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102-541: The Reiss-Engelhorn-Museum is one of the major museums in Mannheim and comprises four exhibition halls presenting exhibits in archaeology, world cultures, history of art and culture, photography and history of theater and music. The main facility is the Zeughaus Museum, which features exhibit areas for art, decorative art and cultural history, theater, literature and antiquities. The International Photography Forum, located on

204-413: A machine learning approach, where large numbers of manually rated photographs are used to "teach" a computer about what visual properties are of relevance to aesthetic quality. A study by Y. Li and C. J. Hu employed Birkhoff's measurement in their statistical learning approach where order and complexity of an image determined aesthetic value. The image complexity was computed using information theory while

306-413: A subject -based, inductive approach. The analysis of individual experience and behaviour based on experimental methods is a central part of experimental aesthetics. In particular, the perception of works of art, music, sound, or modern items such as websites or other IT products is studied. Experimental aesthetics is strongly oriented towards the natural sciences . Modern approaches mostly come from

408-406: A work of art ), while artistic judgment refers to the recognition, appreciation or criticism of art in general or a specific work of art . In the words of one philosopher, "Philosophy of art is about art. Aesthetics is about many things—including art. But it is also about our experience of breathtaking landscapes or the pattern of shadows on the wall opposite your office. Philosophers of art weigh

510-411: A Renaissance Madonna for aesthetic reasons, but such objects often had (and sometimes still have) specific devotional functions. "Rules of composition" that might be read into Duchamp 's Fountain or John Cage 's 4′33″ do not locate the works in a recognizable style (or certainly not a style recognizable at the time of the works' realization). Moreover, some of Dutton's categories seem too broad:

612-607: A brief stint as a regimental doctor, he left Stuttgart and eventually wound up in Weimar. In 1789, he became professor of History and Philosophy at Jena, where he wrote historical works. During the last seventeen years of his life (1788–1805), Schiller developed a productive, if complicated, friendship with the already famous and influential Johann Wolfgang von Goethe . They frequently discussed issues concerning aesthetics , and Schiller encouraged Goethe to finish works that he had left as sketches. This relationship and these discussions led to

714-506: A cleric and often put on black robes and pretended to preach. In 1766, the family left Lorch for the Duke of Württemberg 's principal residence, Ludwigsburg . Schiller's father had not been paid for three years, and the family had been living on their savings but could no longer afford to do so. So Kaspar Schiller took an assignment to the garrison in Ludwigsburg. There the boy Schiller came to

816-460: A comment to Immanuel Kant 's philosophy, Schiller transcends the dualism between Formtrieb and Sinnestrieb with the notion of Spieltrieb ("the play drive "), derived from, as are a number of other terms, Kant's Critique of the Faculty of Judgment . The conflict between man's material, sensuous nature and his capacity for reason ( Formtrieb being the drive to impose conceptual and moral order on

918-423: A culturally contingent conception of art versus one that is purely theoretical. They study the varieties of art in relation to their physical, social, and cultural environments. Aesthetic philosophers sometimes also refer to psychological studies to help understand how people see, hear, imagine, think, learn, and act in relation to the materials and problems of art. Aesthetic psychology studies the creative process and

1020-470: A facsimile/copy). Aesthetic judgments can often be very fine-grained and internally contradictory. Likewise aesthetic judgments seem often to be at least partly intellectual and interpretative. What a thing means or symbolizes is often what is being judged. Modern aestheticians have asserted that will and desire were almost dormant in aesthetic experience, yet preference and choice have seemed important aesthetics to some 20th-century thinkers. The point

1122-778: A great poem is more difficult to set to music than a merely good one because the composer must rise higher than the poet – "who can do that in the case of Schiller? In this respect Goethe is much easier," wrote Beethoven. There are relatively few famous musical settings of Schiller's poems. Notable exceptions are Beethoven's setting of "An die Freude" ( Ode to Joy ) in the final movement of his Ninth Symphony , Johannes Brahms ' choral setting of " Nänie ", and " Des Mädchens Klage " by Franz Schubert , who set 44 of Schiller's poems as Lieder , mostly for voice and piano, also including " Die Bürgschaft ". The Italian composer Giuseppe Verdi admired Schiller greatly and adapted several of his stage plays for his operas: Donizetti's Maria Stuarda

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1224-466: A group of researchers at the IBM T. J. Watson Research Center. The tool predicted aesthetics based on the values of narrative elements. A relation between Max Bense 's mathematical formulation of aesthetics in terms of "redundancy" and "complexity" and theories of musical anticipation was offered using the notion of Information Rate. Evolutionary aesthetics refers to evolutionary psychology theories in which

1326-594: A judgment about those sources of experience. It considers what happens in our minds when we engage with objects or environments such as viewing visual art, listening to music, reading poetry, experiencing a play, watching a fashion show, movie, sports or exploring various aspects of nature. The philosophy of art specifically studies how artists imagine, create, and perform works of art, as well as how people use, enjoy, and criticize art. Aesthetics considers why people like some works of art and not others, as well as how art can affect our moods and our beliefs. Both aesthetics and

1428-484: A man "if he says that ' Canary wine is pleasant,' he is quite content if someone else corrects his expression and remind him that he ought to say instead: 'It is pleasant to me ,'" because "every one has his own [ sense of] taste ". The case of "beauty" is different from mere "pleasantness" because "if he gives out anything as beautiful, he supposes in others the same satisfaction—he judges not merely for himself, but for every one, and speaks of beauty as if it were

1530-540: A particular conception of art that arose with the Renaissance and was still dominant in the eighteenth century (but was supplanted later). The discipline of aesthetics, which originated in the eighteenth century, mistook this transient state of affairs for a revelation of the permanent nature of art. Brian Massumi suggests to reconsider beauty following the aesthetical thought in the philosophy of Deleuze and Guattari . Walter Benjamin echoed Malraux in believing aesthetics

1632-620: A period now referred to as Weimar Classicism . Together they founded the Weimar Theater. They also worked together on Xenien , a collection of short satirical poems in which both Schiller and Goethe challenge opponents of their philosophical vision. Friedrich Schiller was born on 10 November 1759, in Marbach , Württemberg , as the only son of military doctor Johann Kaspar Schiller (1723–1796) and Elisabetha Dorothea Schiller (1732–1802). They also had five daughters, including Christophine ,

1734-613: A philosophical rationale for peace education . Beauty is one of the main subjects of aesthetics, together with art and taste . Many of its definitions include the idea that an object is beautiful if perceiving it is accompanied by aesthetic pleasure . Among the examples of beautiful objects are landscapes, sunsets, humans and works of art. Beauty is a positive aesthetic value that contrasts with ugliness as its negative counterpart. Different intuitions commonly associated with beauty and its nature are in conflict with each other, which poses certain difficulties for understanding it. On

1836-433: A physicist might entertain hypothetical worlds in his/her imagination in the course of formulating a theory. Another problem is that Dutton's categories seek to universalize traditional European notions of aesthetics and art forgetting that, as André Malraux and others have pointed out, there have been large numbers of cultures in which such ideas (including the idea "art" itself) were non-existent. Aesthetic ethics refers to

1938-422: A piece of art. In this field, aesthetics is not considered to be dependent on taste but is a matter of cognition, and, consequently, learning. In 1928, the mathematician George David Birkhoff created an aesthetic measure M = O / C {\displaystyle M=O/C} as the ratio of order to complexity. In the 1960s and 1970s, Max Bense , Abraham Moles and Frieder Nake were among

2040-548: A property of things." Viewer interpretations of beauty may on occasion be observed to possess two concepts of value: aesthetics and taste. Aesthetics is the philosophical notion of beauty. Taste is a result of an education process and awareness of elite cultural values learned through exposure to mass culture . Bourdieu examined how the elite in society define the aesthetic values like taste and how varying levels of exposure to these values can result in variations by class, cultural background, and education. According to Kant, beauty

2142-539: A wide range of succeeding aesthetic philosophical theory, including notably Jacques Rancière 's conception of the "aesthetic regime of art", as well as social philosophy in Herbert Marcuse . In the second part of his important work Eros and Civilization , Marcuse finds Schiller's notion of Spieltrieb useful in thinking a social situation without the condition of modern social alienation . He writes, "Schiller's Letters ... aim at remaking of civilization by virtue of

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2244-408: A work, though possibly of interest in themselves, have no bearing on the correct interpretation of the work." Gaut and Livingston define the intentionalists as distinct from formalists stating that: "Intentionalists, unlike formalists, hold that reference to intentions is essential in fixing the correct interpretation of works." They quote Richard Wollheim as stating that, "The task of criticism

2346-524: Is actually continuous with older aesthetic theory; Aristotle was the first in the Western tradition to classify "beauty" into types as in his theory of drama, and Kant made a distinction between beauty and the sublime. What was new was a refusal to credit the higher status of certain types, where the taxonomy implied a preference for tragedy and the sublime to comedy and the Rococo . Croce suggested that "expression"

2448-550: Is already made by Hume , but see Mary Mothersill, "Beauty and the Critic's Judgment", in The Blackwell Guide to Aesthetics , 2004. Thus aesthetic judgments might be seen to be based on the senses, emotions, intellectual opinions, will, desires, culture, preferences, values, subconscious behaviour, conscious decision, training, instinct, sociological institutions, or some complex combination of these, depending on exactly which theory

2550-489: Is based on Mary Stuart ; Rossini's Guillaume Tell is an adaptation of William Tell . Nicola Vaccai 's Giovanna d'Arco (1827) is based on The Maid of Orleans , and his La sposa di Messina (1839) on The Bride of Messina . Bruch ’s The Lay of the Bell is also based on a poem by Schiller. Elise Schmezer (1810–1856) used Schiller’s text for her Lied “Das Geheimnis”. Tchaikovsky 's 1881 opera The Maid of Orleans

2652-427: Is central in the way that beauty was once thought to be central. George Dickie suggested that the sociological institutions of the art world were the glue binding art and sensibility into unities. Marshall McLuhan suggested that art always functions as a "counter-environment" designed to make visible what is usually invisible about a society. Theodor Adorno felt that aesthetics could not proceed without confronting

2754-586: Is considered by most Germans to be Germany's most important classical playwright. Critics like F. J. Lamport and Erich Auerbach have noted his innovative use of dramatic structure and his creation of new forms, such as the melodrama and the bourgeois tragedy. What follows is a brief chronological description of the plays. A pivotal work by Schiller was On the Aesthetic Education of Man in a Series of Letters ( Über die ästhetische Erziehung des Menschen in einer Reihe von Briefen ), first published 1794, which

2856-696: Is employed. A third major topic in the study of aesthetic judgments is how they are unified across art forms. For instance, the source of a painting's beauty has a different character to that of beautiful music, suggesting their aesthetics differ in kind. The distinct inability of language to express aesthetic judgment and the role of social construction further cloud this issue. The philosopher Denis Dutton identified six universal signatures in human aesthetics: Artists such as Thomas Hirschhorn have indicated that there are too many exceptions to Dutton's categories. For example, Hirschhorn's installations deliberately eschew technical virtuosity. People can appreciate

2958-442: Is for it to cause disinterested pleasure. Other conceptions include defining beautiful objects in terms of their value, of a loving attitude towards them or of their function. During the first half of the twentieth century, a significant shift to general aesthetic theory took place which attempted to apply aesthetic theory between various forms of art, including the literary arts and the visual arts, to each other. This resulted in

3060-551: Is involved and thus the more elaborate restrictions of a Lichtbildwerk do not apply (70 years pma). The court has allowed an appeal to the Federal Court of Justice (Bundesgerichtshof). On December 20, 2018, the court decided in favour of the museum. Friedrich Schiller Johann Christoph Friedrich von Schiller ( German: [ˈjoːhan ˈkʁɪstɔf ˈfʁiːdʁɪç fɔn ˈʃɪlɐ] , short: [ˈfʁiːdʁɪç ˈʃɪlɐ] ; 10 November 1759 – 9 May 1805)

3162-604: Is not merely an aesthetic experience, but a moral one as well: the Good is the Beautiful. The link between morality and aesthetics also occurs in Schiller's controversial poem, " Die Götter Griechenlandes " (The Gods of Greece). The "gods" in Schiller's poem are thought by modern scholars to represent moral and aesthetic values, which Schiller tied to Paganism and an idea of enchanted nature . In this respect, Schiller's aesthetic doctrine shows

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3264-450: Is partly based on Schiller's work. In 1923, German composer Frieda Schmitt-Lermann wrote the music for a theatre production ( Das Lied von der Glocke) based on Schiller's text. German-Russian composer Zinaida Petrovna Ziberova created a musical setting for Schiler's William Tell in 1935. The 20th-century composer Giselher Klebe adapted The Robbers for his first opera of the same name , which premiered in 1957. A poem written about

3366-413: Is possible to elevate the moral character of a people, by first touching their souls with beauty, an idea that is also found in his poem Die Künstler ( The Artists ): "Only through Beauty's morning-gate, dost thou penetrate the land of knowledge." On the philosophical side, Letters put forth the notion of der sinnliche Trieb / Sinnestrieb ("the sensuous drive") and Formtrieb ("the formal drive"). In

3468-499: Is sometimes equated with truth. Recent research found that people use beauty as an indication for truth in mathematical pattern tasks. However, scientists including the mathematician David Orrell and physicist Marcelo Gleiser have argued that the emphasis on aesthetic criteria such as symmetry is equally capable of leading scientists astray. Computational approaches to aesthetics emerged amid efforts to use computer science methods "to predict, convey, and evoke emotional response to

3570-422: Is subjective and universal; thus certain things are beautiful to everyone. In the opinion of Władysław Tatarkiewicz , there are six conditions for the presentation of art: beauty, form, representation, reproduction of reality, artistic expression and innovation. However, one may not be able to pin down these qualities in a work of art. The question of whether there are facts about aesthetic judgments belongs to

3672-437: Is the most important, ..." In a letter from 1829, two Freemasons from Rudolstadt complain about the dissolving of their Lodge Günther zum stehenden Löwen that was honoured by the initiation of Schiller. According to Schiller's great-grandson Alexander von Gleichen-Rußwurm , Schiller was brought to the lodge by Wilhelm Heinrich Karl von Gleichen-Rußwurm. No membership document has been found. Ludwig van Beethoven said that

3774-621: Is the primary park for the South Side neighborhood of German Village. There is a Friedrich Schiller statue on Belle Isle in Detroit, Michigan. This statue of the German playwright was commissioned by Detroit's German-American community in 1908 at a cost of $ 12,000; the designer was Herman Matzen. An Ignatium Taschner bronze of Johann Christoph Friedrich von Schiller stands in Como Park - Saint Paul, MN. It

3876-532: Is the reconstruction of the creative process, where the creative process must in turn be thought of as something not stopping short of, but terminating on, the work of art itself." A large number of derivative forms of aesthetics have developed as contemporary and transitory forms of inquiry associated with the field of aesthetics which include the post-modern, psychoanalytic, scientific, and mathematical among others. Early-twentieth-century artists, poets and composers challenged existing notions of beauty, broadening

3978-483: Is usually defined as 'primitive' art, or un-harmonious, non-cathartic art, camp art, which 'beauty' posits and creates, dichotomously, as its opposite, without even the need of formal statements, but which will be 'perceived' as ugly. Likewise, aesthetic judgments may be culturally conditioned to some extent. Victorians in Britain often saw African sculpture as ugly, but just a few decades later, Edwardian audiences saw

4080-673: The Wallenstein trilogy concerns the Thirty Years' War, while Don Carlos addresses the revolt of the Netherlands against Spain. Schiller wrote two important essays on the question of the sublime ( das Erhabene ), entitled " Vom Erhabenen " and " Über das Erhabene "; these essays address one aspect of human freedom—the ability to defy one's animal instincts, such as the drive for self-preservation, when, for example, someone willingly sacrifices themselves for conceptual ideals. Schiller

4182-567: The Wikimedia projects . In June 2016, a Berlin court ( Landgericht Berlin ) ruled that digitizing paintings that are in the public domain creates new copyrights, even if the intent is to create a faithful image of the public domain work. The lawsuit was dismissed with respect to Wikimedia Deutschland on the basis that it was not responsible for the files which are managed in the U.S. by the Wikimedia Foundation, which latter organization expressed

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4284-513: The awe inspired by a sublime landscape might physically manifest with an increased heart-rate or pupil dilation. As seen, emotions are conformed to 'cultural' reactions, therefore aesthetics is always characterized by 'regional responses', as Francis Grose was the first to affirm in his Rules for Drawing Caricaturas: With an Essay on Comic Painting (1788), published in W. Hogarth, The Analysis of Beauty, Bagster, London s.d. (1791? [1753]), pp. 1–24. Francis Grose can therefore be claimed to be

4386-412: The entropy , which assigns higher value to simpler artworks. In the 1990s, Jürgen Schmidhuber described an algorithmic theory of beauty. This theory takes the subjectivity of the observer into account and postulates that among several observations classified as comparable by a given subjective observer, the most aesthetically pleasing is the one that is encoded by the shortest description, following

4488-471: The "Uncanny" as aesthetical affect. Following Freud and Merleau-Ponty , Jacques Lacan theorized aesthetics in terms of sublimation and the Thing. The relation of Marxist aesthetics to post-modern aesthetics is still a contentious area of debate. The field of experimental aesthetics was founded by Gustav Theodor Fechner in the 19th century. Experimental aesthetics in these times had been characterized by

4590-399: The "full field" of aesthetics is broad, but in a narrow sense it can be limited to the theory of beauty, excluding the philosophy of art. Aesthetics typically considers questions of beauty as well as of art. It examines topics such as art works, aesthetic experience, and aesthetic judgment. Aesthetic experience refers to the sensory contemplation or appreciation of an object (not necessarily

4692-755: The French Republic because of this play. The play was inspired by Leisewitz' earlier play Julius of Taranto , a favourite of the young Schiller. In 1780, he obtained a post as regimental doctor in Stuttgart , a job he disliked. In order to attend the first performance of The Robbers in Mannheim , Schiller left his regiment without permission. As a result, he was arrested, sentenced to 14 days of imprisonment, and forbidden by Karl Eugen from publishing any further works. He fled Stuttgart in 1782, going via Frankfurt , Mannheim, Leipzig , and Dresden to Weimar . During

4794-539: The German-French TV channel Arte conducted a poll among its viewers to determine the greatest European playwright ("King of Drama"). Schiller was voted in second place after William Shakespeare . On 10 November 2019, Google celebrated his 260th birthday with a Google Doodle . Friedrich Schiller had five sisters, two of whom died in childhood and three of whom lived to adulthood: Schiller wrote many philosophical papers on ethics and aesthetics . He synthesized

4896-534: The Spirit of Mankind. Plays Histories Translations Prose Poems Biographical Editions Other valuable editions are: Translations of Schiller's works Documents and other memorials of Schiller are in the Goethe and Schiller Archive  [ de ] in Weimar. [REDACTED] Category Aesthetics Aesthetics (also spelled esthetics ) is the branch of philosophy concerned with

4998-407: The aesthetic experience. Aesthetics is for the artist as ornithology is for the birds. Aesthetics examines affective domain response to an object or phenomenon. Judgements of aesthetic value rely on the ability to discriminate at a sensory level. However, aesthetic judgments usually go beyond sensory discrimination. For David Hume , delicacy of taste is not merely "the ability to detect all

5100-410: The artist. In 1946, William K. Wimsatt and Monroe Beardsley published a classic and controversial New Critical essay entitled " The Intentional Fallacy ", in which they argued strongly against the relevance of an author's intention , or "intended meaning" in the analysis of a literary work. For Wimsatt and Beardsley, the words on the page were all that mattered; importation of meanings from outside

5202-625: The attention of Karl Eugen, Duke of Württemberg . He entered the Karlsschule Stuttgart (an elite military academy founded by the Duke), in 1773, where he eventually studied medicine. During most of his short life, he suffered from illnesses that he tried to cure himself. While at the Karlsschule, Schiller read Rousseau and Goethe and discussed Classical ideals with his classmates. At school, he wrote his first play, The Robbers , which dramatizes

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5304-586: The basic aesthetic preferences of Homo sapiens are argued to have evolved in order to enhance survival and reproductive success. One example being that humans are argued to find beautiful and prefer landscapes which were good habitats in the ancestral environment. Another example is that body symmetry and proportion are important aspects of physical attractiveness which may be due to this indicating good health during body growth. Evolutionary explanations for aesthetical preferences are important parts of evolutionary musicology , Darwinian literary studies , and

5406-580: The branch of metaphilosophy known as meta-aesthetics . Aesthetic judgment is closely tied to disgust . Responses like disgust show that sensory detection is linked in instinctual ways to facial expressions including physiological responses like the gag reflex . Disgust is triggered largely by dissonance ; as Darwin pointed out, seeing a stripe of soup in a man's beard is disgusting even though neither soup nor beards are themselves disgusting. Aesthetic judgments may be linked to emotions or, like emotions, partially embodied in physical reactions. For example,

5508-596: The conflict between two aristocratic brothers: the elder, Karl Moor, leads a group of rebellious students into the Bohemian forest where they become Robin Hood-like bandits, while Franz Moor, the younger brother, schemes to inherit his father's considerable estate. The play's critique of social corruption and its affirmation of proto-revolutionary republican ideals astounded its original audience. Schiller became an overnight sensation. Later, Schiller would be made an honorary member of

5610-634: The direction of previous approaches. Schmidhuber's theory explicitly distinguishes between that which is beautiful and that which is interesting , stating that interestingness corresponds to the first derivative of subjectively perceived beauty. He supposes that every observer continually tries to improve the predictability and compressibility of their observations by identifying regularities like repetition, symmetry , and fractal self-similarity . Since about 2005, computer scientists have attempted to develop automated methods to infer aesthetic quality of images. Typically, these approaches follow

5712-561: The eldest. Schiller grew up in a very religious Protestant family and spent much of his youth studying the Bible , which would later influence his writing for the theatre. His father was away in the Seven Years' War when Friedrich was born. He was named after king Frederick the Great , but he was called Fritz by nearly everyone. Kaspar Schiller was rarely home during the war, but he did manage to visit

5814-415: The extant death mask as well as to portraits of Schiller, had led many experts to believe that the skull was Schiller's. The city of Stuttgart erected in 1839 a statue in his memory on a square renamed Schillerplatz . A Schiller monument was unveiled on Berlin's Gendarmenmarkt in 1871. The German-American community of New York City donated a bronze sculpture of Schiller to Central Park in 1859. It

5916-658: The family once in a while. His wife and children also visited him occasionally wherever he happened to be stationed. When the war ended in 1763, Schiller's father became a recruiting officer and was stationed in Schwäbisch Gmünd . The family moved with him. Due to the high cost of living—especially the rent—the family moved to the nearby town of Lorch . Although the family was happy in Lorch, Schiller's father found his work unsatisfying. He sometimes took his son with him. In Lorch, Schiller received his primary education. The quality of

6018-630: The fields of cognitive psychology ( aesthetic cognitivism ) or neuroscience ( neuroaesthetics ). Mathematical considerations, such as symmetry and complexity , are used for analysis in theoretical aesthetics. This is different from the aesthetic considerations of applied aesthetics used in the study of mathematical beauty . Aesthetic considerations such as symmetry and simplicity are used in areas of philosophy, such as ethics and theoretical physics and cosmology to define truth , outside of empirical considerations. Beauty and Truth have been argued to be nearly synonymous, as reflected in

6120-489: The first critical 'aesthetic regionalist' in proclaiming the anti-universality of aesthetics in contrast to the perilous and always resurgent dictatorship of beauty. 'Aesthetic Regionalism' can thus be seen as a political statement and stance which vies against any universal notion of beauty to safeguard the counter-tradition of aesthetics related to what has been considered and dubbed un-beautiful just because one's culture does not contemplate it, e.g. Edmund Burke's sublime, what

6222-451: The first to analyze links between aesthetics, information processing , and information theory . Max Bense, for example, built on Birkhoff's aesthetic measure and proposed a similar information theoretic measure M a ¨ = R / H {\displaystyle M_{\ddot {a}}=R/H} , where R {\displaystyle R} is the redundancy and H {\displaystyle H}

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6324-429: The forms differ in their manner of imitation – through narrative or character, through change or no change, and through drama or no drama. Erich Auerbach has extended the discussion of history of aesthetics in his book titled Mimesis . Some writers distinguish aesthetics from the philosophy of art, claiming that the former is the study of beauty and taste while the latter is the study of works of art. Slater holds that

6426-532: The fourth floor, displays photographs from the permanent collections ranging from 19th century to contemporary works and presents exhibitions. The World Cultures Museum features displays of archaeology from the Metal Ages up through the Roman era, as well as medieval Germany, and ancient Egyptian art and culture. The Bassermannhaus Museum of Music and Fine Arts features a large collection of musical instruments from around

6528-402: The idea that human conduct and behaviour ought to be governed by that which is beautiful and attractive. John Dewey has pointed out that the unity of aesthetics and ethics is in fact reflected in our understanding of behaviour being "fair"—the word having a double meaning of attractive and morally acceptable. More recently, James Page has suggested that aesthetic ethics might be taken to form

6630-570: The influence of Christian theosophy . There is general consensus among scholars that it makes sense to think of Schiller as a liberal , and he is frequently cited as a cosmopolitan thinker. Schiller's philosophical work was particularly concerned with the question of human freedom, a preoccupation which also guided his historical research, such as on the Thirty Years' War and the Dutch Revolt , and then found its way as well into his dramas:

6732-546: The ingredients in a composition", but also the sensitivity "to pains as well as pleasures, which escape the rest of mankind." Thus, sensory discrimination is linked to capacity for pleasure . For Immanuel Kant ( Critique of Judgment , 1790), "enjoyment" is the result when pleasure arises from sensation, but judging something to be "beautiful" has a third requirement: sensation must give rise to pleasure by engaging reflective contemplation. Judgements of beauty are sensory, emotional and intellectual all at once. Kant observed of

6834-575: The intent to appeal the decision. In a related case, in May 2017, the Oberlandesgericht of Stuttgart ruled with reference to the concept of property ( Sacheigentum ). Property is addressed by article 14 of the German constitution . The Stuttgart court ruled that under German law already skill and effort restricts a photo under Lichtbild  [ de ] rules for 50 years, even though no creativity

6936-1128: The journey, he had an affair with Charlotte von Kalb , an army officer's wife. At the centre of an intellectual circle, she was known for her cleverness and instability. To extricate himself from a dire financial situation and attachment to a married woman, Schiller eventually sought help from family and friends. In 1787, he settled in Weimar and in 1789, was appointed professor of History and Philosophy in Jena , where he wrote only historical works. On 22 February 1790, Schiller married Charlotte von Lengefeld (1766–1826), sister of writer Caroline von Wolzogen (1763–1847) and daughter of forest administrator of Louis Günther II, Prince of Schwarzburg-Rudolstadt Carl Christoph von Lengefeld  [ de ] (1715–1775) and his wife Louise von Lengefeld  [ de ] , nee Wurmb (1743–1823). Two sons Karl Friedrich Ludwig (1793–1857) and Ernst Friedrich Wilhelm (1796–1841) and two daughters Karoline Luise Henriette (1799–1850) and Luise Henriette Emilie (1804–1872) were born between 1793 and 1804. The last living descendant of Schiller

7038-487: The leading theorists from this school, Stanley Fish , was himself trained by New Critics. Fish criticizes Wimsatt and Beardsley in his essay "Literature in the Reader" (1970). As summarized by Berys Gaut and Livingston in their essay "The Creation of Art": "Structuralist and post-structuralists theorists and critics were sharply critical of many aspects of New Criticism, beginning with the emphasis on aesthetic appreciation and

7140-450: The lessons was fairly bad, and Friedrich regularly cut class with his older sister. Because his parents wanted Schiller to become a priest , they had the priest of the village instruct the boy in Latin and Greek . Father Moser was a good teacher, and later Schiller named the cleric in his first play Die Räuber ( The Robbers ) after him. As a boy, Schiller was excited by the idea of becoming

7242-433: The liberating force of the aesthetic function: it is envisaged as containing the possibility of a new reality principle." Some Freemasons speculate that Schiller was a Freemason , but this has not been proven. In 1787, in his tenth letter about Don Carlos , Schiller wrote: "I am neither Illuminatus nor Mason, but if the fraternization has a moral purpose in common with one another, and if this purpose for human society

7344-456: The mimetic arts possesses what Stephen Halliwell calls "highly structured procedures for the achievement of their purposes." For example, music imitates with the media of rhythm and harmony, whereas dance imitates with rhythm alone, and poetry with language. The forms also differ in their object of imitation. Comedy, for instance, is a dramatic imitation of men worse than average; whereas tragedy imitates men slightly better than average. Lastly,

7446-410: The nature of beauty and the nature of taste and, in a broad sense, incorporates the philosophy of art . Aesthetics examines the philosophy of aesthetic value, which is determined by critical judgments of artistic taste; thus, the function of aesthetics is the "critical reflection on art, culture and nature ". Aesthetics studies natural and artificial sources of experiences and how people form

7548-416: The objective side of beauty by defining it in terms of the relation between the beautiful object as a whole and its parts: the parts should stand in the right proportion to each other and thus compose an integrated harmonious whole. Hedonist conceptions , on the other hand, focus more on the subjective side by drawing a necessary connection between pleasure and beauty, e.g. that for an object to be beautiful

7650-448: The observer. One way to achieve this is to hold that an object is beautiful if it has the power to bring about certain aesthetic experiences in the perceiving subject. This is often combined with the view that the subject needs to have the ability to correctly perceive and judge beauty, sometimes referred to as "sense of taste". Various conceptions of how to define and understand beauty have been suggested. Classical conceptions emphasize

7752-403: The one hand, beauty is ascribed to things as an objective, public feature. On the other hand, it seems to depend on the subjective, emotional response of the observer. It is said, for example, that "beauty is in the eye of the beholder". It may be possible to reconcile these intuitions by affirming that it depends both on the objective features of the beautiful thing and the subjective response of

7854-456: The order was determined using fractal compression. There is also the case of the Acquine engine, developed at Penn State University , that rates natural photographs uploaded by users. There have also been relatively successful attempts with regard to chess and music. Computational approaches have also been attempted in film making as demonstrated by a software model developed by Chitra Dorai and

7956-426: The perception of artwork; artworks presented in a classical museum context are liked more and rated more interesting than when presented in a sterile laboratory context. While specific results depend heavily on the style of the presented artwork, overall, the effect of context proved to be more important for the perception of artwork than the effect of genuineness (whether the artwork was being presented as original or as

8058-477: The philosophy of art as aesthetics covering the visual arts, the literary arts, the musical arts and other artists forms of expression can be dated back at least to Aristotle and the ancient Greeks. Aristotle writing of the literary arts in his Poetics stated that epic poetry , tragedy, comedy, dithyrambic poetry , painting, sculpture, music, and dance are all fundamentally acts of mimesis , each varying in imitation by medium, object, and manner. Aristotle applies

8160-523: The philosophy of art try to find answers to what exactly is art and what makes good art. The word aesthetic is derived from the Ancient Greek αἰσθητικός ( aisthētikós , "perceptive, sensitive, pertaining to sensory perception"), which in turn comes from αἰσθάνομαι ( aisthánomai , "I perceive, sense, learn") and is related to αἴσθησις ( aísthēsis , "perception, sensation"). Aesthetics in this central sense has been said to start with

8262-456: The poem" ) in 1735; Baumgarten chose "aesthetics" because he wished to emphasize the experience of art as a means of knowing. Baumgarten's definition of aesthetics in the fragment Aesthetica (1750) is occasionally considered the first definition of modern aesthetics. The term was introduced into the English language by Thomas Carlyle in his Life of Friedrich Schiller (1825). The history of

8364-402: The poet's burial: Two dim and paltry torches that the raging storm And rain at any moment threaten to put out. A waving pall. A vulgar coffin made of pine With not a wreath, not e'en the poorest, and no train – As if a crime were swiftly carried to the grave! The bearers hastened onward. One unknown alone, Round whom a mantle waved of wide and noble fold, Followed this coffin. 'Twas

8466-465: The rise of the New Criticism school and debate concerning the intentional fallacy . At issue was the question of whether the aesthetic intentions of the artist in creating the work of art, whatever its specific form, should be associated with the criticism and evaluation of the final product of the work of art, or, if the work of art should be evaluated on its own merits independent of the intentions of

8568-520: The role of the culture industry in the commodification of art and aesthetic experience. Hal Foster attempted to portray the reaction against beauty and Modernist art in The Anti-Aesthetic: Essays on Postmodern Culture . Arthur Danto has described this reaction as "kalliphobia" (after the Greek word for beauty, κάλλος kallos ). André Malraux explains that the notion of beauty was connected to

8670-530: The same sculptures as beautiful. Evaluations of beauty may well be linked to desirability, perhaps even to sexual desirability. Thus, judgments of aesthetic value can become linked to judgments of economic, political, or moral value. In a current context, a Lamborghini might be judged to be beautiful partly because it is desirable as a status symbol, or it may be judged to be repulsive partly because it signifies over-consumption and offends political or moral values. The context of its presentation also affects

8772-439: The scope of art and aesthetics. In 1941, Eli Siegel , American philosopher and poet, founded Aesthetic Realism , the philosophy that reality itself is aesthetic, and that "The world, art, and self explain each other: each is the aesthetic oneness of opposites." Various attempts have been made to define Post-Modern Aesthetics. The challenge to the assumption that beauty was central to art and aesthetics, thought to be original,

8874-494: The series of articles on "The Pleasures of the Imagination", which the journalist Joseph Addison wrote in the early issues of the magazine The Spectator in 1712. The term aesthetics was appropriated and coined with new meaning by the German philosopher Alexander Baumgarten in his dissertation Meditationes philosophicae de nonnullis ad poema pertinentibus (English: "Philosophical considerations of some matters pertaining

8976-400: The so-called autonomy of art, but they reiterated the attack on biographical criticisms' assumption that the artist's activities and experience were a privileged critical topic." These authors contend that: "Anti-intentionalists, such as formalists, hold that the intentions involved in the making of art are irrelevant or peripheral to correctly interpreting art. So details of the act of creating

9078-474: The statement "Beauty is truth, truth beauty" in the poem " Ode on a Grecian Urn " by John Keats , or by the Hindu motto "Satyam Shivam Sundaram" (Satya (Truth) is Shiva (God), and Shiva is Sundaram (Beautiful)). The fact that judgments of beauty and judgments of truth both are influenced by processing fluency , which is the ease with which information can be processed, has been presented as an explanation for why beauty

9180-427: The term mimesis both as a property of a work of art and also as the product of the artist's intention and contends that the audience's realisation of the mimesis is vital to understanding the work itself. Aristotle states that mimesis is a natural instinct of humanity that separates humans from animals and that all human artistry "follows the pattern of nature". Because of this, Aristotle believed that each of

9282-430: The text was considered irrelevant, and potentially distracting. In another essay, " The Affective Fallacy ," which served as a kind of sister essay to "The Intentional Fallacy", Wimsatt and Beardsley also discounted the reader's personal/emotional reaction to a literary work as a valid means of analyzing a text. This fallacy would later be repudiated by theorists from the reader-response school of literary theory. One of

9384-454: The thought of Immanuel Kant with the thought of the German idealist philosopher, Karl Leonhard Reinhold . He elaborated upon Christoph Martin Wieland 's concept of die schöne Seele (the beautiful soul), a human being whose emotions have been educated by reason, so that Pflicht und Neigung (duty and inclination) are no longer in conflict with one another; thus beauty, for Schiller,

9486-522: The world), Schiller resolves with the happy union of Formtrieb and Sinnestrieb , the "play drive", which for him is synonymous with artistic beauty, or "living form". On the basis of Spieltrieb , Schiller sketches in Letters a future ideal state (a eutopia ), where everyone will be content, and everything will be beautiful, thanks to the free play of Spieltrieb . Schiller's focus on the dialectical interplay between Formtrieb and Sinnestrieb has inspired

9588-591: The world. The Schillerhaus Museum is an 18th-century house that presents the life of Friedrich Schiller . In 2023 the museum was one of seven German museums to return Māori and Moriori remains to the Museum of New Zealand Te Papa Tongarewa in New Zealand. In 2015, the museum filed a lawsuit against the Wikimedia Foundation and Wikimedia Deutschland over the use of photographs of public domain artworks on

9690-451: Was ennobled in 1802 by the Duke of Saxe-Weimar, adding the nobiliary particle " von " to his name. He remained in Weimar, Saxe-Weimar until his death at 45 from tuberculosis in 1805. The first authoritative biography of Schiller was by his sister-in-law Caroline von Wolzogen in 1830, Schillers Leben (Schiller's Life). The coffin containing what was purportedly Schiller's skeleton

9792-521: Was Central Park's first installed sculpture . Chicago dedicated a statue to Schiller in its Lincoln Park. Schiller Park in Columbus, Ohio is named for Schiller, and has been centered on a statue of his likeness since it was donated in 1891. During the First World War, the name of the park was changed to Washington Park in response to anti-German sentiment, but was changed back several years later. It

9894-531: Was a German playwright , poet , philosopher and historian . Schiller is considered by most Germans to be Germany's most important classical playwright. He was born in Marbach to a devoutly Protestant family. Initially intended for the priesthood, in 1773 he entered a military academy in Stuttgart and ended up studying medicine. His first play, The Robbers , was written at this time and proved very successful. After

9996-737: Was a comparatively recent invention, a view proven wrong in the late 1970s, when Abraham Moles and Frieder Nake analyzed links between beauty, information processing, and information theory. Denis Dutton in "The Art Instinct" also proposed that an aesthetic sense was a vital evolutionary factor. Jean-François Lyotard re-invokes the Kantian distinction between taste and the sublime . Sublime painting, unlike kitsch realism , "... will enable us to see only by making it impossible to see; it will please only by causing pain." Sigmund Freud inaugurated aesthetical thinking in Psychoanalysis mainly via

10098-535: Was a grandchild of Emilie, Baron Alexander von Gleichen-Rußwurm (1865–1947), who died at Baden-Baden , Germany, in 1947. Schiller returned with his family to Weimar from Jena in 1799. Goethe convinced him to return to playwriting. He and Goethe founded the Weimar Theater , which became the leading theater in Germany. Their collaboration helped lead to a renaissance of drama in Germany. For his achievements, Schiller

10200-526: Was brought in 1827 into the Weimarer Fürstengruft (Weimar's Ducal Vault), the burial place of the house of Saxe-Weimar-Eisenach in the Historical Cemetery of Weimar and later also Goethe's resting place. On 3 May 2008, scientists announced that DNA tests have shown that the skull of this skeleton is not Schiller's, and his tomb is now vacant. The physical resemblance between this skull and

10302-453: Was dedicated in 1907. The sculpture was donated by U.S. German Societies of Saint Paul and private citizens of German descent to commemorate the renowned Johann von Schiller. His image has appeared on several coins and banknotes in Germany, including the 1964 German Democratic Republic 10 Mark banknotes, 1972 German Democratic Republic 20 Mark commemorative coins, and 1934 German Reich 5 Reichsmark commemorative coins. In September 2008,

10404-476: Was inspired by the great disenchantment Schiller felt about the French Revolution , its degeneration into violence and the failure of successive governments to put its ideals into practice. Schiller wrote that "a great moment has found a little people"; he wrote the Letters as a philosophical inquiry into what had gone wrong, and how to prevent such tragedies in the future. In the Letters he asserts that it

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