Landschaftspark is a public park located in Duisburg - Meiderich , Germany . It was designed in 1991 by Latz + Partner ( Peter Latz ), with the intention that it work to heal and understand the industrial past, rather than trying to reject it. The park closely associates itself with the past use of the site: a coal and steel production plant (abandoned in 1985, leaving the area significantly polluted ) and the agricultural land it had been prior to the mid 19th century.
35-486: In 1991, a co-operative-concurrent planning procedure with five international planning teams was held to design the park. Peter Latz ’s design was significant, as it attempted to preserve as much of the existing site as possible (Diedrich, 69). Unlike his competitors, Latz recognized the value of the site's current condition ( Weilacher , 106). He allowed the polluted soils to remain in place and be remediated through phytoremediation , and sequestered soils with high toxicity in
70-498: A clear intention of using the site to develop its program. Within this context, each programmatic element is given a specific identity that illustrates time, while showing change in different ways. Each visitor is allowed to experience the park in their own way and create their own story. Marot explains that as the visitor is able to experience "ambivalent readings of place," their memory will be sparked in new way, giving that place more depth (86). Marot finishes his book, Architecture and
105-426: A different space than the long lines with which they are typically associated. The sewage canal, which was believed to be in the same location as the ‘Old Emscher’ river, could not remain as it existed on the site, and was placed underground (Diedrich, 73). A new canal has taken the place of the sewage canal, but is now flowing with fresh rainwater. Instead of creating a more "naturally" shaped waterway, this new canal,
140-508: A foreword for the book Visionary Gardens by Ernst Cramer that the overall of landscape architecture could be applied in abstract rules. "The beauty of nature lies within the essence and effect of plants and materials." Peter Latz was born in Darmstadt and grew up in the Saarland as the son of Heinrich Latz, a German architect. After graduating from high-school he studied landscape architecture at
175-713: A full-time professor for landscape architecture at the Gesamthochschule Kassel in 1973 and was appointed as a professor at the Landscape Architecture and Landscape Planning Department at the Technical University of Munich in 1983 where he retired in 2008. Among his best known projects is the Landschaftspark Duisburg-Nord in the Ruhr region of Germany . The site of 230 hectares was formerly
210-528: A juxtaposition between this formal garden that is situated within a post-industrial site. Duisburg-Nord was a successful landscape garden because Latz had altered the relationship that humans had with the existing site. Because of this project Peter Latz is considered to be, along with American landscape architect Richard Haag , one of the international pioneers for the reclamation and conversion of former industrialized landscapes. The philosophy of his Latz + Partner firm focuses not only on quality but also on
245-528: A juxtaposition between this formal garden that is situated within a post-industrial site. Duisburg-Nord was a successful landscape garden because Latz had altered the relationship that humans had with the existing site. Because of this project Peter Latz is considered to be, along with American landscape architect Richard Haag , one of the international pioneers for the reclamation and conversion of former industrialized landscapes. The philosophy of his Latz + Partner firm focuses not only on quality but also on
280-461: A local hotspot for biodiversity in the western Ruhr Region. Furthermore, its industrial nature is of high ecological value because it contributes not only to the preservation of many rare and endangered species but also to the conservation of urbanised nature in the Ruhr Region’s conurbations. The Landscape Park contains this enormous species diversity because of its great variety of habitats. Besides
315-427: A place, not the designer (Latz, 94, 96). These ideas of memory encompass Landschaftspark. A series of pathways at multiple levels connect sites scattered throughout the project, allowing visitors to construct their own experiences. These sites include the bunker gardens, where the fern garden is located. This garden was formed using railroad ties collected from other locations at the site, which might remind someone of
350-465: A place. These idiosyncrasies have a history with the art of memory which uses the principle of association with places. Smithson's assertion, in his article "A Tour of the Monuments of Passaic," is similar, in that memory recalls the past but in a way that applies it to new things. Finally, Latz claims that interrelations must be made concrete and visible and that the viewer will create their own picture of
385-564: A public park on a destroyed harbour site in Saarbrücken ( Weilacher , 82). However, the concept of redesigning an industrial site is used before by different Architects. Rather, several landscape architects have worked with the same mentality and culture such as Alphand's Parc des Buttes Chaumont that were constructed in old quarries they didn't hide the main parts of the site, but they work to enforce it. Richard Haag's Gas Works Park in Seattle
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#1732851073054420-415: A transient quality. It implies a re-representation or understanding of the past, as memories constantly shift and change as one experiences life. Marot believes that the memory of a site should be used as a design strategy, as it shows depth and a process of connection. Yates’ argument for the importance of memory comes out of her concern that architecture has become too uniform, removing the particularities of
455-508: A very large steel mill . When it became derelict, Latz + Partner, the firm was commissioned to design the park after winning an international design competition with the master plan for the whole site in 1991. They decided to keep the main structures and to incorporate them into a postmodern landscape design. A series of gardens were planted within and around the ruins with the use of the traditional horticulture. Clipped hedges , knot gardens , parterres , bosquets and rose gardens had created
490-647: Is a German landscape architect and a professor for landscape architecture at the Technical University of Munich . He is best known for his emphasis on reclamation and conversion of former industrialized landscapes. Retired today, he was an adjunct professor at the University of Pennsylvania in Philadelphia and was also a visiting professor at the Harvard Graduate School of Design . Latz once noted in
525-463: The Emscher River , was kept as straight as the canal before. The canal aids in one's understanding of water processes and changes in time. Markers made by soil mounds (these also break up the culvert form) allow the depth of the water to be read by the visitor to the site. Here the visitor is able to understand on a seasonal basis the process of the site and mark their experience of the park by how high
560-419: The Gesamthochschule Kassel in 1973 and was appointed as a professor at the Landscape Architecture and Landscape Planning Department at the Technical University of Munich in 1983 where he retired in 2008. Among his best known projects is the Landschaftspark Duisburg-Nord in the Ruhr region of Germany . The site of 230 hectares was formerly a very large steel mill . When it became derelict, Latz + Partner,
595-656: The Technical University in Munich , and after taking his diploma in 1964, he joined the four year post-graduate education in town planning at the Institute of Urban Development and Regional Planning at the RWTH Aachen . Peter Latz and his wife, Anneliese, founded their landscape architecture office in Aachen and in 1968 in Saarbrücken under the name Latz + Partner. Another firm for urban planning , system planning and landscape planning
630-589: The Art of Memory , by insisting, "territories must be deepened" to provide places where memory can be fostered for cultural needs. Latz has worked to do this at Duisburg Nord in many ways (Weilacher, 102) and it has been declared as a highly successful cultural park (Steinglass, 129). Industrial brownfield sites (syn. industrial wastelands) form the backbone of urban biodiversity in the central Ruhr Region and are places for experiencing nature and for environmental education. In terms of its size, structural variety and biodiversity,
665-486: The Duisburg-Nord Landscape Park occupies a prominent position. Its vegetation presents an almost complete spectrum of different development stages (succession stages) on diverse sites. These range from pioneer communities, tall herbaceous perennials and scrub formations to pioneer forests (industrial forest) and together produce an astonishing diversity of species. The Landscape Park is quite rightly considered
700-419: The existing bunkers. He also found new uses for many of the old structures, and turned the former sewage canal into a method of cleansing the site. The park is divided into different areas, whose borders were carefully developed by looking at existing conditions (such as how the site had been divided by existing roads and railways, what types of plants had begun to grow in each area, etc.). This piecemeal pattern
735-440: The firm was commissioned to design the park after winning an international design competition with the master plan for the whole site in 1991. They decided to keep the main structures and to incorporate them into a postmodern landscape design. A series of gardens were planted within and around the ruins with the use of the traditional horticulture. Clipped hedges , knot gardens , parterres , bosquets and rose gardens had created
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#1732851073054770-454: The industrial technogenic soils around the former blast furnace site, the sinter plant, the mine and the cokery, it also includes agricultural soils at Ingenhammshof and Emstermannshof. The physiochemical properties of the soils are significantly different and so influence the species composition and plant ecology. The Biological Station has been involved in the collection of scientific data on plant and animal life since 2005, in cooperation with
805-409: The most central places of the factory, the middle of the former steel mill, had been made into a piazza. Each of these spaces uses elements to allow for a specific reading of time. The site was designed with the idea that a grandfather, who might have worked at the plant, could walk with his grandchildren, explaining what he used to do and what the machinery had been used for. At Landschaftspark, memory
840-590: The name Latz + Partner. Another firm for urban planning , system planning and landscape planning was set up and run between 1970 and 1976 in cooperation with fellow architect Conny Schmitz. Latz continues to practice landscape architecture and town planning, working with groups of architects, sociologists, and economists. Latz started teaching in 1968 as a lecturer at the Limburgse Akademie voor Bouwkunst ( Limburg Academy of Architecture) in Maastricht . He became
875-408: The old railway that is now an entrance to the park. It is similar to the way Smithson's essay, "A Tour of the Monuments of Passaic," incorporates elements of the past to aid in giving meaning to things of the present (Marot, 42). By walking through the garden, an individual's memory may be sparked when they see the typical railway ties. This might then reveal new connections, as these railway ties occupy
910-407: The park administration, are also involved with the formulation of maintenance and development plans (see Keil 2019). [REDACTED] Media related to Landschaftspark Duisburg-Nord at Wikimedia Commons Ruhr Industrial Heritage Trail by bike 51°28′49″N 6°46′48″E / 51.48028°N 6.78000°E / 51.48028; 6.78000 Peter Latz Peter Latz (born 1939)
945-413: The site (Steinglass, 129). In a way, this piazza represents the site as a whole: as the plates decay (like the other steel on the site), a succession of plants will grow between them. Plants will eventually fill the space, with the remains of the rusted steel among them. Peter Latz tried his first important experiences in dealing with derelict industrial sites in 1985, when designing the "Harbour Island",
980-458: The technical competence and the know-how. Since the 1980s, the firm begins to gear towards the metamorphosis of postindustrial sites. Selected projects, chronologically. Peter Latz Peter Latz (born 1939) is a German landscape architect and a professor for landscape architecture at the Technical University of Munich . He is best known for his emphasis on reclamation and conversion of former industrialized landscapes. Retired today, he
1015-425: The water was. Finally, Piazza Metallica also works with ideas of temporality and memory: the landscape architects took 49 steel plates that formerly lined the foundry pits at the site (Diedrich, 70) and installed them to mark a gathering place, intended for events and performances. However, the steel plates are not meant to last; rather, they will gradually erode and decay, portraying the natural processes occurring in
1050-407: Was an adjunct professor at the University of Pennsylvania in Philadelphia and was also a visiting professor at the Harvard Graduate School of Design . Latz once noted in a foreword for the book Visionary Gardens by Ernst Cramer that the overall of landscape architecture could be applied in abstract rules. "The beauty of nature lies within the essence and effect of plants and materials." Peter Latz
1085-524: Was an important predecessor to the Landschaftspark. Rather than removing the gasworks, the design allowed parts of it to stay in place and created a mound where the soil was being remediated, allowing people to understand the process of change. Peter Latz , takes these ideas and pushes them further as he uses materials on the site to show their transient nature as they change and decompose, transforming into something else. Landschaftspark at Duisburg Nord had
Landschaftspark Duisburg-Nord - Misplaced Pages Continue
1120-529: Was born in Darmstadt and grew up in the Saarland as the son of Heinrich Latz, a German architect. After graduating from high-school he studied landscape architecture at the Technical University in Munich , and after taking his diploma in 1964, he joined the four year post-graduate education in town planning at the Institute of Urban Development and Regional Planning at the RWTH Aachen . Peter Latz and his wife, Anneliese, founded their landscape architecture office in Aachen and in 1968 in Saarbrücken under
1155-412: Was central to the design. Various authors have addressed the ways in which memory can inform the visitor of a site, a concept that became prevalent during Postmodernism . Memory has re-emerged as an important aspect of design, and has been addressed by authors such as Sebastien Marot , Frances Yates , Robert Smithson , and Peter Latz himself. For them, memory does not equal preservation but instead has
1190-428: Was set up and run between 1970 and 1976 in cooperation with fellow architect Conny Schmitz. Latz continues to practice landscape architecture and town planning, working with groups of architects, sociologists, and economists. Latz started teaching in 1968 as a lecturer at the Limburgse Akademie voor Bouwkunst ( Limburg Academy of Architecture) in Maastricht . He became a full-time professor for landscape architecture at
1225-471: Was then woven together by a series of walkways and waterways, which were placed according to the old railway and sewer systems. While each piece retains its character, it also creates a dialogue with the site surrounding it. Within the main complex, Latz emphasized specific programmatic elements: the concrete bunkers create a space for a series of intimate gardens, old gas tanks have become pools for scuba divers, concrete walls are used by rock climbers, and one of
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