequin, or mantling, that depends from the helmet and frames the shield in modern heraldry, began as a practical covering for

5353-532: The current unicorn. The term livery is derived from the French livrée from the Latin liberare , meaning to liberate or bestow, originally implying the dispensing of food, provisions and clothing &c to retainers. In the Middle Ages the term was then applied to the uniforms and other devices, worn by those who accepted the privileges and obligations of embracery , or livery and maintenance. The royal liveries of

5454-527: The descendants of the various persons depicted known to have borne devices resembling those in the tapestry. Similarly, an account of the French knights at the court of the Byzantine emperor Alexius I at the beginning of the twelfth century describes their shields of polished metal, devoid of heraldic design. A Spanish manuscript from 1109 describes both plain and decorated shields, none of which appears to have been heraldic. The Abbey of St. Denis contained

5555-405: The development of "landscape heraldry", incorporating realistic depictions of landscapes, during the latter part of the eighteenth and early part of the nineteenth century. These fell out of fashion during the mid-nineteenth century, when a renewed interest in the history of armory led to the re-evaluation of earlier designs, and a new appreciation for the medieval origins of the art. In particular,

5656-471: The development of elaborate tournament helms, and further popularized the art of heraldry throughout Europe. Prominent burghers and corporations, including many cities and towns, assumed or obtained grants of arms, with only nominal military associations. Heraldic devices were depicted in various contexts, such as religious and funerary art, and in using a wide variety of media, including stonework, carved wood, enamel , stained glass , and embroidery . As

5757-446: The dexter is on the left side, and the sinister on the right. The placement of various charges may also refer to a number of specific points, nine in number according to some authorities, but eleven according to others. The three most important are fess point , located in the visual center of the shield; the honour point , located midway between fess point and the chief; and the nombril point , located midway between fess point and

5858-443: The earliest known examples of armory as it subsequently came to be practiced can be seen on the tomb of Geoffrey Plantagenet, Count of Anjou , who died in 1151. An enamel, probably commissioned by Geoffrey's widow between 1155 and 1160, depicts him carrying a blue shield decorated with six golden lions rampant. He wears a blue helmet adorned with another lion, and his cloak is lined in vair. A medieval chronicle states that Geoffrey

5959-436: The escutcheon are used to identify the placement of various heraldic charges; the upper edge, and the corresponding upper third of the shield, are referred to as the chief; the lower part is the base. The sides of the shield are known as the dexter and sinister flanks, although these terms are based on the point of view of the bearer of the shield, who would be standing behind it; to the observer, and in all heraldic illustration,

6060-470: The field when large armies gathered together for extended periods, necessitating the development of heraldry as a symbolic language, but there is little support for this view. The perceived beauty and pageantry of heraldic designs allowed them to survive the gradual abandonment of armour on the battlefield during the seventeenth century. Heraldry has been described poetically as "the handmaid of history", "the shorthand of history", and "the floral border in

6161-399: The field. The Rule of tincture applies to all semés and variations of the field. The field of a shield in heraldry can be divided into more than one tincture , as can the various heraldic charges . Many coats of arms consist simply of a division of the field into two contrasting tinctures. These are considered divisions of a shield, so the rule of tincture can be ignored. For example,

SECTION 60

#1732848960207

6262-475: The fur is termed gros vair or beffroi ; if of six or more, it is menu-vair , or miniver. A common variation is counter-vair , in which alternating rows are reversed, so that the bases of the vair bells of each tincture are joined to those of the same tincture in the row above or below. When the rows are arranged so that the bells of each tincture form vertical columns, it is termed vair in pale ; in continental heraldry one may encounter vair in bend , which

6363-467: The garden of history". In modern times, individuals, public and private organizations, corporations, cities, towns, regions, and other entities use heraldry and its conventions to symbolize their heritage, achievements, and aspirations. Various symbols have been used to represent individuals or groups for thousands of years. The earliest representations of distinct persons and regions in Egyptian art show

6464-402: The helmet and the back of the neck during the Crusades, serving much the same function as the surcoat. Its slashed or scalloped edge, today rendered as billowing flourishes, is thought to have originated from hard wearing in the field, or as a means of deadening a sword blow and perhaps entangling the attacker's weapon. The spread of armorial bearings across Europe gave rise to a new occupation:

6565-606: The kings of England as a headquarters symbol for their armies. Modern usage of the heraldic standard includes the flag of the Master Gunner, St James's Park and the flag of the Port of London Authority (used by the chairman and the Vice Chairman). The Oriflamme was the battle standard of the King of France during the Middle Ages . In Scotland , a standard requires a separate grant by

6666-567: The last was carried out in 1700, although no new commissions to carry out visitations were made after the accession of William III in 1689. There is little evidence that Scottish heralds ever went on visitations. In 1484, during the reign of Richard III , the various heralds employed by the crown were incorporated into England's College of Arms , through which all new grants of arms would eventually be issued. The college currently consists of three Kings of Arms, assisted by six Heralds, and four Pursuivants , or junior officers of arms, all under

6767-542: The later Plantagenets were white and red; those of the House of Lancaster were white and blue, the colours of the House of York were murrey (dark red) and blue. The liveries of the House of Tudor were white and green; those of the House of Stuart – and of George I – were yellow and red. In all subsequent reigns, they have been scarlet and blue. Dieu et mon droit (originally Dieu et mon droyt ; French: 'God and my right'), as seen on Royal standards since King Edward III ,

6868-409: The left hind foot). Another frequent position is passant , or walking, like the lions of the coat of arms of England . Eagles are almost always shown with their wings spread, or displayed. A pair of wings conjoined is called a vol . In English heraldry the crescent , mullet , martlet , annulet , fleur-de-lis , and rose may be added to a shield to distinguish cadet branches of a family from

6969-403: The liveries and badges familiar to the retainers and soldiers, of which their uniforms were composed. The St. George in the hoist of each standard was the communal symbol of national identity. This badge or banner of England, at the head of the standard, was the indication that the men assembled beneath it were first, Englishmen, and secondly, the followers of the man whose arms were continued on

7070-429: The livery colours, giving the effect of the bordure compony . Except in funerals, these standards were not used after the Tudor period , probably because of the creation of a standing army in the reign of Henry VIII . Supporters are figures of living creatures each side of an armorial shield, appearing to support it. The origin of supporters can be traced to their usages in tournaments, on Standards, and where

7171-463: The loyalty of more than a handful of people. The Guidon tapers to a round, unsplit end at the fly. A guidon can also refer to a cavalry troop's banner, such as that which survived the Custer massacre. The Scottish pinsel is triangular in shape, 76 cm ( 2 + 1 ⁄ 2  ft) high at the hoist and 140 cm ( 4 + 1 ⁄ 2  ft) in width tapering to a point. This is the flag denoting

7272-399: The main purpose of heraldry: identification. As more complicated shields came into use, these bold shapes were set apart in a separate class as the "honourable ordinaries". They act as charges and are always written first in blazon . Unless otherwise specified they extend to the edges of the field. Though ordinaries are not easily defined, they are generally described as including the cross ,

7373-434: The motto Dieu et mon droit , meaning God and my right; which was divided into two bands: Dieu et mon and Droyt . The standard was equivalent to the modern headquarters flag and played a significant role in the medieval army. Beneath it was pitched the tent of the leader; behind it his retainers would follow; around it they would gather after a charge to regroup; under it they would make their last stand in battle. During

7474-430: The name implies, the usual number of divisions is four, but the principle has been extended to very large numbers of "quarters". Quarters are numbered from the dexter chief (the corner nearest to the right shoulder of a man standing behind the shield), proceeding across the top row, and then across the next row and so on. When three coats are quartered, the first is repeated as the fourth; when only two coats are quartered,

7575-662: The next, representing a particular person or line of descent. The medieval heralds also devised arms for various knights and lords from history and literature. Notable examples include the toads attributed to Pharamond , the cross and martlets of Edward the Confessor , and the various arms attributed to the Nine Worthies and the Knights of the Round Table . These too are readily dismissed as fanciful inventions, rather than evidence of

7676-601: The occasional depiction of objects in this manner, the overuse of charges in their natural colours is often cited as indicative of bad heraldic practice. The practice of landscape heraldry, which flourished in the latter part of the eighteenth and early part of the nineteenth century, made extensive use of non-heraldic colours. One of the most important conventions of heraldry is the so-called " rule of tincture ". To provide for contrast and visibility, metals should never be placed on metals, and colours should never be placed on colours. This rule does not apply to charges which cross

7777-401: The older, undulating pattern, now known as vair ondé or vair ancien , the bells of each tincture are curved and joined at the base. There is no fixed rule as to whether the argent bells should be at the top or the bottom of each row. At one time vair commonly came in three sizes, and this distinction is sometimes encountered in continental heraldry; if the field contains fewer than four rows,

7878-410: The pelts were sewn together, forming an undulating, bell-shaped pattern, with interlocking light and dark rows. The heraldic fur is depicted with interlocking rows of argent and azure, although the shape of the pelts, usually referred to as "vair bells", is usually left to the artist's discretion. In the modern form, the bells are depicted with straight lines and sharp angles, and meet only at points; in

7979-464: The rank of the nobility. "The Great Standard to be sette before the Kinges pavilion or tent – not to be borne in battle" – was 33-foot long. A duke's standard was 21-foot in length, and that of the humble knight, 12-foot long. These standards, or personal flags, were displayed by armigerous commanders in battle, but mustering and rallying functions were performed by livery flags; notably the standard which bore

8080-458: The right from the viewpoint of the bearer of the arms and "sinister" (from Latin sinistra , "left") means to the bearer's left. The dexter side is considered the side of greatest honour (see also dexter and sinister ). A more versatile method is quartering , division of the field by both vertical and horizontal lines. This practice originated in Spain ( Castile and León ) after the 13th century. As

8181-418: The rise of firearms rendered the mounted knight increasingly irrelevant during the sixteenth and seventeenth centuries, and the tournament faded into history, the military character of heraldry gave way to its use as a decorative art. Freed from the limitations of actual shields and the need for arms to be easily distinguished in combat, heraldic artists designed increasingly elaborate achievements, culminating in

8282-433: The second is also repeated as the third. The quarters of a personal coat of arms correspond to the ancestors from whom the bearer has inherited arms, normally in the same sequence as if the pedigree were laid out with the father's father's ... father (to as many generations as necessary) on the extreme left and the mother's mother's...mother on the extreme right. A few lineages have accumulated hundreds of quarters, though such

8383-426: The senior line. These cadency marks are usually shown smaller than normal charges, but it still does not follow that a shield containing such a charge belongs to a cadet branch. All of these charges occur frequently in basic undifferenced coats of arms. To marshal two or more coats of arms is to combine them in one shield, to express inheritance, claims to property, or the occupation of an office. This can be done in

8484-585: The shape of the vair bell is replaced by a T -shaped figure, known as a potent from its resemblance to a crutch. Although it is really just a variation of vair, it is frequently treated as a separate fur. When the same patterns are composed of tinctures other than argent and azure, they are termed vairé or vairy of those tinctures, rather than vair ; potenté of other colours may also be found. Usually vairé will consist of one metal and one colour, but ermine or one of its variations may also be used, and vairé of four tinctures, usually two metals and two colours,

8585-436: The shield. Some arms, particularly those of the nobility, are further embellished with supporters, heraldic figures standing alongside or behind the shield; often these stand on a compartment , typically a mound of earth and grass, on which other badges , symbols, or heraldic banners may be displayed. The most elaborate achievements sometimes display the entire coat of arms beneath a pavilion, an embellished tent or canopy of

8686-444: The shields of the combatants were exposed for inspection. Medieval Scottish seals afford numerous examples in which the 13th and 14th century shields were placed between two creatures resembling lizards or dragons. The Royal Supporters of the monarchs of England are a menagerie of real and imaginary beasts, including the lion, leopard, panther, and tiger, the antelope, greyhound, a cock and bull, eagle, red and gold dragons, and since 1603

8787-408: The shields. These in turn came to be decorated with fan-shaped or sculptural crests, often incorporating elements from the shield of arms; as well as a wreath or torse , or sometimes a coronet , from which depended the lambrequin or mantling . To these elements, modern heraldry often adds a motto displayed on a ribbon, typically below the shield. The helmet is borne of right, and forms no part of

8888-425: The size of personal banners, excluding any fringes, are specified by the Lord Lyon . The heraldic standard appeared around the middle of the fourteenth century, and it was in general use by personages of high rank during the two following centuries. The standard appears to have been adopted for the special purpose of displaying badges . "The badge was worn on his livery by a servant as retainer, and consequently

8989-426: The standard by which he mustered in camp was of the livery colours, and bore the badge, with both of which the retainer was familiar." Heraldic flags that are used by individuals, like a monarch or president, as a means of identification are often called 'standards' (e.g. royal standard). These flags, usually banners , are not standards in a strict heraldic sense but have come to be known as such. The heraldic standard

9090-539: The standard. There were three main types of heraldic flag. Might I but know thee by thy Household Badge .....   Shakespeare. 2 Henry VI, V. i Badges may possibly have preceded crests . The Norman kings and their sons may have originally used lions as badges of kingship. The lion was a Royal Badge long before heraldic records, as Henry I gave a shield of golden lions to his son-in-law Geoffrey of Anjou in 1127. The seals of William II and Henry I included many devices regarded as badges. Stephen I used

9191-738: The three-dimensional figure placed on the top of the mounted knights' helms as a further means of identification. In most heraldic traditions, a woman does not display a crest, though this tradition is being relaxed in some heraldic jurisdictions, and the stall plate of Lady Marion Fraser in the Thistle Chapel in St Giles, Edinburgh, shows her coat on a lozenge but with helmet, crest, and motto. Royal standards of England The royal standards of England were narrow, tapering swallow-tailed heraldic flags , of considerable length, used mainly for mustering troops in battle, in pageants and at funerals, by

9292-548: The title "King of Heralds", which eventually became " King of Arms ." In the earliest period, arms were assumed by their bearers without any need for heraldic authority. However, by the middle of the fourteenth century, the principle that only a single individual was entitled to bear a particular coat of arms was generally accepted, and disputes over the ownership of arms seems to have led to gradual establishment of heraldic authorities to regulate their use. The earliest known work of heraldic jurisprudence , De Insigniis et Armis ,

9393-434: The type associated with the medieval tournament, though this is only very rarely found in English or Scots achievements. The primary element of a heraldic achievement is the shield, or escutcheon, upon which the coat of arms is depicted. All of the other elements of an achievement are designed to decorate and complement these arms, but only the shield of arms is required. The shape of the shield, like many other details,

9494-421: The use of standards topped with the images or symbols of various gods, and the names of kings appear upon emblems known as serekhs , representing the king's palace, and usually topped with a falcon representing the god Horus , of whom the king was regarded as the earthly incarnation. Similar emblems and devices are found in ancient Mesopotamian art of the same period, and the precursors of heraldic beasts such as

9595-475: The use of various devices to signify individuals and groups goes back to antiquity , both the form and use of such devices varied widely, as the concept of regular, hereditary designs, constituting the distinguishing feature of heraldry, did not develop until the High Middle Ages . It is often claimed that the use of helmets with face guards during this period made it difficult to recognize one's commanders in

9696-414: Was a gentleman of coat armour. These claims are now regarded as the fantasy of medieval heralds, as there is no evidence of a distinctive symbolic language akin to that of heraldry during this early period; nor do many of the shields described in antiquity bear a close resemblance to those of medieval heraldry; nor is there any evidence that specific symbols or designs were passed down from one generation to

9797-469: Was generally divided per fess (horizontally) into two colours, in most cases the livery colours of the owner. "With some principal figure or device occupying a prominent position, various badges are displayed over the whole field, a motto , which is placed bend-wise, having divided the standard into compartments. The edges are fringed throughout, and the extremity is sometimes swallow-tailed, and sometimes rounded." The Royal standards of England were used by

9898-518: Was given a shield of this description when he was knighted by his father-in-law, Henry I , in 1128; but this account probably dates to about 1175. The earlier heraldic writers attributed the lions of England to William the Conqueror , but the earliest evidence of the association of lions with the English crown is a seal bearing two lions passant, used by the future King John during the lifetime of his father, Henry II , who died in 1189. Since Henry

9999-562: Was not always strictly adhered to, and a general exception was usually made for sovereigns, whose arms represented an entire nation. Sometimes an oval shield, or cartouche, was substituted for the lozenge; this shape was also widely used for the arms of clerics in French, Spanish, and Italian heraldry, although it was never reserved for their use. In recent years, the use of the cartouche for women's arms has become general in Scottish heraldry, while both Scottish and Irish authorities have permitted

10100-550: Was the son of Geoffrey Plantagenet, it seems reasonable to suppose that the adoption of lions as an heraldic emblem by Henry or his sons might have been inspired by Geoffrey's shield. John's elder brother, Richard the Lionheart , who succeeded his father on the throne, is believed to have been the first to have borne the arms of three lions passant-guardant, still the arms of England, having earlier used two lions rampant combatant, which arms may also have belonged to his father. Richard

10201-468: Was written about 1350 by Bartolus de Saxoferrato , a professor of law at the University of Padua . The most celebrated armorial dispute in English heraldry is that of Scrope v Grosvenor (1390), in which two different men claimed the right to bear azure, a bend or . The continued proliferation of arms, and the number of disputes arising from different men assuming the same arms, led Henry V to issue

#206793