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91-589: Gualtieri ( Mantovano : Gualtēr ) is a comune (municipality) in the province of Reggio Emilia , in the Italian region of Emilia-Romagna , located about 70 kilometres (43 mi) northwest of Bologna and about 25 kilometres (16 mi) north of Reggio Emilia on the right bank of the Po river . Historically, it suffered numerous floods, the last occurring in 1951. It is one of I Borghi più belli d'Italia ("The most beautiful villages of Italy"). According to historians,
182-605: A Trojan who fled the fall of Troy and travelled to Italy , where he became the ancestor of the Romans . Written by the Roman poet Virgil between 29 and 19 BC, the Aeneid comprises 9,896 lines in dactylic hexameter . The first six of the poem's twelve books tell the story of Aeneas' wanderings from Troy to Italy, and the poem's second half tells of the Trojans' ultimately victorious war upon
273-524: A climax, has been detected in the poem. The Aeneid is full of prophecies about the future of Rome, the deeds of Augustus, his ancestors, and famous Romans, and the Carthaginian Wars ; the shield of Aeneas even depicts Augustus' victory at Actium in 31 BC. A further focus of study is the character of Aeneas. As the protagonist of the poem, Aeneas seems to constantly waver between his emotions and commitment to his prophetic duty to found Rome; critics note
364-567: A deal with Venus, Aeneas' mother, with the intention of distracting Aeneas from his destiny of founding a city in Italy. Aeneas is inclined to return Dido's love, and during a hunting expedition, a storm drives them into a small cave in which Aeneas and Dido make love, after which Juno presides over what Dido considers a marriage ceremony. Fama (the personification of rumour) spreads the news of Aeneas and Dido's marriage, which eventually reaches king Iarbas . Iarbas, who also sought relations with Dido but
455-427: A high dialectal fragmentation, to the point the existence of an Emilian koiné has been questioned. Linguasphere Observatory recognises the following dialects: Other definitions include the following: There is no widespread standard orthography. The words below are written in a nonspecific Emilian script. Emilian is written using a Latin script that has never been standardised, and spelling varies widely among
546-549: A long perspective channel, closed at the bottom of the civic tower. As you approach the main square, the arch of the entrance of the tower lets you glimpse the façade of Gualtieri's main attraction: its Renaissance square Piazza Bentivoglio, designed by Giovan Battista Aleotti (also responsible of the Palazzo Bentivoglio, which was the residence of the Marquisses of Gualtieri). The latter has 17th-century decorations and houses
637-429: A military capacity. For instance, as he and his followers leave Troy, Aeneas swears that he will "take up/ The combat once again. We shall not all/ Die this day unavenged." Aeneas is a symbol of pietas in all of its forms, serving as a moral paragon to whom a Roman should aspire. One of the most recurring themes in the Aeneid is that of divine intervention . Throughout the poem, the gods are constantly influencing
728-460: A museum dedicated to the painter Antonio Ligabue . Also facing the square is the Collegiata di S. Maria della Neve, again designed by Aleotti but remade after its destruction from a flood, which houses a Crucifixion by Camillo Ricci . Other sights include the 13th-century church of Sant'Andrea and the 16th-century church Chiesa della Concezione. About 6 kilometres (4 mi) outside Gualtieri, on
819-519: A particular matter of debate; some see the poem as ultimately pessimistic and politically subversive to the Augustan regime, while others view it as a celebration of the new imperial dynasty. Virgil makes use of the symbolism of the Augustan regime, and some scholars see strong associations between Augustus and Aeneas, the one as founder and the other as re-founder of Rome. A strong teleology , or drive towards
910-399: A rock, and Aeneas' spear goes through his thigh. As Turnus is on his knees, begging for his life, the epic ends with Aeneas initially tempted to obey Turnus' pleas to spare his life, but then killing him in rage when he sees that Turnus is wearing Aeneas' friend Pallas' belt over his shoulder as a trophy. Critics of the Aeneid focus on a variety of issues. The tone of the poem as a whole is
1001-514: A short break in which the funeral ceremony for Pallas takes place, the war continues. Another notable native, Camilla , an Amazon character and virgin devoted to Diana , fights bravely but is killed, poisoned by the coward Arruns, who in turn is struck dead by Diana's sentinel Opis . Single combat is proposed between Aeneas and Turnus, but Aeneas is so obviously superior to Turnus that the Rutuli, urged on by Turnus' divine sister, Juturna —who in turn
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#17328554907671092-469: A way to insert Rome into Greek historical tradition as good as the one it had in the past for Greeks to link themselves to their new lands. Virgil begins his poem with a statement of his theme ( Arma virumque cano ... , "Of arms and the man I sing ...") and an invocation to the Muse , falling some seven lines after the poem's inception ( Musa, mihi causas memora ... , "O Muse, recount to me
1183-524: Is a particular example of a noble residence integrated into farm buildings. Its severe front, 145 metres long, makes it look midway between barracks and a large farm. The paintings of the central hall are by Giovanni Morini. Finally, in this landscape of land and water, the Bentivoglio cistern built in 1576 under the Crostolo torrent from embankment to embankment is to be seen, as part of the reclamation with which
1274-481: Is actually the gods who inspired the love, as Juno plots: Dido and the Trojan captain [will come] To one same cavern. I shall be on hand, And if I can be certain you are willing, There I shall marry them and call her his. A wedding, this will be. Juno is speaking to Venus, making an agreement and influencing the lives and emotions of both Dido and Aeneas. Later in the same book, Jupiter steps in and restores what
1365-430: Is important and that he does not leave of his own volition, but Dido is not satisfied. Ultimately, her heart broken, Dido commits suicide by stabbing herself upon a pyre with Aeneas' sword. Before dying, she predicts eternal strife between Aeneas' people and hers; "rise up from my bones, avenging spirit" (4.625, trans. Fitzgerald) is a possible invocation to Hannibal . Looking back from the deck of his ship, Aeneas sees
1456-434: Is instigated by Juno—break the truce. Aeneas is injured by an arrow but is soon healed with the help of his mother Venus and returns to the battle. Turnus and Aeneas dominate the battle on opposite wings, but when Aeneas makes a daring attack at the city of Latium (causing the queen of Latium to hang herself in despair), he forces Turnus into single combat once more. In the duel, Turnus' strength deserts him as he tries to hurl
1547-844: Is not structured on a cultural basis, but on the farmer's genius and on a strong psychoanalytical element. Ligabue lived alone like a wild man in Gualtieri, in the woods and Po floodplains. On the other side, Umberto Tirelli (1928–90) was a great theatre costume designer, a reference point for major directors in cinema and theatre: he not only donated the collection of historical costumes to his small town, but also his small private picture gallery, made up of, of more or less fifty drawings and oil paintings, purchased by him or given by friends. Cappelletti in brodo (typical North-Italian pasta filled with meat) or tortelli di zucca (typical North-Italian pasta filled with pumpkin). The Fogarina grape variety, from an ancient strain reappraised in 2007. This grape
1638-511: Is not the place for them; the Strophades , where they encounter the Harpy Celaeno , who tells them to leave her island and to look for Italy, though, she prophesies, they will not find it until hunger forces them to eat their tables; and Buthrotum . This last city had been built in an attempt to replicate Troy. In Buthrotum, Aeneas meets Andromache , the widow of Hector . She is still lamenting
1729-502: Is on a voyage to find a second home. It has been foretold that in Italy he will give rise to a race both noble and courageous, a race which will become known to all nations. Juno is wrathful, because she had not been chosen in the judgment of Paris , and because her favourite city, Carthage , will be destroyed by Aeneas' descendants. Also, Ganymede , a Trojan prince, was chosen to be the cupbearer to her husband, Jupiter —replacing Juno's daughter, Hebe . Juno proceeds to Aeolus , King of
1820-499: Is surrounded by water and earth landscapes. One of the minor Po Valley capitals, it boasted a small court yet well equipped by the Bentivoglio marquises, masters of water and reclamation techniques. The palace stands in a square, beyond which the Po lies, giving rise to a sophisticated play of perspective and theatrical ambition. The designers, experts of theatrical arts in Ferrara, wanted to involve
1911-444: Is the protagonist a well-known song from the popular tradition, and rosé wine, passito (raisin wine) and grappa can be obtained from it. The local watermelon from Santa Vittoria and culatello from Valle del Po are also worthy of note. Emilian dialects Emilian (Reggian, Parmesan and Modenese: emigliân ; Bolognese : emigliàn ; Italian : emiliano ) is a Gallo-Italic unstandardised language spoken in
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#17328554907672002-513: Is the result of the late 18th-century restoration of a previous sixteenth-century oratory and seat of the brotherhood of the same name. The wooden ceiling of the classroom painted in trompe-l'œil with the Assumption of the Virgin is from the middle of the 18th century. The church of Sant'Andrea, of ancient foundation (documented for the first time in 1233), presides over the wide open square on which
2093-419: Is the true fate and path for Aeneas, sending Mercury down to Aeneas' dreams, telling him that he must travel to Italy and leave his new-found lover. As Aeneas later pleads with Dido: The gods' interpreter, sent by Jove himself – I swear it by your head and mine – has brought Commands down through the racing winds!... I sail for Italy not of my own free will. Several of the gods try to intervene against
2184-472: Is when Aeneas is reminded of his fate through Jupiter and Mercury while he is falling in love with Dido. Mercury urges, "Think of your expectations of your heir,/ Iulus, to whom the whole Italian realm, the land/ Of Rome, are due." Mercury is referring to Aeneas' preordained fate to found Rome, as well as Rome's preordained fate to rule the world: He was to be ruler of Italy, Potential empire, armorer of war; To father men from Teucer's noble blood And bring
2275-578: Is written in dactylic hexameters : each line consists of six metrical feet made up of dactyls (one long syllable followed by two short syllables) and spondees (two long syllables). This epic consists of twelve books, and the narrative is broken up into three sections of four books each, respectively addressing Dido; the Trojans' arrival in Italy; and the war with the Latins. Each book has roughly 700–900 lines. The Aeneid comes to an abrupt ending, and scholars have speculated that Virgil died before he could finish
2366-500: The gens Julia , the family of Julius Caesar, and many other great imperial descendants as part of the prophecy given to him in the Underworld. (The meter shows that the name "Iulus" is pronounced as three syllables, not as "Julus".) The perceived deficiency of any account of Aeneas' marriage to Lavinia or his founding of the Roman race led some writers, such as the 15th-century Italian poet Maffeo Vegio (through his Thirteenth Book of
2457-554: The Aeneid into a compelling founding myth or national epic that tied Rome to the legends of Troy, explained the Punic Wars , glorified traditional Roman virtues, and legitimised the Julio-Claudian dynasty as descendants of the founders, heroes, and gods of Rome and Troy. The Aeneid is widely regarded as Virgil's masterpiece and one of the greatest works of Latin literature . The Aeneid can be divided into halves based on
2548-422: The Aeneid to be published with as few editorial changes as possible. As a result, the existing text of the Aeneid may contain faults which Virgil was planning to correct before publication. However, the only obvious imperfections are a few lines of verse that are metrically unfinished (i.e., not a complete line of dactylic hexameter ). Other alleged "imperfections" are subject to scholarly debate. The Aeneid
2639-552: The Aeneid was published. Because it was composed and preserved in writing rather than orally, the text exhibits less variation than other classical epics. As with other classical Latin poetry, the meter is based on the length of syllables rather than the stress, though the interplay of meter and stress is also important. Virgil also incorporated such poetic devices as alliteration , onomatopoeia , synecdoche , and assonance . Furthermore, he uses personification , metaphor , and simile in his work, usually to add drama and tension to
2730-551: The Aeneid . After meeting Augustus in Athens and deciding to return home, Virgil caught a fever while visiting a town near Megara . Virgil crossed to Italy by ship, weakened with disease, and died in Brundisium harbour on 21 September 19 BC, leaving a wish that the manuscript of the Aeneid was to be burned. Augustus ordered Virgil's literary executors, Lucius Varius Rufus and Plotius Tucca , to disregard that wish, instead ordering
2821-564: The Annunciation (1611) by the painter Carlo Bononi . The civic tower (1599–1602), tapers upwards according to architectural practice and ends with an octagonal lantern. The civic tower was reinforced and raised by Giovanni Battista Fattori in the 18th century. After leaving the square, two sacred buildings remain to be seen. The oratory church of the Immaculate Conception overlooks a small square adjacent to via Vittorio Emanuele II and
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2912-657: The Caldarèn , in which flora and fauna of the plane (carp, tench, chubs and water birds) may find shady hideouts. Palazzo Bentivoglio offers guided tours of its rooms and painting cycles. Inside Palazzo Bentivoglio we can find the Antonio Ligabue Museum Foundation , as wells as Umberto Tirelli Donations. In the former, the Naive painter's life is reconstructed with bibliographical and iconographic materials. His art, which lies between primitivism and expressionism ,
3003-715: The Italian ( Tuscan ) one, uses a considerable number of diacritics . Emilian is an unstandardized Gallo-Italic language spoken in the Emilia-Romagna region in Northern Italy. Besides Emilian, the Gallo-Italic family includes Romagnol , Piedmontese , Ligurian and Lombard , all of which maintain a level of mutual intelligibility with Emilian. The historical and geographical fragmentation of Emilian communities, divided in many local administrations (as signorie then duchies, with reciprocal exchanges of land), has caused
3094-520: The Latins , under whose name Aeneas and his Trojan followers are destined to be subsumed. The hero Aeneas was already known to Greco-Roman legend and myth, having been a character in the Iliad . Virgil took the disconnected tales of Aeneas' wanderings, his vague association with the foundation of Rome and his description as a personage of no fixed characteristics other than a scrupulous pietas , and fashioned
3185-551: The Sibyl in Cumae . Heading into the open sea, Aeneas leaves Buthrotum, rounds the south eastern tip of Italy and makes his way towards Sicily (Trinacria). There, they are caught in the whirlpool of Charybdis and driven out to sea. Soon they come ashore at the land of the Cyclopes . There they meet a Greek, Achaemenides , one of Ulysses' men, who has been left behind when his comrades escaped
3276-410: The floodplain , the area which buffers water from floods. For its poplar woods and white willows, old sand quarries, oxbow lakes and big water holes, the floodplain is a captivating place. In its higher area we can find fields where grapevines are grown. Behind the main riverbank, which rises nearly behind Piazza Bentivoglio, between two roads opened in the 16th century, a protected area has been created,
3367-445: The historical region of Emilia , which is now in the western part of Emilia-Romagna , Northern Italy . Emilian has a default word order of subject–verb–object and both grammatical gender (masculine and feminine) and grammatical number (singular and plural). There is a strong T–V distinction , which distinguishes varying levels of politeness, social distance, courtesy, familiarity or insult. The alphabet, largely adapted from
3458-530: The Aeneid widely printed in the Renaissance ), Pier Candido Decembrio (whose attempt was never completed), Claudio Salvucci (in his 1994 epic poem The Laviniad ), and Ursula K. Le Guin (in her 2008 novel Lavinia ) to compose their own supplements. Despite the polished and complex nature of the Aeneid (legend stating that Virgil wrote only three lines of the poem each day), the number of half-complete lines and
3549-674: The Etruscans, who would have adopted the story of Aeneas in Italy first, and quickly became associated with him. Greek vases as early as the sixth century BC provide evidence for these early Greek mythological accounts of Aeneas founding a new home in Etruria predating Virgil by a wide margin, and he was known to have been worshipped in Lavinium , the city he founded. The discovery of thirteen large altars in Lavinium indicates early Greek influence, dating to
3640-471: The Greek plot and urged the horse's destruction, but his protests fell on deaf ears, so he hurled his spear at the horse. Then, in what would be seen by the Trojans as punishment from the gods, two serpents emerged from the sea and devoured Laocoön, along with his two sons. The Trojans then took the horse inside the fortified walls, and after nightfall the armed Greeks emerged from it, opening the city's gates to allow
3731-468: The Po coastal area. Here the main features are the water and farmlands, small farms, poplar woods, trenches, bridges, canals, riverbanks and roads that create this landscape: Gualtieri lies just before the right-hand bank of the Po river, and on the left bank of the Crostolo stream. Just by walking along Viale Po from the main riverbank, you can fully appreciate the charm of this environment, created by reclaiming waterlogged areas. Around this area we can find
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3822-569: The Queen of Latium and the wife of Latinus, to demand that Lavinia be married to noble Turnus , brings forth anger in Turnus which spurs him to war with the Trojans, and causes Ascanius to wound a revered deer during a hunt. Hence, although Aeneas wishes to avoid a war, hostilities break out. The book closes with a catalogue of Italic warriors. Given the impending war, Aeneas seeks help from the Tuscans, enemies of
3913-517: The Renaissance, was designed to include the old village within the new layout. In the square, three streets merge, opening up the perspective on the three main sites of interest: the palace, the church and the tower. Aleotti built the square together with Palazzo Bentivoglio, commissioned by Ippolito, son of Marquis Cornelio. Behind the palace there was a large garden that reached up to the River Po, which
4004-464: The Rutuli, after having been encouraged to do so in a dream by Tiberinus . At the place where Rome will be, he meets a friendly Greek, King Evander of Arcadia . His son Pallas agrees to join Aeneas and lead troops against the Rutuli. Venus urges her spouse Vulcan to create weapons for Aeneas, which she then presents to Aeneas as a gift. On the shield , the future history of Rome is depicted. Meanwhile,
4095-510: The Trojan camp is attacked by Turnus—spurred on by Juno , who informs him that Aeneas is away from his camp—and a midnight raid by the Trojans Nisus and Euryalus on Turnus' camp leads to their death. The next day, Turnus manages to breach the gates but is forced to retreat by jumping into the Tiber . A council of the gods is held, in which Venus and Juno speak before Jupiter, and Aeneas returns to
4186-417: The Trojan women to burn the fleet and prevent the Trojans from ever reaching Italy, but her plan is thwarted when Ascanius and Aeneas intervene. Aeneas prays to Jupiter to quench the fires, which the god does with a torrential rainstorm. An anxious Aeneas is comforted by a vision of his father, who tells him to go to the underworld to receive a vision of his and Rome's future. In return for safe passage to Italy,
4277-527: The Trojans to settle in Latium , where King Latinus received oracles pointing towards the arrival of strangers and bidding him to marry his daughter Lavinia to the foreigners, and not to Turnus , the ruler of another native people, the Rutuli . Juno, unhappy with the Trojans' favourable situation, summons the fury Alecto from the underworld to stir up a war between the Trojans and the locals. Alecto incites Amata ,
4368-467: The Winds, and asks that he release the winds to stir up a storm in exchange for a bribe ( Deiopea , the loveliest of all her sea nymphs, as a wife). Aeolus agrees to carry out Juno's orders (line 77, "My task is / To fulfill your commands"); the storm then devastates the fleet. Neptune takes notice: although he himself is no friend of the Trojans, he is infuriated by Juno's intrusion into his domain, and stills
4459-690: The abrupt ending are generally seen as evidence that Virgil died before he could finish the work. Some legends state that Virgil, fearing that he would die before he had properly revised the poem, gave instructions to friends (including the current emperor, Augustus ) that the Aeneid should be burned upon his death, owing to its unfinished state and because he had come to dislike one of the sequences in Book VIII, in which Venus and Vulcan made love, for its nonconformity to Roman moral virtues. The friends did not comply with Virgil's wishes and Augustus himself ordered that they be disregarded. After minor modifications,
4550-463: The altarpiece has angels and caryatids . In the other hamlet, Santa Vittoria, a place of agricultural experimentation, whose existence intertwines first with the reclamation work of the Bentivoglio family and, in the second half of the 18th century, with the entrepreneurial action of Count Antonio Greppi , who left here its agricultural estate and a vast palace in front of the parish church (17th century, with 18th-century façade). Palazzo Greppi (1770–79)
4641-399: The ancient marquises transformed the territory to ensure the drainage of rainwater and irrigation. The building is still in service. Fishing and canoeing in the Po river, walks in the protected woods (Caldarèn) and bike rides on the cycle paths across the floodplain area. The path for cycling and walking named Po – fiume d'Europa (Po – river of Europe) connects the six municipalities along
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#17328554907674732-530: The audience in a symbolic and extraordinarily powerful production. Today we may still appreciate the De Chirico -esque atmospheres, found in the long shadow of the arcades, under whose arches we may hide from the summer heat. From the winter fog in the woods right behind the floodplains of the Po the ghost of Ligabue emerges, where he lived wildly with the leopards of his imagination. Starting from Piazza Cavallotti and along Via Vittorio Emanuele II, we are inserted in
4823-436: The besieged Trojan camp accompanied by his new Arcadian and Tuscan allies. In the ensuing battle many are slain—notably Pallas, whom Evander has entrusted to Aeneas but who is killed by Turnus. Mezentius , Turnus' close associate, allows his son Lausus to be killed by Aeneas while he himself flees. He reproaches himself and faces Aeneas in single combat —an honourable but essentially futile endeavour leading to his death. After
4914-559: The breakdown of Aeneas' emotional control in the last sections of the poem where the "pious" and "righteous" Aeneas mercilessly slaughters the Latin warrior Turnus. The Aeneid appears to have been a great success. Virgil is said to have recited Books 2, 4 and 6 to Augustus; the mention of her son, Marcellus , in book 6 apparently caused Augustus' sister Octavia to faint. The poem was unfinished when Virgil died in 19 BC. According to tradition, Virgil traveled to Greece around 19 BC to revise
5005-545: The causes ..."). He then explains the reason for the principal conflict in the story: the resentment held by the goddess Juno against the Trojan people. This is consistent with her role throughout the Homeric epics . Also in the manner of Homer , the story proper begins in medias res (into the middle of things), with the Trojan fleet in the eastern Mediterranean , heading in the direction of Italy. The fleet, led by Aeneas ,
5096-415: The cave of Polyphemus . They take Achaemenides on board and narrowly escape Polyphemus. Shortly after, at Drepanum , Aeneas' father Anchises dies of old age. Aeneas heads on (towards Italy) and gets deflected to Carthage (by the storm described in book 1). Here, Aeneas ends his account of his wanderings to Dido. Dido realises that she has fallen in love with Aeneas. Juno seizes upon this opportunity to make
5187-404: The civic well was built in 1775 in the form of a temple and with an octagonal central body, designed by Giovanni Battista Fattori. This area, with its low houses, belongs to the original core of the village, prior to the Bentivoglio buildings. The church, rebuilt in 1713, has an interior in shades of pink, blue and yellow. In the monastery that was attached to it, Ludovico Grossi da Viadana , one of
5278-465: The dialects. The dialects were largely oral and rarely written until some time in the late 20th century; a large amount of written media in Emilian has been created since World War II . Aeneid The Aeneid ( / ɪ ˈ n iː ɪ d / ih- NEE -id ; Latin : Aenēĭs [ae̯ˈneːɪs] or [ˈae̯neɪs] ) is a Latin epic poem that tells the legendary story of Aeneas ,
5369-601: The disparate subject matter of Books 1–6 (Aeneas' journey to Latium in Italy), commonly associated with Homer's Odyssey , and Books 7–12 (the war in Latium), mirroring the Iliad . These two halves are commonly regarded as reflecting Virgil's ambition to rival Homer by treating both the Odyssey ' s wandering theme and the Iliad ' s warfare themes. This is, however, a rough correspondence,
5460-452: The father of the Roman people. For instance, in Book 2 Aeneas describes how he carried his father Anchises from the burning city of Troy: "No help/ Or hope of help existed./ So I resigned myself, picked up my father,/ And turned my face toward the mountain range." Furthermore, Aeneas ventures into the underworld, thereby fulfilling Anchises' wishes. His father's gratitude is presented in the text by
5551-554: The following lines: "Have you at last come, has that loyalty/ Your father counted on conquered the journey?" However, Aeneas' pietas extends beyond his devotion to his father: we also see several examples of his religious fervour. Aeneas is consistently subservient to the gods, even in actions opposed to his own desires, as he responds to one such divine command, "I sail to Italy not of my own free will." In addition to his religious and familial pietas , Aeneas also displays fervent patriotism and devotion to his people, particularly in
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#17328554907675642-508: The gifts expected from a guest. As Dido cradles the boy during a banquet given in honour of the Trojans , Cupid secretly weakens her sworn fidelity to the soul of her late husband Sychaeus , who was murdered by her brother Pygmalion back in Tyre, by inciting fresh love for Aeneas. In books 2 and 3, Aeneas recounts to Dido the events that occasioned the Trojans' arrival. He begins the tale shortly after
5733-475: The gods, by order of Jupiter, will receive one of Aeneas' men as a sacrifice: Palinurus , who steers Aeneas' ship by night, is put to sleep by Somnus and falls overboard. Aeneas, with the guidance of the Cumaean Sibyl , descends into the underworld . They pass by crowds of the dead by the banks of the river Acheron and are ferried across by Charon before passing by Cerberus , the three-headed guardian of
5824-501: The history of Carthage. Eventually, Aeneas ventures into the city, and in the temple of Juno he seeks and gains the favour of Dido , queen of the city. The city has only recently been founded by refugees from Tyre and will later become a great imperial rival and enemy to Rome. Meanwhile, Venus has her own plans. She goes to her son, Aeneas' half-brother Cupid , and tells him to imitate Ascanius (the son of Aeneas and his first wife Creusa). Thus disguised, Cupid goes to Dido and offers
5915-480: The limitations of which should be borne in mind. Although the definitive story of Aeneas escaping the fallen Troy and finding a new home in Italy, thus eventually becoming the ancestor of the Romans, was codified by Virgil, the myth of Aeneas' post-Troy adventures predates him by centuries. As Greek settlements began to expand starting in the sixth century BC, Greek colonists would often try to connect their new homes, and
6006-427: The loss of her valiant husband and beloved child. There, too, Aeneas sees and meets Helenus, one of Priam 's sons, who has the gift of prophecy. Through him, Aeneas learns the destiny laid out for him: he is divinely advised to seek out the land of Italy (also known as Ausonia or Hesperia ), where his descendants will not only prosper, but in time rule the entire known world. In addition, Helenus also bids him to go to
6097-556: The main characters and trying to change and impact the outcome, regardless of the fate that they all know will occur. For example, Juno comes down and acts as a phantom Aeneas to drive Turnus away from the real Aeneas and all of his rage from the death of Pallas. Even though Juno knows in the end that Aeneas will triumph over Turnus, she does all she can to delay and avoid this outcome. Divine intervention occurs multiple times, in Book 4 especially. Aeneas falls in love with Dido, delaying his ultimate fate of travelling to Italy. However, it
6188-408: The men—a boat race, a foot race, a boxing match, and an archery contest. In all those contests, Aeneas is careful to reward winners and losers, showing his leadership qualities by not allowing antagonism even after foul play. Each of these contests comments on past events or prefigures future events: the boxing match, for instance, is "a preview of the final encounter of Aeneas and Turnus", and the dove,
6279-615: The most important musicians of the 17th century, died at the end of his career in 1627. In the hamlet of Pieve Saliceto , is the 17th-century church, the Sanctuary of the Annunciation of the Blessed Virgin. Founded near the River Po, it is preserved in its original architectural structure and in the lavish stucco decorations by Martino Ferraboschi , to whom the façade design (1667–69) is attributed. The polychrome moulded stucco decoration of
6370-470: The name 'Castrum Valterii' is linked to Longobard 'Gualtiero' (equivalent to English ' Walter '), who was sent by King Agilulf in 602 to conquer Mantua . In the 2nd century BC, with Roman colonisation, the territory was split up. The signs of centuriation still are evident not far from Brescello (Brixellum), a village around which the settlement of Gualtieri revolved until the Lombard Age. Gualtieri
6461-551: The native people they found there, to their pre-existing mythology; the Odyssey containing Odysseus's travels in many far away lands already provided such a link. Aeneas's story reflects not just Roman, but rather a combination of various Greek, Etruscan, Latin and Roman elements. Troy provided for a very suitable narrative for the Greek colonists in Magna Graecia and Sicily who wished to link their new homelands with themselves, and
6552-583: The noble floor. Decorations, stuccoes and paintings recount the mythology of the Po Valley that grew up in the shadow of the history of Rome, of the Aeneid and of Chivalric poems. Like the Gonzaga at Palazzo Te , even the Bentivoglio , on a smaller scale, wanted their Sala dei Giganti frescoed with the cycle of Jerusalem Delivered by Pier Francesco Battistelli . In 1600, the church of Santa Maria della Neve
6643-457: The occurrence of various omens (Ascanius' head catching fire without his being harmed, a clap of thunder and a shooting star). At the city gates, they notice that they have lost Creusa, and Aeneas has to re-enter the city in order to look for her. To his sorrow, he encounters only her ghost, who tells him that his destiny is to reach Hesperia , where kingship and a royal spouse await him. Aeneas continues his account to Dido by telling how, rallying
6734-474: The other survivors, he built a fleet of ships and made landfall at various locations in the Mediterranean: Thrace , where they find the last remains of a fellow Trojan, Polydorus ; Delos , where Apollo tells them to leave and to find the land of their forefathers; Crete , which they believe to be that land, and where they build their city ( Pergamea ) and promptly desert it after a plague proves this
6825-418: The poem. The Roman ideal of pietas ("piety, dutiful respect"), which can be loosely translated from the Latin as a selfless sense of duty toward one's filial, religious, and societal obligations, was a crux of ancient Roman morality. Throughout the Aeneid , Aeneas serves as the embodiment of pietas , with the phrase "pious Aeneas" occurring 20 times throughout the poem, thereby fulfilling his capacity as
6916-422: The powers of fate, even though they know what the eventual outcome will be. The interventions are really just distractions to continue the conflict and postpone the inevitable. If the gods represent humans, just as the human characters engage in conflicts and power struggles, so too do the gods. Fate , described as a preordained destiny that men and gods have to follow, is a major theme in the Aeneid . One example
7007-607: The returned Greek army to slaughter the Trojans. In a dream, Hector , the fallen Trojan prince, advised Aeneas to flee with his family. Aeneas awoke and saw with horror what was happening to his beloved city. At first he tried to fight the enemy, but soon he lost his comrades and was left alone to fend off the Greeks. He witnessed the murder of Priam by Achilles' son Pyrrhus . His mother, Venus, appeared to him and led him back to his house. Aeneas tells of his escape with his son, Ascanius , his wife Creusa , and his father, Anchises , after
7098-416: The road to Reggio Emilia, is the 18th-century Palazzo Greppi. Moving forward, after crossing the threshold of the civic tower, the magnificent and bright square space of Piazza Bentivoglio (1594–1600) opens up in all its symbolic power before visitors. According to the art historian Cesare Brandi , this is one of the most beautiful squares in Italy. And as such it already appeared in its day when its function
7189-511: The scene. An example of a simile can be found in book II when Aeneas is compared to a shepherd who stood on the high top of a rock unaware of what is going on around him. It can be seen that just as the shepherd is a protector of his sheep, so too is Aeneas to his people. As was the rule in classical antiquity, an author's style was seen as an expression of his personality and character. Virgil's Latin has been praised for its evenness, subtlety and dignity. The Aeneid , like other classical epics,
7280-447: The sixth through fourth century BC. In the following centuries, the Romans would come in contact with Greek colonies, conquer them and subsume the legend of Aeneas into their own mythological narratives. It is most likely that they fully became interested in Greek myths—and their incorporation into their own foundation legends concerning Rome and the Roman people—following the war against King Pyrrhus of Epirus in 280 BC, as Troy offered
7371-464: The smoke of Dido's funeral pyre, and although he does not understand the exact reason behind it, he understands it as a bad omen, considering the angry madness of her love. Hindered by bad weather from reaching Italy, the Trojans return to where they started at the beginning of book 1. Book 5 then takes place on Sicily and centres on the funeral games that Aeneas organises for the anniversary of his father's death. Aeneas organises celebratory games for
7462-460: The target during the archery contest, is connected to the deaths of Polites and King Priam in Book 2 and that of Camilla in Book 11. Afterwards, Ascanius leads the boys in a military parade and mock battle, the Lusus Troiae —a tradition he will teach the Latins while building the walls of Alba Longa. During these events, Juno, via her messenger Iris, who disguises herself as an old woman, incites
7553-505: The underworld. Then Aeneas is shown the fates of the wicked in Tartarus and is warned by the Sibyl to bow to the justice of the gods. He also meets the shade of Dido, who remains irreconcilable. He is then brought to green fields of Elysium . There he speaks with the spirit of his father and is offered a prophetic vision of the destiny of Rome. Upon returning to the land of the living, Aeneas leads
7644-426: The war described in the Iliad . Cunning Ulysses devised a way for Greek warriors to gain entry into the walled city of Troy by hiding in a large wooden horse . The Greeks pretended to sail away, leaving a warrior, Sinon , to mislead the Trojans into believing that the horse was an offering and that if it were taken into the city, the Trojans would be able to conquer Greece. The Trojan priest Laocoön saw through
7735-450: The winds and calms the waters, after making sure that the winds would not bother the Trojans again, lest they be punished more harshly than they were this time. The fleet takes shelter on the coast of Africa, where Aeneas rouses the spirits of his men, reassuring them that they have been through worse situations before. There, Aeneas' mother, Venus, in the form of a huntress very similar to the goddess Diana , encourages him and recounts to him
7826-412: Was also completed: of the Bentivoglio building only the façade remains, designed by Aleotti, well integrated in the arcades of the square. Above the tympanum there are five pyramids, added in the 19th century as structural reinforcement. In the light of the restoration of 1773, the interior became a single nave. On the altar of the chapel above the crypt of the Bentivoglio family there is the altarpiece of
7917-504: Was rejected, angrily prays to his father Jupiter to express his feeling that his worship of Jupiter has not earned him the rewards he deserves. As a result, Jupiter sends Mercury to remind Aeneas of his duty, leaving him no choice but to depart. When Aeneas attempts to leave clandestinely at the behest of Mercury, Dido discovers Aeneas' intentions. Enraged and heartbroken, she accuses Aeneas of infidelity while also imploring him to stay. Aeneas responds by attempting to explain that his duty
8008-442: Was seen as reflecting this aim, by depicting the heroic Aeneas as a man devoted and loyal to his country and its prominence, rather than his own personal gains. In addition, the Aeneid gives mythic legitimisation to the rule of Julius Caesar and, by extension, to his adopted son Augustus, by immortalising the tradition that renamed Aeneas' son, Ascanius (called Ilus from Ilium , meaning Troy), Iulus , thus making him an ancestor of
8099-671: Was simultaneously that of public square and courtyard of honour for the palace (today occupied by a large garden). The protagonist of this spectacular urban management was Prince Cornelio – then Ippolito – with the help of the engineer, architect and set designer Giovanni Battista Aleotti, known as "L'Argenta", active in Ferrara and Parma , where ten years later he would produce the Teatro Farnese (a Renaissance theatre in Palazzo della Pilotta ). The urban landscape of Gualtieri, like other new cities of
8190-427: Was the landing place for guests who came to Gualtieri by water. A century later, the palace was already in decline. In 1750 the city bought it from the d'Este family and demolished much of it. Only the side facing the square remains untouched. On the left wing in 1775 the theatre was built. Remarkable are the painting cycles that have been preserved in the palace: a fresco series on the ground floor and in several rooms on
8281-631: Was written in a time of major political and social change in Rome, with the fall of the Republic and the Final War of the Roman Republic having torn through society and many Romans' faith in the "Greatness of Rome" severely faltering. However, the new emperor, Augustus Caesar , began to institute a new era of prosperity and peace, specifically through the re-introduction of traditional Roman moral values. The Aeneid
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