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25-460: Plata quemada won, among other awards, the Goya Award for Best Spanish-language Foreign Film in 2001. It was partly funded by INCAA . The setting is Argentina. El Nene ( Leonardo Sbaraglia ), a petty thief, and Angel ( Eduardo Noriega ), a drifter, meet in the toilets of a Buenos Aires subway station, and from that moment they are inseparable. They become known as "the twins", but their relationship

50-605: A Spanish share and a (non-Spanish) Ibero-American share of the production, leading producers are required to choose between opting for this category or the Best Film category . Argentina has received the most awards and nominations in this category with 19 wins and 30 nominations, Chile follows the most wins with 6 while Mexico and Chile follow the most nominations with 21. Goya winning films The Secret in Their Eyes (2009), A Fantastic Woman (2017) and Roma (2018) have won

75-460: A bullet and dies in Angel's arms. Angel still holds Nene and sends intermittent volleys of bullets in the direction of the approaching police. When the screen fades to black, the audience is left with the sound of the final fusillade of police machine gunfire, implying that Angel has committed suicide by cop . Filming took place in both Buenos Aires and Montevideo. The film is based on the true story of

100-470: A dubious character played by Héctor Alterio ) for their escape from Uruguay. They take refuge in an empty apartment in Montevideo , but the organisation of the documents takes longer than originally planned. The waiting is especially hard on Nene: Angel—who is described as constantly "hearing voices" and seems to suffer a slight form of schizophrenia—has been rejecting intimate contact with Nene since at least

125-520: A fight, however, he also hears from Giselle that Nene still cares for him and suffered from his rejection. Giselle tells Nene that she has a cousin who lives near the border and she can arrange passage, but not for three men the police are after. She says that a couple, a man and a woman, will be able to get across easily. When she forces him to choose between her and Angel, he chooses Angel. Nene tells Giselle that he will find her and kill her if she turns them in. Despite his threats, Giselle goes straight to

150-462: A hold-up in Buenos Aires in 1965 and the subsequent flight of the criminals to nearby Montevideo. The film makes several changes about the main characters, usually following Ricardo Piglia's book. El Nene, whose real name was Brignone, was actually the educated son of a judge; in an interview he said that he never knew what would happen with the money. He described Dorda –renamed Angel in the film– as

175-468: A la Mejor Película Iberoamericana ), formerly the Goya Award for Best Spanish Language Foreign Film (Spanish: Goya a la Mejor Película Extranjera de Habla Hispana , 1987–2008) and the Goya Award for Best Hispanic American Film (Spanish: Goya a la Mejor Película Hispanoamericana , 2009–2010), is one of the Goya Awards , Spain's principal national film awards. The category has been presented ever since

200-464: A mode of life, evolving at times almost into a secular religion in the early 20th century; and subsequently fed into Lacanian emphasis on "a jouissance beyond the pleasure principle" in the latter half of the century – a time when its emphasis on enthusiasm, energy and spontaneity gave it a global prominence with the rise of hippie culture. 20th-century proponents of self-actualization such as Abraham Maslow or Carl Rogers saw, as one of

225-539: Is a French phrase often used in English to express a cheerful enjoyment of life, an exultation of spirit, and general happiness . It "can be a joy of conversation, joy of eating, joy of anything one might do… And joie de vivre may be seen as a joy of everything, a comprehensive joy, a philosophy of life, a Weltanschauung . Robert's Dictionnaire says "joie" is sentiment exaltant ressenti par toute la conscience , that is, involves one's whole being." Casual use of

250-400: Is in fact that of lovers and, soon, as partners in crime. At a point when their relationship is already turning difficult, the plot sets in. Their love and loyalty to each other is tested when "the twins" join a plan to hold up an armored truck together with a group of seasoned gangsters : their swaggering cohort Cuervo ( Pablo Echarri ), a sedative addict who's been carrying on an affair with

275-672: The Academy Award for Best Foreign Language Film representing Argentina , Chile and Mexico respectively, with the latter also being nominated for Best Picture and winning Best Director . Argentine director Eduardo Mignogna is the most awarded director in this category, winning for Autumn Sun (1996), The Lighthouse (1998) and La fuga (2001), while the most nominated directors in this category are Peruvian director Francisco José Lombardi , nominated for Fallen from Heaven (1990), Without Compassion (1994), Captain Pantoja and

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300-469: The first edition of the Goya Awards with the exception of the third edition where it was not awarded. Carlos Sorín 's A King and His Movie was the first winner of this award representing Argentina . The submission of a film to this category in representation of Portugal is not compatible with a submission of said film to the Best European Film award category . Regarding the films with both

325-501: The Special Services (2000) and Black Butterfly (2007) and Chilean director Andrés Wood , nominated for Machuca (2004), The Good Life (2008), Violeta Went to Heaven (2011) and Spider (2019), with four nominations each. Joie de vivre Joie de vivre ( / ˌ ʒ w ɑː d ə ˈ v iː v ( r ə )/ ZHWAH də VEEV (-rə) , French: [ʒwa d(ə) vivʁ] ; " joy of living ")

350-457: The beginning of the escape, for reasons indirectly connected with his condition. Nene eventually decides to break curfew and "get some air", and he, Angel, and Cuervo go and enjoy themselves at a fair. That evening outside of the apartment is not their last though, partly because Angel continues to reject any contact and does not even speak to Nene anymore. On one evening, Nene ends up verbally and sexually abusing another man, but finally he meets

375-518: The film. In contrast to the movie, El Cuervo/Mereles was mortally wounded, but did not die during the siege. Spat on, hit, kicked and insulted by the police, he was relocated to a public hospital, where he died a few hours later. The three were anonymously buried in the Northern Cemetery of Montevideo at 8am on Wednesday, 10 November 1965. Only El Nene's body was reclaimed by his family and transferred back to Argentina. In February 1966, Malito/Fontana

400-549: The final attack on the fugitives' hiding place in Montevideo took place on Saturday, 6 November 1965. Three days earlier, the fugitives had stolen a car to exchange it for the stolen one they had, and thereby had provoked a shooting with the Uruguayan police; the shooting had taken place next to the TV channel canal 8 from Montevideo, which would later be the only channel with live coverage of

425-447: The first wave of attacks, a contented Angel even says the "voices" he always heard have fallen silent. The group soon finds out, however, that there is no way out. Cuervo dies in an attempt to sally, and Nene and Angel remain waiting for the next wave of police attacks on the apartment. Seeing that they can save neither their own lives nor the money, they burn the entire haul in a final outburst of joie de vivre . Finally, Nene catches

450-422: The luscious Vivi ( Dolores Fonzi ); a 16-year-old nymphet; the trio's boss Fontana (Ricardo Bartis); and the elderly lawyer Nando ( Carlos Roffé ), who is past the days of any professional illusions and helps make connections to find a good team for the crime. Angel is wounded by police gunfire during the robbery, provoking Nene to kill all of the guards and police in a fit of rage. Two police officers are among

475-441: The most good-natured of the robbers, whereas Malito – Fontana in the film– supposedly evoked fear. From pictures of Malito, he was probably considerably younger than the character in the film. El Cuervo's real name was Mereles. The film has been said to be more authentic than Ricardo Piglia's book on which it was based. The dates indicated at the end of the film (28 September to 4 November 1965), however, are not entirely accurate as

500-460: The phrase in French can be dated back at least as far as Fénelon in the late 17th century, but it was only brought into literary prominence in the 19th century, first by Michelet (1857) in his pantheistic work Insecte , to contrast the passive life of plants with animal joie de vivre , and then by Émile Zola in his book of that name from 1883–84. Thereafter, it took on increasing weight as

525-493: The police to turn in the gang. Before the group takes to their heels, police have already surrounded the building. At first, the trio believes they will be able to escape, thinking that the police will not endanger the haul (several million dollars) or the lives of a large number of policemen. In high spirits, the three of them set to defend the apartment and their freedom, while Nene and Angel rekindle their relationship and spend some short and erotic moments of mutual happiness. After

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550-509: The prostitute Giselle ( Leticia Brédice ) and starts a relationship with her, even mentioning a solo escape with her. When Nando is caught by the police, the group is forced to abandon their refuge. Fontana goes off on his own, but Nene brings Angel and Cuervo to hide out in Giselle's apartment before they leave the city at night. Angel had sensed that Nene had been cheating on him, and he soon understands where Giselle fits in. Before it can come to

575-399: The siege. In the siege, both El Nene and Dorda/Angel died; according to a police officer who was interviewed for a documentary about the events and the release of Piñeyro's film, the bodies of the two were found holding hands; they were, however, separated before the official police photographs were taken from the location. Both were half-naked and in underwear, in a pool of blood, as shown in

600-400: The victims, and so the police of Buenos Aires start a major search for the culprits. They soon find a lead to Vivi's apartment, where the gang had been hiding out, but by this time, all except Vivi have escaped to neighboring Uruguay . The police force Vivi to give away their plans, and the search is broadened to Uruguay. Meanwhile, the gang needs to wait for new passports (to be arranged by

625-971: Was seen in Flores, a Buenos Aires neighborhood, and there shot by the police. The film opened wide in Argentina on May 11, 2000. In the United States it opened on October 4, 2002, on a limited basis. The film was shown at various film festivals, including: the Toronto International Film Festival , Canada; the Palm Springs International Film Festival , United States; the Berlin International Film Festival , Germany; and others. Wins Nominations Goya Award for Best Ibero-American Film The Goya Award for Best Ibero-American Film (Spanish: Goya

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