The Kojiki-den (古事記伝) is a 44-volume commentary on the Kojiki written by the kokugaku scholar Motoori Norinaga .
53-601: The Kojiki-den is a commentary on the Kojiki , an eighth-century work of Shinto historiography and mythology, by the Edo period kokugaku scholar Motoori Norinaga . Motoori Norinaga was attracted to Shinto, as well as waka and monogatari , from a young age. While studying in Kyoto in the seventh month of the sixth year of Hōreki (1756), he purchased a copy of the Kan'ei edition of
106-406: A bamboo? Alas! For The wayfarer lying And hungered for rice! The second day, Shōtoku sent a messenger to the starving man, but he was already dead. Hereupon, he was greatly grieved and ordered his burial. Shōtoku later thought the man was no ordinary man for sure, and sending another messenger, discovered the earth had not been disturbed. On opening the tomb there was no body inside, and
159-454: A community where the kami , the emperor and the people lived in harmony. Norinaga's work was carried on in different directions by his disciple Hirata Atsutane and his rivals Fujitani Mitsue (1781–1849) and Tachibana Moribe (1768–1823), who each produced commentaries and treatises on the text. The Kojiki became once more the object of scholarly focus and discussion in the Meiji period with
212-551: A national epic like Beowulf is in the English-speaking world. During the 1920s and 30s, linguist Hashimoto Shinkichi studied the phonology of the Old Japanese language , and his conclusions were applied by scholars to the study of the text. The Kojiki continued to attract the attention of academics and other specialists in the post-war period, which saw the appearance of numerous editions, translations and commentaries on
265-459: A reappraisal of the Kojiki . Kokugaku scholars saw Japan's earliest writings as the repository of a uniquely superior Japanese identity that could be revived by recovering the ancient language they were written in; the Kojiki , by virtue of its antiquity, gained the status of a sacred text. The Kojiki came to be highly regarded that scholars such as Kada no Azumamaro and Kamo no Mabuchi – himself
318-467: A student of Azumamaro – produced annotated versions of it. The Kojiki received its most serious study and exposition in the hands of Motoori Norinaga , who obtained a copy of the Kan'ei printed edition in 1754. After meeting Mabuchi in 1763, Norinaga began to devote his efforts to an in-depth scholarly study of the text. A monumental 44-volume study of the Kojiki called Kojiki-den ( 古事記伝 , "Commentary on
371-411: A third wife, Nunakawahime ( 沼河比売 ) of Koshi . A tiny god riding on the waves of the sea in a bean-pod appears before Ōkuninushi. A god in the form of a scarecrow named Kuebiko ( 久延毘古 ) identifies the dwarf as Sukunabikona-no-Kami ( 少名毘古那神 ), a son of Kamimusubi-no-Kami ( 神産巣日神 ), one of the three primordial Kotoamatsukami . Sukunabikona assists Ōkuninushi in his task of creating and developing
424-511: A wide audience. The earliest printed edition of the text was the Kan'ei Kojiki ( 寛永古事記 ), published in Kyoto in 1644 ( Kan'ei 21). A second edition, the Gōtō Kojiki ( 鼇頭古事記 , " Kojiki with Marginal Notes") was printed by Deguchi (Watarai) Nobuyoshi , a priest at Ise Shrine , in 1687 ( Jōkyō 4). The birth of nativist studies ( kokugaku ) and nationalist sentiment during the Edo period saw
477-465: Is a condensed summary of the contents of the text, including many of the names of gods, emperors, and locations as well as events which took place in association with them. The original Japanese is included in parentheses where appropriate. Ō no Yasumaro 's preface, in the form of a dedicatory address to Empress Genmei , begins with a poem summarizing the main contents of the work. He then relates how Emperor Tenmu commissioned Hieda no Are to memorize
530-594: Is found in Seitoku University and its associated junior college (both in Matsudo, Chiba ) as well as Tokyo's defunct Seitoku Junior College of Nutrition (and indirectly its replacement Seiei College ). The portrait of Prince Shōtoku has appeared on 100 , 1,000 , 5,000 and 10,000 yen bills. Two bills made with different types of materials and special inks with a face value of 100,000,000 (one hundred million yen) were also issued. The characteristic of these bills
583-540: Is in the holdings of the Tenri Central Library . Kojiki The Kojiki ( 古事記 , "Records of Ancient Matters" or "An Account of Ancient Matters") , also sometimes read as Furukotofumi or Furukotobumi , is an early Japanese chronicle of myths , legends, hymns , genealogies, oral traditions , and semi-historical accounts down to 641 concerning the origin of the Japanese archipelago ,
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#1732848881827636-586: Is known by several titles, although his real name is Prince Umayado ( 厩戸皇子 , Umayado no ōji , literally ‘the prince of the stable door’) since he was born in front of a stable. He is also known as Toyosatomimi ( 豊聡耳 ) or Kamitsumiyaō ( 上宮王 ) . He is also known for bearing the Sanskrit Dharma name Bhavyaśīla which was awarded to him by Bodhidharma. In the Kojiki , his name appears as Kamitsumiya no Umayado no Toyosatomimi no Mikoto ( 上宮之厩戸豊聡耳命 ) . In
689-486: Is the oldest existing manuscript. While divided into the Ise branch, it is actually a mixture of the two branches. The monk Ken'yu based his copy on Ōnakatomi Sadayo's copy. In 1266, Sadayo copied volumes one and three but did not have access to the second volume. Finally, in 1282, he obtained access to the second volume through a Urabe-branch manuscript that he used to transcribe. The Kojiki contains various songs and poems. While
742-454: Is translated as "The world is vain and illusory, and the Buddha's realm alone is true." In his correspondence with Emperor Yang of Sui , Shōtoku's letter contains the earliest known written instance in which the Japanese archipelago is referred to by a term meaning "land of the rising sun." The Sui Emperor had dispatched a message in 605 that said, "the sovereign of Sui respectfully inquires about
795-706: The kami ( 神 ) , and the Japanese imperial line . It is claimed in its preface to have been composed by Ō no Yasumaro at the request of Empress Genmei in the early 8th century (711–712), and thus is usually considered to be the oldest extant literary work in Japan . The myths contained in the Kojiki as well as the Nihon Shoki ( 日本書紀 ) are part of the inspiration behind many practices and unified "Shinto orthodoxy". Later, they were incorporated into Shinto practices such as
848-437: The misogi purification ritual. It is believed that the compilation of various genealogical and anecdotal histories of the imperial (Yamato) court and prominent clans began during the reigns of Emperors Keitai and Kinmei in the 6th century, with the first concerted effort at historical compilation of which we have record being the one made in 620 under the auspices of Prince Shotoku and Soga no Umako . According to
901-839: The Nihon Shoki , in addition to Umayado no ōji , he is referred to as Toyosamimi Shōtoku (豊聡耳聖徳), Toyosatomimi no Nori no Ōkami (豊聡耳法大王), and simply Nori no Ushi no Ōkami (法主王). The name by which he is best known today, Prince Shōtoku , first appeared in Kaifūsō , written more than 100 years after his death in 622 AD. A number of institutes are named after Shōtoku, such as Shotoku Gakuen University and its associated junior college (both in Gifu ). The first syllable of his name (聖), can be read shō in Go-on and can also be read sei in Kan-on . The later reading
954-616: The Nihon Shoki , the documents compiled under their initiative were the Tennōki ( 天皇記 , also Sumera-mikoto no fumi ) or the "Record of the Emperors", the Kokki ( 国記 , also Kunitsufumi ) or the "National Record", and other "fundamental records" ( 本記 , hongi or mototsufumi ) pertaining to influential clans and free subjects. Out of these texts, only the Kokki survived the burning of Soga no Emishi 's estate (where these documents were kept) during
1007-455: The Isshi incident of 645, and was itself apparently lost soon after. The Kojiki 's preface indicates that leading families also kept their own historical and genealogical records; indeed, one of the reasons it gives for the compilation of the Kojiki is the correction of errors that had supposedly crept into these documents. According to the preface, Emperor Tenmu (reigned 673–686) ordered
1060-465: The Kamakura period (1185–1333), the work languished in obscurity such that very few people had access to the text, particularly that of the middle (second) volume. It is due to this neglect that the Kojiki is available only in comparatively late manuscripts, the earliest of which dates to the late 14th century. It was with the advent of printing in the early modern period that the Kojiki first reached
1113-683: The Kojiki was mostly treated as an ancillary text. Indeed, a work known as the Sendai Kuji Hongi (also known as the Kujiki ), claimed to have been authored by Prince Shōtoku and Soga no Umako, was considered to be earlier and more reliable than the Kojiki . (Modern scholarly consensus holds the Kuji Hongi to be a Heian period forgery based on both the Kojiki and the Shoki , although certain portions may indeed preserve genuine early traditions and sources.) By
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#17328488818271166-522: The Kojiki was still widely seen as inferior to the Nihon Shoki until Motoori Norinaga wrote the Kojiki-den . In 1913, Tsuda Sōkichi argued in a study that the Kojiki , particularly in its earlier sections, was neither history nor myth but a document created to legitimize the rule of the imperial line. While his conclusions led to considerable controversy, his influence remains in subsequent studies of
1219-473: The Kojiki ") , composed over a 34-year period (1764–1798), was the fruit of his labor. With Norinaga, the Kojiki assumed an importance equal to the Nihon Shoki ; in fact, in his view the Kojiki was a more trustworthy source for ancient Japanese traditions than was the Shoki precisely because it was free of "Chinese mentality". He viewed the Kojiki as a true account of actual events that when read correctly, could reveal Japan in its pristine, ideal state as
1272-422: The Kojiki , so it is thought that he read the work shortly after this point. His early writings following this date, such as the 1758 Aware Ben (安波礼弁) and Ashiwake Obune (排蘆小船) were more focused on the Nihon Shoki . In the 1761 Ame Tsuchi no Ben (阿毎菟知弁), he had moved toward placing more value on linguistic scholarship and attacked the Nihon Shoki ' s Chinese for being a barrier to research into
1325-579: The 1983 Nihon Koten Bungaku Daijiten ' s article on the Kojiki-den , written by Tadashi Ōkubo [ ja ] (1919–1980), Norinaga's original manuscripts for books 17, 18, 19, and 21 through 44 (27 books, 22 volumes), and secondary manuscripts for all 44 books (except for book 3, which is represented by a tertiary manuscript), are in the holdings of the Museum of Motoori Norinaga (本居宣長記念館 Motoori Norinaga Kinenkan ). The secondary manuscript for book 3
1378-428: The 28th of the 1st month of 712 (Wadō 5). The Kojiki is a collation of different traditions woven into a single "official" mythology, made in an attempt to justify the rule of the imperial Yamato polity and at the same time to subsume different interest groups under its wing by giving them a place and an interest in the national genealogy-mythology. Apart from furthering the imperial agenda, an increased interest in
1431-497: The Prince's purple garment lay folded on the coffin. The Prince then sent another messenger to claim the garment, and he continued to wear it just as before. Struck by awe, the people praised the Prince: "How true it is that a sage knoweth a sage." This legend is linked with the temple of Daruma-ji in Ōji, Nara , where a stone stupa was found underground, which is exceedingly rare. Shōtoku
1484-559: The ancient Japanese language . The Kojiki-den was completed in Kansei 10 (1798). It is in 44 books, first published in 44 volumes. The first five books were first printed in 1790, with books 6 through 11 following in 1792. Books 12 through 17 were printed in 1797. The rest of the work was not published until Bunsei 5 (1822), after Norinaga's death. The first editions were printed in Nagoya by Eirakuya Tōshirō (永楽屋東四郎) and others. According to
1537-689: The authorship of the Sangyō Gisho or "Annotated Commentaries on the Three Sutras" (the Lotus Sutra , the Vimalakirti Sutra , and the Śrīmālādevī Siṃhanāda Sūtra ). The first of these commentaries, Hokke Gisho , is traditionally dated to 615 and thus regarded as "the first Japanese text", in turn making Shōtoku the first known Japanese writer. In the late 6th century, Shōtoku led an enormous national project to promote Buddhism and he commissioned
1590-590: The construction of Shitennō-ji . The Buddhist temple was built in Settsu Province (present-day Osaka ) after his military victory against the powerful Mononobe clan , for he is said to have summoned them to crush his enemies. Shōtoku's name has been linked with Hōryū-ji , a temple in Yamato Province , and numerous other temples in the Kansai region . Documentation at Hōryū-ji claims that Suiko and Shōtoku founded
1643-404: The framework by which Japanese history was examined in terms of the reign of emperors. In contrast to the Nihon Shoki (compiled 720), the first of six histories commissioned by the imperial court, which was modeled on Chinese dynastic histories and was intended to be a national chronicle that could be shown with pride to foreign envoys, the Kojiki is inward looking, concerned mainly with
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1696-460: The genealogies and records of the imperial house years earlier, and how Genmei in turn ordered Yasumaro to compile a written record of what Are had learned. He finally concludes the preface with a brief explanation of the Chinese characters used to transcribe native Japanese words in the text and the division of the work into three volumes. Izanagi divides the world among his three children: Amaterasu
1749-456: The guise of a starving beggar. The Prince asked the beggar to identify himself, but the man did not reply. Instead of going ahead, Shōtoku gave him food, drink, and covered him with his purple garment, telling him to "lie in peace". Shōtoku then sang for the starving man. Alas! For The wayfarer lying And hungered for rice On the hill of Kataoka (The sunshiny) Art thou become Parentless? Hast thou no lord Flourishing as
1802-620: The historical records and myths are written in a form of the Chinese language , the songs are written in Old Japanese with the Man'yōgana writing system, which uses Chinese characters only phonetically. The Kojiki is divided into three parts: the Kamitsumaki ( 上巻 , "upper volume" ) , the Nakatsumaki ( 中巻 , "middle volume") and the Shimotsumaki ( 下巻 , "lower volume") . What follows
1855-405: The introduction of Western academic disciplines such as philology and comparative mythology . The importance of the text as a work of literary value was recognized, and scholars realized that its accounts were comparable in many ways to ancient Greek and Roman myths . At the same time, however, the Kojiki and Nihon Shoki achieved a sort of scriptural status under State Shintō , which viewed
1908-426: The jealousy of his brothers, who begin to make repeated attempts on his life. Seeking refuge in a subterranean realm ruled by Susanoo called Ne-no-Katasukuni ( 根之堅洲国 ), Ōnamuji meets and falls in love with Susanoo's daughter Suseribime-no-Mikoto ( 須勢理毘売 ). Upon learning of their affair, Susanoo imposes four trials on Ōnamuji, each of which he overcame with Suseribime's help. Ōnamuji manages to outwit Susanoo and leave
1961-660: The land ( kuni-zukuri ), but eventually crosses over to the "eternal land" ( 常世国 , tokoyo no kuni ), leaving Ōkuninushi without a partner. Another deity, Ōmononushi-no-Kami ( 大物主神 ), then appears and promises to aid Ōkuninushi if he will worship him. Ōkuninushi then enshrines Ōmononushi in Mount Mimoro in Yamato Province . Prince Shotoku Prince Shōtoku ( 聖徳太子 , Shōtoku Taishi , February 7, 574 – April 8, 622 ) , also known as Prince Umayado ( 厩戸皇子 , Umayado no ōjî, Umayado no miko ) or Prince Kamitsumiya ( 上宮皇子 , Kamitsumiya no ōji, Kamitsumiya no miko ) ,
2014-699: The life and accomplishments of Prince Shōtoku comes from the Nihon Shoki . The Prince is renowned for modernizing the government administration and for promoting Buddhism in Japan. He also had two different families that fought over his custody. Over successive generations, a devotional cult arose around the figure of Prince Shōtoku for the protection of Japan, the Imperial Family, and for Buddhism . Key religious figures such as Saichō , Shinran and others claimed inspiration or visions attributed to Prince Shōtoku. Parents Wives According to tradition, Shōtoku
2067-480: The nation's origins in reaction to the influx of foreign culture and the need for an authoritative genealogical account by which to consider the claims of noble families and to reorganize them into a new system of ranks and titles are also possible factors for its compilation. The Kojiki 's narrative establishes the Yamato line 's right to rule via myth and legend, portraying it as the progeny of heavenly deities and
2120-452: The realm, taking his new wife Suseribime as well as Susanoo's sword, koto , and bow and arrows back with him, but not before being advised by Susanoo to change his name to Ōkuninushi-no-Kami ( 大国主神 , "Master of the Great Land"). Ōkuninushi defeats his wicked brothers and becomes the lord of Ashihara-no-Nakatsukuni. Under the name Yachihoko-no-Kami ( 八千矛神 , "Eight Thousand Spears"), he takes
2173-506: The review and emendation of clan documents and commissioned a certain court attendant ( toneri ) of exceptional memory named Hieda no Are to memorize records and oral traditions concerning the imperial lineage. Beyond this memorization, nothing occurred until the reign of Empress Genmei (reigned 707–715), who on the 18th of the 9th month of 711 ( Wadō 4) ordered the courtier Ō no Yasumaro to record what had been learned by Hieda no Are. He finished and presented his work to Empress Genmei on
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2226-427: The rightful heir to the land of Japan. A good part of the latter portion of the text is spent recounting various genealogies which served not only to give the imperial family an air of antiquity (which may not necessarily reflect historical reality), but also served to tie, whether true or not, many existing clans' genealogies to their own. Regardless of the work's original intent, it finalized and possibly even formulated
2279-456: The ruling family and prominent clans, and is apparently intended for internal consumption. Whereas the Nihon Shoki uses a variety of source documents (including Chinese texts), the Kojiki is apparently based on sources handed down within the court. Whereas the Nihon Shoki , owing to its status as one of the six imperial histories, was widely read and studied during the Heian period (794–1185),
2332-509: The sovereign of Wa ," and Shōtoku responded by sponsoring a mission led by Ono no Imoko in 607, who brought along a note reading: "From the sovereign of the land of the rising sun ( hi izuru tokoro ) to the sovereign of the land of the setting sun." He is said to have been buried at Shinaga in Kawachi Province (modern Osaka Prefecture ). A legend claims that when Bodhidharma came to Japan, he met with Prince Shōtoku whilst under
2385-442: The stories contained therein as orthodox national history. Official ideology upheld as unquestionable fact the belief in the emperor's divinity and the idea of Japan as a racially superior "national body" ( kokutai ), with scholars who questioned their veracity facing the threat of censorship, forced resignation, or even trial in court. Until the Meiji era , the text's sacred nature was not known to have been questioned. However,
2438-602: The temple in the year 607. Archaeological excavations in 1939 have confirmed that Prince Shōtoku's palace, the Ikaruga no miya (斑鳩宮), stood in the eastern part of the current temple complex, where the Tō-in ( 東院 ) sits today. Despite being credited as the founder of Japanese Buddhism , it is also said that the Prince respected Shinto and never visited Buddhist temples without visiting Shinto shrines. A popular quote attributed to Shōtoku that became foundational for Buddhist belief in Japan
2491-494: The text (particularly in post- World War II scholarship), which amounts largely to development and correction of the line of thought originally proposed by him. In reaction to Tsuda, Watsuji Tetsurō (1920) argued for a literary appreciation of the Kojiki, claiming that this gave it inner coherence. Kurano Kenji (1927) took it a step further, proposing that the Kojiki may best be compared with Western epic literature and regarded as
2544-599: The text by authors such as Kurano Kenji, Takeda Yūkichi , Saigō Nobutsuna , and Kōnoshi Takamitsu . There are two major branches of Kojiki manuscripts: Ise and Urabe. The extant Urabe branch consists of 36 existing manuscripts all based on the 1522 copies by Urabe Kanenaga. The Ise branch may be subdivided into the Shinpukuji-bon ( 真福寺本 ) manuscript of 1371–1372 and the Dōka-bon ( 道果本 ) manuscripts. The Dōka sub-branch consists of: The Shinpukuji-bon manuscript (1371–1372)
2597-492: The two gods each chewed and spat out an object carried by the other (Amaterasu Susanoo's sword, Susanoo Amaterasu's magatama beads) during the rite of oath-taking. Susanoo, declaring himself the winner of the contest, "raged with victory" and proceeds to wreak havoc upon Takamagahara, causing Amaterasu to hide in the Ama-no-Iwato ( 天岩戸 , the "Heavenly Rock Cave"), plunging heaven and earth into total darkness. The gods, led by
2650-451: The wise Omoikane-no-Kami ( 思金神 ), eventually persuade her to come out of the cave, restoring light to the world. As punishment for his misdeeds, Susanoo is thrown out of Takamagahara. A descendant of Susanoo, Ōnamuji-no-Kami ( 大穴牟遅神 ), helps a hapless hare that had been mistreated by his eighty brothers ( 八十神 , yasogami ); the hare, in turn, helps Ōnamuji win the hand of the goddess Yagamihime ( 八上比売 ) of Inaba . This earns Ōnamuji
2703-476: Was a semi-legendary regent and a politician of the Asuka period in Japan who served under Empress Suiko . He was the son of Emperor Yōmei and his consort, Princess Anahobe no Hashihito, who was also Yōmei's younger half-sister. But later, he was adopted by Prince Shōtoken. His parents were relatives of the ruling Soga clan and also he was involved in the defeat of the rival Mononobe clan . The primary source of
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#17328488818272756-559: Was allotted Takamagahara ( 高天原 , the "Plain of High Heaven"), Tsukuyomi the night, and Susanoo the seas. Susanoo, who missed his mother and kept weeping and howling incessantly, rejects his appointed task, leading Izanagi to expel him. Susanoo then goes up to Takamagahara, claiming to wish to see his sister. When a suspicious Amaterasu went out to meet him clad in armor, Susanoo protested his innocence and proposed that they exchange oaths . Five male kami (Amaterasu's sons) and three female kami (Susanoo's daughters) come into existence when
2809-463: Was appointed regent ( Sesshō ) in 593 by Empress Suiko (554–628), his aunt. Shōtoku, inspired by the Buddha's teachings, succeeded in establishing a centralized government during his reign. In 603, he established the Twelve Level Cap and Rank System at the court. He is credited with promulgating the seventeen-article constitution . Shōtoku was an ardent Buddhist and is traditionally attributed
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