99-463: Minor Threat was an American hardcore punk band, formed in 1980 in Washington, D.C. , by vocalist Ian MacKaye and drummer Jeff Nelson . MacKaye and Nelson had played in several other bands together, and recruited bassist Brian Baker and guitarist Lyle Preslar to form Minor Threat. They added a fifth member, Steve Hansgen , in 1982, playing bass, while Baker switched to second guitar. The band
198-541: A basement , opening for Bad Brains , The Untouchables, Black Market Baby and S.O.A. , all D.C. bands. The band's first 7-inch EPs, Minor Threat and In My Eyes , were released in 1981. The group became popular regionally and toured the east coast and Midwest. " Straight Edge ," a song from the band's first EP, helped to inspire the straight edge movement . The lyrics of the song relay MacKaye's first-person perspective of his personal choice of abstinence from alcohol and other drugs , contrary to most rock musicians at
297-602: A band which, apart from Bad Brains , has arguably had the biggest influence on the hardcore punk genre, and whose contributions to the music, ethics, aesthetic, and ethos are still widely acknowledged by hardcore bands of the 2020s. The band used faster rhythms and more aggressive, less melodic riffs than was common at the time. Minor Threat popularized the straight edge movement with its song " Straight Edge ", which spoke out against alcohol, drugs and promiscuity. MacKaye and Nelson ran their own record label, Dischord Records , which released records by D.C. hardcore bands, including
396-573: A former Minor Threat roadie and drummer for the Untouchables . In 1992, he worked as a producer on the first Tool EP Opiate . In 2005, a mock-up of the cover of Minor Threat's first EP (also used on the Minor Threat LP and Complete Discography CD) was copied by athletic footwear manufacturer Nike for use on a promotional poster for a skateboarding tour called "Major Threat". Nike also altered Minor Threat's logo (designed by Jeff Nelson) for
495-586: A four-piece group with the departure of Hansgen, played its final show on September 23, 1983, at the Lansburgh Cultural Center in Washington, D.C., sharing the bill with go-go band Trouble Funk , and Austin, Texas punk funk act the Big Boys . In a meaningful way, Minor Threat ended their final set with "Last Song", a tune whose name was also the original title of the band's song "Salad Days". Following
594-518: A giant red mohawk and the band continued to wear swastikas , an approach influenced by the wearing of this symbol by 1970s punks such as Sid Vicious . Because of this, the Exploited were labeled by others in the scene as "cartoon punks". Other influential UK hardcore bands from this period included GBH , Anti-Establishment , Antisect , Broken Bones , Chaos UK , Conflict , Dogsflesh , English Dogs , and grindcore innovators Napalm Death . There
693-534: A hardcore scene known as "nardcore" developed with bands like Agression , Ill Repute , Dr. Know , and Rich Kids on LSD . Whilst popular traditional punk bands such as the Clash , Ramones, and Sex Pistols were signed to major record labels, the hardcore punk bands were generally not. Black Flag, however, was briefly signed to MCA subsidiary Unicorn Records but were dropped because an executive considered their music to be "anti-parent". Instead of trying to be courted by
792-673: A hardcore style (shaved head and boots) as being based on needing more functional clothing. Skateboard culture, streetwear, and workwear are also major influences on clothing worn by participants in both past and present eras of hardcore. Music writer Barney Hoskyns attributed hardcore being younger, faster and angrier than punk rock, to adolescents who were sick of their life in a "bland Republican " America. Hardcore punk lyrics often express antiestablishment , antimilitarist , antiauthoritarian , antiviolence , and pro- environmentalist sentiments, in addition to other typically left-wing , anarchist , or egalitarian political views. During
891-603: A lot of hot sauce, but I also thought the Minor Threat stuff was nice." In 2013, Minor Threat shirts began appearing in Urban Outfitters stores. Ian MacKaye confirmed that the shirts were officially licensed. Having spent what he described as "a complete waste of time" trying to track down bootlegged Minor Threat merchandise, MacKaye and Dischord made arrangements with a merchandise company in California to manage licensing of
990-417: A parody of conservative bands. Another act from Massachusetts, Vile, were known to insult women, minorities and gay people in their lyrics and would even go as far as putting their albums on the windshields of people's cars. On the other hand, Tim Yohannan and the influential punk rock fanzine Maximumrocknroll were criticized by some punks for acting as the "politically correct scene police", having what
1089-568: A radio show featuring hardcore called Capital Radio, hosted by Brad Morrison, beginning in February 1979 and continuing weekly until late 1983. In New York City , Tim Sommer hosted Noise The Show on WNYU . By 1984, the Ramones , one of the original New York punk bands, were experimenting with hardcore, with two songs, "Wart Hog" and "Endless Vacation" on their album Too Tough To Die . Minneapolis hardcore consisted of bands such as Hüsker Dü and
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#17331146293921188-579: A radio show in 1977, but branched out into a fanzine in 1982. While not as large as the scene in Los Angeles, the hardcore scene of the early 1980s included a number of noteworthy bands originating from the San Francisco Bay Area , including Bl'ast , Crucifix , the Faction , Fang , Flipper , and Whipping Boy . Additionally, during this time, seminal Texas -based bands Dirty Rotten Imbeciles ,
1287-511: A shift into hardcore. Similar to Black Flag and Youth Brigade, Dead Kennedys released their albums on their own label, which in DK's case was Alternative Tentacles . The scene was helped in particular by the San Francisco club Mabuhay Gardens , whose promoter, Dirk Dirksen , became known as "The Pope of Punk". Another important local institution was Tim Yohannan 's Maximumrocknroll , which started as
1386-426: A statement apologizing to Minor Threat, Dischord Records, and their fans for the "Major Threat" campaign and said that all promotional artwork (print and digital) that they could acquire was destroyed. On October 29, 2005, Fox played the first few seconds of Minor Threat's "Salad Days" during an NFL broadcast. Use of the song was not cleared by Dischord Records or any of the members of Minor Threat. Fox claimed that
1485-402: A strategy for building an empire Imperious Delirium , a 2008 album by Australian rock music group The Saints Superiority complex - a psychological condition Hubris - a personality trait Topics referred to by the same term [REDACTED] This disambiguation page lists articles associated with the title Imperious . If an internal link led you here, you may wish to change
1584-399: A studio-only project called Skewbald/Grand Union ; in a reflection of the slowly increasing disagreements between the two musicians, they were unable to decide on one name. The group recorded three untitled songs, which would be released posthumously as Dischord's 50th release . During Minor Threat's inactive period, Brian Baker also briefly played guitar for Government Issue and appeared on
1683-459: A style of dance in which participants push or slam into each other, and stage diving . Moshing works as a vehicle for expressing anger by "represent[ing] a way of playing at violence or roughness that allowed participants to mark their difference from the banal niceties of middle-class culture". Moshing is in another way a " parody of violence", that nevertheless leaves participants bruised and sometimes bleeding. The term mosh came into use in
1782-408: Is "usually associated with the further evolution of California's L.A. Punk Rock scene", which included young skateboarders. A September 1981 article by Tim Sommer shows the author applying the term to the "15 or so" punk bands gigging around the city at that time, which he considered a belated development relative to Los Angeles, San Francisco, and Washington, D.C. Blush said that the term "hardcore"
1881-550: Is a punk rock subgenre and subculture that originated in the late 1970s. It is generally faster, harder, and more aggressive than other forms of punk rock. Its roots can be traced to earlier punk scenes in San Francisco and Southern California which arose as a reaction against the still predominant hippie cultural climate of the time. It was also inspired by Washington, D.C. , and New York punk rock and early proto-punk . Hardcore punk generally disavows commercialism ,
1980-556: Is also a reference to the sense of being "fed up" with the existing punk and new wave music . Blush also states that the term refers to "an extreme: the absolute most Punk". Kelefa Sanneh states that the term "hardcore" referred to an attitude of "turning inwards" towards the scene and "ignoring broader society", all with the goal of achieving a sense of "shared purpose" and being part of a community. Sanneh cites Agnostic Front 's band member selection approach as an example of hardcore's emphasis on "scene citizenship"; prospective members of
2079-469: Is important in hardcore. Noisey magazine describes one hardcore band as "an all-encompassing, full-volume assault" in which "[e]very instrument sounds like it's competing for the most power and highest volume". Scott Wilson states that the hardcore of the Bad Brains emphasized two elements: "off-the-charts" loudness which reached a level of threatening, powerful "uncompromising noise" and rhythm, in place of
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#17331146293922178-434: Is supposed to be. It's its own form." According to AllMusic , the overall blueprint for hardcore was playing louder, harder and faster. Hardcore was a reaction to the "cosmopolitan art-school" style of new wave music . Hardcore "eschew[ed] nuance, technique, [and] the avant-garde ", and instead emphasized "speed and rhythmic intensity" using unpredictable song forms and abrupt tempo changes. The impact of powerful volume
2277-804: Is the true spirit of punk, because "all the poseurs and fashionistas fucked off to the next trend of skinny pink ties with New Romantic haircuts, singing wimpy lyrics" and the punk scene now consisted of people like Minor Threat, Bad Brains , Black Flag , and Circle Jerks , dedicated to the DIY ethics. Other writers have also attributed hardcore to a reaction against artsy and mellower sub-genres that punk grew into, such as post-punk and new wave . Hardcore punk additionally broke with original punk rock song patterns and visuals, favoring lower-key aesthetics. According to Eli Enis of Billboard magazine , hardcore shows are known to be violent. In 2002, during an interview with Nardwuar , Dead Kennedys singer Jello Biafra
2376-551: The Boy album…?’ I was dumb! And he wasn’t. So Minor Threat fortunately stopped exactly when it did." MacKaye was skipping rehearsal sessions towards the end of the band's career, and he wrote the lyrics to the songs on the Salad Days EP in the studio. That was quite a contrast with the earlier recordings, as he had written and co-written the music for much of the band's early material. Minor Threat, which had returned to being
2475-727: The Kensington Market neighbourhood of Toronto , Ontario , formed in November 1983 as a response to "a local war with glue huffing Nazi skinheads". In Montreal , The Asexuals helped fertilize a scene that became a necessary tour stop for punk and hardcore bands headed to the Northeast. In the United Kingdom , a fertile hardcore scene took root early on. Referred to under a number of names including "U.K. Hardcore", " UK 82 ", "second wave punk", "real punk", and "No Future punk", it took
2574-563: The Make an Effort EP. In March 1982, at the urging of Bad Brains' H.R. , Preslar left college to reform Minor Threat. The reunited band featured an expanded lineup: Steve Hansgen joined as the band's bassist and Baker switched to second guitar. When the "Out of Step" was re-recorded for the LP Out of Step, MacKaye clearly sang "I don't drink/smoke/fuck", as was the intent of his words all along, in response to what many saw as his imperious attitude on
2673-673: The Minutemen , with whom they shared a practice space until both bands were evicted, as well as the Circle Jerks (which featured Black Flag's original singer, Keith Morris ). From Hollywood , two other bands playing hardcore punk, Fear and the Germs , were featured with Black Flag and the Circle Jerks in Penelope Spheeris ' 1981 documentary The Decline of Western Civilization . By the time
2772-481: The Outpatients , both of whom would come to Boston to play shows. From nearby Manchester , New Hampshire, was G.G. Allin , a solo singer who, contrary to straight edge, used large amounts of drugs and alcohol, eventually dying of a heroin overdose. Allin's stage show included defecating on stage and then throwing his feces at the audience. The New York City hardcore scene emerged in 1981 when Bad Brains moved to
2871-457: The far-right Proud Boys during their sedition trial for their role in attacking the U.S. Capitol on January 6, 2021. While the early hardcore scene was mostly young white males, both onstage and in the audience, there are notable exceptions. Black musicians include Bad Brains, Fred "Freak" Smith of Beefeater , Dead Kennedys drummer D.H. Peligro , and Scream bassist Skeeter Thompson . Numerous Black and Latino members have been in
2970-554: The 1980s, the subculture often rejected what was perceived to be " yuppie " materialism and interventionist American foreign policy. Numerous hardcore punk bands have taken far-left political stances, such as anarchism or other varieties of socialism , and in the 1980s expressed opposition to political leaders such as then US president Ronald Reagan and British prime minister Margaret Thatcher . Reagan's economic policies, sometimes dubbed Reaganomics , and social conservatism were common subjects for criticism by hardcore bands of
3069-411: The Circle Jerks were so far from that. We looked like the kid who worked at the gas station or sub. shop." Henry Rollins stated that for him, getting dressed up meant putting on a black shirt and some dark pants; taking an interest in fashion as being a distraction. Jimmy Gestapo from Murphy's Law describes his own transition from dressing in a punk style (spiked hair and a bondage belt) to adopting
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3168-797: The Dicks , Dirty Rotten Imbeciles (D.R.I.), Really Red , Verbal Abuse and MDC were from Texas . Portland , Oregon, hardcore punk bands included Poison Idea and Final Warning , while north of there, Washington state included the Accüsed , Melvins , the Fartz , and 10 Minute Warning (the latter two included future Guns N' Roses member Duff McKagan ). Other prominent hardcore bands from this time that came from areas without large scenes include Raleigh , North Carolina's Corrosion of Conformity . D.O.A. formed in Vancouver , British Columbia in 1978 and were one of
3267-682: The Dicks , MDC , Rhythm Pigs , and Verbal Abuse all relocated to San Francisco. Further out of the Bay Area, Sacramento 's Tales of Terror were cited by many, including Mark Arm , as a key inspiration for the grunge movement. The first hardcore punk band to form on the East Coast of the United States was Washington, D.C.'s Bad Brains . Initially formed in 1977 as a jazz fusion ensemble called Mind Power, and consisting of all African-American members, their early foray into hardcore featured some of
3366-584: The F.U.'s , the Freeze , Gang Green , Jerry's Kids , Siege , DYS , Negative FX , and SS Decontrol . Members of the latter three bands were influenced by D.C.'s straight edge scene, and were part of "the Boston Crew", a mostly straight edge group of friends known to physically fight people who used alcohol or drugs. Members of the Boston Crew would later go on to form the band Slapshot , and also included future Mighty Mighty Bosstones singer Dicky Barrett , who
3465-1121: The Faith , Egg Hunt with Jeff Nelson, and later Fugazi , the Evens , and Coriky , as well as collaborating on Pailhead . Baker went on to play in Junkyard , the Meatmen , Dag Nasty and Government Issue . Since 1994, Baker has been a member of Bad Religion . Preslar was briefly a member of Glenn Danzig 's Samhain , and his playing appears on a few songs on the band's first record. He joined The Meatmen in 1984, along with fellow Minor Threat member Brian Baker. He later ran Caroline Records , signing and working with (among others) Peter Gabriel , Ben Folds , Chemical Brothers , and Idaho , and ran marketing for Sire Records . He graduated from Rutgers University School of Law and lives in New Jersey . Nelson played less-frantic alternative rock with Three and The High-Back Chairs before retiring from live performance. He runs
3564-603: The Faith , Iron Cross , Scream , State of Alert , Government Issue , Void , and D.C.'s Youth Brigade . The Flex Your Head compilation was a seminal document of the early 1980s D.C. hardcore scene. The record label was run out of the Dischord House, a Washington, D.C., punk house . Henry Rollins , who would come to prominence as the lead singer of the California-based Black Flag, as well as his own later Rollins Band , grew up in Washington, D.C., singing for
3663-462: The Los Angeles scene from 1981 to 1984, and it included show reviews and band interviews with groups including D.O.A., the Misfits, Black Flag, Suicidal Tendencies and the Circle Jerks. Shortly after Black Flag debuted in Los Angeles, Dead Kennedys were formed in San Francisco. While the band's early releases were played in a style closer to traditional punk rock, In God We Trust, Inc. (1981) marked
3762-553: The Misfits "crucial to the rise of hardcore." New York hardcore had more emphasis on rhythm, in part due to the use of palm-muted guitar chords, an approach called the NY hardcore "chug". The New York scene was known for its tough ethos, its "thuggery", and club shows that were a chaotic "proving ground" or even a "battleground". In the early 1980s, the New York hardcore scene centered around squats and clubhouses. After these were closed down,
3861-465: The Nation's Capital , this argument was over exactly what would be said in the message that Nelson wanted MacKaye to record, stating essentially what he said without knowing it was being recorded. Minor Threat broke up in 1983. According to Baker, a major point of contention was the band's musical direction: "Did we all want to develop Minor Threat’s sound to be more melodic, but Ian MacKaye didn’t? Yes, Ian
3960-562: The Replacements , while Chicago had Articles of Faith , Big Black and Naked Raygun . The Detroit area was home to Crucifucks , Degenerates , the Meatmen , Negative Approach , Spite and Violent Apathy . From Ohio was Maumee 's Necros and Dayton 's Toxic Reasons . The zine Touch and Go covered this Midwest hardcore scene from 1979 to 1983. JFA and Meat Puppets were both from Phoenix , Arizona; 7 Seconds were from Reno , Nevada; and Butthole Surfers , Big Boys ,
4059-472: The State of Alert, and was influenced by the music of Bad Brains and the bands of his childhood friend Ian MacKaye. The tradition of holding all-ages shows at small DIY spaces, has roots in the early Washington, D.C., straight edge movement. It emerged from the idea that people of all ages should have access to music, regardless of if they're old enough to drink alcohol. Seminal Boston-area hardcore bands included
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4158-548: The Teen Idles while attending what was then Wilson High School . During their two-year career within the flourishing Washington D.C. hardcore punk scene , the Teen Idles had gained a following of around one hundred fans (a sizable amount at the time), and were seen as only second within the scene to the contemporary Bad Brains . MacKaye and Nelson were strong believers in the DIY mentality and an independent, underground music scene. After
4257-481: The United Kingdom. Hardcore has spawned the straight edge movement and its associated sub-movements, hardline and youth crew . Hardcore was heavily involved in the rise of the independent record labels in the 1980s and with the DIY ethics in underground music scenes. It has also influenced various music genres that have experienced widespread commercial success, including grunge and thrash metal . Although
4356-434: The act itself. Minor Threat's song "Guilty of Being White" led some critics to accuse the band of racism , but MacKaye has strongly denied such intentions and said that some listeners misinterpreted his words. He claims that his experiences attending Wilson High School, whose student population was 70 percent Black, inspired the song. There, many students bullied MacKaye and his friends. In an interview, MacKaye stated that he
4455-474: The all-Latino punk band Manic Hispanic , which also featured Efrem Schulz from Death By Stereo . There are also notable women such as Crass singers Joy de Vivre and Eve Libertine , Black Flag bassist Kira Roessler , and Germs bassist Lorna Doom . Several documentaries, including 2003's Afro-Punk and 2016's Los Punks , chronicle these subcultures within American punk and hardcore. As of 2019,
4554-493: The anti-Bush political activist group PunkVoter. A minority of hardcore musicians have expressed right-wing views, such as the band Antiseen , whose guitarist Joe Young ran for public office as a North Carolina Libertarian . Former Misfits singer Michale Graves appeared on an episode of The Daily Show , voicing support for George W. Bush, on behalf of the Conservative Punk website, and in 2023 testified on behalf of
4653-581: The band Suicidal Tendencies , including Mike Muir , Rocky George , R.J. Herrera, Louiche Mayorga, Robert Trujillo , Thundercat , Dean Pleasants , Ra Díaz, Dave Lombardo , Eric Moore, Tim "Rawbiz" Williams, David Hidalgo Jr. , and Ronald Bruner Jr. Other Latinos in early hardcore bands include Black Flag members Ron Reyes , Dez Cadena , Robo , and Anthony Martinez, Agnostic Front singer Roger Miret , his brother Madball singer Freddy Cricien , Adolescents guitarist Steve Soto , and Wasted Youth drummer Joey Castillo . Soto would later form
4752-492: The band were chosen based on being part of the local hardcore scene and being regularly in the moshing pit at shows, rather than based on a musical audition . Michael Azerrad states that "[by] 1979 the original punk scene [in Southern California] had almost completely died out" and was replaced by punk music boiled down to its essence, but with faster tempos, which became known as "hardcore". Steven Blush states that
4851-557: The band's shirts, as well as working to ensure that bootleg manufacturers of the shirts were curtailed. In comments that appeared in Rolling Stone , MacKaye called it "absurd" for the shirts to be sold for $ 28 but concluded that "my time is better spent doing other things" than dealing with shirts. Dischord had previously taken action against Forever 21 in 2009 for marketing unlicensed Minor Threat shirts. Hardcore punk Hardcore punk (commonly abbreviated to hardcore or hXc )
4950-484: The breakup of the Teen Idles, they used the money earned through the band to create Dischord Records , an independent record label that would host the releases of the Teen Idles, Minor Threat, and numerous other D.C. punk bands. Eager to start a new band after the Teen Idles, MacKaye and Nelson recruited guitarist Lyle Preslar and bassist Brian Baker . They played their first performance in December 1980 to fifty people in
5049-409: The breakup, MacKaye stated that he did not "check out" on hardcore , but in fact hardcore "checked out". Explaining this, he stated that at a 1984 Minutemen show, a fan struck MacKaye's younger brother Alec in the face, and he punched the fan back, then realizing that the violence was "stupid," and that he saw his role in the stupidity. MacKaye claimed that immediately after this he decided to leave
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#17331146293925148-548: The city from Washington, D.C. Starting in 1981, there was an influx of new hardcore bands in the city including Agnostic Front , Beastie Boys , Cro-Mags , Cause for Alarm, the Mob , Murphy's Law , Reagan Youth , and Warzone . A number of other bands associated with New York hardcore scene came from New Jersey , including the Misfits , Adrenalin OD and Hogan's Heroes . Steven Blush calls
5247-411: The clip was too short to have violated any copyrights. In 2007, Brooklyn-based company Wheelhouse Pickles marketed a pepper sauce named "Minor Threat Sauce". Requesting only that the original label design (which was based on the "Bottled Violence" artwork) be amended, Ian MacKaye gave the product his endorsement. A small mention of this was made, where MacKaye commented, "I don't have an occasion to eat
5346-409: The community. Largely inspired by early labels like Dischord Records , Alternative Tentacles , Epitaph Records , SST Records , Revelation Records , and Touch & Go Records , record labels are usually run on DIY ethic, collaboration, financial trust, and an emphasis on creative control. Labels within hardcore are seldom large, profit-making operations, but rather collaborative music partners with
5445-541: The crowd was singing the lyrics so loud they could be heard over the PA system. Hardcore vocal lines are often based on minor scales and songs may include shouted background vocals from the other band members. Hardcore lyrics expressed the "frustration and political disillusionment" of youth who were against 1980s-era affluence , consumerism , greed, Reagan politics and authority. The polarizing sociopolitical messages in hardcore lyrics (and outrageous on-stage behaviour) meant that
5544-446: The dream is now 35 years old, so they can go fuck themselves." Steven Blush states that the Vancouver -based band D.O.A. 's 1981 album, Hardcore '81 , "was where the genre got its name". This album also helped to make people aware of the term "hardcore". Konstantin Butz states that while the origin of the expression "hardcore" "cannot be ascribed to a specific place or time", the term
5643-421: The drummer should have listened to a lot of hardcore, so that they can understand the "raw emotions" it expresses. Lucky Lehrer , the drummer and co-founder of the Circle Jerks in 1979, was an early developer of hardcore drumming; he has been called the "Godfather of hardcore drumming" and Flipside zine calls him the best punk drummer. According to Tobias Hurwitz, "[h]ardcore drumming falls somewhere between
5742-485: The early 1980s American hardcore scene in Washington, D.C. A performance by Fear on the 1981 Halloween episode of Saturday Night Live was cut short when moshers, including John Belushi and members of a few hardcore punk bands, invaded the stage, damaged studio equipment and used profanity. Many North American hardcore punk fans adopted a dressed-down style of T-shirts , jeans or work chinos , combat boots or sneakers , and crew cut -style haircuts. Women in
5841-742: The early Los Angeles hardcore scene increasingly became sites of violent battles between police and concertgoers. Another source of violence in L.A. was tension created by what one writer calls the invasion of "antagonistic suburban poseurs " into hardcore venues. Violence at hardcore concerts was portrayed in episodes of the popular television shows CHiPs and Quincy, M.E. . In the pre-Internet era, fanzines, commonly called zines , enabled hardcore scene members to learn about bands, clubs, and record labels. Zines typically included reviews of shows and records, interviews with bands, letters, ads for records and labels, and were DIY products, "proudly amateur, usually handmade. A zine called We Got Power described
5940-506: The established music industry and "anything similar to the characteristics of mainstream rock " and often addresses social and political topics with "confrontational, politically charged lyrics". Hardcore sprouted underground scenes across the United States in the early 1980s, particularly in Los Angeles , San Francisco , Washington, D.C. , Boston , and New York , as well as in Canada and
6039-431: The fastest tempos in rock music . The band released its debut single, " Pay to Cum ", in 1980, and were influential in establishing the D.C. hardcore scene. Hardcore historian Steven Blush calls the single the first East Coast hardcore record. Ian MacKaye and Jeff Nelson , influenced by Bad Brains , formed the band Teen Idles in 1979. The group broke up in 1980, and MacKaye and Nelson went on to form Minor Threat ,
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#17331146293926138-547: The fellow Washington, D.C. hardcore band Bad Brains and California band Black Flag , Minor Threat set the standard for many hardcore punk bands in the 1980s and 1990s. All of Minor Threat's recordings were released on MacKaye's and Nelson's own label, Dischord Records . The Minor Threat EP and Out of Step EP have received a number of accolades and are cited as landmarks of the hardcore punk genre. Prior to forming Minor Threat in 1980, vocalist Ian MacKaye and drummer Jeff Nelson had played bass and drums respectively in
6237-520: The film was released, other hardcore bands from Los Angeles County were also making a name for themselves including Bad Religion , Descendents , Red Kross , Rhino 39 , Suicidal Tendencies , Wasted Youth , Youth Brigade , and Youth Gone Mad . Neighboring Orange County had the Adolescents , Agent Orange , China White , Social Distortion , Shattered Faith , T.S.O.L. , and Uniform Choice , while north of Los Angeles, around Oxnard , California,
6336-511: The fingers, some bassists use a pick. Some bassists play fuzz bass by overdriving their bass tone. Hardcore drumming, typically played fast and aggressively, has been called the "engine" and most essential element of the genre's aggressive sound of "unrelenting anger". Two other key elements for hardcore drummers are playing "tight" with the other musicians, especially the bassist (this does not mean metronomic time; indeed, coordinated tempo shifts are used in many important hardcore albums) and
6435-599: The first bands to refer to its style as "hardcore", with the release of their album Hardcore '81 . Other early hardcore bands from British Columbia included Dayglo Abortions who formed in 1979, the Subhumans and the Skulls . Nomeansno is a hardcore band originally from Victoria , British Columbia , and now located in Vancouver . SNFU formed in Edmonton in 1981 and also later relocated to Vancouver . Bunchofuckingoofs , from
6534-530: The first hardcore record to come out of the West Coast was Out of Vogue by the Santa Ana band Middle Class . The band pioneered a shouted, fast version of punk rock which would shape the hardcore sound that would soon emerge. In terms of impact upon the hardcore scene, Black Flag has been deemed the most influential group. Azerrad calls Black Flag the "godfathers" of hardcore punk and states that even "...more than
6633-614: The flagship band of American hardcore", they were "...required listening for anyone who was interested in underground music." Blush states that Black Flag were to hardcore what the Sex Pistols and Ramones were to punk. Formed in Hermosa Beach , California by guitarist and primary songwriter Greg Ginn , they played their first show in December 1977. Originally called Panic, they changed their name to Black Flag in 1978. By 1979, Black Flag were joined by another South Bay hardcore band,
6732-543: The 💕 [REDACTED] Look up imperious or imperiousness in Wiktionary, the free dictionary. Imperious may refer to: Arrogant or haughty superiority to or disdain of those one views as unworthy Various social interactions and relationships involving Dominance Imperious - a fictional character in the Power Rangers franchise See also [ edit ] Imperialism -
6831-515: The genre garnered no mainstream popularity. In hardcore, guitarists frequently play fast power chords with a heavily distorted and amplified tone, creating what has been called a "buzzsaw" sound. Guitar parts can sometimes be complex, technically versatile, and rhythmically challenging. Guitar melody lines usually use the same minor scales used by vocalists (although some solos use pentatonic scales). Hardcore guitarists sometimes play solos , octave leads and grooves , as well as tapping into
6930-511: The genre is still overwhelmingly represented by white males. However, as sonic diversity has increased in the genre, so too has its fanbase. This has helped bring greater attention to inclusivity within the scene. Bands like War On Women , Limp Wrist , Gouge Away , and G.L.O.S.S. have helped bring attention to subjects like women's rights, transphobia, rape, mental health, queer rights, and misogyny. Record labels in hardcore are often DIY endeavors, run by musicians or participants within
7029-427: The hardcore scene typically wore army pants, band T-shirts and hooded sweatshirts. The clothing style was a reflection of hardcore ideology, which included dissatisfaction with suburban America and the hypocrisy of American culture. It was essentially a deconstruction of American fashion staples—ripped jeans, holey T-shirts, torn stockings for women, and work boots. The style of the 1980s hardcore scene contrasted with
7128-585: The hardcore scene. In March 1984, six months after the band broke up, the EPs Minor Threat and In My Eyes were compiled together and re-released as the Minor Threat album. The Complete Discography archival compilation would follow in 1989, with the additional release of First Demo Tape in 2003. Two previously unreleased songs were featured on the 20 Years of Dischord compilation in 2002. MacKaye went on to found Embrace with former members of
7227-422: The intent to document and release music for the underground community. Ian Mackaye , co-founder of Dischord Records claimed, "We don't use contracts, lawyers, any of those kinds of things. We are partners – they make the music, and we make the records. From the beginning of this label, people have said that the way we do things is unsustainable, unrealistic, idealistic, and we were just dreaming", he said. "Well,
7326-490: The last iteration of the lyric "guilty of being white" changed to "guilty of being right." In the time between the release of the band's second seven-inch EP and the Out of Step record, the band briefly split when guitarist Lyle Preslar moved to Illinois to attend college for a semester at Northwestern University . Preslar was a member of Big Black for a few tempestuous rehearsals. During that period, MacKaye and Nelson put together
7425-461: The look that was common in the San Francisco hardcore scene as consisting of biker-style leather jackets, chains, studded wristbands, multiple piercings, painted or tattooed statements (e.g., an anarchy symbol) and hairstyles ranging from military-style haircuts dyed black or blonde to mohawks and shaved heads. Circle Jerks frontman Keith Morris wrote: "[Punk] was basically based on English fashion. But we had nothing to do with that. Black Flag and
7524-450: The major labels, hardcore bands started their own independent record labels and distributed their records themselves. Ginn started SST Records , which released Black Flag's debut EP Nervous Breakdown in 1979. SST went on to release a number of albums by other hardcore artists, and was described by Azerrad as "easily the most influential and popular underground indie of the Eighties." SST
7623-602: The more provocative fashion styles of late 1970s punk rockers. Siri C. Brockmeier writes that "hardcore kids do not look like punks", since hardcore scene members wore basic clothing and short haircuts, in contrast to the "embellished leather jackets and pants" worn in the punk scene. Lauraine Leblanc, however, claims that the standard hardcore punk clothing and styles included torn jeans, leather jackets, spiked armbands, dog collars, mohawk hairstyles , DIY ornamentation of clothes with studs, painted band names, political statements, and patches. Tiffini A. Travis and Perry Hardy describe
7722-651: The music genre started in English-speaking Western countries, notable hardcore scenes have existed in Italy , Japan and Brazil . Hardcore historian Steven Blush credits Minor Threat 's Ian MacKaye with starting a "die-hard mindset that begat almost everything we now call Hardcore", which was virulently anti-music industry and anti- rock star . An article in Drowned in Sound argues that late 1970s/early 1980s-era hardcore
7821-473: The previous punk sound and added the incessant, heavy drumbeats and heavily distorted guitar sound of new wave of British heavy metal bands, especially Motörhead . Formed in 1977 in Stoke-on-Trent , Discharge played a large role in influencing other European hardcore bands. AllMusic calls the band's sound a "high-speed noise overload" characterized by "ferocious noise blasts." Their style of hardcore punk
7920-514: The record label Adult Swim Records (distributed by Dischord) and Pedestrian Press, as well as being a political activist. He resides in Toledo, Ohio . The band's own Dischord Records released material by many bands from the Washington, D.C., area, such as Government Issue, Void , Scream , Fugazi, Artificial Peace, Rites of Spring , Gray Matter , and Dag Nasty, and became a respected independent record label. Hansgen formed Second Wind with Rich Moore,
8019-453: The same campaign, as well as featuring Nike shoes in the new picture, rather than the combat boots worn by Ian MacKaye's younger brother Alec on the original. MacKaye issued a press statement condemning Nike's actions and said that he would discuss legal options with the other members of the band. Meanwhile, fans, at the encouragement of Dischord, organized a letter-writing campaign protesting Nike's infringement. On June 27, 2005, Nike issued
8118-545: The scene was emanating in a small after-hours bar, A7 , on the Lower East Side of Manhattan, and later around the famous bar CBGB . For several years, CBGB held weekly hardcore matinées on Sundays, but they stopped in 1990 when violence led Kristal to ban hardcore shows at the club. Early radio support in New York's surrounding Tri-State area came from Pat Duncan, who had hosted live punk and hardcore bands weekly on WFMU since 1979. Bridgeport , Connecticut's WPKN had
8217-459: The song. The band also inserted an overdubbed spoken section into the instrumental break before the last chorus with MacKaye stating, "This is not a set of rules, I'm not telling you what to do..." Recording engineer Don Zientara had inadvertently recorded an argument between drummer Nelson and lyricist/singer MacKaye that captured the message perfectly, so this was used. According to Mark Andersen and Mark Jenkins' Dance of Days: Two Decades of Punk in
8316-430: The starting point. In the vein of earlier punk rock, most hardcore punk bands have followed the traditional singer/guitar/bass/drum format. The song-writing has more emphasis on rhythm rather than melody . Blush writes "The Sex Pistols were still rock'n'roll...like the craziest version of Chuck Berry . Hardcore was a radical departure from that. It wasn't verse-chorus rock. It dispelled any notion of what songwriting
8415-470: The straight-ahead rock styles of old-school punk and the frantic, warp-speed bashing of thrash." Some hardcore punk drummers play fast D-beat one moment and then drop tempo into elaborate musical breakdowns in the next. Drummers typically play eighth notes on the cymbals, because at the tempos used in hardcore, it would be difficult to play a smaller subdivision of the beat. The early 1980s hardcore punk scene developed slam dancing (also called moshing),
8514-862: The time. Jimmy Gestapo of Murphy's Law , however, endorsed Reagan and even went as far to call then former president Jimmy Carter a "pussy" in a 1986 New York Magazine cover story. Shortly after Reagan's death in 2004, the Maximumrocknroll radio show aired an episode composed of anti-Reagan songs by early hardcore punk bands. Certain hardcore punk bands have conveyed messages sometimes deemed " politically incorrect " by placing offensive content in their lyrics and relying on stage antics to shock listeners and people in their audience. Boston band The F.U.'s generated controversy with their 1983 album, My America , whose lyrics contained what appeared to be conservative and patriotic views. Its messages were sometimes taken literally, when they were actually intended as
8613-470: The time. Although the original song was not written as a manifesto or a "set of rules," according to the band members, many later bands inspired by the idea used it as such. Minor Threat band members stated they never intended or viewed "Straight Edge" as a "movement". "Out of Step", a Minor Threat song from their second EP, further demonstrates the said belief: "Don't smoke/Don't drink/Don't fuck/At least I can fucking think/I can't keep up/I'm out of step with
8712-467: The typically focused-on elements in mainstream rock music, harmony and pitch (i.e., melody ). Hardcore vocalists often shout, scream or chant along with the music, using "vocal intensity" and an abrasive tone. The shouting of hardcore vocalists is often accompanied by audience members who are singing along, making the hardcore vocalist like the "leader of a mob" commonly known as "gang vocals". Steven Blush describes one early Minor Threat show where
8811-488: The various feedback and harmonic noises available to them. There are generally fewer guitar solos in hardcore than in mainstream rock, because solos were viewed as representing the "excess and superficiality" of mainstream commercial rock. Hardcore bassists use varied rhythms in their basslines , ranging from longer held notes (whole notes and half notes) to quarter notes, to rapid eighth note or sixteenth note runs. To play rapid bass lines that would be hard to play with
8910-435: The world." The "I" in the lyrics was usually only implied, mainly because it did not quite fit the rhythm of the song. Some of the other members of Minor Threat, Jeff Nelson in particular, took exception to what they saw as MacKaye's imperious attitude on the song. The line "Don't fuck" sparked widespread debate, to which Ian clarified that the intent was commentary on society's attitude towards predatory or casual sex , not on
9009-539: Was an Italian hardcore punk scene in the 1980s that included groups like Wretched , Raw Power , and Negazione . Sweden developed several influential hardcore bands, including Anti Cimex , Disfear , and Mob 47 . Finland produced some influential hardcore bands, including Terveet Kädet , one of the first hardcore groups to emerge in the country. In Eastern Europe, notable hardcore bands included Hungary's Galloping Coroners from 1975, Yugoslavia's 1980s-era Niet from Ljubljana, and KBO! imperious From Misplaced Pages,
9108-481: Was asked what he believed to be the first hardcore record, he remarked: "Sound Of Imker Train of Doomsday single in the late '60s in Holland. The only true '60s hardcore record I know." One definition of the genre is "a form of exceptionally harsh punk rock". Hardcore has been called a faster, meaner genre of punk rock, that was a stern refutation against it, being more primal and immediate, with speed and aggression as
9207-548: Was coined as D-beat , a term referring to a distinctive drum beat that a number of 1980s imitators of Discharge are associated with. Another UK band, the Varukers , were one of the original D-beat bands, Scottish band the Exploited were also influential, with the term "UK 82" (used to refer to UK hardcore in the early 1980s) being taken from one of their songs. They contrasted with early American hardcore bands by placing an emphasis on appearance. Frontman Walter "Wattie" Buchan had
9306-659: Was followed by a number of other successful artist-run labels—including BYO Records (started by Shawn and Mark Stern of Youth Brigade), Epitaph Records (started by Brett Gurewitz of Bad Religion), New Alliance Records (started by the Minutemen's D. Boon and Mike Watt ), as well as fan-run labels like Frontier Records and Slash Records . Bands also funded and organized their own tours. Black Flag's tours in 1980 and 1981 brought them in contact with developing hardcore scenes in many parts of North America, and blazed trails that were followed by other touring bands. Concerts in
9405-402: Was offended that some perceived racist overtones in the lyrics, saying, "To me, at the time and now, it seemed clear it's an anti-racist song. Of course, it didn't occur to me at the time I wrote it that anybody outside of my twenty or thirty friends who I was singing to would ever have to actually ponder the lyrics or even consider them." Thrash metal band Slayer later covered the song, with
9504-410: Was perceived to be "a very narrow definition of what fits into Punk", apparently being "authoritarian and trying to dominate the scene" with their views. During the 2001–2009 United States presidency of George W. Bush , it was not uncommon for hardcore bands to express anti-Bush messages. During the 2004 United States presidential election , several hardcore punk artists and bands were involved with
9603-615: Was relatively short-lived, disbanding after only three years together, but had a strong influence in the emerging American hardcore punk scene, both stylistically and in helping to further establish the " do it yourself " ethic for music distribution and concert promotion. Minor Threat's song " Straight Edge " was the basis of the straight edge movement, which emphasized a lifestyle without alcohol or other drugs, or promiscuous sex. AllMusic described Minor Threat's music as "iconic" and noted that their groundbreaking music "has held up better than [that of] most of their contemporaries." Along with
9702-415: Was right, and we were wrong. What Ian was doing was not just a band, Ian was building a community. He was so far ahead of his time and was thinking about the idea of Dischord and several bands and having this kind of reciprocating relationship with other artists. He was so big picture. But I was like: ‘I want to play bigger shows, I want to tour more. Minor Threat is a great little punk band, but have you heard
9801-603: Was then a member of the band Impact Unit, and drew the artwork for the DYS album Brotherhood . In 1982, Modern Method Records released This Is Boston, Not L.A. , a compilation album of the Boston hardcore scene. In addition to Modern Method was Taang! Records , who released material by a number of the aforementioned Boston hardcore bands. Further outside of Boston were Western Massachusetts bands Deep Wound (which featured future Dinosaur Jr. members J Mascis and Lou Barlow ) and
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