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39-437: The Moose Cree First Nation (formerly known as Moose Factory Band of Indians) ( Cree : ᒨᓱᓂᔨ ᐃᓕᓕᐗᒃ, môsoniyi ililiwak ) is a Cree First Nation band government in northern Ontario , Canada. Their traditional territory is on the west side of James Bay . The nation has two reserves : Factory Island 1 (the northern two-thirds of Moose Factory Island ); and Moose Factory 68 , a tract of land about 15 km upstream on

78-428: A consonant , can be written four ways, each direction representing its corresponding vowel . Some dialects of Cree have up to seven vowels, so additional diacritics are placed after the syllabic to represent the corresponding vowels. Finals represent stand-alone consonants. The Cree language also has two semivowels . The semivowels may follow other consonants or be on their own in a word. The following tables show

117-461: A complex polysynthetic morphosyntax. A common grammatical feature in Cree dialects, in terms of sentence structure, is non-regulated word order. Word order is not governed by a specific set of rules or structure; instead, "subjects and objects are expressed by means of inflection on the verb". Subject, Verb, and Object (SVO) in a sentence can vary in order, for example, SVO, VOS, OVS, and SOV. Obviation

156-802: A full-stop glyph ( ⟨᙮⟩ ) or a double em-width space has been used between words to signal the transition from one sentence to the next. For Plains Cree and Swampy Cree , Standard Roman Orthography (SRO) uses fourteen letters of the ISO basic Latin alphabet to denote the dialect's ten consonants ( ⟨p⟩ , ⟨t⟩ , ⟨c⟩ , ⟨k⟩ , ⟨s⟩ , ⟨m⟩ , ⟨n⟩ , ⟨w⟩ , ⟨y⟩ and ⟨h⟩ ) and seven vowels ( ⟨a⟩ , ⟨i⟩ , ⟨o⟩ , ⟨ā⟩ , ⟨ī⟩ , ⟨ō⟩ and ⟨ē⟩ ). Upper case letters are not used. For more details on

195-658: A range of exhibitions, film and video screenings, school group programs and living culture presentations throughout the year. The permanent collection of the Heye Center is called Infinity of Nations, and is designed to show the scope of the Smithsonian's collection. Organized by geographic regions (including Central and South America), the exhibit displays over 700 items and crosses the line from ethnology to art. Multimedia interactions include audio and video, and feature commentary by historians on specific objects. The rotunda on

234-593: A work. The vowel ē /eː/ , used in southern Plains Cree, is always long and the grapheme ⟨e⟩ is never used. In northern Plains Cree the sound has merged with ī , and thus ⟨ē⟩ is not used at all. The use of unmarked ⟨o⟩ and marked ⟨ō⟩ for the phonemes /u/ and /oː/ emphasizes the relationship that can exist between these two vowels. There are situations where o can be lengthened to ō , as for example in ᓂᑲᒧ! nikamo! 'sing (now)!' and ᓂᑲᒨᐦᑲᐣ! nikamōhkan! 'sing (later)!'. In alphabetic writing,

273-458: Is also a key aspect of the Cree language(s). In a sense, the obviative can be defined as any third-person ranked lower on a hierarchy of discourse salience than some other (proximate) discourse-participant. "Obviative animate nouns, [in the Plains Cree dialect for instance], are marked by [a suffix] ending –a , and are used to refer to third persons who are more peripheral in the discourse than

312-550: Is believed to have begun as a dialect of the Proto-Algonquian language spoken between 2,500 and 3,000 years ago in the original Algonquian homeland , an undetermined area thought to be near the Great Lakes. The speakers of the proto-Cree language are thought to have moved north, and diverged rather quickly into two different groups on each side of James Bay . The eastern group then began to diverge into separate dialects, whereas

351-564: Is located approximately 10 miles south of Moose Factory at the mouth of the French River . The population of Moose Cree First Nation was 4,440 in September 2014. Prominent Canadian artist Duane Linklater is Omaskeko Cree, of Moose Cree First Nations. He is represented by Catriona Jeffries Gallery , Vancouver, British Columbia , and his work has been shown locally, nationally, and internationally. Cree language Endonyms are: Cree

390-499: Is not phonologically transparent, which means gender must be learned along with the noun. As is common in polysynthetic languages, a Cree word can be very long, and express something that takes a series of words in English. For example: kiskinohamātowikamikw know. CAUS . APPL . RECP .place kiskinohamātowikamikw know.CAUS.APPL.RECP.place 'school' ( lit. 'knowing-it-together-by-example place') This means that changing

429-530: Is used in Eastern dialects where s and š are distinct phonemes. In other dialects, s is used even when pronounced like [ʃ] . ⟨l⟩ and ⟨r⟩ are used natively in Moose and Attikamek Cree, but in other dialects only for loanwords. The stops, p , t , k , and the affricate, c , can be pronounced either voiced or unvoiced, but the symbols used for writing these sounds all correspond to

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468-1046: Is used. John John cî Q kî-mîciso-w PST -eat- 3SG Museum of the American Indian The National Museum of the American Indian–New York , the George Gustav Heye Center , is a branch of the National Museum of the American Indian at the Alexander Hamilton U.S. Custom House in Manhattan , New York City . The museum is part of the Smithsonian Institution . The center features contemporary and historical exhibits of art and artifacts by and about Native Americans . The center has its origin in

507-493: The Moose River covering 168.82 square kilometres (65.18 sq mi). The name "Moose Factory" comes from its location on the Moose River , as well as from the fur trade era. The officer in charge of the trading post was referred to as the "factor". Another account is that the name originates from the name of the river and a furniture factory that was once located within the community. The Cree are an indigenous people of

546-563: The Museum of the American Indian founded by George Heye in 1916. It became part of the national museum and Smithsonian in 1987. The center is named for George Gustav Heye , who began collecting Native American artifacts in 1903. He founded and endowed the Museum of the American Indian in 1916, and it opened in 1922, in a building at 155th Street and Broadway, part of the Audubon Terrace complex, in

585-572: The Sugar Hill neighborhood, just south of Washington Heights . Frederick J. Dockstader was director of the Museum from 1960 to 1976. By early 1987, U.S. senator Daniel Patrick Moynihan was proposing legislation that would turn over the Alexander Hamilton U.S. Custom House , on Bowling Green in Lower Manhattan , to the Museum of the American Indian. For the past ten years, the museum had wished to relocate because its Upper Manhattan facility

624-513: The fur trade posits that the Western Woods Cree and the Plains Cree (and therefore their dialects) did not diverge from other Cree peoples before 1670, when the Cree expanded out of their homeland near James Bay because of access to European firearms. By contrast, James Smith of the Museum of the American Indian stated, in 1987, that the weight of archeological and linguistic evidence puts

663-469: The proximate third person". For example: Sam Sam wâpam- ew see- 3SG Susan- a Susan- 3OBV Sam wâpam- ew Susan- a Sam see-3SG Susan-3OBV "Sam sees Susan." The suffix -a marks Susan as the obviative, or 'fourth' person, the person furthest away from the discourse. The Cree language has grammatical gender in a system that classifies nouns as animate or inanimate. The distribution of nouns between animate or inanimate

702-480: The syllabaries of Eastern and Western Cree dialects, respectively: Speakers of various Cree dialects have begun creating dictionaries to serve their communities. Some projects, such as the Cree Language Resource Project, are developing an online bilingual Cree dictionary for the Cree language. Cree syllabics has not commonly or traditionally used the period ( ⟨.⟩ ). Instead, either

741-488: The y dialect, refer to their language as nēhi y awēwin , whereas Woods Cree speakers say nīhi th awīwin , and Swampy Cree speakers say nēhi n awēwin . Another important phonological variation among the Cree dialects involves the palatalisation of Proto-Algonquian *k : East of the Ontario–Quebec border (except for Atikamekw), Proto-Algonquian *k has changed into /tʃ/ or /ts/ before front vowels. See

780-464: The British Crown, treaty commissioners negotiated a treaty with Moose Cree First Nation. Treaty No.  9 was signed on 9 August 1905. The treaty defined two tracts of land to beset aside for use and "benefit" of Moose Cree First Nation. The first tract, Moose Factory Indian Reserve No. 1 occupies approximately two-thirds of Moose Factory Island. The second tract, Moose Factory Indian reserve No. 68

819-569: The Cree as far west as the Peace River Region of Alberta before European contact. The Cree dialect continuum can be divided by many criteria. Dialects spoken in northern Ontario and the southern James Bay, Lanaudière, and Mauricie regions of Quebec differentiate /ʃ/ (sh as in sh e ) and /s/ , while those to the west have merged the two phonemes as /s/ and in the east the phonemes are merged as either /ʃ/ or /h/ . In several dialects, including northern Plains Cree and Woods Cree,

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858-757: The Plains Cree [j] that is [ð] in Rocky Cree as ⟨ý⟩ . Similarly, in dictionaries focused on Western Swampy Cree, Woods Cree may readily substitute ⟨ē⟩ with ⟨ī⟩ , while materials accommodating Woods Cree will indicate the Western Swampy Cree [n] that is [ð] in Woods Cree as ⟨ń⟩ . Atikamekw uses ⟨c⟩ [ ʃ ], ⟨tc⟩ [ t͡ʃ ], and ⟨i⟩ [ j ] (which also serves as ⟨i⟩ [ i ]). Eastern James Bay Cree prefers to indicate long vowels (other than [eː] ) by doubling

897-457: The Subarctic , who historically hunted and gathered in seasonal migrations. In summer, they traveled on waterways by canoe: fishing and harvesting berries and other food staples. In fall, they hunted waterfowl along the shores of James Bay . Prior to winter, Cree families traveled to their winter settlements, where they hunted and trapped big game and small, fur-bearing animals. Prior to spring thaw,

936-504: The dialects which use syllabics as their orthography (including Atikamekw but excluding Kawawachikamach Naskapi), the term Montagnais then applies to those dialects using the Latin script (excluding Atikamekw and including Kawawachikamach Naskapi). The term Naskapi typically refers to Kawawachikamach (y-dialect) and Natuashish (n-dialect). The Cree dialects can be broadly classified into nine groups. Roughly from west to east: This table shows

975-592: The families hunted waterfowl as they migrated north. This was an historical, annual cycle for the Swampy Cree . Early exposure to European society heavily influenced Cree lifestyles. The Hudson's Bay Company establishing a trading post for fur in 1673 in the Moose Factory region. As a result, Cree congregated in and around the fur trade post and became exposed to European customs. Moose Factory became Ontario 's first English-speaking settlement. In 1905, on behalf of

1014-407: The language phonetically. Cree is always written from left to right horizontally. The easternmost dialects are written using the Latin script exclusively. The dialects of Plains Cree, Woods Cree, and western Swampy Cree use Western Cree syllabics and the dialects of eastern Swampy Cree, East Cree, Moose Cree, and Naskapi use Eastern Cree syllabics . In Cree syllabics, each symbol, which represents

1053-453: The long vowels /eː/ and /iː/ have merged into a single vowel, /iː/ . In the Quebec communities of Chisasibi , Whapmagoostui , and Kawawachikamach , the long vowel /eː/ has merged with /aː/ . However, the most transparent phonological variation between different Cree dialects are the reflexes of Proto-Algonquian *l in the modern dialects, as shown below: The Plains Cree, speakers of

1092-704: The museum's collection with that of the Smithsonian Institution in Washington, D.C. A compromise was reached in 1988, in which the Smithsonian would build its own museum in Washington, D.C. The Smithsonian would also acquire the Heye collection, which it would continue to operate in New York City at the Custom House. The act was passed in 1989. The George Gustav Heye Center opened in the Custom House in 1994. The Beaux Arts-style building, designed by architect Cass Gilbert ,

1131-490: The phonetic values of these letters or variant orthographies, see the § Phonology section above. The /ð/ sound of Woods Cree is written ⟨th⟩ , or ⟨ð⟩ in more recent material. Plains and Swampy material written to be cross-dialectical often modify ⟨y⟩ to ⟨ý⟩ and ⟨n⟩ to ⟨ñ⟩ when those are pronounced /ð/ in Swampy. ⟨š⟩

1170-511: The possible consonant phonemes in the Cree language or one of its varieties. In dictionaries focused on Eastern Swampy Cree, Western Swampy Cree may readily substitute ⟨sh⟩ with ⟨s⟩ , while Lowland Moose Cree may readily substitute ⟨ñ⟩ with their ⟨l⟩ . In dictionaries focused on Southern Plains Cree, Northern Plains Cree may readily substitute ⟨ē⟩ with ⟨ī⟩ , while materials accommodating Rocky Cree will indicate

1209-620: The second floor is frequently used as a performance space, and features murals reflecting the history of the building, done by Reginald Marsh . Other galleries include the Photography Gallery, Special Exhibit Galleries, Contemporary Galleries, the Haudenosaunee Discovery Room, the Resource Center Reference Library, a small theater (which screens daily films), and the museum store. The ground floor of

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1248-493: The table above for examples in the * kīla column. Very often the Cree dialect continuum is divided into two languages: Cree and Montagnais. Cree includes all dialects which have not undergone the *k > /tʃ/ sound change (BC–QC) while Montagnais encompasses the territory where this sound change has occurred (QC–NL). These labels are very useful from a linguistic perspective but are confusing as East Cree then qualifies as Montagnais. For practical purposes, Cree usually covers

1287-444: The unvoiced pronunciation, e.g. ⟨p⟩ not ⟨b⟩ , ⟨t⟩ not ⟨d⟩ , etc. The phoneme /t͡s/ is represented by ⟨c⟩ , as it is in various other languages . Long vowels are denoted with either a macron , as in ⟨ā⟩ , or a circumflex , as in ⟨â⟩ . Use of either the macron or circumflex is acceptable, but usage should be consistent within

1326-418: The use of punctuation has been inconsistent. For instance, in the Plains Cree dialect, the interrogative enclitic cî can be included in the sentence to mark a yes–no question such that this is sometimes considered to be sufficient without including a question mark (?). However, in many modern publications and text collections ( cf. The Counselling Speeches of Jim Kâ-Nîpitêhtêw (1998) ) full punctuation

1365-466: The vowel, while the western Cree use either a macron or circumflex diacritic; as [eː] is always long, often it is written as just ⟨e⟩ without doubling or using a diacritic. While Western Cree dialects make use of ⟨o⟩ and either ⟨ō⟩ or ⟨ô⟩ , Eastern Cree dialects instead make use of ⟨u⟩ and either ⟨uu⟩ , ⟨ū⟩ , or ⟨û⟩ . Cree features

1404-501: The western grouping probably broke into distinct dialects much later. After this point it is very difficult to make definite statements about how different groups emerged and moved around, because there are no written works in the languages to compare, and descriptions by Europeans are not systematic; as well, Algonquian people have a tradition of bilingualism and even of outright adopting a new language from neighbours. A traditional view among 20th-century anthropologists and historians of

1443-467: The word order in Cree can place emphasis on different pieces of the sentence. Wolfart and Carroll give the following example by transposing the two Cree words: Cree dialects, except for those spoken in eastern Quebec and Labrador , are traditionally written using Cree syllabics , a variant of Canadian Aboriginal syllabics , but can be written with the Latin script as well. Both writing systems represent

1482-466: Was completed in 1907 and is both a National Historic Landmark and a New York City designated landmark . In 2006, a renovation project reworked space on the ground floor into the Diker Pavilion, adding approximately 6,000 square feet of space available for public display and events. The center's exhibition and public access areas total about 20,000 square feet (1,900 m ). The Heye Center offers

1521-469: Was insufficient, and the Custom House was being offered as an alternative for the museum's possible relocation to Washington, D.C. Mayor Ed Koch and U.S. senator Al D'Amato were initially opposed to Moynihan's plan, but dropped their opposition by August 1987. U.S. senator Daniel Inouye introduced the National Museum of the American Indian Act the next month, which would have instead merged

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