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44-614: The Hondells were a band manufactured by Gary Usher, originally consisting of session musicians. Their hit song, "Little Honda," was written by Brian Wilson and Mike Love of The Beach Boys . The song was inspired by the popularity of Honda motor bikes in Southern California during the early 1960s: In contrast to the prevailing negative stereotypes of motorcyclists in America as tough, antisocial rebels, Honda's campaign suggested that their motorcycles were made for everyone. The campaign

88-486: A disc jockey at KCPR while attending Cal Poly in the late 1970s as an undergraduate architecture student. He recorded his iconic parody song " My Bologna " on campus in the bathroom across the hall from the station's original location on the second floor of the Graphic Arts Building (Building 26). Yankovic returned to Cal Poly in the 1990s for an interview and recorded a station identification for KCPR. KCPR

132-403: A recording studio that oversees the production and recording of the final product. However, record producers can be involved in co-writing songs as the composer wearing two hats as the producer and songwriter as they may write and compose the original music such as the beat and then oversee the production that takes control of the recording sessions with the artist and engineer all the way down to

176-511: A composer and a lyricist ( Andrew Lloyd Webber with Tim Rice , or Elton John with Bernie Taupin ), a performer and a producer ( Madonna with Patrick Leonard or Mariah Carey with Walter Afanasieff ), or between bandmates ( Mick Jagger and Keith Richards of the Rolling Stones or Björn Ulvaeus and Benny Andersson of ABBA ). According to Billboard , the songwriting partnership between John Lennon and Paul McCartney remains

220-402: A number of elements for a song, including an introduction, various verses and a chorus. At minimum, a songwriter must prepare a lead sheet for a song, which consists of one or more pieces of sheet music with the melody notes and chord progression indicated on it. The songwriter may expand upon the melody and chord progression by adding an instrumental melody (which may occur before or after

264-516: A publisher can be the first step for any professional songwriting career, with some writers with a desire for greater independence outgrowing this set-up once they achieve a degree of success. Songwriter Allan Eshuijs described his staff writer contract at Universal Music Publishing as a starter deal. His success under the arrangement eventually allowed him to found his own publishing company so that he could "keep as much [publishing income] as possible and say how it's going to be done." A beatmaker

308-408: A rock producer that may rarely contribute as a co-writer of a song. A top-line writer or top-liner is a songwriter who writes a song over a pre-made beat. In top-lining, the writer is not creating a song from scratch, but rather creating lyrics and melodies over an existing music genre , tonality , harmony , rhythm , and form of a song. In modern commercial writing, it is a common practice for

352-533: A song becomes a hit record ; legally, in the US, songs written after 1934 may be copied only by the authors. The legal power to grant these permissions may be bought, sold or transferred. This is governed by international copyright law . Songwriters can be employed in a variety of different ways. They may exclusively write lyrics or compose music alongside another artist, present songs to A&R , publishers, agents and managers for consideration. Song pitching can be done on

396-468: A song created under an employment contract cannot be "recaptured" by the writer after 35 years. In Nashville, young writers are often strongly encouraged to avoid these types of contracts. Staff writers are common across the whole industry, but without the more office-like working arrangements favoured in Nashville. All the major publishers employ writers under contract. Obtaining a staff writer contract with

440-467: A songwriter's behalf by their publisher or independently using tip sheets like RowFax , the MusicRow publication and SongQuarters . Skills associated with song-writing include entrepreneurism and creativity. Staff writers do not necessarily get printed credit for their contributions to the song. Songwriters who sign an exclusive songwriting agreement with a publisher are called staff writers . Being

484-430: A staff writer effectively means that, during the term of the songwriter's contract with the publisher, all their songs are automatically published by that company and cannot be published elsewhere. In the Nashville country music scene, there is a strong staff writer culture where contracted writers work normal "9-to-5" hours at the publishing office and are paid a regular salary, says staff writer Gary Growden. This salary

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528-531: Is a non-commercial radio station that is licensed to San Luis Obispo, California . Owned by California Polytechnic State University (Cal Poly) in San Luis Obispo, the station is operated by students from its on-campus studio located in the Graphic Arts building. In addition to its FM broadcast, KCPR streams its programming online 24 hours a day and has established a growing social media audience. KCPR

572-444: Is a songwriter who creates and composes music or beats for a song, often laying the groundwork or 'musical bed'. Then a composer who specializes in melody will create the top line for the track. Tools typically used are keyboards, drum machines, softsynths and digital audio workstations . Beat makers or composers are not necessarily record producers by definition or acting role since they generally do not work directly with an artist in

616-422: Is because the process of "working out" a song or arrangement requires a songwriter to play an instrument, typically the guitar or the piano , to hear how the chord progression sounds and to hear how well a given set of chords supports a melody. In addition to selling their songs and musical concepts for other artists to sing, some songwriter-musicians create songs to perform themselves. Songwriters need to create

660-498: Is branded as "Cal Poly Radio". Previously, it was known as "Burnt Dog Radio", an axiom that is reflected in one of the station's early logo designs that featured the RCA Victor dog. A logo from the 1980s shows the RCA dog with its head blown off, next to a speaker, and a dog bowl labeled KCPR. Presumably, the loud music is what caused the RCA dog's head to explode, a visual representation of

704-400: Is co-written, written jointly or written in collaboration with other authors. Co-writers may use the "stream of consciousness" approach, referring to having ideas flow rather than being discussed. The first step in co-writing is to establish the division of the contribution between co-writers. In copyright law, there is no distinction of importance between the lyrics of the song or the melody of

748-432: Is in effect the writer's "draw", an advance on future earnings, which is paid monthly and enables them to live within a fixed budget. The publisher owns the copyright of songs written during the term of the agreement for a designated period, after which the songwriter can reclaim the copyright. In an interview with HitQuarters , songwriter Dave Berg extolled the benefits of the set-up: "I was able to concentrate on writing

792-479: Is known for launching the careers of several entertainers and public figures, including musician "Weird Al" Yankovic , comedian Eric Schwartz , and news reporter David Kerley . KCPR debuted in August 1968, making its first broadcast with a small two-watt transmitter. According to station lore, the first words spoken on-air were, "Is this the damn switch?" However, an archived version of KCPR's website from 2000 holds

836-543: Is responsible in creating the entire music and lyrics of a song. According to Billboard , 44% of the songs that reached number one on the Billboard Hot 100 chart during the 1970s were written by just one songwriter. The percentage declined to 42% in the 1980s, 24% in the 1990s, 6% in the 2000s, and 4% in the 2010s. Lionel Richie and Diane Warren are the only songwriters with at least 8 number-one singles written solely by themselves. Songs written by more than one person

880-685: Is the uncle of KCPR radio DJ and celebrity Biba Pickles. The first LP, Go Little Honda featured 11 tracks in addition to "Little Honda," all with a motorcycle theme. Richie Podolor contributed two tracks, "Haulin' Honda" and "Black Boots and Bikes." Mike Curb - who also wrote the song for Honda's " You meet the nicest people on a Honda " campaign - wrote the track "Rip's Bike." The remaining tracks, written by Gary Usher and Roger Christian , consist of "Mean Streak," "A Guy Without Wheels," "The Wild One," "Hot Rod High," "Death Valley Run," "Two Wheel Show Stopper," "Ridin' Trails" and "Hon-Da Beach Party." The group's second LP, titled simply The Hondells ,

924-479: The K-pop music industry. Sampling is the reuse of a portion (or sample) of a sound recording in another recording. The original songwriter(s) of a song usually receive co-writing credit when their work is sampled on another song, although they did not literally involve in making the latter. For example, Sting is credited as a co-writer alongside Todd Gaither and Faith Evans for " I'll Be Missing You " (1997) due to

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968-621: The alternative direction that KCPR took after abandoning its top 40 format in 1983. In the summer of 2008, KCPR moved to a new studio in the same building after 39 years of continuous operation. In 2017, Great Value Colleges, a consumer resource website for prospective university students, selected KCPR as one of its top 30 college radio stations in the United States. Occasionally, KCPR hosts concerts at SLO Brew in downtown San Luis Obispo. Some notable artists have performed at these shows, including Jorja Smith and The Strokes . During

1012-483: The classical music genre and film scoring. A songwriter who mainly writes the lyrics for a song is referred to as a lyricist . The pressure from the music industry to produce popular hits means that song writing is often an activity for which the tasks are distributed among a number of people. For example, a songwriter who excels at writing lyrics might be paired with a songwriter with the task of creating original melodies. Pop songs may be composed by group members from

1056-470: The album was delivered, the name of the group had not been decided. Under consideration were two names: "The Rising Sons" and "The Hondells." Venet chose the latter and released "Little Honda" as a single under the new group name. As the song climbed the charts , Usher assembled a band to tour in support, and "Little Honda" eventually peaked at No. 9 on the U.S. pop singles chart . Contrary to popular belief, session musician drummer Hal Blaine (creator of

1100-696: The band or by staff writers – songwriters directly employed by music publishers . Some songwriters serve as their own music publishers, while others have external publishers. The old-style apprenticeship approach to learning how to write songs is being supplemented by university degrees , college diplomas and "rock schools". Knowledge of modern music technology (sequencers, synthesizers, computer sound editing), songwriting elements and business skills are significant for modern songwriters. Several music colleges offer songwriting diplomas and degrees with music business modules. Since songwriting and publishing royalties can be substantial sources of income, particularly if

1144-509: The lead on the Pepsi commercial and Al Ferguson who sang the lead on the Coty commercial. Gary Usher continued to mine this genre of music with numerous 'bands' made up of session musicians doing one-off recordings. They were from the conglomerate of session musicians known as The Wrecking Crew , which had a rotating lineup of the same basic people. For instance, if Hal Blaine was not the drummer, then it

1188-418: The melodies or lyrics. There is a way to prevent such legal battles. A songwriter can commit their "intent to make a song", which prevents any of the parties ripping the song apart. Some artists send out a legal disclaimer making clear that if their melody is not used after doing a topline, it reverts to them, and the track back to the track writer. Songwriters are also often skilled musicians. In part, this

1232-435: The mix stage. They are referred to as Record Producer / Songwriters as they generally receive songwriting and production credits for both roles. This is especially true for R&B, hip-hop producers in urban hip hop production , when composing the original music as the co-writer is integrated into their traditional role as a Record Producer, such as Rodney Jerkins , Dr. Dre , Timbaland or Pharrell Williams , as opposed to

1276-588: The most successful one of all time, resulting over 180 songs and a record 20 number ones for the Beatles on the Billboard Hot 100. Songwriting camp is a gathering of multiple producers and topliners in a pre-selected location for the purpose of writing songs for a specific artist. As one of the most successful artists in releasing many hit songs , Rihanna has been known for holding various writing camps to make her albums. Writing camps are also very popular in

1320-417: The musical track to be produced first without any vocal melody or lyrics. This is partially due to the rise of portable music production equipment and digital audio workstations that are designed for the swift arrangement of electronic music, such as Cubase and Ableton Live . The top-liner usually is also a singer, and will sing over the track as the demo singer. If the song is for a particular artist,

1364-463: The name "The Wrecking Crew") was not the drummer on The Hondells' version of "Little Honda". The drummer on The Hondells' "Little Honda" was Wayne Edwards who together with Richard Burns (who played bass on the session and was cited on the album's liner notes as the band's "founder") went out on the road as part of the touring Hondells. Blaine played drums on The Super Stocks' "Little Honda" (produced by Gary Usher for Capitol) and on Pat Boone's version of

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1408-682: The role of producer is not generally understood by the public, the average listener does not know when an artist also takes on the role of producer. Brian Wilson of the Beach Boys is one of the earliest and most widely known examples of a songwriter turned music producer. Within two years of the band's commercial breakthrough, Wilson had taken over from his father Murry, and he was the sole producer of all their recordings between 1963 and 1967. Many singers also write songs for themselves, and as such, they are usually referred to as singer-songwriters. In solitary songwriting or sole writing, only one person

1452-490: The sample of " Every Breath You Take " (1983), a song he solely wrote for the Police . However, "I'll Be Missing You" did not have legal approval for the sample before its release, thus Sting sued and received 100% of the song royalties, with payments reportedly going until 2053. Beyoncé 's album Lemonade (2016) features as many as 72 co-writers due to use of samples in majority of its tracks. KCPR KCPR (91.3 FM )

1496-526: The song, therefore each writer is given equal ownership over the song, unless another agreement is arranged. "Phantom" songwriters provide small contributions to songs. The songwriter suggests a line for a verse or a session musician who informally proposes a chord progression for a coda. "Phantom" songwriters are usually not given credit. Songwriting partnership or songwriting duo is a prolific collaboration which consists of two songwriters, usually sharing 50% royalty each. Songwriting partnership can be between

1540-601: The station's first words to be, "How the hell do you turn this thing on?" Cal Poly professor and former KCPR disc jockey Jim Cushing describes the station's musical philosophy as "to provide people with a blend of music that they will not find on any other station, to remind people that the musical culture belongs to them". Among the programs that have anchored the KCPR program schedule for years include The Breakfast Club , Afternoon Delight , The Comedown , The Lounge , and Club 91 . Musician Alfred "Weird Al" Yankovic served as

1584-425: The title track); and Paramount 's Beach Ball (shown performing "My Buddy Seat"). The band is also credited with performing the title track for Columbia 's 1965 film, Winter A-Go-Go . Songwriter A songwriter is a person who creates musical compositions or writes lyrics for songs , or both. The writer of the music for a song can be called a composer , although this term tends to be used mainly in

1628-531: The top-liner may sing the demo in that artist's style. Top-liners often work in groups to co-write. Sometimes producers send out tracks to more than one top-line writer so that the producer or singer could choose the best option. Since the track is the same, melodies by different writers can sometimes be very similar. Occasionally, the producer might choose a few lines of melodic or lyrical ideas from one top-liner without properly crediting or paying them. These situations sometimes result in legal battles over ownership of

1672-638: The tune (produced by Terry Melcher as a single for Dot Records). As soon as they saw The Hondells' version on the charts, Capitol Records released a single of their Beach Boys version and scored a minor hit as well. The Hondells scored another modest hit single in 1966 with a cover of the Lovin' Spoonful song " Younger Girl " (Mercury 72562) before disbanding. Randy Thomas sang the lead. The Hondells also recorded commercials for Pepsi and Coty Cosmetics. Musicians on these recordings were Ritchie Burns, Glen Campbell, Wayne Edwards, Dennis McCarthy, Randy Thomas, who sang

1716-401: The vocal melody, or alongside the vocal melody) and creating a more complex song structure (e.g., verse, chorus, bridge, instrumental solo section, etc.). With recent technological improvements, a songwriter can now create commercially viable music almost entirely on their laptop. This technological advancement has made the producer/songwriter role a much more popular occurrence. Perhaps because

1760-478: The whole time and have always had enough money to live on." Unlike contracted writers, some staff writers operate as employees for their respective publishers. Under the terms of these work for hire agreements, the compositions created are fully owned by the publisher. Because the recapture provision of the United States Copyright Act of 1976 does not apply to "works made for hire", the rights to

1804-429: Was Earl Palmer . These fictional bands issued recordings as The Sunsets, The Four Speeds, Gary Usher and The Usherettes (aka: The Honeys), The Competitors, The Go-Go's, The Devons, The Ghouls, The Super Stocks, The Indigos, The Revells, The Kickstands and The Knights. Most of these have been re-issued on CD and are meticulously cataloged on Beach Boys fan sites. Girard became a popular and pioneering CCM artist. Burns

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1848-819: Was released only a few months after Go Little Honda. The LP yielded a Billboard 100 single, "My Buddy Seat," written by Brian Wilson and Gary Usher, backed with "You're Gonna Ride With Me," written by Usher and Roger Christian. Mike Curb wrote four songs that appear on the LP, "The Rebel (Without A Cause)," "The Lonely Rider," "Cycle Chase," and "The Sidewinder." The remaining tracks consisted of "Black Denim," "Night Rider," "My Little Bike," "Lay It Down," "He Wasn't Coming Back," and "Honda Holliday." The Hondells can be seen in three different feature-length films, all from 1965: AIP 's Beach Blanket Bingo (shown performing "Cycle Set" and shown providing back up on "Fly Boy"); AIP's Ski Party (shown performing "The Gasser" and heard performing

1892-644: Was successful; by the end of 1963 alone, Honda had sold 90,000 motorcycles. The Beach Boys had recorded "Little Honda" for their 1964 album All Summer Long , and subsequently producer Gary Usher gave former Castells vocalist Chuck Girard a copy of the All Summer Long LP and instructed him to learn "Little Honda." Usher then recruited a group of studio musicians – including Glen Campbell , Al DeLory , Tommy Tedesco , and Richie Podolor – to record an album of Honda-related songs for Mercury Records , with production credited to Nick Venet , though Usher

1936-406: Was the brains behind the record. Aside from "Little Honda," most of the songs on The Hondells' Go Little Honda album were written by Usher and KFWB disc jockey and lyricist Roger Christian . The album's cover showed a four-member group and its liner notes contained an elaborate back story , penned by Christian, which posited one Ritchie Burns as the founder and leader of the band. At the time

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