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Lamzdeliai

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A wind instrument is a musical instrument that contains some type of resonator (usually a tube) in which a column of air is set into vibration by the player blowing into (or over) a mouthpiece set at or near the end of the resonator. The pitch of the vibration is determined by the length of the tube and by manual modifications of the effective length of the vibrating column of air. In the case of some wind instruments, sound is produced by blowing through a reed; others require buzzing into a metal mouthpiece, while yet others require the player to blow into a hole at an edge, which splits the air column and creates the sound.

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57-654: Lamzdeliai (pipes) are traditional wind instruments in Lithuania . The instrument was popular during night herding, at young people's gatherings, and weddings. Lamzdeliai are used to play improvised herding melodies— raliavimai , ridovimai , and tirliavimai . Herders calmed their animals with these melodies, or they imitated the sounds of nature and birds. Other tunes played on the pipes were sutartines , songs, and contemporary dances ( polka , waltz , mazurka , quadrille , and march ). Traditional lamzdeliai are made of either bark or wood. The bark pipe ( zieves lamzdelis )

114-407: A standing wave forms in the tube. Reed instruments such as the clarinet or oboe have a flexible reed or reeds at the mouthpiece, forming a pressure-controlled valve. An increase in pressure inside the chamber will decrease the pressure differential across the reed; the reed will open more, increasing the flow of air. The increased flow of air will increase the internal pressure further, so

171-414: A standing wave in a transmission line is a wave in which the distribution of current , voltage , or field strength is formed by the superposition of two waves of the same frequency propagating in opposite directions. The effect is a series of nodes (zero displacement ) and anti-nodes (maximum displacement ) at fixed points along the transmission line. Such a standing wave may be formed when

228-422: A standing wave , also known as a stationary wave , is a wave that oscillates in time but whose peak amplitude profile does not move in space. The peak amplitude of the wave oscillations at any point in space is constant with respect to time, and the oscillations at different points throughout the wave are in phase . The locations at which the absolute value of the amplitude is minimum are called nodes , and

285-417: A fixed geometry. In a transverse flute or a pan flute the slit is formed by the musicians between their lips. Due to acoustic oscillation of the pipe the air in the pipe is alternatively compressed and expanded. This results in an alternating flow of air into and out of the pipe through the pipe mouth. The interaction of this transversal acoustic flow with the planar air jet induces at the flue exit (origin of

342-409: A generation of acoustic waves, which maintain the pipe oscillation. The acoustic flow in the pipe can for a steady oscillation be described in terms of standing waves . These waves have a pressure node at the mouth opening and another pressure node at the opposite open pipe termination. Standing waves inside such an open-open tube will be multiples of a half- wavelength . To a rough approximation,

399-505: A much smaller degree also a change in humidity, influences the air density and thus the speed of sound, and therefore affects the tuning of wind instruments. The effect of thermal expansion of a wind instrument, even of a brass instrument, is negligible compared to the thermal effect on the air. The bell of a wind instrument is the round, flared opening opposite the mouthpiece. It is found on clarinets, saxophones, oboes, horns, trumpets and many other kinds of instruments. On brass instruments,

456-399: A pulse of high pressure arriving at the mouthpiece will reflect as a higher-pressure pulse back down the tube. Standing waves inside the tube will be odd multiples of a quarter- wavelength , with a pressure anti-node at the mouthpiece, and a pressure node at the open end. The reed vibrates at a rate determined by the resonator . For Lip Reed ( brass ) instruments, the players control

513-476: A pure standing wave are never achieved. The result is a partial standing wave , which is a superposition of a standing wave and a traveling wave. The degree to which the wave resembles either a pure standing wave or a pure traveling wave is measured by the standing wave ratio (SWR). Another example is standing waves in the open ocean formed by waves with the same wave period moving in opposite directions. These may form near storm centres, or from reflection of

570-423: A quarter wavelength, the amplitude is always zero. These locations are called nodes . At locations on the x -axis that are odd multiples of a quarter wavelength the amplitude is maximal, with a value of twice the amplitude of the right- and left-traveling waves that interfere to produce this standing wave pattern. These locations are called anti-nodes . The distance between two consecutive nodes or anti-nodes

627-402: A swell at the shore, and are the source of microbaroms and microseisms . This section considers representative one- and two-dimensional cases of standing waves. First, an example of an infinite length string shows how identical waves traveling in opposite directions interfere to produce standing waves. Next, two finite length string examples with different boundary conditions demonstrate how

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684-413: A traveling wave. At any position x , y ( x , t ) simply oscillates in time with an amplitude that varies in the x -direction as 2 y max sin ⁡ ( 2 π x λ ) {\displaystyle 2y_{\text{max}}\sin \left({2\pi x \over \lambda }\right)} . The animation at the beginning of this article depicts what is happening. As

741-400: A tube of about 40 cm. will exhibit resonances near the following points: In practice, however, obtaining a range of musically useful tones from a wind instrument depends to a great extent on careful instrument design and playing technique. The frequency of the vibrational modes depends on the speed of sound in air, which varies with air density . A change in temperature, and only to

798-420: A type of resonance and the frequencies that produce standing waves can be referred to as resonant frequencies . Next, consider the same string of length L , but this time it is only fixed at x = 0 . At x = L , the string is free to move in the y direction. For example, the string might be tied at x = L to a ring that can slide freely up and down a pole. The string again has small damping and

855-423: A type of resonance and the frequencies that produce standing waves are called resonant frequencies . Consider a standing wave in a pipe of length L . The air inside the pipe serves as the medium for longitudinal sound waves traveling to the right or left through the pipe. While the transverse waves on the string from the previous examples vary in their displacement perpendicular to the direction of wave motion,

912-568: A vibrating reed . On the other hand, the didgeridoo , the wooden cornett (not to be confused with the cornet ), and the serpent are all made of wood (or sometimes plastic), and the olifant is made from ivory , but all of them belong to the family of brass instruments because the vibration is initiated by the player's lips. In the Hornbostel-Sachs scheme of musical instrument classification , wind instruments are classed as aerophones . Sound production in all wind instruments depends on

969-422: A vibration of the wall. Hence the material in which the flute is made is not relevant for the principle of the sound production. There is no essential difference between a golden or a silver flute. The sound production in a flute can be described by a lumped element model in which the pipe acts as an acoustic swing (mass-spring system, resonator ) that preferentially oscillates at a natural frequency determined by

1026-415: A wave is transmitted into one end of a transmission line and is reflected from the other end by an impedance mismatch , i.e. , discontinuity, such as an open circuit or a short . The failure of the line to transfer power at the standing wave frequency will usually result in attenuation distortion . In practice, losses in the transmission line and other components mean that a perfect reflection and

1083-435: A wavelength that satisfies this relationship with L . If waves travel with speed v along the string, then equivalently the frequency of the standing waves is restricted to The standing wave with n = 1 oscillates at the fundamental frequency and has a wavelength that is twice the length of the string. Higher integer values of n correspond to modes of oscillation called harmonics or overtones . Any standing wave on

1140-533: Is or equivalently when the frequency is where v is the speed of sound . Next, consider a pipe that is open at x = 0 (and therefore has a pressure node) and closed at x = L (and therefore has a pressure anti-node). The closed "free end" boundary condition for the pressure at x = L can be stated as ∂(Δp)/∂x = 0 , which is in the form of the Sturm–Liouville formulation . The intuition for this boundary condition ∂(Δp)/∂x = 0 at x = L

1197-402: Is a flowing water with shallow depth in which the inertia of the water overcomes its gravity due to the supercritical flow speed ( Froude number : 1.7 – 4.5, surpassing 4.5 results in direct standing wave ) and is therefore neither significantly slowed down by the obstacle nor pushed to the side. Many standing river waves are popular river surfing breaks. As an example of the second type,

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1254-452: Is driven by a small driving force at x = 0 . In this case, Equation ( 1 ) still describes the standing wave pattern that can form on the string, and the string has the same boundary condition of y = 0 at x = 0 . However, at x = L where the string can move freely there should be an anti-node with maximal amplitude of y . Equivalently, this boundary condition of the "free end" can be stated as ∂y/∂x = 0 at x = L , which

1311-402: Is half the wavelength, λ /2. Next, consider a string with fixed ends at x = 0 and x = L . The string will have some damping as it is stretched by traveling waves, but assume the damping is very small. Suppose that at the x = 0 fixed end a sinusoidal force is applied that drives the string up and down in the y-direction with a small amplitude at some frequency f . In this situation,

1368-415: Is in the form of the Sturm–Liouville formulation . The intuition for this boundary condition ∂y/∂x = 0 at x = L is that the motion of the "free end" will follow that of the point to its left. Reviewing Equation ( 1 ), for x = L the largest amplitude of y occurs when ∂y/∂x = 0 , or This leads to a different set of wavelengths than in the two-fixed-ends example. Here, the wavelength of

1425-440: Is made in the springtime of a willow, aspen or pine sprout. The bark is beaten on all sides, and twisted off of the wood. The blowing end is closed off with a stopper made from the wood, with one side cut off. At the place where the stopper ends, a whistle hole is cut into the bark, and one end of the hole is bent slightly inwards. Three to six finger holes are cut in the pipe. Wooden pipes are made of ash or linden wood. The bark

1482-479: Is on average no net propagation of energy . As an example of the first type, under certain meteorological conditions standing waves form in the atmosphere in the lee of mountain ranges. Such waves are often exploited by glider pilots . Standing waves and hydraulic jumps also form on fast flowing river rapids and tidal currents such as the Saltstraumen maelstrom . A requirement for this in river currents

1539-415: Is removed, and the instrument is hollowed out by burning, drilling or carving. The blowing hole, whistle hole and finger holes are made in the same way as for the bark pipes. Lamzdeliai are usually tuned to a diatonic major scale. The timbre is soft and breathy, but when the instrument is blown too strongly, the sound becomes sharp and shrill. Wind instrument Almost all wind instruments use

1596-421: Is that the pressure of the closed end will follow that of the point to its left. Examples of this setup include a bottle and a clarinet . This pipe has boundary conditions analogous to the string with only one fixed end. Its standing waves have wavelengths restricted to or equivalently the frequency of standing waves is restricted to For the case where one end is closed, n only takes odd values just like in

1653-409: The acoustical coupling from the bore to the outside air occurs at the bell for all notes, and the shape of the bell optimizes this coupling. It also plays a major role in transforming the resonances of the instrument. On woodwinds, most notes vent at the uppermost open tone holes; only the lowest notes of each register vent fully or partly at the bell, and the bell's function in this case is to improve

1710-414: The boundary conditions restrict the frequencies that can form standing waves. Next, the example of sound waves in a pipe demonstrates how the same principles can be applied to longitudinal waves with analogous boundary conditions. Standing waves can also occur in two- or three-dimensional resonators . With standing waves on two-dimensional membranes such as drumheads , illustrated in the animations above,

1767-412: The concept to higher dimensions. To begin, consider a string of infinite length along the x -axis that is free to be stretched transversely in the y direction. For a harmonic wave traveling to the right along the string, the string's displacement in the y direction as a function of position x and time t is The displacement in the y -direction for an identical harmonic wave traveling to

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1824-473: The consistency in tone between these notes and the others. Playing some wind instruments, in particular those involving high breath pressure resistance, produce increases in intraocular pressure , which has been linked to glaucoma as a potential health risk. One 2011 study focused on brass and woodwind instruments observed "temporary and sometimes dramatic elevations and fluctuations in IOP". Another study found that

1881-416: The driving force produces a right-traveling wave. That wave reflects off the right fixed end and travels back to the left, reflects again off the left fixed end and travels back to the right, and so on. Eventually, a steady state is reached where the string has identical right- and left-traveling waves as in the infinite-length case and the power dissipated by damping in the string equals the power supplied by

1938-413: The driving force so the waves have constant amplitude. Equation ( 1 ) still describes the standing wave pattern that can form on this string, but now Equation ( 1 ) is subject to boundary conditions where y = 0 at x = 0 and x = L because the string is fixed at x = L and because we assume the driving force at the fixed x = 0 end has small amplitude. Checking the values of y at

1995-419: The edgetone can be predicted from a measurement of the unsteady force induced by the jet flow on the sharp edge (labium). The sound production by the reaction of the wall to an unsteady force of the flow around an object is also producing the aeolian sound of a cylinder placed normal to an air-flow (singing wire phenomenon). In all these cases (flute, edgetone, aeolian tone...) the sound production does not involve

2052-432: The end of a pipe is closed, the pressure is maximal since the closed end of the pipe exerts a force that restricts the movement of air. This corresponds to a pressure anti-node (which is a node for molecular motions, because the molecules near the closed end cannot move). If the end of the pipe is open, the pressure variations are very small, corresponding to a pressure node (which is an anti-node for molecular motions, because

2109-438: The entry of air into a flow-control valve attached to a resonant chamber ( resonator ). The resonator is typically a long cylindrical or conical tube, open at the far end. A pulse of high pressure from the valve will travel down the tube at the speed of sound . It will be reflected from the open end as a return pulse of low pressure. Under suitable conditions, the valve will reflect the pulse back, with increased energy, until

2166-424: The hand holding the cigarette results into an oscillation of the plume increasing with distance upwards and eventually a chaotic motion (turbulence). The same jet oscillation can be triggered by gentle air flow in the room, which can be verified by waving with the other hand. The oscillation of the jet around the labium results into a fluctuating force of the airflow on the labium. Following the third law of Newton

2223-427: The jet) a localised perturbation of the velocity profile of the jet. This perturbation is strongly amplified by the intrinsic instability of the jet as the fluid travels towards the labium. This results into a global transversal motion of the jet at the labium. The amplification of perturbations of a jet by its intrinsic instability can be observed when looking at a plume of cigarette smoke. Any small amplitude motion of

2280-409: The labium exerts an opposite reaction force on the flow. One can demonstrate that this reaction force is the source of sound that drives the acoustic oscillation of the pipe. A quantitative demonstration of the nature of this type of sound source has been provided by Alan Powell when studying a planar jet interacting with a sharp edge in the absence of pipe (so called edgetone). The sound radiated from

2337-475: The last method, often in combination with one of the others, to extend their register. Wind instruments are typically grouped into two families: Woodwind instruments were originally made of wood, just as brass instruments were made of brass, but instruments are categorized based on how the sound is produced, not by the material used to construct them. For example, saxophones are typically made of brass, but are woodwind instruments because they produce sound with

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2394-573: The left is where For identical right- and left-traveling waves on the same string, the total displacement of the string is the sum of y R and y L , Using the trigonometric sum-to-product identity sin ⁡ a + sin ⁡ b = 2 sin ⁡ ( a + b 2 ) cos ⁡ ( a − b 2 ) {\displaystyle \sin a+\sin b=2\sin \left({a+b \over 2}\right)\cos \left({a-b \over 2}\right)} , Equation ( 1 ) does not describe

2451-399: The left-traveling blue wave and right-traveling green wave interfere, they form the standing red wave that does not travel and instead oscillates in place. Because the string is of infinite length, it has no boundary condition for its displacement at any point along the x -axis. As a result, a standing wave can form at any frequency. At locations on the x -axis that are even multiples of

2508-411: The length of the tube. The instability of the jet acts as an amplifier transferring energy from the steady jet flow at the flue exit to the oscillating flow around the labium. The pipe forms with the jet a feedback loop. These two elements are coupled at the flue exit and at the labium. At the flue exit the transversal acoustic flow of the pipe perturbs the jet. At the labium the jet oscillation results in

2565-484: The locations where the absolute value of the amplitude is maximum are called antinodes. Standing waves were first described scientifically by Michael Faraday in 1831. Faraday observed standing waves on the surface of a liquid in a vibrating container . Franz Melde coined the term "standing wave" (German: stehende Welle or Stehwelle ) around 1860 and demonstrated the phenomenon in his classic experiment with vibrating strings. This phenomenon can occur because

2622-501: The magnitude of increase in intraocular pressure correlates with the intraoral resistance associated with the instrument and linked intermittent elevation of intraocular pressure from playing high-resistance wind instruments to incidence of visual field loss. The range of intraoral pressure involved in various classes of ethnic wind instruments, such as Native American flutes , has been shown to be generally lower than Western classical wind instruments. Standing wave In physics ,

2679-494: The medium is moving in the direction opposite to the movement of the wave, or it can arise in a stationary medium as a result of interference between two waves traveling in opposite directions. The most common cause of standing waves is the phenomenon of resonance , in which standing waves occur inside a resonator due to interference between waves reflected back and forth at the resonator's resonant frequency . For waves of equal amplitude traveling in opposing directions, there

2736-417: The molecules near the open end can move freely). The exact location of the pressure node at an open end is actually slightly beyond the open end of the pipe, so the effective length of the pipe for the purpose of determining resonant frequencies is slightly longer than its physical length. This difference in length is ignored in this example. In terms of reflections, open ends partially reflect waves back into

2793-426: The mouthpiece, and a pressure node at the open end. For Air Reed ( flute and fipple -flute) instruments, the thin grazing air sheet (planar jet) flowing across an opening (mouth) in the pipe interacts with a sharp edge (labium) to generate sound. The jet is generated by the player, when blowing through a thin slit (flue). For recorders and flue organ pipes this slit is manufactured by the instrument maker and has

2850-445: The nodes become nodal lines, lines on the surface at which there is no movement, that separate regions vibrating with opposite phase. These nodal line patterns are called Chladni figures . In three-dimensional resonators, such as musical instrument sound boxes and microwave cavity resonators , there are nodal surfaces. This section includes a two-dimensional standing wave example with a rectangular boundary to illustrate how to extend

2907-431: The pipe, allowing some energy to be released into the outside air. Ideally, closed ends reflect the entire wave back in the other direction. First consider a pipe that is open at both ends, for example an open organ pipe or a recorder . Given that the pressure must be zero at both open ends, the boundary conditions are analogous to the string with two fixed ends, which only occurs when the wavelength of standing waves

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2964-453: The standing waves is restricted to Equivalently, the frequency is restricted to In this example n only takes odd values. Because L is an anti-node, it is an odd multiple of a quarter wavelength. Thus the fundamental mode in this example only has one quarter of a complete sine cycle–zero at x = 0 and the first peak at x = L –the first harmonic has three quarters of a complete sine cycle, and so on. This example also demonstrates

3021-435: The string will have n + 1 nodes including the fixed ends and n anti-nodes. To compare this example's nodes to the description of nodes for standing waves in the infinite length string, Equation ( 2 ) can be rewritten as In this variation of the expression for the wavelength, n must be even. Cross multiplying we see that because L is a node, it is an even multiple of a quarter wavelength, This example demonstrates

3078-407: The tension in their lips so that they vibrate under the influence of the air flowing through them. They adjust the vibration so that the lips are most closed, and the air flow is lowest, when a low-pressure pulse arrives at the mouthpiece, to reflect a low-pressure pulse back down the tube. Standing waves inside the tube will be odd multiples of a quarter- wavelength , with a pressure anti-node at

3135-472: The two ends, This boundary condition is in the form of the Sturm–Liouville formulation . The latter boundary condition is satisfied when sin ⁡ ( 2 π L λ ) = 0 {\displaystyle \sin \left({2\pi L \over \lambda }\right)=0} . L is given, so the boundary condition restricts the wavelength of the standing waves to Waves can only form standing waves on this string if they have

3192-412: The wave on a string can be written for the change in pressure Δ p due to a right- or left-traveling wave in the pipe. where If identical right- and left-traveling waves travel through the pipe, the resulting superposition is described by the sum This formula for the pressure is of the same form as Equation ( 1 ), so a stationary pressure wave forms that is fixed in space and oscillates in time. If

3249-442: The waves traveling through the air in the pipe vary in terms of their pressure and longitudinal displacement along the direction of wave motion. The wave propagates by alternately compressing and expanding air in segments of the pipe, which displaces the air slightly from its rest position and transfers energy to neighboring segments through the forces exerted by the alternating high and low air pressures. Equations resembling those for

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