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73-582: Kewpie is a brand of dolls and figurines that were conceived as comic strip characters by cartoonist Rose O'Neill . The illustrated cartoons, appearing as baby cupid characters, began to gain popularity after the publication of O'Neill's comic strips in 1909, and O'Neill began to illustrate and sell paper doll versions of the Kewpies. The characters were first produced as bisque dolls in Waltershausen, Germany , beginning in 1912, and became extremely popular in

146-541: A syndicate hires people to write and draw a strip and then distributes it to many newspapers for a fee. Some newspaper strips begin or remain exclusive to one newspaper. For example, the Pogo comic strip by Walt Kelly originally appeared only in the New York Star in 1948 and was not picked up for syndication until the following year. Newspaper comic strips come in two different types: daily strips and Sunday strips . In

219-428: A "standard" size", with strips running the entire width of a page or having more than one tier. By the 1920s, strips often covered six of the eight columns occupied by a traditional broadsheet paper. During the 1940s, strips were reduced to four columns wide (with a "transition" width of five columns). As newspapers became narrower beginning in the 1970s, strips have gotten even smaller, often being just three columns wide,

292-598: A 10-inch Kewpie with a bisque head, composition body, and glass eyes today is worth $ 6,500, while a 20-inch (510 mm) doll is valued at $ 20,000. Many of the original, small-sized German-produced bisque Kewpies (c. 1912-1915) range from $ 200–$ 500 among collectors. Composition Kewpies range from $ 100–$ 300, while celluloid versions (especially unlicensed Japanese reproductions) are worth considerably less. Kewpies that were hand-signed by Rose O'Neill (most often etched on their arms or feet) are much rarer than unsigned Kewpies. Comic strip Most strips are written and drawn by

365-471: A 17-year-old art student named Joseph Kallus. The dolls were then released in nine different sizes, ranging from 1 to 12 inches (25–305 mm) in height. These early Kewpies wore a heart-shaped decal on their chests, which read "Kewpie, Germany", and some had jointed arms. Many of these original German Kewpies were signed by O'Neill herself, and some were featured in various poses. The small dolls became an international hit, and by 1914, O'Neill had become

438-419: A German toy company located in Waltershausen , set forth to manufacture small bisque dolls of the Kewpies. After the company manufactured the first run of dolls, they sent samples to O'Neill, who disapproved of the design because she felt they "did not look like her characters." O'Neill traveled to Germany and had the company destroy the moulds of the dolls, and oversaw the final redesign of them, working with

511-618: A Sunday comic strip for newspapers starting December 2, 1917, syndicated by the McClure Syndicate . The strip ended nine months later, on July 28, 1918. She produced a second Sunday strip starting November 25, 1934, and that version lasted until February 6, 1937. As demand for the Kewpie characters increased, Geo. Borgfeldt & Co. in New York contacted O'Neill in 1912 about developing a line of dolls and figurines. O'Neill agreed, and J.D. Kestner,

584-505: A comics artist, known as a cartoonist . As the word "comic" implies, strips are frequently humorous. Examples of these gag-a-day strips are Blondie , Bringing Up Father , Marmaduke , and Pearls Before Swine . In the late 1920s, comic strips expanded from their mirthful origins to feature adventure stories , as seen in Popeye , Captain Easy , Buck Rogers , Tarzan , and Terry and

657-575: A flock of geese (without anybody mourning their demise). Max and Moritz provided an inspiration for German immigrant Rudolph Dirks , who created the Katzenjammer Kids in 1897—a strip starring two German-American boys visually modelled on Max and Moritz . Familiar comic-strip iconography such as stars for pain, sawing logs for snoring, speech balloons, and thought balloons originated in Dirks' strip. Hugely popular, Katzenjammer Kids occasioned one of

730-430: A full page, and daily strips were generally the width of the page. The competition between papers for having more cartoons than the rest from the mid-1920s, the growth of large-scale newspaper advertising during most of the thirties, paper rationing during World War II , the decline on news readership (as television newscasts began to be more common) and inflation (which has caused higher printing costs) beginning during

803-461: A jointed composition body with a bisque or composition head. The composition Bleuette was produced from 1905 to 1958. In the United States composition dolls were hailed as an improvement in doll making from the fragile bisque and china material previously used. Two types of composition manufacturing processes were used: cold press and hot press . The cold-press composition manufacturing process

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876-481: A secondary strip by the same artist as the main strip. No matter whether it appeared above or below a main strip, the extra strip was known as the topper , such as The Squirrel Cage which ran along with Room and Board , both drawn by Gene Ahern . During the 1930s, the original art for a Sunday strip was usually drawn quite large. For example, in 1930, Russ Westover drew his Tillie the Toiler Sunday page at

949-446: A series of strokes in 1944. Despite the lessening in popularity, Kewpies continued to be manufactured for the majority of the century, including hard plastic versions, as well as all-bisque replicas of the original Kewpies, produced by Jesco and Cameo Co. in the 1960s until the 1990s. These reproduction Kewpies lack the heart-shaped decal that distinguishes the original, older versions. According to 200 Years of Dolls (fourth edition),

1022-493: A similar width to the one most daily panels occupied before the 1940s. In an issue related to size limitations, Sunday comics are often bound to rigid formats that allow their panels to be rearranged in several different ways while remaining readable. Such formats usually include throwaway panels at the beginning, which some newspapers will omit for space. As a result, cartoonists have less incentive to put great efforts into these panels. Garfield and Mutts were known during

1095-500: A single panel with a single gag, as seen occasionally in Mike Peters ' Mother Goose and Grimm . Early daily strips were large, often running the entire width of the newspaper, and were sometimes three or more inches high. Initially, a newspaper page included only a single daily strip, usually either at the top or the bottom of the page. By the 1920s, many newspapers had a comics page on which many strips were collected together. During

1168-558: A size of 17" × 37". In 1937, the cartoonist Dudley Fisher launched the innovative Right Around Home , drawn as a huge single panel filling an entire Sunday page. Full-page strips were eventually replaced by strips half that size. Strips such as The Phantom and Terry and the Pirates began appearing in a format of two strips to a page in full-size newspapers, such as the New Orleans Times Picayune , or with one strip on

1241-488: A tabloid page, as in the Chicago Sun-Times . When Sunday strips began to appear in more than one format, it became necessary for the cartoonist to allow for rearranged, cropped or dropped panels. During World War II , because of paper shortages, the size of Sunday strips began to shrink. After the war, strips continued to get smaller and smaller because of increased paper and printing costs. The last full-page comic strip

1314-549: A two-tier daily strip, Star Hawks , but after a few years, Star Hawks dropped down to a single tier. In Flanders , the two-tier strip is the standard publication style of most daily strips like Spike and Suzy and Nero . They appear Monday through Saturday; until 2003 there were no Sunday papers in Flanders. In the last decades, they have switched from black and white to color. Single panels usually, but not always, are not broken up and lack continuity. The daily Peanuts

1387-503: A wide range of colors. Printing plates were created with four or more colors—traditionally, the CMYK color model : cyan, magenta, yellow and "K" for black. With a screen of tiny dots on each printing plate, the dots allowed an image to be printed in a halftone that appears to the eye in different gradations. The semi-opaque property of ink allows halftone dots of different colors to create an optical effect of full-color imagery. The decade of

1460-499: Is a strip, and the daily Dennis the Menace is a single panel. J. R. Williams ' long-run Out Our Way continued as a daily panel even after it expanded into a Sunday strip, Out Our Way with the Willets . Jimmy Hatlo 's They'll Do It Every Time was often displayed in a two-panel format with the first panel showing some deceptive, pretentious, unwitting or scheming human behavior and

1533-617: The Lansing State Journal in two sheets, printed much larger than the final version and ready to be cut apart and fitted into the local comics page." Comic strip historian Allan Holtz described how strips were provided as mats (the plastic or cardboard trays in which molten metal is poured to make plates) or even plates ready to be put directly on the printing press. He also notes that with electronic means of distribution becoming more prevalent printed sheets "are definitely on their way out." NEA Syndicate experimented briefly with

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1606-640: The Flossy Frills series on The American Weekly Sunday newspaper supplement . In the UK and the rest of Europe, comic strips are also serialized in comic book magazines , with a strip's story sometimes continuing over three pages. Storytelling using a sequence of pictures has existed through history. One medieval European example in textile form is the Bayeux Tapestry . Printed examples emerged in 19th-century Germany and in mid 18th-century England, where some of

1679-544: The Internet . Many are exclusively published online, but the majority of traditional newspaper comic strips have some Internet presence. King Features Syndicate and other syndicates often provide archives of recent strips on their websites. Some, such as Scott Adams , creator of Dilbert , include an email address in each strip. Most comic strip characters do not age throughout the strip's life, but in some strips, like Lynn Johnston 's award-winning For Better or For Worse ,

1752-537: The editorial or op-ed page rather than the comics page because of their regular political commentary. For example, the August 12, 1974 Doonesbury strip was awarded a 1975 Pulitzer Prize for its depiction of the Watergate scandal . Dilbert is sometimes found in the business section of a newspaper instead of the comics page because of the strip's commentary about office politics , and Tank McNamara often appears on

1825-930: The miniatures written on scrolls coming out of their mouths—which makes them to some extent ancestors of the modern cartoon strips. In China, with its traditions of block printing and of the incorporation of text with image, experiments with what became lianhuanhua date back to 1884. The origin of the modern English language comic strip can be traced to the efflorescence of caricature in late 18th century London. English caricaturists such as Richard Newton and George Woodward developed sophisticated caricature styles using strips of expressive comic figures with captions that could be read left to right to cumulative effect, as well as business models for advertising and selling cheap comic illustration on regular subscription. Other leading British caricaturists produced strips as well; for example James Gillray in Democracy;-or-a Sketch of

1898-519: The newspaper war (1887 onwards) between Pulitzer and Hearst . The Little Bears (1893–96) was the first American comic strip with recurring characters, while the first color comic supplement was published by the Chicago Inter-Ocean sometime in the latter half of 1892, followed by the New York Journal ' s first color Sunday comic pages in 1897. On January 31, 1912, Hearst introduced

1971-441: The 1920s the medium became wildly popular. While radio, and later, television surpassed newspapers as a means of entertainment, most comic strip characters were widely recognizable until the 1980s, and the "funny pages" were often arranged in a way they appeared at the front of Sunday editions. In 1931, George Gallup's first poll had the comic section as the most important part of the newspaper, with additional surveys pointing out that

2044-458: The 1930s, the original art for a daily strip could be drawn as large as 25 inches wide by six inches high. Over decades, the size of daily strips became smaller and smaller, until by 2000, four standard daily strips could fit in an area once occupied by a single daily strip. As strips have become smaller, the number of panels have been reduced. Proof sheets were the means by which syndicates provided newspapers with black-and-white line art for

2117-1047: The 1960s saw the rise of underground newspapers , which often carried comic strips, such as Fritz the Cat and The Fabulous Furry Freak Brothers . Zippy the Pinhead initially appeared in underground publications in the 1970s before being syndicated. Bloom County and Doonesbury began as strips in college newspapers under different titles, and later moved to national syndication. Underground comic strips covered subjects that are usually taboo in newspaper strips, such as sex and drugs. Many underground artists, notably Vaughn Bode , Dan O'Neill , Gilbert Shelton , and Art Spiegelman went on to draw comic strips for magazines such as Playboy , National Lampoon , and Pete Millar's CARtoons . Jay Lynch graduated from undergrounds to alternative weekly newspapers to Mad and children's books. Webcomics , also known as online comics and internet comics , are comics that are available to read on

2190-413: The 1970s had been waning as an entertainment form. From 1903 to 1905 Gustave Verbeek , wrote his comic series "The UpsideDowns of Old Man Muffaroo and Little Lady Lovekins". These comics were made in such a way that one could read the 6 panel comic, flip the book and keep reading. He made 64 such comics in total. The longest-running American comic strips are: Most newspaper comic strips are syndicated;

2263-474: The 1997 Switcheroonie was a one-time publicity stunt, an artist taking over a feature from its originator is an old tradition in newspaper cartooning (as it is in the comic book industry). In fact, the practice has made possible the longevity of the genre's more popular strips. Examples include Little Orphan Annie (drawn and plotted by Harold Gray from 1924 to 1944 and thereafter by a succession of artists including Leonard Starr and Andrew Pepoy ), and Terry and

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2336-473: The 19th century combine a bisque head with a ball-jointed body made of composition. In 1877 French dollmaker Jumeau introduced the Bébé Incassable , with a bisque head portraying a young girl and a fully articulated composition body. With realistic glass eyes and contemporary fashion styles, thousands of Bébé dolls were produced for an international market. The French Bleuette doll from S.F.B.J. has

2409-472: The 19th century. Composite dolls were marketed as unbreakable, compared to earlier more fragile dolls. However, over time the composite material deteriorated, leaving many older dolls with small cracks and flaked surfaces. Some dolls were given a protective coating of varnish to delay deterioration. Notable composition dolls include Bleuette of France, Marilú of Argentina and Mariquita Pérez of Spain. Many antique German and French bisque dolls from

2482-476: The British magazine Judy by writer and fledgling artist Charles H. Ross in 1867, Ally Sloper is one of the earliest comic strip characters and he is regarded as the first recurring character in comics. The highly popular character was spun off into his own comic, Ally Sloper's Half Holiday , in 1884. While in the early 20th century comic strips were a frequent target for detractors of "yellow journalism", by

2555-500: The December 1909 issue. O'Neill described the characters as "a sort of little round fairy whose one idea is to teach people to be merry and kind at the same time." The name Kewpies is derived from Cupid , the Roman god of erotic love. After the characters gained popularity among both adults and children, O'Neill began illustrating paper dolls of them, called Kewpie Kutouts. O'Neill produced

2628-780: The Life of Buonaparte . His contemporary Thomas Rowlandson used strips as early as 1784 for example in The Loves of the Fox and the Badger . Rowlandson may also be credited with inventing the first internationally recognized comic strip character: Doctor Syntax whose picaresque journeys through England were told through a series of comic etchings, accompanied by verse. Original published in parts between 1809 and 1811 in Rudolf Ackermann 's Poetical Magazine , in book form The Tour of Doctor Syntax in search of

2701-843: The NCS, enthusiastically promote the medium, which since the 1970s (and particularly the 1990s) has been considered to be in decline due to numerous factors such as changing tastes in humor and entertainment, the waning relevance of newspapers in general and the loss of most foreign markets outside English-speaking countries. One particularly humorous example of such promotional efforts is the Great Comic Strip Switcheroonie , held in 1997 on April Fool's Day, an event in which dozens of prominent artists took over each other's strips. Garfield ' s Jim Davis, for example, switched with Blondie ' s Stan Drake, while Scott Adams ( Dilbert ) traded strips with Bil Keane ( The Family Circus ). While

2774-402: The Pirates . In the 1940s, soap-opera -continuity strips such as Judge Parker and Mary Worth gained popularity. Because "comic" strips are not always funny, cartoonist Will Eisner has suggested that sequential art would be a better genre -neutral name. Comic strips have appeared inside American magazines such as Liberty and Boys' Life , but also on the front covers, such as

2847-482: The Pirates , started by Milton Caniff in 1934 and picked up by George Wunder . A business-driven variation has sometimes led to the same feature continuing under a different name. In one case, in the early 1940s, Don Flowers ' Modest Maidens was so admired by William Randolph Hearst that he lured Flowers away from the Associated Press and to King Features Syndicate by doubling the cartoonist's salary, and renamed

2920-427: The United States, a daily strip appears in newspapers on weekdays, Monday through Saturday, as contrasted with a Sunday strip, which typically only appears on Sundays. Daily strips usually are printed in black and white, and Sunday strips are usually in color. However, a few newspapers have published daily strips in color, and some newspapers have published Sunday strips in black and white. Making his first appearance in

2993-548: The World ), some have verbal thoughts but are not understood by humans, ( Garfield , Snoopy in Peanuts ), and some can converse with humans ( Bloom County , Calvin and Hobbes , Mutts , Citizen Dog , Buckles , Get Fuzzy , Pearls Before Swine , and Pooch Cafe ). Other strips are centered entirely on animals, as in Pogo and Donald Duck . Gary Larson 's The Far Side

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3066-685: The adventures of Winnie Winkle , Moon Mullins and Dondi , and waited each fall to see how Lucy would manage to trick Charlie Brown into trying to kick that football. (After I left for college, my father would clip out that strip each year and send it to me just to make sure I didn't miss it.)" The two conventional formats for newspaper comics are strips and single gag panels. The strips are usually displayed horizontally, wider than they are tall. Single panels are square, circular or taller than they are wide. Strips usually, but not always, are broken up into several smaller panels with continuity from panel to panel. A horizontal strip can also be used for

3139-509: The baby-like Billiken figures that debuted in 1908. Rose O'Neill, a Nebraska native who had worked as a writer and illustrator in New York City, initially conceptualized the Kewpie as a cartoon intended for a comic strip in 1909. According to O'Neill, the idea for the Kewpies came to her in a dream. The comic, featuring the cherub-faced characters, was first printed in Ladies' Home Journal in

3212-623: The characters age as the years pass. The first strip to feature aging characters was Gasoline Alley . The history of comic strips also includes series that are not humorous, but tell an ongoing dramatic story. Examples include The Phantom , Prince Valiant , Dick Tracy , Mary Worth , Modesty Blaise , Little Orphan Annie , Flash Gordon , and Tarzan . Sometimes these are spin-offs from comic books , for example Superman , Batman , and The Amazing Spider-Man . A number of strips have featured animals as main characters. Some are non-verbal ( Marmaduke , The Angriest Dog in

3285-546: The characters to promote the women's suffrage movement, using the illustrations in slogans and cartoons. After World War I began in Europe, production of the bisque Kewpie dolls moved from Germany to France and Belgium, due to rising tensions after the assassination of Archduke Franz Ferdinand. Around this time, the dolls also began to be produced in the United States, made of composition material rather than bisque, due to bisque's fragility. The manufacturers also began to increase

3358-462: The characters. Hearst promptly hired Harold Knerr to draw his own version of the strip. Dirks renamed his version Hans and Fritz (later, The Captain and the Kids ). Thus, two versions distributed by rival syndicates graced the comics pages for decades. Dirks' version, eventually distributed by United Feature Syndicate , ran until 1979. In the United States, the great popularity of comics sprang from

3431-594: The comic strips were the second most popular feature after the picture page. During the 1930s, many comic sections had between 12 and 16 pages, although in some cases, these had up to 24 pages. The popularity and accessibility of strips meant they were often clipped and saved; authors including John Updike and Ray Bradbury have written about their childhood collections of clipped strips. Often posted on bulletin boards , clipped strips had an ancillary form of distribution when they were faxed, photocopied or mailed. The Baltimore Sun ' s Linda White recalled, "I followed

3504-598: The early 20th century. The Kewpie dolls were initially made out of bisque exclusively, but composition versions were introduced in the 1920s, and celluloid versions were manufactured in the following decades. In 1949, Effanbee created the first hard plastic versions of the dolls, and soft rubber and vinyl versions were produced by Cameo Co. and Jesco between the 1960s and 1990s. The earlier bisque and composition versions of Kewpie dolls are widely sought-after by antique and doll collectors, who especially want those hand-signed by O'Neill. Kewpies should not be confused with

3577-517: The feature Glamor Girls to avoid legal action by the AP. The latter continued to publish Modest Maidens , drawn by Jay Allen in Flowers' style. As newspapers have declined , the changes have affected comic strips. Jeff Reece, lifestyle editor of The Florida Times-Union , wrote, "Comics are sort of the ' third rail ' of the newspaper." In the early decades of the 20th century, all Sunday comics received

3650-402: The fifties and sixties led to Sunday strips being published on smaller and more diverse formats. As newspapers have reduced the page count of Sunday comic sections since the late 1990s (by the 2010s, most sections have only four pages, with the back page not always being destined for comics) has also led to further downsizes. Daily strips have suffered as well. Before the mid-1910s, there was not

3723-460: The first satirical or humorous sequential narrative drawings were produced. William Hogarth 's 18th-century English caricature include both narrative sequences, such as A Rake's Progress , and single panels. The Biblia pauperum ("Paupers' Bible"), a tradition of picture Bibles beginning in the Late Middle Ages , sometimes depicted Biblical events with words spoken by the figures in

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3796-400: The first comic-strip copyright ownership suits in the history of the medium. When Dirks left William Randolph Hearst for the promise of a better salary under Joseph Pulitzer , it was an unusual move, since cartoonists regularly deserted Pulitzer for Hearst. In a highly unusual court decision, Hearst retained the rights to the name "Katzenjammer Kids", while creator Dirks retained the rights to

3869-516: The highest-paid female illustrator in the country, garnering a small fortune from the wild popularity of the dolls. The Kewpie brand soon became a household name, and was used widely in product advertising, including promotion for Jell-O , Colgate , Kellogg's Corn Flakes , and Sears . The Kewpies also appeared as a brand on a multitude of household items and other memorabilia, such as dishware, rattles, soap, pepper shakers, coloring books, poetry collections, and stationery. O'Neill also famously used

3942-547: The history of London. The Reuben , named for cartoonist Rube Goldberg , is the most prestigious award for U.S. comic strip artists. Reuben awards are presented annually by the National Cartoonists Society (NCS). In 1995, the United States Postal Service issued a series of commemorative stamps, Comic Strip Classics , marking the comic-strip centennial. Today's strip artists, with the help of

4015-401: The late 1960s, it became a mouthpiece for Capp's repudiation of the counterculture. Pogo used animals to particularly devastating effect, caricaturing many prominent politicians of the day as animal denizens of Pogo's Okeefenokee Swamp. In a fearless move, Pogo's creator Walt Kelly took on Joseph McCarthy in the 1950s, caricaturing him as a bobcat named Simple J. Malarkey, a megalomaniac who

4088-403: The late 19th century. The Yellow Kid is usually credited as one of the first newspaper strips . However, the art form combining words and pictures developed gradually and there are many examples which led up to the comic strip. The Glasgow Looking Glass was the first mass-produced publication to tell stories using illustrations and is regarded as the world's first comic strip. It satirised

4161-505: The members with his drawings and the force of his personality. The comic strip was safe for satire. During the early 20th century, comic strips were widely associated with publisher William Randolph Hearst , whose papers had the largest circulation of strips in the United States. Hearst was notorious for his practice of yellow journalism , and he was frowned on by readers of The New York Times and other newspapers which featured few or no comic strips. Hearst's critics often assumed that all

4234-573: The mid-1920s, small-sized celluloid versions of Kewpies appeared, and were often given out as prizes at carnivals . Many of the celluloid versions were mainly manufactured in Japan, unlicensed, and were of a lower quality than other Kewpies. During this time, many Kewpies were sold with clothing, as well. As photographs became more commonplace in advertising, the prominence of Kewpies in the marketing circuit began to wane. O'Neill returned to Missouri, where she died purportedly impoverished of complications from

4307-401: The mid-to-late 80s and 1990s respectively for their throwaways on their Sunday strips, however both strips now run "generic" title panels. Composition doll A composition doll is a doll made partially or wholly out of composition , a composite material composed of sawdust, glue, and other materials such as cornstarch, resin and wood flour. The first composition dolls were made in

4380-462: The nation's first full daily comic page in his New York Evening Journal . The history of this newspaper rivalry and the rapid appearance of comic strips in most major American newspapers is discussed by Ian Gordon . Numerous events in newspaper comic strips have reverberated throughout society at large, though few of these events occurred in recent years, owing mainly to the declining use of continuous storylines on newspaper comic strips, which since

4453-674: The picturesque ran to 9 editions between 1812 and 1819, spun off two sequels, a prequel, numerous pirate imitations and copies including French, German, Danish and translations. His image was available on pottery, textiles wallpaper and other merchandise. The Caricature Magazine or Hudibrastic Mirror , an influential English comic series published in London between 1807 and 1819 by Thomas Tegg included some satirical stories in comic strip format such as The Adventures of Johnny Newcome . The first newspaper comic strips appeared in North America in

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4526-612: The political and social life of Scotland in the 1820s. It was conceived and illustrated by William Heath. Swiss author and caricature artist Rodolphe Töpffer (Geneva, 1799–1846) is considered the father of the modern comic strips. His illustrated stories such as Histoire de Mr. Vieux Bois (1827), first published in the US in 1842 as The Adventures of Obadiah Oldbuck or Histoire de Monsieur Jabot (1831), inspired subsequent generations of German and American comic artists. In 1865, German painter, author, and caricaturist Wilhelm Busch created

4599-439: The reproduction of strips (which they arranged to have colored in the case of Sunday strips). Michigan State University Comic Art Collection librarian Randy Scott describes these as "large sheets of paper on which newspaper comics have traditionally been distributed to subscribing newspapers. Typically each sheet will have either six daily strips of a given title or one Sunday strip. Thus, a week of Beetle Bailey would arrive at

4672-413: The second panel revealing the truth of the situation. Sunday newspapers traditionally included a special color section. Early Sunday strips (known colloquially as "the funny papers", shortened to "the funnies"), such as Thimble Theatre and Little Orphan Annie , filled an entire newspaper page, a format known to collectors as full page . Sunday pages during the 1930s and into the 1940s often carried

4745-401: The sizes of the dolls, producing 22-inch (560 mm) versions in addition to the 12-inch (300 mm) versions. The American composition dolls also had the distinctive heart-shaped decal on the chest, reading "Kewpies, des. & copyright by Rose O'Neill." Like the original bisque models, some of the composition Kewpies were also hand-signed by O'Neill, and they all included jointed arms. In

4818-494: The sports page because of its subject matter. Lynn Johnston 's For Better or For Worse created an uproar when Lawrence, one of the strip's supporting characters, came out of the closet. The world's longest comic strip is 88.9-metre (292 ft) long and on display at Trafalgar Square as part of the London Comedy Festival. The London Cartoon Strip was created by 15 of Britain's best known cartoonists and depicts

4891-463: The strip Max and Moritz , about two trouble-making boys, which had a direct influence on the American comic strip. Max and Moritz was a series of seven severely moralistic tales in the vein of German children's stories such as Struwwelpeter ("Shockheaded Peter"). In the story's final act, the boys, after perpetrating some mischief, are tossed into a sack of grain, run through a mill, and consumed by

4964-451: The strips in his papers were fronts for his own political and social views. Hearst did occasionally work with or pitch ideas to cartoonists, most notably his continued support of George Herriman 's Krazy Kat . An inspiration for Bill Watterson and other cartoonists, Krazy Kat gained a considerable following among intellectuals during the 1920s and 1930s. Some comic strips, such as Doonesbury and Mallard Fillmore , may be printed on

5037-505: The way for some of these strips, as its human characters were manifest in diverse forms—as animals, vegetables, and minerals. The comics have long held a distorted mirror to contemporary society, and almost from the beginning have been used for political or social commentary. This ranged from the conservative slant of Harold Gray's Little Orphan Annie to the unabashed liberalism of Garry Trudeau's Doonesbury . Al Capp's Li'l Abner espoused liberal opinions for most of its run, but by

5110-513: Was bent on taking over the characters' birdwatching club and rooting out all undesirables. Kelly also defended the medium against possible government regulation in the McCarthy era . At a time when comic books were coming under fire for supposed sexual, violent, and subversive content, Kelly feared the same would happen to comic strips. Going before the Congressional subcommittee, he proceeded to charm

5183-609: Was invented by Solomon D. Hoffmann in the 1890s. Hot-press composition began around 1920 and was an improvement in the processing. Horsman secured the rights from Hoffmann, whose company was the American Doll Company . Some early celebrity dolls were made of composition, like the Baby Peggy doll from Louis Amberg & Sons , which was a success in 1923. The American Ideal Toy Company began making composition dolls in 1907. They produced over 200 variations of dolls throughout

5256-711: Was the Prince Valiant strip for 11 April 1971. Comic strips have also been published in Sunday newspaper magazines. Russell Patterson and Carolyn Wells' New Adventures of Flossy Frills was a continuing strip series seen on Sunday magazine covers. Beginning January 26, 1941, it ran on the front covers of Hearst's American Weekly newspaper magazine supplement, continuing until March 30 of that year. Between 1939 and 1943, four different stories featuring Flossy appeared on American Weekly covers. Sunday comics sections employed offset color printing with multiple print runs imitating

5329-561: Was unusual, as there were no central characters. Instead The Far Side used a wide variety of characters including humans, monsters, aliens , chickens, cows, worms , amoebas , and more. John McPherson's Close to Home also uses this theme, though the characters are mostly restricted to humans and real-life situations. Wiley Miller not only mixes human, animal, and fantasy characters, but also does several different comic strip continuities under one umbrella title, Non Sequitur . Bob Thaves 's Frank & Ernest began in 1972 and paved

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