6-437: Neki Aur Badi ( transl. "Good and Bad" ) is a 1949 Indian Hindi -language patriotic drama film directed by Kidar Sharma . The film stars Sharma with Madhubala and Geeta Bali . It was the only film in which Sharma played the male lead role. Produced by Oriental Pictures with distribution rights owned by Varma Films , the two companies collaborated in 1949 with two films ( Thes and Neki aur Badi ) after
12-529: A helping hand to her. Over time Soshila and Nandan fall in love and decide that they will attempt to reverse the situation with Soshila’s father. Both Nandan and Soshila get jobs in Soshila’s father’s home where they get to know his wife and daughter, Baby. As the days go by, Baby gets attracted to Nandan and starts making advances toward him—much to Soshila’s chagrin. Nadan manages to convince Soshila’s father one day that both Baby and her mother have been bitten by
18-611: A mad dog and should both be hospitalized. The father agrees, and the rest of the movie follows Soshila’s efforts to get her father to accept her back into their home. The main cast of the film include: In 1946, Sharma had given Madhubala her first break in Neel Kamal and thought of her as his "discovery"; he thus expected her not to work with her directors for at least the time he would establish her. However, Madhubala's mercenary father, known his stubbornness, signed newer films as they came, informing neither Madhubala nor Sharma. Therefore,
24-486: The production of Neki Aur Badi was an attempt by Sharma to keep the actress with him. Sharma also cast another "discovery," Geeta Bali, in a supporting role, and introduced music composer Roshan through the film. Music was composed by Roshan , while Kidar Sharma wrote the lyrics. Roshan made his debut as a music director with this film. Neki Aur Badi was commercially unsuccessful and received poor notices from critics. Madhubala's biographer Mohan Deep has said that
30-545: The success of their previous box-office hit, Suhaag Raat , which was the seventh highest-grossing film of 1948. To create a template for success, the filmmakers not only used the same director, Kidar Sharma, of Suhaag Raat in Neki aur Badi but also used another important member of Suhaag Raat ’s ensemble in Neki aur Badi . Filmindia in its review of Suhaag Raat , referred to the film as "Geeta Bali's Sohag Raat", giving Geeta Bali much credit for its box-office success; Geeta Bali
36-664: Was cast in an important supporting role in Neki aur Badi by its filmmakers. On a stormy night, a wealthy man drives his wife and their new-born daughter, Soshila, out of the house because he had hoped his wife would deliver a son. Years later, what happened is revealed to Soshila, now a young woman, by an old servant, Gopi, who also informs her that the father now lives with his wicked new wife and her daughter Baby. In hopes to win back her father’s affections, Soshila decides to run away to Bombay, where her father lives. Stranded, alone and almost without money, one day she meets Nandan, who extends
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