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Fred F. French Building

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A penthouse is an apartment or unit traditionally on the highest floor of an apartment building , condominium , hotel , or tower . Penthouses are typically differentiated from other apartments by luxury features. The term 'penthouse' originally referred, and sometimes still does refer, to a separate smaller 'house' that was constructed on the roof of an apartment building. Architecturally it refers specifically to a structure on the roof of a building that is set back from its outer walls. These structures do not have to occupy the entire roof deck. Recently, luxury high rise apartment buildings have begun to designate multiple units on the entire top residential floor or multiple higher residential floors including the top floor as penthouse apartments, and outfit them to include ultra-luxury fixtures, finishes, and designs which are different from all other residential floors of the building. These penthouse apartments are not typically set back from the building's outer walls, but are instead flush with the rest of the building and simply differ in size, luxury, and consequently price. High-rise buildings can also have structures known as mechanical penthouses that enclose machinery or equipment such as the drum mechanisms for an elevator .

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118-540: The Fred F. French Building is a skyscraper at 551 Fifth Avenue on the northeast corner with 45th Street in Midtown Manhattan , New York City. Designed by H. Douglas Ives along with John Sloan and T. Markoe Robertson of the firm Sloan & Robertson , it was erected in 1927. The building is named for Fred F. French , owner of the Fred F. French Companies, for whom the structure was commissioned. The 38-story building

236-520: A Buttressed core . Trussed tube and X-bracing: Penthouse apartment The name penthouse is derived from apentis , an Old French word meaning "attached building" or "appendage". The modern spelling is influenced by a 16th-century folk etymology that combines the Middle French word for "slope" ( pente ) with the English noun house (the meaning at that time was "attached building with

354-537: A city consisting entirely of high-rise housing is the 16th-century city of Shibam in Yemen . Shibam was made up of over 500 tower houses, each one rising 5 to 11 stories high, with each floor being an apartment occupied by a single family. The city was built in this way in order to protect it from Bedouin attacks. Shibam still has the tallest mudbrick buildings in the world, with many of them over 30 m (98 ft) high. An early modern example of high-rise housing

472-630: A complete restoration, subsequently earning the Building Owners and Managers Association 's 1994/1995 Historic Building of the Year Award. The Fred F. French Building and its interior became New York City designated landmarks in 1986, and the building was added to the National Register of Historic Places in 2004. The Fred F. French Building is at the northeast corner of Fifth Avenue and 45th Street in Midtown Manhattan , New York City. Its plot

590-624: A corresponding increase in real-estate prices. By the 1920s, Fifth Avenue was the most active area for development in Midtown, and developers were starting to build north of 45th Street, which had previously been considered the boundary for profitable developments. The most active year for construction in that decade was 1926, when thirty office buildings were constructed on Fifth Avenue. The two-block-wide area between Fifth and Park Avenues represented eight percent of Manhattan's land area, but it constituted twenty-five percent of developments that commenced in

708-614: A frame of red faience. At night, the building's pinnacle was illuminated. The Fred F. French Building contained the most up-to-date designs and machinery when it was completed. Its innovations included an electric plumbing system, automatic elevators, and lighting and ventilation systems that could be "conveniently controlled", as described in the French Companies' magazine The Voice . The building also contains bronze ornamental work created by Russian-American artist Vincent Glinsky . The building has eleven elevators. Ten of these run from

826-492: A marble molding at the baseboard , as well as wooden doorways and doors. Tenants modified the interiors on some floors with a myriad of designs, although some modern finishes were placed on top of the original furnishings. The remodeled floors contain finishes made of carpet, stone tiles, plastic tiles, or wood floors. The remodeled walls are made of sheetrock or paper, and they have baseboards made of plastic, stone, or wood. Dropped ceilings are used in almost all locations where

944-733: A more classical approach came back to global skyscraper design, that remains popular today. Examples are the Wells Fargo Center , NBC Tower , Parkview Square , 30 Park Place , the Messeturm , the iconic Petronas Towers and Jin Mao Tower . Other contemporary styles and movements in skyscraper design include organic , sustainable , neo-futurist , structuralist , high-tech , deconstructivist , blob , digital , streamline , novelty , critical regionalist , vernacular , Neo Art Deco and neohistorist , also known as revivalist . 3 September

1062-502: A mostly rectangular plan; previous buildings had been erected with largely square plans. The Fred F. French Building was described by architectural writer Carol Herselle Krinsky as the "only Mesopotamian skyscraper" in New York City. Ives wrote that the building's colorful design took after Middle Eastern architectural features such as ziggurats . The colors used in the Fred F. French Building's facade were intended to evoke that of

1180-399: A particularly small surface area of what are conventionally thought of as walls. Because the walls are not load-bearing most skyscrapers are characterized by surface areas of windows made possible by the concept of steel frame and curtain wall. However, skyscrapers can also have curtain walls that mimic conventional walls and have a small surface area of windows. The concept of a skyscraper is

1298-420: A product of the industrialized age , made possible by cheap fossil fuel derived energy and industrially refined raw materials such as steel and concrete . The construction of skyscrapers was enabled by steel frame construction that surpassed brick and mortar construction starting at the end of the 19th century and finally surpassing it in the 20th century together with reinforced concrete construction as

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1416-454: A proto-skyscraper, or to New York's seven-floor Equitable Life Building , built in 1870. Steel skeleton construction has allowed for today's supertall skyscrapers now being built worldwide. The nomination of one structure versus another being the first skyscraper, and why, depends on what factors are stressed. The structural definition of the word skyscraper was refined later by architectural historians, based on engineering developments of

1534-412: A proud and soaring thing, rising in sheer exaltation that from bottom to top it is a unit without a single dissenting line. Some structural engineers define a high-rise as any vertical construction for which wind is a more significant load factor than earthquake or weight. Note that this criterion fits not only high-rises but some other tall structures, such as towers . Different organizations from

1652-465: A rapid development of similar luxury penthouse apartments in most major cities in the United States in the following years. The popularity of penthouses stemmed from the setbacks allowing for significantly larger private outdoor terrace spaces than traditional cantilevered balconies . Due to the desirability of having outdoor space, buildings began to be designed with setbacks that could accommodate

1770-419: A restaurant operated by Acker, Merral & Condit . Three years after the building's completion, H. Douglas Ives filed plans to turn the 36th and 37th floors of the penthouse into offices. The Fred F. French Building also saw several deaths in its early years, including the suicides of workers in the building, as well as the accidental crushing of an elevator repairman. By 1934, the ground-floor corner space in

1888-556: A skyscraper today, it was record setting. The building of tall buildings in the 1880s gave the skyscraper its first architectural movement, broadly termed the Chicago School , which developed what has been called the Commercial Style. The architect, Major William Le Baron Jenney , created a load-bearing structural frame. In this building, a steel frame supported the entire weight of the walls, instead of load-bearing walls carrying

2006-571: A sloping roof or awning"). European designers and architects long recognized the potential in creating living spaces that could make use of rooftops and such setbacks . Penthouses first appeared in US cities in the 1920s with the exploitation of roof spaces for upscale property. The first recognized development was atop the Plaza Hotel overlooking Central Park in New York City in 1923. Its success caused

2124-417: A small surface area of windows. Modern skyscrapers often have a tubular structure , and are designed to act like a hollow cylinder to resist wind, seismic, and other lateral loads. To appear more slender, allow less wind exposure and transmit more daylight to the ground, many skyscrapers have a design with setbacks , which in some cases is also structurally required. As of September 2023 , fifteen cities in

2242-514: A time, the tallest of which is the 97.2 m (319 ft) high Asinelli Tower. A Florentine law of 1251 decreed that all urban buildings be immediately reduced to less than 26 m. Even medium-sized towns of the era are known to have proliferations of towers, such as the 72 towers that ranged up to 51 m height in San Gimignano . The medieval Egyptian city of Fustat housed many high-rise residential buildings, which Al-Muqaddasi in

2360-466: A variety of shapes, and it could be riveted, ensuring strong connections. The simplicity of a steel frame eliminated the inefficient part of a shear wall, the central portion, and consolidated support members in a much stronger fashion by allowing both horizontal and vertical supports throughout. Among steel's drawbacks is that as more material must be supported as height increases, the distance between supporting members must decrease, which in turn increases

2478-469: A vertical tube-like structural system capable of resisting lateral forces in any direction by cantilevering from the foundation". Closely spaced interconnected exterior columns form the tube. Horizontal loads (primarily wind) are supported by the structure as a whole. Framed tubes allow fewer interior columns, and so create more usable floor space, and about half the exterior surface is available for windows. Where larger openings like garage doors are required,

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2596-520: Is designed in the Art Deco style, with Middle Eastern influences, and contains numerous setbacks as mandated by the 1916 Zoning Resolution . The facade is mostly designed with brick walls and limestone trim. The base of the facade is ornamented with two bronze entrances and multiple mythological figures, while the top contains a "tower" with Mesopotamian style bas-reliefs and faience tiles. Other multicolored details such as ornamental friezes ornament

2714-406: Is important in most building design, but particularly for skyscrapers since even a small chance of catastrophic failure is unacceptable given the tremendous damage such failure would cause. This presents a paradox to civil engineers : the only way to assure a lack of failure is to test for all modes of failure, in both the laboratory and the real world. But the only way to know of all modes of failure

2832-433: Is largely from the force of the building material itself. In most building designs, the weight of the structure is much larger than the weight of the material that it will support beyond its own weight. In technical terms, the dead load , the load of the structure, is larger than the live load , the weight of things in the structure (people, furniture, vehicles, etc.). As such, the amount of structural material required within

2950-516: Is largely rectangular but has a small cutout on the northwestern portion. The building adjoins a 20-story building at 553 Fifth Avenue, which is L-shaped and occupies the cutout, as well as a nine-story building at 9 East 45th Street. The building is assigned its own ZIP Code , 10176; it was one of 41 buildings in Manhattan that had their own ZIP Codes as of 2019. The Fred F. French Building was designed by H. Douglas Ives with Sloan & Robertson in

3068-548: Is mounted on the wall between the two elevator banks; the mailbox contains a depiction of a bald eagle, the symbol of the United States Post Office , as well as two winged griffins . The building has approximately 430,000 square feet (40,000 m) for rent. The upper stories have different floor areas and shapes, and the higher floors had smaller areas because of the setbacks on the exterior. The 2nd through 11th stories had 16,000 square feet (1,500 m) per floor;

3186-414: Is no universally accepted definition, other than being very tall high-rise buildings . Skyscrapers may host offices, hotels, residential spaces, and retail spaces. One common feature of skyscrapers is having a steel frame that supports curtain walls . This idea was invented by Viollet le Duc in his discourses on architecture. These curtain walls either bear on the framework below or are suspended from

3304-445: Is one of the few remaining towers which maintains its entrance on 5th Avenue The building consists of a base spanning the 1st to 3rd stories; a midsection from the 4th to the 19th floors, with multiple setbacks; and a rectangular "tower" that is capped by a three-story penthouse above the 35th floor. Each of the four primary elevations of the facade has a different massing . The northern and eastern elevations face other buildings, but

3422-399: Is the global commemorative day for skyscrapers, called "Skyscraper Day". New York City developers competed among themselves, with successively taller buildings claiming the title of "world's tallest" in the 1920s and early 1930s, culminating with the completion of the 318.9 m (1,046 ft) Chrysler Building in 1930 and the 443.2 m (1,454 ft) Empire State Building in 1931,

3540-419: Is to learn from previous failures. Thus, no engineer can be absolutely sure that a given structure will resist all loadings that could cause failure; instead, one can only have large enough margins of safety such that a failure is acceptably unlikely. When buildings do fail, engineers question whether the failure was due to some lack of foresight or due to some unknowable factor. The load a skyscraper experiences

3658-403: Is wider because the main entrance is on that side. The passageway from Fifth Avenue is narrower and is divided by pilasters into several bays, each of which contains a multicolored vault with beasts and pattern. A gilded plaster frieze runs near the top of the wall. The revolving doors from Fifth Avenue are flanked by capitals with double bulls' heads, inspired by those that were originally in

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3776-436: The Art Deco style and completed in 1927. The building is named for Fred F. French , the head of the French Companies, whose other projects in the city included Tudor City and Knickerbocker Village . The Fred F. French Building rises 38 stories, rising 426 feet (130 m) tall, and contains several setbacks on all sides as mandated under the 1916 Zoning Resolution . It was one of the first few skyscrapers to be built with

3894-440: The Building Owners and Managers Association 's 1994/1995 Historic Building of the Year Award. Pace University rented some space in the building for use as classrooms in 1997. A group of investors led by The Feil Organization bought the Fred F. French Building for $ 128 million as part of a move by MetLife to sell off its real estate portfolio. The partnership included Lloyd Goldman and his family, as well as Stanley Chera . At

4012-592: The Palace of Darius in Susa . The design of the Fifth Avenue corridor was intended to draw visitors from the entrance to the elevator hall, and it also concealed the slight downward slope that existed between the Fifth Avenue and 45th Street entrances. The elevator lobby contains several decorative bronze elements. The walls have three tenant-directory boards with ornamental bronze frames. The gilt-bronze double-leaf elevator doors in

4130-694: The Tower of Babel . At the time of the building's development, there was large interest in Ancient Egypt and the Ancient Near East , and other contemporary structures such as the Chrysler Building , Rockefeller Center , and 2 Park Avenue incorporated elements of ancient Egyptian and Near Eastern architecture. Furthermore, modern building codes prevented the inclusion of cornices and other decorative elements that projected more than 18 inches (460 mm) from

4248-629: The " Seven Sisters ", were built between 1947 and 1953; and one, the Main building of Moscow State University , was the tallest building in Europe for nearly four decades (1953–1990). Other skyscrapers in the style of Socialist Classicism were erected in East Germany ( Frankfurter Tor ), Poland ( PKiN ), Ukraine ( Hotel Moscow ), Latvia ( Academy of Sciences ), and other Eastern Bloc countries. Western European countries also began to permit taller skyscrapers during

4366-460: The 10th century described as resembling minarets . Nasir Khusraw in the early 11th century described some of them rising up to 14 stories, with roof gardens on the top floor complete with ox-drawn water wheels for irrigating them. Cairo in the 16th century had high-rise apartment buildings where the two lower floors were for commercial and storage purposes and the multiple stories above them were rented out to tenants . An early example of

4484-465: The 1880s that had enabled construction of tall multi-story buildings. This definition was based on the steel skeleton—as opposed to constructions of load-bearing masonry , which passed their practical limit in 1891 with Chicago's Monadnock Building . What is the chief characteristic of the tall office building? It is lofty. It must be tall. The force and power of altitude must be in it, the glory and pride of exaltation must be in it. It must be every inch

4602-580: The 1960s now use a tube design derived from Khan's structural engineering principles, examples including the construction of the World Trade Center , Aon Center , Petronas Towers , Jin Mao Building , and most other supertall skyscrapers since the 1960s. The strong influence of tube structure design is also evident in the construction of the current tallest skyscraper, the Burj Khalifa , which uses

4720-587: The 1960s, according to the CTBUH, the skyscraper has been reoriented away from a symbol for North American corporate power to instead communicate a city or nation's place in the world. Skyscraper construction entered a three-decades-long era of stagnation in 1930 due to the Great Depression and then World War II . Shortly after the war ended, Russia began construction on a series of skyscrapers in Moscow . Seven, dubbed

4838-807: The 26th century BC. It was not surpassed in height for thousands of years, the 160 m (520 ft) Lincoln Cathedral having exceeded it in 1311–1549, before its central spire collapsed. The latter in turn was not surpassed until the 555-foot (169 m) Washington Monument in 1884. However, being uninhabited, none of these structures actually comply with the modern definition of a skyscraper. High-rise apartments flourished in classical antiquity . Ancient Roman insulae in imperial cities reached 10 and more stories. Beginning with Augustus (r. 30 BC-14 AD), several emperors attempted to establish limits of 20–25 m for multi-stories buildings, but were met with only limited success. Lower floors were typically occupied by shops or wealthy families, with

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4956-420: The 29th through 35th stories in the tower have 4,000 square feet (370 m) per floor; and the penthouse has 2,400 square feet (220 m) per floor. The stories of the base have a floor plan that is clustered around a largely L-shaped passageway. The upper floors have passageways in various layouts to reflect the different shapes and sizes of each story. Usually, on stories where a tenant rented an entire floor,

5074-463: The 31st floor. Near the top of the building, there are faience panels with sunburst designs on the north and south elevations, with red, orange, gold, and green tiles. The sunburst designs were used to symbolize progress, while winged griffons depicting integrity and watchfulness flank each sunburst. Two beehives, each surrounded by five bees, separate the sunbursts and griffins. The narrower west and east elevations contain mosaic depictions of Mercury ,

5192-666: The 57 m (187 ft) tall 1924 Marx House in Düsseldorf , the 65 m (213 ft) tall Borsigturm in Berlin , built in 1924, the 65 m (213 ft) tall Hansahochhaus in Cologne , Germany, built in 1925; the 61 m (200 ft) Kungstornen (Kings' Towers) in Stockholm , Sweden, which were built 1924–25; the 77 m (253 ft) Ullsteinhaus in Berlin, Germany, built in 1927;

5310-596: The 89 m (292 ft) Edificio Telefónica in Madrid , Spain, built in 1929; the 87.5 m (287 ft) Boerentoren in Antwerp, Belgium, built in 1932; the 66 m (217 ft) Prudential Building in Warsaw , Poland, built in 1934; and the 108 m (354 ft) Torre Piacentini in Genoa , Italy, built in 1940. After an early competition between New York City and Chicago for

5428-503: The CTBUH, is the distance between the highest floor and its architectural top (excluding antennae, flagpole or other functional extensions). Vanity height first appeared in New York City skyscrapers as early as the 1920s and 1930s but supertall buildings have relied on such uninhabitable extensions for on average 30% of their height, raising potential definitional and sustainability issues. The current era of skyscrapers focuses on sustainability , its built and natural environments, including

5546-415: The Fred F. French Building commenced on May 22, 1926, and the steel frame was topped out within four months. In October 1926, a $ 4.5 million mortgage was placed on the building. For unknown reasons, the project was delayed by seven months, and it opened on October 24, 1927. Had the Fred F. French Building opened on time, it would have claimed the title of tallest building along Fifth Avenue, but ultimately it

5664-571: The Fred F. French Building had become a French restaurant. During the mid-20th century, the Fred F. French Building gained other tenants such as diamond dealer Louis Roselaar , the John Simon Guggenheim Memorial Foundation , and the Brazilian government's trade bureau, as well as several advertising firms and three insurance companies. The ground-floor corner space became home to The Cattleman restaurant by 1967. The building

5782-528: The Fred F. French Company is to the east of the reception hall and contains wooden decorative elements and black marble floors. A conference room with wood decorations is south of the reception hall. A corridor with wood decorations and dropped ceiling leads east of the reception hall and south of the French Company reception area. At the eastern end of the French Company reception area is the rectangular executive secretary's office, with cast ornamental details on

5900-531: The Roman god of trade. Faience spandrels and an orange-and-green frieze depicting serpents are placed above the 38th floor. The windows of the penthouse are arranged in several configurations. A metal fire escape runs along the eastern elevation. Atop the penthouse is a flat roof with a water tower. The use of a flat roof deviated from previous Art Deco designs, which typically had stepped pinnacles. The rooftop water tower contains bas reliefs on green background surrounded by

6018-407: The United States and Europe define skyscrapers as buildings at least 150 m (490 ft) in height or taller, with " supertall " skyscrapers for buildings higher than 300 m (984 ft) and " megatall " skyscrapers for those taller than 600 m (1,969 ft). The tallest structure in ancient times was the 146 m (479 ft) Great Pyramid of Giza in ancient Egypt , built in

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6136-497: The amount of material that must be supported. This becomes inefficient and uneconomic for buildings above 40 stories tall as usable floor spaces are reduced for supporting column and due to more usage of steel. A new structural system of framed tubes was developed by Fazlur Rahman Khan in 1963. The framed tube structure is defined as "a three dimensional space structure composed of three, four, or possibly more frames, braced frames, or shear walls, joined at or near their edges to form

6254-565: The average cost of $ 300 per square foot ($ 3,200/m) for similar plots. The building at the corner, measuring 25 by 110 feet (7.6 by 33.5 m), alone had cost $ 300,000. The French Companies obtained title to the site in May 1925. Sloan & Robertson filed preliminary plans for the Fred F. French Building that August. At the time, the building was expected to be completed in early 1927 at a cost of $ 10 million. The building would have risen 31 stories and 385 feet (117 m). A subsequent two-story addition

6372-525: The borough between 1924 and 1926. The French Companies was founded in 1910, and it built a 16-story headquarters at Madison Avenue and 41st Street in 1920. By the mid-1920s, the company was one of New York City's largest development firms, and it was looking for a new site for its headquarters. Among the French Companies' largest projects was the Tudor City apartment complex on the east side of Manhattan. Fred French bought 19,000 square feet (1,800 m) at

6490-458: The building one of the "best slab-shaped buildings of the 1920's". Upon its opening, the building was characterized as being "one of the most popular business palaces in the entire midtown section" because of its technologically advanced systems, central location, and elaborate decoration. The writer Elizabeth Macaulay-Lewis said in 2021 that the Fred F. French Building "embodies the eclectic nature of many Neo-Antique buildings". The building's shape

6608-592: The building was quickly occupied . Among the earliest large tenants in the building were clothier Browning, King & Co.; real estate auctioneers William Kennelly Inc; luggage manufacturer Crouch & Fitzgerald ; pulp and paper firm Perkins-Goodwin Company; a ticket office for the St. Paul Railroad ; and the American Broadcasting Company . The ground-level space at the corner of Fifth Avenue and 45th Street used as

6726-469: The building's interior, the LPC described the building as having a "proto-Art Deco" design. The building was also listed on the National Register of Historic Places on January 28, 2004. Skyscraper A skyscraper is a tall continuously habitable building having multiple floors. Modern sources define skyscrapers as being at least 100 meters (330 ft) or 150 meters (490 ft) in height, though there

6844-399: The building's name and address. Historically, the northernmost bay had a glass storefront and granite water table at ground level, which was later replaced. The other three bays on Fifth Avenue also have replacement glass storefronts and water tables. The base of the facade on 45th Street is divided into twelve bays by double-story limestone piers. The main entrance is in the eighth bay from

6962-468: The ceiling. Fred French's office was "reputed" to be in the L-shaped room north of the executive secretary's office and had similar decoration. Fifth Avenue was being developed with office and commercial buildings at the beginning of the 20th century. The completion of the underground Grand Central Terminal in 1913 resulted in the rapid development of Terminal City , the area around Grand Central, as well as

7080-425: The city skyline . Access to a penthouse apartment is usually provided by a separate elevator. Residents can also access a number of building services, such as pickup and delivery of everything from dry cleaning to dinner; reservations to restaurants and events made by building staffers; and other concierge services . Penthouse apartments can also be situated on the corner of a building, providing 90° or more views of

7198-424: The classical designs of the early skyscrapers , instead embracing the uniform international style ; many older skyscrapers were redesigned to suit contemporary tastes or even demolished—such as New York's Singer Building , once the world's tallest skyscraper. German -American architect Ludwig Mies van der Rohe became one of the world's most renowned architects in the second half of the 20th century. He conceived

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7316-644: The creation of a significant number of early skyscrapers, though none of these were steel reinforced and few remain today. Height limits and fire restrictions were later introduced. In the late 1800s, London builders found building heights limited due to issues with existing buildings. High-rise development in London is restricted at certain sites if it would obstruct protected views of St Paul's Cathedral and other historic buildings. This policy, 'St Paul's Heights', has officially been in operation since 1927. Concerns about aesthetics and fire safety had likewise hampered

7434-555: The development of apartments and terraces on their uppermost levels. Modern penthouses may or may not have terraces. Upper floor space may be divided among several apartments, or a single apartment may occupy an entire floor. Penthouses often have their own private access where access to any roof, terrace, and any adjacent setback is exclusively controlled. Penthouses can also differentiate themselves by luxurious amenities such as high-end appliances , finest materials fitting, luxurious flooring system, and more. Features not found in

7552-632: The development of skyscrapers across continental Europe for the first half of the 20th century. By 1940, there were around 100 high-rise buildings in Europe ( List of early skyscrapers ). Some examples of these are the 43 m (141 ft) tall 1898 Witte Huis (White House) in Rotterdam ; the 51.5 m (169 ft) tall PAST Building (1906–1908) in Warsaw ; the Royal Liver Building in Liverpool, completed in 1911 and 90 m (300 ft) high;

7670-402: The early 1960s Bangladeshi-American structural engineer Fazlur Rahman Khan , considered the "father of tubular designs " for high-rises, discovered that the dominating rigid steel frame structure was not the only system apt for tall buildings, marking a new era of skyscraper construction in terms of multiple structural systems . His central innovation in skyscraper design and construction

7788-402: The elevators leads to the 13th floor and contains green marble risers, black stone steps, and a handrail and balustrade made of bronze. From the elevator lobby, a doorway leads to a rectangular reception hall with predominantly green and white designs; the walls and ceiling are similar to the elevator lobby, but the tile floors and baseboards are made of black marble. An I-shaped reception area for

7906-452: The entrance doors. The vestibule's ceiling consists of a depressed barrel vault with a bronze and crystal chandelier, as well as painted stepped corners and bas-relief polychrome beasts. The vestibule has an Italian travertine floor with beige stone lozenges , black and white marble triangles, and brass strips. The sides of the vestibule have bronze display windows, and the vestibule has two bronze revolving doors, topped by inscribed panels with

8024-416: The environment and loaded structures with decorative elements and extravagant finishes. This approach to design was opposed by Fazlur Khan and he considered the designs to be whimsical rather than rational. Moreover, he considered the work to be a waste of precious natural resources. Khan's work promoted structures integrated with architecture and the least use of material resulting in the smallest impact on

8142-454: The environment. The next era of skyscrapers will focus on the environment including performance of structures, types of material, construction practices, absolute minimal use of materials/natural resources, embodied energy within the structures, and more importantly, a holistically integrated building systems approach. Modern building practices regarding supertall structures have led to the study of "vanity height". Vanity height, according to

8260-408: The facade, as had been standard in older buildings. Because of the different influences, Ives said he felt "somewhat at a loss" when asked to describe the building's design. The Fred F. French Building's official address is 551 Fifth Avenue, The building was designed with profit as the main consideration, so the shorter side along Fifth Avenue was intended for highly valuable retail space. The building

8378-404: The facade. The Middle Eastern design motifs are also used in the lobby, which contains a polychrome vaulted ceiling . The Fred F. French Building has approximately 430,000 square feet (40,000 m) for rent and is owned by The Feil Organization . It was the tallest building on Fifth Avenue as well as one of the most desired addresses on the avenue upon its completion. By the 1990s, it underwent

8496-523: The first building in the world to feature a metal-framed glass curtain wall , a design element which creates light, airy interiors and has since been used the world over as a defining feature of skyscrapers". Further developments led to what many individuals and organizations consider the world's first skyscraper, the ten-story Home Insurance Building in Chicago, built in 1884–1885. While its original height of 42.1 m (138 ft) does not even qualify as

8614-631: The first such installations in the city. Elevator operators were retained only to push buttons for certain floors upon passengers' request and to bypass floors when the cabs were full. The first-floor lobby is L-shaped and consists of a longer wing extending west from the elevator lobby to Fifth Avenue, as well as a shorter corridor to the 45th Street entrance vestibule. The lobby walls are clad with marble. The lobby contains decorative details such as chevrons , palmettes , volutes , merlons , and lotus flowers as well as representations of animals such as lions and winged bulls. The passageway from 45th Street

8732-491: The framework above, rather than resting on load-bearing walls of conventional construction. Some early skyscrapers have a steel frame that enables the construction of load-bearing walls taller than of those made of reinforced concrete . Modern skyscraper walls are not load-bearing , and most skyscrapers are characterized by large surface areas of windows made possible by steel frames and curtain walls. However, skyscrapers can have curtain walls that mimic conventional walls with

8850-413: The friezes. The entrances are set within bronze arches, which contain coffered piers ; symbols of architecture and industry in their spandrels ; and bronze letters reading the french building above each arch. Above the second story, on both Fifth Avenue and 45th Street, are limestone friezes reading the fred f. french building . Flagpoles project from the second story in the second and fifth bays from

8968-471: The glass façade skyscraper and, along with Norwegian Fred Severud , designed the Seagram Building in 1958, a skyscraper that is often regarded as the pinnacle of modernist high-rise architecture. Skyscraper construction surged throughout the 1960s. The impetus behind the upswing was a series of transformative innovations which made it possible for people to live and work in "cities in the sky". In

9086-478: The greediest developer owed serious and intricate architectural detail and materials to the tenant and public". Robert A. M. Stern said that the Fred F. French Building "demonstrated that a slab could retain the iconic clarity of the skyscraper type and provide more rentable space per square foot of ground area". The Fred F. French Building's name also received notice; as the British broadcaster Alistair Cooke said, "It

9204-465: The hundred-story John Hancock Center and the massive 442 m (1,450 ft) Willis Tower . Other pioneers of this field include Hal Iyengar , William LeMessurier , and Minoru Yamasaki , the architect of the World Trade Center . Many buildings designed in the 70s lacked a particular style and recalled ornamentation from earlier buildings designed before the 50s. These design plans ignored

9322-525: The interiors were remodeled. On the 12th and 13th floors were the French Companies' offices, designed in the Tudor style, an allusion to the design of Tudor City. The 12th floor remains largely intact but some of these finishes were changed after the Fred F. French Company moved out during the 1980s. The 12th-floor elevator lobby contains green carpets, stone walls, a decorative plaster coffered ceiling, and marble baseboards and door surrounds. A circular stair west of

9440-464: The layout of that floor contained an open plan . Unlike the lobby, the office stories were not decorated in the Mesopotamian style and were instead designed to tenants' specifications. Some floors still contain their original furnishings, including mail chutes made of glass and bronze, as well as room-number signs and elevator floor indicators made of bronze. The interiors were originally finished with

9558-438: The lobby and are separated into two banks of five units each. One bank serves all stories from the 1st to 16th floors, while the other runs nonstop from the lobby to the 17th floor, serving all floors through the 35th. From the 35th floor, a single elevator rises to the 38th story. Additionally, two stairways connect each of the floors. From the building's completion, the elevators were semi-automatically operated Otis cabs, one of

9676-486: The lobby each have eight panels (four on each leaf) depicting sectors in which Fred French had businesses, including industry, commerce, finance, and building. Eight bronze chandeliers are present in the lobby, which contain inscriptions indicating the floors served by the adjacent elevators. Also in the lobby are five gilt-bronze doors leading to offices, with similar designs to the elevator doors, as well as three gilt-bronze doors of simpler design. An Assyrian Revival mailbox

9794-454: The lower levels of a skyscraper will be much larger than the material required within higher levels. This is not always visually apparent. The Empire State Building 's setbacks are actually a result of the building code at the time ( 1916 Zoning Resolution ), and were not structurally required. On the other hand, John Hancock Center 's shape is uniquely the result of how it supports loads. Vertical supports can come in several types, among which

9912-593: The majority of apartments in the building may include a private entrance or elevator , or higher/vaulted ceilings. In buildings consisting primarily of single level apartments, penthouse apartments may be distinguished by having two or more levels. They may also have such features as a terrace, fireplace , more floor area, oversized windows, multiple master suites, den/office space, hot-tubs, and more. They might be equipped with luxury kitchens featuring stainless steel appliances, granite counter-tops, breakfast bar/island, and more. Penthouse residents often have fine views of

10030-531: The midsection of the building and are clad with russet colored brick. The 4th through 11th floors rise directly from the lot lines before setting back at various depths. The setbacks are decorated with limestone-trimmed friezes containing black ornament. Limestone windowsills were used on the facades facing the street, and precast concrete was used above setbacks at places where these windows could not be seen from street level. The windows on these stories are all sash windows, two per bay on each floor. The capitals of

10148-674: The most common for skyscrapers can be categorized as steel frames, concrete cores, tube within tube design, and shear walls. The wind loading on a skyscraper is also considerable. In fact, the lateral wind load imposed on supertall structures is generally the governing factor in the structural design. Wind pressure increases with height, so for very tall buildings, the loads associated with wind are larger than dead or live loads. Other vertical and horizontal loading factors come from varied, unpredictable sources, such as earthquakes. By 1895, steel had replaced cast iron as skyscrapers' structural material. Its malleability allowed it to be formed into

10266-435: The most complex encountered given the balances required between economics , engineering , and construction management. One common feature of skyscrapers is a steel framework from which curtain walls are suspended, rather than load-bearing walls of conventional construction. Most skyscrapers have a steel frame that enables them to be built taller than typical load-bearing walls of reinforced concrete. Skyscrapers usually have

10384-401: The north on Fifth Avenue. The third story, on both Fifth Avenue and 45th Street, contains two slightly recessed one-over-one sash windows in each bay. A cornice runs above the third floor. The base of the facade on Fifth Avenue is divided into five bays by double-story limestone piers. The entrance on Fifth Avenue, in the second bay from north, contains an outer vestibule under the arch, outside

10502-739: The northeast corner of Fifth Avenue and 45th Street in March 1925, with frontage of 200 feet (61 m) on 45th Street and 78.5 feet (23.9 m) on Fifth Avenue. He planned to build a 31-story office building for the French Companies' headquarters, with a banking hall on the lower stories. At the time, the site contained the Church of the Heavenly Rest, as well as four residential buildings and one office building. The land had cost an average of $ 285 per square foot ($ 3,070/m) significantly higher than their mid-19th century cost of $ 2.85/sq ft ($ 30.7/m), but lower than

10620-406: The performance of structures, types of materials, construction practices, absolute minimal use of materials and natural resources, energy within the structure, and a holistically integrated building systems approach. LEED is a current green building standard. Architecturally, with the movements of Postmodernism , New Urbanism and New Classical Architecture , that established since the 1980s,

10738-449: The piers are clad in light green faience with small rosettes. The 20th through 38th stories comprise the "tower" of the building. The setbacks atop the tower are more gradual from the northern and southern elevations, while the eastern and western elevations set back more abruptly to the penthouse. The tower section measures only two bays wide on its western and eastern elevations. An orange-and-green belt course of faience tiles runs above

10856-719: The price of steel decreased and labor costs increased. The steel frames become inefficient and uneconomic for supertall buildings as usable floor space is reduced for progressively larger supporting columns. Since about 1960, tubular designs have been used for high rises. This reduces the usage of material (more efficient in economic terms – Willis Tower uses a third less steel than the Empire State Building) yet allows greater height. It allows fewer interior columns, and so creates more usable floor space. It further enables buildings to take on various shapes. Elevators are characteristic to skyscrapers. In 1852 Elisha Otis introduced

10974-474: The safety elevator at the E. V. Haughwout Building in New York City, allowing convenient and safe transport to buildings' upper floors. Otis later introduced the first commercial passenger elevators to the Equitable Life Building in 1870, considered by some architectural historians to be the first skyscraper. Another crucial development was the use of a steel frame instead of stone or brick, otherwise

11092-643: The safety elevator, allowing convenient and safe passenger movement to upper floors. Another crucial development was the use of a steel frame instead of stone or brick, otherwise the walls on the lower floors on a tall building would be too thick to be practical. Today major manufacturers of elevators include Otis , ThyssenKrupp , Schindler , and KONE . Advances in construction techniques have allowed skyscrapers to narrow in width, while increasing in height. Some of these new techniques include mass dampers to reduce vibrations and swaying, and gaps to allow air to pass through, reducing wind shear. Good structural design

11210-538: The southern and western elevations face 45th Street and Fifth Avenue respectively. The Fred F. French Building's Middle Eastern decoration was intended to be colorful and noticeable from afar, rather than historically accurate. The facade is accented with terracotta bands of various colors including hues of red and black. On Fifth Avenue and on 45th Street, the first story is topped by a bronze frieze that contains depictions of winged beasts and stylized glyphs. The second story contains steel-framed tripartite windows above

11328-481: The time, Morton's The Steakhouse was among the tenants in the Fred F. French Building, as was the British Tourist Authority . In 2012, retailer Tommy Bahama opened a three-story flagship store and restaurant in the Fred F. French Building. By the middle of that decade, the building had tenants such as Denihan Hospitality Group , ABM Industries , and law firm Kleinberg, Kaplan, Wolff & Cohen. There

11446-438: The title for six years. The design and construction of skyscrapers involves creating safe, habitable spaces in very tall buildings. The buildings must support their weight, resist wind and earthquakes, and protect occupants from fire. Yet they must also be conveniently accessible, even on the upper floors, and provide utilities and a comfortable climate for the occupants. The problems posed in skyscraper design are considered among

11564-687: The tube frame must be interrupted, with transfer girders used to maintain structural integrity. Tube structures cut down costs, at the same time allowing buildings to reach greater heights. Concrete tube-frame construction was first used in the DeWitt-Chestnut Apartment Building , completed in Chicago in 1963, and soon after in the John Hancock Center and World Trade Center . The tubular systems are fundamental to tall building design. Most buildings over 40 stories constructed since

11682-474: The tube structure was the Chestnut De-Witt apartment building, considered to be a major development in modern architecture. These new designs opened an economic door for contractors, engineers, architects, and investors, providing vast amounts of real estate space on minimal plots of land. Over the next fifteen years, many towers were built by Fazlur Rahman Khan and the " Second Chicago School ", including

11800-472: The upper rented to the lower classes. Surviving Oxyrhynchus Papyri indicate that seven-stories buildings existed in provincial towns such as in 3rd century AD Hermopolis in Roman Egypt . The skylines of many important medieval cities had large numbers of high-rise urban towers, built by the wealthy for defense and status. The residential Towers of 12th century Bologna numbered between 80 and 100 at

11918-460: The walls on the lower floors on a tall building would be too thick to be practical. An early development in this area was Oriel Chambers in Liverpool , England, built in 1864. It was only five floors high. The Royal Academy of Arts states, "critics at the time were horrified by its 'large agglomerations of protruding plate glass bubbles'. In fact, it was a precursor to Modernist architecture, being

12036-604: The weight of the building. This development led to the "Chicago skeleton" form of construction. In addition to the steel frame, the Home Insurance Building also utilized fireproofing, elevators, and electrical wiring, key elements in most skyscrapers today. Burnham and Root 's 45 m (148 ft) Rand McNally Building in Chicago, 1889, was the first all-steel framed skyscraper, while Louis Sullivan 's 41 m (135 ft) Wainwright Building in St. Louis, Missouri, 1891,

12154-438: The west and contains an arched vestibule. The vestibule is enclosed behind double glass doors and a bronze-and-glass transom . Its design is the same as that of the outer vestibule of the Fifth Avenue entrance. The decorations include bearded genies and 25 panels depicting Mesopotamian women. The other eleven bays on 45th Street contain glass storefronts and water tables in various conditions. The 4th through 19th stories comprise

12272-814: The world have more than 100 skyscrapers that are 150 m (492 ft) or taller: Hong Kong with 552 skyscrapers; Shenzhen , China with 373 skyscrapers; New York City , US with 314 skyscrapers; Dubai , UAE with 252 skyscrapers; Guangzhou , China with 188 skyscrapers; Shanghai , China with 183 skyscrapers; Tokyo , Japan with 168 skyscrapers; Kuala Lumpur , Malaysia with 156 skyscrapers; Wuhan , China with 149 skyscrapers; Chongqing , China, with 144 skyscrapers; Chicago , US, with 137 skyscrapers; Chengdu , China with 117 skyscrapers; Jakarta , Indonesia , with 112 skyscrapers; Bangkok , Thailand , with 111 skyscrapers, and Mumbai , India with 102. As of 2024, there are over 7 thousand skyscrapers over 150 m (492 ft) in height worldwide. The term "skyscraper"

12390-648: The world's tallest building for forty years. The first completed 417 m (1,368 ft) tall World Trade Center tower became the world's tallest building in 1972. However, it was overtaken by the Sears Tower (now Willis Tower ) in Chicago within two years. The 442 m (1,450 ft) tall Sears Tower stood as the world's tallest building for 24 years, from 1974 until 1998, until it was edged out by 452 m (1,483 ft) Petronas Twin Towers in Kuala Lumpur, which held

12508-432: The world's tallest building, New York took the lead by 1895 with the completion of the 103 m (338 ft) tall American Surety Building , leaving New York with the title of the world's tallest building for many years. Modern skyscrapers are built with steel or reinforced concrete frameworks and curtain walls of glass or polished stone . They use mechanical equipment such as water pumps and elevators . Since

12626-470: The world, although only partially iron framed, is The Flaxmill in Shrewsbury , England. Built in 1797, it is seen as the "grandfather of skyscrapers", since its fireproof combination of cast iron columns and cast iron beams developed into the modern steel frame that made modern skyscrapers possible. In 2013 funding was confirmed to convert the derelict building into offices. In 1857, Elisha Otis introduced

12744-650: The years immediately following World War II. Early examples include Edificio España (Spain) and Torre Breda (Italy). From the 1930s onward, skyscrapers began to appear in various cities in East and Southeast Asia as well as in Latin America . Finally, they also began to be constructed in cities in Africa , the Middle East , South Asia , and Oceania from the late 1950s. Skyscraper projects after World War II typically rejected

12862-626: Was also praised. According to the New York City Landmarks Preservation Commission (LPC), the Fred F. French Building so exactly conformed to the 1916 Zoning Resolution that it was illustrated in The American Heritage Dictionary of the English Language to accompany the definition of the word "setback". The AIA Guide to New York City characterized the building as being "from the days when even

12980-611: Was first applied to buildings of steel-framed construction of at least 10 stories in the late 19th century, a result of public amazement at the tall buildings being built in major American cities like New York City , Philadelphia , Boston , Chicago , Detroit , and St. Louis . The first steel-frame skyscraper was the Home Insurance Building , originally 10 stories with a height of 42 m or 138 ft, in Chicago in 1885; two additional stories were added. Some point to Philadelphia's 10-story Jayne Building (1849–50) as

13098-424: Was in 17th-century Edinburgh , Scotland, where a defensive city wall defined the boundaries of the city. Due to the restricted land area available for development, the houses increased in height instead. Buildings of 11 stories were common, and there are records of buildings as high as 14 stories. Many of the stone-built structures can still be seen today in the old town of Edinburgh. The oldest iron framed building in

13216-474: Was marvelous that here a man should not only get his name on a building, but get his name with his middle initial on a building." In the 1980s, a group of preservationists began surveying the city's buildings for possible sites that could be designated as interior landmarks by the LPC, with the Fred F. French Building's lobby being considered as one such landmark. The LPC designated the building and its lobby as city landmarks on March 18, 1986. In its report about

13334-558: Was mixed commentary on the Fred F. French Building's design. George S. Chappell lamented the "rows of dreary factory windows" in The New Yorker , rhetorically commenting: "Can't the Fifth Avenue Association do something about this?" The WPA Guide to New York City described the faience panels as being "of questionable taste." Other criticism of the building was more positive. Paul Goldberger of The New York Times called

13452-428: Was purchased by financial services company MetLife in 1985, and the French Companies subsequently moved out. During the 1990s, the Fred F. French Building underwent a complete restoration. Although the faience panels were largely undamaged, the terracotta was replaced because of rust. The lobby was re-gilt and the ceiling was repainted; in addition, the elevators from the lobby were totally replaced. The renovation earned

13570-440: Was rejected because it did not fit zoning codes, which Sloan & Robertson appealed. Ultimately, the architects were granted a variance to construct a 38-story, 416.58-foot (127 m) building, the second tallest in the surrounding area, behind only H. Craig Severance 's 432-foot (132 m) Harriman Building at 44th Street and Fifth Avenue. Final plans for the Fred F. French Building were filed in March 1926. Construction on

13688-454: Was the concept of the "tube" structural system , including the "framed tube", "trussed tube", and "bundled tube". His "tube concept", using all the exterior wall perimeter structure of a building to simulate a thin-walled tube, revolutionized tall building design. These systems allow greater economic efficiency, and also allow skyscrapers to take on various shapes, no longer needing to be rectangular and box-shaped. The first building to employ

13806-596: Was the first steel-framed building with soaring vertical bands to emphasize the height of the building and is therefore considered to be the first early skyscraper. In 1889, the Mole Antonelliana in Italy was 197 m (549 ft) tall. Most early skyscrapers emerged in the land-strapped areas of New York City and Chicago toward the end of the 19th century. A land boom in Melbourne , Australia between 1888 and 1891 spurred

13924-565: Was the second-tallest behind the Harriman Building. The Fred F. French Building was the French Companies' first commercial building to be completed under the "French Plan", a company philosophy that prioritized small returns on large ventures, rather than large returns on small ventures. Furthermore, the Fred F. French Building was one of the first retail skyscrapers to be built on this section of Fifth Avenue. The French Companies heavily marketed its new building in its magazine The Voice , and

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