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45-450: The Hellier Stradivarius has had a convoluted ownership history. It seems to have been in the possession of the Hellier family from the beginning of the 18th century. Samuel Hellier, High Sheriff of Staffordshire 1745, probably brought the violin to England. However, two Cremona violins are first mentioned in the will of his uncle in 1719 and all formed part of a longstanding collection that

90-475: A Stradivarius label does not confirm that the instrument is a genuine work of Stradivari. Recordings made with original Stradivarius string instruments Recordings made with replicas of Stradivarius string instruments The Museo del Violino in Cremona , Italy embarked on a project to preserve the sound of Stradivarius instruments. In January 2019, four musicians recorded scales and arpeggios using two violins,

135-514: A double-blind test in 2012 published in the study " Player preferences among new and old violins ", expert players could not distinguish old from new instruments by playing them for a short time in a small room. In an additional test, performed in a concert hall, one of the Stradivarius violins placed first, but one of the participants stated that "the audience in the concert hall were essentially equivocal on which instruments were better in each of

180-413: A general in his army, Marshal Gabriel Jean Joseph Molitor , 1er Comte Molitor), sold in 2010 at Tarisio Auctions to violinist Anne Akiko Meyers for $ 3,600,000, at the time a world record. Depending on condition, instruments made during Stradivari's "golden period" from 1700 to about 1725 can be worth millions of dollars. In 2011, his "Lady Blunt" violin from 1721, which is in pristine condition,

225-530: A huge collection of original Stradivari family tools, such as wooden models, documents, and artisanal equipment for the creation of stringed instruments were purchased from the count's descendants by the violin maker Giuseppe Fiorini of Bologna in order to create an Italian school of lutherie. However, after failing to do so for ten years, he decided to donate the whole collection to the Town Hall of Cremona in 1930. The municipal administration of Cremona later created

270-541: A minimum bid of $ 45 million. The auction failed to reach its minimum bid by 25 June 2014, and the viola was not sold. Vice magazine reported in May 2013 that "in recent years, Stradivarius investment funds have started to appear, pushing already astronomical prices even higher". Stradivarius instruments are at risk of theft. Stolen instruments are often recovered, even after being missing for many years. They are difficult to sell illicitly, as dealers will typically call

315-421: A particularly famous test on a BBC Radio 3 programme in 1977, the violinists Isaac Stern and Pinchas Zukerman and the violin expert and dealer Charles Beare tried to distinguish between the "Chaconne" Stradivarius, a 1739 Guarneri del Gesú, an 1846 Vuillaume, and a 1976 British violin played behind a screen by a professional soloist. The two violinists were allowed to play all the instruments first. None of

360-600: A permanent collection at the Museo del Violino. Fausto Cacciatori, curator of the museum, emphasized that while the sounds of these instruments change over time due to natural aging, the project will allow future generations to experience the original sound of these Stradivarius instruments. Museo del Violino The Violin Museum (Italian: Museo del Violino ), formerly the Stradivarius Museum (Italian: Museo Stradivari),

405-547: A simple examination of the dense growth rings in the wood used in Stradivari's instruments. Two researchers – University of Tennessee tree-ring scientist Henri Grissino-Mayer and Lloyd Burckle, a Columbia University climatologist – published their conclusions supporting the theory on increased wood density in the journal Dendrochronologia . In 2008, researchers from the Leiden University Medical Center in

450-434: A viola, and a cello, including a famous 1727 violin named "Vesuvio." These recordings, known as the "Stradivarius Sound Bank," preserve the sounds. The project involved closing off streets and minimizing noise to ensure a quiet environment during the recordings. The musicians recorded over one million sound files across different techniques to capture the instruments' tonal characteristics. These recordings are stored as part of

495-452: A violin made in 2002 by Stefan-Peter Greiner . He states that the listener cannot tell that his instrument is modern, and he regards it as excellent for Bach and better than a Stradivarius for "the big Romantic and 20th-century concertos ." Some maintain that the very best Stradivari have unique superiorities. Various attempts at explaining these supposed qualities have been undertaken, most results being unsuccessful or inconclusive. Over

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540-411: Is a musical instrument museum located in Cremona . The museum is best known for its collection of stringed instruments that includes violins, violas, cellos, and double basses crafted by renowned luthiers, including Antonio Stradivari and Giuseppe Guarneri del Gesù . At the time of his death in 1883, Enrico Ceruti , a prolific and successful Italian luthier and musician in his own right, passed down

585-483: Is described as more "direct and precise", responding to the slightest touch with refined direction and elegance. There has been conjecture that the wood used may have been treated with several types of minerals, both before and after construction of a violin. Scientists at National Taiwan University have detected trace amounts of aluminum , copper , and calcium in wood from Stradivari violins. The traces may have come from chemical preservatives applied by loggers to

630-727: Is no longer visible to the human eye on the surface of older violins, it can be detected within the top layers of cells. A lower layer of varnish is found within the topmost wood cells while an upper rests upon the wood. Echard's findings suggest that Stradivari used a mixture of common Cremonese resin, oil, and pigment as a varnish, rather than making his own. Echard did not find traces of specialized ingredients such as protein materials, gums, or fossil amber. A comparative study published in PLOS One in 2008 found no significant differences in median densities between modern and classical violins, or between classical violins from different origins; instead

675-450: Is now held by his and his wife's estate. A. Philips Hill has called this violin "one of the finest Stradivaris in existence". "During his career, Stradivari is believed to have built about 1,100 instruments, with only about a dozen of them embellished with intricate patterns of inlaid wood and other delicate accoutrements. Of the decorated instruments that exist today, the Hellier [...] is the best preserved, Smithsonian curators said." It

720-519: The Stradivarius Sound Bank have aimed to digitally capture and preserve the sounds of these instruments for future generations. Stradivarius instruments have become known in popular culture, appearing in fiction and representing elite musical artistry. Stradivari made his instruments using an inner form, unlike the French copyists, such as Vuillaume , who employed an outer form. It is clear from

765-580: The "Stradivarian Room" (Italian: Sala Stradivariana ) inside the Palazzo Affaitati, where all the objects of the Salabue-Fiorini collection were exhibited. After a brief transfer of the exhibits to the Palazzo dell'Arte and to the state archives, they were later placed in the Stradivarius Museum, which was divided into three rooms: the first illustrated the construction of the contralto viola according to

810-537: The 19th century to the present have often found no significant difference between Stradivari violins and high-quality modern violins. These findings have led some to question the objectivity of the instruments' legendary status. Stradivarius instruments are still played by leading musicians and housed in museums worldwide, such as the Museo del Violino in Cremona, which preserves several Stradivarius instruments. Initiatives like

855-591: The 7th session of the Intergovernmental Committee in Paris. After two years of restoration of the Palazzo dell'Arte, the entire collection has been permanently transferred to the current building of the Violin Museum which was officially inaugurated on 14 September 2013. In 2019, the podcast This is Love visited the Museo del violino for their episode, "The Town That Stayed Quiet." The collections in

900-579: The British violinist Matthew Trusler played his 1711 Stradivarius, said to be worth two million U.S. dollars, and four modern violins made by the Swiss violin-maker Michael Rhonheimer  [ de ] . One of Rhonheimer's violins, made with wood that the Swiss Federal Laboratories for Materials Science and Technology researcher Francis Schwarze had treated with fungi, received 90 of the 180 votes for

945-458: The Netherlands, announced further evidence that wood density caused the claimed high quality of these instruments. After examining the violins with X-rays , the researchers found that these violins all have extremely consistent density, with relatively low variation in the apparent growth patterns of the trees that produced this wood. Yet another possible explanation is that the maple wood used

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990-455: The Stradivarius Museum (Italian: Museo Stradivari ) was established. The museum was later enriched by the inestimable collection of Count Ignazio Alessandro Cozio of Salabue, an Italian count who is known as the first great connoisseur and collector of violins of his time. Cozio's meticulous notes on nearly every instrument that passed through his hands contributed enormously to the body of knowledge surrounding Italian violinmaking. In 1920,

1035-419: The belief that there are a wide range of chemicals that will improve the violin's sound. In a 2009 study co-authored with Renald Guillemette and Clifford Spiegelman, Nagyvary obtained shavings from a Stradivarius violin and examined them, and analysis indicated they contained " borax , fluorides , chromium and iron salts." He also found that the wood had decayed a little, to the extent that the filter plates in

1080-432: The best tone, while the Stradivarius came second with 39 votes. The majority (113) of the listeners misidentified the winning violin as the Stradivarius. Analysis of the treated wood revealed a reduction in density, accompanied by relatively little change in the speed of sound. According to this analysis, treatment improves the sound radiation ratio to the level of cold-climate wood considered to have superior resonance. In

1125-670: The centuries, numerous theories have been presented – and debunked – including an assertion that the wood was salvaged from old cathedrals. A more modern theory attributes tree growth during a time of global low temperatures during the Little Ice Age associated with unusually low solar activity of the Maunder Minimum , circa 1645 to 1750, during which cooler temperatures throughout Europe are believed to have caused stunted and slowed tree growth, resulting in unusually dense wood. Further evidence for this "Little Ice Age theory" comes from

1170-403: The classic Cremonese school; the second room exhibited some instruments made by Italian violin makers of the 19th and 20th century; the last room contained sixteen exhibits with over 700 objects. The " Cremonese traditional violin craftmanship " (Italian: Saperi e saper fare liutario della tradizione cremonese ) was declared an intangible cultural heritage by UNESCO on 5 December 2012, during

1215-521: The instruments' famed sound remain unknown, with theories ranging from the unique quality of the wood used during the Little Ice Age to the varnishes and chemical treatments applied. Despite extensive scientific research, including modern acoustic analysis and CT scans , no one has been able to conclusively replicate or fully explain the tonal qualities of Stradivarius instruments. The reputation of Stradivarius instruments for having unmatched sound quality has been debated. Blind experiments conducted from

1260-433: The late 17th and early 18th centuries. These instruments are known for their craftsmanship, tonal quality, and lasting legacy, and are considered some of the finest ever made. Stradivari's violins, in particular, are coveted by musicians and collectors, with many selling for millions of dollars. Antonio Stradivari made over 1,100 instruments, with approximately 650 surviving today. The exact methods Stradivari used to produce

1305-402: The listeners identified more than two of the four instruments. Two of the listeners identified the 20th-century violin as the Stradivarius. Violinists and others have criticized these tests on various grounds such as that they are not double-blind (in most cases), the judges are often not experts, and the sounds of violins are hard to evaluate objectively and reproducibly. In a test in 2009,

1350-403: The number of forms throughout his career that he experimented with some of the dimensions of his instruments. The woods used included spruce for the top, willow for the internal blocks and linings, and maple for the back, ribs, and neck. Stradivari and Giuseppe Guarneri 's violins differ in their tonal quality, comparable to the difference between red and white wine. The Stradivari's sound

1395-421: The objects from his workshop to Michelina, the widow of his son, Paolo. Michelina was at that time, married the second time to Giovanni Battista Cerani, who was also a close friend of Enrico Ceruti. Cerani was an instrument dealer and collector, who later donated various musical instruments and models owned by great Cremonese violin luthiers, including Antonio Stradivari to the town of Cremona in 1893, and thus,

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1440-495: The pair-wise instrument comparisons" and "I could tell slight differences in the instruments... but overall they were all great. None of them sounded substantially weaker than the others." Modern violins were rated as having better sound-carrying qualities and were preferred again in a study in 2017. While many world-class soloists play violins by Antonio Stradivari, there are notable exceptions. For example, Christian Tetzlaff formerly played "a quite famous Strad", but switched to

1485-504: The police if approached by a seller with a Stradivarius known to have been stolen. The General Kyd Stradivarius was stolen in 2004. It was returned three weeks later by a woman who found it and handed it over to the police. The Sinsheimer/Iselin was stolen in Hanover, Germany in 2008 and recovered in 2009. The Lipinski Stradivarius was stolen in an armed robbery on 27 January 2014 and subsequently recovered. The Ames Stradivarius

1530-790: The pores between the wood's component tracheids had rotted away, perhaps while the wood was stored in or under water in the Venice lagoon before Stradivarius used it. Steven Sirr, a radiologist, worked with researchers to perform a CT scan of a Stradivari known as the " Betts ". Data regarding the differing densities of woods used were then used to create a reproduction instrument. Stradivari made mainly violins but also violas, cellos and some plucked string instruments (five guitars, two mandolins and one harp are known). About 650 original Stradivarius instruments have survived. Thousands of violins have been made in tribute to Stradivari, copying his model and bearing labels that read "Stradivarius". The presence of

1575-513: The role available materials may have played in sound production differences, though it made no comment on variations in density differentials. The content of copper and aluminium is higher than current instruments. A Stradivarius made in the 1680s, or during Stradivari's "Long Pattern" period from 1690 to 1700, could be worth hundreds of thousands to several million U.S. dollars at today's prices. The 1697 " Molitor " Stradivarius, once rumored to have belonged to Napoleon (it actually belonged to

1620-407: The survey of several modern and classical examples of violins highlighted a notable distinction when comparing density differentials. These results suggest that differences in density differentials in the material may have played a significant role in the sound production of classical violins. A later survey, focused on comparing median densities in both classical and modern violin examples, questioned

1665-563: The violin back to the Hill firm, who in turn sold it to Oscar Bondy de of Vienna . Bondy kept it until 1925 when he sold it to the Hills for £5,000. Hill then sold it to H. E. Morris of Newmarket, formerly editor of the Shanghai Daily News ; upon his death in 1944, it was sold to Rembert Wurlitzer Co. , the famous New York violin dealer, yet again through the Hill firm. In 1956, Wurlitzer sold

1710-430: The violin museum are organized into ten rooms: At the back of the museum, in what was originally the assembly hall of the Palazzo dell'Arte, a 464-seat auditorium named after the entrepreneur, Giovanni Arvedi, was designed and built by architects Giorgio Palù, Michele Bianchi, and the acoustical engineer Yasuhisa Toyota . Soloists and chamber orchestras perform on a small elliptical stage with an area of 85 m , located in

1755-640: The violin to Henry Hottinger of New York, who then sold it to Wurlitzer's daughter in 1965. She kept it until 1979, when it was sold to Thomas M. Roberts of Memphis, through another dealer, Alfredo Halegua of the Violin Gallery in Washington, D.C. In 1998 Roberts sold the violin through Halegua to Dr. Herbert R. Axelrod , the ichthyologist and publishing entrepreneur later jailed for tax fraud . Herbert R. Axelrod passed away in 2017 in Zurich (Switzerland). The violin

1800-570: The wood they sold. As well, the violin makers applied varnishes to their instruments. Potassium borate ( borax ) may have been used to protect against woodworm . Sodium and potassium silicate may have been used to prevent mildew , rotting and insect damage. Simone Fernando Sacconi suggested that Vernice bianca , an egg tempera varnish composed of gum arabic , honey , and egg white , may have been used. French chemist Jean-Philippe Echard and his co-workers have studied varnishes on Stradivarius violins. He reported in 2010 that even when varnish

1845-469: Was kept in the family until 1880. In that year, The violin was sold by Colonel Thomas Shaw-Hellier , commandant of the Royal Military School of Music , to George Crompton of Manchester, who, in 1885, sold it to the Hill firm on behalf of Dr. Charles Oldham of Brighton , a medical man with violin-playing talent. Shaw-Hellier repurchased the violin in 1890. Upon his death in 1910, his nephew sold

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1890-681: Was loaned to the Smithsonian Institution from 1998 until 2003. Today, it has been consigned to the Stradivari Foundation in Cremona as part of its "Friends of Stradivari" project, where it is on display at the Museo del violino . Stradivarius A Stradivarius is one of the string instruments, such as violins , violas , cellos , and guitars, crafted by members of the Stradivari family, particularly Antonio Stradivari ( Latin : Antonius Stradivarius), in Cremona , Italy, during

1935-582: Was sold in London for $ 15.9 million (it is named after Lord Byron 's granddaughter Lady Anne Blunt , who owned it for 30 years). It was sold by the Nippon Music Foundation in aid of the Japanese earthquake and tsunami appeal. In Spring 2014 the "Macdonald" viola was put up for auction through the musical instrument auction house Ingles & Hayday in conjunction with Sotheby's via silent auction with

1980-461: Was sourced from the forests of northern Croatia . This wood is known for its extreme density resulting from the slow growth caused by harsh Croatian winters. Croatian wood was traded by Venetian merchants of the era, and is still used today by local luthiers and craftsfolk for musical instruments. Some research points to wood preservatives used in that day as contributing to the resonant qualities. Joseph Nagyvary reveals that he has always held

2025-707: Was stolen in 1981 and recovered in 2015. A number of stolen instruments remain missing, such as the Karpilowsky , stolen in 1953. the Davidoff-Morini , stolen in 1995, and the Le Maurien , stolen in 2002. The Stradivarius instruments are famous for the quality of sound they produce. However, the many blind experiments from 1817 to as recent as 2014 have never found any difference in sound between Stradivari's violins and high-quality violins in comparable style of other makers and periods, nor has acoustic analysis. In

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