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Erebuni Museum

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Erebuni Historical-Archaeological Reserve-Museum ( Armenian : «Էրեբունի» պատմահնագիտական արգելոց-թանգարան ), was established in 1968. The opening of the museum was timed to coincide with the 2750th anniversary of Yerevan . The Museum stands at the foot of the Arin Berd hill, on top of which the Urartian Fortress Erebouni has stood since 782 BCE. The city-fortress was excavated, some parts of the structure were reinforced and restored, and the fortress was turned into an outdoor museum.

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116-501: A cuneiform inscription testifies that the city was built by Argishti I the King of Urartu in 782 BCE. The majority of the fortress was built from raw bricks. The citadel was encircled by strong walls in some places built in three rows. The temple of God Khaldi occupied an important place in the fortress. The walls of the temple were decorated with numerous frescos . Archeologists have found giant karasses (pitches for storage of wine) buried in

232-449: A buildings committee was set up to plan for expansion of the museum, and further highlighted by the donation in 1822 of the King's Library , personal library of King George III's, comprising 65,000 volumes, 19,000 pamphlets , maps, charts and topographical drawings . The neoclassical architect, Sir Robert Smirke , was asked to draw up plans for an eastern extension to the museum "... for

348-401: A completely unknown writing system in 19th-century Assyriology . It was successfully deciphered by 1857. The cuneiform script changed considerably over more than 2,000 years. The image below shows the development of the sign SAĜ "head" (Borger nr. 184, U+12295 𒊕 ). Stages: The cuneiform script was developed from pictographic proto-writing in the late 4th millennium BC, stemming from

464-547: A display of objects from the South Seas brought back from the round-the-world voyages of Captain James Cook and the travels of other explorers fascinated visitors with a glimpse of previously unknown lands. The bequest of a collection of books, engraved gems , coins, prints and drawings by Clayton Mordaunt Cracherode in 1800 did much to raise the museum's reputation; but Montagu House became increasingly crowded and decrepit and it

580-550: A given sign could have various meanings depending on context. The sign inventory was reduced from some 1,500 signs to some 600 signs, and writing became increasingly phonological . Determinative signs were re-introduced to avoid ambiguity. Cuneiform writing proper thus arises from the more primitive system of pictographs at about that time, labeled the Early Bronze Age II epoch by historians. The earliest known Sumerian king, whose name appears on contemporary cuneiform tablets,

696-577: A language structure typical of the non-Indo-European agglutinative Sumerian language . The first tablets using syllabic elements date to the Early Dynastic I–II periods c.  2800 BC , and they are agreed to be clearly in Sumerian. This is the time when some pictographic element started to be used for their phonetic value, permitting the recording of abstract ideas or personal names. Many pictographs began to lose their original function, and

812-448: A location for the museum, which it bought from the Montagu family for £20,000. The trustees rejected Buckingham House, which was later converted into the present day Buckingham Palace , on the grounds of cost and the unsuitability of its location. With the acquisition of Montagu House, the first exhibition galleries and reading room for scholars opened on 15 January 1759. At this time,

928-591: A major part of Sir John Evans 's coin collection, which was later sold to the museum by his son J. P. Morgan Jr. in 1915. In 1918, because of the threat of wartime bombing, some objects were evacuated via the London Post Office Railway to Holborn, the National Library of Wales (Aberystwyth) and a country house near Malvern . On the return of antiquities from wartime storage in 1919 some objects were found to have deteriorated. A conservation laboratory

1044-660: A million books, opened in 1857. Because of continued pressure on space the decision was taken to move natural history to a new building in South Kensington , which would later become the British Museum of Natural History . Roughly contemporary with the construction of the new building was the career of a man sometimes called the "second founder" of the British Museum, the Italian librarian Anthony Panizzi . Under his supervision,

1160-556: A number of recently discovered hoards which demonstrated the richness of what had been considered an unimportant part of the Roman Empire. The museum turned increasingly towards private funds for buildings, acquisitions and other purposes. In 2000, the British Museum was awarded National Heritage Museum of the Year . Today the museum no longer houses collections of natural history , and the books and manuscripts it once held now form part of

1276-641: A phonetic complement. Yet even in those days, the Babylonian syllabary remained a mixture of logographic and phonemic writing. Elamite cuneiform was a simplified form of the Sumero-Akkadian cuneiform, used to write the Elamite language in the area that corresponds to modern Iran from the 3rd millennium BC to the 4th century BC. Elamite cuneiform at times competed with other local scripts, Proto-Elamite and Linear Elamite . The earliest known Elamite cuneiform text

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1392-432: A pointed stylus, sometimes called "linear cuneiform". Many of the early dynastic inscriptions, particularly those made on stone, continued to use the linear style as late as circa 2000 BC. In the mid-3rd millennium BC, a new wedge-tipped stylus was introduced which was pushed into the clay, producing wedge-shaped cuneiform. This development made writing quicker and easier, especially when writing on soft clay. By adjusting

1508-477: A resemblance to Old Japanese , written in a Chinese-derived script, where some of these Sinograms were used as logograms and others as phonetic characters. This "mixed" method of writing continued through the end of the Babylonian and Assyrian empires, although there were periods when "purism" was in fashion and there was a more marked tendency to spell out the words laboriously, in preference to using signs with

1624-548: A sharpened reed stylus or incised in stone. This early style lacked the characteristic wedge shape of the strokes. Most Proto-Cuneiform records from this period were of an accounting nature. The proto-cuneiform sign list has grown, as new texts are discovered, and shrunk, as variant signs are combined. The current sign list is 705 elements long with 42 being numeric and four considered pre-proto-Elamite. Certain signs to indicate names of gods, countries, cities, vessels, birds, trees, etc., are known as determinatives and were

1740-559: A slightly different way. From the 6th century, the Akkadian language was marginalized by Aramaic , written in the Aramaic alphabet , but Akkadian cuneiform remained in use in the literary tradition well into the times of the Parthian Empire (250 BC–226 AD). The last known cuneiform inscription, an astronomical text, was written in 75 AD. The ability to read cuneiform may have persisted until

1856-607: A stylus. Writing is first recorded in Uruk , at the end of the 4th millennium BC, and soon after in various parts of the Near-East . An ancient Mesopotamian poem gives the first known story of the invention of writing : Because the messenger's mouth was heavy and he couldn't repeat [the message], the Lord of Kulaba patted some clay and put words on it, like a tablet. Until then, there had been no putting words on clay. The cuneiform writing system

1972-428: Is Enmebaragesi of Kish (fl. c.  2600 BC ). Surviving records became less fragmentary for following reigns and by the arrival of Sargon, it had become standard practice for each major city-state to date documents by year-names, commemorating the exploits of its king. Geoffrey Sampson stated that Egyptian hieroglyphs "came into existence a little after Sumerian script , and, probably, [were] invented under

2088-537: Is a characteristic building of Sir Robert Smirke , with 44 columns in the Ionic order 45 ft (14 m) high, closely based on those of the temple of Athena Polias at Priene in Asia Minor . The pediment over the main entrance is decorated by sculptures by Sir Richard Westmacott depicting The Progress of Civilisation , consisting of fifteen allegorical figures, installed in 1852. The construction commenced around

2204-552: Is a treaty between Akkadians and the Elamites that dates back to 2200 BC. Some believe it might have been in use since 2500 BC. The tablets are poorly preserved, so only limited parts can be read, but it is understood that the text is a treaty between the Akkad king Nāramsîn and Elamite ruler Hita , as indicated by frequent references like "Nāramsîn's friend is my friend, Nāramsîn's enemy is my enemy". The most famous Elamite scriptures and

2320-579: Is an adaptation of the Old Assyrian cuneiform of c. 1800 BC to the Hittite language and was used from the 17th until approximately the 13th century BC. More or less the same system was used by the scribes of the Hittite Empire for two other Anatolian languages , namely Luwian (alongside the native Anatolian hieroglyphics ) and Palaic , as well as for the isolate Hattic language . When the cuneiform script

2436-429: Is called gunû or "gunification"; if signs are cross-hatched with additional Winkelhaken , they are called šešig ; if signs are modified by the removal of a wedge or wedges, they are called nutillu . "Typical" signs have about five to ten wedges, while complex ligatures can consist of twenty or more (although it is not always clear if a ligature should be considered a single sign or two collated, but distinct signs);

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2552-735: The Americas . On 7 June 1753, King George II gave his royal assent to the Act of Parliament which established the British Museum. The British Museum Act 1753 also added two other libraries to the Sloane collection, namely the Cottonian Library , assembled by Sir Robert Cotton , dating back to Elizabethan times, and the Harleian Library , the collection of the Earls of Oxford . They were joined in 1757 by

2668-500: The Anglo-Saxon ship burial at Sutton Hoo (1939) and late Roman silver tableware from Mildenhall , Suffolk (1946). The immediate post-war years were taken up with the return of the collections from protection and the restoration of the museum after the Blitz . Work also began on restoring the damaged Duveen Gallery. In 1953, the museum celebrated its bicentenary . Many changes followed:

2784-569: The Coins and Medals office suite, completely destroyed during the war, was rebuilt and re-opened, attention turned towards the gallery work with new tastes in design leading to the remodelling of Robert Smirke's Classical and Near Eastern galleries. In 1962 the Duveen Gallery was finally restored and the Parthenon Sculptures were moved back into it, once again at the heart of the museum. By

2900-521: The Duke of Blacas 's wide-ranging and valuable collection of antiquities. Overseas excavations continued and John Turtle Wood discovered the remains of the 4th century BC Temple of Artemis at Ephesos , another Wonder of the Ancient World . The natural history collections were an integral part of the British Museum until their removal to the new British Museum of Natural History in 1887, nowadays

3016-453: The Iron Age (c. 10th to 6th centuries BC), Assyrian cuneiform was further simplified. The characters remained the same as those of Sumero-Akkadian cuneiforms, but the graphic design of each character relied more heavily on wedges and square angles, making them significantly more abstract: Babylonian cuneiform was simplified along similar lines during that period, albeit to a lesser extent and in

3132-522: The Natural History Museum in South Kensington . With the departure and the completion of the new White Wing (fronting Montague Street) in 1884, more space was available for antiquities and ethnography and the library could further expand. This was a time of innovation as electric lighting was introduced in the Reading Room and exhibition galleries. The William Burges collection of armoury

3248-678: The Oxus Treasure . In 1898 Baron Ferdinand de Rothschild bequeathed the Waddesdon Bequest , the glittering contents from his New Smoking Room at Waddesdon Manor . This consisted of almost 300 pieces of objets d'art et de vertu which included exquisite examples of jewellery, plate, enamel, carvings, glass and maiolica , among them the Holy Thorn Reliquary , probably created in the 1390s in Paris for John, Duke of Berry . The collection

3364-659: The Speaker of the House of Commons . The board was formed on the museum's inception to hold its collections in trust for the nation without actually owning them themselves, and now fulfil a mainly advisory role. Trustee appointments are governed by the regulatory framework set out in the code of practice on public appointments issued by the Office of the Commissioner for Public Appointments. The Greek Revival façade facing Great Russell Street

3480-729: The Vorderasiatisches Museum Berlin , the Louvre , the Istanbul Archaeology Museums , the National Museum of Iraq , the Yale Babylonian Collection (approx. 40,000), and Penn Museum . Most of these have "lain in these collections for a century without being translated, studied or published", as there are only a few hundred qualified cuneiformists in the world. The decipherment of cuneiform began with

3596-520: The Winkelhaken impressed vertically by the tip of the stylus. The signs exemplary of these basic wedges are: Except for the Winkelhaken , which has no tail, the length of the wedges' tails could vary as required for sign composition. Signs tilted by about 45 degrees are called tenû in Akkadian, thus DIŠ is a vertical wedge and DIŠ tenû a diagonal one. If a sign is modified with additional wedges, this

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3712-587: The "Old Royal Library", now the Royal manuscripts , assembled by various British monarchs . Together these four "foundation collections" included many of the most treasured books now in the British Library including the Lindisfarne Gospels and the sole surviving manuscript of Beowulf . The British Museum was the first of a new kind of museum – national, belonging to neither church nor king, freely open to

3828-553: The 1970s, the museum was again expanding. More services for the public were introduced; visitor numbers soared, with the temporary exhibition "Treasures of Tutankhamun " in 1972, attracting 1,694,117 visitors, the most successful in British history. In the same year the Act of Parliament establishing the British Library was passed, separating the collection of manuscripts and printed books from

3944-401: The 23rd century BC ( short chronology ). The Akkadian language being East Semitic , its structure was completely different from Sumerian. The Akkadians found a practical solution in writing their language phonetically, using the corresponding Sumerian phonetic signs. Still, many of the Sumerian characters were retained for their logographic value as well: for example the character for "sheep"

4060-504: The 3rd millennium Sumerian script. Ugaritic was written using the Ugaritic alphabet , a standard Semitic style alphabet (an abjad ) written using the cuneiform method. Between half a million and two million cuneiform tablets are estimated to have been excavated in modern times, of which only approximately 30,000 –100,000 have been read or published. The British Museum holds the largest collection (approx. 130,000 tablets), followed by

4176-473: The Akkadian period, at the time of the Uruk ruler Lugalzagesi (r. c. 2294–2270 BC). The vertical style remained for monumental purposes on stone stelas until the middle of the 2nd millennium. Written Sumerian was used as a scribal language until the first century AD. The spoken language died out between about 2100 and 1700 BC. The archaic cuneiform script was adopted by the Akkadian Empire from

4292-469: The American architect John Russell Pope , it was completed in 1938. The appearance of the exhibition galleries began to change as dark Victorian reds gave way to modern pastel shades. Following the retirement of George Francis Hill as Director and Principal Librarian in 1936, he was succeeded by John Forsdyke . As tensions with Nazi Germany developed and it appeared that war may be imminent Forsdyke came to

4408-686: The British Library to a new site at St Pancras, finally achieved in 1998, provided the space needed for the books. It also created the opportunity to redevelop the vacant space in Robert Smirke's 19th-century central quadrangle into the Queen Elizabeth II Great Court – the largest covered square in Europe – which opened in 2000. The ethnography collections, which had been housed in the short-lived Museum of Mankind at 6 Burlington Gardens from 1970, were returned to new purpose-built galleries in

4524-556: The British Museum . The British Museum is a non-departmental public body sponsored by the Department for Culture, Media and Sport through a three-year funding agreement. Its head is the Director of the British Museum . The British Museum was run from its inception by a 'principal librarian' (when the book collections were still part of the museum), a role that was renamed 'director and principal librarian' in 1898, and 'director' in 1973 (on

4640-522: The British Museum Library (now part of the British Library ) quintupled in size and became a well-organised institution worthy of being called a national library, the largest library in the world after the National Library of Paris . The quadrangle at the centre of Smirke's design proved to be a waste of valuable space and was filled at Panizzi's request by a circular Reading Room of cast iron, designed by Smirke's brother, Sydney Smirke. Until

4756-539: The British Museum was founded as a "universal museum". Its foundations lie in the will of the Anglo-Irish physician and naturalist Sir Hans Sloane (1660–1753), a London-based doctor and scientist from Ulster . During the course of his lifetime, and particularly after he married the widow of a wealthy Jamaican planter, Sloane gathered a large collection of curiosities , and not wishing to see his collection broken up after death, he bequeathed it to King George II , for

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4872-433: The British Museum. This left the museum with antiquities; coins, medals and paper money; prints and drawings; and ethnography . A pressing problem was finding space for additions to the library which now required an extra 1 + 1 ⁄ 4 miles (2.0 km) of shelving each year. The Government suggested a site at St Pancras for the new British Library but the books did not leave the museum until 1997. The departure of

4988-542: The Old Persian text. Because Elamite is unlike its neighboring Semitic languages , the script's decipherment was delayed until the 1840s. Elamite cuneiform appears to have used far fewer signs than its Akkadian prototype and initially relied primarily on syllabograms, but logograms became more common in later texts. Many signs soon acquired highly distinctive local shape variants that are often difficult to recognise as related to their Akkadian prototypes. Hittite cuneiform

5104-566: The South Wing with its great colonnade, initiated in 1843 and completed in 1847, when the Front Hall and Great Staircase were opened to the public. The museum is faced with Portland stone , but the perimeter walls and other parts of the building were built using Haytor granite from Dartmoor in South Devon, transported via the unique Haytor Granite Tramway . In 1846 Robert Smirke was replaced as

5220-471: The Sumerian signs of the terms in question, added as a guide for the reader. Proper names continued to be usually written in purely "logographic" fashion. The first inscribed tablets were purely pictographic, which makes it technically difficult to know in which language they were written. Different languages have been proposed, though usually Sumerian is assumed. Later tablets dating after c.  2900 BC start to use syllabic elements, which clearly show

5336-510: The Sumerians was not intuitive to Semitic speakers. From the beginning of the Middle Bronze Age (20th century BC), the script evolved to accommodate the various dialects of Akkadian: Old Akkadian, Babylonian and Assyrian. At this stage, the former pictograms were reduced to a high level of abstraction, and were composed of only five basic wedge shapes: horizontal, vertical, two diagonals and

5452-550: The UK. In 1816 these masterpieces of western art were acquired by the British Museum by Act of Parliament and deposited in the museum thereafter. The collections were supplemented by the Bassae frieze from Phigaleia , Greece in 1815. The Ancient Near Eastern collection also had its beginnings in 1825 with the purchase of Assyrian and Babylonian antiquities from Mary Mackintosh Rich, the widow of Assyriologist Claudius James Rich . In 1802

5568-711: The antiquities displays. After the defeat of the French campaign in the Battle of the Nile , in 1801, the British Museum acquired more Egyptian sculptures and in 1802 King George III presented the Rosetta Stone – key to the deciphering of hieroglyphs. Gifts and purchases from Henry Salt , British consul general in Egypt, beginning with the Colossal bust of Ramesses II in 1818, laid the foundations of

5684-656: The architect Sydney Smirke , opened in 1857. For almost 150 years researchers came here to consult the museum's vast library. The Reading Room closed in 1997 when the national library (the British Library) moved to a new building at St Pancras . Today it has been transformed into the Walter and Leonore Annenberg Centre. With the bookstacks in the central courtyard of the museum empty, the demolition for Lord Foster 's glass-roofed Great Court could begin. The Great Court, opened in 2000, while undoubtedly improving circulation around

5800-414: The beginning, similar-sounding words such as "life" [til] and "arrow" [ti] were written with the same symbol (𒋾). As a result, many signs gradually changed from being logograms to also functioning as syllabograms , so that for example, the sign for the word "arrow" would become the sign for the sound "ti". Syllabograms were used in Sumerian writing especially to express grammatical elements, and their use

5916-652: The block on which the museum stands. The architect Sir John James Burnet was petitioned to put forward ambitious long-term plans to extend the building on all three sides. Most of the houses in Montague Place were knocked down a few years after the sale. Of this grand plan only the Edward VII galleries in the centre of the North Front were ever constructed, these were built 1906–14 to the design by J.J. Burnet, and opened by King George V and Queen Mary in 1914. They now house

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6032-433: The collection occupies room 2a. By the last years of the 19th century, The British Museum's collections had increased to the extent that its building was no longer large enough. In 1895 the trustees purchased the 69 houses surrounding the museum with the intention of demolishing them and building around the west, north and east sides of the museum. The first stage was the construction of the northern wing beginning 1906. All

6148-690: The collection of Egyptian Monumental Sculpture. Many Greek sculptures followed, notably the first purpose-built exhibition space, the Charles Towneley collection , much of it Roman sculpture, in 1805. In 1806, Thomas Bruce, 7th Earl of Elgin , ambassador to the Ottoman Empire from 1799 to 1803 removed the large collection of marble sculptures from the Parthenon , on the Acropolis in Athens and transferred them to

6264-431: The compound IGI.A (𒅆𒀀) – "eye" + "water" – has the reading imhur , meaning "foam"). Several symbols had too many meanings to permit clarity. Therefore, symbols were put together to indicate both the sound and the meaning of a symbol. For instance, the word 'raven' (UGA) had the same logogram (𒉀) as the word 'soap' (NAGA), the name of a city (EREŠ), and the patron goddess of Eresh (NISABA). To disambiguate and identify

6380-548: The course of its history, cuneiform was adapted to write a number of languages in addition to Sumerian. Akkadian texts are attested from the 24th century BC onward and make up the bulk of the cuneiform record. Akkadian cuneiform was itself adapted to write the Hittite language in the early second millennium BC . The other languages with significant cuneiform corpora are Eblaite , Elamite , Hurrian , Luwian , and Urartian . The Old Persian and Ugaritic alphabets feature cuneiform-style signs; however, they are unrelated to

6496-419: The courtyard with the East Wing ( The King's Library ) in 1823–1828, followed by the North Wing in 1833–1838, which originally housed among other galleries a reading room, now the Wellcome Gallery. Work was also progressing on the northern half of the West Wing (The Egyptian Sculpture Gallery) 1826–1831, with Montagu House demolished in 1842 to make room for the final part of the West Wing, completed in 1846, and

6612-447: The cuneiform logo-syllabary proper. The latest known cuneiform tablet dates to 75 AD. Cuneiform was rediscovered in modern times in the early 17th century with the publication of the trilingual Achaemenid royal inscriptions at Persepolis ; these were first deciphered in the early 19th century. The modern study of cuneiform belongs to the ambiguously named field of Assyriology , as the earliest excavations of cuneiform libraries – in

6728-456: The decipherment of Old Persian cuneiform in 1836. The first cuneiform inscriptions published in modern times were copied from the Achaemenid royal inscriptions in the ruins of Persepolis , with the first complete and accurate copy being published in 1778 by Carsten Niebuhr . Niebuhr's publication was used by Grotefend in 1802 to make the first breakthrough – the realization that Niebuhr had published three different languages side by side and

6844-497: The development of Egyptian hieroglyphs, with the suggestion the former influenced the latter. But given the lack of direct evidence for the transfer of writing, "no definitive determination has been made as to the origin of hieroglyphics in ancient Egypt". Others have held that "the evidence for such direct influence remains flimsy" and that "a very credible argument can also be made for the independent development of writing in Egypt..." Early cuneiform inscriptions were made by using

6960-446: The early Achaemenid rulers from the 6th century BC down to the 4th century BC. Because of its simplicity and logical structure, the Old Persian cuneiform script was the first to be deciphered by modern scholars, starting with the accomplishments of Georg Friedrich Grotefend in 1802. Various ancient bilingual or trilingual inscriptions then permitted to decipher the other, much more complicated and more ancient scripts, as far back as to

7076-427: The few years after its foundation the British Museum received several further gifts, including the Thomason Collection of Civil War Tracts and David Garrick 's library of 1,000 printed plays. The predominance of natural history, books and manuscripts began to lessen when in 1772 the museum acquired for £8,410 its first significant antiquities in Sir William Hamilton 's "first" collection of Greek vases . From 1778,

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7192-425: The first full-time in-house designer and publications officer were appointed in 1964, the Friends organisation was set up in 1968, an Education Service established in 1970 and publishing house in 1973. In 1963, a new Act of Parliament introduced administrative reforms. It became easier to lend objects, the constitution of the board of trustees changed and the Natural History Museum became fully independent. By 1959

7308-427: The following 250 years was largely a result of British colonisation and resulted in the creation of several branch institutions, or independent spin-offs, the first being the Natural History Museum in 1881. Some of its best-known acquisitions, such as the Greek Elgin Marbles and the Egyptian Rosetta Stone , are subject to long-term disputes and repatriation claims. In 1973, the British Library Act 1972 detached

7424-597: The ground. Ceramics, potter's wheels and other articles used in everyday life were also unearthed during excavations. There is huge collection of artifacts, sups, jars, bronze bracelets, glass, agate beads and many other things that tell us about the life of the citadel, the tastes and habits of its inhabitants. The building of the Museum that houses 12,235 exhibits was constructed by architects Baghdasar Arzoumanian and Shmavon Azatian and sculptor A. Harutiunian. It has two branches in Shengavit and Karmir Blur with 5,288 and 1,620 exhibits respectively in stock. The sculptural design of

7540-414: The independent British Library . The museum nevertheless preserves its universality in its collections of artefacts representing the cultures of the world, ancient and modern. The original 1753 collection has grown to over 13 million objects at the British Museum, 70 million at the Natural History Museum and 150 million at the British Library. The Round Reading Room , which was designed by

7656-413: The influence of the latter", and that it is "probable that the general idea of expressing words of a language in writing was brought to Egypt from Sumerian Mesopotamia". There are many instances of Egypt-Mesopotamia relations at the time of the invention of writing, and standard reconstructions of the development of writing generally place the development of the Sumerian proto-cuneiform script before

7772-422: The largest parts of collection were the library, which took up the majority of the rooms on the ground floor of Montagu House, and the natural history objects, which took up an entire wing on the second state storey of the building. In 1763, the trustees of the British Museum, under the influence of Peter Collinson and William Watson , employed the former student of Carl Linnaeus , Daniel Solander , to reclassify

7888-450: The library department from the British Museum, but it continued to host the now separated British Library in the same Reading Room and building as the museum until 1997. The museum is a non-departmental public body sponsored by the Department for Culture, Media and Sport . Like all UK national museums, it charges no admission fee except for loan exhibitions. Although today principally a museum of cultural art objects and antiquities ,

8004-407: The ligature KAxGUR 7 consists of 31 strokes. Most later adaptations of Sumerian cuneiform preserved at least some aspects of the Sumerian script. Written Akkadian included phonetic symbols from the Sumerian syllabary , together with logograms that were read as whole words. Many signs in the script were polyvalent, having both a syllabic and logographic meaning. The complexity of the system bears

8120-443: The meaning and the other the pronunciation (e.g. 𒅗 ka 'mouth' was combined with the sign 𒉣 nun 'prince' to express the word 𒅻 nundum , meaning 'lip', formally KA×NUN; cf. Chinese phono-semantic compounds ). Another way of expressing words that had no sign of their own was by so-called 'Diri compounds' – sign sequences that have, in combination, a reading different from the sum of the individual constituent signs (for example,

8236-504: The mid-19th century – were in the area of ancient Assyria . An estimated half a million tablets are held in museums across the world, but comparatively few of these are published . The largest collections belong to the British Museum ( approx. 130,000 tablets), the Vorderasiatisches Museum Berlin , the Louvre , the Istanbul Archaeology Museums , the National Museum of Iraq , the Yale Babylonian Collection ( approx. 40,000 tablets), and Penn Museum . Writing began after pottery

8352-438: The mid-19th century, the museum's collections were relatively circumscribed but, in 1851, with the appointment to the staff of Augustus Wollaston Franks to curate the collections, the museum began for the first time to collect British and European medieval antiquities, prehistory , branching out into Asia and diversifying its holdings of ethnography . A real coup for the museum was the purchase in 1867, over French objections, of

8468-575: The museum became a construction site. The King's Library , on the ground floor of the East Wing, was handed over in 1827, and was described as one of the finest rooms in London. Although it was not fully open to the general public until 1857, special openings were arranged during The Great Exhibition of 1851. In 1840, the museum became involved in its first overseas excavations , Charles Fellows 's expedition to Xanthos , in Asia Minor , whence came remains of

8584-465: The museum collection, and coverage of the latest results of archeological excavations in Erebuni, Karmir Blur, Shengavit, as well as individual topics. Miqayel Badalyan has been the director of the museum since 2018. 40°08′28″N 44°32′07″E  /  40.14111°N 44.53528°E  / 40.14111; 44.53528 Cuneiform Cuneiform is a logo - syllabic writing system that

8700-487: The museum in 2000. The museum again readjusted its collecting policies as interest in "modern" objects: prints, drawings, medals and the decorative arts reawakened. Ethnographical fieldwork was carried out in places as diverse as New Guinea , Madagascar , Romania , Guatemala and Indonesia and there were excavations in the Near East , Egypt, Sudan and the UK. The Weston Gallery of Roman Britain, opened in 1997, displayed

8816-556: The museum is the history of the ancient state of Urartu, represented by plastic means of expression. For sculpture of Erebuni Museum in 1970 Ara Harutyunyan was awarded a diploma of the USSR Union of Architects for the sculptures on the museum building. In addition to the permanent exhibition, the Erebuni Historical-Archaeological Reserve-Museum regularly presents exhibitions aimed at public recognition of

8932-664: The museum received 5,820,860 visitors, an increase of 42% from 2022. It was the most popular attraction in the United Kingdom according to the Association of Leading Visitor Attractions (ALVA). At its beginning, the museum was largely based on the collections of the Anglo-Irish physician and scientist Sir Hans Sloane . It opened to the public in 1759, in Montagu House , on the site of the current building. The museum's expansion over

9048-454: The museum trustees a loan of £200,000 to purchase from the Duke of Bedford all 69 houses which backed onto the museum building in the five surrounding streets – Great Russell Street, Montague Street, Montague Place, Bedford Square and Bloomsbury Street. The trustees planned to demolish these houses and to build around the west, north and east sides of the museum new galleries that would completely fill

9164-681: The museum's architect by his brother Sydney Smirke , whose major addition was the Round Reading Room 1854–1857; at 140 feet (43 m) in diameter it was then the second widest dome in the world, the Pantheon in Rome being slightly wider. The next major addition was the White Wing 1882–1884 added behind the eastern end of the South Front, the architect being Sir John Taylor . In 1895, Parliament gave

9280-651: The museum, dated 31 January 1784, refers to the Hamilton bequest of a "Colossal Foot of an Apollo in Marble". It was one of two antiquities of Hamilton's collection drawn for him by Francesco Progenie, a pupil of Pietro Fabris , who also contributed a number of drawings of Mount Vesuvius sent by Hamilton to the Royal Society in London. In the early 19th century the foundations for the extensive collection of sculpture began to be laid and Greek, Roman and Egyptian artefacts dominated

9396-655: The museum, was criticised for having a lack of exhibition space at a time when the museum was in serious financial difficulties and many galleries were closed to the public. At the same time the African collections that had been temporarily housed in 6 Burlington Gardens were given a new gallery in the North Wing funded by the Sainsbury family – with the donation valued at £25 million. The museum's online database had nearly 4,500,000 individual object entries in 2,000,000 records at

9512-457: The nation, for a sum of £20,000. At that time, Sloane's collection consisted of around 71,000 objects of all kinds including some 40,000 printed books, 7,000 manuscripts, extensive natural history specimens including 337 volumes of dried plants, prints and drawings including those by Albrecht Dürer and antiquities from Sudan , Egypt , Greece , Rome , the Ancient Near and Far East and

9628-465: The natural history collection according to the Linnaean system , thereby making the museum a public centre of learning accessible to the full range of European natural historians. In 1823, King George IV gave the King's Library assembled by George III, and Parliament gave the right to a copy of every book published in the country, thereby ensuring that the museum's library would expand indefinitely. During

9744-463: The near eastern token system used for accounting. The meaning and usage of these tokens is still a matter of debate. These tokens were in use from the 9th millennium BC and remained in occasional use even late in the 2nd millennium BC. Early tokens with pictographic shapes of animals, associated with numbers, were discovered in Tell Brak , and date to the mid-4th millennium BC. It has been suggested that

9860-467: The ones that ultimately led to its decipherment are the ones found in the trilingual Behistun inscriptions , commissioned by the Achaemenid kings. The inscriptions, similar to that of the Rosetta Stone 's, were written in three different writing systems. The first was Old Persian , which was deciphered in 1802 by Georg Friedrich Grotefend . The second, Babylonian cuneiform, was deciphered shortly after

9976-464: The proposed Picture Gallery was no longer needed, and the space on the upper floor was given over to the Natural history collections. The first Synopsis of the British Museum was published in 1808. This described the contents of the museum, and the display of objects room by room, and updated editions were published every few years. As Sir Robert Smirke 's grand neo-classical building gradually arose,

10092-477: The public and aiming to collect everything. Sloane's collection, while including a vast miscellany of objects, tended to reflect his scientific interests. The addition of the Cotton and Harley manuscripts introduced a literary and antiquarian element, and meant that the British Museum now became both National Museum and library. The body of trustees decided on a converted 17th-century mansion, Montagu House , as

10208-511: The reception of the Royal Library , and a Picture Gallery over it ..." and put forward plans for today's quadrangular building, much of which can be seen today. The dilapidated Old Montagu House was demolished and work on the King's Library Gallery began in 1823. The extension, the East Wing, was completed by 1831. However, following the founding of the National Gallery , London in 1824,

10324-527: The recognition of the word "king". British Museum The British Museum is a public museum dedicated to human history , art and culture located in the Bloomsbury area of London. Its permanent collection of eight million works is the largest in the world. It documents the story of human culture from its beginnings to the present. Established in 1753, the British Museum was the first public national museum to cover all fields of knowledge. In 2023,

10440-449: The relative position of the stylus to the tablet, the writer could use a single tool to make a variety of impressions. For numbers, a round-tipped stylus was initially used, until the wedge-tipped stylus was generalized. The direction of writing was from top-to-bottom and right-to-left. Cuneiform clay tablets could be fired in kilns to bake them hard, and so provide a permanent record, or they could be left moist and recycled if permanence

10556-639: The separation of the British Library). A board of 25 trustees (with the director as their accounting officer for the purposes of reporting to Government) is responsible for the general management and control of the museum, in accordance with the British Museum Act 1963 and the Museums and Galleries Act 1992 . Prior to the 1963 Act, it was chaired by the Archbishop of Canterbury , the Lord Chancellor and

10672-528: The start of 2023. In 2022–23 there were 27 million visits to the website. This compares with 19.5 millions website visits in 2013. There were 5,820,860 visits to the museum in 2023, a 42% increase on 2022. The museum was the most visited tourist attraction in Britain in 2023. The number of visits, however, has not recovered to the level reached before the Covid pandemic. A number of films have been shot at

10788-415: The syllable [ɡu] had fourteen different symbols. The inventory of signs was expanded by the combination of existing signs into compound signs. They could either derive their meaning from a combination of the meanings of both original signs (e.g. 𒅗 ka 'mouth' and 𒀀 a 'water' were combined to form the sign for 𒅘 nag̃ 'drink', formally KA×A; cf. Chinese compound ideographs ), or one sign could suggest

10904-472: The third century AD. The complexity of cuneiforms prompted the development of a number of simplified versions of the script. Old Persian cuneiform was developed with an independent and unrelated set of simple cuneiform characters, by Darius the Great in the 5th century BC. Most scholars consider this writing system to be an independent invention because it has no obvious connections with other writing systems at

11020-432: The time, such as Elamite , Akkadian, Hurrian , and Hittite cuneiforms. It formed a semi-alphabetic syllabary, using far fewer wedge strokes than Assyrian used, together with a handful of logograms for frequently occurring words like "god" ( 𐏎 ), "king" ( 𐏋 ) or "country" ( 𐏌 ). This almost purely alphabetical form of the cuneiform script (36 phonetic characters and 8 logograms), was specially designed and used by

11136-652: The token shapes were the original basis for some of the Sumerian pictographs. Mesopotamia's "proto-literate" period spans roughly the 35th to 32nd centuries BC. The first unequivocal written documents start with the Uruk IV period, from circa 3,300 BC, followed by tablets found in Uruk III, Jemdet Nasr , Early Dynastic I Ur and Susa (in Proto-Elamite ) dating to the period until circa 2,900 BC. Originally, pictographs were either drawn on clay tablets in vertical columns with

11252-556: The tombs of the rulers of ancient Lycia , among them the Nereid and Payava monuments. In 1857, Charles Newton was to discover the 4th-century BC Mausoleum of Halikarnassos , one of the Seven Wonders of the Ancient World . In the 1840s and 1850s the museum supported excavations in Assyria by A.H. Layard and others at sites such as Nimrud and Nineveh . Of particular interest to curators

11368-585: The two languages are related, their writing systems seem to have been developed separately. For Hurrian, there were even different systems in different polities (in Mitanni , in Mari , in the Hittite Empire). The Hurrian orthographies were generally characterised by more extensive use of syllabograms and more limited use of logograms than Akkadian. Urartian, in comparison, retained a more significant role for logograms. In

11484-501: The view that with the likelihood of far worse air-raids than that experienced in World War I that the museum had to make preparations to remove its most valuable items to secure locations. Following the Munich crisis Forsdyke ordered 3,300 No-Nail Boxes and stored them in the basement of Duveen Gallery. At the same time he began identifying and securing suitable locations. As a result, the museum

11600-602: The while, the collections kept growing. Emil Torday collected in Central Africa, Aurel Stein in Central Asia, D. G. Hogarth , Leonard Woolley and T. E. Lawrence excavated at Carchemish . Around this time, the American collector and philanthropist J. Pierpont Morgan donated a substantial number of objects to the museum, including William Greenwell 's collection of prehistoric artefacts from across Europe which he had purchased for £10,000 in 1908. Morgan had also acquired

11716-565: The word more precisely, two phonetic complements were added – Ú (𒌑) for the syllable [u] in front of the symbol and GA (𒂵) for the syllable [ga] behind. Finally, the symbol for 'bird', MUŠEN (𒄷) was added to ensure proper interpretation. As a result, the whole word could be spelt 𒌑𒉀𒂵𒄷, i.e. Ú.NAGA.GA (among the many variant spellings that the word could have). For unknown reasons, cuneiform pictographs, until then written vertically, were rotated 90° counterclockwise, in effect putting them on their side. This change first occurred slightly before

11832-623: Was a room originally intended for manuscripts, between the Front Entrance Hall and the Manuscript Saloon. The books remained here until the British Library moved to St Pancras in 1998. The opening of the forecourt in 1852 marked the completion of Robert Smirke 's 1823 plan, but already adjustments were having to be made to cope with the unforeseen growth of the collections. Infill galleries were constructed for Assyrian sculptures and Sydney Smirke 's Round Reading Room , with space for

11948-511: Was able to quickly commence relocating selected items on 24 August 1939, (a mere day after the Home Secretary advised them to do so), to secure basements, country houses , Aldwych Underground station and the National Library of Wales . Many items were relocated in early 1942 from their initial dispersal locations to a newly developed facility at Westwood Quarry in Wiltshire . The evacuation

12064-561: Was adapted to writing Hittite, a layer of Akkadian logographic spellings, also known as Akkadograms, was added to the script, in addition to the Sumerian logograms, or Sumerograms, which were already inherent in the Akkadian writing system and which Hittite also kept. Thus the pronunciations of many Hittite words which were conventionally written by logograms are now unknown. The Hurrian language (attested 2300–1000 BC) and Urartian language (attested 9th–6th century BC) were also written in adapted versions of Sumero-Akkadian cuneiform. Although

12180-416: Was apparent that it would be unable to cope with further expansion. The museum's first notable addition towards its collection of antiquities, since its foundation, was by Sir William Hamilton (1730–1803), British Ambassador to Naples , who sold his collection of Greek and Roman artefacts to the museum in 1784 together with a number of other antiquities and natural history specimens. A list of donations to

12296-627: Was bequeathed to the museum in 1881. In 1882, the museum was involved in the establishment of the independent Egypt Exploration Fund (now Society) the first British body to carry out research in Egypt. A bequest from Miss Emma Turner in 1892 financed excavations in Cyprus. In 1897 the death of the great collector and curator, A. W. Franks , was followed by an immense bequest of 3,300 finger rings , 153 drinking vessels, 512 pieces of continental porcelain, 1,500 netsuke , 850 inro , over 30,000 bookplates and miscellaneous items of jewellery and plate, among them

12412-406: Was further developed and modified in the writing of the Akkadian language to express its sounds. Often, words that had a similar meaning but very different sounds were written with the same symbol. For instance the Sumerian words 'tooth' [zu], 'mouth' [ka] and 'voice' [gu] were all written with the original pictogram for mouth (𒅗). Words that sounded alike would have different signs; for instance,

12528-666: Was in the tradition of a Schatzkammer such as those formed by the Renaissance princes of Europe. Baron Ferdinand's will was most specific, and failure to observe the terms would make it void, the collection should be placed in a special room to be called the Waddesdon Bequest Room separate and apart from the other contents of the Museum and thenceforth for ever thereafter, keep the same in such room or in some other room to be substituted for it. These terms are still observed, and

12644-448: Was in use for more than three millennia, through several stages of development, from the 31st century BC down to the second century AD. The latest firmly dateable tablet, from Uruk, dates to 79/80 AD. Ultimately, it was completely replaced by alphabetic writing , in the general sense, in the course of the Roman era , and there are no cuneiform systems in current use. It had to be deciphered as

12760-478: Was invented, during the Neolithic , when clay tokens were used to record specific amounts of livestock or commodities. In recent years a contrarian view has arisen on the tokens being the precursor of writing. These tokens were initially impressed on the surface of round clay envelopes ( clay bullae ) and then stored in them. The tokens were then progressively replaced by flat tablets, on which signs were recorded with

12876-451: Was not needed. Most surviving cuneiform tablets were of the latter kind, accidentally preserved when fires destroyed the tablets' storage place and effectively baked them, unintentionally ensuring their longevity. The script was widely used on commemorative stelae and carved reliefs to record the achievements of the ruler in whose honor the monument had been erected. The spoken language included many homophones and near-homophones, and in

12992-406: Was retained, but was now pronounced immerum , rather than the Sumerian udu . Such retained individual signs or, sometimes, entire sign combinations with logographic value are known as Sumerograms , a type of heterogram . The East Semitic languages employed equivalents for many signs that were distorted or abbreviated to represent new values because the syllabic nature of the script as refined by

13108-458: Was set up in May 1920 and became a permanent department in 1931. It is today the oldest in continuous existence. In 1923, the British Museum welcomed over one million visitors. New mezzanine floors were constructed and book stacks rebuilt in an attempt to cope with the flood of books. In 1931, the art dealer Sir Joseph Duveen offered funds to build a gallery for the Parthenon sculptures . Designed by

13224-473: Was the eventual discovery of Ashurbanipal 's great library of cuneiform tablets , which helped to make the museum a focus for Assyrian studies . Sir Thomas Grenville (1755–1846), a trustee of the British Museum from 1830, assembled a library of 20,240 volumes, which he left to the museum in his will. The books arrived in January 1847 in twenty-one horse-drawn vans. The only vacant space for this large library

13340-572: Was timely, for in 1940 the Duveen Gallery was severely damaged by bombing. Meanwhile, prior to the war, the Nazis had sent a researcher to the British Museum for several years with the aim of "compiling an anti-Semitic history of Anglo-Jewry". After the war, the museum continued to collect from all countries and all centuries: among the most spectacular additions were the 2600 BC Mesopotamian treasure from Ur , discovered during Leonard Woolley 's 1922–34 excavations. Gold, silver and garnet grave goods from

13456-627: Was used to write several languages of the Ancient Near East . The script was in active use from the early Bronze Age until the beginning of the Common Era . Cuneiform scripts are marked by and named for the characteristic wedge-shaped impressions ( Latin : cuneus ) which form their signs . Cuneiform is the earliest known writing system and was originally developed to write the Sumerian language of southern Mesopotamia (modern Iraq ). Over

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