Misplaced Pages

#762237

90-419: The fairy godmother is a special case of the donor . Actual fairy godmothers are rare in fairy tales but became familiar figures because of the popularity of the literary fairy tales of Madame d'Aulnoy and other précieuses , and Charles Perrault . Many other supernatural patrons feature in fairy tales; these include various kinds of animals and the spirit of a dead mother. The fairy godmother has her roots in

180-418: A donor is a character who tests the hero (and sometimes other characters as well) and provides magical assistance to the hero upon their success. The fairy godmother is a well-known form of this character. Many other supernatural patrons feature in fairy tales; these include various kinds of animals and the spirit of a dead mother. In his analysis of fairy tales, Vladimir Propp identified this role as

270-461: A Chinese Studio (published posthumously, 1766), which has been described by Yuken Fujita of Keio University as having "a reputation as the most outstanding short story collection." The fairy tale itself became popular among the précieuses of upper-class France (1690–1710), and among the tales told in that time were the ones of La Fontaine and the Contes of Charles Perrault (1697), who fixed

360-644: A calf that can continue to aid her after its death; in Katie Woodencloak by a mysterious dun bull; in Tattercoats , by a gooseherd who is her friend for a long time before his mysterious powers are revealed. In East of the Sun and West of the Moon , the heroine is given vital gifts by three old women she meets on the way. Heroes seldom have actual fairy godmothers, but similar figures are common. In The Golden Bird ,

450-489: A fairy godmother for the evil stepsister in her fairy tale The Blue Bird ; in this position, the fairy godmother's attempts to bring about the marriage of her goddaughter and the hero are evil attempts to impede his marriage with the heroine. Likewise, in The White Doe , the fairy godmother helps the evil princess get revenge on the heroine. In Finette Cendron , the fairy godmother is the heroine, but after helping her in

540-528: A fairy not invited to the royal christening curses the eponymous princess to die from pricking her finger on a spindle, only for one of the invited fairies to alter the spell into a century-long slumber. In Gabrielle-Suzanne de Villeneuve 's fairy tale " Beauty and the Beast ", the Prince's evil fairy godmother had not only turned him into a Beast for rejecting her marriage proposal but had even attempted to seduce his uncle,

630-492: A fixed form, and regardless of literary influence, the tellers constantly altered them for their own purposes. The work of the Brothers Grimm influenced other collectors, both inspiring them to collect tales and leading them to similarly believe, in a spirit of romantic nationalism , that the fairy tales of a country were particularly representative of it, to the neglect of cross-cultural influence. Among those influenced were

720-418: A folklore, Aarne–Thompson–Uther Index 300–749,—in a cataloguing system that made such a distinction—to gain a clear set of tales. His own analysis identified fairy tales by their plot elements, but that in itself has been criticized, as the analysis does not lend itself easily to tales that do not involve a quest , and furthermore, the same plot elements are found in non-fairy tale works. Were I asked, what

810-489: A gently lampooned version of the concept in her Tales of the Five Hundred Kingdoms series, in which Fairy Godmothers are magically gifted women who monitor magical forces across the kingdoms. Whenever events are right for a fairy tale to recur, the relevant Fairy Godmother steps in to make sure that the tale in question runs its course with as few fatalities as possible. Donor (fairy tale) In fairy tales ,

900-401: A king whose daughter (Beauty) a good fairy switched at birth with a merchant's dead baby because said godmother tried to have the princess killed. In the works of the précieuses , French literary fairy tales, fairy godmothers act much as actual godmothers did among their social circles, exerting their benefits for their godchildren, but expecting respect in return. Madame d'Aulnoy created

990-847: A literary variant of fairy tales such as Water and Salt and Cap O' Rushes . The tale itself resurfaced in Western literature in the 16th and 17th centuries, with The Facetious Nights of Straparola by Giovanni Francesco Straparola (Italy, 1550 and 1553), which contains many fairy tales in its inset tales, and the Neapolitan tales of Giambattista Basile (Naples, 1634–36), which are all fairy tales. Carlo Gozzi made use of many fairy tale motifs among his Commedia dell'Arte scenarios, including among them one based on The Love For Three Oranges (1761). Simultaneously, Pu Songling , in China, included many fairy tales in his collection, Strange Stories from

SECTION 10

#1732851258763

1080-427: A man-eating tiger with her own hand." In contemporary literature , many authors have used the form of fairy tales for various reasons, such as examining the human condition from the simple framework a fairytale provides. Some authors seek to recreate a sense of the fantastic in a contemporary discourse. Some writers use fairy tale forms for modern issues; this can include using the psychological dramas implicit in

1170-707: A mask on a human face, as in fables . In his essay " On Fairy-Stories ", J.   R.   R.   Tolkien agreed with the exclusion of "fairies" from the definition, defining fairy tales as stories about the adventures of men in Faërie , the land of fairies, fairytale princes and princesses, dwarves , elves, and not only other magical species but many other marvels. However, the same essay excludes tales that are often considered fairy tales, citing as an example The Monkey's Heart , which Andrew Lang included in The Lilac Fairy Book . Steven Swann Jones identified

1260-487: A monumental work called Le Cabinet des Fées , an enormous collection of stories from the 17th and 18th centuries. The first collectors to attempt to preserve not only the plot and characters of the tale, but also the style in which they were told, was the Brothers Grimm , collecting German fairy tales; ironically, this meant although their first edition (1812 & 1815) remains a treasure for folklorists, they rewrote

1350-451: A picture book aimed at children in which a princess rescues a prince, Angela Carter 's The Bloody Chamber , which retells a number of fairy tales from a female point of view and Simon Hood's contemporary interpretation of various popular classics. There are also many contemporary erotic retellings of fairy tales, which explicitly draw upon the original spirit of the tales, and are specifically for adults. Modern retellings focus on exploring

1440-510: A technique developed by evolutionary biologists to trace the relatedness of living and fossil species . Among the tales analysed were Jack and the Beanstalk , traced to the time of splitting of Eastern and Western Indo-European, over 5000 years ago. Both Beauty and the Beast and Rumpelstiltskin appear to have been created some 4000 years ago. The story of The Smith and the Devil ( Deal with

1530-476: A time ", this tells us that a fairy tale or a märchen was originally a little story from a long time ago when the world was still magic. (Indeed, one less regular German opening is "In the old times when wishing was still effective".) The French writers and adaptors of the conte de fées genre often included fairies in their stories; the genre name became "fairy tale" in English translation and "gradually eclipsed

1620-745: A tradition for the white protagonist to be aided by a Magical Negro who often possesses special insight or mystical powers. The hero may also meet up with several extraordinary men who will help him as in The Fool of the World and the Flying Ship , How the Hermit helped to win the King's Daughter , Long, Broad and Sharpsight , and The King Of Lochlin's Three Daughters . Each one has an ability, such as seeing things miles off, hearing things miles off, an extraordinary shot,

1710-490: A version intended for children. The moralizing strain in the Victorian era altered the classical tales to teach lessons, as when George Cruikshank rewrote Cinderella in 1854 to contain temperance themes. His acquaintance Charles Dickens protested, "In an utilitarian age, of all other times, it is a matter of grave importance that fairy tales should be respected." Psychoanalysts such as Bruno Bettelheim , who regarded

1800-539: A world where all the fairy tales take place, and the characters are aware of their role in the story, such as in the film series Shrek . Other authors may have specific motives, such as multicultural or feminist reevaluations of predominantly Eurocentric masculine-dominated fairy tales, implying critique of older narratives. The figure of the damsel in distress has been particularly attacked by many feminist critics. Examples of narrative reversal rejecting this figure include The Paperbag Princess by Robert Munsch ,

1890-405: Is a fairytale? I should reply, Read Undine : that is a fairytale   ... of all fairytales I know, I think Undine the most beautiful. As Stith Thompson points out, talking animals and the presence of magic seem to be more common to the fairy tale than fairies themselves. However, the mere presence of animals that talk does not make a tale a fairy tale, especially when the animal is clearly

SECTION 20

#1732851258763

1980-451: Is best known today. The Brothers Grimm titled their collection Children's and Household Tales and rewrote their tales after complaints that they were not suitable for children. In the modern era, fairy tales were altered so that they could be read to children. The Brothers Grimm concentrated mostly on sexual references; Rapunzel , in the first edition, revealed the prince's visits by asking why her clothing had grown tight, thus letting

2070-406: Is in its essence only one aspect of the collective unconscious as well as always representing also the whole collective unconscious. Other famous people commented on the importance of fairy tales, especially for children. For example, G. K. Chesterton argued that "Fairy tales, then, are not responsible for producing in children fear, or any of the shapes of fear; fairy tales do not give the child

2160-409: Is its own best explanation; that is, its meaning is contained in the totality of its motifs connected by the thread of the story. [...] Every fairy tale is a relatively closed system compounding one essential psychological meaning which is expressed in a series of symbolical pictures and events and is discoverable in these". "I have come to the conclusion that all fairy tales endeavour to describe one and

2250-605: Is no clear line separating myth from folk or fairy tale; all these together form the literature of preliterate societies. Fairy tales may be distinguished from other folk narratives such as legends (which generally involve belief in the veracity of the events described) and explicit moral tales, including beast fables . Prevalent elements include dragons , dwarfs , elves , fairies , giants , gnomes , goblins , griffins , merfolk , monsters , monarchy , pixies , talking animals , trolls , unicorns , witches , wizards , magic , and enchantments . In less technical contexts,

2340-608: Is that the fairy tale has ancient roots, older than the Arabian Nights collection of magical tales (compiled circa 1500 AD), such as Vikram and the Vampire , and Bel and the Dragon . Besides such collections and individual tales, in China Taoist philosophers such as Liezi and Zhuangzi recounted fairy tales in their philosophical works. In the broader definition of the genre,

2430-465: The Bronze Age . Fairy tales, and works derived from fairy tales, are still written today. The Jatakas are probably the oldest collection of such tales in literature, and the greater part of the rest are demonstrably more than a thousand years old. It is certain that much (perhaps one-fifth) of the popular literature of modern Europe is derived from those portions of this large bulk which came west with

2520-555: The Crusades through the medium of Arabs and Jews. Folklorists have classified fairy tales in various ways. The Aarne–Thompson–Uther Index and the morphological analysis of Vladimir Propp are among the most notable. Other folklorists have interpreted the tales' significance, but no school has been definitively established for the meaning of the tales. Some folklorists prefer to use the German term Märchen or "wonder tale" to refer to

2610-463: The Renaissance , such as Giovanni Francesco Straparola and Giambattista Basile , and stabilized through the works of later collectors such as Charles Perrault and the Brothers Grimm . In this evolution, the name was coined when the précieuses took up writing literary stories; Madame d'Aulnoy invented the term Conte de fée , or fairy tale, in the late 17th century. Before the definition of

2700-420: The donor and listed it as one of the seven roles found in fairy tales. Before giving the hero magical support or advice, the donor may also test the hero, by questioning him, setting him tasks, or making requests of him. Then, the donor may directly give the hero a magical agent, advise him on how to find one, or offer to act on his behalf. If the character itself acts on behalf of the hero, it also takes on

2790-409: The "purest and simplest expression of collective unconscious psychic processes" and "they represent the archetypes in their simplest, barest and most concise form" because they are less overlaid with conscious material than myths and legends. "In this pure form, the archetypal images afford us the best clues to the understanding of the processes going on in the collective psyche". "The fairy tale itself

Fairy godmother - Misplaced Pages Continue

2880-470: The 17th century, a passion for the conversational parlour game based on the plots of old folk tales swept through the salons. Each salonnière was called upon to retell an old tale or rework an old theme, spinning clever new stories that not only showcased verbal agility and imagination but also slyly commented on the conditions of aristocratic life. Great emphasis was placed on a mode of delivery that seemed natural and spontaneous. The decorative language of

2970-466: The 19th century: that the folk tradition preserved fairy tales in forms from pre-history except when "contaminated" by such literary forms, leading people to tell inauthentic tales. The rural, illiterate, and uneducated peasants, if suitably isolated, were the folk and would tell pure folk tales. Sometimes they regarded fairy tales as a form of fossil, the remnants of a once-perfect tale. However, further research has concluded that fairy tales never had

3060-619: The Deathless , the hero's three sisters have been married to animals. These prove to be shape-shifted men, who aid their brother-in-law in a variant of tale types. Because of its retelling by Perrault, Puss in Boots is among the best-known animal helpers, although in other variants of the tale, the hero (or heroine) is helped sometimes by a fox and occasionally by other animals. Horses, as in The Firebird and Princess Vasilisa , Făt-Frumos with

3150-625: The Devil ) appears to date from the Bronze Age , some 6000 years ago. Various other studies converge to suggest that some fairy tales, for example the swan maiden , could go back to the Upper Palaeolithic. Originally, adults were the audience of a fairy tale just as often as children. Literary fairy tales appeared in works intended for adults, but in the 19th and 20th centuries the fairy tale became associated with children's literature. The précieuses , including Madame d'Aulnoy , intended their works for adults, but regarded their source as

3240-649: The Golden Hair , The Magician's Horse , The Princess on the Glass Hill , and Ferdinand the Faithful and Ferdinand the Unfaithful , are popular in the oral tradition ; several tale types normally feature a horse almost as important as the hero. This magical helper is often long faithful to the hero; the hero may fail many times after the initial test, often by not respecting the helper's advice. In The Golden Bird ,

3330-639: The Grimm Brothers' variant of Cinderella , the protagonist is aided not by her fairy godmother but by her dead mother, as is the heroine of the Finnish variant, The Wonderful Birch . A great variety of other figures may also take this place. In Vasilissa the Beautiful , the heroine is aided by a wooden doll that her dying mother had given her; in Rushen Coatie , by a red calf sent to her by her dead mother,

3420-507: The Grimms' tale appears to be the only independent German variant. Similarly, the close agreement between the opening of the Grimms' version of Little Red Riding Hood and Perrault's tale points to an influence, although the Grimms' version adds a different ending (perhaps derived from The Wolf and the Seven Young Kids ). Fairy tales tend to take on the color of their location, through

3510-679: The Russian Alexander Afanasyev (first published in 1866), the Norwegians Peter Christen Asbjørnsen and Jørgen Moe (first published in 1845), the Romanian Petre Ispirescu (first published in 1874), the English Joseph Jacobs (first published in 1890), and Jeremiah Curtin , an American who collected Irish tales (first published in 1890). Ethnographers collected fairy tales throughout

3600-488: The ability to drink a river, or others that allow them to fulfill the hero's tasks. Talking animals are often the hero's helpers, perhaps more than any other type. The most common motivation of the animals is gratitude, after protection, receiving food, or (less commonly) settling a quarrel between several animals. In another variation, featured in The Three Enchanted Princes and The Death of Koschei

3690-405: The children's window of tolerance". These fairy tales teach children how to deal with certain social situations and helps them to find their place in society. Fairy tales teach children other important lessons too. For example, Tsitsani et al. carried out a study on children to determine the benefits of fairy tales. Parents of the children who took part in the study found that fairy tales, especially

Fairy godmother - Misplaced Pages Continue

3780-435: The choice of motifs, the style in which they are told, and the depiction of character and local color. The Brothers Grimm believed that European fairy tales derived from the cultural history shared by all Indo-European peoples and were therefore ancient, far older than written records. This view is supported by research by the anthropologist Jamie Tehrani and the folklorist Sara Graca Da Silva using phylogenetic analysis ,

3870-399: The color in them, triggered their child's imagination as they read them. Jungian Analyst and fairy tale scholar Marie Louise Von Franz interprets fairy tales based on Jung's view of fairy tales as a spontaneous and naive product of soul, which can only express what soul is. That means, she looks at fairy tales as images of different phases of experiencing the reality of the soul. They are

3960-452: The common elements in fairy tales found spread over continents. One is that a single point of origin generated any given tale, which then spread over the centuries; the other is that such fairy tales stem from common human experience and therefore can appear separately in many different origins. Fairy tales with very similar plots, characters, and motifs are found spread across many different cultures. Many researchers hold this to be caused by

4050-418: The conversations consisted of literature, mores, taste, and etiquette, whereby the speakers all endeavoured to portray ideal situations in the most effective oratorical style that would gradually have a major effect on literary forms." Many 18th-century folklorists attempted to recover the "pure" folktale, uncontaminated by literary versions. Yet while oral fairy tales likely existed for thousands of years before

4140-503: The cruelty of older fairy tales as indicative of psychological conflicts, strongly criticized this expurgation, because it weakened their usefulness to both children and adults as ways of symbolically resolving issues. Fairy tales do teach children how to deal with difficult times. To quote Rebecca Walters (2017, p. 56) "Fairytales and folktales are part of the cultural conserve that can be used to address children's fears   …. and give them some role training in an approach that honors

4230-531: The early portion of the tale, she is offended when Finette Cendron does not take her advice, and Finette must work through the second part with little assistance from her. In Henriette-Julie de Murat 's Bearskin , the heroine has a fairy godmother, but she is offended that the heroine's marriage was arranged without consulting her, and refuses to assist. Fairy godmothers appear frequently in fairytale fantasy , especially comic versions and retellings of Cinderella and Sleeping Beauty . Mercedes Lackey presents

4320-408: The economy and concision of the tales. Originally, stories that would contemporarily be considered fairy tales were not marked out as a separate genre. The German term " Märchen " stems from the old German word " Mär ", which means news or tale. The word " Märchen " is the diminutive of the word " Mär ", therefore it means a "little story". Together with the common beginning " once upon

4410-661: The fact that the first two are unable to help and so send him on to the next. A common motif, as in Farmer Weathersky , is that one can consult all the beasts, then next all the fish, then third all the birds, and only then can the hero discover what is needed. In other cases, each of the three may give the hero or heroine something, but only the third has the information necessary for them. The characters of donors are numerous. Fairy godmothers were added to Sleeping Beauty by Perrault ; no such figures appeared in his source, Sole, Luna, e Talia by Giambattista Basile . In

4500-579: The fairy godmother's protégé is a prince or princess , who is the protagonist of the story, and the godparent uses her magic to help or otherwise support them. The most well-known example is probably the fairy godmother in Charles Perrault's " Cinderella ". Eight fairy godmothers appear in Sleeping Beauty in Charles Perrault's version and in the Grimm Brothers ' version titled Little Briar Rose ,

4590-433: The fairy tale Momotarō . Jack Zipes has spent many years working to make the older traditional stories accessible to modern readers and their children. Many fairy tales feature an absentee mother, as an example " Beauty and the Beast ", " The Little Mermaid ", " Little Red Riding Hood " and " Donkeyskin ", where the mother is deceased or absent and unable to help the heroines. Mothers are depicted as absent or wicked in

SECTION 50

#1732851258763

4680-403: The fairy tale is a distinct genre within the larger category of folktale, the definition that marks a work as a fairy tale is a source of considerable dispute. The term itself comes from the translation of Madame D'Aulnoy's Conte de fées , first used in her collection in 1697. Common parlance conflates fairy tales with beast fables and other folktales, and scholars differ on the degree to which

4770-655: The fairy tales served an important function: disguising the rebellious subtext of the stories and sliding them past the court censors. Critiques of court life (and even of the king) were embedded in extravagant tales and in dark, sharply dystopian ones. Not surprisingly, the tales by women often featured young (but clever) aristocratic girls whose lives were controlled by the arbitrary whims of fathers, kings, and elderly wicked fairies, as well as tales in which groups of wise fairies (i.e., intelligent, independent women) stepped in and put all to rights. The salon tales as they were originally written and published have been preserved in

4860-465: The figures of the Fates ; this is especially clear in " Sleeping Beauty ", where they decree her fate, and are associated with spinning. In the tales of précieuses and later successors, the fairy godmother acts in a manner atypical of fairies in actual folklore belief; they are preoccupied with the character and fortunes of their human protegees, whereas fairies in folklore have their interests. Typically,

4950-752: The first famous Western fairy tales are those of Aesop (6th century BC) in ancient Greece . Scholarship points out that Medieval literature contains early versions or predecessors of later known tales and motifs, such as the grateful dead , The Bird Lover or the quest for the lost wife. Recognizable folktales have also been reworked as the plot of folk literature and oral epics. Jack Zipes writes in When Dreams Came True , "There are fairy tale elements in Chaucer 's The Canterbury Tales , Edmund Spenser 's The Faerie Queene , and in many of William Shakespeare plays." King Lear can be considered

5040-503: The forms of Sleeping Beauty and Cinderella . Although Straparola's, Basile's and Perrault's collections contain the oldest known forms of various fairy tales, on the stylistic evidence, all the writers rewrote the tales for literary effect. In the mid-17th century, a vogue for magical tales emerged among the intellectuals who frequented the salons of Paris. These salons were regular gatherings hosted by prominent aristocratic women, where women and men could gather together to discuss

5130-421: The fox declares that the hero does not deserve his help after his disobedience, but still aids him. Fairy tale A fairy tale (alternative names include fairytale , fairy story , household tale , magic tale , or wonder tale ) is a short story that belongs to the folklore genre . Such stories typically feature magic , enchantments , and mythical or fanciful beings. In most cultures, there

5220-460: The genre of fantasy, many works that would now be classified as fantasy were termed "fairy tales", including Tolkien's The Hobbit , George Orwell 's Animal Farm , and L. Frank Baum 's The Wonderful Wizard of Oz . Indeed, Tolkien's "On Fairy-Stories" includes discussions of world-building and is considered a vital part of fantasy criticism. Although fantasy, particularly the subgenre of fairytale fantasy , draws heavily on fairy tale motifs,

5310-819: The genre rather than fairy tale , a practice given weight by the definition of Thompson in his 1977 [1946] edition of The Folktale : "...a tale of some length involving a succession of motifs or episodes. It moves in an unreal world without definite locality or definite creatures and is filled with the marvellous. In this never-never land, humble heroes kill adversaries, succeed to kingdoms and marry princesses." The characters and motifs of fairy tales are simple and archetypal: princesses and goose-girls ; youngest sons and gallant princes ; ogres , giants , dragons , and trolls ; wicked stepmothers and false heroes ; fairy godmothers and other magical helpers , often talking horses, or foxes, or birds ; glass mountains; and prohibitions and breaking of prohibitions. Although

5400-479: The genres are now regarded as distinct. The fairy tale, told orally, is a sub-class of the folktale . Many writers have written in the form of the fairy tale. These are the literary fairy tales, or Kunstmärchen . The oldest forms, from Panchatantra to the Pentamerone , show considerable reworking from the oral form. The Grimm brothers were among the first to try to preserve the features of oral tales. Yet

5490-741: The hero is aided by a fox whose advice he takes; in The Red Ettin , by a fairy not his godmother; in Puddocky , by an enchanted frog that takes pity on him; in Prince Ring , by an enchanted dog; in Fair Brow and The Bird 'Grip' , by a dead man whom he had aided; in The Horse Gullfaxi and the Sword Gunnfoder , in an unusual reversal, by his stepmother. In American fiction, there has long been

SECTION 60

#1732851258763

5580-427: The hero often meets the vital helper in the woods , in liminal areas between other realms. When more than one character attempts the tasks, such as when the youngest son sets out last, all of them commonly met the donor. It is through failing the test that the older sons are marked out as not being the hero; only the youngest son passes the test and receives the aid. There may be three donors, distinguished by

5670-628: The history of their development is necessarily obscure and blurred. Fairy tales appear, now and again, in written literature throughout literate cultures, as in The Golden Ass , which includes Cupid and Psyche ( Roman , 100–200 AD), or the Panchatantra ( India 3rd century BC), but it is unknown to what extent these reflect the actual folk tales even of their own time. The stylistic evidence indicates that these, and many later collections, reworked folk tales into literary forms. What they do show

5760-500: The idea of the evil or the ugly; that is in the child already, because it is in the world already. Fairy tales do not give the child his first idea of bogey. What fairy tales give the child is his first clear idea of the possible defeat of bogey. The baby has known the dragon intimately ever since he had an imagination. What the fairy tale provides for him is a St. George to kill the dragon." Albert Einstein once showed how important he believed fairy tales were for children's intelligence in

5850-404: The issues of the day. In the 1630s, aristocratic women began to gather in their own living rooms, salons, to discuss the topics of their choice: arts and letters, politics, and social matters of immediate concern to the women of their class: marriage, love, financial and physical independence, and access to education. This was a time when women were barred from receiving a formal education. Some of

5940-521: The literary forms, there is no pure folktale, and each literary fairy tale draws on folk traditions, if only in parody. This makes it impossible to trace forms of transmission of a fairy tale. Oral story-tellers have been known to read literary fairy tales to increase their own stock of stories and treatments. The oral tradition of the fairy tale came long before the written page. Tales were told or enacted dramatically, rather than written down, and handed down from generation to generation. Because of this,

6030-453: The more general term folk tale that covered a wide variety of oral tales". Jack Zipes also attributes this shift to changing sociopolitical conditions in the seventeenth and eighteenth centuries that led to the trivialization of these stories by the upper classes. Roots of the genre come from different oral stories passed down in European cultures. The genre was first marked out by writers of

6120-405: The most gifted women writers of the period came out of these early salons (such as Madeleine de Scudéry and Madame de Lafayette ), which encouraged women's independence and pushed against the gender barriers that defined their lives. The salonnières argued particularly for love and intellectual compatibility between the sexes, opposing the system of arranged marriages. Sometime in the middle of

6210-492: The most popular contemporary versions of tales like " Rapunzel ", " Snow White ", " Cinderella " and " Hansel and Gretel ", however, some lesser known tales or variants such as those found in volumes edited by Angela Carter and Jane Yolen depict mothers in a more positive light. Carter's protagonist in The Bloody Chamber is an impoverished piano student married to a Marquis who was much older than herself to "banish

6300-501: The narrative is perceived both by teller and hearers as being grounded in historical truth. However, unlike legends and epics , fairy tales usually do not contain more than superficial references to religion and to actual places, people, and events; they take place " once upon a time " rather than in actual times. Fairy tales occur both in oral and in literary form ( literary fairy tale ); the name "fairy tale" (" conte de fées " in French)

6390-525: The presence of fairies and/or similarly mythical beings (e.g., elves , goblins , trolls , giants, huge monsters, or mermaids) should be taken as a differentiator. Vladimir Propp , in his Morphology of the Folktale , criticized the common distinction between "fairy tales" and "animal tales" on the grounds that many tales contained both fantastic elements and animals. Nevertheless, to select works for his analysis, Propp used all Russian folktales classified as

6480-435: The presence of magic as the feature by which fairy tales can be distinguished from other sorts of folktales. Davidson and Chaudri identify "transformation" as the key feature of the genre. From a psychological point of view, Jean Chiriac argued for the necessity of the fantastic in these narratives. In terms of aesthetic values, Italo Calvino cited the fairy tale as a prime example of "quickness" in literature, because of

6570-456: The quote "If you want your children to be intelligent, read them fairytales. If you want them to be more intelligent, read them more fairytales." The adaptation of fairy tales for children continues. Walt Disney 's influential Snow White and the Seven Dwarfs was largely (although certainly not solely) intended for the children's market. The anime Magical Princess Minky Momo draws on

6660-450: The role of helper in Propp's analysis. Because a donor is defined by acts, other characters may fill the role, even the villain; a boy escaping a witch may steal her magical handkerchief, making the witch an involuntary donor. Conversely, the donor of Rumpelstiltskin converts himself into the villain by demanding the heroine's baby as the price of his work. In Grimm's Fairy Tales ,

6750-491: The same psychic fact, but a fact so complex and far-reaching and so difficult for us to realize in all its different aspects that hundreds of tales and thousands of repetitions with a musician's variation are needed until this unknown fact is delivered into consciousness; and even then the theme is not exhausted. This unknown fact is what Jung calls the Self, which is the psychic reality of the collective unconscious. [...] Every archetype

6840-445: The simpler riddle might argue greater antiquity. Folklorists of the "Finnish" (or historical-geographical) school attempted to place fairy tales to their origin, with inconclusive results. Sometimes influence, especially within a limited area and time, is clearer, as when considering the influence of Perrault's tales on those collected by the Brothers Grimm. Little Briar-Rose appears to stem from Perrault's The Sleeping Beauty , as

6930-431: The spectre of poverty". The story is a variant on Bluebeard , a tale about a wealthy man who murders numerous young women. Carter's protagonist, who is unnamed, describes her mother as "eagle-featured" and "indomitable". Her mother is depicted as a woman who is prepared for violence, instead of hiding from it or sacrificing herself to it. The protagonist recalls how her mother kept an "antique service revolver" and once "shot

7020-706: The spread of such tales, as people repeat tales they have heard in foreign lands, although the oral nature makes it impossible to trace the route except by inference. Folklorists have attempted to determine the origin by internal evidence, which can not always be clear; Joseph Jacobs , comparing the Scottish tale The Ridere of Riddles with the version collected by the Brothers Grimm, The Riddle , noted that in The Ridere of Riddles one hero ends up polygamously married, which might point to an ancient custom, but in The Riddle ,

7110-512: The stories printed under the Grimm name have been considerably reworked to fit the written form. Literary fairy tales and oral fairy tales freely exchanged plots, motifs, and elements with one another and with the tales of foreign lands. The literary fairy tale came into fashion during the 17th century, developed by aristocratic women as a parlour game. This, in turn, helped to maintain the oral tradition. According to Jack Zipes , "The subject matter of

7200-451: The story, as when Robin McKinley retold Donkeyskin as the novel Deerskin , with emphasis on the abusive treatment the father of the tale dealt to his daughter. Sometimes, especially in children's literature, fairy tales are retold with a twist simply for comic effect, such as The Stinky Cheese Man by Jon Scieszka and The ASBO Fairy Tales by Chris Pilbeam. A common comic motif is

7290-443: The tale through use of the erotic, explicit sexuality, dark and/or comic themes, female empowerment, fetish and BDSM , multicultural, and heterosexual characters. Cleis Press has released several fairy tale-themed erotic anthologies, including Fairy Tale Lust , Lustfully Ever After , and A Princess Bound . It may be hard to lay down the rule between fairy tales and fantasies that use fairy tale motifs, or even whole plots, but

7380-469: The tales in later editions to make them more acceptable, which ensured their sales and the later popularity of their work. Such literary forms did not merely draw from the folktale, but also influenced folktales in turn. The Brothers Grimm rejected several tales for their collection, though told orally to them by Germans, because the tales derived from Perrault, and they concluded they were thereby French and not German tales; an oral version of " Bluebeard "

7470-403: The tales that servants, or other women of lower class, would tell to children. Indeed, a novel of that time, depicting a countess's suitor offering to tell such a tale, has the countess exclaim that she loves fairy tales as if she were still a child. Among the late précieuses , Jeanne-Marie Leprince de Beaumont redacted a version of Beauty and the Beast for children, and it is her tale that

7560-452: The term is also used to describe something blessed with unusual happiness, as in "fairy-tale ending" (a happy ending ) or "fairy-tale romance ". Colloquially, the term "fairy tale" or "fairy story" can also mean any far-fetched story or tall tale ; it is used especially to describe any story that not only not true, but also could not possibly be true. Legends are perceived as real within their culture; fairy tales may merge into legends, where

7650-525: The thirteen godmothers are called Wise Women. The popularity of these versions of these tales led to this being widely regarded as a common fairy-tale motif, although they are less common in other tales. Indeed, the fairy godmothers were added to The Sleeping Beauty by Perrault; no such figures appeared in his source, " Sun, Moon, and Talia " by Giambattista Basile . While fairy godmothers are traditionally portrayed as kind, gentle, and loving, there are exceptions. In "Sleeping Beauty" and "Little Briar Rose",

7740-520: The tradition of literary fairy tales. Andersen's work sometimes drew on old folktales, but more often deployed fairytale motifs and plots in new tales. MacDonald incorporated fairytale motifs both in new literary fairy tales, such as The Light Princess , and in works of the genre that would become fantasy, as in The Princess and the Goblin or Lilith . Two theories of origins have attempted to explain

7830-417: The witch deduce that she was pregnant, but in subsequent editions carelessly revealed that it was easier to pull up the prince than the witch. On the other hand, in many respects, violence‍—‌particularly when punishing villains‍—‌was increased. Other, later, revisions cut out violence; J.   R.   R.   Tolkien noted that The Juniper Tree often had its cannibalistic stew cut out in

7920-596: The world, finding similar tales in Africa, the Americas, and Australia; Andrew Lang was able to draw on not only the written tales of Europe and Asia, but those collected by ethnographers, to fill his "coloured" fairy books series . They also encouraged other collectors of fairy tales, as when Yei Theodora Ozaki created a collection, Japanese Fairy Tales (1908), after encouragement from Lang. Simultaneously, writers such as Hans Christian Andersen and George MacDonald continued

8010-507: Was first ascribed to them by Madame d'Aulnoy in the late 17th century. Many of today's fairy tales have evolved from centuries-old stories that have appeared, with variations, in multiple cultures around the world. The history of the fairy tale is particularly difficult to trace because only the literary forms can survive. Still, according to researchers at universities in Durham and Lisbon , such stories may date back thousands of years, some to

8100-414: Was thus rejected, and the tale of Little Briar Rose , clearly related to Perrault's " Sleeping Beauty ", was included only because Jacob Grimm convinced his brother that the figure of Brynhildr , from much earlier Norse mythology , proved that the sleeping princess was authentically Germanic folklore. This consideration of whether to keep Sleeping Beauty reflected a belief common among folklorists of

#762237