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87-880: (Redirected from From Russia With Love ) From Russia with Love may refer to: From Russia, with Love (novel) , a 1957 novel by Ian Fleming From Russia with Love (film) , a 1963 film based on the novel From Russia with Love (soundtrack) or its title song From Russia with Love (video game) , a video game based on the novel and film From Russia with Love (Tori Amos album) (2010) From Russia with Love (Cold War album) (2004) Anastasia Dobromyslova or From Russia with Love (born 1984), Russian darts player See also [ edit ] [REDACTED] Search for "From Russia with Love" on Misplaced Pages. All pages with titles beginning with From Russia with Love All pages with titles containing From Russia with Love To Russia with Love (film) ,

174-472: A dragonfly as it flies over the supine body of Grant. In From Russia, with Love Fleming wanted to promote a "West is the best" message by creating two parallel characters who would prove Western superiority over the Soviet Union. Two of the novel's most important characters, Romanova and Grant are both defectors who go in opposite directions, and the juxtaposition of the two characters serves to contrast

261-471: A murder-suicide . Bond defeats Grant and takes Romanova to Venice . It is there they meet Klebb again who, in an attempt to retrieve the code machine and kill Bond, disguises herself as a maid and tries to eliminate the agent with a dagger-tipped shoe poisoned with blowfish venom. Romanova shoots Klebb, thus saving Bond. She and Bond are last seen on a boat in Venice, with Bond dropping the incriminating film into

348-542: A 2014 documentary film To Russia with Love (album) , a 1994 album by Mannheim Steamroller From the Fatherland, with Love , a 2005 alternate history novel by Ryū Murakami McVan's To Russia With Love Scottish Terrier show dog, Best in Show at Crufts in 2015 "To Russia with Love" 2014 single by Courtney Act Topics referred to by the same term [REDACTED] This disambiguation page lists articles associated with

435-565: A boost to the sales of the book; a bigger rise in sales was to follow four years later. In an article in Life on 17 March 1961, the US President John F. Kennedy listed From Russia, with Love as one of his ten favourite books. This accolade, and its associated publicity, led to a surge in sales that made Fleming the biggest-selling crime writer in the US. There was a further boost to sales following

522-536: A cipher clerk. Her superiors, in connection with the Soviet agency SMERSH, plan to sow dissension in the intelligence community by murdering and discrediting a significant figure in western intelligence. The target is James Bond , who works for MI6 . Her commanding officer is Rosa Klebb . In the novel, Klebb is actually commander in chief of the Otdyel II section of SMERSH. In the screenplay adaptation, Klebb has defected and

609-508: A criminal organisation, instead of a soldier who broke his oath to serve King and Country by defecting to the Soviet Union. The Romanova of the film is much closer to the Romanova of the book, she is shown as thoroughly enjoying the consumerist lifestyle of the West, constantly buying expensive clothing that Bond introduces her to. As in the book, her relationship with Bond serves as both a political and

696-416: A killer with a keen eye and a soft heart for a woman". The critic for The Times was less persuaded by the story, suggesting that "the general tautness and brutality of the story leave the reader uneasily hovering between fact and fiction". Although the review compared Fleming in unflattering terms to Peter Cheyney , a crime fiction writer of the 1930s and 1940s, it concluded that From Russia, with Love

783-525: A lady's gun—and not a very nice lady at that! Dare I suggest that Bond should be armed with a .38 or a nine millimetre—let's say a German Walther PPK? That's far more appropriate. Boothroyd's suggestions came too late to be included in From Russia, with Love , but one of the guns—a .38 Smith & Wesson snubnosed revolver modified with one third of the trigger guard removed—was used as the model for Chopping's image. Fleming later thanked Boothroyd by naming

870-400: A lesbian (who is shown to be attracted to Romanova), while Kronsteen is a bisexual who is labelled "a monster" in the book. The book makes it clear that people such as Klebb and Kronsteen are the norm in the Soviet system. in the 1950s, homosexuality and bisexuality were widely considered to be perversions and Fleming, by making most of his non-Russian characters straight in contrast to most of

957-508: A low-ranking clerk for the MGB is portrayed as dull and stifling. Although as a member of the MGB Romanova enjoys a relatively privileged lifestyle and she is an attractive young woman, she complains that her MGB uniform makes it hard for her to make friends, as people fear her. All of Romanova's superiors are portrayed as twisted and hideous; Rosa Klebb is an ugly woman with a "toad-like figure" and

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1044-656: A mission to photograph the propeller of the Soviet cruiser Ordzhonikidze while the ship was moored in Portsmouth Harbour , an incident that was much reported and discussed in British newspapers. In October and November that year a popular uprising in Hungary was repressed by Soviet forces. To make Bond a more rounded character, Fleming put further aspects of his personality into his creation. The journalist and writer Matthew Parker observes that Bond's "physical and mental ennui"

1131-464: A part of Kronsteen's SPECTRE strategy, the assassin Donovan 'Red' Grant kills Kerim. Bond contacts Grant, who is pretending to be a British agent named Nash. After sedating Romanova, 'Nash' reveals his real identity to Bond, who then fights Grant in the train compartment. Prior to the fight, Grant explains that he is going to kill Bond and then execute the sleeping Romanova with Bond's gun, making it look like

1218-500: A professional spy, but the multiple focalised gaze lingers on her slender figure, tight-fitting or sheer clothes and pretty face. According to Cubby Broccoli , Ian Fleming modelled Romanova on Anna Kutusova, a Russian involved in the Metro-Vickers Affair . The character's role in the video game adaptation of From Russia With Love is more or less the same as in the novel and film, the only major difference being that she

1305-697: A real-life member of the Lenin Military-Political Academy about whom Fleming had written an article for The Sunday Times . The Spektor machine used as the bait for Bond was not a Cold War device, but had its roots in the Second World War Enigma machine , which Fleming had tried to obtain while serving in the Naval Intelligence Division . The idea of the Orient Express came from two sources: Fleming had returned from

1392-468: A secret file. Both M and Bond believe the offer to be a trap, but the prize is valuable enough to pursue it. They react just as the main instigator of the SPECTRE plot, chess champion Kronsteen , had predicted. Bond flies to Istanbul and contacts Kerim, spending several days there and waiting for contact. After a riotous fight at a Gypsy camp, Bond returns to his hotel room and finds Romanova walking across

1479-422: A sexual liberation. Unlike in the book, Romanova of the film makes a more clear decision to choose the West by shooting Klebb in the film's climax to save Bond, a decision made more significant as Romanova is unaware that Klebb is really working for SPECTRE. The theme of defection does not play the same central role in the film as it does in the novel. The film's message, that the obsessive struggle between MI6 and

1566-478: A thoroughly efficient copywriter got together to produce a fictional character who would be the mid-twentieth century subconscious male ambition, the result would inevitably be James Bond." Writing in The New York Times , Anthony Boucher —described by a Fleming biographer, John Pearson , as "throughout an avid anti-Bond and an anti-Fleming man" —was damning in his review, saying that From Russia, with Love

1653-653: A way as to discredit both him and his organisation. As bait, the Russians use a beautiful cipher clerk Tatiana Romanova and the Spektor, a Soviet decoding machine. Much of the action takes place in Istanbul and on the Orient Express . The book was inspired by Fleming's visit to Turkey on behalf of The Sunday Times to report on an Interpol conference; he returned to Britain by the Orient Express. From Russia, with Love deals with

1740-557: Is a reflection of Fleming's poor health and low spirits when he wrote the book. The early depictions of Bond were based on earlier literary characters. In New Statesman , the journalist William Cook writes of the early Bond: James Bond is the culmination of an important but much-maligned tradition in English literature. As a boy, Fleming devoured the Bulldog Drummond tales of Lieutenant Colonel Herman Cyril McNeile (aka "Sapper") and

1827-485: Is disciplined for his vicious style as a boxer, he decides to defect to the Soviet Union as: "He liked all he heard about the Russians, their brutality, their carelessness of human life, and their guile and he decided to go over to them". Grant rides on a motorcycle to a Red Army post in East Germany and says: "I am expert in killing people. I do it very well. I like it". Grant narrowly avoids being executed out of hand by

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1914-457: Is not told the details or purpose of the plan. The offer of defection, ostensibly from Romanova, is received by MI6 in London, but is conditional on Bond collecting her and the Spektor from Istanbul. MI6 is unsure of Romanova's motives, but the prize of the Spektor is too tempting to ignore; Bond's superior, M , orders him to go to Turkey. Once there, Bond forms a comradeship with Darko Kerim, head of

2001-463: Is now an unwitting double agent for a terrorist organization called "OCTOPUS". She is voiced by Kari Wahlgren . The character also appears in the 1993 James Bond comic book that takes place after the events of From Russia With Love , called Light of My Death , in which she is reinstated as KGB agent, aiding Bond in his mission against a shadowy villain who wants to provoke a war between the Soviets and

2088-464: Is secretly an agent for SPECTRE —who manipulates Romanova into believing that she is on an important mission for her country, when she is in fact merely a pawn in the terrorist organisation's latest bid to destroy MI6. Romanova's mission is to seduce Bond and have him take her to England to deliver a code machine (a Spektor in the novel, a Lektor in the film), as well as planting false information, before being rescued from prison and returned to

2175-564: Is the fifth novel by the English author Ian Fleming to feature his fictional British Secret Service agent James Bond . Fleming wrote the story in early 1956 at his Goldeneye estate in Jamaica; at the time he thought it might be his final Bond book. The novel was first published in the United Kingdom by Jonathan Cape on 8 April 1957. The story centres on a plot by SMERSH , the Soviet counter-intelligence agency, to assassinate Bond in such

2262-534: The Los Angeles Times , also disagreed with Boucher, saying that "the espionage novel has been brought up to date by a superb practitioner of that nearly lost art: Ian Fleming." In Kirsch's opinion, From Russia, with Love "has everything of the traditional plus the most modern refinements in the sinister arts of spying". From Russia, with Love was serialised in The Daily Express from 1 April 1957; it

2349-649: The Eastern Bloc . Soviet assassins were already on the train. The conductor was drugged and Karp's body was found shortly afterwards in a railway tunnel south of Salzburg . Fleming had a long-standing interest in trains and, following his involvement in a near-fatal crash in 1927, associated them with danger; they also feature in Live and Let Die , Diamonds Are Forever and The Man with the Golden Gun . The cultural historian Jeremy Black points out that From Russia, with Love

2436-478: The Richard Hannay stories of John Buchan . His genius was to repackage these antiquated adventures to fit the fashion of postwar Britain ... In Bond, he created a Bulldog Drummond for the jet age. Following on from the character development of Bond in his previous four novels, Fleming adds further background to Bond's private life, largely around his home life and personal habits, with Bond's introduction to

2523-777: The novel series as a whole. Chancellor put the events of From Russia, with Love in 1955; Griswold considers the story to have taken place between June and August 1954. In the novel, General Grubozaboyschikob of the MGB refers to the Istanbul pogrom, the Cyprus Emergency, and the "revolution in Morocco"—a reference to demonstrations in Morocco that forced France to grant independence in November 1955—as recent events. In August 1956, for fifty guineas , Fleming commissioned Richard Chopping to provide

2610-452: The "Fleming Sweep" as taking the reader from one chapter to another using "hooks" at the end of chapters to heighten tension and pull the reader onto the next. He feels that the "Fleming Sweep steadily propels the plot" of From Russia, with Love and, though it was the longest of Fleming's novels, "the Sweep makes it seem half as long". Kingsley Amis , who later wrote a Bond novel, considers that

2697-473: The 70th anniversary of Casino Royale , the first Bond novel. From Russia, with Love received mainly positive reviews from critics. Julian Symons , in The Times Literary Supplement , considered that it was Fleming's "tautest, most exciting and most brilliant tale", that the author "brings the thriller in line with modern emotional needs", and that Bond "is the intellectual's Mike Hammer :

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2784-895: The American author Raymond Chandler : "My muse is in a very bad way ... I am getting fed up with Bond and it has been very difficult to make him go through his tawdry tricks." Fleming re-wrote the end of the novel in April 1956 to make Klebb poison Bond, which allowed him to finish the series with the death of the character if he wanted. Breathing became difficult. Bond sighed to the depth of his lungs. He clenched his jaws and half closed his eyes, as people do when they want to hide their drunkenness. ... He prised his eyes open. ... Now he had to gasp for breath. Again his hand moved up towards his cold face. He had an impression of Mathis starting towards him. Bond felt his knees begin to buckle ... [he] pivoted slowly on his heel and crashed head-long to

2871-471: The British consulate, while Bond confronts Klebb. It is presumed that she has been arrested and/or released by the British. In the film, after meeting Romanova again to verify the authenticity of her information, Bond and Kerim blow up the Soviet consulate in Istanbul to cover their escape. With the help of Kerim, Bond and Romanova board the Orient Express train and depart for Trieste and the Italian frontier. As

2958-455: The British service's station in Turkey. Bond meets Romanova and they plan their route out of Turkey with the Spektor. He and Kerim believe her story and the three board the Orient Express . Kerim quickly discovers three Russian MGB agents on board, travelling incognito. He uses bribes and trickery to have two of them taken off the train, but he is later found dead in his compartment with the body of

3045-754: The East–West tensions of the Cold War , and the decline of British power and influence in the post-Second World War era. From Russia, with Love received broadly positive reviews at the time of publication. The book's sales were boosted by an advertising campaign that played upon a visit by the British Prime Minister Anthony Eden to the Goldeneye estate, and the publication of an article in Life , which listed From Russia, with Love as one of US President John F. Kennedy 's ten favourite books. The story

3132-568: The Istanbul conference in 1955 by the train, but found the experience drab, partly because the restaurant car was closed. He also knew of the story of Eugene Karp and his journey on the Orient Express: Karp was a US naval attaché and intelligence agent based in Budapest who, in February 1950, took the Orient Express from Budapest to Paris, carrying a number of papers about blown US spy networks in

3219-485: The MGB allows a criminal organisation like SPECTRE to flourish, seems to be a criticism of the Cold War. The Cuban Missile Crisis of 1962 had occurred the previous year, and the film's message is that though the Soviet Union might be an enemy, it is best to keep the level of hostilities down to a manageable level. The fact that Romanova in the film, as in the book, chooses the West was meant to prove Western superiority, but at

3306-586: The Prime Minister, Sir Anthony Eden , had visited Fleming's Jamaican Goldeneye estate, to recuperate from a breakdown in his health following the Suez crisis . This was much reported in the British press, and the publication of From Russia, with Love was accompanied by a promotional campaign that capitalised on Fleming's raised public profile. The serialisation of the story in The Daily Express in 1957 provided

3393-612: The Russian characters, used this as part of his strategy to show "the West is the best". However despite her repulsive superiors in the MGB, Romanova is portrayed as a committed communist who is at the same time vaguely unhappy with her existence - as Fleming wrote: "The Romanov blood might well have given a yearning for men other than that type of modern Russian officer she would meet-stern, cold, mechanical, basically hysterical and because of their Party education infernally dull". Upon meeting Bond, she abandons her belief in communism as she sees

3480-453: The Soviet government. Ian Fleming, From Russia, with Love , Author's note SMERSH , the Soviet counterintelligence agency, plans to commit a grand act of terrorism in the intelligence field. For this, it targets the British secret service agent James Bond . Due in part to his role in the defeat of the SMERSH agents Le Chiffre , Mr Big and Hugo Drax , Bond has been listed as an enemy of

3567-448: The Soviet state and a "death warrant" is issued for him. His death is planned to precipitate a major sex scandal, which will run in the world press for months and leave his and his service's reputations in tatters. Bond's killer is to be the SMERSH executioner Donovan "Red" Grant, a British Army deserter and psychopath whose homicidal urges coincide with the full moon. Kronsteen, SMERSH's chess-playing master planner, and Colonel Rosa Klebb ,

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3654-448: The Soviets, who eventually decide to accept his offer. Having proven himself, he becomes the top assassin for SMERSH, a man who kills happily both because he is insane and because killing is the only thing he knows how to do well. In contrast to the soft and feminine Romanova, who really wants to be in love with a man who causes her to choose the West despite her privileged existence in Moscow,

3741-503: The UK as a hardback on 8 April 1957, by the publishers Jonathan Cape . The American edition was published a few weeks later by Macmillan . Fleming was pleased with the book and later said: Personally I think from Russia, with Love was, in many respects, my best book, but the great thing is that each one of the books seems to have been a favourite with one or other section of the public and none has yet been completely damned. In November 1956

3828-481: The USSR. She is promised a promotion to the rank of captain if she completes the mission. Once in Istanbul , she contacts Darko Kerim (named Ali Kerim Bey in the film) and tells him her plans: she will voluntarily defect from the Soviet Union and take the machine with her, but only if Bond assists in the operation. She claims to have fallen in love with Bond and developed a desire to live with him after seeing his picture in

3915-510: The West like Bond can really sexually satisfy Romanova was another aspect of Fleming's "the West is the best" message. In contrast to Romanova, who chooses life in the West over life in the Soviet Union, the book's villain, Grant, goes in the opposition direction. Grant is described as a man from Northern Ireland who joined the British Army in the late 1940s, an experience which briefly contained his insanity and his love of killing. After Grant

4002-625: The advantage of a Western lifestyle, while also finding Bond a much better lover than her previous, Russian, lovers. Romanova falling in love with Bond is portrayed as both a political and sexual liberation for her. The way that Bond literally and metaphorically seduces Romanova over to the West was intended by Fleming to show the superiority of the Western world and western political ideologies. Romanova even prefers Bond for his smell as Fleming portrays Russian men as refusing to bathe and hence have unpleasant body odours. The book's message that only men from

4089-468: The armourer in Dr. No Major Boothroyd. As with several of his works, Fleming appropriated the names or backgrounds of people he knew or had heard of for the story's characters: Red Grant, a Jamaican river guide—whom Fleming's biographer Andrew Lycett described as "a cheerful, voluble giant of villainous aspect"—was used for the half-German, half-Irish assassin. Rosa Klebb was partly based on Colonel Rybkina ,

4176-522: The art for the cover, based on Fleming's design; the result won a number of prizes. After Diamonds Are Forever had been published in March 1956, Fleming received a letter from a thirty-one-year-old Bond enthusiast and gun expert, Geoffrey Boothroyd , criticising the author's choice of firearm for Bond. I wish to point out that a man in James Bond's position would never consider using a .25 Beretta. It's really

4263-428: The author "finally hits on the classic Bond formula, and he happily moved into his most creative phase". The literary analyst LeRoy L. Panek observes that the previous novels were, in essence, episodic detective stories, while From Russia, with Love is structured differently, with an "extended opening picture" that describes Grant, the Russians and Romanova before moving onto the main story and then bringing back some of

4350-615: The background to this story is accurate"—indicates that in this novel "cold war tensions are most massively present, saturating the narrative from beginning to end". As in Casino Royale , the concept of the loss of British power and influence during the post-Second World War and Cold War period was also present in the novel. The journalist William Cook observes that, with the British Empire in decline, "Bond pandered to Britain's inflated and increasingly insecure self-image, flattering us with

4437-458: The book are also well developed, according to Benson. He considers that the head of the Turkish office, Darko Kerim Bey, is "one of Fleming's more colourful characters"; Kerim is a similar type of dependable and appealing ally that Fleming also created with Quarrel (in Live and Let Die ) and Colombo (in the short story " Risico "). Parker considers that Kerim is "an antidote" to Bond's lethargy, while

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4524-474: The bullet. After Grant fires, Bond collapses to the floor and, when Grant steps over him, he attacks and kills the assassin. Bond and Romanova escape. Later, in Paris, after successfully delivering Romanova and the booby-trapped Spektor to his superiors, Bond meets Rosa Klebb. She is captured but manages to kick Bond with a poisoned blade concealed in her shoe; the story ends with Bond fighting for breath and falling to

4611-407: The canal. The characters of Romanova and Grant exist in juxtaposition to one another, with both being defectors from their respective nations, and it was the intention of Fleming in writing From Russia with Love to contrast these two characters as a way of justifying the moral superiority of Great Britain over the Soviet Union. In the 1950s, there were real fears in the West that Communism might be

4698-457: The elements when least expected. The extensive prose that describes the Soviet opponents and the background to the mission takes up the first ten chapters of the book, and Bond is only introduced into the story in chapter eleven. Eco says that the opening passage introducing Red Grant is a "cleverly presented" beginning, similar to the opening of a film. Eco remarks that "Fleming abounds in such passages of high technical skill". Benson describes

4785-425: The essayist Umberto Eco sees the character as having some of the moral qualities of the villains in the series, but that those qualities are used in support of Bond. From Russia, with Love is one of the few stories by Fleming in which the Soviets are the main enemy, although Eco considers Bond's opponents "so monstrous, so improbably evil that it seems impossible to take them seriously". Fleming introduced what

4872-654: The fantasy that Britannia could still punch above her weight." Woollacott and Bennett agree, and maintain that "Bond embodied the imaginary possibility that England might once again be placed at the centre of world affairs during a period when its world power status was visibly and rapidly declining." In From Russia, with Love , this acknowledgement of decline manifested itself in Bond's conversations with Darko Kerim when he admits that in England "we don't show teeth any more—only gums." Woollacott and Bennett argue that in selecting Bond as

4959-520: The floor. By January 1956 the author Ian Fleming had published three novels— Casino Royale in 1953, Live and Let Die in 1954 and Moonraker in 1955. A fourth, Diamonds Are Forever , was being edited and prepared for production. That month Fleming travelled to his Goldeneye estate in Jamaica to write From Russia, with Love . He followed his usual practice, which he later outlined in Books and Bookmen magazine: "I write for about three hours in

5046-407: The guise of standing guard over Bond, he waits until they are both asleep, and plans to murder them. However, due to his vanity, he taunts Bond, revealing details of a meeting with Rosa Klebb. This allows Bond to disarm Grant and save Romanova's life. It is unclear as to what ultimately becomes of Tatiana in the novel as in her last appearance, she is still heavily affected by the sedatives, sleeping in

5133-477: The hard and masculine Grant chooses the Eastern bloc because it is the only system where a perverted, violent man like himself can flourish. The 1963 film somewhat altered the novel's message by making SPECTRE rather than SMERSH the main antagonist. The Grant of the film is depoliticised, becoming a murderer who was acquitted by reason of insanity, escapes from a mental institution and comes to serve as an assassin for

5220-408: The head of Operations and Executions, devise the operation. They instruct an attractive young cipher clerk, Corporal Tatiana Romanova , to tell the British that she wants to defect from her post in Istanbul and claim to have fallen in love with Bond after seeing a photograph of him. As an added lure, Romanova will provide the British with a Spektor, a Russian decoding device much coveted by MI6 . She

5307-425: The killer Grant. Instead of killing Bond immediately, he describes SMERSH's plan. He is to shoot both of them, throw Romanova's body out the window, and plant a film of their love-making in her luggage; in addition, the Spektor is booby-trapped to explode when examined. As Grant talks, Bond places his metal cigarette case between the pages of a book he holds in front of him, positioning it in front of his heart to stop

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5394-524: The more efficient system, and the Soviet Union would pull ahead both economically and technologically over the West. The Burgess-Maclean affair of 1951, when two senior British diplomats, Donald Maclean and Guy Burgess , defected to the Soviet Union, added to these fears. At the time, it was not widely known that Maclean and Burgess were spies for the Soviet Union and Maclean was on the brink of being arrested on charges of treason. The Soviet government claimed that Maclean and Burgess had defected because life

5481-505: The morning ... and I do another hour's work between six and seven in the evening. I never correct anything and I never go back to see what I have written ... By following my formula, you write 2,000 words a day." He returned to London in March that year with a 228-page first-draft manuscript that he subsequently altered more heavily than any of his other works. One of the significant re-writes changed Bond's fate; Fleming had become disenchanted with his books and wrote to his friend,

5568-482: The novel; the ending was changed to make clear Bond's survival. Benson declares that "many fans consider it the best Bond film, simply because it is close to Fleming's original story". The novel was dramatised for radio in 2012 by Archie Scottney, directed by Martin Jarvis and produced by Rosalind Ayres ; it featured a full cast starring Toby Stephens as James Bond and was first broadcast on BBC Radio 4 . It continued

5655-449: The release of the film of the same name in 1963, which saw the sales of the Pan paperback rise from 145,000 in 1962 to 642,000 in 1963 and 600,000 in 1964. In 2023 Ian Fleming Publications—the company that administers all Fleming's literary works—had the Bond series edited as part of a sensitivity review to remove or reword some racial or ethnic descriptors. The rerelease of the series was for

5742-401: The room and getting into his bed, wearing only a black velvet choker and black stockings. They make love, but are secretly filmed by Klebb's men via a one-way mirror. The film is meant to be used to embarrass MI6. In the novel, they board the Orient Express train with Kerim, planning to travel to England over the course of four days. Kerim is killed by a Soviet agent named Benz who had boarded

5829-423: The same time the film seems to be cautioning against excessively anti-Communist policies. Helena Bassil-Morosow suggests that Tatiana's representation throughout the film is marked by a lack of agency, and this is independent of the types of media and focalisation through which she appears to the audience. She is not shown to be displaying the physical prowess, weapon handling or intellectual agility required of

5916-466: The series of Bond radio adaptations featuring Jarvis and Stephens following Dr. No in 2008 and Goldfinger in 2010. Tatiana Romanova She is played by Daniela Bianchi in the film, with her voice dubbed in by Barbara Jefford . Tatiana Alexeievna Romanova is introduced as a corporal in Soviet Army Intelligence, newly assigned to work in the Soviet consulate in Istanbul as

6003-705: The story is "full of pace and conviction", while Parker identifies "cracks" in the plot of the novel, but believes that "the action mov[es] fast enough for the reader to skim over them". Fleming used known brand names and everyday details to produce a sense of realism, which Amis calls "the Fleming effect". Amis describes "the imaginative use of information, whereby the pervading fantastic nature of Bond's world ... [is] bolted down to some sort of reality, or at least counter-balanced." The cultural historians Janet Woollacott and Tony Bennett consider that Fleming's preface note—in which he informs readers that "a great deal of

6090-498: The story seeing him at breakfast with his housekeeper, May. The novelist Raymond Benson —who later wrote a series of Bond novels—sees aspects of self-doubt entering Bond's mind with the "soft" life he has been leading when he is introduced in the book. Benson identifies Bond's fear when the flight to Istanbul encounters severe turbulence from a storm, and notes Bond's apparent nervousness when he first meets Romanova; he seems concerned and guilty about his mission. The other characters in

6177-453: The target for the Soviets, he is "deemed the most consummate embodiment of the myth of England". The literary critic Meir Sternberg sees the theme of Saint George and the Dragon running through several of the Bond stories, including From Russia, with Love . He sees Bond as Saint George —the patron saint of England—in the story, and notes that the opening chapter begins with an examination of

6264-455: The third MGB agent. At Trieste a man introduces himself as Captain Nash, a fellow MI6 agent, and Bond presumes he has been sent by M as added protection for the rest of the trip. Romanova is suspicious of Nash, but Bond reassures her that the man is from his own service. After dinner, at which Nash has drugged Romanova, they rest. Nash later wakes Bond, holding him at gunpoint, and reveals himself as

6351-535: The time. Fleming's intention in writing From Russia with love was at least in part to promote a "West is the best" message by creating two parallel characters who would prove Western superiority over the Soviet Union. Throughout the novel, Fleming drew contrasts between the Soviet Union and the West, always to the benefit of the latter. For an example, the officers of SMERSH are portrayed as living in fear of their superiors while relations between MI6 officers are shown as warm and friendly. Romanova's life in Moscow as

6438-515: The title From Russia with Love . If an internal link led you here, you may wish to change the link to point directly to the intended article. Retrieved from " https://en.wikipedia.org/w/index.php?title=From_Russia_with_Love&oldid=951879585 " Category : Disambiguation pages Hidden categories: Short description is different from Wikidata All article disambiguation pages All disambiguation pages From Russia, with Love (novel) From Russia, with Love

6525-440: The train earlier and is also killed in the struggle. This prompts the bombing of the Soviet consulate in Istanbul in retaliation. Despite this, Bond elects not to leave the train for a plane or the consulate, after having fallen for Romanova and not wanting to cut their time short. Grant, an agent recruited by Klebb for SMERSH, pretends to be Nash, an MI6 agent sent by M in response to the death of Kerim. After sedating Romanova, under

6612-402: The two systems. According to Takors, Bond both literally and metaphorically seduces Romanova over to the West as he is able to sexually satisfy her in a way that her Russian lovers never could. The way that Bond is portrayed as sexually superior to Russian men was possibly meant by Fleming as a metaphor for how the West was superior to the Soviet Union. From Russia, with Love was released in

6699-449: The wine-red floor. From Russia, with Love , novel's closing lines Fleming's first draft ended with Bond and Romanova enjoying a romance. By January 1957 Fleming had decided he would write another story, and began work on Dr. No in which Bond recovers from his poisoning and is sent to Jamaica. Fleming's trip to Istanbul in June 1955 to cover an Interpol conference for The Sunday Times

6786-464: Was "exciting enough of its kind". The Observer ' s critic, Maurice Richardson, thought that From Russia, with Love was a "stupendous plot to trap ... Bond, our deluxe cad-clubman agent" and wondered "Is this the end of Bond?" The reviewer for the Oxford Mail declared that "Ian Fleming is in a class by himself", while the critic for The Sunday Times argued that "If a psychiatrist and

6873-470: Was Fleming's "longest and poorest book". Boucher further wrote that the novel contained "as usual, sex-cum-sadism with a veneer of literacy but without the occasional brilliant setpieces". The critic for the New York Herald Tribune , conversely, wrote that "Mr Fleming is intensely observant, acutely literate and can turn a cliché into a silk purse with astute alchemy". Robert R Kirsch, writing in

6960-463: Was Fleming's first "psychotic opponent" for Bond, according to Benson. Charlie Higson —who later wrote the Young Bond series—finds Grant to be "a very modern villain: the relentless, remorseless psycho with the cold dead eyes of a 'drowned man'." According to Higson, Fleming spent the first four novels changing the style of his books, and his approach to his characters, but in From Russia, with Love

7047-400: Was a new development for him, a female opponent for Bond, although much like the former adversaries in the series, Rosa Klebb is described as being physically repulsive, with poor hygiene and gross tastes. Eco—and Anthony Synnott, in his examination of aesthetics in the Bond novels—consider that despite Klebb being female, the character is more akin to a "sexually neuter" individual. Red Grant

7134-561: Was a source of much of the background information in the story. While there he met the Oxford-educated ship owner Nazim Kalkavan, who became the model for Darko Kerim; Fleming took down many of Kalkavan's conversations in a notebook, and used them verbatim in the novel. Although Fleming did not date the event within his novels, John Griswold and Henry Chancellor —both of whom wrote books for Ian Fleming Publications —have identified different timelines based on events and situations within

7221-465: Was better in the Soviet Union while the British government was content to go along with this explanation rather than admit that two senior diplomats had been spies for the Soviet Union for the better part of the last twenty years. Since Maclean and Burgess were both members of "the Establishment", having attended public schools and Cambridge University; the defection of the two attracted much attention at

7308-460: Was released in 1963, produced by Albert R. Broccoli and Harry Saltzman , and directed by Terence Young . It was the second Bond film in the Eon Productions series and starred Sean Connery as Bond. The film version contained some changes to the novel, with the leading villains switching from SMERSH to SPECTRE , a fictional terrorist organisation. In the main it was a faithful adaptation of

7395-512: Was serialised in the Daily Express newspaper, first in an abridged, multi-part form and then as a comic strip. In 1963 it was adapted into the second film in the Bond series , starring Sean Connery . Not that it matters, but a great deal of the background to this story is accurate. ... SMERSH, a contraction of Smiert Spionam—Death to Spies—exists and remains today the most secret department of

7482-500: Was the first Bond novel the paper had adapted. In 1960 the novel was also adapted as a daily comic strip in the paper and was syndicated worldwide. The series, which ran from 3 February to 21 May 1960, was written by Henry Gammidge and illustrated by John McLusky . The comic strip was reprinted in 2005 by Titan Books in the Dr. No anthology, which also included Diamonds Are Forever and Casino Royale . The film From Russia with Love

7569-579: Was written and published at a time when tensions between East and West were on the rise and public awareness of the Cold War was high. A joint British and American operation to tap into landline communication of the Soviet Army headquarters in Berlin using a tunnel into the Soviet-occupied zone had been publicly uncovered by the Soviets in April 1956. The same month the diver Lionel Crabb had gone missing on

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