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Humbucker

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A humbucker , humbucking pickup , or double coil , is a guitar pickup that uses two wire coils to cancel out noisy interference from coil pickups . Humbucking coils are also used in dynamic microphones to cancel electromagnetic hum. Humbuckers are one of two main types of guitar pickups. The other is single coil .

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84-450: The "humbucking coil" was invented in 1934 by Electro-Voice , an American professional audio company based in South Bend, Indiana , that Al Kahn and Lou Burroughs incorporated in 1930 for the purpose of manufacturing portable public address equipment, including microphones and loudspeakers . The twin coiled guitar pickup invented by Arnold Lesti in 1935 is arranged as a humbucker, and

168-451: A phase reversal or phase inversion implies a 180-degree phase shift. When the phase difference φ ( t ) {\displaystyle \varphi (t)} is a quarter of turn (a right angle, +90° = π/2 or −90° = 270° = −π/2 = 3π/2 ), sinusoidal signals are sometimes said to be in quadrature , e.g., in-phase and quadrature components of a composite signal or even different signals (e.g., voltage and current). If

252-924: A simple harmonic oscillation or sinusoidal signal is the value of φ {\textstyle \varphi } in the following functions: x ( t ) = A cos ⁡ ( 2 π f t + φ ) y ( t ) = A sin ⁡ ( 2 π f t + φ ) = A cos ⁡ ( 2 π f t + φ − π 2 ) {\displaystyle {\begin{aligned}x(t)&=A\cos(2\pi ft+\varphi )\\y(t)&=A\sin(2\pi ft+\varphi )=A\cos \left(2\pi ft+\varphi -{\tfrac {\pi }{2}}\right)\end{aligned}}} where A {\textstyle A} , f {\textstyle f} , and φ {\textstyle \varphi } are constant parameters called

336-601: A board with it before using it for his public address. Buchanan referred to the company's Michigan headquarters. In 1963, EV received an Academy Award for their 642 Cardiline shotgun microphone , the first ever given for an audio product. Electro-Voice launched its RE Series of microphones in the 1960s, notably the RE15, which was used extensively by musicians on television shows. The RE series used "Variable D" technology first developed by EV in 1953, which eliminated changes in tone and frequency response corresponding to changes in

420-427: A constant hum or buzz. This is most noticeable when using distortion , fuzz, compressors , or other effects which, by adding gain to low-level signals, reduce the signal-to-noise ratio and therefore amplify the unwanted interference relative to the signal from the strings. Humbuckers work by pairing a coil that has the north poles of its magnets oriented "up" (toward the strings) with another coil alongside it with

504-737: A consumer loudspeaker line in response to increased public interest in high-fidelity music listening. In 1952, EV patented the Compound Diffraction Horn, which changed the look and performance the traditional cone-shaped paging horn . Known for its high output, the CDP was deployed by the Navy on aircraft carriers and other high noise environments. In the mid-1950s, EV introduced the 664 dynamic microphone. It became known as "The Buchanan Hammer" when chief engineer Lou Burroughs demonstrated its durability during sales presentations by hammering nails into

588-400: A cycle. This concept can be visualized by imagining a clock with a hand that turns at constant speed, making a full turn every T {\displaystyle T} seconds, and is pointing straight up at time t 0 {\displaystyle t_{0}} . The phase φ ( t ) {\displaystyle \varphi (t)} is then the angle from

672-447: A form factor that can be retrofit in place of a single coil. Many different kinds of "mini-humbuckers" are available from numerous manufacturers, and they produce a wide range of different tones. Not to be confused with the full size rail design. The origins of the hot rail/blade design are contested, with Joe Barden being quoted in Jan 1989 Guitar World magazine as claiming to having invented

756-507: A full period. This convention is especially appropriate for a sinusoidal function, since its value at any argument t {\displaystyle t} then can be expressed as φ ( t ) {\displaystyle \varphi (t)} , the sine of the phase, multiplied by some factor (the amplitude of the sinusoid). (The cosine may be used instead of sine, depending on where one considers each period to start.) Usually, whole turns are ignored when expressing

840-411: A full turn: φ = 2 π [ [ τ T ] ] . {\displaystyle \varphi =2\pi \left[\!\!\left[{\frac {\tau }{T}}\right]\!\!\right].} If F {\displaystyle F} is a "canonical" representative for a class of signals, like sin ⁡ ( t ) {\displaystyle \sin(t)}

924-496: A humbucking pattern beginning in late 1953 but dropped the design in 1954 due to the perceived distorted sound, which had stronger mid-range presence. The Gibson Les Paul was the first guitar to use humbuckers in large-scale production. Over the following decades, variants of practically every type of electric guitar have also been equipped with humbuckers, even types which are traditionally associated with single-coil pickups, like Fender Stratocasters and Telecasters . In particular,

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1008-421: A microphone. This is usually the case in linear systems, when the superposition principle holds. For arguments t {\displaystyle t} when the phase difference is zero, the two signals will have the same sign and will be reinforcing each other. One says that constructive interference is occurring. At arguments t {\displaystyle t} when the phases are different,

1092-417: A periodic soundwave recorded by two microphones at separate locations. Or, conversely, they may be periodic soundwaves created by two separate speakers from the same electrical signal, and recorded by a single microphone. They may be a radio signal that reaches the receiving antenna in a straight line, and a copy of it that was reflected off a large building nearby. A well-known example of phase difference

1176-431: A shifted and possibly scaled version G {\displaystyle G} of it. That is, suppose that G ( t ) = α F ( t + τ ) {\displaystyle G(t)=\alpha \,F(t+\tau )} for some constants α , τ {\displaystyle \alpha ,\tau } and all t {\displaystyle t} . Suppose also that

1260-503: A shifted version G {\displaystyle G} of it. If the shift in t {\displaystyle t} is expressed as a fraction of the period, and then scaled to an angle φ {\displaystyle \varphi } spanning a whole turn, one gets the phase shift , phase offset , or phase difference of G {\displaystyle G} relative to F {\displaystyle F} . If F {\displaystyle F}

1344-423: A sonic phase difference occurs in the warble of a Native American flute . The amplitude of different harmonic components of same long-held note on the flute come into dominance at different points in the phase cycle. The phase difference between the different harmonics can be observed on a spectrogram of the sound of a warbling flute. Phase comparison is a comparison of the phase of two waveforms, usually of

1428-498: A subdivision of Bosch Communications Systems Inc. since 2006, Electro-Voice markets products for use by consumers as well as small or large concert venues, broadcasting, houses of worship, and in retail situations. On September 1, 1927, Lou Burroughs and Albert R. Kahn began a small business called Radio Engineers, servicing radio receivers in the basement of the Century Tire and Rubber Company in South Bend, Indiana . Because of

1512-444: A switch or within the pickup selector) so that only one coil is active. Slightly smaller than a traditional humbucker/double coil form factor. Many guitars feature cavities only for single-coil pickups. Installing full/double-sized humbuckers in this type of guitar requires additional routing of the woodwork, and/or cutting of the pickguard if the instrument has one. Many pickup manufacturers now produce humbucking pickup designs in

1596-495: Is a "canonical" function for a class of signals, like sin ⁡ ( t ) {\displaystyle \sin(t)} is for all sinusoidal signals, then φ {\displaystyle \varphi } is called the initial phase of G {\displaystyle G} . Let the signal F {\displaystyle F} be a periodic function of one real variable, and T {\displaystyle T} be its period (that is,

1680-581: Is a "canonical" function of a phase angle in 0 to 2π, that describes just one cycle of that waveform; and A {\displaystyle A} is a scaling factor for the amplitude. (This claim assumes that the starting time t 0 {\displaystyle t_{0}} chosen to compute the phase of F {\displaystyle F} corresponds to argument 0 of w {\displaystyle w} .) Since phases are angles, any whole full turns should usually be ignored when performing arithmetic operations on them. That is,

1764-528: Is a function of an angle, defined only for a single full turn, that describes the variation of F {\displaystyle F} as t {\displaystyle t} ranges over a single period. In fact, every periodic signal F {\displaystyle F} with a specific waveform can be expressed as F ( t ) = A w ( φ ( t ) ) {\displaystyle F(t)=A\,w(\varphi (t))} where w {\displaystyle w}

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1848-443: Is a series/parallel switch, which in one position causes the coils to be connected in parallel rather than in series. This retains the humbucker's noise-cancellation properties, and gives a sound closer to that of two single-coil pickups used together. Coil splitting is often wrongly referred to as a "coil tapping". Coil taps are most commonly found on single coil pickups, and involve adding an extra hook-up wire during manufacture of

1932-423: Is also found in the balanced lines used in audio equipment. By convention, both humbucker coils are wound counterclockwise. The coils can be connected in series or in parallel in order to achieve this hum-cancellation effect, but humbucker pickups tend to be connected in series because that doubles the signal of the strings while keeping the hum reduced. Some types of humbucker pickups can be manually split (with

2016-514: Is defined the same way, except with "360°" in place of "2π". With any of the above definitions, the phase φ ( t ) {\displaystyle \varphi (t)} of a periodic signal is periodic too, with the same period T {\displaystyle T} : φ ( t + T ) = φ ( t )  for all  t . {\displaystyle \varphi (t+T)=\varphi (t)\quad \quad {\text{ for all }}t.} The phase

2100-631: Is either identically zero, or is a sinusoidal signal with the same period and phase, whose amplitude is the difference of the original amplitudes. The phase shift of the co-sine function relative to the sine function is +90°. It follows that, for two sinusoidal signals F {\displaystyle F} and G {\displaystyle G} with same frequency and amplitudes A {\displaystyle A} and B {\displaystyle B} , and G {\displaystyle G} has phase shift +90° relative to F {\displaystyle F} ,

2184-410: Is for all sinusoidal signals, then the phase shift φ {\displaystyle \varphi } called simply the initial phase of G {\displaystyle G} . Therefore, when two periodic signals have the same frequency, they are always in phase, or always out of phase. Physically, this situation commonly occurs, for many reasons. For example, the two signals may be

2268-429: Is magnetically isolated. The inverted signal of this coil only serves to cancel out the hum picked up by the other coil, with the actual string signal remaining unaffected. This is often used on bass guitars , where the type of pickup used has a greater effect on the instrument's overall sound, and the lower range of notes and their fundamental frequencies can match frequencies typically more heavily affected by hum. This

2352-572: Is no hum canceling effect. Usually, this feature is activated using a miniature toggle switch or a DPDT push-pull switch mounted on a potentiometer . Some guitars (e.g., the Peavey T-60 and the Fender Classic Player Jaguar HH) make use of a variable coil split circuit that allows the guitarist to dial a variable amount of signal from the second coil, from purely single coil to full humbucker and everything in-between. A similar option

2436-407: Is often called a "stacked" pickup, because the coils are most often "stacked" vertically, with the coil containing magnets placed closer to the strings. Another design known as the rail humbucker features a single magnetic component spanning across the entire string width of the instrument. These pickups are similar in size to single and double coil pickup, replacing the 6 slugs/magnets per coil. This

2520-408: Is often referred to as a "split coil" pickup, which should not be confused with the possibility of "coil-splitting" a regular humbucker, as discussed above. Both coils see nearly identical extraneous electromagnetic disturbances, and since they are wired in humbucking fashion, can effectively cancel them. However, the majority of the sound signal of any single note will mostly be generated by just one of

2604-404: Is sometimes expanded into a double sized "quadrail", or double humbucker, effectively combining 4 coils connected together to produce an extremely high-output pickup. The Kent Armstrong "Motherbucker" is an example of such an overpowered pickup. The same type of rails can also be found in a normal-size humbucker. Heavy metal guitarist Dimebag Darrell made heavy use of this type of pickup wired in

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2688-402: Is the test frequency , and the bottom sine signal represents a signal from the reference. If the two frequencies were exactly the same, their phase relationship would not change and both would appear to be stationary on the oscilloscope display. Since the two frequencies are not exactly the same, the reference appears to be stationary and the test signal moves. By measuring the rate of motion of

2772-400: Is the length of shadows seen at different points of Earth. To a first approximation, if F ( t ) {\displaystyle F(t)} is the length seen at time t {\displaystyle t} at one spot, and G {\displaystyle G} is the length seen at the same time at a longitude 30° west of that point, then the phase difference between

2856-772: Is zero at the start of each period; that is φ ( t 0 + k T ) = 0  for any integer  k . {\displaystyle \varphi (t_{0}+kT)=0\quad \quad {\text{ for any integer }}k.} Moreover, for any given choice of the origin t 0 {\displaystyle t_{0}} , the value of the signal F {\displaystyle F} for any argument t {\displaystyle t} depends only on its phase at t {\displaystyle t} . Namely, one can write F ( t ) = f ( φ ( t ) ) {\displaystyle F(t)=f(\varphi (t))} , where f {\displaystyle f}

2940-474: The Fender Jazz Bass , introduced in 1960, which used a pair of single-coil pickups, one near the bridge and another about halfway between the bridge and the neck, and many Stratocaster style guitars, which often have 3 pickups with the middle one reversed electrically and magnetically. The usual five-way selector switch provides two humbucking settings, using the reversed middle pickup in parallel with either

3024-491: The Great Depression , according to Kahn, "We found ourselves insolvent to the extent of $ 5,000" ($ 91,195 today). They decided to focus their business on audio products. The company designed a PA system for Notre Dame football coach Knute Rockne . Rockne, who had difficulty being heard at football practices due to health problems that affected his voice, called the new PA system his "electric voice". Rockne's remark inspired

3108-569: The Lace Sensor pickup, which uses proprietary screened bobbins to reduce hum while preserving single-coil tone. In the early 1980s DiMarzio introduced replacement pickups for Stratocaster and Telecaster guitars. These were of the stacked humbucker design, where the lower pickup coil functions solely to cancel hum. The DiMarzio "Super Distortion" pickup, introduced in 1972, was the first after-market replacement guitar pickup. With its much-increased output compared to humbuckers installed in guitars of

3192-399: The phase (symbol φ or ϕ) of a wave or other periodic function F {\displaystyle F} of some real variable t {\displaystyle t} (such as time) is an angle -like quantity representing the fraction of the cycle covered up to t {\displaystyle t} . It is expressed in such a scale that it varies by one full turn as

3276-438: The south pole of its magnets oriented up. By connecting the coils together out of phase , the interference is significantly reduced via phase cancellation : the string signals from both coils add up instead of canceling because the magnets are placed in opposite polarity. This dramatically improves the signal-to-noise ratio . The technique has something in common with what electrical engineers call " common-mode rejection ", and

3360-556: The " Superstrat " style of guitar. In any magnetic pickup, a vibrating guitar string, magnetized by a fixed magnet within the pickup, induces an alternating voltage across its coil. However, wire coils also make excellent antennas and are therefore sensitive to electromagnetic interference caused by alternating magnetic fields from mains wiring ( mains hum ) and electrical appliances like transformers, motors, and computer screens , especially older CRT monitors. Guitar pickups reproduce this noise, which can be quite audible, sounding like

3444-434: The 12:00 position to the current position of the hand, at time t {\displaystyle t} , measured clockwise . The phase concept is most useful when the origin t 0 {\displaystyle t_{0}} is chosen based on features of F {\displaystyle F} . For example, for a sinusoid, a convenient choice is any t {\displaystyle t} where

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3528-403: The bridge or neck pickup. If the pickups are wired in series instead of parallel, the resulting sound is close to that of a normal humbucker. It is even closer to a humbucker-type sound if the coils are placed closer together. In 1957, Fender introduced a split pickup to its Precision Bass , where one coil is serving the E and A strings, and the other one the D and G strings. This configuration

3612-423: The bridge position. These tend to have a higher output and bass response than the single coil-sized versions. DiMarzio has designed and sold many such pickups. Some guitars which have humbucking pickups feature "coil splits", which allow the pickups to act as "pseudo-single" coils by either short-circuiting or bypassing one coil. The electrical circuit of the pickup is reduced to that of a true single coil so there

3696-414: The clock analogy, each signal is represented by a hand (or pointer) of the same clock, both turning at constant but possibly different speeds. The phase difference is then the angle between the two hands, measured clockwise. The phase difference is particularly important when two signals are added together by a physical process, such as two periodic sound waves emitted by two sources and recorded together by

3780-419: The clock analogy, this situation corresponds to the two hands turning at the same speed, so that the angle between them is constant. In this case, the phase shift is simply the argument shift τ {\displaystyle \tau } , expressed as a fraction of the common period T {\displaystyle T} (in terms of the modulo operation ) of the two signals and then scaled to

3864-437: The coils, so that output level and tonal qualities are much closer to a regular single-coil pickup. The resulting "P-Style" pickup is usually regarded as the main ingredient of the "P-Bass" sound, and many variants on the design are offered by many manufacturers. The concept was later developed into G&L 's "Z-coil" pickup, which is used for standard guitars such as their Comanche model. In 1985, Lace Music Products introduced

3948-436: The company's name. On June 1, 1930, Burroughs and Kahn incorporated under the name "Electro-Voice". The partners recognized an opportunity to capitalize on what they perceived as the generally poor quality and high prices of existing microphones. They purchased a lathe and a drill and started producing about one microphone a week. Soon after, Burroughs withdrew from the business, leaving complete ownership to Kahn. By 1933,

4032-471: The design in late 1983. The US patent for the L-500 attributes the hot rail design to Bill Lawrence. Two flat vertical magnetically conductive blades are placed side by side within half the width of a typical fender strat/telecaster sized single coil. Both "blades/rails" pass under all strings and placed lengthwise, each with its own winding around one rail/blade, and a magnet placed directly under and contacting

4116-416: The difference between them is a whole number of periods. The numeric value of the phase φ ( t ) {\displaystyle \varphi (t)} depends on the arbitrary choice of the start of each period, and on the interval of angles that each period is to be mapped to. The term "phase" is also used when comparing a periodic function F {\displaystyle F} with

4200-406: The fractional part of a real number, discarding its integer part; that is, [ [ x ] ] = x − ⌊ x ⌋ {\displaystyle [\![x]\!]=x-\left\lfloor x\right\rfloor \!\,} ; and t 0 {\displaystyle t_{0}} is an arbitrary "origin" value of the argument, that one considers to be the beginning of

4284-438: The frequencies are different, the phase difference φ ( t ) {\displaystyle \varphi (t)} increases linearly with the argument t {\displaystyle t} . The periodic changes from reinforcement and opposition cause a phenomenon called beating . The phase difference is especially important when comparing a periodic signal F {\displaystyle F} with

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4368-830: The function's value changes from zero to positive. The formula above gives the phase as an angle in radians between 0 and 2 π {\displaystyle 2\pi } . To get the phase as an angle between − π {\displaystyle -\pi } and + π {\displaystyle +\pi } , one uses instead φ ( t ) = 2 π ( [ [ t − t 0 T + 1 2 ] ] − 1 2 ) {\displaystyle \varphi (t)=2\pi \left(\left[\!\!\left[{\frac {t-t_{0}}{T}}+{\frac {1}{2}}\right]\!\!\right]-{\frac {1}{2}}\right)} The phase expressed in degrees (from 0° to 360°, or from −180° to +180°)

4452-424: The leading matrix system. Electro-Voice then adapted their decoders so they also could play SQ records as well as Sansui 's QS records. The EV system could also simulate four channel sound from two channel sources. In 1978, Electro-Voice patented its Constant Directivity Horn, which produced an even balance of frequencies across the listening field. It overcame the uneven dispersion of high frequencies that affected

4536-453: The merger with Telex Communications. In June 2006, EV, along with all of Telex Communications, became part of Bosch Security Systems division. Today EV manufactures widely used broadcast microphones as well as loudspeakers and various other professional audio equipment. The former Electro-Voice facility in Buchanan, Michigan is a Superfund site. Before closing in 2000, the business

4620-609: The mid 1980s to combine the high output and high frequency response characteristics of condenser microphones with the rugged shock resistance of dynamic microphones . Around the same time EV's first wireless microphones were being produced. The company merged with Telex Communications in 1998. Prior to the merger, EV was owned by Mark IV Industries, Inc. through its subsidiary, Gulton Industries, Inc., and had manufacturing plants in Buchanan, Michigan ; Newport, Tennessee ; Sevierville, Tennessee ; and Gananoque, Ontario . Electro-Voice's headquarters were in Buchanan, Michigan until

4704-420: The opposite ends of the core, rather than the now more common top-bottom orientation. To overcome the hum problem for guitars, a humbucking pickup was invented by Seth Lover of Gibson under instruction of then-president Ted McCarty. About the same time, Ray Butts developed a similar pickup that was taken up by Gretsch guitars. Although Gibson's patent was filed almost two years before Gretsch's, their patent

4788-436: The origin for computing the phase of G {\displaystyle G} has been shifted too. In that case, the phase difference φ {\displaystyle \varphi } is a constant (independent of t {\displaystyle t} ), called the 'phase shift' or 'phase offset' of G {\displaystyle G} relative to F {\displaystyle F} . In

4872-416: The original humbucker remains the most common noise-reducing pickup design, inventors have tried many other approaches to reducing noise in guitar pickups. Many instruments combine separate single-coil pickups in a hum reducing configuration by reversing the electrical phase of one of the pickups. This arrangement is similar to that of a humbucking pickup and effectively reduces noise. Examples of this include

4956-453: The patent USRE20070 describes the noise cancellation and current summation principles of such a design. This "Electric Translating Device" employed the solenoid windings of the pickup to magnetize the steel strings by means of switching on a short D.C. charge before switching over to amplification. In 1938, A.F. Knoblaugh invented a pickup for stringed instruments involving two stacked coils described in U.S. patent 2,119,584 . This pickup

5040-429: The patent to the government for free to be applied by other manufacturers to produce what was needed for the war supply. In 1946, the business moved to a bigger facility in Buchanan, Michigan and expanded its engineering efforts. In 1948, they began successfully producing phonograph pickup cartridges . In 1950, they started production of the first automatic TV booster . They also started to design and produce

5124-731: The phase; so that φ ( t ) {\displaystyle \varphi (t)} is also a periodic function, with the same period as F {\displaystyle F} , that repeatedly scans the same range of angles as t {\displaystyle t} goes through each period. Then, F {\displaystyle F} is said to be "at the same phase" at two argument values t 1 {\displaystyle t_{1}} and t 2 {\displaystyle t_{2}} (that is, φ ( t 1 ) = φ ( t 2 ) {\displaystyle \varphi (t_{1})=\varphi (t_{2})} ) if

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5208-478: The phases of two periodic signals F {\displaystyle F} and G {\displaystyle G} is called the phase difference or phase shift of G {\displaystyle G} relative to F {\displaystyle F} . At values of t {\displaystyle t} when the difference is zero, the two signals are said to be in phase; otherwise, they are out of phase with each other. In

5292-529: The physical distance of the sound source from the microphone. The RE20 broadcast microphone was introduced in 1968, followed by the RE27N/D in the late 1980s, using neodymium magnets. Both continue to be used in recording studios and on the concert stage. In the early 1970s, EV developed the first commercial system for matrix four channel stereo called Stereo-4 . When Columbia/ CBS and Sony developed their Stereo Quadraphonic system ( SQ ) that system became

5376-446: The pickup so the guitarist can choose to have all the windings of the pickup included in the circuit, for a fatter, higher output sound with more midrange, or switch the output to 'Tap' into the windings at a point less than the full coil for a brighter, lower-output and cleaner sound. For example: a full pickup coil may be 10,000 turns of wire and the "Tap" may be at 8000 turns. Because of the confusion between coil splits and coil taps—and

5460-520: The previous business debts were completely paid off, and Electro-Voice began hiring manufacturing employees. In 1936, twenty people were hired, and Lou Burroughs returned as chief engineer . During World War II , EV developed the noise-canceling microphone . Noise cancelling microphones such as the Electro-Voice T45 lip microphone were instrumental to fighter and bomber airplane, tank, battleship and ground troop radio communications. EV licensed

5544-470: The rareness of coil taps in general—it is difficult to find tappable single-coil pickups for sale. However, pickup manufacturer Seymour Duncan offers tapped versions of many of their Telecaster and Stratocaster pickups. The split single coil may bear little resemblance to popular single coil pickups such as those made by Fender and the P-90 made by Gibson, owing to other differences in pickup construction. While

5628-408: The replacement of the bridge pickup in a Stratocaster-type guitar with a humbucker, resulting in a pickup configuration noted as H-S-S (starting at bridge pickup: H for humbucker, S for single coil) has gained much popularity. Guitars in this configuration are sometimes referred to as "Fat Strats", because of the "fatter", "rounder" tone offered by the humbucking pickup, and are also closely related to

5712-432: The same form factor as a traditional single coil style. Though cancelling hum while preserving the original single coil appearance, stacked designs can sacrifice some of the "bite" in higher frequencies partially due to capacitative effect of closely/machine wound coils as well as other tonal differences resulting from the second coil having the magnet through it also. In some designs one of the coils simply has no magnet, or

5796-417: The same nominal frequency. In time and frequency, the purpose of a phase comparison is generally to determine the frequency offset (difference between signal cycles) with respect to a reference. A phase comparison can be made by connecting two signals to a two-channel oscilloscope . The oscilloscope will display two sine signals, as shown in the graphic to the right. In the adjacent image, the top sine signal

5880-499: The site's long-term remedy, operation and maintenance activities and monitoring are ongoing". Construction of the site's long-term remedy finished in 1999, with the EPA reporting, "soil cleanup included construction of a clay cap and active treatment by an in-place ventilation and volatilization system. Groundwater remediation is ongoing through monitored natural attenuation of pollutants". Out of phase In physics and mathematics ,

5964-716: The smallest positive real number such that F ( t + T ) = F ( t ) {\displaystyle F(t+T)=F(t)} for all t {\displaystyle t} ). Then the phase of F {\displaystyle F} at any argument t {\displaystyle t} is φ ( t ) = 2 π [ [ t − t 0 T ] ] {\displaystyle \varphi (t)=2\pi \left[\!\!\left[{\frac {t-t_{0}}{T}}\right]\!\!\right]} Here [ [ ⋅ ] ] {\displaystyle [\![\,\cdot \,]\!]\!\,} denotes

6048-740: The sum F + G {\displaystyle F+G} is a sinusoidal signal with the same frequency, with amplitude C {\displaystyle C} and phase shift − 90 ∘ < φ < + 90 ∘ {\displaystyle -90^{\circ }<\varphi <+90^{\circ }} from F {\displaystyle F} , such that C = A 2 + B 2  and  sin ⁡ ( φ ) = B / C . {\displaystyle C={\sqrt {A^{2}+B^{2}}}\quad \quad {\text{ and }}\quad \quad \sin(\varphi )=B/C.} A real-world example of

6132-567: The sum and difference of two phases (in degrees) should be computed by the formulas 360 [ [ α + β 360 ] ]  and  360 [ [ α − β 360 ] ] {\displaystyle 360\,\left[\!\!\left[{\frac {\alpha +\beta }{360}}\right]\!\!\right]\quad \quad {\text{ and }}\quad \quad 360\,\left[\!\!\left[{\frac {\alpha -\beta }{360}}\right]\!\!\right]} respectively. Thus, for example,

6216-533: The sum of phase angles 190° + 200° is 30° ( 190 + 200 = 390 , minus one full turn), and subtracting 50° from 30° gives a phase of 340° ( 30 − 50 = −20 , plus one full turn). Similar formulas hold for radians, with 2 π {\displaystyle 2\pi } instead of 360. The difference φ ( t ) = φ G ( t ) − φ F ( t ) {\displaystyle \varphi (t)=\varphi _{G}(t)-\varphi _{F}(t)} between

6300-401: The test signal the offset between frequencies can be determined. Vertical lines have been drawn through the points where each sine signal passes through zero. The bottom of the figure shows bars whose width represents the phase difference between the signals. In this case the phase difference is increasing, indicating that the test signal is lower in frequency than the reference. The phase of

6384-428: The time, it became an instant favourite of many hard-rock guitarists, and it remains a popular choice for a pickup upgrade decades later. Electro-Voice Electro-Voice ( EV ) is an American manufacturer of audio equipment, including microphones , amplifiers , and loudspeakers , focused on pro audio applications such as sound reinforcement and commercial and residential audiovisual installations. As

6468-447: The two blades. Similar to full/double size hum bucking designs, one coil is reverse wound to cancel hum. Fender came out with their Fender Noiseless Pickups , a stacked bobbin design, around 1998. Fender's Noiseless pickups utilize two separate coils one on top of another, wound with one coil reverse wound to cancel hum, around a common set of magnetic pole pieces commonly referred to as the "bobbin". These "stacked" humbuckers were in

6552-441: The two signals will be 30° (assuming that, in each signal, each period starts when the shadow is shortest). For sinusoidal signals (and a few other waveforms, like square or symmetric triangular), a phase shift of 180° is equivalent to a phase shift of 0° with negation of the amplitude. When two signals with these waveforms, same period, and opposite phases are added together, the sum F + G {\displaystyle F+G}

6636-469: The typical high frequency horns used in many professional sound speakers until the late seventies. Also in the 1970s, EV acquired TAPCO. The company, founded by Greg Mackie , specialized in audio mixers. TAPCO products soon became prominent in the EV product line. In the late 1980s, EV became the first microphone manufacturer to use neodymium magnets in its microphones. The N/DYM microphones were introduced in

6720-426: The value of the sum depends on the waveform. For sinusoidal signals, when the phase difference φ ( t ) {\displaystyle \varphi (t)} is 180° ( π {\displaystyle \pi } radians), one says that the phases are opposite , and that the signals are in antiphase . Then the signals have opposite signs, and destructive interference occurs. Conversely,

6804-427: The variable t {\displaystyle t} goes through each period (and F ( t ) {\displaystyle F(t)} goes through each complete cycle). It may be measured in any angular unit such as degrees or radians , thus increasing by 360° or 2 π {\displaystyle 2\pi } as the variable t {\displaystyle t} completes

6888-542: Was engaged in die-casting, machining, assembly, painting and electroplating activities. According to the EPA , "contamination at the site resulted from Electro-Voice's discharge of electroplating wastes into two clay-lined lagoons from 1952 to 1962, and from the disposal of paint wastes and solvents into a drywell from 1964 to 1973. The waste disposal activities caused groundwater to become contaminated with chemicals called volatile organic compounds , or VOCs. Following construction of

6972-617: Was issued four weeks after Gretsch's. Both patents describe a reverse-wound and reverse-polarity pair of coils. A successful early humbucking pickup was the type which is nowadays known as the " PAF " (literally "Patent Applied For") invented by Seth Lover in 1955. Because of this, and because of its use on the Gibson Les Paul guitar, popularization of the humbucker is strongly associated with Gibson, although humbuckers had been used in many different guitar designs by other manufacturers before. Rickenbacker offered dual coil pickups arranged in

7056-475: Was to be used in pianos, since he was working for Baldwin Piano at the time. The 1939 April edition of Radio Craft Magazine shows how to construct a guitar pickup made with two identical coils wrapped around self-magnetized iron cores, where one is then flipped over to create a reverse-wound, reverse-polarity, humbucking orientation. The iron cores of these pickups were magnetized to have their north–south poles at

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