116-576: Nicholas Warren Mira (born August 25, 2000) is an American record producer . He is co-founder and flagship member of the hip hop production collective and record label Internet Money Records , which he formed with fellow producer Taz Taylor in 2015. He worked with late American rapper Juice Wrld to produce his songs " Lucid Dreams ", " Robbery ", " Bandit ", and " Lean wit Me ". He also worked with rapper Lil Tecca to produce his 2019 hit song " Ransom ," and co-produced Internet Money's 2020 single " Lemonade ." Mira released his first collaborative album with
232-481: A Grammy nomination, the Recording Academy defines a producer: The person who has overall creative and technical control of the entire recording project, and the individual recording sessions that are part of that project. He or she is present in the recording studio or at the location recording and works directly with the artist and engineer. The producer makes creative and aesthetic decisions that realize both
348-740: A "good time and vibe" removes pressure from the creation of music. In 2017, he, along with Taylor and Dex Duncan, got his first major placement in XXXTentacion 's Trippie Redd -assisted single " Fuck Love ". It entered at number 41 on the US Billboard Hot 100 and peaked at number 28 after X's death. On March 29, 2019, the song became the most streamed song ever on the streaming platform SoundCloud with 206 million streams. Mira began working with Chicago rapper Jarad Higgins , known professionally as Juice WRLD, in 2016 through their mutual friend and fellow producer Sidepce, also known as DT. Mira stated at
464-556: A Twitch stream in 2016, forming relationships with them based on their common method of selling and promoting their beats on platforms such as YouTube and SoundCloud . The trio proceeded to join forces in a collective label that would become what is now known as Internet Money, whose mission is to bring awareness to lesser known producers while uniting them with potential collaborators and artists. While Mira began his producing career by primarily selling beats online, he has noted that his methods have changed over time, stating that creating
580-602: A band which, apart from Bad Brains , has arguably had the biggest influence on the hardcore punk genre, and whose contributions to the music, ethics, aesthetic, and ethos are still widely acknowledged by hardcore bands of the 2020s. The band used faster rhythms and more aggressive, less melodic riffs than was common at the time. Minor Threat popularized the straight edge movement with its song " Straight Edge ", which spoke out against alcohol, drugs and promiscuity. MacKaye and Nelson ran their own record label, Dischord Records , which released records by D.C. hardcore bands, including
696-423: A broad project, the creation of a popular music recording may be split across three specialists: the executive producer , who oversees business partnerships and financing; the vocal producer or vocal arranger, who aids vocal performance via expert critique and coaching of vocal technique, and the record producer or music producer, who, often called simply the producer, directs the overall creative process of recording
812-471: A cylinder. By the 1930s, a gramophone etched it laterally across a disc. Constrained in tonal range, whether bass or treble, and in dynamic range , records made a grand, concert piano sound like a small, upright piano, and maximal duration was four and a half minutes. Selections and performance were often altered accordingly, and playing this disc—the wax master—destroyed it. The finality often caused anxiety that restrained performance to prevent error. In
928-518: A giant red mohawk and the band continued to wear swastikas , an approach influenced by the wearing of this symbol by 1970s punks such as Sid Vicious . Because of this, the Exploited were labeled by others in the scene as "cartoon punks". Other influential UK hardcore bands from this period included GBH , Anti-Establishment , Antisect , Broken Bones , Chaos UK , Conflict , Dogsflesh , English Dogs , and grindcore innovators Napalm Death . There
1044-534: A hardcore scene known as "nardcore" developed with bands like Agression , Ill Repute , Dr. Know , and Rich Kids on LSD . Whilst popular traditional punk bands such as the Clash , Ramones, and Sex Pistols were signed to major record labels, the hardcore punk bands were generally not. Black Flag, however, was briefly signed to MCA subsidiary Unicorn Records but were dropped because an executive considered their music to be "anti-parent". Instead of trying to be courted by
1160-673: A hardcore style (shaved head and boots) as being based on needing more functional clothing. Skateboard culture, streetwear, and workwear are also major influences on clothing worn by participants in both past and present eras of hardcore. Music writer Barney Hoskyns attributed hardcore being younger, faster and angrier than punk rock, to adolescents who were sick of their life in a "bland Republican " America. Hardcore punk lyrics often express antiestablishment , antimilitarist , antiauthoritarian , antiviolence , and pro- environmentalist sentiments, in addition to other typically left-wing , anarchist , or egalitarian political views. During
1276-1056: A hit single worldwide, peaking at number one in the United Kingdom and the top ten of the Hot 100 . Later during 2020, Mira contributed to the production of 10 songs on the collaborative Internet Money album B4 the Storm , which peaked at number one on the US Billboard 200 chart. The album included frequent collaborators Lil Tecca , TyFontaine, and 24kGoldn , all of whom Mira has continued to produce for to date. While Mira has generally created beats for hip-hop artists, he has ventured into other styles and genres as well, and has produced on Machine Gun Kelly 's pop-punk album Tickets to My Downfall . Mira has described his production style as "melodic", "dynamic", and "spacious". He has credited inspiration to artists Pharrell Williams , Kanye West , Metro Boomin , Lex Luger , and Sonny Digital , who have each made
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#17328590104111392-407: A leading A&R man of the 1950s. During the decade, A&R executives increasingly directed songs' sonic signatures, although many still simply teamed singers with musicians, while yet others exercised virtually no creative influence. The term record producer in its current meaning—the creative director of song production—appearing in a 1953 issue of Billboard magazine, became widespread in
1508-516: A musical element while playing a previously recorded record, Les Paul developed a recording technique called "sound on sound". By this, the final recording could be built piece by piece and tailored, effecting an editing process. In one case, Paul produced a song via 500 recorded discs. But, besides the tedium of this process, it serially degraded the sound quality of previously recorded elements, rerecorded as ambient sound. Yet in 1948, Paul adopted tape recording, enabling true multitrack recording by
1624-542: A new technique, " overdubbing ". To enable overdubbing, Paul revised the tape recorder itself by adding a second playback head, and terming it the preview head . Joining the preexisting recording head, erase head, and playback head, the preview head allows the artist to hear the extant recording over headphones playing it in synchrony, "in sync", with the present performance being recorded alone on an isolated track. This isolation of multiple tracks enables countless mixing possibilities. Producers began recording initially only
1740-417: A parody of conservative bands. Another act from Massachusetts, Vile, were known to insult women, minorities and gay people in their lyrics and would even go as far as putting their albums on the windshields of people's cars. On the other hand, Tim Yohannan and the influential punk rock fanzine Maximumrocknroll were criticized by some punks for acting as the "politically correct scene police", having what
1856-568: A radio show featuring hardcore called Capital Radio, hosted by Brad Morrison, beginning in February 1979 and continuing weekly until late 1983. In New York City , Tim Sommer hosted Noise The Show on WNYU . By 1984, the Ramones , one of the original New York punk bands, were experimenting with hardcore, with two songs, "Wart Hog" and "Endless Vacation" on their album Too Tough To Die . Minneapolis hardcore consisted of bands such as Hüsker Dü and
1972-579: A radio show in 1977, but branched out into a fanzine in 1982. While not as large as the scene in Los Angeles, the hardcore scene of the early 1980s included a number of noteworthy bands originating from the San Francisco Bay Area , including Bl'ast , Crucifix , the Faction , Fang , Flipper , and Whipping Boy . Additionally, during this time, seminal Texas -based bands Dirty Rotten Imbeciles ,
2088-471: A reaction against the still predominant hippie cultural climate of the time. It was also inspired by Washington, D.C. , and New York punk rock and early proto-punk . Hardcore punk generally disavows commercialism , the established music industry and "anything similar to the characteristics of mainstream rock " and often addresses social and political topics with "confrontational, politically charged lyrics". Hardcore sprouted underground scenes across
2204-471: A set of recordings in Los Angeles. Later, folklorist Archie Green called this perhaps the earliest printed use of A&R man . Actually, it says neither "A&R man" nor even "A&R", an initialism perhaps coined by Billboard magazine in 1946, and entering wide use in the late 1940s. In the 1920s and 1930s, A&R executives, like Ben Selvin at Columbia Records , Nathaniel Shilkret at Victor Records, and Bob Haring at Brunswick Records became
2320-511: A shift into hardcore. Similar to Black Flag and Youth Brigade, Dead Kennedys released their albums on their own label, which in DK's case was Alternative Tentacles . The scene was helped in particular by the San Francisco club Mabuhay Gardens , whose promoter, Dirk Dirksen , became known as "The Pope of Punk". Another important local institution was Tim Yohannan 's Maximumrocknroll , which started as
2436-411: A significant impact on hip-hop production. Influence: Along with other fellow Internet Money members, Mira has been credited by some with the rise in popularity of "type beats", which aim to increase the popularity of an instrumental by associating it with well-known artists. While this has sparked some controversy around Internet Money's marketing methods, Mira has explained that his creative process
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#17328590104112552-459: A style of dance in which participants push or slam into each other, and stage diving . Moshing works as a vehicle for expressing anger by "represent[ing] a way of playing at violence or roughness that allowed participants to mark their difference from the banal niceties of middle-class culture". Moshing is in another way a " parody of violence", that nevertheless leaves participants bruised and sometimes bleeding. The term mosh came into use in
2668-448: A woman the reins of an immense, creative project like making a record." Ultimately, the reasons are multiple and not fully clear, although prominently proposed factors include types of sexism and scarcity of female role models in the profession. Women producers known for producing records not their own include Sonia Pottinger, Sylvia Robinson and Carla Olson. In January 2018, a research team led by Stacy L. Smith, founder and director of
2784-408: Is "usually associated with the further evolution of California's L.A. Punk Rock scene", which included young skateboarders. A September 1981 article by Tim Sommer shows the author applying the term to the "15 or so" punk bands gigging around the city at that time, which he considered a belated development relative to Los Angeles, San Francisco, and Washington, D.C. Blush said that the term "hardcore"
2900-556: Is also a reference to the sense of being "fed up" with the existing punk and new wave music . Blush also states that the term refers to "an extreme: the absolute most Punk". Kelefa Sanneh states that the term "hardcore" referred to an attitude of "turning inwards" towards the scene and "ignoring broader society", all with the goal of achieving a sense of "shared purpose" and being part of a community. Sanneh cites Agnostic Front 's band member selection approach as an example of hardcore's emphasis on "scene citizenship"; prospective members of
3016-520: Is focused mainly on what he finds appealing, and that the "type beat" method used to tag artists is only based on artists he feels would fit on his instrumental. As someone who began producing at a young age, Mira has commented on the popularity of Digital Audio Workstation software among the youth population, stating that "producing is the new video game." Mira has advocated for the importance of working with smaller, up-and-coming artists, in order to build their fan bases and allow them to grow along with
3132-469: Is important in hardcore. Noisey magazine describes one hardcore band as "an all-encompassing, full-volume assault" in which "[e]very instrument sounds like it's competing for the most power and highest volume". Scott Wilson states that the hardcore of the Bad Brains emphasized two elements: "off-the-charts" loudness which reached a level of threatening, powerful "uncompromising noise" and rhythm, in place of
3248-660: Is more forgiving of overmodulation , whereby dynamic peaks exceed the maximal recordable signal level: tape's limitation, a physical property, is magnetic capacity, which tapers off, smoothing the overmodulated waveform even at a signal nearly 15 decibels too "hot", whereas a digital recording is ruined by harsh distortion of " clipping " at any overshoot. In digital recording, however, a recent advancement, 32-bit float , enables DAWs to undo clipping. Still, some criticize digital instruments and workflows for excess automation, allegedly impairing creative or sonic control. In any case, as production technology has drastically changed, so have
3364-434: Is supposed to be. It's its own form." According to AllMusic , the overall blueprint for hardcore was playing louder, harder and faster. Hardcore was a reaction to the "cosmopolitan art-school" style of new wave music . Hardcore "eschew[ed] nuance, technique, [and] the avant-garde ", and instead emphasized "speed and rhythmic intensity" using unpredictable song forms and abrupt tempo changes. The impact of powerful volume
3480-546: Is the first step in a broader effort to improve those numbers and increase diversity and inclusion for all in the music industry." Hardcore punk Hardcore punk (commonly abbreviated to hardcore or hXc ) is a punk rock subgenre and subculture that originated in the late 1970s. It is generally faster, harder, and more aggressive than other forms of punk rock. Its roots can be traced to earlier punk scenes in San Francisco and Southern California which arose as
3596-804: Is the true spirit of punk, because "all the poseurs and fashionistas fucked off to the next trend of skinny pink ties with New Romantic haircuts, singing wimpy lyrics" and the punk scene now consisted of people like Minor Threat, Bad Brains , Black Flag , and Circle Jerks , dedicated to the DIY ethics. Other writers have also attributed hardcore to a reaction against artsy and mellower sub-genres that punk grew into, such as post-punk and new wave . Hardcore punk additionally broke with original punk rock song patterns and visuals, favoring lower-key aesthetics. According to Eli Enis of Billboard magazine , hardcore shows are known to be violent. In 2002, during an interview with Nardwuar , Dead Kennedys singer Jello Biafra
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3712-736: The Annenberg Inclusion Initiative, based in the USC Annenberg School for Communication and Journalism , issued a report, estimating that in the prior several years, about 2% of popular songs' producers were female. Also that month, Billboard magazine queried, "Where are all the female music producers?" Upon the Annenberg Inclusion Initiative's second annual report, released in February 2019, its department at USC reported, "2018 saw an outcry from artists, executives and other music industry professionals over
3828-578: The Billboard Hot 100, has sold over 14 million certified units worldwide and is certified 12-times platinum by the Recording Industry Association of America . He was accused of plagiarizing "Lean wit Me" (performed by Juice Wrld), which he denied and later demonstrated the production of the song through a video published by his Internet Money record label on YouTube. Mira said "I created Juice WRLD's 'Lean Wit Me' beat from scratch. I played
3944-525: The Billboard Hot 100. In 2020, Mira produced several songs on Juice WRLD's first posthumous album, Legends Never Die , including " Smile " with the Weeknd , which was added to updated version of the album in August 2020. Mira also produced tracks for other artists including " Lemonade ", a collaboration with Gunna featuring Don Toliver and Nav , produced and released with Internet Money. The track later become
4060-671: The Kensington Market neighbourhood of Toronto , Ontario , formed in November 1983 as a response to "a local war with glue huffing Nazi skinheads". In Montreal , The Asexuals helped fertilize a scene that became a necessary tour stop for punk and hardcore bands headed to the Northeast. In the United Kingdom , a fertile hardcore scene took root early on. Referred to under a number of names including "U.K. Hardcore", " UK 82 ", "second wave punk", "real punk", and "No Future punk", it took
4176-673: The Minutemen , with whom they shared a practice space until both bands were evicted, as well as the Circle Jerks (which featured Black Flag's original singer, Keith Morris ). From Hollywood , two other bands playing hardcore punk, Fear and the Germs , were featured with Black Flag and the Circle Jerks in Penelope Spheeris ' 1981 documentary The Decline of Western Civilization . By the time
4292-481: The Outpatients , both of whom would come to Boston to play shows. From nearby Manchester , New Hampshire, was G.G. Allin , a solo singer who, contrary to straight edge, used large amounts of drugs and alcohol, eventually dying of a heroin overdose. Allin's stage show included defecating on stage and then throwing his feces at the audience. The New York City hardcore scene emerged in 1981 when Bad Brains moved to
4408-457: The far-right Proud Boys during their sedition trial for their role in attacking the U.S. Capitol on January 6, 2021. While the early hardcore scene was mostly young white males, both onstage and in the audience, there are notable exceptions. Black musicians include Bad Brains, Fred "Freak" Smith of Beefeater , Dead Kennedys drummer D.H. Peligro , and Scream bassist Skeeter Thompson . Numerous Black and Latino members have been in
4524-707: The "bed tracks"—the rhythm section , including the bassline , drums, and rhythm guitar—whereas vocals and instrument solos could be added later. A horn section , for example, could record a week later, and a string section another week later. A singer could perform her own backup vocals, or a guitarist could play 15 layers. Across the 1960s, popular music increasingly switched from acoustic instruments, like piano, upright bass , acoustic guitar , and brass instruments , to electronic instruments, like electric guitars , keyboards , and synthesizers , employing instrument amplifiers and speakers. These could mimic acoustic instruments or create utterly new sounds. Soon, by combining
4640-457: The 1940s, during World War II, the Germans refined audio recording onto magnetic tape—uncapping recording duration and allowing immediate playback, rerecording, and editing—a technology that premised emergence of record producers in their current roles. Early in the recording industry, a record was attained by simply having all of the artists perform together live in one take. In 1945, by recording
4756-574: The 1950s, on simply improving the record's sonic match to the artists' own live performance. Advances in recording technology, especially the 1940s advent of tape recording —which Les Paul promptly innovated further to develop multitrack recording —and the 1950s rise of electronic instruments, turned record production into a specialty. In popular music, then, producers like George Martin , Phil Spector and Brian Eno led its evolution into its present use of elaborate techniques and unrealistic sounds, creating songs impossible to originate live. After
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4872-513: The 1960s. Still, a formal distinction was elusive for some time more. A&R managers might still be creative directors, like William "Mickey" Stevenson , hired by Berry Gordy , at the Motown record label. In 1947, the American market gained audio recording onto magnetic tape. At the record industry's 1880s dawn, rather, recording was done by phonograph , etching the sonic waveform vertically into
4988-501: The 1980s, production's move from analog to digital further expanded possibilities. By now, DAWs, or digital audio workstations , like Logic Pro , Pro Tools and Studio One , turn an ordinary computer into a production console, whereby a solitary novice can become a skilled producer in a thrifty home studio. In the 2010s, efforts began to increase the prevalence of producers and engineers who are women, heavily outnumbered by men and prominently accoladed only in classical music. As
5104-554: The 1980s, the subculture often rejected what was perceived to be " yuppie " materialism and interventionist American foreign policy. Numerous hardcore punk bands have taken far-left political stances, such as anarchism or other varieties of socialism , and in the 1980s expressed opposition to political leaders such as then US president Ronald Reagan and British prime minister Margaret Thatcher . Reagan's economic policies, sometimes dubbed Reaganomics , and social conservatism were common subjects for criticism by hardcore bands of
5220-500: The Billboard 200 chart on March 14, 2019, with first-week sales of 165,000 album equivalents sold. In 2019, he produced Lil Tecca 's " Ransom " with Taylor, which peaked at number four on the Billboard Hot 100. Later that year, he worked with Post Malone on his song " On the Road " (featuring Meek Mill and Lil Baby ) from his album Hollywood's Bleeding (2019), peaking at number 22 on
5336-411: The Circle Jerks were so far from that. We looked like the kid who worked at the gas station or sub. shop." Henry Rollins stated that for him, getting dressed up meant putting on a black shirt and some dark pants; taking an interest in fashion as being a distraction. Jimmy Gestapo from Murphy's Law describes his own transition from dressing in a punk style (spiked hair and a bondage belt) to adopting
5452-797: The Dicks , Dirty Rotten Imbeciles (D.R.I.), Really Red , Verbal Abuse and MDC were from Texas . Portland , Oregon, hardcore punk bands included Poison Idea and Final Warning , while north of there, Washington state included the Accüsed , Melvins , the Fartz , and 10 Minute Warning (the latter two included future Guns N' Roses member Duff McKagan ). Other prominent hardcore bands from this time that came from areas without large scenes include Raleigh , North Carolina's Corrosion of Conformity . D.O.A. formed in Vancouver , British Columbia in 1978 and were one of
5568-682: The Dicks , MDC , Rhythm Pigs , and Verbal Abuse all relocated to San Francisco. Further out of the Bay Area, Sacramento 's Tales of Terror were cited by many, including Mark Arm , as a key inspiration for the grunge movement. The first hardcore punk band to form on the East Coast of the United States was Washington, D.C.'s Bad Brains . Initially formed in 1977 as a jazz fusion ensemble called Mind Power, and consisting of all African-American members, their early foray into hardcore featured some of
5684-584: The F.U.'s , the Freeze , Gang Green , Jerry's Kids , Siege , DYS , Negative FX , and SS Decontrol . Members of the latter three bands were influenced by D.C.'s straight edge scene, and were part of "the Boston Crew", a mostly straight edge group of friends known to physically fight people who used alcohol or drugs. Members of the Boston Crew would later go on to form the band Slapshot , and also included future Mighty Mighty Bosstones singer Dicky Barrett , who
5800-704: The Faith , Iron Cross , Scream , State of Alert , Government Issue , Void , and D.C.'s Youth Brigade . The Flex Your Head compilation was a seminal document of the early 1980s D.C. hardcore scene. The record label was run out of the Dischord House, a Washington, D.C., punk house . Henry Rollins , who would come to prominence as the lead singer of the California-based Black Flag, as well as his own later Rollins Band , grew up in Washington, D.C., singing for
5916-465: The Internet Money label. He has also discussed the value of working with artists in the studio as opposed to virtually, regardless of the size or success of the artist. G-Eazy - B-Sides Record producer A record producer or music producer is a music creating project's overall supervisor whose responsibilities can involve a range of creative and technical leadership roles. Typically
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#17328590104116032-637: The Kinks produced some of their own songs, although many such songs are officially credited to specialist producers. Yet especially influential was the Beach Boys, whose band leader Brian Wilson took over from his father Murry within a couple of years after the band's commercial breakthrough. By 1964, Wilson had taken Spector's techniques to unseen sophistication. Wilson alone produced all Beach Boys recordings between 1963 and 1967. Using multiple studios and multiple attempts of instrumental and vocal tracks, Wilson selected
6148-462: The Los Angeles scene from 1981 to 1984, and it included show reviews and band interviews with groups including D.O.A., the Misfits, Black Flag, Suicidal Tendencies and the Circle Jerks. Shortly after Black Flag debuted in Los Angeles, Dead Kennedys were formed in San Francisco. While the band's early releases were played in a style closer to traditional punk rock, In God We Trust, Inc. (1981) marked
6264-553: The Misfits "crucial to the rise of hardcore." New York hardcore had more emphasis on rhythm, in part due to the use of palm-muted guitar chords, an approach called the NY hardcore "chug". The New York scene was known for its tough ethos, its "thuggery", and club shows that were a chaotic "proving ground" or even a "battleground". In the early 1980s, the New York hardcore scene centered around squats and clubhouses. After these were closed down,
6380-612: The Replacements , while Chicago had Articles of Faith , Big Black and Naked Raygun . The Detroit area was home to Crucifucks , Degenerates , the Meatmen , Negative Approach , Spite and Violent Apathy . From Ohio was Maumee 's Necros and Dayton 's Toxic Reasons . The zine Touch and Go covered this Midwest hardcore scene from 1979 to 1983. JFA and Meat Puppets were both from Phoenix , Arizona; 7 Seconds were from Reno , Nevada; and Butthole Surfers , Big Boys ,
6496-472: The State of Alert, and was influenced by the music of Bad Brains and the bands of his childhood friend Ian MacKaye. The tradition of holding all-ages shows at small DIY spaces, has roots in the early Washington, D.C., straight edge movement. It emerged from the idea that people of all ages should have access to music, regardless of if they're old enough to drink alcohol. Seminal Boston-area hardcore bands included
6612-785: The United States in the early 1980s, particularly in Los Angeles , San Francisco , Washington, D.C. , Boston , and New York , as well as in Canada and the United Kingdom. Hardcore has spawned the straight edge movement and its associated sub-movements, hardline and youth crew . Hardcore was heavily involved in the rise of the independent record labels in the 1980s and with the DIY ethics in underground music scenes. It has also influenced various music genres that have experienced widespread commercial success, including grunge and thrash metal . Although
6728-423: The all-Latino punk band Manic Hispanic , which also featured Efrem Schulz from Death By Stereo . There are also notable women such as Crass singers Joy de Vivre and Eve Libertine , Black Flag bassist Kira Roessler , and Germs bassist Lorna Doom . Several documentaries, including 2003's Afro-Punk and 2016's Los Punks , chronicle these subcultures within American punk and hardcore. As of 2019,
6844-493: The anti-Bush political activist group PunkVoter. A minority of hardcore musicians have expressed right-wing views, such as the band Antiseen , whose guitarist Joe Young ran for public office as a North Carolina Libertarian . Former Misfits singer Michale Graves appeared on an episode of The Daily Show , voicing support for George W. Bush, on behalf of the Conservative Punk website, and in 2023 testified on behalf of
6960-409: The artist's and label's goals in the creation of musical content. Other duties include, but are not limited to: keeping budgets and schedules; adhering to deadlines; hiring musicians, singers, studios, and engineers; overseeing other staffing needs; and editing (Classical projects). The producer often selects and collaborates with a mixing engineer, who focuses on the especially technological aspects of
7076-581: The band Suicidal Tendencies , including Mike Muir , Rocky George , R.J. Herrera, Louiche Mayorga, Robert Trujillo , Thundercat , Dean Pleasants , Ra Díaz, Dave Lombardo , Eric Moore, Tim "Rawbiz" Williams, David Hidalgo Jr. , and Ronald Bruner Jr. Other Latinos in early hardcore bands include Black Flag members Ron Reyes , Dez Cadena , Robo , and Anthony Martinez, Agnostic Front singer Roger Miret , his brother Madball singer Freddy Cricien , Adolescents guitarist Steve Soto , and Wasted Youth drummer Joey Castillo . Soto would later form
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#17328590104117192-492: The band were chosen based on being part of the local hardcore scene and being regularly in the moshing pit at shows, rather than based on a musical audition . Michael Azerrad states that "[by] 1979 the original punk scene [in Southern California] had almost completely died out" and was replaced by punk music boiled down to its essence, but with faster tempos, which became known as "hardcore". Steven Blush states that
7308-469: The best combinations of performance and audio quality, and used tape editing to assemble a composite performance. The 1980s advent of digital processes and formats rapidly replaced analog processes and formats, namely, tape and vinyl. Although recording onto quality tape, at least half an inch wide and traveling 15 inches per second, had limited "tape hiss" to silent sections, digital's higher signal-to-noise ratio , SNR, abolished it. Digital also imparted to
7424-505: The capabilities of tape, multitrack recording, and electronic instruments, producers like Phil Spector , George Martin , and Joe Meek rendered sounds unattainable live. Similarly, in jazz fusion , Teo Macero , producing Miles Davis 's 1970 album Bitches Brew , spliced sections of extensive improvisation sessions. In the 1960s, rock acts like the Beatles , the Rolling Stones , and
7540-548: The city from Washington, D.C. Starting in 1981, there was an influx of new hardcore bands in the city including Agnostic Front , Beastie Boys , Cro-Mags , Cause for Alarm, the Mob , Murphy's Law , Reagan Youth , and Warzone . A number of other bands associated with New York hardcore scene came from New Jersey , including the Misfits , Adrenalin OD and Hogan's Heroes . Steven Blush calls
7656-409: The community. Largely inspired by early labels like Dischord Records , Alternative Tentacles , Epitaph Records , SST Records , Revelation Records , and Touch & Go Records , record labels are usually run on DIY ethic, collaboration, financial trust, and an emphasis on creative control. Labels within hardcore are seldom large, profit-making operations, but rather collaborative music partners with
7772-541: The crowd was singing the lyrics so loud they could be heard over the PA system. Hardcore vocal lines are often based on minor scales and songs may include shouted background vocals from the other band members. Hardcore lyrics expressed the "frustration and political disillusionment" of youth who were against 1980s-era affluence , consumerism , greed, Reagan politics and authority. The polarizing sociopolitical messages in hardcore lyrics (and outrageous on-stage behaviour) meant that
7888-446: The dream is now 35 years old, so they can go fuck themselves." Steven Blush states that the Vancouver -based band D.O.A. 's 1981 album, Hardcore '81 , "was where the genre got its name". This album also helped to make people aware of the term "hardcore". Konstantin Butz states that while the origin of the expression "hardcore" "cannot be ascribed to a specific place or time", the term
8004-421: The drummer should have listened to a lot of hardcore, so that they can understand the "raw emotions" it expresses. Lucky Lehrer , the drummer and co-founder of the Circle Jerks in 1979, was an early developer of hardcore drumming; he has been called the "Godfather of hardcore drumming" and Flipside zine calls him the best punk drummer. According to Tobias Hurwitz, "[h]ardcore drumming falls somewhere between
8120-485: The early 1980s American hardcore scene in Washington, D.C. A performance by Fear on the 1981 Halloween episode of Saturday Night Live was cut short when moshers, including John Belushi and members of a few hardcore punk bands, invaded the stage, damaged studio equipment and used profanity. Many North American hardcore punk fans adopted a dressed-down style of T-shirts , jeans or work chinos , combat boots or sneakers , and crew cut -style haircuts. Women in
8236-742: The early Los Angeles hardcore scene increasingly became sites of violent battles between police and concertgoers. Another source of violence in L.A. was tension created by what one writer calls the invasion of "antagonistic suburban poseurs " into hardcore venues. Violence at hardcore concerts was portrayed in episodes of the popular television shows CHiPs and Quincy, M.E. . In the pre-Internet era, fanzines, commonly called zines , enabled hardcore scene members to learn about bands, clubs, and record labels. Zines typically included reviews of shows and records, interviews with bands, letters, ads for records and labels, and were DIY products, "proudly amateur, usually handmade. A zine called We Got Power described
8352-431: The fastest tempos in rock music . The band released its debut single, " Pay to Cum ", in 1980, and were influential in establishing the D.C. hardcore scene. Hardcore historian Steven Blush calls the single the first East Coast hardcore record. Ian MacKaye and Jeff Nelson , influenced by Bad Brains , formed the band Teen Idles in 1979. The group broke up in 1980, and MacKaye and Nelson went on to form Minor Threat ,
8468-520: The film was released, other hardcore bands from Los Angeles County were also making a name for themselves including Bad Religion , Descendents , Red Kross , Rhino 39 , Suicidal Tendencies , Wasted Youth , Youth Brigade , and Youth Gone Mad . Neighboring Orange County had the Adolescents , Agent Orange , China White , Social Distortion , Shattered Faith , T.S.O.L. , and Uniform Choice , while north of Los Angeles, around Oxnard , California,
8584-511: The fingers, some bassists use a pick. Some bassists play fuzz bass by overdriving their bass tone. Hardcore drumming, typically played fast and aggressively, has been called the "engine" and most essential element of the genre's aggressive sound of "unrelenting anger". Two other key elements for hardcore drummers are playing "tight" with the other musicians, especially the bassist (this does not mean metronomic time; indeed, coordinated tempo shifts are used in many important hardcore albums) and
8700-599: The first bands to refer to its style as "hardcore", with the release of their album Hardcore '81 . Other early hardcore bands from British Columbia included Dayglo Abortions who formed in 1979, the Subhumans and the Skulls . Nomeansno is a hardcore band originally from Victoria , British Columbia , and now located in Vancouver . SNFU formed in Edmonton in 1981 and also later relocated to Vancouver . Bunchofuckingoofs , from
8816-530: The first hardcore record to come out of the West Coast was Out of Vogue by the Santa Ana band Middle Class . The band pioneered a shouted, fast version of punk rock which would shape the hardcore sound that would soon emerge. In terms of impact upon the hardcore scene, Black Flag has been deemed the most influential group. Azerrad calls Black Flag the "godfathers" of hardcore punk and states that even "...more than
8932-665: The flagship band of American hardcore", they were "...required listening for anyone who was interested in underground music." Blush states that Black Flag were to hardcore what the Sex Pistols and Ramones were to punk. Formed in Hermosa Beach , California by guitarist and primary songwriter Greg Ginn , they played their first show in December 1977. Originally called Panic, they changed their name to Black Flag in 1978. By 1979, Black Flag were joined by another South Bay hardcore band,
9048-515: The genre garnered no mainstream popularity. In hardcore, guitarists frequently play fast power chords with a heavily distorted and amplified tone, creating what has been called a "buzzsaw" sound. Guitar parts can sometimes be complex, technically versatile, and rhythmically challenging. Guitar melody lines usually use the same minor scales used by vocalists (although some solos use pentatonic scales). Hardcore guitarists sometimes play solos , octave leads and grooves , as well as tapping into
9164-511: The genre is still overwhelmingly represented by white males. However, as sonic diversity has increased in the genre, so too has its fanbase. This has helped bring greater attention to inclusivity within the scene. Bands like War On Women , Limp Wrist , Gouge Away , and G.L.O.S.S. have helped bring attention to subjects like women's rights, transphobia, rape, mental health, queer rights, and misogyny. Record labels in hardcore are often DIY endeavors, run by musicians or participants within
9280-509: The guitar live in the beat, I programmed the drums and then I sent the beat for Juice to record to and make the song — just like how we always do." In April 2018, Mira and Taylor signed Internet Money to a joint-venture distribution deal with Alamo and Interscope Records . Mira and Juice WRLD's working relationship continued on the 2019 commercial project Death Race for Love . After the success of Goodbye and Good Riddance , Mira continued to frequently create and send collections of beats to
9396-427: The hardcore scene typically wore army pants, band T-shirts and hooded sweatshirts. The clothing style was a reflection of hardcore ideology, which included dissatisfaction with suburban America and the hypocrisy of American culture. It was essentially a deconstruction of American fashion staples—ripped jeans, holey T-shirts, torn stockings for women, and work boots. The style of the 1980s hardcore scene contrasted with
9512-460: The industry are Logic Pro and Pro Tools. Physical devices involved include the main mixer, MIDI controllers to communicate among equipment, the recording device itself, and perhaps effects gear that is outboard. Yet literal recording is sometimes still analog, onto tape, whereupon the raw recording is converted to a digital signal for processing and editing, as some producers still find audio advantages to recording onto tape. Conventionally, tape
9628-422: The intent to document and release music for the underground community. Ian Mackaye , co-founder of Dischord Records claimed, "We don't use contracts, lawyers, any of those kinds of things. We are partners – they make the music, and we make the records. From the beginning of this label, people have said that the way we do things is unsustainable, unrealistic, idealistic, and we were just dreaming", he said. "Well,
9744-454: The job involves hands-on oversight of recording sessions; ensuring artists deliver acceptable and quality performances, supervising the technical engineering of the recording, and coordinating the production team and process. The producer's involvement in a musical project can vary in depth and scope. Sometimes in popular genres the producer may create the recording's entire sound and structure. However, in classical music recording, for example,
9860-669: The knowledge demands, although DAWs enables novices, even teenagers at home, to learn production independently. Some have attained professional competence before ever working with an artist. Among female record producers, Sylvia Moy was the first at Motown , Gail Davies the first on Nashville's Music Row , and Ethel Gabriel , with RCA , the first at a major record label . Lillian McMurry , owning Trumpet Records , produced influential blues records. Meanwhile, Wilma Cozart Fine produced hundreds of records for Mercury Records ' classical division. For classical production, three women have won Grammy awards, and Judith Sherman 's 2015 win
9976-595: The label, B4 the Storm (2020), to positive reception. As a child, Mira played the guitar and later learned to play the piano. He began to focus on producing at the age of 13, and he cites Pharrell Williams as an influence. Mira describes his musical style as "melodic" and "ambient". He graduated from James River High School in 2019. Initially, Mira had held the goal of becoming a producer by selling his beats as if they were standalone tracks, but noted that he had very little knowledge about selling music. Mira first came in contact with producers Taz Taylor and DT through
10092-507: The lack of women in music" and "the plight of women in music", where women were allegedly being "stereotyped, sexualized, and shut out". Also in February 2019, the Recording Academy 's Task Force on Diversity and Inclusion announced an initiative whereby over 200 artists and producers—ranging from Cardi B and Taylor Swift to Maroon 5 and Quincy Jones —agreed to consider at least two women for each producer or engineer position. The academy's website, Grammy.com , announced, "This initiative
10208-461: The look that was common in the San Francisco hardcore scene as consisting of biker-style leather jackets, chains, studded wristbands, multiple piercings, painted or tattooed statements (e.g., an anarchy symbol) and hairstyles ranging from military-style haircuts dyed black or blonde to mohawks and shaved heads. Circle Jerks frontman Keith Morris wrote: "[Punk] was basically based on English fashion. But we had nothing to do with that. Black Flag and
10324-450: The major labels, hardcore bands started their own independent record labels and distributed their records themselves. Ginn started SST Records , which released Black Flag's debut EP Nervous Breakdown in 1979. SST went on to release a number of albums by other hardcore artists, and was described by Azerrad as "easily the most influential and popular underground indie of the Eighties." SST
10440-520: The manufacturing of record discs. After World War II , pioneering A&R managers who transitioned influentially to record production as now understood, while sometimes owning independent labels, include J. Mayo Williams and John Hammond . Upon moving from Columbia Records to Mercury Records , Hammond appointed Mitch Miller to lead Mercury's popular recordings in New York. Miller then produced country-pop crossover hits by Patti Page and by Frankie Laine , moved from Mercury to Columbia, and became
10556-602: The more provocative fashion styles of late 1970s punk rockers. Siri C. Brockmeier writes that "hardcore kids do not look like punks", since hardcore scene members wore basic clothing and short haircuts, in contrast to the "embellished leather jackets and pants" worn in the punk scene. Lauraine Leblanc, however, claims that the standard hardcore punk clothing and styles included torn jeans, leather jackets, spiked armbands, dog collars, mohawk hairstyles , DIY ornamentation of clothes with studs, painted band names, political statements, and patches. Tiffini A. Travis and Perry Hardy describe
10672-770: The music a perceived "pristine" sound quality, if also a loss of analog recordings' perceived "warm" quality and better-rounded bass. Yet whereas editing tape media requires physically locating the target audio on the ribbon, cutting there, and splicing pieces, editing digital media offers inarguable advantages in ease, efficiency, and possibilities. In the 1990s, digital production reached affordable home computers via production software. By now, recording and mixing are often centralized in DAWs, digital audio workstations —for example, Pro Tools , Logic Pro , Ableton , Cubase , Reason , and FL Studio —for which plugins , by third parties, effect virtual studio technology . DAWs fairly standard in
10788-651: The music genre started in English-speaking Western countries, notable hardcore scenes have existed in Italy , Japan and Brazil . Hardcore historian Steven Blush credits Minor Threat 's Ian MacKaye with starting a "die-hard mindset that begat almost everything we now call Hardcore", which was virulently anti-music industry and anti- rock star . An article in Drowned in Sound argues that late 1970s/early 1980s-era hardcore
10904-438: The precursors of record producers, supervising recording and often leading session orchestras. During the 1940s, major record labels increasingly opened official A&R departments, whose roles included supervision of recording. Meanwhile, independent recording studios opened, helping originate record producer as a specialty. But despite a tradition of some A&R men writing music, record production still referred to just
11020-473: The previous punk sound and added the incessant, heavy drumbeats and heavily distorted guitar sound of new wave of British heavy metal bands, especially Motörhead . Formed in 1977 in Stoke-on-Trent , Discharge played a large role in influencing other European hardcore bands. AllMusic calls the band's sound a "high-speed noise overload" characterized by "ferocious noise blasts." Their style of hardcore punk
11136-557: The producer may or may not choose all of the artists. If employing only synthesized or sampled instrumentation, the producer may be the sole artist. Conversely, some artists do their own production. Some producers are their own engineers, operating the technology across the project: preproduction, recording, mixing , and mastering . Record producers' precursors were "A&R men", who likewise could blend entrepreneurial, creative, and technical roles, but often exercised scant creative influence, as record production still focused, into
11252-409: The producer serves as more of a liaison between the conductor and the engineering team. The role is often likened to that of a film director though there are important differences. It is distinct from the role of an executive producer , who is mostly involved in the recording project on an administrative level, and from the audio engineer who operates the recording technology. Varying by project,
11368-548: The rapper, and estimated that the duo had over 100 unreleased songs in 2019. Mira noted that the project represented a step forward in both Juice WRLD's and Mira's artistry, and attributed the development of their sound to the experience they had gained by working with each other. He also credited hardcore rock bands as influences for the album's sound. On March 8, 2019, Death Race For Love was officially released, on which Mira contributed production for four tracks, including hit songs Empty and Robbery . The album reached number one on
11484-463: The recording process, namely, operating the electronic equipment and blending the raw, recorded tracks of the chosen performances, whether vocal or instrumental, into a mix , either stereo or surround sound. Then a mastering engineer further adjusts this recording for distribution on the chosen media. A producer may work on only one or two songs or on an artist's entire album, helping develop the album's overall vision. The record producers may also take on
11600-438: The role of executive producer, managing the budget, schedules, contracts, and negotiations. (Artists and Repertoires) In the 1880s, the record industry began by simply having the artist perform at a phonograph . In 1924, the trade journal Talking Machine World , covering the phonography and record industry, reported that Eddie King, Victor Records ' manager of the "New York artist and repertoire department", had planned
11716-545: The scene was emanating in a small after-hours bar, A7 , on the Lower East Side of Manhattan, and later around the famous bar CBGB . For several years, CBGB held weekly hardcore matinées on Sundays, but they stopped in 1990 when violence led Kristal to ban hardcore shows at the club. Early radio support in New York's surrounding Tri-State area came from Pat Duncan, who had hosted live punk and hardcore bands weekly on WFMU since 1979. Bridgeport , Connecticut's WPKN had
11832-431: The song in its final mix. The producer's roles can include gathering ideas, composing music, choosing session musicians , proposing changes to song arrangements, coaching the performers, controlling sessions, supervising the audio mixing , and, in some cases, supervising the audio mastering . A producer may give creative control to the artists themselves, taking a supervisory or advisory role instead. As to qualifying for
11948-430: The starting point. In the vein of earlier punk rock, most hardcore punk bands have followed the traditional singer/guitar/bass/drum format. The song-writing has more emphasis on rhythm rather than melody . Blush writes "The Sex Pistols were still rock'n'roll...like the craziest version of Chuck Berry . Hardcore was a radical departure from that. It wasn't verse-chorus rock. It dispelled any notion of what songwriting
12064-470: The straight-ahead rock styles of old-school punk and the frantic, warp-speed bashing of thrash." Some hardcore punk drummers play fast D-beat one moment and then drop tempo into elaborate musical breakdowns in the next. Drummers typically play eighth notes on the cymbals, because at the tempos used in hardcore, it would be difficult to play a smaller subdivision of the beat. The early 1980s hardcore punk scene developed slam dancing (also called moshing),
12180-456: The time that he believed the rapper "had like 300 followers on SoundCloud". Mira began to send beats to Juice WRLD online, and landed production credits on his singles " All Girls Are the Same ," "Lucid Dreams," " Lean Wit Me ," "I'm Still, Candles," "Used To," "Hurt Me," "End Of the Road," and "I'll Be Fine" from his 2018 debut album Goodbye and Good Riddance . " Lucid Dreams " peaked at number two on
12296-862: The time. Jimmy Gestapo of Murphy's Law , however, endorsed Reagan and even went as far to call then former president Jimmy Carter a "pussy" in a 1986 New York Magazine cover story. Shortly after Reagan's death in 2004, the Maximumrocknroll radio show aired an episode composed of anti-Reagan songs by early hardcore punk bands. Certain hardcore punk bands have conveyed messages sometimes deemed " politically incorrect " by placing offensive content in their lyrics and relying on stage antics to shock listeners and people in their audience. Boston band The F.U.'s generated controversy with their 1983 album, My America , whose lyrics contained what appeared to be conservative and patriotic views. Its messages were sometimes taken literally, when they were actually intended as
12412-467: The typically focused-on elements in mainstream rock music, harmony and pitch (i.e., melody ). Hardcore vocalists often shout, scream or chant along with the music, using "vocal intensity" and an abrasive tone. The shouting of hardcore vocalists is often accompanied by audience members who are singing along, making the hardcore vocalist like the "leader of a mob" commonly known as "gang vocals". Steven Blush describes one early Minor Threat show where
12528-488: The various feedback and harmonic noises available to them. There are generally fewer guitar solos in hardcore than in mainstream rock, because solos were viewed as representing the "excess and superficiality" of mainstream commercial rock. Hardcore bassists use varied rhythms in their basslines , ranging from longer held notes (whole notes and half notes) to quarter notes, to rapid eighth note or sixteenth note runs. To play rapid bass lines that would be hard to play with
12644-481: The vast majority have been men. Early in the 2010s, asked for insights that she herself had gleaned as a woman who has specialized successfully in the industry, Wendy Page remarked, "The difficulties are usually very short-lived. Once people realize that you can do your job, sexism tends to lower its ugly head." Still, when tasked to explain her profession's sex disparity, Page partly reasoned that record labels, dominated by men, have been, she said, "mistrustful of giving
12760-653: Was an early female record producer, having produced both of her Ivor Novello award-winning songs. Across the decades, many female artists have produced their own music. For instance, artists Kate Bush , Madonna , Mariah Carey , Janet Jackson , Beyoncé (even that of Destiny's Child and the Carters ), Lana Del Rey , Taylor Swift , and Lorde have produced or coproduced and Ariana Grande who produces and arranges her vocals as well as being an audio engineer. Still among specialists, despite some prominent women, including Missy Elliott in hip hop and Sylvia Massy in rock,
12876-481: Was asked what he believed to be the first hardcore record, he remarked: "Sound Of Imker Train of Doomsday single in the late '60s in Holland. The only true '60s hardcore record I know." One definition of the genre is "a form of exceptionally harsh punk rock". Hardcore has been called a faster, meaner genre of punk rock, that was a stern refutation against it, being more primal and immediate, with speed and aggression as
12992-548: Was coined as D-beat , a term referring to a distinctive drum beat that a number of 1980s imitators of Discharge are associated with. Another UK band, the Varukers , were one of the original D-beat bands, Scottish band the Exploited were also influential, with the term "UK 82" (used to refer to UK hardcore in the early 1980s) being taken from one of their songs. They contrasted with early American hardcore bands by placing an emphasis on appearance. Frontman Walter "Wattie" Buchan had
13108-659: Was followed by a number of other successful artist-run labels—including BYO Records (started by Shawn and Mark Stern of Youth Brigade), Epitaph Records (started by Brett Gurewitz of Bad Religion), New Alliance Records (started by the Minutemen's D. Boon and Mike Watt ), as well as fan-run labels like Frontier Records and Slash Records . Bands also funded and organized their own tours. Black Flag's tours in 1980 and 1981 brought them in contact with developing hardcore scenes in many parts of North America, and blazed trails that were followed by other touring bands. Concerts in
13224-451: Was her fifth. Yet in nonclassical, no woman has won Producer of the Year , awarded since 1975 and only one even nominated for a record not her own, Linda Perry. After Lauren Christy 's 2004 nomination, Linda Perry 's 2019 nomination was the next for a woman. On why no woman had ever won it, Perry commented, "I just don't think there are that many women interested." In the U.K., Lynsey de Paul
13340-410: Was perceived to be "a very narrow definition of what fits into Punk", apparently being "authoritarian and trying to dominate the scene" with their views. During the 2001–2009 United States presidency of George W. Bush , it was not uncommon for hardcore bands to express anti-Bush messages. During the 2004 United States presidential election , several hardcore punk artists and bands were involved with
13456-603: Was then a member of the band Impact Unit, and drew the artwork for the DYS album Brotherhood . In 1982, Modern Method Records released This Is Boston, Not L.A. , a compilation album of the Boston hardcore scene. In addition to Modern Method was Taang! Records , who released material by a number of the aforementioned Boston hardcore bands. Further outside of Boston were Western Massachusetts bands Deep Wound (which featured future Dinosaur Jr. members J Mascis and Lou Barlow ) and
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