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30-560: Ingå is located 37 kilometres (23 mi) east of Ekenäs , the town centre of Raseborg . Ingå covers an area of 954.02 square kilometres (368.35 sq mi) of which 604.21 km (233.29 sq mi) is water. The population density is 15.41 inhabitants per square kilometre (39.9/sq mi). Ingå is a bilingual municipality with Finnish and Swedish as its official languages. The population consists of 43% Finnish speakers, 52% Swedish speakers, and 5% speakers of other languages. Finnish national road 51 goes right through

60-456: A character that was hers alone. She continued experimenting with various techniques such as using different types of underpainting . In 1913 Schjerfbeck met the art-dealer Gösta Stenman  [ fi ] , with whose encouragement she exhibited at Malmö in 1914, Stockholm in 1916 and St Petersburg in 1917. In 1917 Stenman organised her first solo exhibition and in that year Einar Reuter  [ fi ] (alias H. Ahtela) published

90-452: A close connection with, Ekenäs. Kaija Saarikettu , violinist and Professor at Sibelius Academy , was born in Ekenäs. Ekenäs was also the name of a sub-region of Uusimaa , containing the following municipalities before 2009: [REDACTED] Media related to Ekenäs at Wikimedia Commons [REDACTED] Ekenäs travel guide from Wikivoyage This Southern Finland location article

120-723: A couple of months in Meudon , and then a few more months in Pont-Aven a small fishing in Concarneau , Brittany. She then went back to the Académie Colarossi briefly, before returning to the Adlercreutz family manor  [ fi ] in Finland. Schjerfbeck continued to move around frequently, painting and studying with various people. Schjerfbeck made money by continuing to put her paintings in

150-442: A favourable reception until later in her life. Her work starts with a dazzlingly skilled, somewhat melancholic version of late-19th-century academic realism…it ends with distilled, nearly abstract images in which pure paint and cryptic description are held in perfect balance. (Roberta Smith, New York Times, November 27, 1992) Schjerbeck's birthday, July 10, is Finland's national day for the painted arts. Helena Sofia Schjerfbeck

180-464: A fire in 1821. There are two buildings in Ekenäs designed by world famous Finnish architect Alvar Aalto ; the Ekenäs Savings Bank (1964) and Villa Skeppet (1969), the home of Aalto's biographer, Göran Schildt. Ekenäs is home of the oldest still functional movie theatre in Finland called Bio Forum . The theatre is located in the old town centre in a small Art Nouveau (Jugend) building and it

210-622: A limp for the rest of her life. She showed talent at an early age, and, in 1873, by the time she was eleven she was enrolled at the Finnish Art Society School of Drawing. Her fees were paid by Adolf von Becker , who saw promise in her. At this school Schjerfbeck met Helena Westermarck . These two, and artist Maria Wiik and lesser known Ada Thilén had a close friendship during their lives. When Schjerfbeck's father died of tuberculosis on February 2, 1876, Schjerfbeck's mother took in boarders so that they could get by. A little over

240-472: A series (including also The Family Heirloom of the same year) featuring neighbours of Schjerfbeck, Jenny and Impi Tamlander, who ran errands for Schjerfbeck and her mother and helped look after the family home. Here the sitter is Impi. The painting realized £869,000 at a 2015 Sotheby's London sale. Schjerfbeck was included in the 2018 exhibit Women in Paris 1850–1900 . Art forger Veli Seppä  [ fi ]

270-542: A year after her father's death, Schjerfbeck graduated from the Finnish Art Society drawing school. She continued her education, with Westermarck, at a private academy run by Adolf von Becker, which utilised the University of Helsinki drawing studio. Professor Georg Asp  [ fi ] paid for her tuition to Becker's private academy. There, Becker himself taught her French oil painting techniques. In 1879, at

300-491: A year in Finland, Schjerfbeck travelled again to Paris in the autumn of 1886. Schjerfbeck was given more money to travel by a man from the Finnish Art Society and in 1887 she travelled to St Ives, Cornwall , in Britain. There she painted The Bakery (1887) and The Convalescent , the latter winning the bronze medal at the 1889 Paris World Fair . The painting was later bought by the Finnish Art Society. During this period Schjerfbeck

330-405: Is bilingual , with the majority being Swedish speakers (81%), and the minority Finnish speakers (17%). Ekenäs is Finland's seventh oldest town and the first of the non-medieval towns. King Gustav Wasa granted town rights to Ekenäs on 15 December 1546, but even before that Ekenäs played a significant role in maritime transport . Today it is mostly noted for its archipelago , part of which

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360-553: Is a stub . You can help Misplaced Pages by expanding it . Helene Schjerfbeck Helena Sofia ( Helene ) Schjerfbeck ( pronounced [heˈleːn ˈʃæ̌rvbek] ; July 10, 1862 – January 23, 1946) was a Finnish painter . A modernist painter, she is known for her realist works and self-portraits, and also for her landscapes and still lifes. Throughout her long life, her work changed dramatically beginning with French-influenced realism and plein air painting. It gradually evolved towards portraits and still life paintings. At

390-592: Is the Ekenäs Archipelago National Park . The old, mainly wooden town center is protected due to its cultural historical value, and renovation of even residential buildings is strictly controlled. The history of the old town dates back to 16th century, but most of the current buildings have been built between 18th and 19th century. The present Neoclassical form of the Ekenäs church was designed by Italian-born architect Charles Bassi in 1839–1842 following

420-510: The 2011 Finnish parliamentary election in Ingå: Eken%C3%A4s, Finland Ekenäs ( Finland Swedish: [ˈeːkeneːs] ; Finnish : Tammisaari [ˈtɑmːisɑːri] ) is a town and former municipality in Finland that comprised the former municipalities of Snappertuna and Tenala together with the town of Ekenäs. It was merged with Pohja and Karis to form

450-556: The Art Society's exhibitions, and she also did illustrations for books. After returning to Finland in 1882, in 1884 she was back in Paris at the Académie Colarossi with Westermarck, but this time they were working there. During this time she participated in Académie des Beaux-Arts’ The Salon and painted again in Brittany. In the chapel of Trèmolo near the village of Pont-Aven Schjerfbeck produced

480-515: The age of 17, Schjerfbeck won third prize in a competition organised by the Finnish Art Society, and in 1880 her work was displayed in an annual Finnish Art Society exhibition. That summer Schjerfbeck spent time at Sjundby Manor owned by her aunt on her mother's side, Selma Printz, and Selma's husband Thomas Adlercreutz. There she spent time drawing and painting her cousins. Schjerfbeck became particularly close to her cousin Selma Adlercreutz, who

510-504: The art world was through magazines sent by friends." Since she did not have art, Schjerfbeck took up hobbies like reading and embroidery. During this time Schjerbeck produced still lifes and landscape paintings, as well as portraits, such as that of her mother, local school girls and women workers, and also self-portraits, and she became a modernist painter . Her work has been compared to that of artists such as James McNeill Whistler and Edvard Munch , but from 1905 her paintings took on

540-575: The beginning of her career she often produced historical paintings, such as the Wounded Warrior in the Snow (1880), At the Door of Linköping Jail in 1600 (1882) and The Death of Wilhelm von Schwerin (1886). Historical paintings were usually the realm of male painters, as was the experimentation with modern influences and French radical naturalism. As a result, her works produced mostly in the 1880s did not receive

570-618: The first Schjerfbeck monograph. Later she exhibited at Copenhagen (1919), Gothenburg (1923) and Stockholm (1934). In 1937 Stenman organised another solo exhibition for her in Stockholm, and in 1938 he began paying her a monthly stipend. Her paintings were successfully displayed in several exhibitions in Sweden in the 1930s and 1940s. As the years passed, Schjerfbeck travelled less. When a family matter arose she would return to her home city of Helsinki and she spent most of 1920 in Ekenäs , but by 1921 she

600-454: The new municipality of Raseborg on January 1, 2009. Ekenäs is in the province of Southern Finland , and is part of the Uusimaa ( Swedish : Nyland ) region . The town had a population of 14,754 (as of 31 December 2008) and covered a land area of 726.73 square kilometres (280.59 sq mi). The population density was 20.30 inhabitants per square kilometre (52.6/sq mi). The town

630-477: The painting The Door (1884). In late Autumn 1883, Schjerfbeck got engaged to a Swedish painter Otto Hagborg who also lived in Pont-Aven in the winter and spring of 1883–1884. The engagement, however, came to an end in 1885 when a problem with Schjerfbeck's hip led the groom's family to suspect tuberculosis. In reality the issue was a result of her fall during childhood. Schjerfbeck never married. After spending

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660-537: The painting was nicknamed "The Grasshopper". Executed in Realist style, the painting shows the clear influence of Schjerfbeck's stay in Paris where she had expressed admiration for Édouard Manet , Edgar Degas , Berthe Morisot , and Mary Cassatt . It fetched £3,044,500 at a 2008 Sotheby's London sale. Girl with Blonde Hair (1916) is an example of Schjerfbeck's mature style, drawing on French Modernism . The work belongs to

690-584: The series of self-portraits. She died on January 23, 1946, and was buried at the Hietaniemi Cemetery in Helsinki. Dancing Shoes is one of Schjerfbeck's most popular paintings and she returned to the theme three times as well as executing a lithograph of it, the latter catapulting the painting to international fame. It depicts her cousin Esther Lupander, who had extremely long legs and for that reason

720-613: The southern part of Ingå. The centre consists mainly of the road Bollstavägen that cuts through the Ingå centrum. Along the road are most of the major buildings and shops of the small municipality. A few grocery stores, small kiosk, library and a bar. Towards the Road 51 there is the residential area. Near road 51, at the northern tip of the residential area is the Ingå Volunteer Rescue Company. Nearby villages include Kusans . Results of

750-413: Was an admirer of hers and writes of his time forging Schjerfbeck's works: "By encroaching on Schjerfbeck I felt like I had violated something sacred. It was if I had broken into a sacristy to steal the church silvers." Fellow forger and self-admitted seller of 60 Schjerfbeck counterfeits Jouni Ranta was more critical and opined her fame was undeserved. The 2003 biographical novel Helene by Rakel Liehu

780-718: Was back living in Hyvinkää. For about a year, Schjerfbeck moved to a farm in Tenala to avoid the Winter War , but went back to Ekenäs in the middle of 1940. She later moved into a nursing home, where she resided for less than a year before moving to the Luontola sanatorium. In 1944 she moved into the Saltsjöbaden spa hotel in Sweden , where she continued to paint actively even during her last years; e.g.

810-523: Was born on July 10, 1862, in Helsinki , Finland (then an autonomous Grand-Duchy within the Russian Empire), to Svante Schjerfbeck (an office manager) and Olga Johanna (née Printz). She had one surviving brother, Magnus Schjerfbeck (1860–1933), who went on to become an architect. In 1866, when she was four she fell down some stairs injuring her hip, which prevented her from attending school and left her with

840-628: Was founded in 1912. At the time it was called Ekenäs Nya Biograf Teater . Among notable residents are author Marianne Alopaeus , who wrote in Swedish. She was born in Ekenäs in 1918. One of the most renowned finnish modernist painters Helene Schjerfbeck spend her summers 1918-1920 in Ekenäs and lived in the town permanently 1925-1941. Ekenäs museum center Ekta has a permanent exhibition of her work called Helene Schjerfbeck's Life and Art . Emma Engdahl-Jägerskiöld , one of Finland's first internationally-recognised opera singers grew up in, and always retained

870-549: Was her age. In 1880, she set off to Paris later that year after receiving a travel grant from the Imperial Russian Senate . In Paris, Schjerfbeck painted with Helena Westermarck, then left to study with Léon Bonnat at Mme Trélat de Vigny's studio. In 1881 she moved to the Académie Colarossi , where she studied once again with Westermarck. The Imperial Senate gave her another scholarship, which she used to spend

900-593: Was painting in a naturalistic plein-air style. In the 1890s Schjerfbeck started teaching regularly in Finland at the Art Society drawing school, now the Academy of Fine Arts . Hilda Flodin was one of her students. However, in 1901 she became too ill to teach and in 1902 she resigned from her post. She moved to Hyvinkää , which was known for its sanatorium, all while taking care of her mother who lived with her (the mother died in 1923). While living in Hyvinkää, she continued to paint and exhibit. "Schjerfbeck’s sole contact with

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