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27-497: Ferocious is a Canadian psychological thriller film released in 2013. Written and directed by Robert Cuffley , the film stars Amanda Crew , Kim Coates , Dustin Milligan , Michael Eklund and Katie Boland . Leigh Parrish, a small town Saskatchewan girl who becomes a television star in America, returns to her hometown with her manager Callum Beck. She has a secret that leads her to

54-559: A cat and mouse game. Sensation novels , examples of early psychological thrillers, were considered to be socially irresponsible due to their themes of sex and violence. These novels, among others, were inspired by the exploits of real-life detective Jack Whicher . Water, especially floods, is frequently used to represent the unconscious mind, such as in What Lies Beneath and In Dreams . Psychological thrillers may not always be concerned with plausibility. Peter Hutchings defines

81-421: A character archetype , is a type of character in a narrative (e.g. a novel, play, television show, or film) whom audiences recognize across many narratives or as part of a storytelling tradition or convention . There is a wide range of stock characters , covering people of various ages, social classes and demeanors. They are archetypal characters distinguished by their simplification and flatness . As

108-544: A "self-derogatory and understating character". In American popular films, there are a wide range of stock characters, which are typically used as non-speaking extras in the background, bit parts with a single line, minor secondary/supporting roles, or major secondary/supporting roles. Stock characters in American films have changed over the decades. A 1930s or 1940s film's stock characters include newspaper vendors, ice vendors, street sweepers, and cigarette girls; in contrast,

135-399: A 1990s film has homeless " bag ladies ", pimps, plainclothes police, business women, and Black and Hispanic stereotypes. Stock characters in American popular culture, especially racial and ethnic stereotypes, often came to be seen as offensive in later decades and were replaced with new stereotypes. For example, the " lazy Black " and the " treacherous bespectacled Japanese " were replaced in

162-582: A creative writing professor and prolific fiction author, all characters begin as stock characters and are fleshed out only as far as needed to advance the plot. E. Graham McKinley says "there is general agreement on the importance to drama of 'stock' characters. This notion has been considerably explored in film theory, where feminists have argued, female stock characters are only stereotypes (child/woman, whore, bitch, wife, mother, secretary or girl Friday , career women, vamp , etc.)." Ulrike Roesler and Jayandra Soni analyze "not only with female stock characters in

189-459: A dingy nightclub owned by Sal, and things devolve into a night of violence that also involves the club's bartender, Eric, and Tess, an obsessed fan of Leigh's. Ferocious was filmed in 2012 in Saskatoon , Saskatchewan. Actors Kim Coates and Michael Eklund are both Saskatoon natives. Ferocious at IMDb Psychological thriller In terms of context and convention, it is a subgenre of

216-523: A psychological thriller. The same situation can occur when critics label a work to be a psychological thriller in order to elevate its perceived literary value. Many psychological thrillers have emerged over the past years, all in various media (film, literature, radio, etc.). Despite these very different forms of representation, general trends have appeared throughout the narratives. Some of these consistent themes include: In psychological thrillers, characters often have to battle an inner struggle. Amnesia

243-431: A result, they tend to be easy targets for parody and to be criticized as clichés . The presence of a particular array of stock characters is a key component of many genres , and they often help to identify a genre or subgenre. For example, a story with the stock characters of a knight-errant and a witch is probably a fairy tale or fantasy . There are several purposes to using stock characters. Stock characters are

270-531: A time- and effort-saving shortcut for story creators, as authors can populate their tale with existing well-known character types. Another benefit is that stock characters help to move the story along more efficiently, by allowing the audience to already understand the character and their motivations. Furthermore, stock characters can be used to build an audience's expectations and, in some cases, they can also enhance narrative elements like suspense, irony, or plot twists if those expectations end up subverted. There

297-406: Is a common plot device used to explore these questions. Character may be threatened with death, be forced to deal with the deaths of others, or fake their own deaths. Psychological thrillers can be complex, and reviewers may recommend a second or third viewing to "decipher its secrets." Common elements may include stock characters , such as a hardboiled detective and serial killer , involved in

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324-469: Is closely related to and sometimes overlaps with the psychological drama and psychological horror genres, the latter generally involving more horror and terror elements and themes and more disturbing or frightening scenarios. Peter Hutchings states varied films have been labeled psychological thrillers, but it usually refers to "narratives with domesticated settings in which action is suppressed and where thrills are provided instead via investigations of

351-703: Is often confusion between stock characters, archetypes , stereotypes , and clichés . In part this confusion arises due to the overlap between these concepts. Nevertheless, these terms are not synonyms. The relationship is that basic archetypes (such as " hero " or " father figure ") and stock characters (such as " damsel in distress " and " wise fool ") are the raw source material that authors use to build on and create fleshed-out, interesting characters. In contrast, stereotypes and clichés are generally viewed as signs of "bad writing or shallow thinking". Some stereotypes, such as racial stereotype characters, may be offensive to readers or viewers. According to Dwight V. Swain ,

378-423: Is that, as with films, these stock characters can incorporate racial stereotypes , and "prejudicial and demeaning images". One concern raised with these gay stock characters is they tend to be shown as just advice-giving "sidekicks" who are not truly integrated into the narrative; as well, the gay character's life is not depicted, apart from their advice-giving interactions with the main characters. This also echoed

405-443: The giallo , an Italian subgenre of psychological thrillers, as violent murder mysteries that focus on style and spectacle over rationality. According to Peter B. Flint of The New York Times , detractors of Alfred Hitchcock accused him of "relying on slick tricks, illogical story lines and wild coincidences". The most popular Psychological Thriller Author is Jodi Picoult Stock character A stock character , also known as

432-405: The 1990s with the " street-smart Brother " and the "camera-happy Japanese tourist". Other groups more frequently represented as stock characters include women, Native Americans, Hispanics, Arabs, Gays/Lesbians, Jews, and Italians. Other briefly popular stock characters include the 1950s "overweight Communist cell leader" and the 1970s " Black Panther revolutionary". Even in timeless occupations,

459-456: The audience. In the late 1990s, there was a trend for screenwriters to add a gay stock character, which replaced the 1980s era's "African-American workplace pal" stock character. In the 1990s, a number of sitcoms introduced gay stock characters with the quality of the depictions being viewed as setting a new bar for onscreen LGBT depiction. One challenge with the use of stock characters in TV shows

486-515: The broader ranging thriller narrative structure, with similarities to Gothic and detective fiction in the sense of sometimes having a "dissolving sense of reality". It is often told through the viewpoint of psychologically stressed characters, revealing their distorted mental perceptions and focusing on the complex and often tortured relationships between obsessive and pathological characters. Psychological thrillers often incorporate elements of mystery , drama , action , and paranoia . The genre

513-457: The characters; guilty characters may suffer similar distress by virtue of their knowledge. However, James N. Frey defines psychological thrillers as a style, rather than a subgenre; Frey states good thrillers focus on the psychology of their antagonists and build suspense slowly through ambiguity. Creators and/or film distributors or publishers who seek to distance themselves from the negative connotations of horror often categorize their work as

540-465: The majority of psychological thrillers have happy endings. Madden stated their lack of spectacle and strong emphasis on character led to their decline in Hollywood popularity. Psychological thrillers are suspenseful by exploiting uncertainty over characters' motives, honesty, and how they see the world. Films can also cause discomfort in audiences by privileging them with information they wish to share with

567-574: The person in the job has changed, reflecting cultural and demographic changes. In the 1990s, a hairdresser (previously French) was often depicted as a gay man, a gardener (previously White) as Asian or Hispanic, a bartender (previously White) as Black, and a maid (previously Black) as Hispanic. Due to the scheduling constraints on television production, in which episodes need to be quickly scripted and shot, television scriptwriters often depend heavily on stock characters borrowed from popular film. TV writers use these stock characters to quickly communicate to

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594-507: The plays' comic business and royal pomp." Tara Brabazon discusses how the "school ma'am on the colonial frontier has been a stock character of literature and film in Australia and the United States. She is an ideal foil for the ill mannered, uncivilised hero. In American literature and film, the spinster from East – generally Boston – has some stock attributes." Polly Welts Kaufman shows that

621-454: The psychologies of the principal characters." A distinguishing characteristic of a psychological thriller is it emphasizes the mental states of its characters: their perceptions, thoughts, distortions, and general struggle to grasp reality. According to director John Madden , psychological thrillers focus on story, character development, choice, and moral conflict; fear and anxiety drive the psychological tension in unpredictable ways. However,

648-456: The schoolma'am's " genteel poverty , unbending morality, education, and independent ways make her character a useful foil for the two other female stock characters in Western literature: the prostitute with the heart of gold and the long-suffering farmer's wife.'" Stock characters can be further identified as an alazon , the "impostor and self-deceiving braggart" in a story, or an eiron ,

675-521: The sense of typical roles in the dramas, but also with other female persons in the area of the theatrical stage..." Andrew Griffin, Helen Ostovich, and Holger Schott Syme explain further that "Female stock characters also permit a close level of audience identification; this is true most of all in The Troublesome Reign , where the "weeping woman" type is used to dramatic advantage. This stock character provides pathos as yet another counterpoint to

702-415: The way that Black and Latino characters were used in 1980s and early 1990s shows: they were given a stock character role as a police chief, which in put them in a position of power, but then these characters were used as minor characters, with little narrative interaction with main characters. In the 2000s, with changing views on depicting race, Latino/a characters are both typecast into stock characters and

729-483: The writers play with viewer expectations by making a seemingly stock Latino/a character act or behave "against type". Southern sheriff stock characters are depicted with a negative stereotype of being obese, poorly trained, uneducated, and racist, as was done with Sheriff Roscoe P. Coltrane from The Dukes of Hazzard . In the United States , courts have determined that copyright protection cannot be extended to

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