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Musée social

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The Musée social was a private French institution founded in 1894. In the early twentieth century it became an important center of research into topics such as city planning, social housing and labor organization. For many years it played an important role in influencing government policy.

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69-738: The original purpose of the Musée social was to preserve documents from the Social Economy pavilion of the Exposition Universelle (1889) . This exposition, one hundred years after the French Revolution , had recorded the many changes in thought about the organization of society that had followed. The project to create the museum came from a meeting of Jules Siegfried , Léon Say and Émile Cheysson with count Joseph Dominique Aldebert de Chambrun in 1894. The count decided to devote his fortune to

138-498: A base one hundred meters wide, was announced in 1886. It was won by the construction firm of Gustave Eiffel , which had recently built the iron frame of the Statue of Liberty . The Eiffel firm had advance knowledge of the project and, beginning in 1884, had already designed a tower exactly to those dimensions. The structural design was created by two Eiffel engineers, Maurice Koechlin and Émile Nouguier, who along with Eiffel himself, received

207-514: A building by the Paris architect Pierre-Henri Picq . This was an elaborate iron and glass structure decorated with ceramic tiles in a Byzantine-Egyptian-Romanesque style. After the exposition the building was shipped to Fort de France and reassembled there, the work being completed by 1893. Known as the Schœlcher Library, initially it contained the 10,000 books that Victor Schœlcher had donated to

276-415: A chirurgical operation of the most delicate nature. It is not about creating a New City on a virgin land, but directing an Ancient Capital, in the process of complete social change, towards a Future, through which the mechanism and probably the redistribution of wealth will transform the conditions of existence. This City lives with an incredible activity. To realize the main axes of circulation without harming

345-535: A decade, and soon Casablanca was lauded as a success story of an application of the principles of urbanism. Back to France , Prost worked in 1923-1924 as a regional planner, developing a series of comprehensive urban plans for Côte Varoise in Western French Riviera . In 1932, he was invited to direct the regional urban studies of the Paris metropolitan area . The Plan d'Aménagement de la Région Parisienne that

414-410: A green belt around Pairs where the old fortifications had stood, managing the expansion of cities and providing social housing. Between 1894 and 1914 over 500 members of the Musée social wrote leaflets and brochures, gave lectures, studied conditions abroad and responded to all requests. In 1900 the Musée social gave 1,200 written replies and 3,299 oral consultations. Under pressure from economists and

483-494: A minaret, two mosques, a school and two ornamental gateways. The doors, windows, and architectural fittings and decoration were real, imported from demolished buildings in Cairo. The street was populated by real Egyptians in costumes, including musicians, belly dancers, artists, craftsmen, and vendors of various Egyptian foods and delicacies. The exposition featured several other examples of picturesque habitations and villages from around

552-511: A number of countries had their participation entirely funded by private sponsors. They included Germany and Alsace-Lorraine , Austria-Hungary, Belgium, Brazil , China , Denmark , Egypt , Spain, the United Kingdom and its colonies, Haiti , Italy, Luxembourg , the Netherlands, Peru , Portugal, Romania , Russia, Finland and Sweden. The exposition occupied two large sites. The main site

621-723: A profit. The countries that officially participated in the exposition were Andorra , Argentina , Bolivia , Chile , Costa Rica , the Dominican Republic , Ecuador , the United States , Greece , Guatemala , Haiti , Hawaii , Honduras , India , Japan , Morocco , Mexico , Monaco , Nicaragua , Norway , Paraguay , Persia , Saint-Martin, El Salvador , Serbia , Siam , the South African Republic , Switzerland , Uruguay and Venezuela . The British dominions of New Zealand and Tasmania also took part. Because of

690-430: A range of spectacles including Buffalo Bill Cody and his Wild West Show, with the sharpshooter Annie Oakley . Transport around the exposition was partly provided by the 3 kilometre (1.9 mi) 600 mm ( 1 ft  11 + 5 ⁄ 8  in ) gauge Decauville railway at Exposition Universelle . The exposition railroad was reported to have carried 6,342,446 visitors in just six months of operation. Some of

759-448: A series of bridge spans placed not end-to-end but parallel) made of steel or iron. Although often described as being constructed of steel, it was actually made of iron. One important goal of the exposition was to present the latest in science and technology. Thomas Edison visited the exposition to visit a pavilion devoted to his recent inventions, including an improved phonograph with clearer sound quality. Another new technology that

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828-517: A small Pavillon of Electricity for an electrician named Ferdinand de Boyéres, located just outside the exposition site at avenue de Suffren. The Pavilion of electricity was demolished immediately after the exposition, and the cafe was torn down in 1910. the exhibition will be famous for four distinctive features. In the first place, for its buildings, especially the Eiffel tower and the Machinery Hall; in

897-451: A special function, as the residence of the President of France when he visited the exposition. Many smaller but picturesque buildings were included within or adjacent to the exposition. The architect Hector Guimard , then just twenty-two years old, built his first two buildings for the exposition; The cafe-restaurant Au Grand Neptune at 148 Quai Louis-Bleriot (Paris 16th arrondissement), and

966-522: A striking contrast to the very modern Palace of Machines, next to it. It was the idea of Baron Delort Gléon, an art collector and specialist in Egyptian art, with financial support from Charles De Lesseps, the head of the Egyptian committee for the exposition, and son of Ferdinand De Lesseps, the builder of the Suez Canal . It was a winding street, with buildings at odd angles, and featured, among other buildings,

1035-418: The communards . On her death in 1914 she bequeathed the collection to the Musée social in the hope that it would organize a feminist institute. The museum created a section for women's studies in 1916, but despite the efforts of Vincent's executors, Marguerite Durand and Maria Vérone , the museum did not accept the archives. The legacy, estimated to include 600,000 documents, was rejected in 1919. The reason

1104-771: The École Spéciale d'Architecture and at the École des Beaux-Arts . Among his teachers was Marcel Lambert, who surveyed the Acropolis in Athens . In 1902, he was awarded prestigious Prix de Rome scholarship and was able to travel in Italy and Europe to study the architectural landmarks. In 1913, Hubert Lyautey , the military governor of the French Morocco invited Prost to work on development of major Moroccan cities: Fes , Marrakesh , Meknes , Rabat and Casablanca . Prost stayed in Morocco for

1173-625: The Champs de Mars site by a corridor of pavilions along the left Bank. This corridor, at the foot of the Eiffel Tower, also featured a display called "The History of Human Habitation", with model houses depicting the history of domestic architecture, designed with much imagination by Charles Garnier , architect of the Paris Opera . There were twenty-two different entrances to the exposition, around its perimeter. They were open from 8 a.m. until 6:00 p.m. for

1242-828: The Eiffel Tower on a narrow strip of land along Quai D'Orsay and the banks of the Seine. The houses were arranged by century and by continent, beginning with Garnier's idea of prehistoric dwellings and huts, through the Ancient Egyptians, Greeks, Romans and other early civilizations, through the Middle Ages and Renaissance to the modern then houses from Japan, and China and the homes of Eskimos, and dwellings from Africa, Japan, China and Lapland, and dwellings of Native Americans, Aztecs and Incas. The dwellings were designed by Garnier with more imagination than strict historical accuracy, but they were picturesque and very popular. The Roman House had

1311-619: The Forest of Dampierre . Other major buildings included the Palaces of Liberal and Fine Arts, each with a richly decorated dome, facing each other across a garden and reflecting pool between the Eiffel Tower and the Palace of Machines. Both were designed by Jean-Camille Formigé with a similar plan. Both buildings had modern iron frames abundance of glass, but were completely covered with colorful ceramic tiles and sculpted decoration. The exposition included

1380-559: The French section was the Imperial Diamond , at the time the largest diamond in the world. The Mexican pavilion featured a model of an exotic (for Europeans) Aztec temple, a "combination of archeology, history, architecture, and technology." The presentation of Joseph Farcot 's steam engine, that had already won a prize in 1878. Most of the buildings were on military land or city-owned park land, and they were demolished shortly after

1449-648: The French urbanism. His ideas and architectural plans were representative of the first generation of French urbanists with all their achievements and limitations. In 1902, Prost made a design drawing of a national printing office in Italy and was subsequently awarded with the Prix de Rome scholarship. His plans for the restoration of the Hagia Sophia in Constantinople received a medal at the Salon des Artistes Français in 1912. Prost

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1518-515: The Tower permanently. A second monumental building on the site was the Galerie des machines , by the architect Ferdinand Dutert and engineer Victor Contamin , which had originally been built for the 1878 Universal Exposition . It was a huge iron and glass structure which contained the industrial displays. It occupied the entire width of the exposition site, the land between the avenue de la Bourdonnais and

1587-422: The battle field deserved better mention than these humble toilers, who, will never go down in history." During the exposition, no one other than construction personnel were allowed higher than the second viewing platform. In the first week of the exposition, 29,922 persons climbed the tower to the viewing platform, though the elevators were not yet in service, and they had to climb by a narrow winding stairway. By

1656-452: The beginning of French Revolution , and was also seen as a way to stimulate the economy and pull France out of an economic recession. The exposition attracted 61,722 official exhibitors, of whom twenty-five thousand were from outside of France. Admission to the exposition cost forty centimes, at a time when the price of an "economy" plate of meat and vegetables in a Paris cafe was ten centimes. Visitors paid an additional price for several of

1725-409: The city. It was criticized by Le Corbusier in 1948, who previously wrote a letter to Atatürk , advising him to conserve the city without even disturbing its historic dust. Among Prost's decisions considered controversial today, the demolition of the historic Taksim Military Barracks can be cited. Henri Prost along with Tony Garnier, Léon Jausseley, and Ernest Hébrard is considered as a pioneer of

1794-522: The commercial and industrial development, without stopping the construction of new settlements is an imperious economic and social necessity; however to conserve and protect the incomparable landscape, dominated by glorious edifices, is another necessity as imperious as the former. After deciding to make drastic cuts through the network of historic Istanbul's neighborhoods with transportation corridors, broad avenues and pedestrian promenades, parks and monumental squares, Prost also started to work on preserving

1863-404: The construction of this type of hovel. Those [existing ones] that fall into disrepair are not replaced." The incorporation of indigenous colonized individuals in the exposition was intended to be an educational element, but has also historically been framed as an exploitative and patronizing display of colonized people without their consent. This colonial section of the exposition was linked to

1932-425: The efforts of the groups working on "the social question." The Musée social brought together followers of Frédéric Le Play and others who were interested in improving the well-being of the masses while promoting private initiative, going beyond the timid reforms being considered by the government. Many historians consider that the French welfare state originated in the work done at the Musée social . Robert Pinot

2001-562: The exposition closed. The most notable survivor was the Eiffel Tower , which had been deliberately built on Paris city-owned land, to avoid demolition. The Exhibition included a building by the Paris architect Pierre-Henri Picq. This was an elaborate iron and glass structure decorated with ceramic tiles in a Byzantine-Egyptian-Romanesque style. After the exposition, the building was shipped to Fort-de-France in Martinique and reassembled there,

2070-436: The exposition visitors, which made some of them uncomfortable. Samba Lawbé Thiam, a jeweler from Senegal who was part of the 1889 Exposition, said the following: "We are very humiliated to be exhibited this way, in huts like savages; these straw and mud huts do not give an idea of Senegal. In Senegal ... we have large buildings, railroad stations, railroads; we light them with electricity. The Bureau of Hygiene does not tolerate

2139-414: The exposition's most popular attractions. Climbing the Eiffel Tower cost five Francs; admission to the popular panoramas, theatres and concerts was one franc. Visitors from the French provinces could buy a ticket which included the train fare and entry into the exposition. The total cost of exposition was 41,500,000 francs, while income was 49,500,000 francs. It was the last of the Paris world's fairs to make

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2208-554: The extraordinary manner in which South American countries are represented. The exposition itself included several large theatres for concerts and spectacles, including one for the dancers of Les Follies Parisiens. A separate theatre presented the music and dance of the French colonies in Indochina. Operas and concerts were also given in the grand hall of the Trocadero Palace. Outside the exposition, other theatres and venues presented

2277-441: The followers of Louis Pasteur the institute moved from supporting a philanthropic approach to handling social issues to one of greater state intervention. In 1903 the architect and influential urban planner Eugène Hénard proposed using the land reserved for the obsolete Paris fortifications as the basis for a belt of parks. Hénard wanted to develop better radial thoroughfares, and to take the opportunity presented by demolition of

2346-534: The foundation, which was officially inaugurated in March 1895. Although called a museum, in fact it became a research institute. Jules Siegfried was president, Émile Cheysson and Charles Robert were vice presidents, Édouard Gruner was secretary-treasurer, and board members included Georges Picot , Albert Gigot and Émile Boutmy . Towards the end of the nineteenth century there were many non-governmental organizations interested in reform. The Musée social tried to coordinate

2415-435: The heights for the 1878 Exposition. The slope from the Trocadero Palace down to the Seine was filled with terrace, fountains, gardens and horticultural exhibits. A separate, smaller site was located on the esplanade of Les Invalides , which hosted the pavilions of the French colonies. This section featured a large assortment of outdoor restaurants and cafes with foods from Indochina, North Africa, and other cuisines from around

2484-427: The island. Today, it houses over 250,000 books and an ethnographic museum, and stands as a tribute to the man it is named after who led the movement to abolish slavery in Martinique . The exposition featured numerous fountains and reflecting pools, particularly in the mall that ran between the Eiffel Tower and the Palace of Machines. The largest fountain, near the Eiffel Tower, was entitled "The City of Paris enlightens

2553-581: The locomotives used on this line later saw service on the Chemins de fer du Calvados and the Diégo Suarez Decauville railway . Celebrities and dignitaries from around the world visited the exposition. Thomas Edison , with his wife and daughter, visited the exposition on August 14, 1889, his third day in France, to visit the exhibit where his improved phonograph was being demonstrated. He also ascended to

2622-440: The major exhibits and palaces, and until 11:00 in the evening for the illuminated greens and restaurants. The major ceremonial entrance was located at Les Invalides consisting of two tall pylons with colorful ornament, like giant candelabras. The Eiffel Tower , built especially for the exposition, was the tallest structure in the world at the time. A competition to build what was simply called "A tower of three hundred meters" with

2691-644: The nations, there were pavilions of specialized industries, such as the Suez Canal company, the pavilion of the Transatlantic steamship company, the telephone and electricity pavilions, and the Pavilions of gas and oil. The Palace of Food Products was a very large and ornate structure, presenting French food and wine products. One of its highlights was an enormous sculpted wooden barrel from Champagne Mercier that could hold 200,000 bottles of champagne. An unusual display

2760-541: The old city fortifications to build a ring road and new parks and housing. This was supported by the Musée Social, which in 1910 asked citizens to vote in the forthcoming elections for candidates who backed the parkland and urban conservation programs. In 1908 Hénard headed one of two committees of the Musee Social . His committee was responsible for identifying urban and rural hygiene problems and proposing solutions, while

2829-495: The other committee was to draft legislation and find legal methods for implementing his group's proposals. In November 1911 Henri Prost was assigned to assist Hénard, since he was in poor health. Hénard proposed new housing units with a staggered arrangement so as to maximize the light received by each apartment and to create more recreational space. He received strong support from the Musée Social and from other urban planners, but

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2898-496: The patent for the plan. An Eiffel architect, Stephen Sauvestre, designed the curving form and decoration which gave the tower its distinctive appearance. Eiffel was granted exclusive rights for twenty years to operate the tower and its restaurants and viewing platforms. A site next to the River was chosen, despite the infiltration of river water, since that land was owned by the City of Paris, and

2967-468: The present avenue de Suffren, and covered 77,000 square meters, with 34,700 square meters of glass windows. At 111 meters, the Gallery covered the longest interior space in the world at the time, It cost 7,430,000 Francs, or seven times the cost of the Eiffel Tower. It was later used again at the 1900 Universal Exposition and then destroyed in 1910. The Gallery of Machines used a system of hinged arches (like

3036-481: The remaining major historical monuments of Istanbul, including Roman-Byzantine, as well as Ottoman landmarks, and making them accessible to public. After his plea, Atatürk approved the transformation of Hagia Sophia , which served as the Grand Mosque of Istanbul, into a museum. However, after all was said and done, it turned out that Prost's master-plan imposed a heavy interventionist burden on historical structure of

3105-457: The second place, for its Colonial Exhibition, which for the first time brings vividly to the appreciation of the Frenchmen that they are masters of lands beyond the sea; thirdly, it will be remembered for its great collection of war material, the most absorbing subject now-a-days, unfortunately, to governments if not to individuals; and fourthly, it will be remembered, and with good cause by many, for

3174-516: The theme of the exposition, celebrating the overthrow of the French monarchy, nearly all European countries with monarchies officially boycotted the exposition. The boycotting nations were Germany , Austria-Hungary , Belgium , Spain , the United Kingdom , Italy , the Netherlands , Portugal , Russia and Sweden . Nonetheless, many citizens and companies from those countries participated, and

3243-411: The time the exposition finished, after 173 days, 1,968,287 persons had ascended the tower. When the exposition ended, the tower was used for a time as a weather station. In 1904, Eiffel proposed to the French military that a radio transmitter, designed by the pioneer radio engineer Edouard Branly , be placed on the third level. In 1909, when Eiffel's concession formally ended, it was decided to preserve

3312-481: The tower could be kept in place after the exposition was completed. The construction lasted two years, two months and five days, and involved five hundred workers, who assembled eighteen thousand iron pieces, each of five meters and carefully numbered, which had been made at a factory in Levallois-Perret , a Paris suburb. Speaking of the tower construction workers, the son-in-law of Eiffel, declared, "no soldier on

3381-879: The viewing platform of the Eiffel Tower, where he was met by a group of Sioux Indians who were at the exposition to perform in Buffalo Bill's Wild West Show. He returned to the Eiffel Tower later in his visit (Sept 10), where he was hosted for a lunch in Eiffel's private apartment on the Tower, along with the composer Charles Gounod . Other prominent visitors included the Shah of Persia Nasereddin Shah , Prince of Wales (the future Edward VII ) and his wife, Princess Alexandra ; artists Antoni Gaudi , James McNeill Whistler , Edvard Munch , Rosa Bonheur and Paul Gauguin ; U.S. journalist and diplomat Whitelaw Reid ; author Henry James ; Filipino patriots José Rizal and Marcelo H. del Pilar ; and inventor Nikola Tesla . A central attraction in

3450-411: The work being completed by 1893. Known as the Schœlcher Library, initially it contained the 10,000 books that Victor Schœlcher had donated to the island. Today, it houses over 250,000 books and an ethnographic museum, and stands as a tribute to the man it is named after who led the movement to abolish slavery in Martinique . Henri Prost Henri Prost (February 25, 1874 – July 16, 1959 )

3519-495: The world watching, cut the cable with an axe. The elevator's fall was halted ten feet above the ground by the Otis safety brakes. There were pavilions especially devoted to the telephone and to electricity, and others devoted to maritime navigation, and another, the Palais de Guerre or Palace of War, to developments in military technology, such as naval artillery. Prefabricated metal housing

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3588-479: The world with its torch." The fountain was designed by Jean-Camille Formigé , who designed the nearby Palaces of Fine Arts and Liberal Arts. The other major fountain, not far away, was "The Five Parts of the World", illustrating the continents. It was designed by Francis de Saint-Vidal. The Rue de Caire ("Street of Cairo") was a popular attraction designed to recreate the architecture and street life of Cairo . It provided

3657-511: The world, including a Javanese village and recreated houses of villages from Senegal, Benin, and other colonies, with costumed residents. The Pavilions of the participating nations were located along the edge of the Champ de Mars. The Latin American nations had particularly colorful and lavish structures. The Pavilion of Argentina was one of the largest and most decorative pavilions in the exposition. It

3726-533: The world. The colonial pavilions conveyed the multiculturalism of France's colonies, the largest of them being the Palais Central des Colonies, designed by Stephen Sauvestre , who notably contributed to the design of the Eiffel Tower. In addition to the architectural displays of France's colonies, the exposition showcased a construction of villages inhabited by natives of the colonies, to be observed by viewers. The colonized people had their daily lives displayed for

3795-523: Was a world's fair held in Paris , France , from 6 May to 31 October 1889. It was the fifth of ten major expositions held in the city between 1855 and 1937. It attracted more than thirty-two million visitors. The most famous structure created for the exposition, and still remaining, is the Eiffel Tower . The exposition was held to celebrate the 100th anniversary of the Storming of the Bastille , which marked

3864-568: Was a French architect and urban planner born in Saint-Denis . He was noted in particularly for his work in Morocco and Turkey , where he created a number of comprehensive city plans for Casablanca , Fes , Marrakesh , Meknes , Rabat , and Istanbul , including transportation infrastructure and avenues with buildings, plazas, squares, promenades and parks. Born in Saint-Denis , a northern suburb of Paris , Henri Prost studied architecture at

3933-401: Was another technology that appeared at the exposition. Gustave Eiffel developed a series of houses with roof and walls of galvanised steel, and wooden interiors, which could be rapidly put together or taken apart, largely for use in French colony of Indochina. Some of them served as ticket booths at the 1889 exposition; one of these old booths, now used as a shelter for hikers, can now be found in

4002-492: Was appointed the first administrative director of the Musée social in 1894, with the mandate of overseeing its "sound and rapid organization." He resigned from this position in 1897 due to a disagreement with Aldebert de Chambrun and the Musée board. He felt that the institution had not maintained its goals of being purely scientific and outside politics. Perhaps more to the point, he also resented his lack of autonomy. The Musée social

4071-519: Was called the Centre d’études, de documentation, d’information et d’action sociales - Musée social (CEDIAS: Centre for Studies, Documentation, Information and Social Action - Social museum). Citations Sources Exposition Universelle (1889) The Exposition Universelle of 1889 ( French pronunciation: [ɛkspozisjɔ̃ ynivɛʁsɛl] ), better known in English as the 1889 Paris Exposition ,

4140-409: Was designed by the French architect Albert Ballu , who won the 1887 design competition. It covered 1,600 square meters, and was fifty meters high, topped by five iron and glass cupolas and surrounded by a frieze of mosaics, ceramics and coloured glass ornaments. After the exposition closed, it was taken apart and shipped to Buenos Aires , where it stood until it was dismantled in 1952. In addition to

4209-585: Was developed under his tutelage was approved in 1939. Starting from 1924, Prost was consulting the government of Turkey on an irregular basis. In 1936, Prost was invited to Turkey by Mustafa Kemal Atatürk to develop a grand plan of Istanbul's redevelopment, and he stayed there for fifteen years. He became the head of the city's Planning Office and authored the master-plan of its architectural future. Modernization and conservation were laid at its core. Later in 1947, Prost explained his approach in such words: The modernization of Istanbul can be compared to

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4278-409: Was headed by Léon de Seilhac and studied contemporary labor movements. Another covered the major strikes during the third republic. Other sections covered topics such as urban and rural sanitation, agriculture, social insurance and employer institutions. All the material was held in the library, and made available to the public. The feminist Eliska Vincent collected a huge library on feminism and on

4347-588: Was on Champs de Mars on the Left Bank, which had been the parade ground of the Ecole Militaire , and had been occupied by the 1878 Universal Exposition . This was the site of the major part of the exposition, including the Eiffel Tower , Palace of Machines, and the Palaces of Fine Arts and Liberal Arts. The exposition extended across the Seine to the right bank, to the Trocadero Palace , which had been built on

4416-625: Was opposed by real estate investors who feared the impact of his planned 75,000 apartment units. After World War I (1914-1918) most of the fortifications area that was to be used for his projects was instead sold in independent parcels to various developers. After World War II the institute became less influential, reverting to a research and documentation role. In 1963 it merged with the Office central des œuvres de bienfaisance (OCOB: Central Office for Charities) which evaluated and coordinated charities to ensure effective use of funds. The new organization

4485-414: Was promoted at the exposition was the safety elevator, developed by a new American company, Otis Elevator . Otis built the elevators carrying passengers up the legs of the Eiffel Tower to the first level. When journalists expressed concern about the safety of the elevators, Otis technicians filled one elevator with three thousand kilograms of lead, simulating passengers, and then, with journalists from around

4554-523: Was the "History of Habitation", designed by Charles Garnier , the architect of the Paris opera house named for him. He was then 61 and had designed very few other major projects since the Opera. Although he had also signed a petition, along with other prominent writers and artists, that denounced the Eiffel Tower as an atrocity, he agreed to design a series of houses to illustrate the history of human habitation. The houses, separated by gardens, were placed close to

4623-605: Was the co-founder in 1911 of the Société française des urbanistes (SFU) with architects Donat Alfred Agache, Mr. Auburtin, A. Bérard, Eugène Hénard ( Architect of the City of Paris ), Léon Jaussely , A. Parenty, engineer Jean Claude Nicolas Forestier and the landscape architect Edouard Redont. He became a member of the Central Society of Architects in 1930. He was elected member of the Academy of Fine Arts in 1933. He served as Director of

4692-488: Was the cost of paying off outstanding tax debts. Vincent's collection has disappeared and was probably destroyed. The staff of the Musée social had diverse views, but were generally in favor of reform, and were influential in inspiring many parliamentary bills. At one time the institute was called "the antechamber of the House." The most conspicuous role of the institute was in bills related to urban planning, including maintaining

4761-400: Was well-funded, and followed an innovative model. It had several sections of study and research with the goal of documenting new topics for debate, possible changes to legislation, and development of new ideas. The institute paid researchers, whose reports were presented at conferences and published in the institute's journals or in collections of work that it published. One section, for example,

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