In partner dancing , closed position is a category of positions in which partners hold each other while facing at least approximately toward each other.
97-427: The foxtrot is a smooth, progressive dance characterized by long, continuous flowing movements across the dance floor. It is danced to big band (usually vocal) music. The dance is similar in its look to waltz , although the rhythm is in a 4 time signature instead of 4 . Developed in the 1910s, the foxtrot reached its height of popularity in the 1930s and remains practiced today. The dance
194-467: A folk dance , a social dance , a group dance such as a line , circle , chain or square dance , or a partner dance , such as in Western ballroom dancing , is undertaken primarily for a common purpose, such as social interaction or exercise , or building flexibility of participants rather than to serve any benefit to onlookers. Such dance seldom has any narrative. A group dance and a corps de ballet ,
291-601: A characteristic tempo and rhythmic pattern. The tango, for example, is usually danced in 4 time at approximately 66 beats per minute. The basic slow step, called a "slow", lasts for one beat, so that a full "right–left" step is equal to one 4 measure. The basic forward and backward walk of the dance is so counted – "slow-slow" – while many additional figures are counted "slow – quick-quick". Repetitive body movements often depend on alternating "strong" and "weak" muscular movements. Given this alternation of left-right, of forward-backward and rise-fall, along with
388-513: A collective identity among the many cultural and ethnic groups of Latin America . Dance served to unite the many African, European, and indigenous peoples of the region. Certain dance genres, such as capoeira , and body movements, especially the characteristic quebradas or pelvis swings, have been variously banned and celebrated throughout Latin American history. Dance studies are offered through
485-455: A continuity ending (four counts), returning to the start of the sequence. Other figures based upon the same rhythm include the serpentine (a/k/a progressive twinkles) with open footwork; the curved running steps; the outside swivel; the pivot from promenade; and the natural fallaway. Many of these figures may be executed in a variety of positions: for instance, the serpentine may be executed in closed position, open position, or shadow position, with
582-572: A dancer is generally one of constantly changing work situations, strong competitive pressure and low pay. Consequently, professional dancers often must supplement their incomes to achieve financial stability. In the U.S. many professional dancers belong to unions (such as the American Guild of Musical Artists , Screen Actors Guild and Actors' Equity Association ) that establish working conditions and minimum salaries for their members. Professional dancers must possess large amounts of athleticism. To lead
679-469: A fixed sequence of steps require phrases and melodies of a certain fixed length to accompany that sequence. Musical accompaniment arose in the earliest dance, so that ancient Egyptians attributed the origin of the dance to the divine Athotus, who was said to have observed that music accompanying religious rituals caused participants to move rhythmically and to have brought these movements into proportional measure. The idea that dance arises from musical rhythm,
776-415: A formula for dance diplomacy that sought to learn from and express respect for the aesthetic traditions of recently independent states that were former European colonies, such as Indonesia, India, and Burma, as a show of anti-colonial solidarity. In most forms of dance the foot is the source of movement, and in some cases require specific shoes to aid in the health, safety ability of the dancer, depending on
873-651: A global influence. Dance styles fusing classical ballet technique with African-American dance have also appeared in the 21st century, including Hiplet . Dance is central to Latin American social life and culture. Brazilian Samba , Argentinian tango , and Cuban salsa are internationally popular partner dances, and other national dances— merengue , cueca , plena , jarabe , joropo , marinera , cumbia , bachata and others—are important components of their respective countries' cultures. Traditional Carnival festivals incorporate these and other dances in enormous celebrations. Dance has played an important role in forging
970-445: A score. As far as competitive categories go, most competitions base their categories according to the dance style, age, experience level and the number of dancers competing in the routine. Major types of dance competitions include: During the 1950s and 1960s, cultural exchange of dance was a common feature of international diplomacy, especially amongst East and South Asian nations. The People's Republic of China , for example, developed
1067-594: A short period of time, also play an important role. Examples include the oversway, the chair, the check. In the American Continuity Style, most figures are based upon four-count units with the rhythm slow (two counts), quick (one count), quick (one count) repeating in each measure. A basic dance sequence progressing around the room in a straight line might consist of an open left box turn (eight counts), an open twinkle (four counts), an open right turn (four counts), an open impetus (a/k/a hairpin) (four counts), and
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#17329301244931164-530: A single measure, while the change of direction uses a two-measure sequence of four slow steps. International Style Foxtrot is the most tightly defined of all the Foxtrot styles, with instructional and competitive syllabi that are tightly controlled by the Imperial Society of Teachers of Dancing . Thus, it is possible to present the following list of International or English style foxtrot figures, although this
1261-419: A social and competitive dance. Its defining characteristic is that partners must maintain body contact at all times. Consequently, the variety of possible figures and positions is much more limited than in the American style. Dancers concentrate on creating an image of a smooth, gliding motion around the dance floor. The use of body contact makes it possible to execute very tight turns, which is further enhanced by
1358-411: A social and party dance. It is particularly well suited to dancing in a crowded room, by partners who may or may not know each other well, and who may or may not have had much formal training in dance. Its defining feature is that the dancers close their feet at the end of almost every figure, as opposed to passing their feet as in the other two styles. As a result, the dancers progress fairly slowly around
1455-445: A social partner dance and a pas de deux , differ profoundly. Even a solo dance or interpretive dance may be undertaken solely for the satisfaction of the dancer. Participatory dancers often all employ the same movements and steps but, for example, in the rave culture of electronic dance music , vast crowds may engage in free dance , uncoordinated with those around them. On the other hand, some cultures lay down strict rules as to
1552-923: A successful career, it is advantageous to be versatile in many styles of dance, have a strong technical background and to use other forms of physical training to remain fit and healthy. Dance teachers typically focus on teaching dance performance, or coaching competitive dancers, or both. They typically have performance experience in the types of dance they teach or coach. For example, dancesport teachers and coaches are often tournament dancers or former dancesport performers. Dance teachers may be self-employed, or employed by dance schools or general education institutions with dance programs. Some work for university programs or other schools that are associated with professional classical dance (e.g., ballet) or modern dance companies. Others are employed by smaller, privately owned dance schools that offer dance training and performance coaching for various types of dance. Choreographers are
1649-450: Is The Cygnets' Dance in act two of Swan Lake . The ballet developed out of courtly dramatic productions of 16th- and 17th-century France and Italy and for some time dancers performed dances developed from those familiar from the musical suite, all of which were defined by definite rhythms closely identified with each dance. These appeared as character dances in the era of romantic nationalism . Ballet reached widespread vogue in
1746-420: Is a prescribed syllabus of figures from which the competitor is expected to select. The Novice, Pre-Championship, and Championship levels are open levels at which novel, original choreography is permitted and even encouraged. The competitive dance syllabi are defined and tightly controlled by the Imperial Society of Teachers of Dancing . Likewise, American Foxtrot is one of the four Modern Smooth dances that form
1843-635: Is by no means an exhaustive list. International Foxtrot is one of the five Standard dances that form the backbone of International Style Dance competitions held around the world under the auspices of the International Dance Sport Federation , its local affiliates, and other organizations. Competitions are generally held at six successive levels of difficulty: Bronze (beginning), Silver (intermediate), Gold (advanced), Novice, Pre-Championship, and Championship. The Bronze, Silver, and Gold levels are syllabus levels: that is, for each level there
1940-433: Is generally, but not exclusively, performed with the accompaniment of music and may or may not be performed in time to such music. Some dance (such as tap dance or gumboot dance ) may provide its own audible accompaniment in place of (or in addition to) music. Many early forms of music and dance were created for each other and are frequently performed together. Notable examples of traditional dance-music couplings include
2037-585: Is one early text. It mainly deals with drama, in which dance plays an important part in Indian culture. A strong continuous tradition of dance has since continued in India, through to modern times, where it continues to play a role in culture, ritual, and the Bollywood entertainment industry. Many other contemporary dance forms can likewise be traced back to historical , traditional , ceremonial , and ethnic dance. Dance
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#17329301244932134-428: Is quite possible to develop the dance without music and... music is perfectly capable of standing on its own feet without any assistance from the dance", nevertheless the "two arts will always be related and the relationship can be profitable both to the dance and to music", the precedence of one art over the other being a moot point. The common ballad measures of hymns and folk-songs takes their name from dance, as does
2231-412: Is rhythm and form more than harmony and color which, from the beginning, has bound music, poetry and dancing together in a union that is indissoluble." Concert dance, like opera , generally depends for its large-scale form upon a narrative dramatic structure . The movements and gestures of the choreography are primarily intended to mime the personality and aims of the characters and their part in
2328-498: Is taught to all ages ranging from two years old to the adult level outside of a professional dance setting. Typically this dance education is seen in dance studio businesses across the world. Some K-12 public schools have provided the opportunity for students to take beginner level dance classes, as well as participate in dance teams that perform at school events. Professional dancers are usually employed on contract or for particular performances or productions. The professional life of
2425-494: Is the chassé . It is a four-count figure with the rhythm slow (two counts) quick-and-quick (two counts), that may be inserted between a closed twinkle and its promenade close ending. The American Continuity Style is widely employed in the United States as a competitive dance and as a base for formation dance and the performing arts. It is the style generally seen in American musical theater productions and in film. It differs from
2522-415: Is the place of origin of Bhangra . It is widely known both as a style of music and a dance. It is mostly related to ancient harvest celebrations, love, patriotism or social issues. Its music is coordinated by a musical instrument called the 'Dhol'. Bhangra is not just music but a dance, a celebration of the harvest where people beat the dhol (drum), sing Boliyaan (lyrics) and dance. It developed further with
2619-424: Is to provide a fun and educative place for dancers and give them the opportunity to perform their choreographed routines from their current dance season onstage. Oftentimes, competitions will take place in a professional setting or may vary to non-performance spaces, such as a high school theatre. The results of the dancers are then dictated by a credible panel of judges and are evaluated on their performance than given
2716-414: Is typically performed with musical accompaniment , and sometimes with the dancer simultaneously using a musical instrument themselves. There are two different types of dance: theatrical and participatory dance. Both types of dance may have special functions, whether social, ceremonial , competitive , erotic , martial , sacred or liturgical . Dance is not solely restricted to performance, as dance
2813-502: Is unnecessary and not generally expected; all figures can be led through the frame formed by the arms. Hence, the potential social awkwardness of body contact between partners who do not know each other well is avoided. As American Social Style is the only style allowed in bronze (beginner) level American Style dance competition, this style is sometimes also known as "American Bronze Foxtrot". The American Social style uses both six-count and eight-count figures. The rhythmic alteration between
2910-468: Is used as a form of exercise and occasionally training for other sports and activities. Dance performances and dancing competitions are found across the world exhibiting various different styles and standards. Theatrical dance, also called performance or concert dance , is intended primarily as a spectacle, usually a performance upon a stage by virtuoso dancers. It often tells a story , perhaps using mime , costume and scenery , or it may interpret
3007-600: The Neolithic period, groups of people are depicted dancing in a line holding hands, and the earliest Chinese word for "dance" is found written in the oracle bones . Dance is described in the Lüshi Chunqiu . Primitive dance in ancient China was associated with sorcery and shamanic rituals. During the first millennium BCE in India, many texts were composed which attempted to codify aspects of daily life. Bharata Muni 's Natya Shastra (literally "the text of dramaturgy" )
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3104-672: The arts and humanities programs of many higher education institutions. Some universities offer Bachelor of Arts and higher academic degrees in Dance. A dance study curriculum may encompass a diverse range of courses and topics, including dance practice and performance, choreography, ethnochoreology , kinesiology , dance notation , and dance therapy . Most recently, dance and movement therapy has been integrated in some schools into math lessons for students with learning disabilities, emotional or behavioral disabilities, as well as for those with attention deficit hyperactivity disorder (ADHD). Dance
3201-481: The bilateral symmetry of the human body, many dances and much music are in duple and quadruple meter . Since some such movements require more time in one phase than the other – such as the longer time required to lift a hammer than to strike – some dance rhythms fall into triple metre . Occasionally, as in the folk dances of the Balkans , dance traditions depend heavily on more complex rhythms. Complex dances composed of
3298-545: The carol , originally a circle dance . Many purely musical pieces have been named " waltz " or " minuet ", for example, while many concert dances have been produced that are based upon abstract musical pieces, such as 2 and 3 Part Inventions , Adams Violin Concerto and Andantino . Similarly, poems are often structured and named after dances or musical works, while dance and music have both drawn their conception of "measure" or "metre" from poetry. Shawn quotes with approval
3395-560: The jig , waltz , tango , disco , and salsa . Some musical genres have a parallel dance form such as baroque music and baroque dance ; other varieties of dance and music may share nomenclature but developed separately, such as classical music and classical ballet . The choreography and music are meant to complement each other, to express a story told by the choreographer and dancers. Rhythm and dance are deeply linked in history and practice. The American dancer Ted Shawn wrote; "The conception of rhythm which underlies all studies of
3492-578: The maypole dance are common to many nations, while others such as the céilidh and the polka are deeply-rooted in a single culture. Some European folk dances such as the square dance were brought to the New World and subsequently became part of American culture. Ballet developed first in Italy and then in France from lavish court spectacles that combined rhythm, drama, poetry, song, costumes and dance. Members of
3589-402: The polska , pols , and hambo ) there are variations on shoulder-waist position in which the leader's left hand is on the follower's shoulder, upper arm, or elbow, and in the latter case the follower's right arm is outstretched with the hand just above the leader's sharply bent elbow. The lavolta , one of the more famous Renaissance dances , used a distinctive kind of closed position in which
3686-429: The waltz , and is very commonly used in ballroom dance . The leader's right hand is on the follower's back (or, rarely, on the left upper arm near the shoulder); its exact placement on the back ranges from the waist to the left shoulder blade. The follower's left hand is on the leader's right shoulder, or the upper arm near the shoulder. The other two hands are clasped together at or near chest or shoulder height. Unlike
3783-541: The American Social Style, the American Continuity Style, and the International Style. All three are partner dances in which the dancers progress around the dance floor in a counter-clockwise direction and are danced to much the same music. However, they differ significantly in technique, positions, and figures. The American Social Style was, and to some extent still is, widely employed in the United States as
3880-493: The American continuity style, both built around a slow-quick-quick rhythm at the slowest tempo, and the social American style using a slow-slow-quick-quick rhythm at a somewhat faster pace. In the context of International Standard category of ballroom dances, for some time the foxtrot was called "Slow Foxtrot", or "Slowfox". These names are still in use, to distinguish from other types of foxtrots. Three distinct styles of slow foxtrot are in common use among ballroom dancers today:
3977-401: The American tradition and the older European traditions, the joined hands are usually held lower than the shoulder, with the elbows low and often sharply bent. In the international standard ballroom dances the joined hands are held at or just above shoulder height, with the arms outstretched and the elbows bent at obtuse angles. In the latter style the leader's right hand stays on the left side of
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4074-513: The Clock" could be considered the biggest-selling "foxtrot" of all time. Today, the dance is customarily accompanied by the same big band music to which swing is also danced. Over time, the foxtrot split into slow and quick versions, referred to as "foxtrot" and " quickstep " respectively. In the slow category, further distinctions exist between the International or English style of the foxtrot, and
4171-476: The International Style. As American Continuity Style is expected in Silver Level American Style dance competitions and above, this style is sometimes also known as "American Silver Foxtrot". Transitions from one dance position to another are an important aspect of the American style. Commonly employed dance positions include normal (closed) position, in which the dancers face each other squarely with
4268-625: The Silver level and higher, but Continuity Style is generally expected. There are multiple, alternative instructional and competitive syllabi published by various organizations, which are compatible to varying degrees with the competitive rule sets. Dance Dance is an art form , consisting of sequences of body movements with aesthetic and often symbolic value, either improvised or purposefully selected. Dance can be categorized and described by its choreography , by its repertoire of movements or by its historical period or place of origin . Dance
4365-542: The Vaisakhi festival of the Sikhs . The dances of Sri Lanka include the devil dances ( yakun natima ), a carefully crafted ritual reaching far back into Sri Lanka's pre-Buddhist past that combines ancient " Ayurvedic " concepts of disease causation with psychological manipulation and combines many aspects including Sinhalese cosmology. Their influence can be seen on the classical dances of Sri Lanka . Indonesian dances reflect
4462-421: The academy, was formed; this troupe began as an all-male ensemble but by 1681 opened to include women as well. 20th century concert dance brought an explosion of innovation in dance style characterized by an exploration of freer technique. Early pioneers of what became known as modern dance include Loie Fuller , Isadora Duncan , Mary Wigman and Ruth St. Denis . The relationship of music to dance serves as
4559-593: The acceptance of dharma religion in the 1st century in Indonesia, Hinduism and Buddhist rituals were celebrated in various artistic performances. Hindu epics such as the Ramayana , Mahabharata and also the Panji became the inspiration to be shown in a dance-drama called "Sendratari" resembling " ballet " in the western tradition. An elaborate and highly stylized dance method was invented and has survived to this day, especially on
4656-452: The advancement of plot and the narration of action, and Furyū Noh , dance pieces involving acrobatics, stage properties, multiple characters and elaborate stage action. Social dances , those intended for participation rather than for an audience, may include various forms of mime and narrative, but are typically set much more closely to the rhythmic pattern of music, so that terms like waltz and polka refer as much to musical pieces as to
4753-403: The ages as having emerged as a response to music yet, as Lincoln Kirstein implied, it is at least as likely that primitive music arose from dance. Shawn concurs, stating that dance "was the first art of the human race, and the matrix out of which all other arts grew" and that even the " metre in our poetry today is a result of the accents necessitated by body movement, as the dancing and reciting
4850-496: The backbone of American Style Dance competitions held in the United States under the auspices of the National Dance Council of America and USA Dance , and in some other countries. Competitions are again generally held at six successive levels of difficulty: Bronze (beginning), Silver (intermediate), Gold (advanced), Novice, Pre-Championship, and Championship. The Bronze, Silver, and Gold levels are restricted levels in which
4947-625: The ballroom style, in social fast turning (or Viennese-style tempos) waltz, the follower's left hand usually is completely around the leader's right shoulder in a firm mutually supporting close or contact embrace. Each partner alternately but smoothly assists in the half turn with body leads while continuously right turning in line of direction in a "V" position. A similar close embrace position but with both hands around each other can be seen in smooth turning polka and other folk dances. Some specific varieties of this kind of closed position are used in specific categories of ballroom dance. For instance, in
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#17329301244935044-424: The basis for Eurhythmics , devised by Emile Jaques-Dalcroze , which was influential to the development of Modern dance and modern ballet through artists such as Marie Rambert . Eurythmy , developed by Rudolf Steiner and Marie Steiner-von Sivers , combines formal elements reminiscent of traditional dance with the new freer style, and introduced a complex new vocabulary to dance. In the 1920s, important founders of
5141-570: The continent. These may be divided into traditional, neotraditional, and classical styles: folkloric dances of a particular society, dances created more recently in imitation of traditional styles, and dances transmitted more formally in schools or private lessons. African dance has been altered by many forces, such as European missionaries and colonialist governments, who often suppressed local dance traditions as licentious or distracting. Dance in contemporary African cultures still serves its traditional functions in new contexts; dance may celebrate
5238-591: The court nobility took part as performers. During the reign of Louis XIV , himself a dancer, dance became more codified. Professional dancers began to take the place of court amateurs, and ballet masters were licensed by the French government. The first ballet dance academy was the Académie Royale de Danse (Royal Dance Academy), opened in Paris in 1661. Shortly thereafter, the first institutionalized ballet troupe, associated with
5335-433: The dance is something about which we could talk forever, and still not finish." A musical rhythm requires two main elements; a regularly-repeating pulse (also called the "beat" or "tactus") that establishes the tempo , and a pattern of accents and rests that establishes the character of the metre or basic rhythmic pattern . The basic pulse is roughly equal in duration to a simple step or gesture. Dances generally have
5432-412: The dance itself. The rhythm of the dancers' feet may even form an essential part of the music, as in tap dance . African dance, for example, is rooted in fixed basic steps, but may also allow a high degree of rhythmic interpretation: the feet or the trunk mark the basic pulse while cross-rhythms are picked up by shoulders, knees, or head, with the best dancers simultaneously giving plastic expression to all
5529-618: The elements of the polyrhythmic pattern. Dance in Africa is deeply integrated into society and major events in a community are frequently reflected in dances: dances are performed for births and funerals, weddings and wars. Traditional dances impart cultural morals, including religious traditions and sexual standards; give vent to repressed emotions, such as grief ; motivate community members to cooperate, whether fighting wars or grinding grain; enact spiritual rituals; and contribute to social cohesiveness . Thousands of dances are performed around
5626-430: The extensive use of heel turns. This use of heel turns, and the effort required to produce the desired gliding motion, give International Style Foxtrot a reputation as being perhaps the most difficult of all ballroom dances to execute well. Most figures are based upon four-count units with the rhythm slow (two counts), quick (one count), quick (one count), repeating in each measure. A basic dance sequence progressing around
5723-495: The fallaway twinkles (16 counts), the promenade twinkles (16 counts), and the serpentine (progressive twinkles) with closed footwork. A few, such as the grapevine, utilize a faster rhythm consisting of four quicks. Most of these eight-count figures resemble corresponding figures in the waltz, with the rhythm modified by extending the first step of each figure to occupy two counts. Again, many of these figures can be further embellished by underarm turns. The only common syncopated figure
5820-450: The follower's back and (except in the tango ) is placed on the shoulder blade, while the follower's left hand is placed on the leader's right upper arm (or, in the tango, underneath the upper arm). Many other kinds of closed positions are used in folk dance . In closed shoulder-waist position the leader holds the follower's waist with both hands, while the follower places both hands on the leader's shoulders. In Scandinavian folk dance (e.g.
5917-538: The foxtrot. Castle saw the dance, which "had been danced by negroes, to his personal knowledge, for fifteen years, [at] a certain exclusive colored club". W. C. Handy ("Father of the Blues") notes in his autobiography that his " The Memphis Blues " was the inspiration for the foxtrot. During breaks from the fast-paced Castle Walk and One-step , Vernon and Irene Castle's music director, James Reese Europe , would slowly play "The Memphis Blues". The Castles were intrigued by
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#17329301244936014-536: The inauguration of a hospital, build community for rural migrants in unfamiliar cities, and be incorporated into Christian church ceremonies. All Indian classical dances are to varying degrees rooted in the Natyashastra and therefore share common features: for example, the mudra s (hand positions), some body positions, leg movement and the inclusion of dramatic or expressive acting or abhinaya . Indian classical music provides accompaniment and dancers of nearly all
6111-706: The islands of Java and Bali . The Javanese Wayang wong dance takes footage from the Ramayana or Mahabharata episodes, but this dance is very different from the Indian version, indonesian dances do not pay as much attention to the " mudras " as Indian dances: even more to show local forms. The sacred Javanese ritual dance Bedhaya is believed to date back to the Majapahit period in the 14th century or even earlier, this dance originated from ritual dances performed by virgin girls to worship Hindu Gods such as Shiva , Brahma , and Vishnu . In Bali, dance has become an integral part of
6208-488: The man facing either forwards or backwards. Many of these figures may be further embellished by underarm turns, especially when changing from one dance position to another. Variations upon this basic rhythm may employ four quick steps (quick, quick, quick, quick) as in the grapevine and the second measure of the weave, or syncopation (slow, quick-and-quick quick) as in the chassé. Many Continuity-Style Foxtrot figures are similar to those of American Continuity Style Waltz , with
6305-409: The man's right hand around the woman's back; promenade position, in which the partners open slightly in a vee; open position (a two-hand hold with the arms extending forward sideways); and shadow position (in which both partners face the same direction, rather than each other). Partners may even separate completely for short periods of time. "Lines", in which the partners form and hold a special shape for
6402-423: The meaning of "primitive rhythmic movements", a situation that began to change in the 20th century with such productions as Igor Stravinsky 's The Rite of Spring with its new rhythmic language evoking primal feelings of a primitive past. Indian classical dance styles, like ballet, are often in dramatic form, so that there is a similar complementarity between narrative expression and "pure" dance. In this case,
6499-476: The musical accompaniment , which is often specially composed and performed in a theatre setting but it is not a requirement. Examples are Western ballet and modern dance , Classical Indian dance such as Bharatanatyam , and Chinese and Japanese song and dance dramas, such as the dragon dance . Most classical forms are centred upon dance alone, but performance dance may also appear in opera and other forms of musical theatre . Participatory dance, whether it be
6596-440: The new style such as Martha Graham and Doris Humphrey began their work. Since this time, a wide variety of dance styles have been developed; see Modern dance . African American dance developed in everyday spaces, rather than in dance studios, schools or companies. Tap dance , disco , jazz dance , swing dance , hip hop dance , the lindy hop with its relationship to rock and roll music and rock and roll dance have had
6693-521: The next. The use of dance in ecstatic trance states and healing rituals (as observed today in many contemporary indigenous cultures) is thought to have been another early factor in the social development of dance. References to dance can be found in very early recorded history; Greek dance ( choros ) is referred to by Plato , Aristotle , Plutarch and Lucian . The Bible and Talmud refer to many events related to dance, and contain over 30 different dance terms. In Chinese pottery as early as
6790-477: The ones that design the dancing movements within a dance, they are often university trained and are typically employed for particular projects or, more rarely may work on contract as the resident choreographer for a specific dance company. A dance competition is an organized event in which contestants perform dances before a judge or judges for awards, and in some cases, monetary prizes. There are several major types of dance competitions, distinguished primarily by
6887-577: The particular dances people may or must participate. Archaeological evidence for early dance includes 10,000-years-old paintings in Madhya Pradesh, India at the Rock Shelters of Bhimbetka , and Egyptian tomb paintings depicting dancing figures, dated c. 3300 BC . It has been proposed that before the invention of written languages, dance was an important part of the oral and performance methods of passing stories down from one generation to
6984-516: The permitted set of figures is restricted by rules – very similar but not identical – published by the sponsoring organization. The Novice, Pre-Championship, and Championship levels are open levels at which novel, original choreography is permitted and even encouraged. At the Bronze level, only American Social Style is allowed; this is enforced by rules that require closing the feet at the end of each figure. Either Social or Continuity Style may be employed at
7081-404: The plot. Such theatrical requirements tend towards longer, freer movements than those usual in non-narrative dance styles. On the other hand, the ballet blanc , developed in the 19th century, allows interludes of rhythmic dance that developed into entirely "plotless" ballets in the 20th century and that allowed fast, rhythmic dance-steps such as those of the petit allegro . A well-known example
7178-476: The positions of tango . At its inception, the foxtrot was originally danced to ragtime . From the late 1910s through the 1940s, the foxtrot was the most popular fast dance, and the vast majority of records issued during these years were foxtrots. The waltz and tango, while popular, never overtook it. Even the popularity of the Lindy hop in the 1940s did not affect the foxtrot's popularity, since it could be danced to
7275-565: The previous era, replacing stories with more Islamic interpretations and clothing that is more closed according to Islamic teachings. The dances of the Middle East are usually the traditional forms of circle dancing which are modernized to an extent. They would include dabke , tamzara , Assyrian folk dance , Kurdish dance , Armenian dance and Turkish dance , among others. All these forms of dances would usually involve participants engaging each other by holding hands or arms (depending on
7372-571: The promenade twist (12 counts), the promenade pivot (12 counts), and the sway step. Social dancers generally use the alternating quarter turns to progress in a zig-zag pattern around the room, alternating for variety with the promenade . Rock turns are used for changes of direction in corners and to avoid collisions. Both the rock turns and balance step can be danced entirely in place, if necessitated by crowded conditions. Many of these figures can be further embellished by underarm turns. The eight-count figures extend across two measures of music and utilize
7469-462: The rhythm modified by extending the first step of each figure to occupy two counts. Some, like the open twinkles, are direct developments of the corresponding Social Foxtrot figures in which the footwork has been modified by passing the feet at the end of the figure instead of closing the feet; others are entirely different. The International (British) Style is widely employed in Europe and Great Britain as
7566-442: The rhythm slow (two counts), quick (one count), quick (one count); slow (two counts), quick (one count), quick (one count). Most of them can be further decomposed into two four-count figures, although this would break the convention that every figure begins in closed position with the man stepping on his left foot. Examples include: the forward and reverse box, the left and right box turns, the closed twinkle with promenade close ending,
7663-399: The rhythm, and Jim asked why they didn't create a slow dance to go with it. The Castles introduced what they then called the "Bunny Hug" in a magazine article. Shortly after, they went abroad and, in mid-ocean, sent a wireless to the magazine to change the name of the dance from "Bunny Hug" to "Foxtrot." It was subsequently standardized by Arthur Murray , in whose version it began to imitate
7760-619: The richness and diversity of Indonesian ethnic groups and cultures . There are more than 1,300 ethnic groups in Indonesia , it can be seen from the cultural roots of the Austronesian and Melanesian peoples , and various cultural influences from Asia and the west. Dances in Indonesia originate from ritual movements and religious ceremonies, this kind of dance usually begins with rituals, such as war dances, shaman dances to cure or ward off disease, dances to call rain and other types of dances. With
7857-522: The romantic era, accompanied by a larger orchestra and grander musical conceptions that did not lend themselves easily to rhythmic clarity and by dance that emphasised dramatic mime. A broader concept of rhythm was needed, that which Rudolf Laban terms the "rhythm and shape" of movement that communicates character, emotion and intention, while only certain scenes required the exact synchronisation of step and music essential to other dance styles, so that, to Laban, modern Europeans seemed totally unable to grasp
7954-399: The room might employ a feather step (four counts), reverse turn with feather finish (eight counts), three step (four counts), natural turn (four counts) with impetus (four count) and feather finish (four count), connecting again to a reverse turn. However, rhythmic variation is used to make up for the loss of variety in figures and positions: thus, for example, the weave uses four quick steps in
8051-422: The room, and some figures can even be danced in place. Furthermore, almost every figure begins in much the same position, with the two partners facing each other squarely in the closed position and the man starting on his left foot. Since each figure leads so easily and consistently in the next, it is fairly easy for the leader to string multiple figures together on the fly in an ever-changing sequence. Body contact
8148-581: The sacred Hindu Dharma rituals. Some experts believe that Balinese dance comes from an older dance tradition from Java. Reliefs from temples in East Java from the 14th century feature crowns and headdresses similar to the headdresses used in Balinese dance today. Islam began to spread to the Indonesian archipelago when indigenous dances and dharma dances were still popular. Artists and dancers still use styles from
8245-508: The same records used to accompany the Lindy hop. When rock and roll first emerged in the early 1950s, record companies were uncertain as to what style of dance would be most applicable to the music. Notably, Decca Records initially labeled its rock and roll releases as "foxtrots", most notably " Rock Around the Clock " by Bill Haley and His Comets . Since that recording, by some estimates, went on to sell more than 25 million copies, "Rock Around
8342-457: The social style in that the dancers pass their feet at the end of each figure, rather than closing them. Consequently, dancers progress much more rapidly around the room, in a smooth, continuous manner that gives the style its name. It differs from the International Style in that body contact is optional. This permits the dance partners to assume a much wider variety of positions and, therefore, to execute many types of figures that are not possible in
8439-524: The statement of Dalcroze that, while the art of musical rhythm consists in differentiating and combining time durations, pauses and accents "according to physiological law", that of "plastic rhythm" (i.e. dance) "is to designate movement in space, to interpret long time-values by slow movements and short ones by quick movements, regulate pauses by their divers successions and express sound accentuations in their multiple nuances by additions of bodily weight, by means of muscular innervations". Shawn points out that
8536-468: The style of the dance). They would make rhythmic moves with their legs and shoulders as they curve around the dance floor. The head of the dance would generally hold a cane or handkerchief . Folk dances vary across Europe and may date back hundreds or thousands of years, but many have features in common such as group participation led by a caller , hand-holding or arm-linking between participants, and fixed musical forms known as caroles. Some, such as
8633-421: The style or styles of dances performed. Dance competitions are an excellent setting to build connections with industry leading faculty members, adjudicators, choreographers and other dancers from competing studios. A typical dance competition for younger pre-professional dancers can last anywhere between two and four days, depending whether it is a regional or national competition. The purpose of dance competitions
8730-445: The styles wear bells around their ankles to counterpoint and complement the percussion. There are now many regional varieties of Indian classical dance . Dances like "Odra Magadhi" , which after decades-long debate, has been traced to present day Mithila, Odisha region's dance form of Odissi (Orissi), indicate influence of dances in cultural interactions between different regions. The Punjab area overlapping India and Pakistan
8827-433: The system of musical time is a "man-made, artificial thing.... a manufactured tool, whereas rhythm is something that has always existed and depends on man not at all", being "the continuous flowing time which our human minds cut up into convenient units", suggesting that music might be revivified by a return to the values and the time-perception of dancing. The early-20th-century American dancer Helen Moller stated that "it
8924-707: The two are separately defined, though not always separately performed. The rhythmic elements, which are abstract and technical, are known as nritta . Both this and expressive dance (nritya) , though, are closely tied to the rhythmic system ( tala ). Teachers have adapted the spoken rhythmic mnemonic system called bol to the needs of dancers. Japanese classical dance-theatre styles such as Kabuki and Noh , like Indian dance-drama, distinguish between narrative and abstract dance productions. The three main categories of kabuki are jidaimono (historical), sewamono (domestic) and shosagoto (dance pieces). Somewhat similarly, Noh distinguishes between Geki Noh , based around
9021-411: The two is one of the few potential difficulties in the dance. Syncopation is generally avoided. The six-count figures extend across one and a half measures of music, and utilize the rhythm slow (two counts), slow (two counts), quick (one count), quick (one count). Examples include: the basic movement forward and back, the alternating quarter turns (zig-zag), the rock turns right and left, the promenade,
9118-520: The type of dance, the intensity of the movements, and the surface that will be danced on. Closed position Closed positions employ either body contact or body support, that is, holding each other is not limited to handhold . If the partners are comfortable with each other and the dance style allows it, body contact increases the connection between the partners. Some dances, such as Balboa and Collegiate Shag are only done in body contact. The most commonly used kind of closed position comes from
9215-880: Was found in renaissance Europe, in the works of the dancer Guglielmo Ebreo da Pesaro . Pesaro speaks of dance as a physical movement that arises from and expresses inward, spiritual motion agreeing with the "measures and perfect concords of harmony" that fall upon the human ear, while earlier, Mechthild of Magdeburg , seizing upon dance as a symbol of the holy life foreshadowed in Jesus' saying "I have piped and ye have not danced", writes; I can not dance unless thou leadest. If thou wouldst have me spring aloft, sing thou and I will spring, into love and from love to knowledge and from knowledge to ecstasy above all human sense Thoinot Arbeau 's celebrated 16th-century dance-treatise Orchésographie , indeed, begins with definitions of over eighty distinct drum-rhythms. Dance has been represented through
9312-476: Was performed simultaneously" – an assertion somewhat supported by the common use of the term "foot" to describe the fundamental rhythmic units of poetry. Scholes , a musician , offers support for this view, stating that the steady measures of music, of two, three or four beats to the bar, its equal and balanced phrases, regular cadences, contrasts and repetitions, may all be attributed to the "incalculable" influence of dance upon music. Hence, Shawn asserts, "it
9409-408: Was premiered in 1914, quickly catching the eye of the husband and wife duo Vernon and Irene Castle , who gave the dance its signature grace and style. The origin of the name of the dance is unclear, although one theory is that it took its name from its popularizer, the vaudevillian Harry Fox . Two sources, Vernon Castle and dance teacher Betty Lee, credit African American dancers as the source of
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