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35-415: Family First may refer to: Family First (film) , also known as Chien de garde , a 2018 Canadian crime film Family First Party , a historical Australian political party Family First Party (2021) , another Australian political party unrelated to the former party of the same name Family First New Zealand , a New Zealand lobby group Families First ,

70-518: A Chinese restaurant possessing drugs on Dany's territory, harass the staff and empty the tills; they also intimidate others to coerce them to stop selling on the family territory. JP is dating Mel, who is alarmed about Vincent's erratic behavior, and she suggests to JP that Vincent needs help. Mel sleeps with JP at JP and Vincent's residence, where they live with their mother Joe; however, Mel tries to persuade JP to move in with her. Vincent frequently sleeps in his mother's bed. Dany tells JP that he wants

105-461: A location scout in Montreal, Dupuis stated: "I chose Verdun because I didn't want to go over territory that was already so well-worn. I discovered Verdun when we were scouting. It was really born out of this desire to place this family in a village within a city". Marc-André Lussier  [ fr ] , writing for La Presse , awarded Family First four stars, calling it a rare great debut for

140-465: A Quebec director, proclaiming "Wow!" Le Soleil ' s Éric Moreault assessed the film as a poignant exploration of the dysfunctional family , citing Dupuis' direction and Théodore Pellerin 's performance. Le Devoir critic Odile Tremblay cited Pellerin and Maude Guérin for their acting. Family First received several nominations at the Prix Iris , including for Best Film . It was selected as

175-715: A charity organization in the United States Families First, a name used in some parts of the UK for the Troubled Families programme Family First, a former name of the Nebraska Family Alliance Family First Incorporation, (often abbreviated as F1i ) is an American record label and film production company founded by Devarus "LookImHD" McKinney in March 2017. Topics referred to by

210-481: A general point of internal contact for matters related to the locations department, such as ensuring smooth crew movement to and from the location, answering locations-related questions, solving miscellaneous problems as they arise, coordinating crowd control, and acting as an external point of contact between production and such parties as the property owner, neighbors, local film office /government, and law enforcement personnel. Locations-department employees are always

245-486: A gun, but Chantal is accompanied by a man who is also armed. The man intimidates Vincent, forcing him to drop his gun. Dany visits Joe's residence to express his anger, but when he leaves he is gunned down. Family First was Dupuis' first feature film, with a total budget of $ 1.5 million. She received a $ 500,000 grant from the Cultural Enterprise Development Corporation for production. After

280-486: A location owner or agent, obtaining a certificate of insurance , and obtaining any needed film permits , which may involve fees. "Resident letters" or "filming notifications" might also need to be distributed. These are notices to neighbors, advising them of the intent to film in the area, which is often a local requirement. The completion of these steps results in "locking down" the location by ensuring that all details and existing or potential issues have been addressed. It

315-413: A location's viability and affect many areas of production scheduling, so contingencies and alternate, budgetary-efficient plans should be made well in advance of any shoot day that could be affected by weather. A location that could be affected by weather should always be cleared and placed in advance with the property owner's understanding and consent to the property being placed "on weather hold" or under

350-432: A shoot at any given time. This location production assistant position exists generally on larger budget productions. The locations production assistant is almost never on the set, but "preps" a location when it requires several days of set up or "wraps" the breakdown of a location prior to and following the days of filming. The parking coordinator is typically hired by the location manager on an as-needed basis to supervise

385-527: A woman, Chantal, killed. JP resists, but Dany harangues him for telling him how to run his business. Dany also warns JP that if JP does not take the job, he will enlist Vincent to do it. JP also becomes aware Dany has been sending a large number of text messages to Mel; Dany tells her via text that JP is a "fag" and she should leave him. JP and Dany break into Chantal's residence, but JP finds Chantal's children are present, and he pulls out with Vincent, leaving Chantal alive. Outside, JP tells Vincent their situation

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420-580: Is different from Wikidata All article disambiguation pages All disambiguation pages Family First (film) Family First was selected as the Canadian entry for the Best Foreign Language Film at the 91st Academy Awards , but it was not nominated. In Verdun, Quebec , Dany runs an illegal drug cartel . His nephews, JP and the younger Vincent, who's 19, work in deliveries and "collections". JP and Vincent travel through Verdun to

455-598: Is shared between production, the director/ photographer and the advertising agency or even the end client. A weekly broadcast television show may have significant deadline challenges. Often the decision makers are geographically dispersed, which may explain why commercial and print scouts early adopted the use of online presentations and other digital technologies. The locations department's duties often extend beyond pre-production, into production and post-production. A location manager and/or other locations-department members are often needed during actual shooting and at wrap as

490-435: Is spiraling out of control and that they should leave the cartel. Vincent disagrees, saying this is what they share. At the dinner table, Vincent also accuses Mel of wanting to leave them, and warns her not to take JP with her. Vincent says he is marries to his family, JP and Joe. Dany is enraged that JP has failed to kill Chantal, and gives the job to Vincent. JP attempts to warn Chantal. Vincent attempts to ambush Chantal with

525-525: Is still viable and available, it is confirmed (booked). Usually a contract signed by all parties and a property release are obtained. The latter, a written, signed permission from the property owner or agent, allows photography and public depiction of the location via media (that is, broadcast, video, film, print publication). Once a location is booked, filming typically begins as planned, since many hours of paid production work and considerable amounts of money for location fees and/or permits have been invested in

560-477: Is the locations department's job both to anticipate and minimize problems associated with a location and to advise other production-department heads of intractable problems for which contingencies can be planned or the decision to use an alternate location can be made, which might involve additional planning and budget allocation for additional location scouting. Production events involving the location department and its personnel can occur quickly and often. Likewise,

595-414: The studio , the search for a suitable place or " location " outside the studio begins. Location scouts also look for generally spectacular or interesting locations beforehand, to have a database of locations in case of requests. Location scouts often negotiate legal access to filming locations. Suitability of a location to the task at hand takes into consideration many factors, including: Typically,

630-410: The Canadian entry for the Best Foreign Language Film at the 91st Academy Awards , but it was not nominated. Location scout Location scouting is a vital process in the pre-production stage of filmmaking and commercial photography . Once scriptwriters , producers or directors have decided what general kind of scenery they require for the various parts of their work shot outside

665-431: The actual location and permit fees as well as the production labor costs for both the location manager and the locations department at large. The assistant location manager works with the location manager and the various departments in arranging technical scouts for the essential staff (grips, electric, camera, etc.) to see options which the location manager has selected for filming. The assistant location manager will be on

700-538: The actual research, footwork, and photography needed to document location possibilities. Often, the location manager will do some scouting personally, as will the assistant location manager. On a large film crew someone might be assigned exclusively to do research work for the locations department, freeing the location scouts to concentrate on photographing location possibilities or other tasks. This person's job might be to do Internet or public library research and contact resources to assess their interest in being involved in

735-410: The assistant director, production manager, and director or executive producer, in the case of narrative filmmaking. Once a consensus on locations with the most potential is reached, arrangements are normally made for some of the heads of the other production departments to tour those locations to confirm suitability. This tour is commonly called a "tech scout", " recce ", or "go-see". During this time,

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770-568: The condition that production will only confirm its use of the location and commence photography pending viable weather conditions. The aim, in addition to attaining the correct aesthetic for the shot under acceptable and safe working conditions, is to provide greater flexibility in crew scheduling and the renting of equipment and vehicles while minimizing inconvenience to the owner, and in the event of cancellation or postponement by production due to weather, to eliminate or minimize any cancellation fees that may be part of an agreement between production and

805-402: The film project, and if such interest exists, the location researcher might be responsible for setting up an appointment for a location scout to go there. Hired by the location manager to be on-set before, during, and after the filming process. General responsibilities can include arriving first at the location to allow the set dressers into the set for preparation; maintaining the cleanliness of

840-422: The last crew members to leave a location, and their credo is to leave the location in the same (if not better) condition than that in which it was found. A film crew might be staffed with the following locations-department positions. Many of these positions often "cross over" or a member of the department might be responsible for executing duties related to several of these positions: The location manager oversees

875-506: The location areas during filming (on larger budget projects this can include securing and supervising a contract clean-up crew or assigning such duties to a set production assistant); limiting the impact of a working production crew on the location grounds; fielding complaints from neighbors; and ultimately, at the end of the filming, managing on-set time and crew with regard to the closure of the location within contractually-permitted time constraints. There are generally one to three assistants on

910-486: The location owner. Location scouts may find and photograph locations for the productions of feature films and short films , television commercials and television shows , documentary films , corporate video , print advertising photography , editorial photography , and event planning . The methods employed are much the same as for feature film production, but the processes often differ in some ways: Turn-around times are generally shorter and decision making

945-399: The location requirements themselves (that is, script rewrites and creative concept changes) can change on the fly . More often than not, multiple locations associated with multiple scenes in production are involved. Under some circumstances, a freelancer or locations-department staffer could be involved in multiple projects simultaneously. After completing all the steps above, if a location

980-503: The location. A change of creative concept at this stage or a glitch of any kind (such as property owner cancellation) is potentially costly, and legal action is a possible consequence. Also, if production misrepresents itself regarding its activities or its intended use of the location, damages the property, or negligently causes other problems for the property owner, the property owner may seek remedy in any of many forms, including legal action. Local weather conditions can figure heavily into

1015-411: The locations department (most likely the location manager, in situations requiring the most responsibility) will have contacted and begun negotiations with internal and external parties who may affect the crew's ability to film at the location. This part of location scouting is known as "clearing the location" and involves investigating and confirming the availability of the location, the fees to be paid to

1050-415: The locations department and its staff, typically reporting directly to the production manager and/or assistant firector (or even director and/or executive producer). The location manager is responsible for obtaining the final permission to use a location for filming. Often, the location manager must also assist the production department and the finance department in maintaining their budget management regarding

1085-421: The parking staff in order to secure and coordinate crew parking, including that of equipment trucks and personal vehicles. The locations department and the parking department might work together with local law enforcement to coordinate traffic control if the scene being filmed involves roadway right-of-way. The parking staff hang brightly colored "No Parking" signs and then sit in their cars (with an orange cone on

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1120-549: The production department and the locations department discuss ideas as to what a filming location should or could be. Then, research begins to find and document the location using location scouts. The location scouts and other locations-department staff (see below), working under the supervision of the Location Manager , generally provide as many potentially useful and viable ideas and options as possible. These ideas and options are then reviewed by production, represented often by

1155-421: The same term [REDACTED] This disambiguation page lists articles associated with the title Family First . If an internal link led you here, you may wish to change the link to point directly to the intended article. Retrieved from " https://en.wikipedia.org/w/index.php?title=Family_First&oldid=1084983834 " Category : Disambiguation pages Hidden categories: Short description

1190-417: The set during the filming process to oversee the operation, whereas the location manager continues preproduction from elsewhere (generally an office) on the upcoming locations. (Note: On most location-based television shows, two assistant location managers will alternate episodes, allowing one to prepare for an upcoming episode while the other is on the set with the current one.) The location scout does much of

1225-437: The top) to ensure that no one parks in the coned off areas. The location department is the last to depart a location upon wrap and is responsible for leaving the location in exactly, if not better, condition than it was upon arrival. A waste removal company might be hired on an as-needed basis. A location scout typically takes descriptive, panoramic photographs or video of location possibilities. The photography should reflect

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