14-474: Party Time or Partytime may refer to: Party Time (The Heptones album) , 1977 Party Time (Arnett Cobb album) , 1959 "Party Time" (T.G. Sheppard song) , 1981 Party Time? , a 1983 EP by Kurtis Blow Partytime! , a 1998 special promotional CD release by Gloria Estefan PartyTime (album) , the Cheeky Girls' debut album "Partytime" (song) ,
28-568: A 1984 single by 45 Grave Party Time (ClariS album) , 2014 Party Time (TV series) , an Australian television series Topics referred to by the same term [REDACTED] This disambiguation page lists articles associated with the title Party Time . If an internal link led you here, you may wish to change the link to point directly to the intended article. Retrieved from " https://en.wikipedia.org/w/index.php?title=Party_Time&oldid=943634881 " Category : Disambiguation pages Hidden categories: Short description
42-450: A Black Man", "Love Won't Come Easy", "I Hold (Got) The Handle", "I Love You", and a successful cover version of " Suspicious Minds ", then went on to record with Joe Gibbs and Harry J in the early 1970s. They had a big hit with "Book of Rules" (based on an American poem called "A Bag of Tools" by R.L. Sharpe) in 1973. It was one of the group's few songs not sung by Sibbles. Barry Llewelyn sang lead and co-wrote "Book of Rules". Musically,
56-597: A Man", "Sea of Love" (a cover of the Phil Phillips and the Twilights doo-wop classic), "Ting a Ling", "Party Time", and "I Hold the Handle." They were the chief rivals to The Techniques , who recorded for Arthur "Duke" Reid , as the top vocal act of the rocksteady era. During their five years at Brentford Road, the home of Studio One, Leroy Sibbles played bass on numerous sessions, auditioned acts, and, along with Jackie Mittoo,
70-409: A successful solo career, having already cut a solo version of "Love Won't Come Easy" for Augustus Pablo , and having cut his own solo singles for Lee Perry ("Rasta Fari" and "Garden of Life") and Dennis Brown 's DEB Music ("New Song" and "Ain't No Love"). He was replaced by Dolphin "Naggo" Morris, who had recorded "Su Su Pon Rasta" for Joe Gibbs and "You Should Love Your Brother" for King Jammys, but
84-474: Is different from Wikidata All article disambiguation pages All disambiguation pages Party Time (The Heptones album) The Heptones are a Jamaican rocksteady and reggae vocal trio most active in the 1960s and early 1970s. They were one of the more significant trios of that era, and played a major role in the gradual transition between ska and rocksteady into reggae with their three-part harmonies . The Heptones were contemporaries of
98-551: The Wailers and the Maytals , and every bit their equal in the mid-1960s. Leroy Sibbles , Earl Morgan, and Barry Llewellyn first came together as "The Hep Ones" in 1965 in Kingston , but they soon changed their name to "The Heptones". The name was chosen by Morgan after seeing a Heptones Tonic bottle lying in a pile of refuse. The Heptones recorded for major Jamaican record producers at
112-459: The age of 64. As of 2016, the line-up featured Morgan with Robert Dacres and Carlton Scarlett. This line-up recorded the album Rebel Love , released in May 2016. Sound Dimension Sound Dimension (previously named The Soul Vendors ) was a Jamaican reggae band formed in 1967 in Kingston, Jamaica . They were the house band at Clement "Coxsone" Dodd 's Studio One . They were named after
126-662: The group's popularity waned. By the late 1970s, their slick stage suits and covers of pop tunes found little favour with audiences more used to more "militant" dreadlocked performers singing of Rastafari , and they began to be perceived as relics of an older era. Despite being produced by Joseph Hoo Kim at Channel One , Good Life (1979) saw the group treading water, and the years that followed brought little success. The original trio reunited in 1995, and released Pressure! , produced by Tapper Zukie . Barry Llewellyn died on 23 November 2011, in Kingston Public Hospital , at
140-518: The song was heavily influenced by Glen Campbell 's "Try A Little Kindness." The song was featured on the soundtrack for the 1978 Jamaican film Rockers , and the 1998 American comedy-thriller film Homegrown . Sibbles emigrated to Canada in 1973 and the group suspended recording activities, returning in 1975 to once again record at Harry J's Kingston studio. In 1975, The Heptones signed an album deal with Island Records . Two albums resulted: Night Food in 1976 and Party Time in 1977. Night Food
154-399: The time. They began their career, after one unsuccessful single for Ken Lack 's "K Calnek" label, under the watchful eye of Coxsone Dodd of Studio One . The Heptones had a number of Jamaican hits for Studio One, beginning with "Fattie Fattie", their first Studio One single in 1966. This began a long run of success for Coxsone, including "Pretty Looks Isn't All", "Get In The Groove", "Be
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#1732852226420168-472: Was produced by Danny Holloway , and featured several re-recorded Studio One classics, as well as originals such as "Country Boy" and "Mama Say". The group toured England with Toots & The Maytals to support Night Food' s release. In 1977, The Heptones recorded Party Time with Lee "Scratch" Perry . They had issued a number of singles (including a cover of Billy Stewart 's " I Do Love You ") on his Justice League imprint five years previously. Party Time
182-426: Was recorded during Black Ark 's peak period. Party Time also included remakes of Studio One tunes, as well as Bob Dylan 's " I Shall Be Released ", along with newer compositions such as "Sufferers' Time". In the same era, they released a number of 12" singles with Lee Perry, such as "Mystery Babylon", "Mr. President" (featuring DJ Jah Lloyd), and "Babylon's Falling". Sibbles left the group once more in 1978 to start
196-527: Was the chief studio arranger. Some of their instrumental session work was released as the Soul Vendors and Sound Dimension . Amongst the rhythms featuring Sibbles' bass playing are Alton Ellis ' "I'm Still in Love", "Full Up" (used on Musical Youth 's "Pass The Dutchie"), and The Abyssinians " Satta Massagana ". The Heptones remained at Studio One well into the reggae era, where they cut tunes such as "Message from
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