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24-783: The Martenahuis was built in 1502, by order of the Frisian chieftain Hessel van Martena (±1460–1517), a frontman of the Schieringers , who originally came from Koarnjum , in the municipality of Leeuwarden . Martena had a stins in Bitgum which during the civil war between the Schieringers and the Vetkopers was looted twice by the Vetkopers and the second time it burned to the ground, the defensive wall around it

48-403: A transom , forming a cross . The Late Gothic cross-window is known since the 14th century and replaced the hitherto common Romanesque or Gothic arched window on buildings. Since then the latter have almost exclusively been reserved for church buildings . The two, upper lights were usually somewhat smaller than the two lower ones and could be opened separately. The latter is also true for

72-500: A transom window , which has a horizontal bar or transom separating the lights. Characteristically the rectangular window is divided into four individual lights by a mullion and transom in the form of a Latin cross . The window cross was original made of stone ('stone cross-window'); not until the Renaissance and Baroque periods did the timber cross-window emerge (e. g. on the abbey castle of Escorial and on other buildings in

96-405: A 'reconstruction' from the twentieth century. The stins is built of old kloostermoppen , and consists alternately of red and yellow bricks. It is made up of two wings that are perpendicular to each other at an angle of 90°. The present front, which stands in an east-west direction on the south side of Voorstraat, forms one wing, and the other runs from the eastern end of that first wing straight to

120-405: A gate building with an upper house that used to stand on the east side next to the stone wall. This situation can still be seen on a map of Franeker from 1616. On the side of Voorstraat, there was originally one large hall along the entire length of the house. From the inside, the stins was made up of bents , stands with Gothic keystones and corbels . The cellars are vaulted on pillars. During

144-447: A northern and a southern part, which lay north and south of the city of Franeker; however, Franeker itself formed the independent municipality of Franeker at the time, and thus the town hall of Franekeradeel was actually outside the municipality itself. In the municipal reorganization of 1984, the old Franekeradeel, Franeker itself, and most of Barradeel merged into the new municipality of Franekeradeel . That new municipality first kept

168-463: A small park. This garden, which now starts immediately behind the stins, in the place where the square in front of the main entrance to the tower was originally located, was designed in 1694 by order of Suffridus Westerhuis in the style of the French landscape architect André Le Nôtre . So a pleasure park was created with parterres , mirror hedges, and an orangery . In 1834, by order of Albartus Telting,

192-517: Is the largest in the Netherlands. The museum furthermore frequently organises exhibitions of modern art by local Frisian artists. It is also known for its so-called Aaitour , a special tour through the museum for people with a visual impairment . The Martenatuin is the adjoining garden behind the Martenahuis, where a lot of so-called stins plants grow, and which, in terms of size, is almost like

216-539: The Franeker City Hall (the old town hall of the municipality of Franeker) as the town hall and later had a completely new building built west of the city center, on the Harlingerweg. The Martenahuis thus lost its function as a town hall in 1984, but continued to be used as an office building for the municipal organization for several years. When it finally came to be empty, it was decided that Museum 't Coopmanshûs ,

240-525: The article wizard to submit a draft for review, or request a new article . Search for " Hessel van Martena " in existing articles. Look for pages within Misplaced Pages that link to this title . Other reasons this message may be displayed: If a page was recently created here, it may not be visible yet because of a delay in updating the database; wait a few minutes or try the purge function . Titles on Misplaced Pages are case sensitive except for

264-1293: The Martenatuin was presumably redecorated by the Leeuwarden landscape architect Lucas Pieters Roodbaard . Today, the Martenatuin, just like the stins, is used by Museum Martena, which has turned it into a sculpture garden . Hessel van Martena Look for Hessel van Martena on one of Misplaced Pages's sister projects : [REDACTED] Wiktionary (dictionary) [REDACTED] Wikibooks (textbooks) [REDACTED] Wikiquote (quotations) [REDACTED] Wikisource (library) [REDACTED] Wikiversity (learning resources) [REDACTED] Commons (media) [REDACTED] Wikivoyage (travel guide) [REDACTED] Wikinews (news source) [REDACTED] Wikidata (linked database) [REDACTED] Wikispecies (species directory) Misplaced Pages does not have an article with this exact name. Please search for Hessel van Martena in Misplaced Pages to check for alternative titles or spellings. You need to log in or create an account and be autoconfirmed to create new articles. Alternatively, you can use

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288-441: The building to, among others, priest Campegius Vitringa and the famous scholar Anna Maria van Schurman . In 1694, through a public sale, the Martenahuis came into the possession of a Suffridus Westerhuis, who had the property thoroughly renovated around 1700. After the death of Titia Bogarda, the widow of Westerhuis, the stins came into the possession of another widow, Maria van Ranouw, who passed it on to her daughter Elisabeth, who

312-429: The cellars of the property. Albartus Telting died in 1863, after which the Martenahuis remained in the possession of his widow Anna Cornelia Henriëtte Huguenin for another thirty years. In 1895, the property was purchased by the former (old) municipality of Franekeradeel , which after a restoration in 1971–1972 designated it its town hall . That was a somewhat peculiar situation, with the former Franekeradeel consisting of

336-459: The city museum of Franeker, would be housed in it, which was looking for more spacious housing. The museum in the Martenahuis opened on 8 July 2006, and because it was previously called ' t Coopmanshûs but was no longer established there, a new name had to be given, which became Museum Martena . Although the Martenahuis dates from the end of the fifteenth century, today it has a strongly seventeenth-century appearance due to extensive renovations and

360-407: The city of Franeker, the collection of the former University of Franeker , and also has the largest collection of and about the scientist Anna Maria van Schurman . She was the first unofficial female university student in the Netherlands. In her early youth, she lived with her family in the Martenahuis. The museum houses one of the few preserved xylotheques in the Netherlands. With 158 volumes, it

384-413: The first character; please check alternative capitalizations and consider adding a redirect here to the correct title. If the page has been deleted, check the deletion log , and see Why was the page I created deleted? Retrieved from " https://en.wikipedia.org/wiki/Hessel_van_Martena " Cross window A cross-window is a window whose lights are defined by a mullion and

408-434: The hall. The room attic consisting of beams with boards over it was removed from the face by a coffered ceiling with painted surfaces. Later, painted canvases appeared on the walls. To the left of the corridor, a second room was created, two windows wide, where the attic remained as it was. However, this room was made narrower because a kitchen was then added. Also, the two windows of the left room were probably modified during

432-406: The outside of the building. In the right room, however, the hatches that belonged to the empire windows were kept. The new main entrance at the front of the building from 1700 was also maintained for practical reasons. However, the platform was now also provided with stairs on the east side. Museum Martena has been housed in the Martenahuis since 2006. The museum contains the historical collection of

456-414: The renovation of 1700 and fitted with shutters . Also in the nineteenth century, several renovations were made to the Martenahuis; so were, for instance, the windows stripped of the original stained glass and equipped with so-called empire windows . In the twentieth century, during the restoration of 1971–1972, the stone cross windows were returned to their original form, including blue-painted blinds on

480-408: The south. A small tower with a staircase and viewing area at the top has been added in the corner between the two wings. The windows of the Martenahuis originally consisted of natural stone cross windows with stained glass in them, while the original main entrance was in the tower, at what is now the rear of the building. This entrance and the square that lay in front of it could be reached through

504-470: The thorough renovation of 1700 by order of the then owner Suffridus Westerhuis, a new main entrance was made on the Voorstraat, at the front of the stins, with one-sided stairs (from the west) to a platform in front of the door. Behind the new door was a hall with a corridor in its extension. As a result, a room with three windows wide was created on the right of the corridor, which retained the original depth of

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528-401: Was dug up and leveled. Because Martena was defending the city of Franeker for Albert of Saxony , it was obvious to him to build a new estate there, also because Franeker was firmly in the hands of the Schieringers. After the death of Martena, in 1517, his widow Both van Hottinga lived in the Martenahuis until 1541, when she died as well. The estate was then inherited by Lucia van Martena, who

552-433: Was married again to dr. Isaäk Telting. He died in 1781, after which the Martenahuis was inherited by Tettsje Scheltema, the widow of Albartus Telting . In 1826, Tettsje's grandson Albartus Deketh inherited the estate, which he sold to his great-nephew Albartus Telting for ƒ‎ 5.000. In the deed of sale, it is stated that the tenant at the time was Walraven Willem Noodt, while Sjoerd Faber and Koenraad Ysbrandi also lived in

576-547: Was married to the German nobleman Frits van Grombach . In March 1584, when Amelia van Grombach owned the building, twenty houses were leased on the site of the stins for the expansion of Franeker. Through the same owner, who was married to a member of the Vervou family, the Martenahuis became the property of that family. In 1671, the estate was inherited by Abel Coenders van Vervou, who probably never lived there himself. Instead, he rented

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