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13-648: Museo Civico ( transl.  Civic Museum ) may refer to: Abruzzo [ edit ] Museo civico aufidenate Antonio De Nino , Alfedena Museo civico aufidenate , Castel di Sangro Museo civico di Cerchio Museo civico archeologico Antonio De Nino , Corfinio Basilio Cascella Civic Museum , Pescara Museo Civico di Teramo Campania [ edit ] Museo Civico di Castel Nuovo , Naples Museo Civico Filangieri , Naples Museo Civico Raffaele Marocco , Piedimonte Matese Emilia-Romagna [ edit ] Civico Museo Bibliografico Musicale (now

26-561: A family (ennobled in 1460) native of Carmagnola and both general vicars of the marquisate of Saluzzo . Traces of a building dating back to the Middle Ages can be found in the basements and in the ogival windows of the façade overlooking Via San Giovanni. Since 1505 it became ownership of Francesco, vicar first during the rule of Ludovico II of Saluzzo (died 1504) and then during the Marguerite of Foix ’s regency. Francesco Cavassa refurbished

39-617: A museum in Italy is a stub . You can help Misplaced Pages by expanding it . Museo Civico Casa Cavassa Casa Cavassa is a Renaissance -style palazzo in Saluzzo , region of Piedmont , Italy, and the site of the city's museum, the Museo Civico Casa Cavassa . It is situated in the San Martino village. Casa Cavassa was the residence of Galeazzo Cavassa and his son Francesco, members of

52-469: Is different from Wikidata All article disambiguation pages All disambiguation pages Museo civico aufidenate Antonio De Nino The museum was founded in 1897 to collect artefacts found during excavations of the Samnite necropolis of Alfedena-Campo Consolino. Excavation campaigns at the end of the 19th century, first held by Antonio De Nino and then by Lucio Mariani, found tombs dating from

65-1666: The Museo internazionale e biblioteca della musica ), Bologna Museo Civico Archeologico di Bologna Giardino Botanico del Museo Civico di Scienze Naturali di Faenza Musei Civici di Arte Antica e Museo Riminaldi , Ferrara Civic museums of Forlì Civic Museum of Mirandola Friuli-Venezia Giulia [ edit ] Civico Museo di Storia Naturale di Trieste Museo Civico Revoltella , Trieste Lazio [ edit ] Museo Civico di Rieti Museo Civico di Zoologia , Rome Liguria [ edit ] Museo Civico di Storia Naturale di Genova Museo civico Amedeo Lia , La Spezia Lombardy [ edit ] Museo Civico Archeologico di Arsago Seprio Museo Civico Scienze Naturali Enrico Caffi , Bergamo Civic Museum of Fossils of Besano Civic Museum of Crema Museo Civico Ala Ponzone, Cremona Museo Civico di Storia Naturale di Milano Museo Civico, Pavia Marche [ edit ] Musei Civici di Palazzo Pianetti , Jesi Civic Museum and Pinacoteca, Mondavio Civic Museum of Palazzo Mosca , Pesaro Museo civico Villa Colloredo Mels , Recanati Piedmont [ edit ] Federico Eusebio Civic Museum of Archaeology and Natural Sciences, Alba Museo Civico Casa Cavassa , Saluzzo Museo Civico d'Arte Antica , Turin Sicily [ edit ] Museo civico al Castello Ursino , Catania Museo Civico Belliniano , Catania Tuscany [ edit ] Museo Civico di Montepulciano Museo Civico d'Arte Antica, housed in

78-706: The Palazzo degli Anziani, Pistoia Museo Civico di Sansepolcro Museo Civico, Siena Trentino-Alto Adige [ edit ] Palais Mamming , the Museo Civico di Merano Veneto [ edit ] Museo Civico di Bassano Musei Civici di Padova Fondazione Musei Civici di Venezia Castelvecchio Museum Museo Civico, housed in the Palazzo Chiericati , Vicenza See also [ edit ] Guelph Civic Museum , Guelph, Ontario, Canada City Museum (disambiguation) Topics referred to by

91-440: The 6th to 4th century BC. Finds of particular interest are a bronze belt, a Samnite three-disc cuirass and two kardiophylakes. The exhibition features funerary artifacts unearthed during the excavations. Of particular interest are a three-disk breastplate, a pair of kardiophylax, and a bronze belt. 41°44′07″N 14°01′52″E  /  41.7352°N 14.0310°E  / 41.7352; 14.0310 This article about

104-427: The building in a Renaissance style based on the new trends of the contemporary Padan area. After the restoration and enlargement, the layout took the semblance of an L, with the bodies joined by spiral stairs. The edifice took advantage of the sloping ground in order to extend over six floors, three underground included kitchens, cellars and servants’ rooms, while the reception halls and the private apartments were on

117-466: The decor, the Marquis commissioned creation of pieces of furniture which could reproduce Renaissance and late Gothic works of art. At Tapparelli d'Azeglio's death in 1890, the municipality inherited the edifice and opened it to the public the following year. The present arrangement, as far as possible, replicates one projected by Marquis Tapparelli, which was recreated on the basis of the inventory drawn up by

130-421: The same term [REDACTED] This disambiguation page lists articles associated with the title Museo Civico . If an internal link led you here, you may wish to change the link to point directly to the intended article. Retrieved from " https://en.wikipedia.org/w/index.php?title=Museo_Civico&oldid=1174458712 " Category : Disambiguation pages Hidden categories: Short description

143-482: The upper floors. A rapid dilapidation started when Francesco, hostile to the new Marquis Giovanni Ludovico , was confined for political reasons and died a violent death. The edifice remained to the Cavassa heirs until the 18th century; later the house was divided into private apartments and the deterioration of the structures increased. In 1883 the edifice was purchased by Marquis Emanuele Tapparelli d’Azeglio (nephew of

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156-599: The writer Massimo ), a cosmopolitan diplomat, a lover of art and antiques. The Marquis entrusted Vittorio Avondo (painter, collector and future director of the Museums of Turin) and the engineer Melchiorre Pulciano with the restoration. They tried to recover the Renaissance appearance of the edifice, supported by numerous workshops located in Saluzzo and following the principle known as "completion according to style": eliminated of what

169-456: Was considered irrelevant and addition of what thought to be necessary in a 16th-century maison. For the fitting out of the chambers, which had been deprived of their original furnishings during the pillages following Francesco Cavassa's death, many objects of art were acquired, some documenting the Cavassa family, others dating back to the 15th or 16th century and coming from the antique market or bestowed by collectors. Then, in order to complete

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