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30-410: Long John Silver is a fictional character and the main antagonist in the 1883 novel Treasure Island by Robert Louis Stevenson . The most colourful and complex character in the book, he continues to appear in popular culture. His missing leg and parrot, in particular, have greatly contributed to the image of the pirate in popular culture . Long John Silver is a cunning and opportunistic pirate who

60-407: A gulag camp. Leo Tolstoy 's War and Peace depicts fifteen major characters involved in or affected by a war. Though many people equate protagonists with the term hero and possessing heroic qualities, it is not necessary, as even villainous characters can be protagonists. For example Michael Corleone from The Godfather (1972–1990) film series (1978–1983). In some cases, the protagonist

90-422: A hero (masculine) or heroine (feminine) protagonist is typically admired for their achievements and noble qualities. Heroes are lauded for their strength, courage, virtuousness, and honor, and are considered to be the "good guys" of the narrative. Examples include DC Comics' Superman (hero) and Katniss Everdeen from The Hunger Games (heroine). An antihero (sometimes spelled as anti-hero) or antiheroine

120-423: A confession. It was the sight of your maimed strength and masterfulness that begot Long John Silver...the idea of the maimed man, ruling and dreaded by the sound, was entirely taken from you". There have been several major stage adaptations made. Antagonist An antagonist is a character in a story who is presented as the main enemy or rival of the protagonist . The English word antagonist comes from

150-423: A poet named Thespis introduced the idea of one actor stepping out and engaging in a dialogue with the chorus. This was the invention of tragedy, and occurred about 536 B.C. Then the poet Aeschylus , in his plays, introduced a second actor, inventing the idea of dialogue between two characters. Sophocles then wrote plays that included a third actor. A description of the protagonist's origin cited that during

180-559: A supporting protagonist appears, the story is told from the perspective of a character who appears to be minor. This character may be more peripheral from the events of the story and are not as involved within the "main action" of the plot. The supporting protagonist may be telling the story while viewing another character as the main influence of the plot. One example is Nick in The Great Gatsby . Euripides ' play Hippolytus may be considered to have two protagonists, though one at

210-432: A time. Phaedra is the protagonist of the first half, who dies partway through the play. Her stepson, the titular Hippolytus, assumes the dominant role in the second half of the play. In Henrik Ibsen 's play The Master Builder , the protagonist is the architect Halvard Solness. The young woman, Hilda Wangel, whose actions lead to the death of Solness, is the antagonist. In Shakespeare's play Romeo and Juliet , Romeo

240-413: A true opponent not only wants to prevent the hero from achieving his desire but is competing with the hero for the same goal. According to John Truby, "It is only by competing for the same goal that the hero and the opponent are forced to come into direct conflict and to do so again and again throughout the story." Protagonist The protagonist is the character whose fate is most closely followed by

270-586: Is a main character in a story who lacks conventional heroic qualities and attributes such as idealism, courage, and morality. Examples include Holden Caulfield from The Catcher in the Rye , Scarlett O'Hara from Gone With the Wind , Jay Gatsby from The Great Gatsby , and Walter White from Breaking Bad . A tragic hero is the protagonist of a tragedy. Examples include Oedipus from Oedipus Rex and Prince Hamlet from Shakespeare's Hamlet . The protagonist

300-461: Is found to be empty, he coolly stands his ground against five murderous seamen despite having only Jim, a boy in his teens, to back him. When Silver escapes at the end of the novel, he takes "three or four hundred guineas " of the treasure with him, thus becoming one of only two former members of Captain Flint's crew to get his hands on a portion of the recovered treasure. (The repentant maroonee Ben Gunn

330-488: Is his own antagonist). Sometimes, a work will have a false protagonist , who may seem to be the protagonist, but then may disappear unexpectedly. The character Marion in Alfred Hitchcock 's film Psycho (1960) is an example. A novel may contain a number of narratives, each with its own protagonist. Alexander Solzhenitsyn 's The First Circle , for example, depicts a variety of characters imprisoned and living in

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360-476: Is not always conventionally good. Contrasting the hero protagonist, a villain protagonist is a protagonist who is a villain , driving the story forward regardless of the evil qualities the main character has. These traits can include being cruel, malicious, and wicked. Examples include Humbert Humbert in Vladimir Nabokov's Lolita and Richard III in the eponymous play by William Shakespeare . When

390-487: Is reversed can be seen in the character Macduff from Macbeth , who is arguably morally correct in his desire to fight the tyrant Macbeth , the protagonist. Examples from television include J.R. Ewing ( Larry Hagman ) from Dallas and Alexis Colby ( Joan Collins ) from Dynasty . Both became breakout characters used as a device to increase their shows' ratings. Characters may be antagonists without being evil – they may simply be injudicious and unlikeable for

420-598: Is the other, but he spends all £ 1,000 in nineteen days.) Jim's own ambivalence towards Silver is reflected in the last chapter, when he speculates that the old pirate must have settled down in comfortable retirement: "It is to be hoped so, I suppose, for his chances of comfort in another world are very small." Silver is married to a woman of African descent, whom he trusts to manage his business affairs in his absence and to liquidate his Bristol assets when his actions make it impossible for him to go home. He confides in his fellow pirates that he and his wife plan to rendezvous after

450-419: Is the protagonist. He is actively in pursuit of his relationship with Juliet, and the audience is invested in that story. Tybalt, as an antagonist, opposes Romeo and attempts to thwart the relationship. In Shakespeare's play Hamlet , Prince Hamlet, who seeks revenge for the murder of his father, is the protagonist. The antagonist is the character who most opposes Hamlet, Claudius (though, in many ways, Hamlet

480-465: Is used as a plot device, to set up conflicts, obstacles, or challenges for the protagonist. Though not every story requires an antagonist, it often is used in plays to increase the level of drama. In tragedies, antagonists are often the cause of the protagonist's main problem, or lead a group of characters against the protagonist; in comedies, they are usually responsible for involving the protagonist in comedic situations. Author John Truby argues that

510-524: The Greek ἀνταγωνιστής – antagonistēs , "opponent, competitor, villain, enemy, rival," which is derived from anti- ("against") and agonizesthai ("to contend for a prize"). The antagonist is commonly positioned against the protagonist and their world order. While narratives often portray the protagonist as a hero and the antagonist as a villain , like Harry Potter and Lord Voldemort in Harry Potter ,

540-487: The antagonist does not always appear as the villain. In some narratives, like Light Yagami and L in Death Note , the protagonist is a villain and the antagonist is an opposing hero. Antagonists are conventionally presented as making moral choices less savory than those of protagonists. This condition is often used by an author to create conflict within a story. This is merely a convention, however. An example in which this

570-477: The audience. In some stories, such as The Catcher in the Rye , almost every character other than the protagonist may be an antagonist. Another example of this occurring is through Javert in Victor Hugo's Les Misérables , in which Javert displays no malicious intent, but instead represents the rigid and inflexible application of the law, even when it leads to moral and ethical dilemmas. An aspect or trait of

600-552: The chief or first part', combined of πρῶτος ( prôtos , 'first') and ἀγωνιστής ( agōnistḗs , 'actor, competitor'), which stems from ἀγών ( agṓn , 'contest') via ἀγωνίζομαι ( agōnízomai , 'I contend for a prize'). The earliest known examples of a protagonist are found in Ancient Greece . At first, dramatic performances involved merely dancing and recitation by the chorus. Then in Poetics , Aristotle describes how

630-466: The early period of Greek drama, the protagonist served as the author, the director, and the actor and that these roles were only separated and allocated to different individuals later. There is also a claim that the poet did not assign or create the protagonist as well as other terms for actors such as deuteragonist and tritagonist primarily because he only gave actors their appropriate part. However, these actors were assigned their specific areas at

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660-468: The parrot as another means of gaining Jim's trust, by telling the boy all manner of exciting stories about the parrot's buccaneer history. " 'Now that bird', Silver would say, 'is, maybe, two hundred years old, Hawkins—they lives forever mostly, and if anybody's seen more wickedness it must be the devil himself. She's sailed with England—the great pirate Cap'n England . She's been at Madagascar, and at Malabar, and Surinam, and Providence, and Portobello... She

690-466: The protagonist may be considered an antagonist, such as morality or indecisiveness. An antagonist is not always a person or people. In some cases, an antagonist may be a force, such as a tidal wave that destroys a city; a storm that causes havoc; or even a certain area's conditions that are the root cause of a problem. An antagonist may or may not create obstacles for the protagonist. Societal norms or other rules may also be antagonists. An antagonist

720-408: The reader or audience, and who is opposed by the antagonist . The antagonist provides obstacles and complications and creates conflicts that test the protagonist, revealing the strengths and weaknesses of the protagonist's character, and having the protagonist develop as a result. The term protagonist comes from Ancient Greek πρωταγωνιστής ( prōtagōnistḗs )  'actor who plays

750-419: The stage with the protagonist always entering from the middle door or that the dwelling of the deuteragonist (second most important character) should be on the right hand, and the tritagonist (third most important character), the left. In Ancient Greece, the protagonist is distinguished from the term "hero", which was used to refer to a human who became a semi-divine being in the narrative. In literary terms,

780-400: The voyage to Skeleton Island is complete and Flint's treasure is recovered, at which point Silver will retire to a life of luxury. Ironically his "share" of Flint's treasure ( £ 420) is considerably less than that of Ben Gunn (£1,000) and what Silver boasts was his share from England (£900) and from Flint (£2,000). According to Stevenson's letters, the idea for the character of Long John Silver

810-409: Was quartermaster under the notorious Captain Flint . Stevenson's portrayal of Silver has greatly influenced the modern iconography of the pirate. Long John Silver has a parrot , named Captain Flint in honor—or mockery—of his former captain, who generally perches on Silver's shoulder, and is known to chatter pirate or seafaring phrases like " Pieces of Eight ", and "Stand by to go about". Silver uses

840-549: Was at the boarding of the Viceroy of the Indies out of Goa, she was, and to look at her you would think she was a baby'. " Silver claims to have served in the Royal Navy and lost his leg under "the immortal Hawke ". "His left leg was cut off close by the hip, and under the left shoulder, he carried a crutch, which he managed with wonderful dexterity, hopping about upon it like a bird. He

870-465: Was in part inspired by his real-life friend William Henley , a writer and editor. Stevenson's stepson, Lloyd Osbourne, described Henley as "...a great, glowing, massive-shouldered fellow with a big red beard and a crutch; jovial, astoundingly clever, and with a laugh that rolled like music; he had an unimaginable fire and vitality; he swept one off one's feet". In a letter to Henley after the publication of Treasure Island , Stevenson wrote: "I will now make

900-467: Was very tall and strong, with a face as big as a ham—plain and pale, but intelligent and smiling." He claims to have been the only man whom Flint ever feared. Although treacherous and willing to change sides at any time to further his own interests, Silver has compensating virtues. He is wise enough to save his money, in contrast to the spendthrift ways of most of the pirates. He is physically courageous despite his disability: for instance, when Flint's cache

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