93-570: Final Cut Pro (often abbreviated FCP or FCPX ) is a professional non-linear video-editing application initially developed by Macromedia , and, since 1998, by Apple as part of its pro apps collection. Final Cut Pro allows users to import, edit, and process video footage, and output it to a wide variety of formats. In the 2000s, Final Cut Pro developed a large and expanding user base, mainly video hobbyists and independent filmmakers . It also made inroads with film and television editors who have traditionally used Avid Media Composer . According to
186-433: A multimedia computer for non-linear editing of video may have a video capture card to capture analog video or a FireWire connection to capture digital video from a DV camera, with its video editing software. Various editing tasks could then be performed on the imported video before export to another medium , or MPEG encoded for transfer to a DVD . Modern web-based editing systems can take video directly from
279-469: A plug-in architecture that was compatible with some Photoshop filters. Premiere was based on ReelTime, a product acquired from SuperMac Technologies Inc. and was one of the first computer-based NLEs ( non-linear editing system ), with its first release on Mac in 1991. Adobe briefly abandoned the Mac platform after version 6 of Premiere. Up until version Premiere Pro 2.0 (CS2), the software packaging featured
372-500: A universal binary 5.1 version of Final Cut Pro was released as part of Final Cut Studio, and upgrades were made available by sending the original installation discs back to Apple with a fee. One notable difference in the Intel versions of Final Cut and Motion was that they no longer recognized After Effects plugins, but instead supported Apple's own universal plugin architecture, FxPlug . On April 15, 2007, Apple unveiled Final Cut Pro 6 as
465-679: A 2007 SCRI study, Final Cut Pro made up 49% of the United States professional editing market, with Avid at 22%. A published survey in 2008 by the American Cinema Editors Guild placed their users at 21% Final Cut Pro (and growing from previous surveys of this group), while all others were on an Avid system of some kind. In 2011, Final Cut Pro 7 was replaced with the fully rewritten Final Cut Pro X, which initially lacked many features from previous versions, though frequent updates have brought back many of these features. Final Cut Pro for iPad
558-557: A Primetime Emmy Engineering Award for its impact on the television industry. Final Cut Pro 4 was released in April 2002, and included three new applications: Compressor for transcoding between video formats, LiveType for advanced titling (such as the creation of animated lower thirds ), and Soundtrack for creating royalty-free music soundtracks. It also included Cinema Tools , which had previously been sold separately for filmmakers working with telecine . In April 2004, Final Cut Pro 4.5
651-585: A buyer for Final Cut, it continued development work, adding FireWire support and releasing the program as Final Cut Pro at NAB 1999. To ensure that Final Cut Pro had strong support for third-party self-paced and instructor-led training from the start, Apple partnered with DVcreators.net to release a training disc called "Final Cut Pro PowerStart" at the NAB show on the day of Final Cut Pro's release. Apple also worked with DVcreators.net to host hundreds of free and paid Final Cut Pro seminars and workshops in 60 cities around
744-415: A camera phone over a mobile connection, and editing can take place through a web browser interface, so, strictly speaking, a computer for video editing does not require any installed hardware or software beyond a web browser and an internet connection. Nowadays there is a huge amount of home editing which takes place both on desktop and tablets or smartphones. The social media revolution has brought about
837-442: A complete overview of the changes made, see Apple's release notes . Final Cut Pro for iPad was released on May 23, 2023. It requires an iPad with an M-series chip and is available only through the software as a service model for $ 4.99 a month or $ 49 a year. Film Television Non-linear editing Non-linear editing is a form of offline editing for audio , video , and image editing . In offline editing,
930-406: A console with two monitors built in. The right monitor, which played the preview video, was used by the editor to make cuts and edit decisions using a light pen . The editor selected from options superimposed as text over the preview video. The left monitor was used to display the edited video. A DEC PDP-11 computer served as a controller for the whole system. Because the video edited on the 600
1023-406: A desktop editor based on its proprietary compression algorithms and off-the-shelf parts. Their aim was to democratize the desktop and take some of Avid's market. In August 1993, Media 100 entered the market, providing would-be editors with a low-cost, high-quality platform. Around the same period, other competitors provided non-linear systems that required special hardware—typically cards added to
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#17328584722081116-537: A free copy of Final Cut Express or receive a $ 500 discount on Final Cut Pro. One of the factors that contributed to the success of Final Cut Pro was the relative maturity of QuickTime and its native support for new DV cameras connected via FireWire . The first fully broadcast quality , globally distributed TV show produced using Final Cut Pro was Women of Wrestling in 2000, which used the Pinnacle CinéWave uncompressed video card. The Oxygen Network also used
1209-615: A galloping horse, in a nod to Eadweard Muybridge 's work, " Sallie Gardner at a Gallop ". Adobe Premiere Pro was launched in 2003. It was a re-written version of Premiere. Premiere Pro refers to versions released in 2003 and later, whereas Premiere refers to the earlier releases. Premiere Pro supports high-resolution video editing at up to 10,240 × 8,192 resolution , up to 32 bits per channel color, in both RGB and YUV . Audio sample-level editing, VST audio plug-in support, and 5.1 surround sound mixing are available. The plug-in architecture enables it to import and export formats, supporting
1302-410: A number of other cloud-based editors have become available including systems from Avid , WeVideo and Grabyo . Despite their reliance on a network connection, the need to ingest material before editing can take place, and the use of lower-resolution video proxies , their adoption has grown. Their popularity has been driven largely by efficiencies arising from opportunities for greater collaboration and
1395-578: A particular one, and still keep his data secure. The Optima software editing system was closely tied to Acorn hardware, so when Acorn stopped manufacturing the Risc PC in the late 1990s, Eidos discontinued the Optima system. In the early 1990s, a small American company called Data Translation took what it knew about coding and decoding pictures for the US military and large corporate clients and spent $ 12 million developing
1488-406: A serious competitor to entry-level Avid systems. Another leap came in the late 1990s with the launch of DV-based video formats for consumer and professional use. With DV came IEEE 1394 (FireWire/iLink), a simple and inexpensive way of getting video into and out of computers. Users no longer had to convert video from analog to digital—it was recorded as digital to start with—and FireWire offered
1581-414: A significant change in access to powerful editing tools or apps, at everyone's disposal. When videotapes were first developed in the 1950s, the only way to edit was to physically cut the tape with a razor blade and splice segments together. While the footage excised in this process was not technically destroyed, continuity was lost and the footage was generally discarded. In 1963, with the introduction of
1674-541: A standard computer running a software-only editing system. Avid is an industry standard used for major feature films, television programs, and commercials. Final Cut Pro received a Technology & Engineering Emmy Award in 2002. Since 2000, many personal computers include basic non-linear video editing software free of charge. This is the case of Apple iMovie for the Macintosh platform, various open-source programs like Kdenlive , Cinelerra-GG Infinity and PiTiVi for
1767-436: A straightforward way to transfer video data without additional hardware. With this innovation, editing became a more realistic proposition for software running on standard computers. It enabled desktop editing, producing high-quality results at a fraction of the cost of earlier systems. In early 2000, the introduction of highly compressed HD formats such as HDV has continued this trend, making it possible to edit HD material on
1860-447: A third-party app called X2Pro or through Logic Pro X . With version 10.0.6 released on October 23, 2012, Apple added native support for Redcode Raw and MXF through a third party plugin. Prior to the introduction of version 10.1, Project and Event Libraries were separate folders. Events contained all the original media and Project Libraries contained the actual edited Projects on timelines. The Project and Event Libraries were stored in
1953-650: A third-party gathered 1,600 signatures within a week. Some of the missing features in Final Cut Pro X that were essential for professional video production included the lack of an edit decision list (EDL), XML and Open Media Framework Interchange (OMF) support, the inability to import projects created in previous versions of Final Cut Pro, the absence of a multicam editing tool, missing support for third-party I/O hardware output, and videotape capture being limited to FireWire video devices, including capture with third-party hardware. These missing features were addressed within
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#17328584722082046-399: A user's Movie folder or on the root level of an external hard drive. These Libraries automatically opened in Final Cut Pro X depending on which hard drives were mounted. That all changed on December 19, 2013, when Project and Event Libraries were merged into a new Library model. Libraries contained Events which in turn contained Projects. And unlike before Libraries could be opened and closed by
2139-659: A wide variety of video and audio file formats and codecs on both MacOS and Windows. When used with CineForm Neo, it supports 3D editing with the ability to view 3D material using 2D monitors while making individual left and right eye adjustments. Premiere Pro can be used to import video, audio and graphics, and to create new, edited versions of video that can be exported to the medium and format necessary for distribution. When creating videos using Premiere Pro, various videos, still images and audio files can be edited together. Titles and motion graphics can be added to videos and filters can be applied along with other effects. Premiere Pro
2232-466: Is a timeline -based non-linear video editing application developed by Adobe Inc. and distributed through the Adobe Creative Cloud licensing program. Initially released in 2003, it succeeded Adobe Premiere , which was first introduced in 1991. Premiere Pro is designed for professional video editing, whereas related product Premiere Elements is aimed at the consumer market. CNN was one of
2325-659: Is in contrast to 20th-century methods of linear video editing and film editing . In linear video editing, the product is assembled from beginning to end, in that order. One can replace or overwrite sections of material but never cut something out or insert extra material. Non-linear editing removes this restriction. Conventional film editing is a destructive process because the original film must be physically cut to perform an edit. A non-linear editing approach may be used when all assets are available as files on video servers , or on local solid-state drives or hard disks , rather than recordings on reels or tapes. While linear editing
2418-546: Is reconstructed from the original source and the specified editing steps. Although this process is more computationally intensive than directly modifying the original content, changing the edits themselves can be almost instantaneous, and it prevents further generation loss as the audio, video, or image is edited. A non-linear editing system ( NLE ) is a video editing (NLVE) program or application, or an audio editing (NLAE) digital audio workstation (DAW) system. These perform non-destructive editing on source material. The name
2511-466: Is resolution-independent, supporting images sizes from SD to beyond 4K . Final Cut Pro X supports playback of many native camera and audio formats. It can also transcode video clips to the Apple ProRes codec for improved performance. Many tasks are performed in the background such as auto-saving, rendering, transcoding, and media management, allowing the user an uninterrupted experience. Final Cut Pro X
2604-481: Is still the most-used NLE on prime-time TV productions, being employed on up to 90 percent of evening broadcast shows." Since then the rise in semi-professional and domestic users of editing software has seen a large rise in other titles becoming very popular in these areas. Other significant software used by many editors is Adobe Premiere Pro (part of Adobe Creative Cloud ), Apple Final Cut Pro X , DaVinci Resolve and Lightworks . The take-up of these software titles
2697-455: Is tied to the need to sequentially view film or hear tape, non-linear editing enables direct access to any video frame in a digital video clip , without having to play or scrub/shuttle through adjacent footage to reach it, as is necessary with video tape linear editing systems. When ingesting audio or video feeds, metadata is attached to the clip. That metadata can be attached automatically ( timecode , localization, take number, name of
2790-477: Is to an extent dictated by cost and subscription licence arrangements, as well as the rise in mobile apps and free software. As of January 2019 , Davinci Resolve has risen in popularity within professional users and others alike - it had a user base of more than 2 million using the free version alone. This is a comparable user base to Apple's Final Cut Pro X , which also had 2 million users as of April 2017 . Some notable NLEs are: Early consumer applications using
2883-507: The Ampex Editec, videotape could be edited electronically with a process known as linear video editing by selectively copying the original footage to another tape called a master . The original recordings are not destroyed or altered in this process. However, since the final product is a copy of the original, there is a generation loss of quality. The first truly non-linear editor, the CMX 600 ,
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2976-543: The HDV format for compressed HD, which had previously been supported in Final Cut Pro's scaled-down cousin, Final Cut Express . Final Cut Pro 5 also added support for Panasonic's P2 format, which allowed for the recording of DVCPRO HD video to memory cards rather than tape. In January 2006, Apple stopped selling Final Cut Pro as a standalone product and began offering it only as part of the Final Cut Studio bundle. In March 2006,
3069-496: The HEVC and HEIF formats. In April 2018, Apple said that there were more than 2.5 million users of Final Cut Pro X. In version 10.4.1, released during the NAB Show 2018, closed captioning was added, along with support for ProRes RAW . In November 2020, in tandem with the release of macOS Big Sur , the X was dropped from the name, and the product became again known as Final Cut Pro. For
3162-501: The APIs and documentation for everyone to develop such plug-ins. While inheriting the name from its predecessor, Final Cut Pro, Final Cut Pro X is a completely re-written application. As a native 64-bit application it takes advantage of more than 4GB of RAM . It utilizes all CPU cores with Grand Central Dispatch . Open CL support allows GPU accelerated processing for improved performance for playback, rendering , and transcoding . It
3255-681: The American Dream , which won a National Primetime Emmy Award for Editing in 1993. The NewTek Video Toaster Flyer for the Amiga included non-linear editing capabilities in addition to processing live video signals. The Flyer used hard drives to store video clips and audio, and supported complex scripted playback. The Flyer provided simultaneous dual-channel playback, which let the Toaster's video switcher perform transitions and other effects on video clips without additional rendering . The Flyer portion of
3348-472: The Avid Media Composer was most often used for editing commercials or other small-content and high-value projects. This was primarily because the purchase cost of the system was very high, especially in comparison to the offline tape-based systems that were then in general use. Hard disk storage was also expensive enough to be a limiting factor on the quality of footage that most editors could work with or
3441-561: The Avid/1 (and later Media Composer systems from the late 1980s) was somewhat low (about VHS quality), due to the use of a very early version of a Motion JPEG (M-JPEG) codec. It was sufficient, however, to provide a versatile system for offline editing. Lost in Yonkers (1993) was the first film edited with Avid Media Composer, and the first long-form documentary so edited was the HBO program Earth and
3534-630: The Beaver ". By 1985 it was used on over 80% of filmed network programs and Cinedco was awarded the Technical Emmy for "Design and Implementation of Non-Linear Editing for Filmed Programs." In 1984, Montage Picture Processor was demonstrated at NAB. Montage used 17 identical copies of a set of film rushes on modified consumer Betamax VCRs. A custom circuit board was added to each deck that enabled frame-accurate switching and playback using vertical interval timecode. Intelligent positioning and sequencing of
3627-613: The Betamax system. All of these original systems were slow, cumbersome, and had problems with the limited computer horsepower of the time, but the mid-to-late-1980s saw a trend towards non-linear editing, moving away from film editing on Moviolas and the linear videotape method using U-matic VCRs. Computer processing advanced sufficiently by the end of the 1980s to enable true digital imagery and has progressed today to provide this capability in personal desktop computers. An example of computing power progressing to make non-linear editing possible
3720-618: The EDL (without having to have the actual film data duplicated). Generation loss is also controlled, due to not having to repeatedly re-encode the data when different effects are applied. Generation loss can still occur in digital video or audio when using lossy video or audio compression algorithms as these introduce artifacts into the source material with each encoding or re-encoding. codecs such as Apple ProRes , Advanced Video Coding and mp3 are very widely used as they allow for dramatic reductions on file size while often being indistinguishable from
3813-449: The EDLs, the editor can work on low-resolution copies of the video. This makes it possible to edit both standard-definition broadcast quality and high definition broadcast quality very quickly on desktop computers that may not have the power to process huge full-quality high-resolution data in real-time. The costs of editing systems have dropped such that non-linear editing tools are now within
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3906-606: The EMC2 editor, a PC-based non-linear off-line editing system that utilized magneto-optical disks for storage and playback of video, using half-screen-resolution video at 15 frames per second. A couple of weeks later that same year, Avid introduced the Avid/1, the first in the line of their Media Composer systems. It was based on the Apple Macintosh computer platform ( Macintosh II systems were used) with special hardware and software developed and installed by Avid. The video quality of
3999-447: The Eidos system had no requirement for JPEG hardware and was cheap to produce. The software could decode multiple video and audio streams at once for real-time effects at no extra cost. But most significantly, for the first time, it supported unlimited cheap removable storage. The Eidos Edit 1, Edit 2, and later Optima systems let the editor use any Eidos system, rather than being tied down to
4092-587: The Linux platform, and Windows Movie Maker for the Windows platform. This phenomenon has brought low-cost non-linear editing to consumers. The demands of video editing in terms of the volumes of data involved means the proximity of the stored footage being edited to the NLE system doing the editing is governed partly by the capacity of the data connection between the two. The increasing availability of broadband internet combined with
4185-592: The M-JPEG data rate was too high for systems like Avid/1 on the Apple Macintosh and Lightworks on PC to store the video on removable storage. The content needed to be stored on fixed hard disks instead. The secure tape paradigm of keeping your content with you was not possible with these fixed disks. Editing machines were often rented from facilities houses on a per-hour basis, and some productions chose to delete their material after each edit session, and then ingest it again
4278-559: The Video Toaster/Flyer combination was a complete computer of its own, having its own microprocessor and embedded software . Its hardware included three embedded SCSI controllers. Two of these SCSI buses were used to store video data, and the third to store audio. The Flyer used a proprietary wavelet compression algorithm known as VTASC, which was well regarded at the time for offering better visual quality than comparable non-linear editing systems using motion JPEG . Until 1993,
4371-459: The ability to apply Keying or Shape Masks to any effect. Version 10.3 introduced a redesigned interface with Magnetic Timeline 2, support for iXML metadata when importing audio, significantly improved audio editing, support for wide-gamut color and REC 2020 color import, edit, and export, and support for MXF-wrapped Apple ProRes . Version 10.4 introduced color wheels and color curves, 360º video editing, and high-dynamic-range (HDR) video, and
4464-532: The amount of material that could be held digitized at any one time. Up until 1992, the Apple Macintosh computers could access only 50 gigabytes of storage at once. This limitation was overcome by a digital video R&D team at the Disney Channel led by Rick Eye . By February 1993, this team had integrated a long-form system that let the Avid Media Composer running on the Apple Macintosh access over seven terabytes of digital video data. With instant access to
4557-551: The centerpiece of the Final Cut Studio 2 bundle. Despite not having a booth at NAB 2009, the product was widely represented on the show floor by various vendors, including the Red Digital Cinema team, which relied heavily on Final Cut Pro during development. On July 23, 2009, Final Cut Pro 7 (also referred to informally by users as Final Cut Studio 3) was released, though it remained a 32-bit application. Final Cut Pro X
4650-533: The clip) or manually (players names, characters, in sports). It is then possible to access any frame by entering directly the timecode or the descriptive metadata. An editor can, for example, at the end of the day in the Olympic Games , easily retrieve all the clips related to the players who received a gold medal. The non-linear editing method is similar in concept to the cut and paste techniques used in IT . However, with
4743-464: The computer system. Fast Video Machine was a PC-based system that first came out as an offline system, and later became more online editing capable. The Imix video cube was also a contender for media production companies. The Imix Video Cube had a control surface with faders to allow mixing and shuttle control. Data Translation's Media 100 came with three different JPEG codecs for different types of graphics and many resolutions. DOS -based D/Vision Pro
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#17328584722084836-507: The early adopters of Adobe Premiere Pro. In 2007, certain departments of the BBC also adopted the software. Premiere Pro has been used in the editing of multiple notable films and series , as well as projects such as Madonna 's Confessions Tour . The original version of Adobe Premiere was developed by Adobe Systems . It was first launched in 1991. Premiere was one of the first computer non-linear editing systems. The first version for Mac
4929-464: The first six months of the product's life. EDL export, a product of the early days of videotape editing, is now supported through third-party software and creating an AAF (a newer version of OMF) for passing projects to Pro Tools through X2Pro. In a 2015 interview, Murch was much less critical of the tool and suggested that he was interested in using it. Other movie producers, have agreed that Final Cut Pro X's initial shortcomings have been fixed. One of
5022-643: The next day to guarantee the security of their content. In addition, each NLE system had storage limited by its fixed disk capacity. These issues were addressed by a small UK company, Eidos Interactive . Eidos chose the new ARM -based computers from the UK and implemented an editing system, launched in Europe in 1990 at the International Broadcasting Convention . Because it implemented its own compression software designed specifically for non-linear editing,
5115-482: The notable changes introduced in Final Cut Pro X was the Magnetic Timeline, which replaced the track-based timeline of previous versions. This initially caused issues with exporting audio stems for broadcast and distribution, but this was addressed with the release of version 10.0.1, which introduced Video and Audio Roles, allowing users to export multitrack QuickTime files or stems. Files can be exported as AFF using
5208-399: The original content is not modified in the course of editing. In non-linear editing, edits are specified and modified by specialized software. A pointer-based playlist, effectively an edit decision list (EDL), for video and audio, or a directed acyclic graph for still images, is used to keep track of edits. Each time the edited audio, video, or image is rendered, played back, or accessed, it
5301-675: The potential for cost savings derived from using a shared platform, hiring rather than buying infrastructure, and the use of conventional IT equipment over hardware specifically designed for video editing. As of 2014 , 4K Video in NLE was fairly new, but it was being used in the creation of many movies throughout the world, due to the increased use of advanced 4K cameras such as the Red Camera . Examples of software for this task include Avid Media Composer , Apple's Final Cut Pro X , Sony Vegas , Adobe Premiere , DaVinci Resolve , Edius , and Cinelerra-GG Infinity for Linux. As of 2019 8K video
5394-428: The reach of home users. Some editing software can now be accessed free as web applications ; some, like Cinelerra (focused on the professional market) and Blender , can be downloaded as free software ; and some, like Microsoft 's Windows Movie Maker or Apple Inc. 's iMovie , come included with the appropriate operating system. The non-linear editing retrieves video media for editing. Because these media exist on
5487-529: The release, Final Cut Studio was discontinued, along with Color, Soundtrack Pro, and DVD Studio Pro. The reaction was extremely mixed, with veteran film editor Walter Murch initially refusing to use it, citing a lack of features compared to Final Cut Pro 7. Support for translating timelines from Final Cut Pro 7 to Final Cut Pro X was notably missing, requiring editors to preserve a copy of Final Cut Pro 7 to edit older projects. An online petition asking Apple to continue development of Final Cut Pro 7 or to sell it to
5580-457: The shot footage of an entire movie , long-form non-linear editing was now possible. The system made its debut at the NAB conference in 1993 in the booths of the three primary sub-system manufacturers, Avid, Silicon Graphics and Sony . Within a year, thousands of these systems had replaced 35mm film editing equipment in major motion picture studios and TV stations worldwide. Although M-JPEG became
5673-651: The software to produce shows such as SheCommerce during its network launch in early 2000. In late 2001, independent producer Michael A. Bloom credited Final Cut Pro as being crucial to the production of his controversial film PlayCouples, A New Era of Swinging (2003). In an interview with Larry King , Bloom claimed that the relatively new platform did not fail once while rendering the film, unlike his experiences with Avid Media Composer. Bloom had been an advocate for Final Cut Pro since using it for beta testing under an agreement between his production company and The Oxygen Network. The studio motion picture The Rules of Attraction
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#17328584722085766-512: The source decks provided a simulation of random-access playback of a lengthy edited sequence without any re-recording. The theory was that with so many copies of the rushes, there could always be one machine cued up to replay the next shot in real time. Changing the EDL could be done easily, and the results seen immediately. The first feature edited on the Montage was Sidney Lumet's Power . Notably, Francis Coppola edited The Godfather Part III on
5859-427: The source material can be edited on a computer using any of a wide range of video editing software . The end product of the offline non-linear editing process is a frame-accurate edit decision list (EDL) which can be taken, together with the source tapes, to an online quality tape or film editing suite. The EDL is then read into an edit controller and used to create a replica of the offline edit by playing portions of
5952-424: The source tapes back at full quality and recording them to a master as per the exact edit points of the EDL. Editing software records the editor's decisions in an EDL that is exportable to other editing tools. Many generations and variations of the EDL can exist without storing many different copies, allowing for very flexible editing. It also makes it easy to change cuts and undo previous decisions simply by editing
6045-418: The standard codec for NLE during the early 1990s, it had drawbacks. Its high computational requirements ruled out software implementations imposing extra cost and complexity of hardware compression/playback cards. More importantly, the traditional tape workflow had involved editing from videotape, often in a rented facility. When the editor left the edit suite, they could securely take their tapes with them. But
6138-574: The standard ripple, roll, slip, slide, scrub, razor blade and time remapping edit functions. It comes with a range of video transitions and a range of video and audio filters such as keying tools, mattes and vocal de-poppers and de-essers. It also has multiple color-correction tools including color wheels, sliders and curves, video scopes and a selection of generators, such as slugs, test cards , and noise . The functionality of Final Cut Pro can be extended with plug-ins which may provide additional effects, titles, transitions, and more. Apple maintains
6231-435: The successor of FXScript. As Projects, Events, and Libraries are stored in a database format; this has allowed many third-party developers to build workflow tools by utilizing FCPXML. Randy Ubillos led the team that developed the first three versions of Adobe Premiere . His group was then hired by Macromedia to develop KeyGrip, a more professional video editing program based on Apple's QuickTime , for Macromedia. Niya C Sisk
6324-452: The system, and Stanley Kubrick used it for Full Metal Jacket . It was used on several episodic TV shows ( Knots Landing , for one) and on hundreds of commercials and music videos. The original Montage system won an Academy Award for Technical Achievement in 1988. Montage was reincarnated as Montage II in 1987, and Montage III appeared at NAB in 1991, using digital disk technology, which should prove to be considerably less cumbersome than
6417-524: The team to take their non-linear editor to the NAB Show . After various companies made offers, Keygrip was purchased by Apple as Steve Jobs wanted a product to compete with Adobe Premiere in the desktop video market. At around the same time, Avid—now with Windows versions of its editing software—was considering abandoning the Macintosh platform. Apple released Final Cut Pro in 1999, and despite not being taken seriously at first by professionals, it has evolved into
6510-458: The time required that all material undergo lossy compression techniques to reduce the amount of memory occupied. Improvements in compression techniques and disk storage capacity have mitigated these concerns, and the migration to high-definition video and audio has virtually removed this concern completely. Most professional NLEs are also able to edit uncompressed video with the appropriate hardware. Adobe Premiere Pro Adobe Premiere Pro
6603-400: The uncompressed or losslessly compressed original. Compared to the linear method of tape-to-tape editing, non-linear editing offers the flexibility of film editing, with random access and easy project organization. In non-linear editing, the original source files are not lost or modified during editing. This is one of the biggest advantages of non-linear editing compared to linear editing. With
6696-464: The use of lower-resolution copies of original material provides an opportunity to not just review and edit material remotely but also open up access to far more people to the same content at the same time. In 2004 the first cloud-based video editor , known as Blackbird and based on technology invented by Stephen Streater , was demonstrated at IBC and recognized by the RTS the following year. Since that time
6789-508: The use of non-linear editing systems, the destructive act of cutting of film negatives is eliminated. It can also be viewed as the audio/video equivalent of word processing , which is why it is called desktop video editing in the consumer space. In broadcasting applications, video and audio data are first captured to hard disk-based systems or other digital storage devices. The data are then imported into servers employing any necessary transcoding , digitizing or transfer . Once imported,
6882-545: The user. Media could be stored internally in the Library or kept outside the Library. Media management was further refined in version 10.1.2, released on June 27, 2014. MXF import, edit, and export became natively supported with version 10.1.4. Version 10.2, released during the NAB Show 2015, introduced 3D Titles in both Final Cut Pro X and Motion. The Color Board was merged with a new Color Correction effect to allow for more flexibility in stacking layers of effects, and Apple added
6975-465: The video server or other mass storage that stores the video feeds in a given codec, the editing system can use several methods to access the material: The leading professional non-linear editing software for many years has been Avid Media Composer . This software is likely to be present in almost all post-production houses globally, and it is used for feature films, television programs, advertising and corporate editing. In 2011, reports indicated, "Avid
7068-427: The world in the following years, a strategy that some credit with significantly contributing to Final Cut Pro's early market awareness and success. After the release of Final Cut Pro, Adobe Premiere maintained a strong market share on Windows, but began to decline on Mac as its older codebase was more difficult to maintain. In 2003, Apple launched a trade-in program that allowed Premiere users to exchange their discs for
7161-574: Was acquired by Adobe Systems in August 1991 and was renamed Adobe Premiere. Ubillos also left SuperMac to join Adobe. Premiere was the second of many QuickTime -based video editors on the market. As a result, its ability to import new video formats could also be upgraded by updating to a newer compatible version of QuickTime. However, it was limited to processing video and images that were 1024 pixels wide, or less. Premiere included 24 transition effects and
7254-466: Was also edited using beta versions of Final Cut Pro 3, demonstrating that successful 3:2 pulldown matchback to 24fps was possible with an easy-to-use software product. The film's director, Roger Avary , became a spokesperson for Final Cut Pro, appearing in print advertisements worldwide. His endorsement of the product helped to give mainstream editors like Walter Murch confidence in its readiness for professional use. In August 2002, Final Cut Pro received
7347-487: Was demonstrated in the first all-digital non-linear editing system, the "Harry" effects compositing system manufactured by Quantel in 1985. Although it was more of a video effects system, it had some non-linear editing capabilities. Most importantly, it could record (and apply effects to) 80 seconds (due to hard disk space limitations) of broadcast-quality uncompressed digital video encoded in 8-bit CCIR 601 format on its built-in hard disk array. The term nonlinear editing
7440-535: Was developed for macOS only. Before version 10, Final Cut Pro could be extended using the FXScript scripting language. Since its release, Final Cut Pro X has supported the construction of effect, transition, and title plugins by publishing custom-built effects from Apple Motion. This has led to a third-party ecosystem of developers building effects from simple color corrections to complex templates. Third-party plug-ins can also be created through Apple's FxPlug API ,
7533-439: Was formalized in 1991 with the publication of Michael Rubin's Nonlinear: A Guide to Digital Film and Video Editing —which popularized this terminology over other terminology common at the time, including real-time editing, random-access or RA editing, virtual editing, electronic film editing, and so on. Non-linear editing with computers as it is known today was first introduced by Editing Machines Corp. in 1989 with
7626-430: Was in low-resolution black and white, the 600 was suitable only for offline editing. Non-linear editing systems were built in the 1980s using computers coordinating multiple LaserDiscs or banks of VCRs. One example of these tape and disc-based systems was Lucasfilm's EditDroid , which used several LaserDiscs of the same raw footage to simulate random-access editing. EditDroid was demonstrated at NAB in 1984. EditDroid
7719-416: Was introduced in 1971 by CMX Systems , a joint venture between CBS and Memorex . It recorded and played back black-and-white analog video recorded in " skip-field " mode on modified disk pack drives the size of washing machines that could store a half-hour worth of video & audio for editing. These disk packs were commonly used to store data digitally on mainframe computers of the time. The 600 had
7812-577: Was made available on May 23, 2023. Final Cut Pro provides non-linear, non-destructive editing of any QuickTime -compatible video format including DV , HDV , P2 MXF (DVCProHD) , XDCAM (via plug-in), 2K , 4K , 5K , and 8K film formats and can import projects directly from iMovie for iOS and iPadOS. It supports a number of simultaneously composited video tracks (limited mainly by video form capability); unlimited audio tracks; multi-camera editing for combining video from multiple camera sources (referred to as angles); 360º video editing support; as well as
7905-480: Was relatively new. 8K video editing requires advanced hardware and software capable of handling the standard. For imaging software, early works such as HSC Software 's Live Picture brought non-destructive editing to the professional market and current efforts such as GEGL provide an implementation being used in open-source image editing software. An early concern with non-linear editing had been picture and sound quality available to editors. Storage limitations at
7998-489: Was released and branded as "Final Cut Pro HD" due to its native support for Panasonic's tape-based DVCPRO HD format for compressed 720p and 1080i HD over FireWire . (While the software had been capable of uncompressed HD editing since version 3.0, it required expensive video cards and high-speed storage at the time.) Final Cut Pro 5 was announced at a pre- NAB event in April 2005 and shipped in May of that year. It added support for
8091-643: Was released by TouchVision Systems, Inc. in the mid-1990s and worked with the Action Media II board. These other companies caused tremendous downward market pressure on Avid. Avid was forced to continually offer lower-priced systems to compete with the Media 100 and other systems. Inspired by the success of Media 100, members of the Premiere development team left Adobe to start a project called "Keygrip" for Macromedia. Difficulty raising support and money for development led
8184-470: Was released in 1991, and the first version for Microsoft Windows was released in September 1993. Its final version was released in 2002. The project began at SuperMac Technology as ReelTime , a QuickTime -based video editor for its VideoSpigot video capture card. SuperMac engineer Randy Ubillos created a working demo of ReelTime in about 10 weeks while QuickTime was still in beta. The software project
8277-401: Was renamed Final Cut, and was demonstrated as a 0.9 alpha in a private room at the NAB Show . The demonstration showed both Mac and Windows versions of the software, with the Mac version using a Truevision RTX dual-stream real-time card with limited real-time effects. When no buyer was found for the program, Apple acquired the development team as a defensive measure. As Apple was unable to find
8370-520: Was retained by Macromedia to create the UI of KeyGrip in partnership with the engineering team. However, Macromedia was unable to release the product, since they had licensed a component from Truevision , and the latter had a licensing agreement with Microsoft that prohibited the component's use in conjunction with QuickTime. As a result, and due to Macromedia's decision to focus on the web market, it sold its desktop applications, including KeyGrip. In 1998, KeyGrip
8463-468: Was the first system to introduce modern concepts in non-linear editing such as timeline editing and clip bins. The LA-based post house Laser Edit also had an in-house system using recordable random-access LaserDiscs. The most popular non-linear system in the 1980s was Ediflex , which used a bank of U-matic and VHS VCRs for offline editing. Ediflex was introduced in 1983 on the Universal series " Still
8556-474: Was unveiled on April 12, 2011 at the NAB Show , and released to the Mac App Store on June 21, 2011 along with new versions of Motion and Compressor . Final Cut Pro X was fully-rewritten in 64-bit , with a new interface, workflow enhancements and improved automation, and new features such as ColorSync integration, a resolution-independent playback system, and Core Animation -based system scaling. As part of
8649-854: Was used in films such as Superman Returns , Dust to Glory (for video capture processing), and also in places such as Madonna's Confessions Tour. Various extensions are available for Premiere Pro, provided by third parties. These include music libraries, graphic elements, and workflow improvements. Extensions open in their own panel within the Premiere Pro interface. Plug-ins can be created for Premiere Pro to add additional functionality. Plug-ins can serve several purposes, such as video and audio effects and adding additional codec and hardware support. They can be created specifically for Premiere Pro, or they can be created for After Effects and still run on Premiere Pro. Popular plug-in suites include Red Giant, BorisFX , and NewBlue . The Adobe Premiere family
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