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103-403: In ballet, a grand pas ( French: [ɡʁɑ̃ pɑ] ; literally, big or large step) is a suite of dances that serves as a showpiece for lead dancers, demi-soloists , and in some cases the corps de ballet . It usually consists of an entrée (introduction), a grand adage , sometimes a dance for the corps de ballet (often referred to as the ballabile ), optional variations (solo dances) for

206-418: A pas de deux , differ profoundly. Even a solo dance or interpretive dance may be undertaken solely for the satisfaction of the dancer. Participatory dancers often all employ the same movements and steps but, for example, in the rave culture of electronic dance music , vast crowds may engage in free dance , uncoordinated with those around them. On the other hand, some cultures lay down strict rules as to

309-601: A characteristic tempo and rhythmic pattern. The tango, for example, is usually danced in 4 time at approximately 66 beats per minute. The basic slow step, called a "slow", lasts for one beat, so that a full "right–left" step is equal to one 4 measure. The basic forward and backward walk of the dance is so counted – "slow-slow" – while many additional figures are counted "slow – quick-quick". Repetitive body movements often depend on alternating "strong" and "weak" muscular movements. Given this alternation of left-right, of forward-backward and rise-fall, along with

412-513: A collective identity among the many cultural and ethnic groups of Latin America . Dance served to unite the many African, European, and indigenous peoples of the region. Certain dance genres, such as capoeira , and body movements, especially the characteristic quebradas or pelvis swings, have been variously banned and celebrated throughout Latin American history. Dance studies are offered through

515-541: A dancer in Russia. The technique is known for extreme speed throughout routines, emphasis on lines, and deep pliés. Perhaps one of the most well known differences of this style is the unorthodox positioning of the body. Dancers of this style often have flexed hands and even feet, and are placed in off-balance positions. Important ballet studios teaching this method are the Miami City Ballet , Ballet Chicago Studio company, and

618-572: A dancer is generally one of constantly changing work situations, strong competitive pressure and low pay. Consequently, professional dancers often must supplement their incomes to achieve financial stability. In the U.S. many professional dancers belong to unions (such as the American Guild of Musical Artists , Screen Actors Guild and Actors' Equity Association ) that establish working conditions and minimum salaries for their members. Professional dancers must possess large amounts of athleticism. To lead

721-469: A fixed sequence of steps require phrases and melodies of a certain fixed length to accompany that sequence. Musical accompaniment arose in the earliest dance, so that ancient Egyptians attributed the origin of the dance to the divine Athotus, who was said to have observed that music accompanying religious rituals caused participants to move rhythmically and to have brought these movements into proportional measure. The idea that dance arises from musical rhythm,

824-415: A formula for dance diplomacy that sought to learn from and express respect for the aesthetic traditions of recently independent states that were former European colonies, such as Indonesia, India, and Burma, as a show of anti-colonial solidarity. In most forms of dance the foot is the source of movement, and in some cases require specific shoes to aid in the health, safety ability of the dancer, depending on

927-421: A full-length ballet. A grand pas for three soloists is a grand pas de trois , and for four soloists is a grand pas de quatre . An elaborate grand pas is found in the 1862 ballet The Pharaoh's Daughter and its 2000 revival, consisting of an entrée, variations for three demi-soloists , a grand adage, a waltz for the corps de ballet, variations for three lead soloists, and coda générale. A grand pas d'action

1030-651: A global influence. Dance styles fusing classical ballet technique with African-American dance have also appeared in the 21st century, including Hiplet . Dance is central to Latin American social life and culture. Brazilian Samba , Argentinian tango , and Cuban salsa are internationally popular partner dances, and other national dances— merengue , cueca , plena , jarabe , joropo , marinera , cumbia , bachata and others—are important components of their respective countries' cultures. Traditional Carnival festivals incorporate these and other dances in enormous celebrations. Dance has played an important role in forging

1133-556: A greater athleticism that departed from the delicacy of ballet. The physicality was more daring, with mood, subject matter and music more intense. An example of this would be Joffrey's Astarte (1967), which featured a rock score and sexual overtones in the choreography. This ballet style is often performed barefoot. Contemporary ballets may include mime and acting , and are usually set to music (typically orchestral but occasionally vocal). It can be difficult to differentiate this form from neoclassical or modern ballet. Contemporary ballet

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1236-460: A group dance such as a line , circle , chain or square dance , or a partner dance , such as in Western ballroom dancing , is undertaken primarily for a common purpose, such as social interaction or exercise , or building flexibility of participants rather than to serve any benefit to onlookers. Such dance seldom has any narrative. A group dance and a corps de ballet , a social partner dance and

1339-460: A musical instrument themselves. There are two different types of dance: theatrical and participatory dance. Both types of dance may have special functions, whether social, ceremonial , competitive , erotic , martial , sacred or liturgical . Dance is not solely restricted to performance, as dance is used as a form of exercise and occasionally training for other sports and activities. Dance performances and dancing competitions are found across

1442-445: A score. As far as competitive categories go, most competitions base their categories according to the dance style, age, experience level and the number of dancers competing in the routine. Major types of dance competitions include: During the 1950s and 1960s, cultural exchange of dance was a common feature of international diplomacy, especially amongst East and South Asian nations. The People's Republic of China , for example, developed

1545-480: A source of aesthetic experience. The plots of many romantic ballets revolved around spirit women (sylphs, wilis, and ghosts) who enslaved the hearts and senses of mortal men. The 1827 ballet La Sylphide is widely considered to be the first, and the 1870 ballet Coppélia is considered to be the last. Famous ballet dancers of the Romantic era include Marie Taglioni , Fanny Elssler , and Jules Perrot . Jules Perrot

1648-923: A successful career, it is advantageous to be versatile in many styles of dance, have a strong technical background and to use other forms of physical training to remain fit and healthy. Dance teachers typically focus on teaching dance performance, or coaching competitive dancers, or both. They typically have performance experience in the types of dance they teach or coach. For example, dancesport teachers and coaches are often tournament dancers or former dancesport performers. Dance teachers may be self-employed, or employed by dance schools or general education institutions with dance programs. Some work for university programs or other schools that are associated with professional classical dance (e.g., ballet) or modern dance companies. Others are employed by smaller, privately owned dance schools that offer dance training and performance coaching for various types of dance. Choreographers are

1751-583: A typical worker. As of 2020, American dancers (including ballet and other dance forms) were paid an average of US$ 19 per hour, with pay somewhat better for teachers than for performers. The job outlook is not strong, and the competition to get a job is intense, with the number of applicants vastly exceeding the number of job openings. Most jobs involve teaching in private dance schools . Choreographers are paid better than dancers. Musicians and singers are paid better per hour than either dancers or choreographers, about US$ 30 per hour; however, full-time work

1854-465: A whole. In fact, the French school is now sometimes referred to as Nureyev school. The French method is often characterized by technical precision, fluidity and gracefulness, and elegant, clean lines. For this style, fast footwork is often utilized in order to give the impression that the performers are drifting lightly across the stage. Two important trademarks of this technique are the specific way in which

1957-450: Is The Cygnets' Dance in act two of Swan Lake . The ballet developed out of courtly dramatic productions of 16th- and 17th-century France and Italy and for some time dancers performed dances developed from those familiar from the musical suite, all of which were defined by definite rhythms closely identified with each dance. These appeared as character dances in the era of romantic nationalism . Ballet reached widespread vogue in

2060-421: Is a Danish method first devised by August Bournonville . Bournonville was heavily influenced by the early French ballet method due to his training with his father, Antoine Bournonville and other important French ballet masters. This method has many style differences that differentiate it from other ballet methods taught today. A key component is the use of diagonal épaulements, with the upper body turning towards

2163-527: Is a French word which had its origin in Italian balletto , a diminutive of ballo (dance) which comes from Latin ballo , ballare , meaning "to dance", which in turn comes from the Greek "βαλλίζω" ( ballizo ), "to dance, to jump about". The word came into English usage from the French around 1630. In French, the word refers to a ballet performance, a ballet work, and possibly to the dance genre itself, although

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2266-493: Is a ballet technique and training system that was founded by a diverse group of ballet dancers. They merged their respective dance methods (Italian, French, Danish and Russian) to create a new style of ballet that is unique to the organization and is recognized internationally as the English style of ballet. Some examples of classical ballet productions are: Swan Lake , The Sleeping Beauty and The Nutcracker . Romantic ballet

2369-476: Is a classic reference. This method is marked by the fusion of the classical French style, specifically elements from the Romantic era, with the athleticism of the Italian method, and the soulful passion of Russian ballet. She developed an extremely precise method of instruction in her book Basic Principles of Russian Classical dance (1948). This includes outlining when to teach technical components to students in their ballet careers, for how long to focus on it, and

2472-507: Is a grand pas that contributes to the ballet's story. A well-known example of this is the first act of The Sleeping Beauty , consisting of the Rose Adagio grand adage, Dance for the Maids of Honor and Pages , Princess Aurora variation, and coda which is abruptly interrupted by the evil fairy Carabosse, who gives Princess Aurora a poisoned spindle. This grand pas d'action tells an integral part of

2575-409: Is a seminal work for the choreographer. Set to César Franck 's score of the same title, it is a pure-dance interpretation of the score. Another form, Modern Ballet , also emerged as an offshoot of neoclassicism. Among the innovators in this form were Glen Tetley , Robert Joffrey and Gerald Arpino . While difficult to parse modern ballet from neoclassicism, the work of these choreographers favored

2678-474: Is also close to contemporary dance because many contemporary ballet concepts come from the ideas and innovations of twentieth-century modern dance, including floor work and turn-in of the legs. The main distinction is that ballet technique is essential to perform a contemporary ballet. George Balanchine is considered to have been a pioneer of contemporary ballet. Another early contemporary ballet choreographer, Twyla Tharp , choreographed Push Comes To Shove for

2781-444: Is also known for his choreography, especially that of Giselle , often considered to be the most widely celebrated romantic ballet. Neoclassical ballet is usually abstract, with no clear plot, costumes or scenery. Music choice can be diverse and will often include music that is also neoclassical (e.g. Stravinsky , Roussel ). Tim Scholl, author of From Petipa to Balanchine , considers George Balanchine 's Apollo in 1928 to be

2884-403: Is an art form , consisting of sequences of body movements with aesthetic and often symbolic value, either improvised or purposefully selected. Dance can be categorized and described by its choreography , by its repertoire of movements or by its historical period or place of origin . Dance is typically performed with musical accompaniment , and sometimes with the dancer simultaneously using

2987-433: Is generally, but not exclusively, performed with the accompaniment of music and may or may not be performed in time to such music. Some dance (such as tap dance or gumboot dance ) may provide its own audible accompaniment in place of (or in addition to) music. Many early forms of music and dance were created for each other and are frequently performed together. Notable examples of traditional dance-music couplings include

3090-406: Is not a requirement. Examples are Western ballet and modern dance , Classical Indian dance such as Bharatanatyam , and Chinese and Japanese song and dance dramas, such as the dragon dance . Most classical forms are centred upon dance alone, but performance dance may also appear in opera and other forms of musical theatre . Participatory dance, whether it be a folk dance , a social dance ,

3193-585: Is one early text. It mainly deals with drama, in which dance plays an important part in Indian culture. A strong continuous tradition of dance has since continued in India, through to modern times, where it continues to play a role in culture, ritual, and the Bollywood entertainment industry. Many other contemporary dance forms can likewise be traced back to historical , traditional , ceremonial , and ethnic dance. Dance

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3296-428: Is quite possible to develop the dance without music and... music is perfectly capable of standing on its own feet without any assistance from the dance", nevertheless the "two arts will always be related and the relationship can be profitable both to the dance and to music", the precedence of one art over the other being a moot point. The common ballad measures of hymns and folk-songs takes their name from dance, as does

3399-412: Is rhythm and form more than harmony and color which, from the beginning, has bound music, poetry and dancing together in a union that is indissoluble." Concert dance, like opera , generally depends for its large-scale form upon a narrative dramatic structure . The movements and gestures of the choreography are primarily intended to mime the personality and aims of the characters and their part in

3502-498: Is taught to all ages ranging from two years old to the adult level outside of a professional dance setting. Typically this dance education is seen in dance studio businesses across the world. Some K-12 public schools have provided the opportunity for students to take beginner level dance classes, as well as participate in dance teams that perform at school events. Professional dancers are usually employed on contract or for particular performances or productions. The professional life of

3605-521: Is that basic ballet technique must be taught at a slow pace, with difficulty progression often much slower than the rest of the methods. The idea behind this is if a student is to put in a large amount of effort into perfecting the basic steps, the technique learned in these steps allow a student to utilize harder ones at a much easier rate. Developed by George Balanchine at the New York City Ballet . His method draws heavily on his own training as

3708-487: Is the basis of all ballet training. When Louis XIV created the Académie Royale de Danse in 1661, he helped to create the codified technique still used today by those in the profession, regardless of what method of training they adhere to. The French school was particularly revitalized under Rudolf Nureyev , in the 1980s. His influence revitalized and renewed appreciation for this style, and has drastically shaped ballet as

3811-411: Is the emphasis of balance, elevations, ballon , poise, and strength. This method espouses the importance of recognizing that all parts of the body move together to create beautiful, graceful lines, and as such cautions against thinking of ballet in terms of the arms, legs, and neck and torso as separate parts. This method is well known for eight port de bras that are utilized. The Bournonville method

3914-415: Is the place of origin of Bhangra . It is widely known both as a style of music and a dance. It is mostly related to ancient harvest celebrations, love, patriotism or social issues. Its music is coordinated by a musical instrument called the 'Dhol'. Bhangra is not just music but a dance, a celebration of the harvest where people beat the dhol (drum), sing Boliyaan (lyrics) and dance. It developed further with

4017-424: Is to provide a fun and educative place for dancers and give them the opportunity to perform their choreographed routines from their current dance season onstage. Oftentimes, competitions will take place in a professional setting or may vary to non-performance spaces, such as a high school theatre. The results of the dancers are then dictated by a credible panel of judges and are evaluated on their performance than given

4120-578: Is unusual for musicians. Teenage girl ballet dancers are prone to stress fractures in the first rib . Posterior ankle impingement syndrome (PAIS) most commonly affects people who perform repetitive plantar flexion , such as ballet dancers. Eating disorders are thought to be common, and a 2014 meta-analysis suggests that studies do indicate that ballet dancers are at higher risk than the general population for several kinds of eating disorders. In addition, some researchers have noted that intensive training in ballet results in lower bone mineral density in

4223-710: The American Ballet Theatre in 1976, and in 1986 created In The Upper Room for her own company. Both of these pieces were considered innovative for their melding of distinctly modern movements with the use of pointe shoes and classically trained dancers. Today there are many contemporary ballet companies and choreographers. These include Alonzo King and his company LINES Ballet ; Matthew Bourne and his company New Adventures ; Complexions Contemporary Ballet ; Nacho Duato and his Compañia Nacional de Danza ; William Forsythe and The Forsythe Company ; and Jiří Kylián of

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4326-1066: The French School , the Vaganova Method , the Cecchetti Method , the Bournonville method , the Royal Academy of Dance method (English style), and the Balanchine method (American style). Many more schools of technique exist in various countries. Although preschool-age children are a lucrative source of income for a ballet studio, ballet instruction is generally not appropriate for young children. Initial instruction requires standing still and concentrating on posture, rather than dancing. Because of this, many ballet programs have historically not accepted students until approximately age 8. Creative movement and non-demanding pre-ballet classes are recommended as alternatives for children. The French method

4429-1042: The Nederlands Dans Theater . Traditionally "classical" companies, such as the Mariinsky (Kirov) Ballet and the Paris Opera Ballet, also regularly perform contemporary works. The term ballet has evolved to include all forms associated with it. Someone training as a ballet dancer will now be expected to perform neoclassical, modern and contemporary work. A ballet dancer is expected to be able to be stately and regal for classical work, free and lyrical in neoclassical work, and unassuming, harsh or pedestrian for modern and contemporary work. In addition, there are several modern varieties of dance that fuse classical ballet technique with contemporary dance, such as Hiplet , that require dancers to be practised in non-Western dance styles. There are six widely used, internationally recognized methods to teach or study ballet. These methods are

4532-600: The Neolithic period, groups of people are depicted dancing in a line holding hands, and the earliest Chinese word for "dance" is found written in the oracle bones . Dance is described in the Lüshi Chunqiu . Primitive dance in ancient China was associated with sorcery and shamanic rituals. During the first millennium BCE in India, many texts were composed which attempted to codify aspects of daily life. Bharata Muni 's Natya Shastra (literally "the text of dramaturgy" )

4635-722: The School of American Ballet in New York. Ballet costumes play an important role in the ballet community. They are often the only survival of a production, representing a living imaginary picture of the scene. The roots of ballet go back to the Renaissance in France and Italy when court wear was the beginning of ballet costumes. Ballet costumes have been around since the early 15th century. Cotton and silk were mixed with flax, woven into semitransparent gauze to create exquisite ballet costumes. During

4738-672: The arts and humanities programs of many higher education institutions. Some universities offer Bachelor of Arts and higher academic degrees in Dance. A dance study curriculum may encompass a diverse range of courses and topics, including dance practice and performance, choreography, ethnochoreology , kinesiology , dance notation , and dance therapy . Most recently, dance and movement therapy has been integrated in some schools into math lessons for students with learning disabilities, emotional or behavioral disabilities, as well as for those with attention deficit hyperactivity disorder (ADHD). Dance

4841-481: The bilateral symmetry of the human body, many dances and much music are in duple and quadruple meter . Since some such movements require more time in one phase than the other – such as the longer time required to lift a hammer than to strike – some dance rhythms fall into triple metre . Occasionally, as in the folk dances of the Balkans , dance traditions depend heavily on more complex rhythms. Complex dances composed of

4944-545: The carol , originally a circle dance . Many purely musical pieces have been named " waltz " or " minuet ", for example, while many concert dances have been produced that are based upon abstract musical pieces, such as 2 and 3 Part Inventions , Adams Violin Concerto and Andantino . Similarly, poems are often structured and named after dances or musical works, while dance and music have both drawn their conception of "measure" or "metre" from poetry. Shawn quotes with approval

5047-437: The demi-soloists , variations for the lead ballerina or danseur or both, and a coda (sometimes referred to as a coda générale or grand coda ), which concludes the suite. The grand pas appears in a variety of formats and may employ varying numbers of dancers. For example, a grand pas de deux is performed by only two dancers; this typically serves as the pièce de résistance for the principal male and female characters of

5150-560: The jig , waltz , tango , disco , and salsa . Some musical genres have a parallel dance form such as baroque music and baroque dance ; other varieties of dance and music may share nomenclature but developed separately, such as classical music and classical ballet . The choreography and music are meant to complement each other, to express a story told by the choreographer and dancers. Rhythm and dance are deeply linked in history and practice. The American dancer Ted Shawn wrote; "The conception of rhythm which underlies all studies of

5253-529: The maypole dance are common to many nations, while others such as the céilidh and the polka are deeply-rooted in a single culture. Some European folk dances such as the square dance were brought to the New World and subsequently became part of American culture. Ballet developed first in Italy and then in France from lavish court spectacles that combined rhythm, drama, poetry, song, costumes and dance. Members of

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5356-443: The proscenium arch from 1618 on distanced performers from audience members, who could then better view and appreciate the technical feats of the professional dancers in the productions. French court ballet reached its height under the reign of King Louis XIV . Louis founded the Académie Royale de Danse (Royal Dance Academy) in 1661 to establish standards and certify dance instructors. In 1672, Louis XIV made Jean-Baptiste Lully

5459-479: The 17th century, different types of fabrics and designs were used to make costumes more spectacular and eye catching. Court dress still remained for women during this century. Silks, satins and fabrics embroidered with real gold and precious stones increased the level of spectacular decoration associated with ballet costumes. Women's costumes also consisted of heavy garments and knee-long skirts which made it difficult for them to create much movement and gesture. During

5562-420: The 18th century, stage costumes were still very similar to court wear but progressed over time, mostly due to the French dancer and ballet-master Jean-Georges Noverre (1727–1810) whose proposals to modernize ballet are contained in his revolutionary Lettres sur la danse et les ballets (1760). Noverre's book altered the emphasis in a production away from the costumes towards the physical movements and emotions of

5665-542: The Vaisakhi festival of the Sikhs . The dances of Sri Lanka include the devil dances ( yakun natima ), a carefully crafted ritual reaching far back into Sri Lanka's pre-Buddhist past that combines ancient " Ayurvedic " concepts of disease causation with psychological manipulation and combines many aspects including Sinhalese cosmology. Their influence can be seen on the classical dances of Sri Lanka . Indonesian dances reflect

5768-421: The academy, was formed; this troupe began as an all-male ensemble but by 1681 opened to include women as well. 20th century concert dance brought an explosion of innovation in dance style characterized by an exploration of freer technique. Early pioneers of what became known as modern dance include Loie Fuller , Isadora Duncan , Mary Wigman and Ruth St. Denis . The relationship of music to dance serves as

5871-593: The acceptance of dharma religion in the 1st century in Indonesia, Hinduism and Buddhist rituals were celebrated in various artistic performances. Hindu epics such as the Ramayana , Mahabharata and also the Panji became the inspiration to be shown in a dance-drama called "Sendratari" resembling " ballet " in the western tradition. An elaborate and highly stylized dance method was invented and has survived to this day, especially on

5974-452: The advancement of plot and the narration of action, and Furyū Noh , dance pieces involving acrobatics, stage properties, multiple characters and elaborate stage action. Social dances , those intended for participation rather than for an audience, may include various forms of mime and narrative, but are typically set much more closely to the rhythmic pattern of music, so that terms like waltz and polka refer as much to musical pieces as to

6077-403: The ages as having emerged as a response to music yet, as Lincoln Kirstein implied, it is at least as likely that primitive music arose from dance. Shawn concurs, stating that dance "was the first art of the human race, and the matrix out of which all other arts grew" and that even the " metre in our poetry today is a result of the accents necessitated by body movement, as the dancing and reciting

6180-424: The basis for Eurhythmics , devised by Emile Jaques-Dalcroze , which was influential to the development of Modern dance and modern ballet through artists such as Marie Rambert . Eurythmy , developed by Rudolf Steiner and Marie Steiner-von Sivers , combines formal elements reminiscent of traditional dance with the new freer style, and introduced a complex new vocabulary to dance. In the 1920s, important founders of

6283-406: The body as a whole. Developed by Enrico Cecchetti (1850–1928), this method is one known internationally for its intense reliance of the understanding of anatomy as it relates to classical ballet. The goal of this method is to instill important characteristics for the performance of ballet into students so that they do not need to rely on imitations of teachers. Important components for this method

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6386-570: The continent. These may be divided into traditional, neotraditional, and classical styles: folkloric dances of a particular society, dances created more recently in imitation of traditional styles, and dances transmitted more formally in schools or private lessons. African dance has been altered by many forces, such as European missionaries and colonialist governments, who often suppressed local dance traditions as licentious or distracting. Dance in contemporary African cultures still serves its traditional functions in new contexts; dance may celebrate

6489-542: The court nobility took part as performers. During the reign of Louis XIV , himself a dancer, dance became more codified. Professional dancers began to take the place of court amateurs, and ballet masters were licensed by the French government. The first ballet dance academy was the Académie Royale de Danse (Royal Dance Academy), opened in Paris in 1661. Shortly thereafter, the first institutionalized ballet troupe, associated with

6592-539: The curves on a ballerina. Jewels and bedazzled costumes became much more popular. During the 20th century, ballet costumes transitioned back to the influence of Russian ballet. Ballerina skirts became knee-length tutus, later on in order to show off their precise pointe work. Colors used on stage costumes also became much more vibrant. Designers used colors such as red, orange, yellow, etc. to create visual expression when ballet dancers perform on stage. Professional dancers are generally not well paid, and earn less money than

6695-433: The dance is something about which we could talk forever, and still not finish." A musical rhythm requires two main elements; a regularly-repeating pulse (also called the "beat" or "tactus") that establishes the tempo , and a pattern of accents and rests that establishes the character of the metre or basic rhythmic pattern . The basic pulse is roughly equal in duration to a simple step or gesture. Dances generally have

6798-412: The dance itself. The rhythm of the dancers' feet may even form an essential part of the music, as in tap dance . African dance, for example, is rooted in fixed basic steps, but may also allow a high degree of rhythmic interpretation: the feet or the trunk mark the basic pulse while cross-rhythms are picked up by shoulders, knees, or head, with the best dancers simultaneously giving plastic expression to all

6901-603: The dancers. European ballet was centered in the Paris Opera . During this era, skirts were raised a few inches off the ground. Flowers, flounces, ribbons, and lace emphasized this opulent feminine style, as soft pastel tones in citron, peach, pink, and pistachio dominated the color range. During the early 19th century, close-fitting body costumes, floral crowns, corsages, and jewels were used. Ideals of Romanticism were reflected through female movements. Costumes became much tighter as corsets started to come into use, to show off

7004-481: The director of the Académie Royale de Musique ( Paris Opera ) from which the first professional ballet company , the Paris Opera Ballet , arose. Pierre Beauchamp served as Lully's ballet-master . Together their partnership would drastically influence the development of ballet, as evidenced by the credit given to them for the creation of the five major positions of the feet. By 1681, the first "ballerinas" took

7107-618: The elements of the polyrhythmic pattern. Dance in Africa is deeply integrated into society and major events in a community are frequently reflected in dances: dances are performed for births and funerals, weddings and wars. Traditional dances impart cultural morals, including religious traditions and sexual standards; give vent to repressed emotions, such as grief ; motivate community members to cooperate, whether fighting wars or grinding grain; enact spiritual rituals; and contribute to social cohesiveness . Thousands of dances are performed around

7210-699: The expression danse classique also exists for the latter meaning, is less equivocal and is more commonly used when referring to the learning of this dance. Ballet originated in the Italian Renaissance courts of the fifteenth and sixteenth centuries. Under Catherine de' Medici 's influence as Queen, it spread to France, where it developed even further. The dancers in these early court ballets were mostly noble amateurs. Ornamented costumes were meant to impress viewers, but they restricted performers' freedom of movement. The ballets were performed in large chambers with viewers on three sides. The implementation of

7313-542: The first neoclassical ballet. Apollo represented a return to form in response to Sergei Diaghilev 's abstract ballets. Balanchine worked with modern dance choreographer Martha Graham , and brought modern dancers into his company such as Paul Taylor , who in 1959 performed in Balanchine's Episodes . While Balanchine is widely considered the face of neoclassical ballet, there were others who made significant contributions. Frederick Ashton 's Symphonic Variations (1946)

7416-615: The foundational techniques which are used in many other dance genres and cultures. Various schools around the world have incorporated their own cultures. As a result, ballet has evolved in distinct ways. A ballet as a unified work comprises the choreography and music for a ballet production. Ballets are choreographed and performed by trained ballet dancers . Traditional classical ballets are usually performed with classical music accompaniment and use elaborate costumes and staging, whereas modern ballets are often performed in simple costumes and without elaborate sets or scenery. Ballet

7519-536: The inauguration of a hospital, build community for rural migrants in unfamiliar cities, and be incorporated into Christian church ceremonies. All Indian classical dances are to varying degrees rooted in the Natyashastra and therefore share common features: for example, the mudra s (hand positions), some body positions, leg movement and the inclusion of dramatic or expressive acting or abhinaya . Indian classical music provides accompaniment and dancers of nearly all

7622-706: The islands of Java and Bali . The Javanese Wayang wong dance takes footage from the Ramayana or Mahabharata episodes, but this dance is very different from the Indian version, indonesian dances do not pay as much attention to the " mudras " as Indian dances: even more to show local forms. The sacred Javanese ritual dance Bedhaya is believed to date back to the Majapahit period in the 14th century or even earlier, this dance originated from ritual dances performed by virgin girls to worship Hindu Gods such as Shiva , Brahma , and Vishnu . In Bali, dance has become an integral part of

7725-423: The meaning of "primitive rhythmic movements", a situation that began to change in the 20th century with such productions as Igor Stravinsky 's The Rite of Spring with its new rhythmic language evoking primal feelings of a primitive past. Indian classical dance styles, like ballet, are often in dramatic form, so that there is a similar complementarity between narrative expression and "pure" dance. In this case,

7828-485: The most widely known and performed ballet style is late Romantic ballet (or Ballet blanc ). Classical ballet is based on traditional ballet technique and vocabulary . Different styles have emerged in different countries, such as French ballet , Italian ballet , English ballet , and Russian ballet . Several of the classical ballet styles are associated with specific training methods, typically named after their creators (see below). The Royal Academy of Dance method

7931-440: The new style such as Martha Graham and Doris Humphrey began their work. Since this time, a wide variety of dance styles have been developed; see Modern dance . African American dance developed in everyday spaces, rather than in dance studios, schools or companies. Tap dance , disco , jazz dance , swing dance , hip hop dance , the lindy hop with its relationship to rock and roll music and rock and roll dance have had

8034-521: The next. The use of dance in ecstatic trance states and healing rituals (as observed today in many contemporary indigenous cultures) is thought to have been another early factor in the social development of dance. References to dance can be found in very early recorded history; Greek dance ( choros ) is referred to by Plato , Aristotle , Plutarch and Lucian . The Bible and Talmud refer to many events related to dance, and contain over 30 different dance terms. In Chinese pottery as early as

8137-477: The ones that design the dancing movements within a dance, they are often university trained and are typically employed for particular projects or, more rarely may work on contract as the resident choreographer for a specific dance company. A dance competition is an organized event in which contestants perform dances before a judge or judges for awards, and in some cases, monetary prizes. There are several major types of dance competitions, distinguished primarily by

8240-577: The particular dances people may or must participate. Archaeological evidence for early dance includes 10,000-years-old paintings in Madhya Pradesh, India at the Rock Shelters of Bhimbetka , and Egyptian tomb paintings depicting dancing figures, dated c.  3300 BC . It has been proposed that before the invention of written languages, dance was an important part of the oral and performance methods of passing stories down from one generation to

8343-404: The plot. Such theatrical requirements tend towards longer, freer movements than those usual in non-narrative dance styles. On the other hand, the ballet blanc , developed in the 19th century, allows interludes of rhythmic dance that developed into entirely "plotless" ballets in the 20th century and that allowed fast, rhythmic dance-steps such as those of the petit allegro . A well-known example

8446-611: The port de bras and the épaulement are performed, more rounded than when dancing in a Russian style, but not as rounded as the Danish style. The Vaganova method is a style of ballet training that emerged from Russian ballet , created by Agrippina Vaganova . After retiring from dance in 1916, Vaganova turned to teaching at the Leningrad Choreographic School in 1921. Her training method is now internationally recognized and her book, The Fundamentals of Classical Dance (1934),

8549-565: The previous era, replacing stories with more Islamic interpretations and clothing that is more closed according to Islamic teachings. The dances of the Middle East are usually the traditional forms of circle dancing which are modernized to an extent. They would include dabke , tamzara , Assyrian folk dance , Kurdish dance , Armenian dance and Turkish dance , among others. All these forms of dances would usually involve participants engaging each other by holding hands or arms (depending on

8652-619: The richness and diversity of Indonesian ethnic groups and cultures . There are more than 1,300 ethnic groups in Indonesia , it can be seen from the cultural roots of the Austronesian and Melanesian peoples , and various cultural influences from Asia and the west. Dances in Indonesia originate from ritual movements and religious ceremonies, this kind of dance usually begins with rituals, such as war dances, shaman dances to cure or ward off disease, dances to call rain and other types of dances. With

8755-427: The right amount of focus at each stage of the student's career. These textbooks continue to be extremely important to the instruction of ballet today. The method emphasizes development of strength, flexibility, and endurance for the proper performance of ballet. She espoused the belief that equal importance should be placed on the arms and legs while performing ballet, as this will bring harmony and greater expression to

8858-522: The romantic era, accompanied by a larger orchestra and grander musical conceptions that did not lend themselves easily to rhythmic clarity and by dance that emphasised dramatic mime. A broader concept of rhythm was needed, that which Rudolf Laban terms the "rhythm and shape" of movement that communicates character, emotion and intention, while only certain scenes required the exact synchronisation of step and music essential to other dance styles, so that, to Laban, modern Europeans seemed totally unable to grasp

8961-581: The sacred Hindu Dharma rituals. Some experts believe that Balinese dance comes from an older dance tradition from Java. Reliefs from temples in East Java from the 14th century feature crowns and headdresses similar to the headdresses used in Balinese dance today. Islam began to spread to the Indonesian archipelago when indigenous dances and dharma dances were still popular. Artists and dancers still use styles from

9064-684: The stage following years of training at the Académie. Ballet started to decline in France after 1830, but it continued to develop in Denmark, Italy, and Russia. The arrival in Europe of the Ballets Russes led by Sergei Diaghilev on the eve of the First World War revived interest in the ballet and started the modern era. In the twentieth century, ballet had a wide influence on other dance genres, Also in

9167-524: The statement of Dalcroze that, while the art of musical rhythm consists in differentiating and combining time durations, pauses and accents "according to physiological law", that of "plastic rhythm" (i.e. dance) "is to designate movement in space, to interpret long time-values by slow movements and short ones by quick movements, regulate pauses by their divers successions and express sound accentuations in their multiple nuances by additions of bodily weight, by means of muscular innervations". Shawn points out that

9270-446: The story, with Princess Aurora choosing between four prospective princes and receiving a rose from each. In a grand pas classique , classical ballet technique prevails and the piece itself does not carry the action of the ballet forward. A well-known example of such a piece is the grand pas created by Marius Petipa in 1881 for his revival of the ballet Paquita , known today as Paquita Grand Pas Classique . Dance Dance

9373-468: The style of the dance). They would make rhythmic moves with their legs and shoulders as they curve around the dance floor. The head of the dance would generally hold a cane or handkerchief . Folk dances vary across Europe and may date back hundreds or thousands of years, but many have features in common such as group participation led by a caller , hand-holding or arm-linking between participants, and fixed musical forms known as caroles. Some, such as

9476-421: The style or styles of dances performed. Dance competitions are an excellent setting to build connections with industry leading faculty members, adjudicators, choreographers and other dancers from competing studios. A typical dance competition for younger pre-professional dancers can last anywhere between two and four days, depending whether it is a regional or national competition. The purpose of dance competitions

9579-445: The styles wear bells around their ankles to counterpoint and complement the percussion. There are now many regional varieties of Indian classical dance . Dances like "Odra Magadhi" , which after decades-long debate, has been traced to present day Mithila, Odisha region's dance form of Odissi (Orissi), indicate influence of dances in cultural interactions between different regions. The Punjab area overlapping India and Pakistan

9682-433: The system of musical time is a "man-made, artificial thing.... a manufactured tool, whereas rhythm is something that has always existed and depends on man not at all", being "the continuous flowing time which our human minds cut up into convenient units", suggesting that music might be revivified by a return to the values and the time-perception of dancing. The early-20th-century American dancer Helen Moller stated that "it

9785-861: The twentieth century, ballet took a turn dividing it from classical ballet to the introduction of modern dance , leading to modernist movements in several countries. Famous dancers of the twentieth century include Anna Pavlova , Galina Ulanova , Rudolf Nureyev , Maya Plisetskaya , Margot Fonteyn , Rosella Hightower , Maria Tall Chief , Erik Bruhn , Mikhail Baryshnikov , Suzanne Farrell , Gelsey Kirkland , Natalia Makarova , Arthur Mitchell , and Jeanne Devereaux . Stylistic variations and subgenres have evolved over time. Early, classical variations are primarily associated with geographic origin. Examples of this are Russian ballet , French ballet , and Italian ballet . Later variations, such as contemporary ballet and neoclassical ballet, incorporate both classical ballet and non-traditional technique and movement. Perhaps

9888-707: The two are separately defined, though not always separately performed. The rhythmic elements, which are abstract and technical, are known as nritta . Both this and expressive dance (nritya) , though, are closely tied to the rhythmic system ( tala ). Teachers have adapted the spoken rhythmic mnemonic system called bol to the needs of dancers. Japanese classical dance-theatre styles such as Kabuki and Noh , like Indian dance-drama, distinguish between narrative and abstract dance productions. The three main categories of kabuki are jidaimono (historical), sewamono (domestic) and shosagoto (dance pieces). Somewhat similarly, Noh distinguishes between Geki Noh , based around

9991-474: The type of dance, the intensity of the movements, and the surface that will be danced on. Ballet Ballet ( French: [balɛ] ) is a type of performance dance that originated during the Italian Renaissance in the fifteenth century and later developed into a concert dance form in France and Russia. It has since become a widespread and highly technical form of dance with its own vocabulary . Ballet has been influential globally and has defined

10094-418: The working foot typically. This method also incorporates very basic use of arms, pirouettes from a low développé position into seconde, and use of fifth position bras en bas for the beginning and end of movements. The Bournonville method produces dancers who have beautiful ballon ("the illusion of imponderable lightness" ). The Royal Academy of Dance method , also referred to as the English style of ballet,

10197-422: The world exhibiting various different styles and standards. Theatrical dance, also called performance or concert dance , is intended primarily as a spectacle, usually a performance upon a stage by virtuoso dancers. It often tells a story , perhaps using mime , costume and scenery , or it may interpret the musical accompaniment , which is often specially composed and performed in a theatre setting but it

10300-479: Was an artistic movement of classical ballet and several productions remain in the classical repertoire today. The Romantic era was marked by the emergence of pointe work, the dominance of female dancers, and longer, flowy tutus that attempt to exemplify softness and a delicate aura. This movement occurred during the early to mid-nineteenth century (the Romantic era ) and featured themes that emphasized intense emotion as

10403-486: Was established in 1920 by Genee, Karsavina, Bedells, E Espinosa, and Richardson. The goal of this method is to promote academic training in classical ballet throughout Great Britain. This style also spread to the United States, and is widely utilized still today. There are specific grade levels which a student must move through in order to complete training in this method. The key principle behind this method of instruction

10506-880: Was found in renaissance Europe, in the works of the dancer Guglielmo Ebreo da Pesaro . Pesaro speaks of dance as a physical movement that arises from and expresses inward, spiritual motion agreeing with the "measures and perfect concords of harmony" that fall upon the human ear, while earlier, Mechthild of Magdeburg , seizing upon dance as a symbol of the holy life foreshadowed in Jesus' saying "I have piped and ye have not danced", writes; I can not dance unless thou leadest. If thou wouldst have me spring aloft, sing thou and I will spring, into love and from love to knowledge and from knowledge to ecstasy above all human sense Thoinot Arbeau 's celebrated 16th-century dance-treatise Orchésographie , indeed, begins with definitions of over eighty distinct drum-rhythms. Dance has been represented through

10609-476: Was performed simultaneously" – an assertion somewhat supported by the common use of the term "foot" to describe the fundamental rhythmic units of poetry. Scholes , a musician , offers support for this view, stating that the steady measures of music, of two, three or four beats to the bar, its equal and balanced phrases, regular cadences, contrasts and repetitions, may all be attributed to the "incalculable" influence of dance upon music. Hence, Shawn asserts, "it

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