Tunnel Blanket is the third studio album by the American band This Will Destroy You . Recorded and mixed by John Congleton , it was released in Europe on May 9, 2011, on Monotreme Records, and on May 10 on Suicide Squeeze Records for the rest of the world with the exception of Australia and New Zealand where it was released by Hobbledehoy Record Co.
75-408: Tunnel Blanket consists of drone style music, with the band's members describing it as 'doomgaze', a cross between doom metal and shoegazing . The album is described as dark, with a theme of death. This is the first album to feature bassist/keyboardist Donovan Jones and drummer Alex Bhore. All tracks are written by This Will Destroy You Source: This 2010s rock album–related article
150-423: A "dreamlike" atmosphere. Vocals consist of mournful chants or growls and are often in the background. Funeral doom was pioneered by Mournful Congregation , Esoteric , Evoken , Funeral , Thergothon , and Skepticism . Drone metal (also known as drone doom) is a style of doom metal that is largely defined by drones ; notes or chords that are sustained and repeated throughout a piece of music. Typically,
225-674: A Russian émigré living in the United States who founded the religion of Theosophy . The article was published in the American Spiritualist magazine, Spiritual Scientist . Various twentieth-century writers on the subject used the term occultism in different ways. Some writers, such as the German philosopher Theodor W. Adorno in his "Theses Against Occultism", employed the term as a broad synonym for irrationality . In his 1950 book L'occultisme , Robert Amadou [ fr ] used
300-461: A disenchanted world or, alternatively, by people in general to make sense of esotericism from the perspective of a disenchanted secular world". Hanegraaff noted that this etic usage of the term would be independent of emic usages of the term employed by occultists and other esotericists themselves. In this definition, occultism covers many esoteric currents that have developed from the mid-nineteenth century onward, including Spiritualism, Theosophy,
375-833: A growing scene of doom, sludge, and stoner metal since the 1990s. It is influenced by the geographical origin of grunge music and a sound pioneered in part by the Washington band Melvins . Common visual themes include the region's cold, rainy, forested climate, and many bands utilize psychedelic imagery influenced by bands like Sleep , Karp and Harkonen. Musical styles often share crossover features with atmospheric/ambient black metal , drone metal , and post-metal as seen in Oregon's YOB , Agalloch , Witch Mountain , and Red Fang ; Washington's Earth , and Sunn O))) ; and Vancouver's Anciients , Astrakhan, and Aaron Turner project Sumac , among various others. Palm Desert, California , hosts
450-511: A heavy classical influence. One of the main characteristics are the vocals; vocalists typically employ clean, operatic , and choral singing, accompanied by keyboarding and drumming performed in a bombastic fashion in order to evoke an "epic" sensation. Lyrics and imagery are typically inspired by fantasy or mythology . Examples of prominent epic doom bands include Candlemass , Solitude Aeturnus , Solstice , While Heaven Wept , and Doomsword . Gothic-doom, also known as doom-gothic,
525-399: A sense of despair, desperation, or pain; imitating the high-tone wails of Ozzy Osbourne ( Black Sabbath ), Frank Ferrara ( Bang ), Bobby Liebling ( Pentagram ), and Zeeb Parkes ( Witchfinder General ). So-called "epic doom" vocalists often take it a step further, singing in an operatic style. Doom metal bands influenced by other extreme metal genres often use growled or screamed vocals, as
600-438: A slow pace, a low and dark pitch, and a grinding dirge-like feel. Bands regarded as sludgecore include Acid Bath, Eyehategod, Soilent Green , Black Sheep Wall, Admiral Angry, and The Abominable Iron Sloth . Crowbar mixed "detuned, lethargic sludged-out metal with hardcore and southern elements ". Stoner metal or stoner doom describes doom metal that incorporates psychedelic rock and acid rock elements. Stoner metal
675-508: A substantivized adjective as "the occult", a term that has been particularly widely used among journalists and sociologists . This term was popularised by the publication of Colin Wilson 's 1971 book The Occult . This term has been used as an "intellectual waste-basket" into which a wide array of beliefs and practices have been placed because they do not fit readily into the categories of religion or science. According to Hanegraaff, "the occult"
750-589: A thick and heavy sound with the electric bass following the melody line, and sometimes employ the usage of keyboards, although assuming a secondary role on traditional doom metal songs. Vocals are usually clean with the occasional growl or scream. The lyrics in traditional doom usually are eerie and dark like other doom metal divisions. Some bands who play traditional doom metal are Orodruin , Reverend Bizarre , Witchcraft , Saint Vitus , and Count Raven . Occult The occult (from Latin : occultus , lit. ' hidden ' or ' secret ' )
825-414: A thriving desert rock and stoner metal scene, drawing heavy influences from psychedelia , blues and hardcore punk , often featuring distinctive repetitive drum beats, a propensity for free-form jamming , and "trance-like" or "sludgy" grooves . Because of their integration, the term "stoner rock" is sometimes used interchangeably with the term "desert rock". Notable bands include Kyuss , Queens of
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#1732855134406900-405: Is a stub . You can help Misplaced Pages by expanding it . Doom metal Doom metal is an extreme subgenre of heavy metal music that typically uses slower tempos , low-tuned guitars and a much "thicker" or "heavier" sound than other heavy metal genres. Both the music and the lyrics are intended to evoke a sense of despair, dread, and impending doom. The genre is strongly influenced by
975-459: Is a category into which gets placed a range of beliefs from "spirits or fairies to parapsychological experiments, from UFO-abductions to Oriental mysticism, from vampire legends to channelling, and so on". The neologism occulture used within the industrial music scene of the late twentieth century was probably coined by one of its central figures, the musician and occultist Genesis P-Orridge . The scholar of religion Christopher Partridge used
1050-676: Is a category of esoteric or supernatural beliefs and practices which generally fall outside the scope of organized religion and science, encompassing phenomena involving a 'hidden' or 'secret' agency, such as magic and mysticism . It can also refer to paranormal ideas such as extra-sensory perception and parapsychology . The term occult sciences was used in 16th-century Europe to refer to astrology , alchemy , and natural magic . The term occultism emerged in 19th-century France , among figures such as Antoine Court de Gébelin . It came to be associated with various French esoteric groups connected to Éliphas Lévi and Papus , and in 1875
1125-404: Is a style that combines more traditional elements of doom metal with gothic rock . Gothic-doom bands usually play at slow and mid-tempos and employ the usage of instruments that are more related to classical music , alongside traditional doom metal instruments, in order to create darker and meditative atmospheres. Doom-gothic lyrics combines the dramatic and romantic elements of gothic rock with
1200-628: Is a style that melds the second wave -style of black metal with doom metal, with lyrics revolving around themes such as depression, self-harm, misanthrophy, suicide, and death. DSBM bands draw the lo-fi recording and highly distorted guitars of black metal, while employing the usage of acoustic instruments and non-distorted electric guitar's timbres present in doom metal, interchanging the slower, doom-like, sections with faster tremolo picking . Vocals are usually high-pitched like in black metal, but lacking of energy, simulating feelings like hopelessness, desperation, and plea. The presence of one-man bands
1275-508: Is also known as "Hellhound sound" for being closely related to the late Hellhound Records , who signed with many important bands of the scene like Saint Vitus , Internal Void , Iron Man , Revelation , Wretched and Unorthodox . Other notable bands include Evoken , Spirit Caravan , Earthride , and the Hidden Hand . The Pacific Northwest region – primarily Oregon , Washington , and British Columbia – has been host to
1350-662: Is considered an important forerunner to doom metal. Other notable groups include Sir Lord Baltimore , Buffalo , Necromandus , Lucifer's Friend , and Leaf Hound . During the early-mid-1980s, bands from England and the United States contributed much to the formation of doom metal as a distinct genre. In 1982, English pioneers Witchfinder General released their debut album Death Penalty . During 1984, two American pioneers also released their debuts— Saint Vitus released their eponymous album and Trouble released Psalm 9 . That same year, American band Cirith Ungol (formed in 1971) released their second studio album, King of
1425-446: Is more prominent in this genre compared to others. Examples of bands include Xasthur , Leviathan , Strid , Silencer , Make a Change... Kill Yourself, and I Shalt Become . Blackened death-doom is a genre that combines the slow tempos and monolithic drumming of doom metal, the complex and loud riffage of death metal and the shrieking vocals of black metal . Examples of blackened death-doom bands include Morast, Faustcoven,
1500-513: Is most common among stoner doom bands, who often describe hallucinogenic or psychedelic experiences. The first traces of doom in rock music could be heard as far back as the Beatles ' 1969 track " I Want You (She's So Heavy) ". Black Sabbath are generally regarded as the progenitors of doom metal. Black Sabbath's music is (in and of) itself stylistically rooted in blues , but with the deliberately doomy and loud guitar playing of Tony Iommi , and
1575-432: Is often heavily distorted , groove -laden bass -heavy sound, making much use of guitar effects such as fuzz , phaser , or flanger . Stoner bands typically play in slow-to-mid tempo , employing the usage of melodic vocals and "retro" production. It was pioneered in the early–mid-1990s by bands such as Kyuss , Sleep , Acid King , Electric Wizard , Orange Goblin , and Sons of Otis . Desert rock combines
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#17328551344061650-554: Is often performed in typical doom metal fashion, but drummers may employ hardcore d-beat or double-kick drumming during faster passages. Vocals are usually shouted or screamed, and lyrics often focus on suffering, drug abuse, politics and anger towards society. The style was pioneered in the late 1980s by the Melvins , and in the 1990s by bands such as Eyehategod , Crowbar , Buzzov*en , Acid Bath , and Grief . Sludgecore further combines sludge metal with hardcore punk, and possesses
1725-569: Is the case of death-doom , black-doom , and funeral doom . Lyrics in doom metal play a key role. Influenced by notable blues musicians like Robert Johnson and Son House , normally they are gloomy and pessimistic, including themes such as suffering , depression , fear , grief , dread, death, and anger. While some bands write lyrics in introspective and personal ways, others convey their themes using symbolism – which may be inspired by occult arts and literature . Some doom metal bands use religious themes in their music. Trouble , one of
1800-524: Is thus often used to categorise such esoteric traditions as Qabalah , Spiritualism , Theosophy , Anthroposophy , Wicca , the Hermetic Order of the Golden Dawn , New Age , and the left-hand path and right-hand path . Use of the term as a nominalized adjective ('the occult') has developed especially since the late twentieth century. In that same period, occult and culture were combined to form
1875-753: The German Empire , Austria-Hungary , and the Kingdom of Italy . Unlike older forms of esotericism, occultism does not necessarily reject "scientific progress or modernity". Lévi had stressed the need to solve the conflict between science and religion, something that he believed could be achieved by turning to what he thought was the ancient wisdom found in magic. The French scholar of Western esotericism Antoine Faivre noted that rather than outright accepting "the triumph of scientism", occultists sought "an alternative solution", trying to integrate "scientific progress or modernity" with "a global vision that will serve to make
1950-538: The Middle Ages , for example, magnetism was considered an occult quality. Aether is another such element. Newton 's contemporaries severely criticized his theory that gravity was effected through "action at a distance", as occult. In the English-speaking world, notable figures in the development of occultism included Helena Blavatsky and other figures associated with her Theosophical Society, senior figures in
2025-471: The neologism occulture . The occult (from the Latin word occultus ; lit. 'clandestine', 'hidden', 'secret') is "knowledge of the hidden". In common usage, occult refers to "knowledge of the paranormal ", as opposed to "knowledge of the measurable ", usually referred to as science. The terms esoteric and arcane can also be used to describe the occult, in addition to their meanings unrelated to
2100-513: The "traditional esotericism" which accepted the premise of an "enchanted" world. According to the British historian of Western esotericism Nicholas Goodrick-Clarke , occultist groups typically seek "proofs and demonstrations by recourse to scientific tests or terminology". In his work about Lévi, the German historian of religion Julian Strube has argued that the occultist wish for a "synthesis" of religion, science, and philosophy directly resulted from
2175-432: The 1980s, showing similarities with the dark themes addressed through lyrics and the atmosphere both music styles deal with. A doom metal band like Mindrot was often described as a cross-over between death metal and gothic rock. Like other extreme metal genres, doom metal also has regionally based scenes, with their own particular characteristics: In one of the greatest doom metal outputs, Finnish groups focus more on
2250-472: The Dead —regarded by many as an early influence on doom. The following year, American band Pentagram would go on to release their debut, Relentless . The Swedish Candlemass would also prove influential with their first record Epicus Doomicus Metallicus in 1986, from which epic doom metal takes its name. Some doom metal bands were also influenced by the underground gothic rock and post-punk scene of
2325-819: The Foreshadowing , Grave Lines, Artrosis , Ava Inferi , Draconian , and Type O Negative . Progressive doom is a fusion genre that combines elements of progressive metal and doom metal. Notable bands include King Goat, Below the Sun, Sierra , Oceans of Slumber , and Green Carnation . Sludge metal (also known as sludge doom ) is a style that combines doom metal and hardcore punk . Many sludge bands compose slow and heavy songs that contain brief hardcore passages. However, some bands emphasise fast tempos throughout their music. The string instruments are heavily distorted and are often played with large amounts of feedback to produce an abrasive, sludgy sound. Drumming
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2400-511: The Hermetic Order of the Golden Dawn like William Wynn Westcott and Samuel Liddell MacGregor Mathers , as well as other individuals such as Paschal Beverly Randolph , Emma Hardinge Britten , Arthur Edward Waite , and – in the early twentieth century – Aleister Crowley , Dion Fortune , and Israel Regardie . By the end of the nineteenth century, occultist ideas had also spread into other parts of Europe, such as
2475-553: The Hermetic Order of the Golden Dawn, and the New Age. Employing this etic understanding of "occultism", Hanegraaff argued that its development could begin to be seen in the work of the Swedish esotericist Emanuel Swedenborg and in the Mesmerist movement of the eighteenth century, although added that occultism only emerged in "fully-developed form" as Spiritualism, a movement that developed in
2550-449: The Ruins of Beverast , Bolzer, Necros Christos, Harvest Gulgaltha, Dragged into Sunlight , Hands of Thieves, and Soulburn . Death-doom is a style that combines the slow tempos and pessimistic atmosphere of doom metal with the deep growling vocals and double-kick drumming of death metal . Influenced mostly by the early work of Hellhammer and Celtic Frost , the style emerged during
2625-570: The Stone Age , Dali's Llama , Slo Burn , and Brant Bjork . Black-doom, also known as blackened doom, is a style that combines the slowness and thicker, bassier sound of doom metal with the shrieking vocals and heavily distorted guitar sound of black metal . Black-doom bands maintain the Satanic ideology associated with black metal, while melding it with moodier themes more related to doom metal, like depression, nihilism, and nature. They also use
2700-494: The United States during the mid-nineteenth century. Marco Pasi suggested that the use of Hanegraaff's definition might cause confusion by presenting a group of nineteenth-century esotericists who called themselves "occultists" as just one part of a broader category of esotericists whom scholars would call "occultists". Following these discussions, Julian Strube argued that Lévi and other contemporary authors who would now be regarded as esotericists developed their ideas not against
2775-468: The background of an esoteric tradition in the first place. Rather, Lévi's notion of occultism emerged in the context of highly influential radical socialist movements and widespread progressive, so-called neo-Catholic ideas. This further complicates Hanegraaff's characteristics of occultism, since, throughout the nineteenth century, they apply to these reformist movements rather than to a supposed group of esotericists. The term occult has also been used as
2850-440: The concept of science. From that point on, use of "occult science(s)" implied a conscious polemic against mainstream science. Nevertheless, the philosopher and card game historian Michael Dummett , whose analysis of the historical evidence suggested that fortune-telling and occult interpretations using cards were unknown before the 18th century, said that the term occult science was not misplaced because "people who believe in
2925-401: The context of contemporary socialism and progressive Catholicism . Similar to spiritualism, but in declared opposition to it, the emergence of occultism should thus be seen within the context of radical social reform, which was often concerned with establishing new forms of "scientific religion" while at the same time propagating the revival of an ancient tradition of "true religion". Indeed,
3000-449: The context of theoretical frameworks that relied heavily on a belief in occult qualities, virtues or forces." Although there are areas of overlap between these different occult sciences, they are separate and in some cases practitioners of one would reject the others as being illegitimate. During the Age of Enlightenment , occultism increasingly came to be seen as intrinsically incompatible with
3075-647: The depressive mood of the genre, evoking an intense grieving feeling. The bands play with very slow tempos and melodic tones, creating an atmosphere of darkness and melancholia. This scene was kick-started by the band Rigor Mortis (which, due to an older US band with the same name, changed their name to Spiritus Mortis), which originated in 1987. Notable bands include Reverend Bizarre , Minotauri , Dolorian , Shape of Despair , Thergothon , Skepticism , and Unholy . Regarded as sludge metal 's birthplace by AllMusic , this scene originated in New Orleans in
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3150-506: The doom metal sound. Aside from Pentagram and Black Sabbath, other groups from the 1970s would heavily influence the genre's development. Blue Cheer is often hailed as one of the first stoner metal bands. Through the use of loud amplifiers and guitar feedback , their debut Vincebus Eruptum created a template for other artists to follow. Though lacking the pessimistic lyrical content of their contemporaries, Welsh heavy metal band Budgie would also produce heavy songs which were amongst
3225-481: The early 1970s and was kickstarted by Pentagram and the Obsessed . Various doom/ stoner bands, mostly from Washington, D.C. and its metropolitan area on Maryland and Virginia (thus also being labelled "Maryland doom sound" ), formed in this region being heavily influenced by early hard rock and heavy metal bands, like UFO , Blue Cheer , Black Sabbath , Uriah Heep and Sir Lord Baltimore . This scene
3300-504: The early modern Lutheran thinker Jakob Bohme , and seeking to integrate ideas from Bohmian theosophy and occultism. It has been noted, however, that this distancing from the Theosophical Society should be understood in the light of polemical identity formations among esotericists towards the end of the nineteenth century. In the mid-1990s, a new definition of "occultism" was put forth by Wouter Hanegraaff. According to Hanegraaff,
3375-564: The early work of Black Sabbath , who formed a prototype for doom metal. During the first half of the 1980s, a number of bands such as Witchfinder General and Pagan Altar from England, American bands Pentagram , Saint Vitus , the Obsessed , Trouble , and Cirith Ungol , and Swedish band Candlemass defined doom metal as a distinct genre. Pentagram, Saint Vitus, Trouble and Candlemass have been referred to as "the Big Four of Doom Metal". The electric guitar , bass guitar , and drum kit are
3450-420: The electric guitar is performed with large amounts of reverb and feedback while lacking the presence of drums and vocals. Songs are often very long and lack beat or rhythm in the traditional sense. Drone metal is generally influenced by drone music , noise music , and minimalist music . The style emerged in the early 1990s and was pioneered by Earth , Boris , and Sunn O))) . Epic doom has
3525-713: The emergence of both modern esotericism and socialism in July Monarchy France have been inherently intertwined. Another feature of occultists is that – unlike earlier esotericists – they often openly distanced themselves from Christianity, in some cases (like that of Crowley) even adopting explicitly anti-Christian stances. This reflected how pervasive the influence of secularisation had been on all areas of European society. In rejecting Christianity, these occultists sometimes turned towards pre-Christian belief systems and embraced forms of Modern Paganism , while others instead took influence from
3600-512: The genre's pioneers, were among the first to incorporate Christian imagery. Others have incorporated occult and pagan imagery. For many bands, the use of religious themes is for aesthetic and symbolic purposes only. Examples include lyrics/imagery about the Last Judgment to invoke dread, or the use of crucifixes and cross-shaped headstones to symbolize death. Furthermore, some doom metal bands write lyrics about drugs or drug addiction. This
3675-560: The late 1980s and gained a certain amount of popularity during the 1990s. Death-doom was pioneered by bands such as Winter , Disembowelment , Paradise Lost , Autopsy , Anathema , My Dying Bride and Novembers Doom . Funeral doom is a genre that crosses death-doom with funeral dirge music . It is played at an extremely slow tempo, and places an emphasis on evoking a sense of emptiness and despair. Typically, electric guitars are heavily distorted and dark ambient aspects such as keyboards or synthesizers are often used to create
3750-587: The late 1980s. The bands of this scene employ some punk influences, like harsh vocals, guitar distortion and downtuned sound. This scene was pioneered by Exhorder , who was the first band to combine doom metal with a punk-influenced metal sound . In the 90s, several sludge and stoner metal bands arose in the state, mainly influenced by bands like Black Sabbath and Melvins , also mixing their sound with genres like hardcore punk and Southern rock . Notable bands include Eyehategod , Down Exhorder , Crowbar , and Acid Bath . This scene formed in
3825-399: The loudest of their day, stylistically influencing various doom metal acts. Led Zeppelin 's No Quarter is considered as one of the earliest examples of a doom metal song made by a rock band. Early doom metal was also influenced by Japanese psychedelic rock albums, such as Kuni Kawachi & Friends' Kirikyogen and Flower Travellin' Band 's Satori . Bang 's 1971 self-titled debut
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#17328551344063900-534: The mid-19th century and their descendants. Occultism is thus often used to categorise such esoteric traditions as Spiritualism, Theosophy, Anthroposophy, the Hermetic Order of the Golden Dawn, and New Age. A different division was used by the Traditionalist author René Guénon , who used esotericism to describe what he believed was the Traditionalist, inner teaching at the heart of most religions, while occultism
3975-407: The most common instruments used to play doom metal (although keyboards are sometimes used), but its structures are rooted in the same scales as in blues . Guitarists and bassists often down tune their instruments to very low notes and make use of large amounts of distortion , thus producing a very "thick" or "heavy" guitar tone, which is one of the defining characteristics of the genre. Along with
4050-737: The nineteenth century and their twentieth-century derivations. In a descriptive sense, it has been used to describe forms of esotericism which developed in nineteenth-century France, especially in the Neo-Martinist environment. According to the historian of esotericism Antoine Faivre , it is with the esotericist Éliphas Lévi that "the occultist current properly so-called" first appears. Other prominent French esotericists involved in developing occultism included Papus , Stanislas de Guaita , Joséphin Péladan , Georges-Albert Puyou de Pouvourville , and Jean Bricaud . The idea of occult sciences developed in
4125-519: The older term occult , much as the term esotericism derives from the older term esoteric . However, the historian of esotericism Wouter Hanegraaff stated that it was important to distinguish between the meanings of the term occult and occultism . Occultism is not a homogenous movement and is widely diverse. Over the course of its history, the term occultism has been used in various different ways. However, in contemporary uses, occultism commonly refers to forms of esotericism that developed in
4200-469: The possibility of unveiling the future or of exercising supernormal powers do so because the efficacy of the methods they employ coheres with some systematic conception which they hold of the way the universe functions...however flimsy its empirical basis." In his 1871 book Primitive Culture , the anthropologist Edward Tylor used the term "occult science" as a synonym for magic . Occult qualities are properties that have no known rational explanation; in
4275-424: The psychedelic elements of stoner metal with hard rock characteristics. Bands of this style include Kyuss, Fu Manchu , Queens of the Stone Age , Earthlings? and Yawning Man . Influenced by 70s and 80s heavy metal , traditional doom metal bands more commonly use higher guitar tunings, and do not play as slowly as many other doom bands. Traditional doom bands typically play slow to mid-tempo songs with
4350-417: The recent socialist teachings of Charles Fourier . The French esotericist Éliphas Lévi then used the term in his influential book on ritual magic , Dogme et rituel de la haute magie , first published in 1856. Lévi was familiar with that work and might have borrowed the term from there. In any case, Lévi also claimed to be a representative of an older tradition of occult science or occult philosophy. It
4425-470: The religions of Asia, such as Hinduism and Buddhism . In various cases, certain occultists did both. Another characteristic of these occultists was the emphasis that they placed on "the spiritual realization of the individual", an idea that would strongly influence the twentieth-century New Age and Human Potential Movement . This spiritual realization was encouraged both through traditional Western 'occult sciences' like alchemy and ceremonial magic , but by
4500-436: The religious or philosophical belief systems on which such practices are based. This division was initially adopted by the early academic scholar of esotericism, Antoine Faivre, although he later abandoned it; it has been rejected by most scholars who study esotericism. By the 21st century the term was commonly employed – including by academic scholars of esotericism – to refer to a range of esoteric currents that developed in
4575-503: The sixteenth century. The term usually encompassed three practices – astrology, alchemy, and natural magic – although sometimes various forms of divination were also included rather than being subsumed under natural magic. These were grouped together because, according to the Dutch scholar of hermeticism Wouter Hanegraaff , "each one of them engaged in a systematic investigation of nature and natural processes, in
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#17328551344064650-583: The slower pace of doom metal in order to emphasize the harsh atmosphere present in black metal. Examples of black-doom bands include Barathrum , Forgotten Tomb , Woods of Ypres , Deinonychus , Shining , Nortt , Bethlehem , early Katatonia , Tiamat , Dolorian , October Tide , and In the Woods... Pioneered by black-doom bands like Ophthalamia , Katatonia , Bethlehem , Forgotten Tomb , and Shining , depressive suicidal black metal, also known as suicidal black metal, depressive black metal, or DSBM,
4725-474: The sorrowness and melancholy present in doom metal, while being more introspective and focused on personal experiences such as love, grief, irreparable loss, loss of faith, etc. Unlike in gothic metal and death-doom , gothic-doom bands prefer the use of cleaner vocals instead of employing death growls , although some of them employ harsher vocals occasionally, and avoid the usage of death metal-like riffage. Bands labelled as gothic-doom include Weeping Silence,
4800-411: The start of the twentieth century had also begun to include practices drawn from non-Western contexts, such as yoga . Although occultism is distinguished from earlier forms of esotericism, many occultists have also been involved in older esoteric currents. For instance, occultists like François-Charles Barlet [ fr ] and Rudolf Steiner were also theosophers , adhering to the ideas of
4875-553: The supernatural. The term occult sciences was used in the 16th century to refer to astrology , alchemy , and natural magic . The earliest known usage of the term occultism is in the French language, as l'occultisme . In this form it appears in A. de Lestrange's article that was published in Dictionnaire des mots nouveaux ("Dictionary of new words") by Jean-Baptiste Richard de Radonvilliers [ fr ] in 1842. However, it
4950-461: The term occultism can be used not only for the nineteenth-century groups which openly self-described using that term but can also be used in reference to "the type of esotericism that they represent". Seeking to define occultism so that the term would be suitable "as an etic category" for scholars, Hanegraaff devised the following definition: "a category in the study of religions, which comprises "all attempts by esotericists to come to terms with
5025-427: The term as a synonym for esotericism, an approach that the later scholar of esotericism Marco Pasi suggested left the term superfluous. Unlike Amadou, other writers saw occultism and esotericism as different, albeit related, phenomena. In the 1970s, the sociologist Edward A. Tiryakian distinguished between occultism, which he used in reference to practices, techniques, and procedures, and esotericism, which he defined as
5100-719: The term in an academic sense, stating that occulture was "the new spiritual environment in the West; the reservoir feeding new spiritual springs; the soil in which new spiritualities are growing". Recently scholars have offered perspectives on the occult as intertwined with media and technology. Examples include the work of film and media theorist Jeffrey Sconce and religious studies scholar John Durham Peters , both of whom suggest that occult movements historically utilize media and apparatuses as tools to reveal hidden aspects of reality or laws of nature. Erik Davis in his book Techgnosis gives an overview of occultism both ancient and modern from
5175-535: The then-uncommon dark and pessimistic lyrics and atmosphere, they set the standards of early heavy metal and inspired various doom metal bands. In the early 1970s, both Black Sabbath and Pentagram (also as side band "Bedemon") composed and performed this heavy and dark music, which would in the 1980s begin to be known and referred to as doom metal by subsequent musicians, critics and fans. Joe Hasselvander, Pentagram's drummer also cited bands like Black Widow , Toe Fat , Iron Claw , Night Sun , and Zior as pioneers of
5250-514: The usual heavy metal compositional technique of guitars and bass playing the same riff in unison, this creates a loud and bass -heavy wall of sound. Another defining characteristic is the consistent focus on slow tempos , and minor tonality with much use of dissonance (especially in the form of the tritone ), employing the usage of repetitive rhythms with little regard to harmonic progression and musical structure. Traditional doom metal vocalists favor clean vocals, which are often performed with
5325-401: The vacuousness of materialism more apparent". The Dutch scholar of hermeticism Wouter Hanegraaff remarked that occultism was "essentially an attempt to adapt esotericism" to the " disenchanted world ", a post-Enlightenment society in which growing scientific discovery had eradicated the "dimension of irreducible mystery" previously present. In doing so, he noted, occultism distanced itself from
5400-602: Was from his usage of the term occultisme that it gained wider usage; according to Faivre, Lévi was "the principal exponent of esotericism in Europe and the United States" at that time. The term occultism emerged in 19th-century France, where it came to be associated with various French esoteric groups connected to Éliphas Lévi and Papus , The earliest use of the term occultism in the English language appears to be in "A Few Questions to 'Hiraf'", an 1875 article by Helena Blavatsky ,
5475-445: Was introduced into the English language by the esotericist Helena Blavatsky . Throughout the 20th century, the term 'occult' was used idiosyncratically by a range of different authors. By the 21st century the term 'occultism' was commonly employed –including by academic scholars in the field of Western esotericism studies – to refer to a range of esoteric currents that developed in the mid-19th century and their descendants. Occultism
5550-578: Was not related, at this point, to the notion of Ésotérisme chrétien , as has been claimed by Hanegraaff, but to describe a political "system of occulticity" that was directed against priests and aristocrats. In 1853, the Freemasonic author Jean-Marie Ragon had already used occultisme in his popular work Maçonnerie occulte , relating it to earlier practices that, since the Renaissance , had been termed "occult sciences" or "occult philosophy", but also to
5625-427: Was used pejoratively to describe new religions and movements that he disapproved of, such as Spiritualism, Theosophy, and various secret societies . Guénon's use of this terminology was adopted by later writers like Serge Hutin and Luc Benoist . As noted by Hanegraaff, Guénon's use of these terms are rooted in his Traditionalist beliefs and "cannot be accepted as scholarly valid". The term occultism derives from
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