123-404: The hand jive is a dance particularly associated with music from the 1950s, rhythm and blues in particular. It involves a complicated pattern of hand moves and claps at various parts of the body. It resembles a highly elaborate version of pat-a-cake . Hand moves include thigh slapping, crossing the wrists, fist pounding, hand clapping, and hitchhike moves. In 1957, when filmmaker Ken Russell
246-457: A doo-wop group, had the number four hit of the year with " Crying in the Chapel ". Fats Domino made the top 30 of the pop charts in 1952 and 1953, then the top 10 with " Ain't That a Shame ". Ray Charles came to national prominence in 1955 with " I Got a Woman ". Big Bill Broonzy said of Charles's music: "He's mixing the blues with the spirituals ... I know that's wrong." In 1954
369-807: A "rawer" or "grittier" sound than the more popular " beat groups ". During the 1960s, Geno Washington , the Foundations , and the Equals gained pop hits. Many British black musicians helped form the British R&;B scene. These included Geno Washington , an American singer stationed in England with the Air Force. He was invited to join what became Geno Washington & the Ram Jam Band by guitarist Pete Gage in 1965 and enjoyed top 40 hit singles and two top 10 albums before
492-534: A Dream ". Faye Adams 's " Shake a Hand " made it to number two in 1952. In 1953, the R&;B record-buying public made Willie Mae Thornton 's original recording of Leiber and Stoller 's " Hound Dog " the year's number three hit. Ruth Brown was very prominent among female R&B stars; her popularity most likely came from "her deeply rooted vocal delivery in African American tradition". That same year The Orioles ,
615-528: A United States embargo that still remains in effect today, the island nation had been forgotten as a source of music. By the time people began to talk about rock and roll as having a history, Cuban music had vanished from North American consciousness." At first, only African Americans were buying R&B discs. According to Jerry Wexler of Atlantic Records, sales were localized in African-American markets; there were no white sales or white radio play. During
738-475: A blues progression. Ike Turner recorded "Cubano Jump" (1954) an electric guitar instrumental, which is built around several 2–3 clave figures, adopted from the mambo. The Hawketts , in " Mardi Gras Mambo " (1955) (featuring the vocals of a young Art Neville), make a clear reference to Perez Prado in their use of his trademark "Unhh!" in the break after the introduction. Ned Sublette states: "The electric blues cats were very well aware of Latin music, and there
861-452: A board game version of the show, which was named Game of the Year in 1986 by The British Association of Toy Retailers. This led to several successful spin offs; a "Gold Run" Card Game, a Junior Blockbusters board game (a children's edition) and a Super Blockbusters board game (essentially, a second edition standard game with its own set of "Gold Run" cards). A computer game version of the show
984-615: A boogie-woogie with a tresillo bass line, and lyrics proudly declaring the adoption of Cuban rhythm: Harlem's got a new rhythm, man it's burning up the dance floors because it's so hot! They took a little rhumba rhythm and added boogie-woogie and now look what they got! Rhumboogie, it's Harlem's new creation with the Cuban syncopation, it's the killer! Just plant your both feet on each side. Let both your hips and shoulder glide. Then throw your body back and ride. There's nothing like rhumbaoogie, rhumboogie, boogie-woogie. In Harlem or Havana, you can kiss
1107-494: A bored contestant awaiting his turn. Rhythm and blues Rhythm and blues , frequently abbreviated as R&B or R'n'B , is a genre of popular music that originated within the African-American community in the 1940s. The term was originally used by record companies to describe recordings marketed predominantly to African Americans, at a time when "rocking, jazz based music ... [with a] heavy, insistent beat"
1230-399: A celebrity special featuring Konnie Huq (who had previously been on the original Blockbusters ) amongst others. During the break, the first 20 episodes were repeated, with the " All New " removed from the title. Subsequent repeats also removed the "All New" prefix. On 22 October 2018, it was reported that Blockbusters would return once again. Produced by Thames TV with the same format. It
1353-404: A mainstay in rock and roll. At the urging of Leonard Chess at Chess Records, Chuck Berry reworked a country fiddle tune with a long history, entitled " Ida Red ". The resulting " Maybellene " was not only a number three hit on the R&B charts in 1955, but also reached into the top 30 on the pop charts. Alan Freed , who had moved to the much larger market of New York City in 1954, helped
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#17328526787131476-419: A new series with original host, Bob Holness. It was produced by Central, which had made the programme since 1983, and sponsored by Thomas Cook . This series featured a bonus question for any player who chose a particular letter and correctly answered that question, thereby earning the right to answer a £5 follow-up question. Sky One brought the series back again in 2000, this time produced by Grundy (which owned
1599-529: A non-African American artist into a music category known for being created by blacks. Nat King Cole , also a jazz pianist who had two hits on the pop charts in the early 1950s (" Mona Lisa " at number two in 1950 and " Too Young " at number one in 1951), had a record in the top five in the R&B charts in 1958, " Looking Back "/"Do I Like It". In 1959, two black-owned record labels, one of which would become hugely successful, made their debut: Sam Cooke 's Sar and Berry Gordy 's Motown Records . Brook Benton
1722-445: A number of shifts in meaning. In the early 1950s, it was frequently applied to blues records. Starting in the mid-1950s, after this style of music had contributed to the development of rock and roll , the term "R&B" became used in a wider context. It referred to music styles that developed from and incorporated electric blues , as well as gospel and soul music . By the 1970s, the term "rhythm and blues" had changed once again and
1845-480: A pattern of green hexagons similar to that of the main game, but the hexagons had 2 to 4 letters inside them; those letters were the initials of the correct answer. (For instance, if a contestant chose "BS" and the host said "Where people kiss in Ireland", the correct answer would be " Blarney Stone .") When the contestant guessed correctly, the hexagon turned gold. However, if the contestant passed, it turned black, blocking
1968-497: A primarily African-American clientele. Freed began referring to the rhythm and blues music he played as "rock and roll". In 1951 Little Richard Penniman began recording for RCA Records in the jump blues style of late 1940s stars Roy Brown and Billy Wright . However, it was not until he recorded a demo in 1954 that caught the attention of Specialty Records that the world would start to hear his new uptempo funky rhythm and blues that would catapult him to fame in 1955 and help define
2091-415: A question. If a player or team got the correct answer, they gained control of that hexagon and were given the chance to choose another one. If the contestant answered incorrectly, the opposing team or player was given a chance to answer it after the host re-read the question. If nobody answered it correctly, the host asked another question whose answer began with that same letter. Each correct answer won £5. In
2214-489: A quintet consisting of a vocal quartet with accompanying guitarist, sang a distinctive-sounding combination of blues and gospel. They had the number five hit of the year with " Don't You Know I Love You " on Atlantic. Also in July 1951, Cleveland, Ohio DJ Alan Freed started a late-night radio show called "The Moondog Rock Roll House Party" on WJW (850 AM). Freed's show was sponsored by Fred Mintz, whose R&B record store had
2337-415: A saxophone-section riff) on his own 1949 disc "Country Boy" and subsequently helped make it the most over-used rhythmic pattern in 1950s rock 'n' roll. On numerous recordings by Fats Domino , Little Richard and others, Bartholomew assigned this repeating three-note pattern not just to the string bass, but also to electric guitars and even baritone sax, making for a very heavy bottom. He recalls first hearing
2460-680: A sold-out performance with 8,000 seats. Roads were clogged for seven hours. Filmmakers took advantage of the popularity of "rhythm and blues" musicians as "rock n roll" musicians beginning in 1956. Little Richard, Chuck Berry, Fats Domino, Big Joe Turner, the Treniers , the Platters , and the Flamingos all made it onto the big screen. Two Elvis Presley records made the R&B top five in 1957: " Jailhouse Rock "/" Treat Me Nice " at number one, and " All Shook Up " at number five, an unprecedented acceptance of
2583-460: A solo player competed against a pair of contestants. The game board consisted of 20 interlocking yellow hexagons, arranged in five columns of four. Each hexagon contained a letter of the alphabet (except X and Z, although letter Z appeared occasionally during the Gold Run). A contestant would choose one of the letters and would be asked a general-knowledge trivia question whose correct answer began with
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#17328526787132706-407: A strong sexual connotation in jump blues and R&B, but when DJ Alan Freed referred to rock and roll on mainstream radio in the mid-1950s, "the sexual component had been dialed down enough that it simply became an acceptable term for dancing". The great migration of Black Americans to the urban industrial centers of Chicago, Detroit, New York City, Los Angeles, Washington, D.C. and elsewhere in
2829-493: A synth-like horn in a slapstick style) was played if a contestant ran out of time on a Gold Run, often producing amused reactions in the studio; the same three notes played on an electric guitar act as the time's-up buzzer on the Challenge version. Four series of Champion Blockbusters were made from 1987 to 1990, in which gold-run winners were invited to return to battle against other gold-run winners. In 1994, Sky One created
2952-399: A tied game was not a possible finishing result. Even if all 20 hexagons were filled (which did occur at least twice, once in the first series, and once in the first Sky version) there would always be a winner. The game began with a toss-up question to play for control of the board, starting with a letter that was chosen at random. The teams or players could buzz in during the middle of reading
3075-473: A triplet or shuffle feel to even or straight eighth notes. Concerning the various funk motifs, Stewart states that this model "... is different from a time line (such as clave and tresillo) in that it is not an exact pattern, but more of a loose organizing principle." Johnny Otis released the R&B mambo "Mambo Boogie" in January 1951, featuring congas, maracas, claves, and mambo saxophone guajeos in
3198-478: A version of " Stagger Lee " at number one and " Personality " at number five in 1959. The white bandleader of the Bill Black Combo, Bill Black , who had helped start Elvis Presley's career and was Elvis's bassist in the 1950s, was popular with black listeners. Ninety percent of his record sales were from black people, and his " Smokie, Part 2 " (1959) rose to the number one position on black music charts. He
3321-869: A version of the Johnny Otis song in 1974 that reached the Top 40. Additionally, "Willie and the Hand Jive" was played on several occasions by the New Riders of the Purple Sage featuring Jerry Garcia from the Grateful Dead . George Thorogood and the Delaware Destroyers recorded a version of "Willie and the Hand Jive" and a music video. The hand jive is also featured prominently in the Broadway musical Grease (1971) through
3444-575: Is 'Longhair's Blues Rhumba,' where he overlays a straightforward blues with a clave rhythm." Longhair's particular style was known locally as rumba-boogie . In his "Mardi Gras in New Orleans", the pianist employs the 2–3 clave onbeat/offbeat motif in a rumba boogie " guajeo ". The syncopated, but straight subdivision feel of Cuban music (as opposed to swung subdivisions) took root in New Orleans R&;B during this time. Alexander Stewart states that
3567-455: Is an attempt to blend African American and Afro-Cuban music. The word mambo , larger than any of the other text, is placed prominently on the record label. In his composition "Misery", New Orleans pianist Professor Longhair plays a habanera-like figure in his left hand. The deft use of triplets is a characteristic of Longhair's style. Gerhard Kubik notes that with the exception of New Orleans, early blues lacked complex polyrhythms, and there
3690-445: Is mixed into the theme at the precise moment the composer's head appears on a flipping hexagon in the 1983 opening sequence (this sequence was replaced in 1987, see below). The BBC version in 1997 used a piece of music written by Henry Marsh and Paul Boross. Rage Music created the version used by Challenge, which is an updated version of the original theme, primarily using an electric guitar. Marc Sylvan and Richard Jacques updated
3813-585: Is often cited as a precursor to rock and roll or as one of the first records in that genre. In a later interview, however, Ike Turner offered this comment: "I don't think that 'Rocket 88' is rock 'n' roll. I think that 'Rocket 88' is R&B, but I think 'Rocket 88' is the cause of rock and roll existing". Ruth Brown , performing on the Atlantic label, placed hits in the top five every year from 1951 through 1954: " Teardrops from My Eyes ", "Five, Ten, Fifteen Hours", " (Mama) He Treats Your Daughter Mean " and " What
Hand jive - Misplaced Pages Continue
3936-569: Is the only version to use purple hexagons; all other versions still used blue to represent the pair of players. The solo player still played white hexagons. The Gold Run used a blue background in this version and the Liza Tarbuck version. Champions in the Aspel era were limited to three wins before retiring undefeated. On 14 April 2007 at 20:40, Vernon Kay hosted a networked edition of Gameshow Marathon on ITV1 in which celebrity contestants revived
4059-611: The boogie-woogie rhythms that had come to prominence during the 1940s. Jordan's band, the Tympany Five (formed in 1938), consisted of him on saxophone and vocals, along with musicians on trumpet, tenor saxophone, piano, bass and drums. Lawrence Cohn described the music as "grittier than his boogie-era jazz-tinged blues". Robert Palmer described it as "urbane, rocking, jazz-based music ... [with a] heavy, insistent beat". Jordan's music, along with that of Big Joe Turner , Roy Brown , Billy Wright , and Wynonie Harris , before 1949,
4182-408: The conga drum , bongos , maracas and claves . According to John Storm Roberts , R&B became the vehicle for the return of Cuban elements into mass popular music. Ahmet Ertegun , producer for Atlantic Records , is reported to have said that "Afro-Cuban rhythms added color and excitement to the basic drive of R&B." As Ned Sublette points out though: "By the 1960s, with Cuba the object of
4305-443: The 1800s with the popularity of the Cuban contradanza (known outside of Cuba as the habanera ). The habanera rhythm can be thought of as a combination of tresillo and the backbeat . For the more than a quarter-century in which the cakewalk , ragtime and proto-jazz were forming and developing, the Cuban genre habanera exerted a constant presence in African American popular music. Jazz pioneer Jelly Roll Morton considered
4428-545: The 1920s and 1930s created a new market for jazz, blues, and related genres of music. These genres of music were often performed by full-time musicians, either working alone or in small groups. The precursors of rhythm and blues came from jazz and blues, which overlapped in the late-1920s and 30s through the work of musicians such as the Harlem Hamfats , with their 1936 hit "Oh Red", as well as Lonnie Johnson , Leroy Carr , Cab Calloway , Count Basie , and T-Bone Walker . There
4551-451: The 6:30 pm time slot, which resulted in fewer episodes per week. When Tyne Tees and Yorkshire decided to merge their scheduling in January 1993, Tyne Tees increased its episode output to catch up (In November 1992, it was airing four times a week on Mondays, Wednesdays, Thursdays, and Fridays), but had to drop over 50 episodes. Many new ITV companies came into being, with Westcountry and Carlton having hour-long news, while most of
4674-496: The Blues , writes that "rhythm and blues" was an umbrella term invented for industry convenience. According to him, the term embraced all black music except classical music and religious music , unless a gospel song sold enough to break into the charts. Well into the 21st century, the term R&B continues in use (in some contexts) to categorize music made by black musicians, as distinct from styles of music made by other musicians. In
4797-612: The Bo Diddley rhythm. In April 1958, the UK record label Decca Records , released a song called "Hand Jive" by Bud Allen, performed by the Betty Smith Group. The song lyrics describe the hand dance the title refers to. The hand jive was popularized in the States by Johnny Otis 's " Willie and the Hand Jive ", described as a "funky blues rendition in a Bo Diddley styling" and "another approach to
4920-500: The British game show. The game is featured at many of the UK's leading gambling sites, including Sky Vegas and Bet365 . Blockbusters was one of the first British game shows to run in a 'straddling' format, which allowed for games to last a different length of time, meaning that episodes would often begin and end mid-game, and matches often crossed over into two episodes. The show was generally screened at 5:15 pm Monday to Friday, filling
5043-655: The CEO of LaFace Records , was responsible for some of R&B's greatest successes in the 1990s in the form of Usher , TLC and Toni Braxton . Later, Reid successfully marketed Boyz II Men . In 2004, 80% of the songs that topped the R&B charts were also at the top of the Hot 100. That period was the all-time peak for R&B and hip hop on the Billboard Hot 100 and on Top 40 Radio. From about 2005 to 2013, R&B sales declined. However, since 2010, hip-hop has started to take cues from
Hand jive - Misplaced Pages Continue
5166-542: The Chords ' " Sh-Boom " became the first hit to cross over from the R&B chart to hit the top 10 early in the year. Late in the year, and into 1955, " Hearts of Stone " by the Charms made the top 20. At Chess Records in the spring of 1955, Bo Diddley 's debut record " Bo Diddley "/" I'm a Man " climbed to number two on the R&B charts and popularized Bo Diddley's own original rhythm and blues clave-based vamp that would become
5289-585: The Cleftones , and the Spaniels with Illinois Jacquet 's Big Rockin' Rhythm Band. Cities visited by the tour included Columbia, South Carolina; Annapolis, Maryland; Pittsburgh, Pennsylvania; Syracuse, Rochester and Buffalo, New York; and other cities. In Columbia, the concert ended with a near riot as Perkins began his first song as the closing act. Perkins is quoted as saying, "It was dangerous. Lot of kids got hurt". In Annapolis, 50,000 to 70,000 people tried to attend
5412-457: The Ed Welch theme again. The 2012 title sequence featured references to all previous title sequences, mainly hexagons – but also with more subtle features like the golden head (as seen in the 1997 BBC version), the planet Earth and a city-like structure as seen in the popularised 1987–95 versions. The 2019 title sequence featured hexagon outlines on a hexagon landscape. Like the 1980 U.S. version,
5535-530: The Gold Run, however, if they answer incorrectly the opposition goes through. In the Gold Run, the contestant has a choice of two categories for their question board. This version uses a white background during the Gold Run and passes turn the space dark blue. Blockbusters spawned a number of items of merchandise. 12 quiz books were released from the show which also led to a spin-off: "Blockbusters Gold Run Volumes 1–5" being produced. In 1986, Waddingtons created
5658-562: The Jewish writer, music publishing executive, and songwriter Arnold Shaw , during the 1940s in the US, there was generally little opportunity for Jews in the WASP -controlled realm of mass communications , but the music business was "wide open for Jews as it was for blacks". Jews played a key role in developing and popularizing African American music, including rhythm and blues, and the independent record business
5781-461: The New Orleans sound. Robert Palmer reports that, in the 1940s, Professor Longhair listened to and played with musicians from the islands and "fell under the spell of Perez Prado's mambo records." He was especially enamored with Afro-Cuban music. Michael Campbell states: "Professor Longhair's influence was ... far-reaching. In several of his early recordings, Professor Longhair blended Afro-Cuban rhythms with rhythm and blues. The most explicit
5904-474: The R&B sound, choosing to adopt a softer, smoother sound that incorporates traditional R&B with rappers such as Drake , who has opened an entire new door for the genre. This sound has gained in popularity and created great controversy for both hip-hop and R&B as to how to identify it. In 2010, the National Rhythm & Blues Hall of Fame was founded by LaMont "ShowBoat" Robinson . According to
6027-639: The United States in 1948, the term had been used in Billboard as early as 1943. However, the company's first list of songs popular among African Americans was named Harlem Hit Parade ; created in 1942, it listed the "most popular records in Harlem ," and is the predecessor to the Billboard RnB chart. “Rhythm and Blues” replaced the common term " race music ", a term coined by Okeh producer Ralph Peer based on
6150-500: The answer, to complete a path across or down a game board of hexagons. The programme premiered on 29 August 1983 on ITV and ran for ten series, ending on 19 May 1993. It has since been revived for four additional series, the most recent of which was a comedy version hosted by Dara Ó Briain , which aired on Comedy Central from 21 March to 5 December 2019. Blockbusters was created by Mark Goodson - Bill Todman Productions and originated as an American series in 1980. The UK version
6273-439: The article said that rock and roll combined R&B with pop and country music. Fats Domino was not convinced that there was any new genre. In 1957, he said, "What they call rock 'n' roll now is rhythm and blues. I've been playing it for 15 years in New Orleans". According to Rolling Stone , "this is a valid statement ... all Fifties rockers, black and white, country born and city bred, were fundamentally influenced by R&B,
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#17328526787136396-401: The backbeat (two-side). The " Bo Diddley beat " (1955) is perhaps the first true fusion of 3–2 clave and R&B/rock 'n' roll. Bo Diddley has given different accounts of the riff's origins. Sublette asserts: "In the context of the time, and especially those maracas [heard on the record], 'Bo Diddley' has to be understood as a Latin-tinged record. A rejected cut recorded at the same session
6519-526: The band split up in 1969. Another American GI , Jimmy James , born in Jamaica, moved to London after two local number one hits in 1960 with The Vagabonds, who built a strong reputation as a live act. They released a live album and their studio debut, The New Religion, in 1966 and achieved moderate success with a few singles before the original Vagabonds broke up in 1970. White blues rock musician Alexis Korner formed new jazz rock band CCS in 1970. Interest in
6642-463: The black popular music of the late Forties and early Fifties". In 1956, an R&B "Top Stars of '56" tour took place, with headliners Al Hibbler , Frankie Lymon and the Teenagers, and Carl Perkins , whose " Blue Suede Shoes " was very popular with R&B music buyers. Some of the performers completing the bill were Chuck Berry, Cathy Carr , Shirley & Lee , Della Reese , Sam "T-Bird" Jensen,
6765-467: The blues would influence major British rock musicians, including Eric Clapton , Mick Taylor , Peter Green , and John Mayall , the groups Free and Cream adopted an interest in a wider range of rhythm and blues styles. Blockbusters (British game show) Blockbusters is a British television quiz show based upon an American quiz show of the same name . A solo player and a team of two answer trivia questions, clued up with an initial letter of
6888-432: The case of the two-player team, each player won whatever money the team accumulated. The solo player attempted to complete a vertical connection of white hexagons from the top of the board to the bottom; that required at least four correct answers. The pair attempted to connect a path from left to right with blue hexagons (purple during the Aspel era), requiring at least five spaces. The first side to connect their path won
7011-409: The chosen letter. (A typical question might be, "What 'P' is a musical instrument with 88 keys?" The answer would be a piano .) The phrasing that contestants would use to ask for a letter has entered the language and is frequently heard to this day. It is also the source of a pun – "Can I have a 'P' please, Bob?"; 'having a pee' being slang for urinating . The game board is designed in such a way that
7134-445: The classic 1980s Holness version of the show. It also featured an edited version of the show's opening titles. It was announced on 10 November 2011 that game show channel Challenge would revive the show in 2012, under the name " All New Blockbusters ", with adult contestants rather than students. Forty episodes were recorded from 9 to 19 February 2012 with Simon Mayo hosting the show. The series started airing on 14 May 2012, with
7257-495: The commercial rhythm and blues music typical of the 1950s through the 1970s, the bands usually consisted of piano, one or two guitars, bass, drums, and saxophone. Arrangements were rehearsed to the point of effortlessness and were sometimes accompanied by background vocalists. Simple repetitive parts mesh, creating momentum and rhythmic interplay producing mellow, lilting, and often hypnotic textures while calling attention to no individual sound. While singers are emotionally engaged with
7380-417: The common self description by the African American press as “people of race.” The term "rhythm and blues" was then used by Billboard in its chart listings from June 1949 until August 1969, when its "Hot Rhythm & Blues Singles" chart was renamed as "Best Selling Soul Singles". Before the "Rhythm and Blues" name was instated, various record companies had already begun replacing the term "race music" with
7503-751: The early 1950s, more white teenagers started to become aware of R&B and began purchasing the music. For example, 40% of 1952 sales at Dolphin's of Hollywood record shop, located in an African-American area of Los Angeles, were to whites. Eventually, white teens across the country turned their musical taste toward rhythm and blues. Johnny Otis , who had signed with the Newark, New Jersey–based Savoy Records, produced many R&B hits in 1951, including " Double Crossing Blues ", "Mistrustin' Blues" and " Cupid's Boogie ", all of which hit number one that year. Otis scored ten top ten hits that year. Other hits include " Gee Baby ", "Mambo Boogie" and "All Nite Long". The Clovers ,
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#17328526787137626-408: The figure – as a bass pattern on a Cuban disc. In a 1988 interview with Palmer, Bartholomew (who had the first R&B studio band), revealed how he initially superimposed tresillo over swing rhythm: I heard the bass playing that part on a 'rumba' record. On 'Country Boy' I had my bass and drums playing a straight swing rhythm and wrote out that 'rumba' bass part for the saxes to play on top of
7749-544: The final months of The Family Channel and was the first game show broadcast on the relaunch from the Family Channel to Challenge TV on 3 February 1997 showing reruns from Series 9, it was repeated in February to June 1997, January to May 1998, September 1998 to January 1999 and May to September 1999. In 2004, Saturday Night Takeaway showed clips from a 1992 episode with a contestant in the audience who did not get very far on
7872-465: The first episode dedicated to the memory of original host Bob Holness, who died on 6 January 2012. The series also featured contestant Claire Scott who made her third appearance on Blockbusters . The show aired at 20:00 every weekday with an omnibus showing split over Saturday and Sunday mornings, plus a repeat showing of the previous night's episode at 17:00. The series was put on hold for a few weeks and resumed transmission on 9 July 2012, starting with
7995-486: The format) and presented by Liza Tarbuck , but it did not capture the same degree of popularity as the Holness incarnation. The format stayed the same in both versions, and both versions involved sixth formers. BBC Two used adult contestants, instead of sixth formers. This version was broadcast in 1997 and presented by Michael Aspel ; the show stayed with the same format. Famous contestants included Stephen Merchant . This
8118-561: The foundation for R&B in the 1940s, cutting one swinging rhythm & blues masterpiece after another". Other artists who were "cornerstones of R&B and its transformation into rock & roll" include Etta James, Fats Domino , Roy Brown, Little Richard and Ruth Brown. The "doo wop" groups were also noteworthy, including the Orioles , the Ravens and the Dominoes . The term "rock and roll" had
8241-413: The game. The first player or team to win two games won the match. When either party was one correct answer away from completing their path, the hexagons forming their path would flash to indicate this. If both were one correct answer away, all lit hexagons on the board would flash, indicating that the situation was effectively "Blockbusters either way" (later referred to as a "mutual space" on the board), and
8364-534: The growing Stateside interest in the British originated hand dance." This song exhibited the Bo Diddley beat , a rhythm that originated in Afro-Latin music and was brought into mainstream American music by Bo Diddley . It has since influenced generations of musicians. Jazz trumpeter Miles Davis has a track titled "Hand Jive," written by drummer Tony Williams, on the album Nefertiti from 1967. Eric Clapton did
8487-560: The half-hour timeslot between Children's ITV and the ITN News at 5:45 , with a similar timeslot allocated on Saturdays for a while. The show was always aired on the ITV network, although the first series was repeated on Channel 4 during the summer of 1984, in the Countdown slot. Blockbusters was never networked across ITV's sixteen regions, this meant that it was occasionally possible to retune
8610-509: The helm. The Challenge series was presented by Simon Mayo , and the Comedy Central series was presented by Dara Ó Briain . Contestants were allowed to do a hand jive during the end credits of the Friday episode of each broadcast week. The hand jive first appeared in 1986 after one of the contestants was bored while sitting through filming several shows a day waiting for his turn. It lasted for
8733-431: The hexagons flying over the studio like the 1987–93 titles. The title sequence used in the 1997 series with a completely different theme tune (although as mentioned above, it might have been similar to the original theme but with several notes swapped around) featured a golden head with hexagons showing clips. The title sequence used in 2000–01 featured people throwing and catching the letters that spell "Blockbusters" using
8856-766: The late 1980s and early 1990s, hip-hop started to capture the imagination of America's youth. R&B started to become homogenized, with a group of high-profile producers responsible for most R&B hits. It was hard for R&B artists of the era to sell their music or even have their music heard because of the rise of hip-hop, but some adopted a "hip-hop" image, were marketed as such, and often featured rappers on their songs. In 1990, Billboard reintroduced R&B to categorize all of Black popular music other than hip-hop. Newer artists such as Usher , R. Kelly , Janet Jackson , TLC , Aaliyah , Brandy , Destiny's Child , Tevin Campbell and Mary J. Blige enjoyed success. L.A. Reid ,
8979-424: The lyrics, often intensely so, they remain cool, relaxed, and in control. The bands dressed in suits, and even uniforms, a practice associated with the modern popular music that rhythm and blues performers aspired to dominate. Lyrics often seemed fatalistic, and the music typically followed predictable patterns of chords and structure. R&B lyrical themes often encapsulate the African-American experience of pain and
9102-508: The main game (£100 for the celebrity edition) and £50 per correct answer in an unsuccessful Gold Run (£150 for the celebrity edition). Spot prizes exist in this series, occurring once per episode when a certain hex is selected. If each side wins one game each, the deciding game of past formats has been replaced with a sudden-death playoff entitled the Hexagon Standoff. The two teams try to answer one question, if they get it correct, they go to
9225-465: The next player to give a correct answer would win the game unless the contestant chose a panel which would not give them the win, which was sometimes used as a safety tactic to avoid handing the initiative to the opponent in case they gave the wrong answer. All players received a "Blockbusters" Concise Oxford Dictionary and sweatshirt in the original ITV series. By 1985, the Blockbusters computer game
9348-665: The old Savannah. It's a killer! Although originating in the metropolis at the mouth of the Mississippi River, New Orleans blues, with its Afro-Caribbean rhythmic traits, is distinct from the sound of the Mississippi Delta blues. In the late 1940s, New Orleans musicians were especially receptive to Cuban influences precisely at the time when R&B was first forming. The first use of tresillo in R&B occurred in New Orleans. Robert Palmer recalls: New Orleans producer-bandleader Dave Bartholomew first employed this figure (as
9471-403: The original theme for the Comedy Central version. The original 1983–87 title sequence featured flipping hexagons with various images on them running down an encyclopedia page. The title sequence used from 1987 to 1993 is a city, paying homage to science-fiction films such as Metropolis (1927) and Blade Runner (1982). In the 1994 Sky series, the opening titles were cut short, not featuring
9594-406: The other areas wished to have more local programmes in the early evenings which resulted in some areas, moving the series back before CITV . After the tenth series, Blockbusters was no longer networked on ITV. But it continued for one more series on the satellite channel Sky One. Six ITV regional channels showed this series. Challenge TV aired Blockbusters starting from September 1996 during
9717-505: The pattern is only half a clave ). Tresillo is the most basic duple-pulse rhythmic cell in Sub-Saharan African music traditions , and its use in African American music is one of the clearest examples of African rhythmic retention in the United States. The use of tresillo was continuously reinforced by the consecutive waves of Cuban music, which were adopted into North American popular culture. In 1940 Bob Zurke released "Rhumboogie",
9840-460: The player's path; it was then up to the contestant to work around it. The object was to horizontally connect the left and right sides of the board within 60 seconds (or before blocking off all possible horizontal connections). If the players were successful they won a special prize. If the Gold Run was not won, each correct answer paid £10. Defending champions could keep going for up to five matches undefeated, in order to win an even bigger prize. From
9963-420: The popular feel was passed along from "New Orleans—through James Brown's music, to the popular music of the 1970s," adding: "The singular style of rhythm & blues that emerged from New Orleans in the years after World War II played an important role in the development of funk. In a related development, the underlying rhythms of American popular music underwent a basic, yet generally unacknowledged transition from
10086-488: The quest for freedom and joy, as well as triumphs and failures in terms of relationships, economics, and aspirations. One publication of the Smithsonian Institution provided this summary of the origins of the genre in 2016. "A distinctly African American music drawing from the deep tributaries of African American expressive culture, it is an amalgam of jump blues, big band swing, gospel, boogie, and blues that
10209-514: The rawer Memphis soul sound for which Stax became known. In Jamaica, R&B influenced the development of ska . In 1969, black culture and rhythm and blues reached another great achievement when the Grammys added the Rhythm and Blues category, giving academic recognition to the category. By the 1970s, the term "rhythm and blues" was being used as a blanket term for soul , funk , and disco . In
10332-495: The record become popular with white teenagers. Freed had been given part of the writing credit by Chess in return for his promotional activities, a common practice at the time. R&B was also a strong influence on rock and roll . A 1985 article in The Wall Street Journal , titled, "Rock! It's Still Rhythm and Blues" reported that the "two terms were used interchangeably" until about 1957. The other sources quoted in
10455-555: The rest of the original series' run. The hand-clapping sequence was referenced by Half Man Half Biscuit in their 1991 song " Hedley Verityesque ". The original game board was powered using 40 slide projectors , each with its own set of slides for the different Letters and Gold Run questions, and took up the entire height of the studio. Slides were preloaded onto carousels with enough slides for about 3 – 5 shows. Carousels took about 30 minutes to change over. There were 15 different board combinations (5 sets X 3 games per match) which meant
10578-447: The same letter combinations would reappear. The letter 'Q' was only on one board, the letter 'Y' on two boards. All 15 boards followed in the same sequence; if the same player/team won a match with victories in the first two games, the third one was skipped and the projectors were advanced directly to the Gold Run. In 1987 and 1988, readers of TVTimes voted the series the most popular quiz show on television. The original theme music
10701-409: The seventh ITV series, it was reduced to three, so that more contestants could take part over the course of a series. In the first Sky One series this was changed back up to five matches and reduced to three again on BBC Two. In the second Sky One series, it increased to five again. For the Challenge series, the maximum amount remained at five matches. A famous short piece of music (three sharp notes on
10824-500: The show and only won £10. Following requests on the (now "defunct") Challenge forums to air the show, Challenge managed to acquire Blockbusters from June 2004 to June 2006, but they only showed the first 25 episodes from Series 10, which generated low ratings. Carlton Select also showed old shows while that channel was still operational. Challenge reacquired Blockbusters but this time, they acquired 72 episodes from Series 10, and broadcast them during 2011. On 8 May 2014, they acquired
10947-413: The show begins. The 2005 album Midnight Boom by the band The Kills features the hand-jive rhythm in the song "Sour Cherry." The band's goal while writing the album was to write rhythms inspired by old-school schoolyard hand claps. Contestants of the British version of Blockbusters , a television game show, would perform a hand-jive over the theme tune during the closing credits. It was started by
11070-468: The song " Born to Hand Jive "; in the movie adaptation of the musical , the song is performed by Sha Na Na . On a DVD audio commentary for the movie, choreographer Patricia Birch mentions that the dance also went by the much more risque name " hand job ", but the title was changed as Grease was aimed at a family audience. The hand movements are also featured in John Waters ' 1988 film Hairspray , as
11193-408: The sound of rock 'n' roll. A rapid succession of rhythm and blues hits followed, beginning with " Tutti Frutti " and " Long Tall Sally ", which would influence performers such as James Brown , Elvis Presley , and Otis Redding . Also in 1951, the song Rocket 88 was recorded by Ike Turner and his Kings of Rhythm at a studio owned by Sam Phillips with the vocal by Jackie Brenston . This song
11316-516: The special education class does this behind the teacher's back during the Pledge of Allegiance . Jazz fusion guitarist John Scofield's 1993 album is called Hand Jive . The long-running Walt Disney World musical Festival of the Lion King (1997) uses this during the song "Hakuna Matata," and the performers and audience do it while singing the song. The audience is taught the hand jive sometime before
11439-461: The swing rhythm. Later, especially after rock 'n' roll came along, I made the 'rumba' bass part heavier and heavier. I'd have the string bass, an electric guitar and a baritone all in unison. Bartholomew referred to the Cuban son by the misnomer rumba , a common practice of that time. Fats Domino's " Blue Monday ", produced by Bartholomew, is another example of this now classic use of tresillo in R&B. Bartholomew's 1949 tresillo-based "Oh Cubanas"
11562-409: The television to a neighbouring region and watch a different episode. Blockbusters did share its time slot with other game shows such as Ask No Questions , Connections , and Winner Takes All . Episodes were recorded in two blocks one during the summer and another during November. All regions aired Series 1, some stations moved Blockbusters to an earlier slot because the 5:15 pm slot
11685-544: The term "sepia series". "Rhythm and blues" is often abbreviated as "R&B" or "R'n'B". In the early 1950s, the term "rhythm & blues" was frequently applied to blues records. Writer and producer Robert Palmer defined rhythm & blues as "a catchall term referring to any music that was made by and for black Americans". He has also used the term "R&B" as a synonym for jump blues . However, AllMusic separates it from jump blues because of R&B's stronger gospel influences. Lawrence Cohn , author of Nothing but
11808-404: The time slots around during this period, In Autumn 1990, the series was moved to 5:10 pm, on occasion the series moved to 3:25 pm to allow episodes of Families to have the 5:10 pm slot. The series was moved again to 6:00 pm from Wednesdays to Fridays in 1992. UTV reduced its time slots to one episode a week from January to October 1992, then from 26 October 1992, it
11931-471: The tresillo/habanera rhythm (which he called the Spanish tinge ) to be an essential ingredient of jazz. There are examples of tresillo-like rhythms in some African American folk music such as the hand-clapping and foot-stomping patterns in ring shout , post-Civil War drum and fife music, and New Orleans second line music. Wynton Marsalis considers tresillo to be the New Orleans "clave" (although technically,
12054-484: The two-celled timeline structure was brought into the blues. New Orleans musicians such as Bartholomew and Longhair incorporated Cuban instruments, as well as the clave pattern and related two-celled figures in songs such as "Carnival Day", (Bartholomew 1949) and "Mardi Gras In New Orleans" (Longhair 1949). While some of these early experiments were awkward fusions, the Afro-Cuban elements were eventually integrated fully into
12177-399: Was a Blockbusters Dictionary and a Britannica CD-ROM. In the Challenge series, it was an Elonex E-book reader . In the Comedy Central series, it was a Blockbusters -branded hoodie and "reusable cup". The winner of the match went on to play the Gold Run bonus round; if the pair won, only one player on the team could play, with the turns alternating at each Gold Run. The board consisted of
12300-427: Was a "very specific absence of asymmetric time-line patterns ( key patterns ) in virtually all early-twentieth-century African American music ... only in some New Orleans genres does a hint of simple time line patterns occasionally appear in the form of transient so-called 'stomp' patterns or stop-time chorus. These do not function in the same way as African timelines." In the late 1940s, this changed somewhat when
12423-532: Was a freelance photographer, he recorded the teenagers of Soho , London, hand-jiving in the basement of The Cat's Whisker coffee bar, where the hand-jive had been invented by Leon Bell of Leon Bell and the Bell Cats. According to an article in the Daily Mirror , "it's so crowded the girls hand-jive to the band as there's no room for dancing." Russell told interviewer Leo Benedictus of The Guardian that "the place
12546-624: Was a very nasty dance". Also in 1949, a new version of a 1920s blues song, " Ain't Nobody's Business " was a number four hit for Jimmy Witherspoon , and Louis Jordan and the Tympany Five once again made the top five with " Saturday Night Fish Fry ". Many of these hit records were issued on new independent record labels, such as Savoy (founded 1942), King (founded 1943), Imperial (founded 1945), Specialty (founded 1946), Chess (founded 1947), and Atlantic (founded 1948). African American music began incorporating Afro-Cuban rhythmic motifs in
12669-455: Was added. Within a year, the sweatshirt had been replaced by a "Blockbusters" branded cardigan in a choice of colours and a "Blockbusters" embossed filofax accompanied the dictionary (replaced by an electronic organizer by 1988). In the first Sky One series in 1994, it was a Blockbusters Encyclopedia and T-shirt. In the BBC Two 1997 series, it was a fountain pen . In the second Sky One series, it
12792-557: Was aired at 3:20 pm from Mondays to Fridays. TVS reduced its time slots to two episodes a week for most of 1990, but during 1991–92, it went back to three episodes plus an additional episode around Saturday lunchtimes. TSW also dropped its time slots to two episodes per week every so often; however, in a bid to catch back up the series, it was moved to 5:10 pm from Mondays to Fridays in September 1992. For around 18 months in 1991–92, Tyne Tees started airing more local output in
12915-571: Was also created for the Amstrad CPC , BBC Micro , Commodore 64 and ZX Spectrum . In 2006, a DVD game based on the show was released by Circle Studio under license from FremantleMedia, with Bob Holness reprising his position at the helm. The DVD is based on the same format as the TV show, with a virtual set design and game graphics matching the original version of the programme. In 2012, FremantleMedia's gaming division launched an online slot game based on
13038-463: Was also increasing emphasis on the electric guitar as a lead instrument, as well as the piano and saxophone . R&B originated in African-American communities in the 1940s. In 1948, RCA Victor was marketing black music under the name "Blues and Rhythm". In that year, Louis Jordan dominated the top five listings of the R&;B charts with three songs, and two of the top five songs were based on
13161-483: Was announced on 3 December 2018 that Dara Ó Briain would host the revived version for Comedy Central . Twenty new episodes, broadcast over two series, were recorded in the winter of 2018 and included two celebrity specials. The first episode aired on 21 March 2019. The format has been changed so that each episode is a standalone contest between a complete panel of three contestants. The prize money has been increased from earlier incarnations to £20 per correct answer in
13284-400: Was at the top of the R&B charts in 1959 and 1960 with one number one and two number two hits. Benton had a certain warmth in his voice that attracted a wide variety of listeners, and his ballads led to comparisons with performers such as Nat King Cole , Frank Sinatra and Tony Bennett . Lloyd Price , who in 1952 had a number one hit with " Lawdy Miss Clawdy ", regained predominance with
13407-529: Was becoming more popular. In the commercial rhythm and blues music typical of the 1950s through the 1970s, the bands usually consisted of a piano, one or two guitars, bass, drums, one or more saxophones, and sometimes background vocalists. R&B lyrical themes often encapsulate the African-American history and experience of pain and the quest for freedom and joy, as well as triumphs and failures in terms of societal racism, oppression, relationships, economics, and aspirations. The term "rhythm and blues" has undergone
13530-453: Was being called soul music , and similar music by white artists was labeled blue-eyed soul . Motown Records had its first million-selling single in 1960 with the Miracles ' " Shop Around ", and in 1961, Stax Records had its first hit with Carla Thomas 's " Gee Whiz (Look at His Eyes) ". Stax's next major hit, The Mar-Keys ' instrumental " Last Night " (also released in 1961), introduced
13653-545: Was created after Central Independent Television producer Graham C. Williams spotted the show in 1981 and produced a pilot in 1982. The difference was that instead of adults, who appeared on the American edition, the UK edition was produced for sixth formers . Bob Holness was the original presenter staying on for the first ten series of the first incarnation and a 1994 revival on Sky One . Holness commented in 1988: "When Central TV were looking for someone to host Blockbusters I
13776-552: Was crowded with young kids... the atmosphere was very jolly. Wholesome... everyone jiving with their hands because there was precious little room to do it with their feet... a bizarre sight. The craze fascinated me. It seemed like a strange novelty; I used to join in." His Master's Voice licensed Capitol Records to release the song "Hand Jive 6-5" in the U.S., backed with "Ramshackle Daddy" (3937), by British group Don Lang and his "Frantic Five" in March 1958. This recording does not feature
13899-422: Was definitely such a thing as rhumba blues ; you can hear Muddy Waters and Howlin' Wolf playing it." He also cites Otis Rush , Ike Turner and Ray Charles , as R&B artists who employed this feel. The use of clave in R&B coincided with the growing dominance of the backbeat , and the rising popularity of Cuban music in the U.S. In a sense, clave can be distilled down to tresillo (three-side) answered by
14022-532: Was dominated by young Jewish men who promoted the sounds of black music. British rhythm and blues and blues rock developed in the early 1960s, largely as a response to the recordings of American artists, often brought over by African American servicemen stationed in Britain or seamen visiting ports such as London, Liverpool, Newcastle and Belfast. Many bands, particularly in the developing London club scene, tried to emulate black rhythm and blues performers, resulting in
14145-419: Was initially developed during a thirty-year period that bridges the era of legally sanctioned racial segregation, international conflicts, and the struggle for civil rights". The Rock & Roll Hall of Fame defines some of the originators of R&B, including Joe Turner 's big band, Louis Jordan's Tympany Five, James Brown and LaVern Baker. In fact, this source states that "Louis Jordan joined Turner in laying
14268-519: Was once told that "a lot of those stations still think you're a black group because the sound feels funky and black." Hi Records did not feature pictures of the Combo on early records. Sam Cooke 's number five hit " Chain Gang " is indicative of R&B in 1960, as is pop rocker Chubby Checker 's number five hit " The Twist ". By the early 1960s, the music industry category previously known as rhythm and blues
14391-580: Was referred to as jump blues . Then, Paul Gayten , Roy Brown, and others had had hits in the style now referred to as rhythm and blues. In 1948, Wynonie Harris's remake of Brown's 1947 recording " Good Rockin' Tonight " reached number two on the charts, following band leader Sonny Thompson 's "Long Gone" at number one. In 1949, the term "Rhythm and Blues" (R&B) replaced the Billboard category Harlem Hit Parade . Also in that year, " The Huckle-Buck ", recorded by band leader and saxophonist Paul Williams ,
14514-415: Was taken up by soap operas. The show was delayed by all ITV regions until January 1990 as no slots were available to air the show. This was because Home and Away took over the 5:10 pm slot and Emmerdale was now being aired at 6:30 pm, before it was moved to 7:00 pm in January 1990. Anglia , Central and TSW were airing repeats from September to December 1989. Granada moved
14637-523: Was the number one R&B tune, remaining on top of the charts for nearly the entire year. Written by musician and arranger Andy Gibson , the song was described as a "dirty boogie" because it was risque and raunchy. Paul Williams and His Hucklebuckers' concerts were sweaty riotous affairs that got shut down on more than one occasion. Their lyrics, by Roy Alfred (who later co-wrote the 1955 hit " (The) Rock and Roll Waltz "), were mildly sexually suggestive, and one teenager from Philadelphia said "That Hucklebuck
14760-419: Was thought of. It was remembered that I'd done TV programmes of much the same sort, such as Junior Criss Cross Quiz which I compered in the 1960s and which was also a question and answer show. One led to the other." A 1997 edition featuring adults was produced for one series on BBC Two with Michael Aspel presenting. Sky One brought Blockbusters back under its original rules in 2000 with Liza Tarbuck at
14883-407: Was titled only 'Rhumba' on the track sheets." Johnny Otis 's "Willie and the Hand Jive" (1958) is another example of this successful blend of 3–2 claves and R&B. Otis used the Cuban instruments claves and maracas on the song. Afro-Cuban music was the conduit by which African American music was "re-Africanized", through the adoption of two-celled figures like clave and Afro-Cuban instruments like
15006-411: Was used as a blanket term for soul and funk . In the late 1980s, a newer style of R&B developed, becoming known as " contemporary R&B ". This contemporary form combines rhythm and blues with various elements of pop , soul, funk, disco , hip hop , and electronic music . Although Jerry Wexler of Billboard magazine is credited with coining the term "rhythm and blues" as a musical term in
15129-445: Was written by Ed Welch , who also updated the music for the second Sky series in 2001. The first Sky series kept the same opening titles used from 1987 on the original ITV run (as it continued to be produced by Central). The original theme in C major was an upbeat pop track incorporating piano, strings, drum machine, and various other 1980s synthesized sounds reminiscent of the day – the four-note opening motif of Beethoven's 5th Symphony
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