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103-570: Éthiopiques is a series of compact discs featuring Ethiopian singers and musicians. Many of the CDs compile songs from various singles and albums that Amha Records , Kaifa Records and Philips-Ethiopia released during the 1960s and 1970s in Ethiopia . Prominent singers and musicians from this era appearing on Éthiopiques releases include Alemayehu Eshete , Asnaketch Worku , Mahmoud Ahmed , Mulatu Astatke and Tilahun Gessesse . However, some other releases contain new recordings. The Paris -based world music record label Buda Musique began

206-400: A CD-DA layer. The optophone , first presented in 1913, was an early device that used light for both recording and playback of sound signals on a transparent photograph . More than thirty years later, American inventor James T. Russell has been credited with inventing the first system to record digital media on a photosensitive plate. Russell's patent application was filed in 1966, and he

309-427: A CD-RW disc, the recording layer is made of an alloy of silver and other metals—indium, antimony, and tellurium. In CD-R media, the dye itself can degrade, causing data to become unreadable. As well as degradation of the dye , failure of a CD-R can be due to the reflective surface. While silver is less expensive and more widely used, it is more prone to oxidation , resulting in a non-reflecting surface. Gold , on

412-489: A Red Book CD; thus, the mono source material is usually presented as two identical channels in a standard Red Book stereo track (i.e., mirrored mono ); an MP3 CD , can have audio file formats with mono sound. CD-Text is an extension of the Red Book specification for an audio CD that allows for the storage of additional text information (e.g., album name, song name, artist) on a standards-compliant audio CD. The information

515-407: A Zoned-CLV or CAV strategy, where the advertised maximum speed is only reached near the outer rim of the disc. This is not taken into account by the above table. (If this were not done, the faster rotation that would be required at the inner tracks could cause the disc to fracture and/or could cause excessive vibration which would make accurate and successful writing impossible.) The blank disc has

618-469: A 150-minute playing time, 44,056 Hz sampling rate, 16-bit linear resolution, and cross-interleaved Reed-Solomon coding (CIRC) error correction code —specifications similar to those later settled upon for the standard compact disc format in 1980. Technical details of Sony's digital audio disc were presented during the 62nd AES Convention, held on 13–16 March 1979, in Brussels . Sony's AES technical paper

721-401: A 5-color silkscreen or offset press. Using a permanent marker pen is also a common practice. However, solvents from such pens can affect the dye layer. Since CD-Rs, in general, cannot be logically erased to any degree, the disposal of CD-Rs presents a possible security issue if they contain sensitive/private data. Destroying the data requires physically destroying the disc or data layer. Heating

824-597: A CD. VCDs are playable in dedicated VCD players, most modern DVD-Video players, personal computers, and some video game consoles. The VCD standard was created in 1993 by Sony, Philips, Matsushita , and JVC and is referred to as the White Book standard. Overall picture quality is intended to be comparable to VHS video. Poorly compressed VCD video can sometimes be of lower quality than VHS video, but VCD exhibits block artifacts rather than analog noise and does not deteriorate further with each use. 352×240 (or SIF ) resolution

927-401: A Power Calibration Area, used to calibrate the writing laser before and during recording. CDs contain two such areas: one close to the inner edge of the disc, for low-speed calibration, and another on the outer edge on the disc, for high-speed calibration. The calibration results are recorded on a Recording Management Area (RMA) that can hold up to 99 calibrations. The disc cannot be written after

1030-465: A conventional CD player could be established in, and removed from, the medium by a laser operating at a different frequency. Tandy's announcement was surprising enough to "catch half a dozen industries off guard", claiming availability of consumer-level audio and video products below $ 500 by the end of 1990, and inviting other organisations to license the technology. The announcement attracted enthusiasm but also skepticism of Tandy's capability to deliver

1133-475: A diameter of 20 cm (7.9 in) and a sound quality superior to that of the vinyl record. However, due to the unsatisfactory performance of the analog format, two Philips research engineers recommended a digital format in March 1974. In 1977, Philips then established a laboratory with the mission of creating a digital audio disc. The diameter of Philips's prototype compact disc was set at 11.5 cm (4.5 in),

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1236-405: A disc from a prepared ISO image, for which the overhead would likely be trivial.) At the lowest write speeds, this overhead takes so much less time than the actual disc writing pass that it may be negligible, but at higher write speeds, the overhead time becomes a larger proportion of the overall time taken to produce a finished disc and may add significantly to it. Also, above 20× speed, drives use

1339-417: A disc played from beginning to end slows its rotation rate during playback. The program area is 86.05 cm and the length of the recordable spiral is 86.05 cm / 1.6 μm = 5.38 km. With a scanning speed of 1.2 m/s, the playing time is 74 minutes or 650 MiB of data on a CD-ROM. A disc with data packed slightly more densely is tolerated by most players (though some old ones fail). Using

1442-400: A former member of the task force, gives background information on the many technical decisions made, including the choice of the sampling frequency, playing time, and disc diameter. The task force consisted of around 6 persons, though according to Philips, the compact disc was "invented collectively by a large group of people working as a team". Early milestones in the launch and adoption of

1545-547: A given disc; these techniques are deviations from the compact disc (Red, Yellow, and/or Orange Book) standards, making the recorded discs proprietary-formatted and not fully compatible with standard CD players and drives. In certain applications where discs will not be distributed or exchanged outside a private group and will not be archived for a long time, a proprietary format may be an acceptable way to obtain greater capacity (up to 1.2 GB with GigaRec or 1.8 GB with HD-BURN on 99-minute media). The greatest risk in using such

1648-465: A graphics signal (typically, the CD+G player is hooked up to a television set or a computer monitor); these graphics are almost exclusively used to display lyrics on a television set for karaoke performers to sing along with. The CD+G format takes advantage of the channels R through W. These six bits store the graphics information. CD + Extended Graphics (CD+EG, also known as CD+XG) is an improved variant of

1751-648: A joint task force of engineers to design a new digital audio disc. After a year of experimentation and discussion, the Red Book CD-DA standard was published in 1980. After their commercial release in 1982, compact discs and their players were extremely popular. Despite costing up to $ 1,000, over 400,000 CD players were sold in the United States between 1983 and 1984. By 1988, CD sales in the United States surpassed those of vinyl LPs, and, by 1992, CD sales surpassed those of prerecorded music-cassette tapes. The success of

1854-553: A joint task force of engineers to design a new digital audio disc. Led by engineers Kees Schouhamer Immink and Toshitada Doi , the research pushed forward laser and optical disc technology. After a year of experimentation and discussion, the task force produced the Red Book CD-DA standard. First published in 1980, the standard was formally adopted by the IEC as an international standard in 1987, with various amendments becoming part of

1957-453: A linear velocity of 1.2 m/s and a narrower track pitch of 1.5 μm increases the playing time to 80 minutes, and data capacity to 700 MiB. Even denser tracks are possible, with semi-standard 90 minute/800 MiB discs having 1.33 μm, and 99 minute/870 MiB having 1.26 μm, but compatibility suffers as density increases. A CD is read by focusing a 780 nm wavelength ( near infrared ) semiconductor laser through

2060-469: A malfunctioning CD writer . Error scanning can reliably predict data losses caused by media deterioration. Support of error scanning differs between vendors and models of optical disc drives , and extended error scanning (known as "advanced error scanning" in Nero DiscSpeed ) has only been available on Plextor and some BenQ optical drives so far, as of 2020. The digital data on a CD begins at

2163-417: A mediocre writer, and discs written by such a writer cannot achieve their maximum potential archival lifetime. These times only include the actual optical writing pass over the disc. For most disc recording operations, additional time is used for overhead processes, such as organizing the files and tracks, which adds to the theoretical minimum total time required to produce a disc. (An exception might be making

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2266-416: A pre-groove track onto which the data are written. The pre-groove track, which also contains timing information, ensures that the recorder follows the same spiral path as a conventional CD. A CD recorder writes data to a CD-R disc by pulsing its laser to heat areas of the organic dye layer. The writing process does not produce indentations (pits); instead, the heat permanently changes the optical properties of

2369-497: A process developed by Optical Data Inc., with research and development undertaken at Tandy's Magnetic Media Research Center. Known also as the Tandy High-Intensity Optical Recording system, THOR-CD media was intended to be playable in existing CD players, being compatible with existing CD audio and CD-ROM equipment, with the discs themselves employing a layer in which the "marks", "bumps" or "pits" readable by

2472-449: A proprietary data storage format, assuming that it works reliably as designed, is that it may be difficult or impossible to repair or replace the hardware used to read the media if it fails, is damaged, or is lost after its original vendor discontinues it. Nothing in the Red, Yellow, or Orange Book standards prohibits disc reading/writing devices from having the capacity to read/write discs beyond

2575-460: A variation of this technique called pulse-density modulation (PDM), while Matsushita (now Panasonic ) chose pulse-width modulation (PWM), advertising it as MASH, which is an acronym derived from their patented Multi-stAge noiSe-sHaping PWM topology. The CD was primarily planned as the successor to the vinyl record for playing music, rather than as a data storage medium. However, CDs have grown to encompass other applications. In 1983, following

2678-451: A worm gear is used, a second shorter-throw linear motor, in the form of a coil and magnet, makes fine position adjustments to track eccentricities in the disk at high speed. Some CD drives (particularly those manufactured by Philips during the 1980s and early 1990s) use a swing arm similar to that seen on a gramophone. The pits and lands do not directly represent the 0s and 1s of binary data . Instead, non-return-to-zero, inverted encoding

2781-499: Is described in a document produced in 1980 by the format's joint creators, Sony and Philips. The document is known colloquially as the Red Book CD-DA after the color of its cover. The format is a two-channel 16-bit PCM encoding at a 44.1 kHz sampling rate per channel. Four-channel sound was to be an allowable option within the Red Book format, but has never been implemented. Monaural audio has no existing standard on

2884-457: Is no assurance that it can be made to do so again by service or adjustment. Discs with capacities larger than 650 MB, and especially those larger than 700 MB, are less interchangeable among players/drives than standard discs and are not very suitable for archival use, as their readability on future equipment, or even on the same equipment at a future time, is not assured unless specifically tested and certified in that combination, even under

2987-507: Is not "empty"; the pregroove has a wobble (the ATIP ), which helps the writing laser to stay on track and to write the data to the disc at a constant rate. Maintaining a constant rate is essential to ensure the proper size and spacing of the pits and lands burned into the dye layer. As well as providing timing information, the ATIP (absolute time in pregroove) is also a data track containing information about

3090-446: Is not a reliable guide to quality, because many brands (major as well as no name) do not manufacture their own discs. Instead, they are sourced from different manufacturers of varying quality. For best results, the actual manufacturer and material components of each batch of discs should be verified. Burned CD-Rs suffer from material degradation, just like most writable media. CD-R media have an internal layer of dye used to store data. In

3193-407: Is playable in standard CD players, thus making them backward compatible. CD- MIDI is a format used to store music-performance data, which upon playback is performed by electronic instruments that synthesize the audio. Hence, unlike the original Red Book CD-DA, these recordings are not digitally sampled audio recordings. The CD-MIDI format is defined as an extension of the original Red Book . For

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3296-510: Is protected by a film of lacquer normally spin coated directly on the reflective layer. The label is printed on the lacquer layer, usually by screen printing or offset printing . CD data is represented as tiny indentations known as pits , encoded in a spiral track molded into the top of the polycarbonate layer. The areas between pits are known as lands . Each pit is approximately 100  nm deep by 500 nm wide, and varies from 850 nm to 3.5  μm in length. The distance between

3399-456: Is recommended if using adhesive-backed paper labels that the labels be specially made for CD-Rs. A balanced CD vibrates only slightly when rotated at high speed. Bad or improperly made labels, or labels applied off-center, unbalance the CD and can cause it to vibrate when it spins, which causes read errors and even risks damaging the drive. A professional alternative to CD labels is pre-printed CDs using

3502-460: Is recovered ("decoded"). Once a section of a CD-R is written, it cannot be erased or rewritten, unlike a CD-RW . A CD-R can be recorded in multiple sessions. A CD recorder can write to a CD-R using several methods including: With careful examination, the written and unwritten areas can be distinguished by the naked eye. CD-Rs are written from the center outwards, so the written area appears as an inner band with slightly different shading. CDs have

3605-444: Is routinely extended to 80 minutes and 700  MiB ( 734,003,200  bytes), 90 minutes 800  MiB ( 838,860,800  bytes), or 99 minutes 870  MiB ( 912,261,120  bytes) by arranging data more closely on the same-sized disc. The Mini CD has various diameters ranging from 60 to 80 millimetres (2.4 to 3.1 in); they have been used for CD singles or delivering device drivers . The CD gained rapid popularity in

3708-432: Is stored either in the lead-in area of the CD, where there are roughly five kilobytes of space available or in the subcode channels R to W on the disc, which can store about 31 megabytes. Compact Disc + Graphics is a special audio compact disc that contains graphics data in addition to the audio data on the disc. The disc can be played on a regular audio CD player, but when played on a special CD+G player, it can output

3811-408: Is used: a change from either pit to land or land to pit indicates a 1, while no change indicates a series of 0s. There must be at least two, and no more than ten 0s between each 1, which is defined by the length of the pit. This, in turn, is decoded by reversing the eight-to-fourteen modulation used in mastering the disc, and then reversing the cross-interleaved Reed–Solomon coding , finally revealing

3914-477: The Compact Disc + Graphics (CD+G) format. Like CD+G, CD+EG uses basic CD-ROM features to display text and video information in addition to the music being played. This extra data is stored in subcode channels R-W. Very few CD+EG discs have been published. Super Audio CD (SACD) is a high-resolution, read-only optical audio disc format that was designed to provide higher-fidelity digital audio reproduction than

4017-730: The Jim Jarmusch film Broken Flowers . Compact discs The compact disc ( CD ) is a digital optical disc data storage format that was co-developed by Philips and Sony to store and play digital audio recordings. It uses the Compact Disc Digital Audio format which typically provides 74 minutes of audio on a disc. In later years, the compact disc was adapted for non-audio computer data storage purposes as CD-ROM and its derivatives. First released in Japan in October 1982,

4120-652: The RIAA . Specifically, the price of every music CD-R includes a mandatory royalty disbursed to RIAA members by the disc manufacturer; this grants the disc an "application flag" indicating that the royalty has been paid. Consumer standalone music recorders refuse to burn CD-Rs that are missing this flag. Professional CD recorders are not subject to this restriction and can record music to data discs. The two types of discs are functionally and physically identical other than this, and computer CD burners can record data and/or music to either. New music CD-Rs are still being manufactured as of

4223-512: The Red Book . Introduced in 1999, it was developed by Sony and Philips, the same companies that created the Red Book . SACD was in a format war with DVD-Audio , but neither has replaced audio CDs. The SACD standard is referred to as the Scarlet Book standard. Titles in the SACD format can be issued as hybrid discs; these discs contain the SACD audio stream as well as a standard audio CD layer which

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4326-752: The vinyl revival . During the 2010s, the increasing popularity of solid-state media and music streaming services caused automakers to remove automotive CD players in favor of minijack auxiliary inputs, wired connections to USB devices and wireless Bluetooth connections. Automakers viewed CD players as using up valuable space and taking up weight which could be reallocated to more popular features, like large touchscreens. By 2021, only Lexus and General Motors were still including CD players as standard equipment with certain vehicles. CDs continued to be strong in some markets such as Japan where 132 million units were produced in 2019. The decline in CD sales has slowed in recent years; in 2021, CD sales increased in

4429-507: The Éthiopiques series in 1997 and initially compiled Ethiopian popular music releases from the 1960s and 1970s. Some of the subsequent CDs focus on traditional music , while others highlight individual musicians or specific styles. As of 2017, there have been 30 releases. None of the CDs feature modern-day synthesizer -based Ethiopian pop music. Francis Falceto is the producer of the series. Some songs from Éthiopiques Volume 4 were featured in

4532-712: The 120 mm size was adopted. The adoption of EFM in June 1980 allowed 30 percent more playing time that would have resulted in 97 minutes for 120 mm diameter or 74 minutes for a disc as small as 100 millimetres (3.9 in). Instead, the information density was lowered by 30 percent to keep the playing time at 74 minutes. The 120 mm diameter has been adopted by subsequent formats, including Super Audio CD , DVD , HD DVD , and Blu-ray Disc. The 80-millimetre (3.1 in) diameter discs (" Mini CDs ") can hold up to 24 minutes of music or 210 MiB. The logical format of an audio CD (officially Compact Disc Digital Audio or CD-DA)

4635-489: The 1990s, quickly outselling all other audio formats in the United States by 1991, ending the market dominance of the phonograph record and the cassette tape . By 2000, the CD accounted for 92.3% of the entire market share in regard to US music sales . The CD is considered the last dominant audio format of the album era , as the rise of MP3 , iTunes , cellular ringtones , and other downloadable music formats in

4738-601: The 2000s designed as successors to the CD: the Super Audio CD (SACD) and DVD-Audio . However neither of these were adopted partly due to increased relevance of digital (virtual) music and the apparent lack of audible improvements in audio quality to most human ears. These effectively extended the CD's longevity in the music market. With the advent and popularity of Internet-based distribution of files in lossy-compressed audio formats such as MP3 , sales of CDs began to decline in

4841-502: The 2000s. For example, between 2000 and 2008, despite overall growth in music sales and one anomalous year of increase, major-label CD sales declined overall by 20%. Despite rapidly declining sales year-over-year, the pervasiveness of the technology lingered for a time, with companies placing CDs in pharmacies, supermarkets, and filling station convenience stores to target buyers less likely to be able to use Internet-based distribution. In 2012, CDs and DVDs made up only 34% of music sales in

4944-427: The 2010s, devices capable of writing to CD-Rs and other types of writable CDs could be found under $ 20. The dye materials developed by Taiyo Yuden made it possible for CD-R discs to be compatible with Audio CD and CD-ROM discs. In the United States, there is a market separation between "music" CD-Rs and "data" CD-Rs, the former being notably more expensive than the latter due to industry copyright arrangements with

5047-405: The CD was the second optical disc technology to be invented, after the much larger LaserDisc (LD). By 2007, 200 billion CDs (including audio CDs, CD-ROMs and CD-Rs) had been sold worldwide. Standard CDs have a diameter of 120 mm (4.7 in), and are designed to hold up to 74 minutes of uncompressed stereo digital audio or about 650   MiB ( 681,574,400  bytes) of data. Capacity

5150-467: The CD's introduction, Immink and Joseph Braat presented the first experiments with erasable compact discs during the 73rd AES Convention . In June 1985, the computer-readable CD-ROM (read-only memory) and, in 1990, recordable CD-R discs were introduced. Recordable CDs became an alternative to tape for recording and distributing music and could be duplicated without degradation in sound quality. Other newer video formats such as DVD and Blu-ray use

5253-635: The CD-R manufacturer, the dye used, and media information (disc length and so on). The pregroove is not destroyed when the data are written to the CD-R, a point which some copy protection schemes use to distinguish copies from an original CD. There are three basic formulations of dye used in CD-Rs: There are many hybrid variations of the dye formulations, such as Formazan by Kodak (a hybrid of cyanine and phthalocyanine). Many manufacturers have added additional coloring to disguise their unstable cyanine CD-Rs in

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5356-465: The Compact Disc logo). CD-R recording systems available in 1990 were similar to the washing machine-sized Meridian CD Publisher, based on the two-piece rack mount Yamaha PDS audio recorder costing $ 35,000, not including the required external ECC circuitry for data encoding, SCSI hard drive subsystem, and MS-DOS control computer. On July 3, 1991, the first recording of a concert directly to CD

5459-472: The DAC. Even when using high-precision components, this approach was prone to decoding errors. Another issue was jitter , a time-related defect. Confronted with the instability of DACs, manufacturers initially turned to increasing the number of bits in the DAC and using several DACs per audio channel, averaging their output. This increased the cost of CD players but did not solve the core problem. A breakthrough in

5562-674: The RMA is full, however, the RMA may be emptied in CD-RW discs. Choosing a finalize disc or close disc option during a burn setup, it will no longer accept any future writes, and become read-only. Real-life (not accelerated aging) tests have revealed that some CD-Rs degrade quickly even if stored normally. The quality of a CD-R disc has a large and direct influence on longevity—low-quality discs should not be expected to last very long. According to research conducted by J. Perdereau, CD-Rs are expected to have an average life expectancy of 10 years. Branding

5665-461: The Red Book standard. Some hardware compatible with Red Book CDs may have difficulty reading CD-Rs and, because of their lower reflectivity, especially CD-RWs. To the extent that CD hardware can read extended-length discs or CD-RW discs, it is because that hardware has capability beyond the minimum required by the Red Book and Yellow Book standards (the hardware is more capable than it needs to be to bear

5768-448: The US for the first time since 2004, with Axios citing its rise to "young people who are finding they like hard copies of music in the digital age". It came at the same time as both vinyl and cassette reached sales levels not seen in 30 years. The RIAA reported that CD revenue made a dip in 2022, before increasing again in 2023 and overtook downloading for the first time in over a decade. In

5871-517: The US, 33.4 million CD albums were sold in the year 2022. In France in 2023, 10.5 million CDs were sold, almost double that of vinyl, but both of them represented generated 12% each of the French music industry revenues. Sony and Philips received praise for the development of the compact disc from professional organizations. These awards include: A CD is made from 1.2-millimetre (0.047 in) thick, polycarbonate plastic, and weighs 14–33 grams. From

5974-665: The United States. By 2015, only 24% of music in the United States was purchased on physical media, two thirds of this consisting of CDs; however, in the same year in Japan, over 80% of music was bought on CDs and other physical formats. In 2018, U.S. CD sales were 52 million units—less than 6% of the peak sales volume in 2000. In the UK, 32 million units were sold, almost 100 million fewer than in 2008. In 2018, Best Buy announced plans to decrease their focus on CD sales, however, while continuing to sell records, sales of which are growing during

6077-416: The absence of explicit additional manufacturer specifications beyond normal compact disc logo certification, that any particular player or drive will perform beyond the standards at all or consistently. If the same device with no explicit performance specs beyond the compact disc logo initially handles nonstandard discs reliably, there is no assurance that it will not later stop doing so, and in that case, there

6180-424: The additional capacity, these discs have to be burned using overburn options in the CD recording software. Overburning itself is so named because it is outside the written standards, but, due to market demand, it has nonetheless become a de facto standard function in most CD writing drives and software for them. Some drives use special techniques, such as Plextor's GigaRec or Sanyo's HD-BURN, to write more data onto

6283-440: The assumption that the discs will not degrade at all. The polycarbonate disc contains a spiral groove, called the pregroove because it is molded in before data are written to the disc; it guides the laser beam upon writing and reading information. The pregroove is molded into the top side of the polycarbonate disc, where the pits and lands would be molded if it were a pressed, nonrecordable Red Book CD. The bottom side, which faces

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6386-406: The bottom of the polycarbonate layer. The change in height between pits and lands results in a difference in the way the light is reflected. Because the pits are indented into the top layer of the disc and are read through the transparent polycarbonate base, the pits form bumps when read. The laser hits the disc, casting a circle of light wider than the modulated spiral track reflecting partially from

6489-451: The center of the disc and proceeds toward the edge, which allows adaptation to the different sizes available. Standard CDs are available in two sizes. By far, the most common is 120 millimetres (4.7 in) in diameter, with a 74-, 80, 90, or 99-minute audio capacity and a 650, 700, 800, or 870 MiB (737,280,000-byte) data capacity. Discs are 1.2 millimetres (0.047 in) thick, with a 15 millimetres (0.59 in) center hole. The size of

6592-407: The center outward, components are: the center spindle hole (15 mm), the first-transition area (clamping ring), the clamping area (stacking ring), the second-transition area (mirror band), the program (data) area, and the rim. The inner program area occupies a radius from 25 to 58 mm. A thin layer of aluminum or, more rarely, gold is applied to the surface, making it reflective. The metal

6695-450: The compact disc has been credited to the cooperation between Philips and Sony, which together agreed upon and developed compatible hardware. The unified design of the compact disc allowed consumers to purchase any disc or player from any company and allowed the CD to dominate the at-home music market unchallenged. In 1974, Lou Ottens, director of the audio division of Philips, started a small group to develop an analog optical audio disc with

6798-403: The compact disc standards. The standards do require discs to meet precise requirements in order to be called compact discs, but the other discs may be called by other names; if this were not true, no DVD drive could legally bear the compact disc logo. While disc players and drives may have capabilities beyond the standards, enabling them to read and write nonstandard discs, there is no assurance, in

6901-423: The diagonal of an audio cassette. Heitaro Nakajima , who developed an early digital audio recorder within Japan's national public broadcasting organization, NHK , in 1970, became general manager of Sony's audio department in 1971. In 1973, his team developed a digital PCM adaptor that made audio recordings using a Betamax video recorder. After this, in 1974 the leap to storing digital audio on an optical disc

7004-518: The disc at the tightest allowable tolerances specified in the Orange Book CD-R/CD-RW standards. The engineering margin that was reserved for manufacturing tolerance has been used for data capacity instead, leaving no tolerance for manufacturing; for these discs to be truly compliant with the Orange Book standard, the manufacturing process must be perfect. Despite the foregoing, most CD-Rs on

7107-415: The disc in a microwave oven for 10–15 seconds effectively destroys the data layer by causing arcing in the metal reflective layer, but this same arcing may cause damage or excessive wear to the microwave oven. Many office paper shredders are also designed to shred CDs. Some recent burners (Plextor, LiteOn) support erase operations on -R media, by "overwriting" the stored data with strong laser power, although

7210-416: The dye, changing the reflectivity of those areas. Using a low power laser, so as not to further alter the dye, the disc is read back in the same way as a CD-ROM. However, the reflected light is modulated not by pits, but by the alternating regions of heated and unaltered dye. The change of the intensity of the reflected laser radiation is transformed into an electrical signal, from which the digital information

7313-419: The erased area cannot be overwritten with new data. The polycarbonate material and possible gold or silver in the reflective layer would make CD-Rs highly recyclable. However, the polycarbonate is of very little value and the quantity of precious metals is so small that it is not profitable to recover them. Consequently, recyclers that accept CD-Rs typically do not offer compensation for donating or transporting

7416-508: The first few years of its existence, the CD was a medium used purely for audio. In 1988, the Yellow Book CD-ROM standard was established by Sony and Philips, which defined a non-volatile optical data computer data storage medium using the same physical format as audio compact discs, readable by a computer with a CD-ROM drive. Video CD (VCD, View CD, and Compact Disc digital video) is a standard digital format for storing video media on

7519-458: The first four UK albums by the Beatles were released in mono on compact disc. The growing acceptance of the CD in 1983 marks the beginning of the popular digital audio revolution. It was enthusiastically received, especially in the early-adopting classical music and audiophile communities, and its handling quality received particular praise. As the price of players gradually came down, and with

7622-804: The format included: The first artist to sell a million copies on CD was Dire Straits , with their 1985 album Brothers in Arms . One of the first CD markets was devoted to reissuing popular music whose commercial potential was already proven. The first major artist to have their entire catalog converted to CD was David Bowie , whose first fourteen studio albums (up to Scary Monsters (and Super Creeps) ) of (then) sixteen were made available by RCA Records in February 1985, along with four greatest hits albums; his fifteenth and sixteenth albums ( Let's Dance and Tonight , respectively) had already been issued on CD by EMI Records in 1983 and 1984, respectively. On 26 February 1987,

7725-522: The hole was chosen by Joop Sinjou and based on a Dutch 10-cent coin: a dubbeltje . Philips/Sony patented the physical dimensions. The official Philips history says the capacity was specified by Sony executive Norio Ohga to be able to contain the entirety of Beethoven's Ninth Symphony on one disc. This is a myth according to Kees Immink , as the EFM code format had not yet been decided in December 1979, when

7828-505: The introduction of CD-R, unlike CD-RW discs. Originally named CD Write-Once (WO) , the CD-R specification was first published in 1988 by Philips and Sony in the Orange Book , which consists of several parts that provide details of the CD-WO, CD-MO (Magneto-Optic), and later CD-RW (Re Writable). The latest editions have abandoned the use of the term CD-WO in favor of CD-R , while CD-MO

7931-505: The introduction of the portable Discman , the CD began to gain popularity in the larger popular and rock music markets. With the rise in CD sales, pre-recorded cassette tape sales began to decline in the late 1980s; CD sales overtook cassette sales in the early 1990s. In 1988, 400 million CDs were manufactured by 50 pressing plants around the world. Early CD players employed binary-weighted digital-to-analog converters (DAC), which contained individual electrical components for each bit of

8034-476: The label side of the disc. Scratches on the clear side can be repaired by refilling them with similar refractive plastic or by careful polishing. The edges of CDs are sometimes incompletely sealed, allowing gases and liquids to enter the CD and corrode the metal reflective layer and/or interfere with the focus of the laser on the pits, a condition known as disc rot . The fungus Geotrichum candidum has been found—under conditions of high heat and humidity—to consume

8137-510: The lands and partially from the top of any bumps where they are present. As the laser passes over a pit (bump), its height means that the round trip path of the light reflected from its peak is 1/2 wavelength out of phase with the light reflected from the land around it. This is because the height of a bump is around 1/4 of the wavelength of the light used, so the light falls 1/4 out of phase before reflection and another 1/4 wavelength out of phase after reflection. This causes partial cancellation of

8240-399: The laser beam in the player or drive, is flat and smooth. The polycarbonate disc is coated on the pregroove side with a very thin layer of organic dye. Then, on top of the dye is coated a thin, reflecting layer of silver , a silver alloy , or gold . Finally, a protective coating of a photo-polymerizable lacquer is applied on top of the metal reflector and cured with UV light. A blank CD-R

8343-420: The laser in the writer, as well as correct timing of the laser pulses, stable disc speed, and so on, is critical to not only the immediate readability but the longevity of the recorded disc, so for archiving it is important to have not only a high-quality disc but a high-quality writer. In fact, a high-quality writer may produce adequate results with medium-quality media, but high-quality media cannot compensate for

8446-419: The laser's reflection from the surface. By measuring the reflected intensity change with a photodiode , a modulated signal is read back from the disc. To accommodate the spiral pattern of data, the laser is placed on a mobile mechanism within the disc tray of any CD player. This mechanism typically takes the form of a sled that moves along a rail. The sled can be driven by a worm gear or linear motor . Where

8549-428: The late 1980s culminated in development of the 1-bit DAC , which converts high-resolution low-frequency digital input signal into a lower-resolution high-frequency signal that is mapped to voltages and then smoothed with an analog filter. The temporary use of a lower-resolution signal simplified circuit design and improved efficiency, which is why it became dominant in CD players starting from the early 1990s. Philips used

8652-565: The late 2010s, although demand for them has declined as CD-based music recorders have been supplanted by other devices incorporating the same or similar functionality. Prior to CD-R, Tandy Corporation had announced a rewritable CD system known as the Tandy High-Density Optical Recording (THOR) system, claiming to offer support for erasable and rewritable discs, made possible by a "secret coating material" on which Tandy had applied for patents, and reportedly based partly on

8755-427: The market have an 80-minute capacity. There are also 90 minute/790 MB and 99 minute/870 MB discs, although they are less common and depart from the Orange Book standard. Due to the limitations of the data structures in the ATIP, 90 and 99-minute blanks will identify as 80-minute ones. As the ATIP is part of the Orange Book standard, its design does not support some nonstandard disc configurations. In order to use

8858-557: The mid-2000s ended the decade-long dominance of the CD. The format was later adapted (as CD-ROM ) for general purpose data storage and initially could hold much more data than a personal computer hard disk drive . Several other formats were further derived, both pre-pressed and blank user writable, including write-once audio and data storage ( CD-R ), rewritable media ( CD-RW ), Video CD (VCD), Super Video CD (SVCD), Photo CD , Picture CD , Compact Disc-Interactive ( CD-i ), Enhanced Music CD , and Super Audio CD (SACD) which may have

8961-460: The other hand, although more expensive and no longer widely used, is an inert material, so gold-based CD-Rs do not suffer from this problem. Manufacturers have estimated the longevity of gold-based CD-Rs to be as high as 100 years. By measuring the rate of correctable data errors , the data integrity and/or manufacturing quality of CD-R media can be measured, allowing for a reliable prediction of future data losses caused by media degradation. It

9064-440: The past, so the formulation of a disc cannot be determined based purely on its color. Similarly, a gold reflective layer does not guarantee the use of phthalocyanine dye. The quality of the disc is also not only dependent on the dye used, it is also influenced by sealing, the top layer, the reflective layer, and the polycarbonate. Simply choosing a disc based on its dye type may be problematic. Furthermore, correct power calibration of

9167-487: The polycarbonate plastic and aluminium found in CDs. The data integrity of compact discs can be measured using surface error scanning , which can measure the rates of different types of data errors, known as C1 , C2 , CU and extended (finer-grain) error measurements known as E11 , E12 , E21 , E22 , E31 and E32 , of which higher rates indicate a possibly damaged or unclean data surface, low media quality, deteriorating media and recordable media written to by

9270-502: The prior art by Optophonie and James Russell, the information on the disc is read from a reflective layer using a laser as a light source through a protective substrate. Prototypes were developed by Philips and Sony independently in the late 1970s. Although originally dismissed by Philips Research management as a trivial pursuit, the CD became the primary focus for Philips as the LaserDisc format struggled. In 1979, Sony and Philips set up

9373-538: The raw data stored on the disc. These encoding techniques (defined in the Red Book ) were originally designed for CD Digital Audio , but they later became a standard for almost all CD formats (such as CD-ROM ). CDs are susceptible to damage during handling and from environmental exposure. Pits are much closer to the label side of a disc, enabling defects and contaminants on the clear side to be out of focus during playback. Consequently, CDs are more likely to suffer damage on

9476-432: The same physical geometry as CD, and most DVD and Blu-ray players are backward compatible with audio CDs. CD sales in the United States peaked by 2000. By the early 2000s, the CD player had largely replaced the audio cassette player as standard equipment in new automobiles, with 2010 being the final model year for any car in the United States to have a factory-equipped cassette player. Two new formats were marketed in

9579-503: The standard in 1996. Philips coined the term compact disc in line with another audio product, the Compact Cassette , and contributed the general manufacturing process , based on video LaserDisc technology. Philips also contributed eight-to-fourteen modulation (EFM), while Sony contributed the error-correction method, CIRC, which offers resilience to defects such as scratches and fingerprints. The Compact Disc Story , told by

9682-528: The system, with the latter proving to be justified, the technology having been "announced... heavily promoted; then it was delayed, and finally, it just never appeared". A standard CD-R is a 1.2 mm (0.047 in) thick disc made of polycarbonate about 120 mm (5") in diameter. The 120 mm (5") disc has a storage capacity of 74 minutes of audio or 650 Megabytes (MBs) of data. CD-R/RWs are available with capacities of 80 minutes of audio or 737,280,000 bytes (700 MB), which they achieve by molding

9785-525: The third error correction layer defined in the Yellow Book. Properly written CD-R discs on blanks of less than 80 minutes in length are fully compatible with the audio CD and CD-ROM standards in all details including physical specifications. 80-minute CD-R discs marginally violate the Red Book physical format specifications, and longer discs are non-compliant. CD-RW discs have lower reflectivity than CD-R or pressed (non-writable) CDs and for this reason cannot meet

9888-420: The windings (the pitch ) is 1.6 μm (measured center-to-center, not between the edges). When playing an audio CD, a motor within the CD player spins the disc to a scanning velocity of 1.2–1.4 m/s ( constant linear velocity , CLV)—equivalent to approximately 500 RPM at the inside of the disc, and approximately 200 RPM at the outside edge. The track on the CD begins at the inside and spirals outward so

9991-460: Was CDRM Recordable Media. With quality technical media being limited from Taiyo Yuden , Early CD-R Media used Phthalocyanine dye for duplication, which has a light aqua color. By 1992, the cost of typical recorders was down to $ 10,000–12,000, and in September 1995, Hewlett-Packard introduced its model 4020i manufactured by Philips, which, at $ 995, was the first recorder to cost less than $ 1000. As of

10094-462: Was chosen because it is half the vertical and half the horizontal resolution of the NTSC video. 352×288 is a similarly one-quarter PAL/SECAM resolution. This approximates the (overall) resolution of an analog VHS tape, which, although it has double the number of (vertical) scan lines, has a much lower horizontal resolution. CD-R CD-R discs (CD-Rs) are readable by most CD readers manufactured prior to

10197-407: Was easily made. Sony first publicly demonstrated an optical digital audio disc in September 1976. A year later, in September 1977, Sony showed the press a 30 cm (12 in) disc that could play an hour of digital audio (44,100 Hz sampling rate and 16-bit resolution) using modified frequency modulation encoding. In September 1978, the company demonstrated an optical digital audio disc with

10300-461: Was granted a patent in 1970. Following litigation, Sony and Philips licensed Russell's patents for recording in 1988. It is debatable whether Russell's concepts, patents, and prototypes instigated and in some measure influenced the compact disc's design. The compact disc is an evolution of LaserDisc technology, where a focused laser beam is used that enables the high information density required for high-quality digital audio signals. Unlike

10403-539: Was made using a Yamaha YPDR 601 . The concert was performed by Claudio Baglioni at the Stadio Flaminio in Rome, Italy. At that time, it was generally anticipated that recordable CDs would have a lifetime of no more than 10 years. However, as of July 2020 the CD from this live recording still plays back with no uncorrectable errors. In the same year, the first company to successfully & professionally duplicate CD-R media

10506-509: Was published on 1 March 1979. A week later, on 8 March, Philips publicly demonstrated a prototype of an optical digital audio disc at a press conference called "Philips Introduce Compact Disc" in Eindhoven , Netherlands. Sony executive Norio Ohga , later CEO and chairman of Sony, and Heitaro Nakajima were convinced of the format's commercial potential and pushed further development despite widespread skepticism. In 1979, Sony and Philips set up

10609-519: Was rarely used. Written CD-Rs and CD-RWs are, in the aspect of low-level encoding and data format, fully compatible with the audio CD ( Red Book CD-DA ) and data CD ( Yellow Book CD-ROM ) standards. The Yellow Book standard for CD-ROM only specifies a high-level data format and refers to the Red Book for all physical format and low-level code details, such as track pitch, linear bit density, and bitstream encoding. This means they use Eight-to-Fourteen Modulation , CIRC error correction, and, for CD-ROM ,

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