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37-413: Since the 1960s and the 1970s, ORLAN has questioned the status of the body and the political, religious, social, and traditional pressures that are inscribed in it. Her work denounces the violence done to the body and in particular to women's bodies, and thus engages in a feminist struggle. She makes her body the privileged instrument where our own relationship to otherness is played out. This work of Orlan on

74-484: A complaint against Lady Gaga for plagiarism. For ORLAN, the American star, in the album Born This Way released in 2011, was too freely inspired by her "hybridizations". In addition, the beginning of the video clip of the homonymous song shows Lady Gaga made up and decapitated recalling her "Woman with head" executed in 1996. The artist sought $ 31.7 million in compensation. The plea hearing had been set for July 7, 2016, at

111-412: A generative and collaborative series of clothing made from ORLAN's wardrobe and focusing on suture : the deconstruction of past clothing reconstructed into new clothing that highlights the sutures. In June 2013, she filed a complaint against Lady Gaga. For ORLAN, the American star, in the album Born This Way released in 2011 is inspired by the artist without quoting her. The beginning of the video clip of

148-680: A part of her "Carnal Art" manifesto, these works were filmed and broadcast in institutions throughout the world, such as the Centre Georges Pompidou in Paris and the Sandra Gehring Gallery in New York. ORLAN picked these characters, "not for the canons of beauty they represent... but rather on account of the stories associated with them." ORLAN defines cosmetic surgery as "nomadic, mutant, shifting, differing." ORLAN has stated, "my work

185-457: A robot in her own image, " Orlanoïde", equipped with collective and social artificial intelligence that speaks with her voice by reading texts from a text generator: presented at the Grand Palais, for the exhibition "Artists and Robots", the robot is also part of a performance entitled "Electronic and verbal striptease" and also benefits from a motion generator. It is a work in progress, currently,

222-407: A tiny part of her integral work. ORLAN also explores the use of new technologies in the arts. In 1982, with Frédéric Develay, she created the first online magazine of contemporary art, Art-Accès-Revue , on Minitel. This magazine invites international artists working in situ and/or with conceptual problems to create original works specially conceived on Minitel, by Minitel, and for Minitel. Many of

259-660: Is a contemporary art event that occurs in Paris . FIAC was usually held in October in the Grand Palais . In 2019, the fair announced that it would move to a temporary venue on the Champ de Mars , by the Eiffel Tower , for at least two years and to move back to the Grand Palais by 2024. In 2022, however, Art Basel surprisingly ousted FIAC from the Grand Palais. From 2006 to 2019, as part of

296-518: Is a stub . You can help Misplaced Pages by expanding it . Alexia Guggemos Alexia Guggémos , (August 8, 1966) is a French art critic , curator, writer and digital sociologist . The Art Gorgeous Magazine ranked her in the top 20 most influential women of the French art scene (2019). She writes on Le Huffington Post , 20 Minutes and is the founder of UNIK Art Magazine. She published several books about art, artists, and social media. After

333-522: Is a struggle against the innate, the inexorable, the programmed, Nature, DNA (which is our direct rival as far as artists of representation are concerned), and God!". In an interview with Acne Paper, ORLAN stated: I can observe my own body cut open, without suffering!... I see myself all the way down to my entrails; a new mirror stage... I can see to the heart of my lover; his splendid design has nothing to do with sickly sentimentalities... Darling, I love your spleen; I love your liver; I adore your pancreas, and

370-403: Is made of around a hundred works by around thirty artists such as, Sabine Weiss , Andres Serrano , Invader . Orders are regularly placed with artists, as with Madame Mo, who created an animation about the smile of Mona Lisa . For the museum's 20th anniversary, artist Christophe Weber has produced an interactive performance based on the paintings of Jean-Honoré Fragonard . General Delegate of

407-495: The Grand Palais in Paris. ORLAN displayed a life-size photograph of her own nude torso, which she sat behind. The life-sized photograph was turned into a slot machine. A spectator would insert a coin and could see it descending to the groin before being awarded a kiss from the artist herself. The installation created a scandal that cost the artist her teaching position. In 1978, she created the International Symposium of

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444-667: The International Internet Film Festival (1999–2001), she was responsible for the selection of digital creations and led an interactive writing workshop at the Royal Saltworks of Arc-et-Senans . Photographer Mireille Loup created an interactive short film Une femme de 30 ans (2001). She curated exhibitions at Colette, in Paris, and on the Internet for the Opline Prize. She gives conferences on art and new media and

481-525: The Modern Art museum ( Centre Georges Pompidou ). In 2014, a Hors Les Murs feature, the 80-meter-high inflatable sculpture Tree by Paul McCarthy in the Place Vendôme was deflated by vandals. McCarthy and local authorities decided not to re-inflate it. The lime green sculpture was described by the artist as a Christmas tree, but critics said it looked like a butt plug . This art -related article

518-801: The 3rd of June, 2021. On November 29, 2021, she was decorated with the National Order of the Legion of Honor with the rank of Knight by the Minister of Culture Roselyne Bachelot She is represented in France by the Ceysson & Bénétière Gallery. In September and October 2024, her work titled Corps-sculpture sans visage en mouvement dansant avec son ombre n°6 (1967) was included in Ceysson & Bénétière Gallery's group exhibition, Clairvoyant . Some of her emblematic works include : ORLAN's works can be found in

555-534: The Court of Appeal of Paris rejected ORLAN by confirming the absence of the parasitic nature of the video clip. It receives the Reputation on line Prize (Grand Prix de le-réputation) in 2013, organized by the art critic Alexia Guggemos , Plastic Arts category, which rewards the most popular personalities on the Internet alongside Phillipe Starck for design and Yann Arthus-Bertrand for photography. In 2018, ORLAN created

592-590: The Franco-Haitian painter Hervé Télémaque , with whom she has published a book of interviews, Confidence . Alexia Guggemos has written several books on art, artists and social media. To honor the memory of French poet Boris Vian , the Cohérie Boris Vian entrusted Alexia Guggémos the production of the event book celebrating in 2020 the centenary of the author of L'Écume des jours . Boris Vian 100 ans in collaboration with Nicole Bertolt, representative of

629-551: The Operation Art Students Week , to encourage art school students to make themselves known on Instagram . She participated in France in the development of Museum Week , the first social media cultural event which in 2019 mobilized six thousand cultural institutions worldwide. In 2019, she published The Digital Survival Guide – Social media for the use of creators at Editions in Fine ( Les Echos Group) in which she analyzes

666-566: The Paris high court. A first verdict was announced in the disadvantage of ORLAN, who then had to pay 20,000 euros to the singer, but the artist decided to appeal. In May 2018, the Paris Court of Appeal dismissed ORLAN by confirming the absence of the parasitic nature of the video clip incriminated. Orlan was ordered to pay 10,000 euros, as costs incurred, to Lady Gaga. She received the Grand Prix de le-Réputation 2013, organized by Alexia Guggemos in

703-526: The Performance in Lyon , which she animated until 1982. Her manifesto of "carnal art" ( Manifeste de l'Art Charnel ) is followed by a series of surgical operations- performances that she carries out between 1990 and 1993. With this series, the body of the artist becomes a place of public debate. These surgical operations - performances were widely publicized and provoked a strong polemic, although they represent only

740-609: The artist's own cells and cells of human and animal origin. At the same time, ORLAN taught at the École nationale supérieure d'arts de Paris-Cergy . In 2005, she was awarded a one-year residency at the ISCP in New York by l'Association française d'action artistique (AFAA), and in 2006 she was invited to Los Angeles for a residency at the Getty Research Institute , the Getty Center's research laboratory. In June 2013, she filed

777-558: The body is done in particular by the means of photography. In 1976, for example, she walked the streets wearing a dress on which her naked body was represented. In the same period, in Portugal, she offered photos glued to wood and cut out corresponding to pieces of herself: an arm, a piece of breast, etc. In 1977, ORLAN performed Kiss of the artist ( Baiser de l'artiste ), during the International Fair of Contemporary Art ( FIAC ), in

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814-479: The city of Metz server: MIRABEL. In her work of the late 1990s and early 2000s, "Self-Hybridations" , the artist, through digital photography and computer graphics editing software, hybridizes faces from different cultures (Native American, pre-Columbian, African). Orlan then attempted to further expand the boundaries of contemporary art by using biotechnology to create an installation entitled Harlequin Coat made from

851-405: The collection Témoins de l'Art. On November 29, 2021, she was decorated with the National Order of the Legion of Honor to the rank of Knight by the Minister of Culture Roselyne Bachelot . In 1990, Orlan began The Reincarnation of Sainte- ORLAN . It involved a series of plastic surgeries through which the artist transformed herself into elements from famous paintings and sculptures of women. As

888-1041: The collections of various museums, including the Musée National d'Art Moderne , Maison européenne de la photographie , Fonds nation d'art contemporain, the Los Angeles County Museum of Art , the Getty Center , the National Museum of Art, Osaka , the Museum of Modern Art , as well as various private collections, including the François Pinault Collection. Orlan is represented by various galleries internationally: Europe North America Asia Africa 2023 2019 2018 2017 2016 2015 2014 2013 2012 2011 2010 FIAC The Paris International Contemporary Art Fair (Foire Internationale d’Art Contemporain or FIAC )

925-549: The creation of the Grand Prize of e-reputation in 2011 which allowed her to point out France's delay in the use of social media and to bring out the mechanics of marketing for art, Alexia Guggémos founded a monitoring unit called the Social Media Observatory ( L'Observatoire Social Media). Each year, it publishes a barometer of the artistic scene in the digital ecosystem. She leads experiential education actions like

962-652: The desire of both men and women towards those biblical and social stereotypes. Being showcased in the Paris International Contemporary Art Fair. In 2001, ORLAN orchestrated a series of filmic posters, " Le Plan du Film, " with various artists and writers. She collaborated in 2008 with the Symbiotica laboratory in Australia, resulting in the bio-art installation " The Harlequin's Coat ."Part of ORLAN's ongoing work includes " Suture/Hybridize/Recycle ,"

999-623: The developers of the Art and science gallery in Dublin are developing other capacities. In 2019, she was honored with the special prize of WOMAN OF THE YEAR, awarded by the Prince of Monte Carlo. Orlan is also appointed Professor Emeritus of the Accademia di Belle Arti di Roma . During the confinement in 2020, Orlan wrote her autobiography Strip-tease : tout sur ma vie, tout sur mon art published by Gallimard on

1036-512: The fair’s outdoor program Hors les Murs , well-known venues across the city – the Tuileries Garden , the Musée national Eugène Delacroix , the National Museum of Natural History and Place Vendôme – featured temporary installations of Alexander Calder , George Condo , Thomas Houseago , Robert Indiana , Per Kirkeby , Alicja Kwade , Richard Long and Oscar Tuazon , among others. From 2018,

1073-452: The homonymous song shows Lady Gaga with implants similar to those of ORLAN and the face of Lady Gaga beheaded recalls the work Woman with head created in 1996. Her lawyer was asking for compensation of 31.7 million dollars. The hearing was set for July 7, 2016, at the Tribunal de la Grande Instance de Paris. A first verdict was announced against ORLAN but the artist decided to appeal. In May 2018,

1110-400: The line of your femur excites me." (from Carnal Art manifesto) "Sainte ORLAN" came from a character that I created for "Le baiser de l'artiste" from a text called "Facing a society of mothers and merchants." The first line of this text was: "At the bottom of the cross were two women, Maria and Maria Magdalena." These are two inevitable stereotypes of women that are hard to avoid: the mother and

1147-481: The memory of Boris Vian. She received an award for the book. In 2020, the Magazine Connaissance des Arts created a web-serie about art history based on her book « L’Histoire de l’art pour les nullissimes » (2017) (Art history for dummies). Books 2020 : Prize of Jazz Book for her book Boris Vian 100 ans The Art Gorgeous Magazine ranked her in the top 20 most influential women of

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1184-476: The power of social media. After studying at the École du Louvre , directing the literary and artistic magazine Cargo, publishing artists' books, Alexia Guggémos trained in new technologies. In 1996, she created the Musee du Sourire (Museum of Smile), the first virtual museum dedicated to smile in art, exclusively on the internet and without being housed in a building. Dedicated to contemporary art, its collection

1221-419: The prostitute. In "Le baiser de l'artiste" there were two faces. One was Saint ORLAN, a cutout picture of me dressed as Madonna glued onto wood. One could buy a five francs church candle and I was sitting on the other side behind the mock-up of the vending machine. One could buy a French kiss from me for the same amount of money one could buy a candle. The idea was to play on the ambivalence of the woman figure and

1258-623: The venues also included Place de la Concorde , with architectural works by Kengo Kuma , Claude Parent and Jean Prouvé , among others. The Marcel Duchamp Prize (in French ;: Prix Marcel Duchamp ) is an annual award given to a young artist by the Association pour la Diffusion Internationale de l'Art Français (ADIAF) since 2001 at the FIAC. The winner receives €35,000 personally and up to €30,000 in order to produce an exhibition of their work in

1295-569: The visual arts category, which rewards the most popular personalities on the internet, alongside Philippe Starck and Yann Arthus-Bertrand Since October 18, 2018, ORLAN is represented in France by the Ceysson & Bénétière Gallery in Paris. In 2019, she was a member of the jury of the Opline Prize, the first online contemporary art prize. During the lockdown linked to the COVID-19 pandemic, she wrote her autobiography, '"Strip-Tease : tout sur ma vie, tout sur mon art" published by Gallimard in

1332-583: The works play with the Videotex graphic style or ironically imitate Minitel services ( Bernar Venet , Vera Molnár , Ben , François Morellet , Daniel Buren ...) The works are accompanied by critical essays. The service also regularly gives the floor to the public. A public presentation of this database took place at the Centre Pompidou during the exhibition Les Immatériaux by Jean-François Lyotard . The Art-Access service has been distributed free of charge by

1369-578: Was at the Centre Pompidou , at the Gaîté-Lyrique or at the Cube, the multimedia center of Issy-les-Moulineaux . Member of the International Association of Art Critics (AICA), she is responsible for the development of digital. Nominated for the 2017 AICA Prize, Alexia Guggémos presented the work of Gilles Barbier . She has participated in several monographs including that of Catherine Ikam, and of

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