Misplaced Pages

Fanefjord Church

Article snapshot taken from Wikipedia with creative commons attribution-sharealike license. Give it a read and then ask your questions in the chat. We can research this topic together.

Fanefjord Church ( Fanefjord kirke ) is on the Danish island of Møn . It is located in an open setting overlooking the Baltic Sea inlet of Fanefjord between Store Damme and Hårbølle . Standing on the top of a small hill, the church's red-tiled roof and whitewashed walls can be seen from considerable distances, whatever the direction. The interior is of particular historical interest, in view of the many frescos dating back to the 13th and 16th centuries and Fanefjord Church is considered the most famous attraction on Møn.

#622377

22-443: The site itself is of considerable historic interest. A few hundred meters to the south of the church there is a particularly long barrow, Grønsalen , the supposed burial ground of queen Fane and her husband king Grøn Jæger who according to local folklore, lived some 4,000 years ago. The church's original 7 m high nave dates back to the second half of the 13th century. The cross vaults in the nave were added around 1300. In about 1500,

44-455: A Dutch or German Biblia Pauperum , a book containing some 40 pages of drawings depicting stories from the Bible. Other sources probably included the Bible itself, legends, apocryphal writings and other illustrations. Initially, the wall paintings appear to have covered the entire church including the lower parts of the walls which are now whitewashed. Traces of work in these areas have been found but

66-481: Is located near Fanefjord Church on the Danish island of Møn . Some 100 metres long and 10 metres wide, it is Denmark 's largest long barrow and is widely recognised as one of Europe's outstanding ancient monuments . The barrow, rising over a metre above the surrounding area, is encircled by 134 large stones. The grave, at the centre, is covered with earth and contains three burial chambers, two of which are open. It

88-405: Is not known when they were first opened or what was found inside. The long barrow was examined in 1810 by Bishop Münter and was protected by law after that. On the basis of its shape, the barrow has been dated as neolithic , approximately 3500 BC. The first historical reference to the site was in ca. 1186 when it was called Grónesund . Grønjægers Høj means "the mound of Grøn Jæger". Høj, from

110-567: The Hanseatic League . The traders may well have contributed to the construction, both financially and by helping with the construction. For many generations, Fanefjord's Church frescos were hidden under a covering of plaster. After frescos had been discovered at the end of the 19th century in Møn's Elmelunde Church, those in Fanefjord were painstakingly uncovered from 1932 to 1934 under the guidance of

132-476: The National Museum . In 2009, major restoration work was completed on the frescos, revealing their original colours and impact. The earliest frescos, on the triumphal arch, were painted around 1350. They depict the four evangelists , as well as St Christopher and St George . The most famous frescos are however those dating back to about 1500 which cover large areas of the church's ceiling and upper walls. In

154-552: The Old Norse word haugr means hill, mound or barrow. Grøn Jæger (lit.: Green Hunter) refers to a legendary hunter and king. He is said to have ruled this western part of Møn, just as Jøing Opsal (sometimes called Klintekongen or the King of the Cliff) ruled over the eastern part. According to local folklore, Grøn Jæger and his wife Fane were buried in the barrow. Queen Fane also lent her name to

176-454: The Elmelunde workshop who collaborated in decorating churches in the area as other emblems and various in style have been observed. The warm colours ranging from dark red and russet to yellow, green, grey and black are distinctive. Another typical feature is the expressionless faces of the sleepy-eyed people, turned to the left or right while their bodies face the front. All the images, including

198-509: The area as other emblems and various in style have been observed. The warm colours ranging from dark red and russet to yellow, green, grey and black are distinctive. Another typical feature is the expressionless faces of the sleepy-eyed people, turned to the left or right while their bodies face the front. All the images, including the surrounding stonework, are decorated with ornaments such as stars, plants and trees. The images themselves appear to have been inspired partly from block-prints from

220-486: The choir was built around 1660. In 1825, the church was bought by the Klintholm Estate which maintained ownership for almost 100 years. It may appear surprising that such a large church was built at a time (ca. 1250 AD) when the parish only had about 300 inhabitants. One explanation may be that there was considerable trade through the fjord with ports of the Hanseatic League . The traders may well have contributed to

242-402: The construction, both financially and by helping with the construction. For many generations, Fanefjord's Church frescos were hidden under a covering of plaster. After frescos had been discovered at the end of the 19th century in Møn's Elmelunde Church, those in Fanefjord were painstakingly uncovered from 1932 to 1934 under the guidance of the National Museum . In 2009, major restoration work

SECTION 10

#1732859494623

264-450: The images were not sufficiently clear to warrant restoration. The church contains a number of other interesting features: The choir, which was renovated in the 17th century in a different, but compatible style, consists of an impressive altarpiece , the original candlesticks and a new altar. The ornate pulpit is from about 1645 and bears King Christian IV 's emblem. Among the carved figures are Christ , Jacob , St Peter and one of

286-591: The most popular stories from the Old and New Testaments . The artist, who can be identified by the emblem he included in the decorations, is known simply as the Elmelunde Master ( Elmelundemesteren ), as it was he and his team who also painted the frescos in Elmelunde Church as well as Keldby Church . It is probable that there were several artists in the Elmelunde workshop who collaborated in decorating churches in

308-459: The nearby inlet of Fanefjorden (lit.: The fjord of Fane). 54°53′47″N 12°09′06″E  /  54.89639°N 12.15167°E  / 54.89639; 12.15167 Fanefjord Church Fanefjord Church ( Fanefjord kirke ) is on the Danish island of Møn . It is located in an open setting overlooking the Baltic Sea inlet of Fanefjord between Store Damme and Hårbølle . Standing on

330-553: The original candlesticks and a new altar. The ornate pulpit is from about 1645 and bears King Christian IV 's emblem. Among the carved figures are Christ , Jacob , St Peter and one of the apostles . A new organ built by Frobenius & Sønner with 10 stops, two keyboards and a pedalboard, was installed in 1998. Notable people buried in the graveyard include: 54°54′4.7″N 12°9′3.5″E  /  54.901306°N 12.150972°E  / 54.901306; 12.150972 Gr%C3%B8nsalen Grønsalen or Grønjægers Høj

352-401: The porch and tower were completed and the choir was built around 1660. In 1825, the church was bought by the Klintholm Estate which maintained ownership for almost 100 years. It may appear surprising that such a large church was built at a time (ca. 1250 AD) when the parish only had about 300 inhabitants. One explanation may be that there was considerable trade through the fjord with ports of

374-424: The so-called Biblia pauperum style, they present many of the most popular stories from the Old and New Testaments . The artist, who can be identified by the emblem he included in the decorations, is known simply as the Elmelunde Master ( Elmelundemesteren ), as it was he and his team who also painted the frescos in Elmelunde Church as well as Keldby Church . It is probable that there were several artists in

396-404: The south of the church there is a particularly long barrow, Grønsalen , the supposed burial ground of queen Fane and her husband king Grøn Jæger who according to local folklore, lived some 4,000 years ago. The church's original 7 m high nave dates back to the second half of the 13th century. The cross vaults in the nave were added around 1300. In about 1500, the porch and tower were completed and

418-403: The surrounding stonework, are decorated with ornaments such as stars, plants and trees. The images themselves appear to have been inspired partly from block-prints from a Dutch or German Biblia Pauperum , a book containing some 40 pages of drawings depicting stories from the Bible. Other sources probably included the Bible itself, legends, apocryphal writings and other illustrations. Initially,

440-413: The top of a small hill, the church's red-tiled roof and whitewashed walls can be seen from considerable distances, whatever the direction. The interior is of particular historical interest, in view of the many frescos dating back to the 13th and 16th centuries and Fanefjord Church is considered the most famous attraction on Møn. The site itself is of considerable historic interest. A few hundred meters to

462-431: The wall paintings appear to have covered the entire church including the lower parts of the walls which are now whitewashed. Traces of work in these areas have been found but the images were not sufficiently clear to warrant restoration. The church contains a number of other interesting features: The choir, which was renovated in the 17th century in a different, but compatible style, consists of an impressive altarpiece ,

SECTION 20

#1732859494623

484-425: Was completed on the frescos, revealing their original colours and impact. The earliest frescos, on the triumphal arch, were painted around 1350. They depict the four evangelists , as well as St Christopher and St George . The most famous frescos are however those dating back to about 1500 which cover large areas of the church's ceiling and upper walls. In the so-called Biblia pauperum style, they present many of

#622377